#susan scott

[odk-2]

Susan Silhouetted Susan Scott, 1965 by Bunny Yeager

[costumeloverz71]

Marian Halcombe (Jessie Buckley) Green (or tan) embroidered coat & red vest.. The Woman In White (2018).. Costume by Susan Scott.

[giallofever2]

Nieves Navarro García alias SUSAN SCOTT (born November 11, 1938) is a retired Spanish-born Italian actress and fashion model. Navarro worked extensively in Italian cinema appearing alongside actors such as Totò and Lino Banfi in the 1960s and 1970s. She later adopted the Americanized stage name Susan Scott for many of her productions after 1969. Nieves also had leading roles in a number of action and horror films during this period and was among the protagonists of the film Death Walks At Midnight (1972), directed by Luciano Ercoli, who eventually became her husband. She subsequently moved to Italy with Ercoli where she spent the rest of her career, starring in many of her husband's projects, which ended veering towards Italian erotica and "giallo" cinema. It was in the latter genre that highlighted her as a major star especially her appearances in the Emannuelle series, Emanuelle and the Last Cannibals (1977) and Emanuelle e Lolita (1978), directed by Joe D'Amato[8] and Henri Sala respectively.

[onenakedfarmer]

Watching HorrorFest 2024

DEATH WALKS AT MIDNIGHT [LA MORTE ACCAREZZA A MEZZANOTTE] Luciano Ercoli Italy, 1972

[autumnmylife]

Return of the Black Death: The World's Greatest Serial Killer by Susan Scott

If the twenty-first century seems an unlikely stage for the return of a 14th-century killer, the authors of Return of the Black Death argue that the plague, which vanquished half of Europe, has only lain dormant, waiting to emerge again—perhaps, in another form. At the heart of their chilling scenario is their contention that the plague was spread by direct human contact (not from rat fleas) and was, in fact, a virus perhaps similar to AIDS and Ebola. Noting the periodic occurrence of plagues throughout history, the authors predict its inevitable re-emergence sometime in the future, transformed by mass mobility and bioterrorism into an even more devastating killer.

[aeslinnreads]

"Why is it so important to spend time conversing with ourselves? Because all conversations are with yourself, and sometimes they involve other people. I may think I see you as you are, but in truth, I see you as I am. I see you through my own highly individualized context."

Fierce Love (Susan Scott)

[grouchydairy]

Maya Angelou said, "When someone shows you who he is, believe him the first time." Or her. What we do is who we are. When someone says, "That’s not me," after doing something or saying something hurtful, they are mistaken. That is them. That is exactly them or at least a part of them and it may be a part of them that you do not want in your life.

Susan Scott (Fierce Love)

[michaun]

THELMA AND LOUISE (1991)

[fyeahmovies]

Catherine Deneuve & Susan Sarandon THE HUNGER (1983) dir. Tony Scott

[weirdlookindog]

The Hunger (1983)

[timbit-robin-art]

Blame X-Men: Marvel Snapshots for this.

[haveyouseenthismovie-poll]

[giallofever2]

[draftmonologue]

1. Susan Sontag—As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980, 2. Phoebe Waller Bridge—Fleabag, 3. Richard Siken—Wishbone, 4. Anonymous, 5. Atonement dir. Joe Wright 6. Hot Priest Monologue—Phoebe Waller Bridge 7. Gillian Flynn—Dark Places 8. Meditation in an Emergency— Cameron Awkward-Rich , 9. Billie Eilish— idontwannabeyouanymore, 10. Stephen Adly Guirgis— The Last Days of Judas Iscariot, 11. Lioness Dewinter—Sìren Loa 12. Bernie Wrightson’s Illustration of Frankenstein’s Monster. 13. Bonnie Winterbottom—How To Get Away With Murder, 14. Sade Andria Zabala—Paper Napkin Stories, 15. Sor Juana Inés de la Cruz — Love Opened a Mortal Wound, 16. Unknown 17. Miley Cyrus — Never Be Me, 18 Kim Addonizio— Wild Nights; New Poems; Pareidolia, 19. Crazy/Beautiful dir. John Stockwell, 20. I.B. Vyache, Conversations Over Sanguinaccio Dolce.

[amatesura]

The Hunger (1983) | dir. Tony Scott

[undergroundrockpress]

The Hunger (1983).