#suunnitelma

[onpassivereseller]

Menestyvän yrityksen salaisuus: Tehokkaat strategiat ovat avain menestykseen

Tervetuloa lukemaan artikkelia menestyvän yrityksen salaisuudesta! Onko sinulla oma yritys tai haaveiletko perustavasi sellaisen tulevaisuudessa? Haluatko tietää, mitä tehdä menestyksen saavuttamiseksi? Tässä artikkelissa jaan kanssasi tehokkaita strategioita ja avaimia menestykseen, jotka voivat auttaa yritystäsi kasvamaan ja menestymään. Menestyvän yrityksen tärkein salaisuus piilee…

[salmiakkisaatana]

Muo ei oo tehty työelämälle mut on tehty pieneksi tyhmäksi homoksi

[pandaemoanium]

mulla ois basically työpaikka jo tiedossa jossa voisin alottaa elokuussa, aattelin et hakisin välissä kesätöitä et pysyis tää päivärytmi kasassa mut valtio onkin kivasti hauskasti sitä mieltä että "et voi mennä kesätöihin kun sulta menee palkkatukioikeus ja sit et voi ottaa syksyllä sitä työpaikkaa vastaan mitä sulle jo tarjotaan mussunmussun lällislää :)"

kovasti halutaan työllistää ihmisiä mut samaan aikaan tehdään asiat niin vitun vaikeeks et loppujen lopuks ois vaan helpompi pysyä työttömänä huohhhhh

[because-its-eurovision]

asuuko joku Joensuussa tai onko joku menossa Ilosaarirockiin?

voitin arvonnasta lauantain festarilipun mutta kaikki majoitukset on jo tietysti täyteen buukattu ja illalla ei lähde enää busseja/junia takaisin Helsinkiin päin, tai yhtään minnekään 😔

laita dm jos on vinkkiä majoituksesta la-su yöksi tai mahdollisesti kyydistä etelään päin lauantaina illalla!

[eksopolitiikka]

Ihmiskunnan historia ja kosminen suunnitelma

IHMISKUNNAN HISTORIA (ja Kosminen Suunnitelma) On olemassa kolme maailmankaikkeutta, ja nyt odotamme, että tietoisuutemme laajenee. Nämä maailmankaikkeudet läpäisevät toisensa siten, että etäisyys, joka erottaa yhden maailmankaikkeuden toisesta, on lähempänä kuin etäisyys, joka erottaa ihomme ilmakehästä. Nämä universumit koostuvat eri tasoista tai ulottuvuuskaavoista, taivaista, ympyröistä tai voimista. Näiden ulottuvuuksien yhdistelmä antaa meille mahdollisuuden määritellä erilaisia olemuksellisen […] https://eksopolitiikka.fi/tietoisuus/ihmiskunnan-historia-ja-kosminen-suunnitelma/

[drugsforaddicts]

so he's entered his Eevil Stöö era huh?

what should we do with him?

[teal-skull]

Here's a piece of Käärijä trivia that might have been hidden behind the language barrier:

The iconic bolero was never meant to be the final outfit. Käärijä was supposed to wear the black biker jacket for the UMK final instead. The green bolero was made only for the music video. The designers were inspired by professional wrestling and wanted to build muscles into Käärijä's arms. They decided to do a bolero in order to keep as much bare skin visible as possible since he is Paidaton riehuja (shirtless menace).

They changed their minds and decided to re-use the bolero in UMK performances when it became so famous from the music video alone.

You can see the original sketches in this instagram-y post by Yle:

The title is: Käärijä wasn't supposed to perform in the famous bolero at all - A suprice is revealed in Yle's costume department.

The desingers behind the bolero are:

Vesa Silver - stylist

Elina Lario - costume desinger

Teemu Muurimäki - fashion desinger

[vieraslaji]

peruuntuko sun suomenmatka vai olitko salaa keskuudessamme? :D

NO KUN KYSYIT

teknisesti matka on siirtynyt ens kesälle, joten ei oo oikeesti peruuntunut. suunnitelma oli se et matkustan perheeni kaa ja sit mä jään kauemmin, mutta a) siskoni mursi sen nilkkaan, mikä vaatii leikkauksen, ja b) isoisäni muutti vanhainkotiin joten äitini piti käydä siellä auttamaan. siis pikku ryyn suomeen reissusta unelmat odottelee :/

(vai valehtelenko mä) (piileskelenkö Turun apteekkimuseo just kun vastaan tämän) (ehkä me ei ikinä tiedetä)

[incorrect-tuntematon-quotes]

Lehto: Onko tämä suunnitelma B?

Rahikainen: Ei, tämä on suunnitelma L.

Lehto: Kuinka monta suunnitelmaa sinulla oikein on? Onko sinulla myös suunnitelma X?

Rahikainen: Joo, mutta toivotaan, ettei jouvuta sinne asti. Suunnitelma X:ssä mie nain Määtän.

Määttä: Vaan minusta suunnitelma X kuulostaapi lystiltä.

[ruttotohtori]

Vladimir Putinilla on tarkka suunnitelma Moldovan itsenäisyyden rapauttamiseksi. Suunnitelma paljastuu ruotsalaislehti Expressenin haltuunsa saamasta dokumentista. Dokumentin on vuotanut lehdelle Kremlin sisäpiiriläinen.

Venäjä on kohdistanut voimakasta hybridivaikuttamista Moldovaan jo useiden vuosien ajan. Dokumentista selviää, että maalla on selkeät, konkreettiset tavoitteet Moldovan suhteen. Putin haluaa niiden toteutuvan vuoteen 2025 mennessä.

Suunnitelma on viisisivuinen, ja siinä kuvataan, kuinka Moldovan itsenäisyys hajotetaan.  Suunnitelman mukaan Venäjän tavoitteena on pysäyttää, vastustaa ja jäädyttää Moldovan yhteistyö EU:n, Naton ja naapurimaa Romanian kanssa. Romania on sekä EU:n että Naton jäsen

Venäjä haluaa saada puolelleen Moldovan poliittisen eliitin, vahvistaa Venäjän ortodoksisen kirkon asemaa maassa ja säilyttää Moldovan riippuvuuden venäläisestä kaasusta.

---

Lisäksi Venäjä pyrkii lisäämään ”sotilaspoliittista yhteistyötä” Moldovan kanssa asevoimien ja lainvalvontaviranomaisten kautta.

Moldovan pääministeri Dorin Recean kommentoi Expressenille, että Putinin tarkoitus on, että Moldova menettää ulkopoliittisen suvereniteettinsa.

---

[bosskie]

Molluck 'n' Slig Finnish Dub

It's been like two years since I did these dubs... I haven't still forgotten my project about dubbing all the Molluck having cutscenes in Finnish but this is only the second one so far... Well, gotta keep dubbing!

But yeah, this is a non-serious dub but I also altered some sentences to fit better into Finnish. So, here's the translation for the stuff I said:

Molluck:

FIN: "Kuinka tämä heikko, säälittävä, sivistymätön, orjan retale voi olla vieläkin hengissä?" ENG: 'How can this weak, pathetic, uneducated, schmuck of a slave still manage to be alive?'

'Schmuck of a slave' isn't easy to translate but I could figure out a good non-literal one.

Slig:

FIN: "En tiedä pomo, mutta se karmiva tyyppi on jotenkin yliluonnollinen, sen tiedän! En uskoisi sitä, jos en olisi nähnyt sitä omin silmin, kun parhaiden kavereideni mielet menivät jotenkin sekaisin ja he alkoivat ampua toisiaan. Pam pa-pa-PAM! Se oli järkyttävää. En tiedä pomo, mutta se kalja ei kai mene sillä päähän." ENG: 'I don't know boss, but that creepy dude is some kind of supernatural, I know it! I wouldn't believe it if I hadn't seen it by my own eyes when my best friends went somehow insane and started to blow each other away. Pew pe-pe-PEW! It was disturbing. I don't know boss, but maybe that one doesn't get drunk on the beer.'

There ain't a good translation for 'brew' in Finnish, so the best one is 'beer'. Well, it also makes this less serious but there ain't literally any better translation... Another one is 'uutos' but it sounds somehow too sophisticated here since the style of Oddworld language is slang and rough ect. But if these were meant to official, that would probably be still used. Oh, and yeah, I was having fun with that translation here.

Molluck:

FIN: "Kalja oli meidän vakuutuksemme, takuumme siitä, ettei mitään tällaista koskaan tapahtuisi!" ENG: 'The beer was our insurance, our guarantee that would prevent anything like this from ever happening!'

Slig:

FIN: "Mutta se tapahtui. Kaljojen olisi pitänyt jo hoitaa tehtävänsä, ellei heillä ole sitä mukanaan. Miten selität sen?" ENG: 'But it did happen. The beer should already have done its work, unless they have it with them. How you explain it?'

I had to alter that one sentence since it does explain better the thing here but it also sounds better.

Molluck:

FIN: "Ehkä kaljamestarin suunnitelma olikin täyttä paskaa!" ENG: 'Maybe the Brewmaster's plan was bullshit!'

Frankly, this is my favourite line. (Y) But yes, this did sound better but I also think that it does suit Molluck, I can see him saying a thing like this. Also yes, I did translate the Brewmaster's name or 'the title'. I'm not sure if it should be seen more like as a title or his name but here, it's more like a title or a 'nickname', being a 'beermaster'.

I feel like I do need more practice with this stuff but I accept this dub I did last night. My throat didn't enjoy this... The Slig was the worst one... Doing Molluck voice doesn't hurt so much anymore but maybe it's so because I have started to get more used to it...

I could do some other languages too, though they do require a bit more work. It's been told me that I pronounce various languages well, so it wouldn't be a problem. I have studied five other (natural) languages than my mother tongue, more or less. (I mean, I'm also studying programming languages; I'm a computer scientist.) One language I have wondered to try out one day is Italian since it's kinda my fourth language and the game does offer the translations, so I don't need to translate anything by myself! Che sollievo! (= What a relief!)

I can understand why OWI didn't do more languages than English for the audio (referring to those old games that had those 'basic' languages dubbed too). But I can kinda 'fix' that thing! I'm not saying that what I do is good enough to be official, though I have heard bad dubs in video games, but yeah, I'm just doing these for fun!

[starlene]

🔥 g.j. utterson, 🔥 six the musical, 🔥 eurovision/käärijä, 🔥 finnish musical theatre

Ooh, so many juicy topics! Let's go!

My unpopular opinion about G. J. Utterson (musical edition):

I don't know if this is unpopular, haven't really seen anyone discuss this – but I don't think we need to see a man play this role again, either, at least not for a while!

I loved that the recent Australian production cast a woman in the role, I loved their justification for that choice (they thought it felt right to give the task of shutting down male violence to a woman), I love the thought of lady Utterson defending her fellow women from Hyde...

And yeah, I obviously also love the rainbow undertones (or overtones, depends on the production) you get with the traditional casting – but you'll get to explore a whole new rainbow when you cast a woman in the role, what with her protecting Emma at the wedding and all that, so there's also that!

My unpopular opinion about Six the musical:

I get so annoyed when people say Six is not really a musical and keep insisting it's a concert with a theme. It's a concept musical, you uncultured swines, ever heard of those??

Also, every piece of critique that doesn't acknowledge that the whole point of Six is empowering teen girls, and that it succeeds at that beautifully, is invalid and should be ignored.

My unpopular opinion about Eurovision/Käärijä:

Uhh. Cha cha cha is a fun song, the dude himself seems pretty nice and smart, and I think it's super cute how all of Finland went green for a couple of weeks this spring... but other than that, I don't really have opinions, unpopular or otherwise, about either??

My unpopular opinion about Finnish musical theatre:

Hmm. Luulenpa, että tämä aihepiiri tulee paremmin käsitellyksi äidinkielellä:

Suomalaiset julkisia tukia nauttivat laitosteatterit ovat musikaaliasioissa toisaalta raivostuttavan kaupallisia siellä, missä vähempikin riittäisi (onko todella yhteisten rahojen parasta mahdollista käyttöä maksaa Disney-musikaalien ja muiden leffoihin perustuvien rimanalituksien lisenssejä useille isoille näyttämöille vuosittain? Olisiko laitosteattereiden mitenkään mahdollista esittää hieman useammin Sondheimia yms. "hankalia" tai vähemmän tunnettuja ulkomaisia musikaaleja, vaikka ne eivät myisikään yhtä hyvin kuin tuttuihin brändeihin perustuvat teokset?), toisaalta raivostuttavan epäkaupallisia siellä, missä röyhkeämmästä kaupallisesta ajattelusta olisi hyötyä (miksi uudet suomimusikaalit niin usein käsittelevät paikallisia aiheita ja muuta hankalasti myytävää? En ole ihan tosissani Poika ja ilves -musikaalin kanssa, mutta uskon, että meidän kannattaisi ottaa ruotsalaisista oppia ja yrittää adaptoida jokin menestysleffa musikaaliksi. Ja onko kukaan koskaan tosissaan yrittänyt myydä suomimusikaaleja esim. ruotsalaisiin teattereihin? Ei se Så som i himmelen ole itsestään ympäri Pohjois-Eurooppaa versonnut, niillä oli ihan alusta asti suunnitelma myydä se naapurimaihin ja ne toteuttivat sen).

Lisäksi: Niin kuin taivaassa oli heittämällä tyylikkäin musikaali, jonka HKT on saanut puserrettua suurelle näyttämölleen koko sinä aikana, jonka olen näitä asioita seurannut – ei ihan täydellinen napakymppi, mutta kaunis, oivaltava ja ennen kaikkea omaperäinen ohjaus. Ja suoraan sanottuna en usko, että siellä tullaan tekemään mitään vastaavaa... no, en sano koskaan, se olisi liian fatalistista, mutta sanotaan nyt että hyvin pitkään aikaan.

Send me unpopular opinion prompts

[nanoa1foryou]

Translation of this article from Helsingin Sanomat.

The third time

Robin Packalen had a secret plan. After military service he'd head abroad. Despite the attempts a breakthrough hasn't come. Now he reveals his biggest adversary, who surprisingly has a familiar name.

Universal Music Group -record lable's office was located in Merimiehenkatu in Punavuori, Helsinki, in the cable factory's old industrial estate. Behind it's square windows, at the end of the second floor, there was a meeting room, where in August of 2022 gathered a group of the heads of the record lable and one big popstar.

There was a dark table in the room. People sat on opposite sides of it.

There is no clear memory of who all were there, but at least the CEO of the lable Kimmo Valtanen and manager Juha Ruusunen. Producer Joonas Parkkonen participated remotely.

The popstar sat on the other side. He was Robin Packalen.

Outside the late summer sun was burning, but indoors they were looking already forward to the next spring. Or maybe it's more accurate to say listened, because around the table the thoughts were on what pop music on next spring's Eurovision could sound like.

In the previous yyear Parkkonen and Packalen had been polishing up three new English language songs. Now it was time to choose, which one of them would be sent to Yle's Uuden Musiikin Kilpailu.

And from there hopefully to Eurovision.

He had been preparing an international career in secresy. The decision had been made already in 2013.

The situation was peculiar, as Robin had refused from going to Eurovision publicly on multiple occasions, because it didn't fit the artist's image.

"As a concept it's not my style", he had said for example in a Helsingin Sanomat interview a few years earlier.

And Packalen wanted to be a man of his word. But the situation had changed. A career abroad had not gotten off the ground as they'd hoped and for that he was ready to do nearly whatever it takes, even go back on his word about the UMK-competition.

An international career, after all, he had been working on in secresy nearly since when he had pushed his way to the hearts of the Finnish people with this song:

*In the article they have a 23 second clip of the song Frontside Ollie here*

The video for Frontside Ollie was released on 16th of January, 2012. In two weeks the song rose to the top of the at the time Finland's official downloads list and as the most sold on the musicservice Itunes. To this day the musicvideo has been viewed on Youtube for over 20 million times.

During the first three years the teenstar's fame rose to a level, that is still in Finland without a match.

A few measurement of that succeess:

The debut album, Koodi, was the most sold record of the year 2012 in Finland.

The second album, Chillaa, rose immediately after it's release to number one of the official Finnish album chart.

The third, in 2013 released Boom Kah, sold double platinum on it's release day.

Packalen toured around Finland. But in the days between, when he had the time, he flew to "song sessions" abroad. In those he composed music in English and managed to even do it for years is secret from the public.

He, who had charmed teh Finn's with his sincerity.

As the decision had been actually made already in 2013. It was Packalen's own and it was supported by his team. After the matriculation examination and military service the performance language would change to English and the career would be directed towards international spotlights.

The song was called I'll Be With You and it was heard in the Emma-gala in February of 2019. In April another single, Suit That, was released.

*In the article they have a 21 second clip of the song I'll Be With You here*

Packalen had been silent for a year and a half. Then he hd revealed, that he would aim for an international career and was changing his performance language to English.

After the break the first show however was still in a familiar place, in his hometown Turku, on the Rantalava at Ruisrock-festival.

The show lasted for 23 minuter. In that time Packalen did one flip, performed the already released English language songs, two cover songs and a not yeat released Benefits-slow song. In the intermission speeches he spoke in Finnish, among other things called his show a "goofing around show" and promised in the end, that more English language music would be released soon.

But then came fall and winter and spring, and when 13 months had passed from the release of the first song in English oretty much exactly, the coronavirus pandemic closed the artist to isolation and stopped the exporting of music.

"Robin, come back and sing in Finnish"

Packalen's project for international success had first been worked on for three years by Comusic Management's CEO and artist manager Mikko Saukkonen. In 202 the project moved to Packalen's own backing company Robin Entertainment's care.

Both Saukkonen and Robin Entertainmens communications cordinator Susa Ruuhilahti told in an HS interview, that the reasoning for the hold on the international career attempts was the coronavirus pandemic.

The continuation wasn't looking much more promising either.

In December 2020 Packalen released his first English language ep, called Rest In Beat PM. It got a sequel in the next year's October, this ep was called Rest In Beat AM.

First placed on Finlan'd official chart in 46th place, the second in 27th.

HS's music critic voiced a wish: "Robin, come back and sing in Finnish".

In the spring of 2022 a familiar pattern repeated. Yle called. Packalen's manager since 2020, Juha Ruusunen answered the phone.

Would Robin be interested this time in participating in Uuden Musiikin Kilpailu?

After that came a second phone call, this time from Ruusunen to Packalen.

Packalen doesn't remember, where he was when he answered Ruusunen, but he does remember, that the call was long and by it's tone it deviated from the previous calls.

"For the first time I thought immediately, that now I could maybe consider participating", Packalen says.

A year earlier Finland's UMK winner, metal band Blind Channel had managed to create an international fanbase with their song Dark Side.

The concept had started to tempt.

Packalen decided to join on one condition: he'd have to have a good enough song. For that he had to travel to Los Angeles for a song making trip.

He packed into his bag his laptop, microphone, preamplifier and a small keyboard. On the trip he was joined by producer Joonas Parkkonen. The same man, that had earlier participated in the production of Blind Channel's hit as well.

When the evening dimmed, from somewhere far away a shot echoed. Then another.

Packalen had reserved them a "good, cheap and spacious" rowhouse strip from Inglewood, southwest of the center of Los angeles.

When the first evening there dimmed, from somewhere far away a shot echoed. Then another. In the sky a helicopter was making noise.

Packalen and Parkkonen however were in an entirely different atmosphere. When you listen to the music made during the trip to California after the fact, mostly the buzz of the palm trees and a hot beach comes to mind.

During the spring Parkkonen and Packalen made together a total of six songs. By combining those and earlier songs Packalen put together an entire album's worth of music.

In Los Angeles the lightly swinging Girls Like You was born as well. In Punavuori it lit up the group gathered around the table at the Universal Music Group's office.

*In the article they have a 25 second clip of the song Girls Like You here*

The final decision was made by Packalen. He thought that Girls Like You was "super fucking good", as he put it later during UMK in a press conference.

With that he's join UMK, that he was to win, so his name would become familiar abroad. ANd when that moment would come, he'd have an album of new music in English in his back pocket ready to go.

The first time Packalen heard Käärijä's song in January 2023. Yle set up for the finalists a listening session, where the artists got to know, who their competition was and how their songs sounded.

Cha Cha Cha was played second. The situation was recorded on video. At first Packalen's eyes widened from shock and then staryed somewhere towards the floor from confusion.

"I was thinking that well, can't do much more than go to Logomo to jump around."

It quickly became apparent, that Jere Pöyhönen from Vantaa had managed to raise up a buzz, that would be tough to beat. Everything green from cucumbers to the new buds of willows turned into Käärijä juice.

Again manager Ruusunen called Packalen.

"We were so deep into the project. nearly every day there was something UMK to do, practice, finalizing wardrobe and building the staging. There was no opportunity to wallow", Ruusunen says.

The duo would pull up Packalen's much used slogan: it is what it is, se on, mitä on, and move onwards. The call ended.

At the UMK final Packalen performed a perfectly polished, flawless show. Despite, that he had been fairly certain even before the competition of his loss.

Careful steps flowed precicely to the beat of the song. Occasionally he'd fall on his back to the soft surface, but his voice didn't waver.

The viewers voted Girls Like You to the fourth place of the competition.

Without the buzz of Eurovision winner there was no cause to release the new, English language album.

A Finnish popstar's international breakthrough is a trick, that has always seemed nearly impossible.

It almost worked for Alma in 2016. Karma was an international hit, and after it in Finland it was expected, first with vigour and later in desperation, that Alma would become an international superstar.

The record lable supported Packalen's dreams of an international career. But at the same time, it kept reminding, that hits need to happen in the homeland as well.

After a year and half break in 2019 Packalen had said in an interview, that he wouldn't be making more music in Finnish. In the end he went back on his word almost "accidentally".

In October 2022 Packalen's and singer Viivi's joint single Ihana Kipu was released.

*In the article there is a 19 second clip of the song Ihana Kipu here*

According to packalen the song was born kind of on accident or at least he jumped in on accident.

"I went to the studio with the mentality, that let's wrote some more music to Viivi's album. Then somehow I got really excited about the song, and I started to want to join in on it."

The song broke in Finland on it's release day the record of most streams in a day for this decade and crosssed the gold limit in two weeks.

According to the record lable's Kimmo Valtanen Ihana Kipu showed that the early 2010's "Robin magic" that had charmed the Finns hadn't disappeared. But how would the achieve the same with songs in English?

"It's useless to dream, that someone abroad would understand, if they don't understand in Finland", Valtanen says.

"I don't want to rush the music. It has to be something really unique and different from here on out."

Last spring the record lable Universal Music Group moved from Punavuori to new spaces in Hakaniemi in Helsinki.

On the building's sixth floor there is a small negotiation room and in the room a table, on the edge of which amidst bags of peanuts and water bottles a phone and sunglasses have been carefully stacked.

The popstar is sitting at the table. He is wwearing a large t-shirt and green cargo pants, the shoes are mismatched.

What does he think of his international career? Does it feel like a failure?

"It's no breeze, and not like that I decide this and it happens", Packalen says.

"It's important for your head that you have a direction. Somewhere you want to take your life. For me that has been that, creating an international career."

In the interview it becomes apparent, that the record lable Universal has not lost it's hope of Packalen's international breakthrough. Neither has Packalen.

Quite the opposite.

Even in 2020 Packalen said in an Ilta-Sanomat interview that fans shouldn't get upset if "nothing much happens even in ten years".

He sstill seems to think this way.

"I don't want to rush the music. It has to be something reallu unique and really different from here on out."

According to Valtanen the project for internationality has alway had the tought from the record lable behind it, that Packalen is going to make a lifelong career. Internationality is only one part of that.

"And in that we aim to support him so that his career progresses in the best possible way."

In November Packalen will fly to southwest China's Chengdu, the capital of Sichuan province. From there starts a tour around China with the Norwegian dj Alan Walker. The tour is a seven show large scale production and walker needs soloistst along to sing his songs.

Before the tour they practice together in Oslo.

In trying to make it abroad Packalen thinks there is something educational. The mindset is, that you can't make many detailed plans. The things around you change and your mind changes with them.

"The fact that things don't always go as you want, you learn from that much more, than when you just say that this is what we're doing and people just kind of eat from the palm of your hand."

"Here I've gotten to hear a lot of those empowering experiences, that maybe someone has been feeling really bad and then has listened to my music and gotten power and energy from that."

He wants to create the same reaction abroad.

"Music is the only way I can have an effect. It's not like I know how to do anything else."

At the change of the year after the tour with Alan Walker Packalen will try to break out into the international arenas again, I guess you could dare to say about the future plans.

He yet again packs up his computer, microphone, preamplifier and small keyboard and travles to Soul in South Korea, this time alone. There he will spend the whole spring.

He would like to find a nice team from Korea, a songwriter or producer, with whom he could write music. Either for himself or someone else. Relations to Korea have been created beforehand.

It's not that there isn't enough talented musicians in Finland. There is. But in popmusic South Korea is currently at another level entirely.

"Everyone wants to work with the Koreans. Korans are kind of like kings at this point", Packalen says.

He has a weight on his shoulders too: that smiling and porcelain doll like beautiful boy.

Young postar Robin was in public a positive, innocent and even flawless. So pictureque, that the mismatched shoes stood out as the only fault in the character.

Almost too good?

Now Packalen, 25, tells, that even his shoulders bear a weight. It's that smiling and porcelain doll like boy, who once did everything so well in the domestic popworld.

"Whatever I do now, it's always experienced in a way, where it will never be anything as good as that earlier Robin."

[debaattimedia]

EU:n koheesiopolitiikka: Suomi saa yli 465 miljoonaa euroa oikeudenmukaisen ilmastosiirtymän toteuttamiseen

Suomen alueellinen oikeudenmukaista siirtymää koskeva suunnitelma hyväksyttiin tänään. Sen myötä Suomi saa yli 465 miljoonaa euroa oikeudenmukaisen siirtymän rahastosta. Tämä rahoitus on noin 24 prosenttia Suomelle osoitetuista koheesiopolitiikan kokonaismäärärahoista vuosina 2021–2027. Tuen tarkoitus on auttaa Suomea saavuttamaan tavoitteensa mukaisesti ilmastoneutraalius vuoteen 2035 mennessä…

[timotynkkynen]

EU:n kiistelty yksityisyydensuoja

Euroopan unionin suhde yksityisyydensuojaan on jatkuvasti kehittyvä, monimutkainen kysymys, jossa digitaalisten oikeuksien, turvallisuuden ja yksityisyyden tasapainottelu muodostaa valtavan haasteen. Monet EU-toimintaa seuraavat ja sen sisäpiirissä toimivat digitaalisista oikeuksista huolehtivat tahot kokevat työskentelevänsä jatkuvasti uuden byrokratian lävitse. Tuore suunnitelma, jota kutsutaan nimellä ”EU Going Dark”, on viimeisin esimerkki tästä. Tämän yksityisyyttä heikentävän toimenpiteen suunnittelusta ja vaikutuksista on puhunut avoimesti asianajaja ja entinen saksalainen Euroopan parlamentin jäsen Patrick Breyer.

Breyer on ilmaissut syvää huoltaan EU-komission (EC) suljettujen ovien takana työstämästä suunnitelmasta, jossa keskitytään valvonnan lisäämiseen ja verkon salauksen heikentämiseen. Vaikka virallisia lausuntoja suunnitelmasta ei ole juurikaan saatu, on Breyer ja muut kriitikot onnistuneet saamaan käsiinsä joitakin asiakirjoja, jotka kuvaavat suunnitelman laajamittaiseksi tiedonkeruuksi ilman tarkkaa kohdentamista. Tämä tarkoittaisi, että kansalaisten viestintää ja tietoja kerättäisiin summittaisesti ja laajasti, riippumatta yksilöllisestä epäilystä.

Tässä vaiheessa suunnitelman tarkoituksena on mahdollistaa tehokas tiedonhankinta lainvalvontaa varten. Tähän liittyy kuitenkin ongelmallisia elementtejä, kuten laitteiden ja ohjelmistojen valmistajien velvollisuus pitää tuotteensa "valvottavissa" – eli varmistaa, että laitteet ja niihin asennetut sovellukset olisivat aina viranomaisten tarkkailtavissa. Tämä tarkoittaisi esimerkiksi sitä, että puhelinten, älykotilaitteiden ja jopa autojen pitäisi sisältää takaportteja, joiden kautta viranomaiset pääsisivät tietoihin käsiksi. Myös GPS-sijainnin luovuttaminen ja viestintäsovellusten salauksen purkaminen olisivat osa suunnitelmaa.

Erityisen huolestuttavana Breyer pitää sitä, että suunnitelma uhkaa heikentää viestinnän salausjärjestelmiä. Kun salausta murretaan teknisesti ja poliittisesti, sen käyttöä ei enää voida taata edes niille, jotka luottavat siihen pankkiasioiden, lääketieteellisten tietojen tai yksityisen viestinnän turvaamiseen. Tämä voisi myös johtaa siihen, että palveluntarjoajat joutuisivat pakotettuina sallimaan tietyn sisällön kuuntelun ja luovuttamaan asiakkaidensa yksityisiä tietoja viranomaisille.

Breyerin mukaan EU-komission pyrkimys pitää tämä suunnitelma piilossa yleisöltä ja jopa parlamentin jäseniltä on huolestuttavaa. Hän toteaa, että tällainen toiminta on harvinaisen läpinäkymätöntä ja demokratian perusperiaatteiden vastaista. Kansalaisille ja poliitikoille tällainen lähestymistapa ei lupaa hyvää, sillä suunnitelman toteutuessa heille ei jääne muuta vaihtoehtoa kuin hyväksyä laajamittainen valvonta ja yksityisyyden heikennys.

Kriitikot korostavat, että mikäli suunnitelma toteutuu nykyisessä muodossaan, se muuttaisi huomattavasti käsitystä yksityisyyden ja turvallisuuden tasapainosta Euroopassa. Euroopan unionin jäsenvaltioiden kansalaiset voivat tulevaisuudessa joutua elämään ympäristössä, jossa heidän viestintänsä ja arkensa ovat jatkuvan valvonnan alaisina. Tässä kontekstissa kysymys yksityisyydensuojan asemasta EU nousee entistä polttavammaksi – tuleeko EU:sta digitaalisten oikeuksien puolustaja vai niiden purkaja?

Timo Tynkkynen

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