#susanna foster
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screengoddess · 11 months ago
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Susanna Foster 1950
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broadwaydivastournament · 4 months ago
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Movie Musical Divas Tournament: Round 1
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Eleanor Parker (1922-2013): The Sound of Music (1965) - Baroness Elsa Schraeder | Interrupted Melody (1955) - Marjorie Lawrence* Dubbed by Eileen Farrell
"Okay, so yes they cut Elsa's songs in Sound of Music for the film. Most people don't even know she has songs in the stage musical because of the rewrites, but they're there. And yeah, okay, solid cuts. But let the record show Eleanor Parker was a divine singer. For her role in Interrupted Melody, she painstakingly learned all of the opera songs used in this movie on her own. When filming the scenes, she sang the full songs an octave lower than the movie required so the dubbing could happen seamlessly." - anonymous
Susanna Foster (1924-2009): Phantom of the Opera (1943) | The Climax
"A vocal prodigy who starred as Christine in 1943's Phantom of the Opera at the age of 17, who is one of the best Christine's we've ever gotten in a film adaptation of Phantom. Her voice is crystal clear with an unbelievable range, hitting at G6 (above high C) like it was nothing. She had a very short film career, mostly focusing on stage and opera work in the late 1940's." - @mygreatadventurehasbegun
This is Round 1 of the Movie Musical Divas tournament. Additional polls in this round may be found by searching #mmround1, or by clicking the link below. Add your propaganda and support by reblogging this post.
ADDITIONAL PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE
Eleanor Parker:
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Photos and video submitted by: anonymous | Photos submitted by: @mygreatadventurehasbegun
Susanna Foster:
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Photos and video submitted by: @mygreatadventurehasbegun
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annachum · 1 year ago
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Happy Birthday, Christine Daae!
🤩🤩🤩🥺🥺🥺
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weirdlookindog · 1 year ago
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Phantom of the Opera (1943) R-1948
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lobbycards · 4 months ago
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Phantom of the Opera, Italian lobby card (Fotobusta), re-release 1950s
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vintagestagehotties · 7 months ago
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Hot Vintage Stage Actress Round 1
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Barbara Bel Geddes: Genevra Langdon in Deep Are the Roots (1946 Broadway); Maggie in Cat on a Hot Tin Roof (1955 Broadway); Mary McKellaway in Mary, Mary (1964 Broadway)
Susanna Foster: Contessa Marietta in Naughty Marietta (1946 Los Angeles)
Propaganda under the cut
Barbara Bel Geddes:
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Susanna Foster:
my mom was watching a movie with her once when i was a kid and shes got the exact hair i thought princesses had and ever since then she’s been the image of beauty to me growing up
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mygreatadventurehasbegun · 1 year ago
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Did I just spend a bit more money than I should have to buy a vintage Lobby Card and Lobby Photo for Phantom 1943?
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Yes.
Yes, I did.
@hobbitmajora
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thursdaymurderbub · 1 month ago
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Silver Screen magazine
Mary Martin's first movie!
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sesiondemadrugada · 2 years ago
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The Climax (George Waggner, 1944).
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doraemonmon · 1 year ago
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The Climax - Boris Karloff and Susanna Foster
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cinevisto32 · 5 months ago
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El fantasma de la Ópera (1943)
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erstwhile-punk-guerito · 1 year ago
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musicbabes · 6 months ago
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Susanna Foster
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fitesorko · 1 year ago
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Susanna Foster
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mariocki · 9 months ago
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The Climax (1944)
"I don't hate you. I only hate the thing that's come between us: your voice."
"Yes, I know. You were out front tonight. I felt your eyes on me. Like you're looking at me now. Go away. Get out of here! I'm afraid of you."
"You needn't be. I love you, my darling, you know that. I'd give my life for you. This thing that shuts me out, I won't let it, I tell you I won't let it. It's here... now, between my fingers. I've only to close them to silence it forever."
#the climax#american cinema#1944#george waggner#curt siodmak#edward locke#lynn starling#boris karloff#susanna foster#turhan bey#gale sondergaard#thomas gomez#june vincent#george dolenz#jane farrar#ludwig stössel#lotte stein#ernö verebes#scotty beckett#william edmunds#this rocked up on one of the universal horror sets Eureka have been putting out‚ but it's an odd fit and seems to have drawn the ire of#more than one reviewer. i sort of get it: it's hardly a horror film at all‚ much more a romantic melodrama with musical numbers and just a#slight swirl of psychological intrigue to get the plot moving. originally conceived as a direct sequel to the previous year's Phantom of#the Opera (mainly to try and get some more use out of the lavish theatre sets built for that film)‚ at some point in production this was#retooled as a loose adaptation of Locke's play. the result may disappoint horror hounds but i was actually very charmed by this#it's undeniably self indulgent‚ frequently tacky‚ and full of the strangest opera stagings that clearly don't belong to the period in which#the film is set‚ but it's just so damn sincere‚ so irresistibly campy and romantic. Karloff is criminally underused as the Phantom insert#obsessed with a dead love (that he deaded) but the supporting cast make up for his absences. lovely Turhan Bey is a lovesick composer so#moved by his fiancée's first public performance that he eats his theatre programme. i mean if that doesn't sell it what will? also a stand#out is the perennially dependable Gomez as the brash theatre manager with a twinkle in his eye and a soft heart. a lot of fun this (ymmv)
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lobbycards · 4 months ago
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Phantom of the Opera, Italian lobby card (Fotobusta), re-release 1950s
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