#susan fyre

[voluxpa]

-- suggestions de fc pour susan fyre ((scénario on beyond the throne, en commentaire)) -- à interpréter dans leur 60aine.

jessica lange x3; meryl streep x3 

[0-nouke-0]

Susan with 2 of her 5 sisters,

Madison Fyres-Volkov and Desiree Hauata. Desiree can also be found on the Straud family tree.

[cendrillonmedousa]

Notable, Present-day, Radical Feminists

As a second wave feminism, we assume that radical feminists are hard, if not impossible, to find in today's world. Here is a list of notable women you can still interact with today.

Chude Pam Allen, co-founder of New York Radical Women

Ti-Grace Atkinson, author of Amazon Odyssey

Kathleen Barry, co-founder of the Coalition Against Trafficking in Women

Linda Bellos, first Black lesbian member of Spare Rib feminist collective

Julie Bindel, co-founder of Justice for Women

Jenny Brown, author of Birth Strike: The Hidden Fight Over Women's Work

Professor Judith C. Brown, pioneer in the study of lesbian history

Susan Brownmiller, author of Against Our Will: Men, Women, and Rape

Professor Phyllis Chesler, co-founder of Association for Women in Psychology

D.A. Clarke, known for her development of feminist theory

Nikki Craft, creator of the Andrea Dworkin Online Library, Hustling the Left website, and No Status Quo website

Christine Delphy, co-founder of the French Women's Liberation Movement

Professor Gail Dines, author of Pornland: How Porn Has Hijacked Our Sexuality

Melissa Farley, founder and director of Prostitution Research and Education

Marilyn Fyre, author of The Politics of Reality: Essays in Feminist Theory

Carol Hanisch, best known for "the personal is political"

Merle Hoffman, co-founder of the National Abortion Federation

Professor Shelia Jeffreys, author of The Spinster and Her Enemies

Lierre Keith, founder of Women's Liberation Front

Anne Koedt, author of The Myth of the Vaginal Orgasm

Marjorie Kramer, editor of Woman and Art Quarterly

Professor Holly Lawford-Smith, author of Gender-Critical Feminism

Dr. Catharine Alice MacKinnon, author of Sexual Harassment of Working Women: A Case for Sex Discrimination

Robin Morgan, creator of Sisterhood Is anthologies

Dr. Janice G. Raymond, author of The Transsexual Empire

Kathie Sarachild, coiner of term "Sisterhood is Powerful"

Alix Kates Shulman, author of Memoirs of an Ex-Prom Queen

Gloria Steinman

Michele Faith Wallace, author of Black Macho and the Myth of the Superwoman

Dr. Marilyn Salzman Webb, co-founder of the first feminist consciousness-raising groups in Chicago and Washington D.C.

Harriet Wistrich, founding director of Centre for Women's Justice

Laura X, led the campaign behind making marital and date rape a crime in over twenty countries

[creativefiend19]

Hello! It's been a while since I sent you an ask, so here we go! 😅

Since you are way smarter than me and you understand TRC way better, what are your thoughts on the fact that Glendover was dead?

I remember the first time I read the books I was completely lost on that fact that I even googled some explanations but none of them were enough for my brain to process it.

Also, Noah!

I feel like he was completely forgotten in the last chapters and he simply disappeared as if he never existed, as if they forgot about him!

So, when you feel like it, let me know what you think!!!

💜

Thank you for your always-super-interesting Ask!

I admit that I’ve probably have thought about TRC and Pynch more than is healthy or sane. However, I very much doubt that I am smarter than anyone else, especially when I think over the past 12 months LOL. 

I’ll answer the simpler question first: 

I think when Noah ‘quietly slid from time’ he also slid from collective memory. 

Perhaps this was a way of allowing him to rest, where such powerful people thinking about him along the ley line was enough to pull him back in some way. Or, and this is what I personally think, Maggie was expecting him to play a part in the time loop of the past (that I’m sure was part of the extended TRC storyline). 

Which brings us to ... Glendower: 

It seemed like Maggie had something in mind as a continuation of TRC and the Court of Glendower storyline, with the Camaro wheel and Blue’s face on the flag and Maura splashing in the bathtub of time or whatever. But idk if that’s being carried on into The Dreamer Trilogy. 

The feel of the two series are very different, y’know? The first was Susan Cooper-ish Arthurian-style rural (rather than urban) fantasy. The Dreamer books seem to be more about global para-governmental agencies and art forgery and magical underworld mafias. Maggie seems to have ‘moved on’ in tone and topic - not necessarily an improvement imo.

(We Para G-people Have Been Told The World Will End In Unquenchable Fyre And So We Have Guns Trained On You is not as compelling a plot to me as We Teenagers Are Gonna Find Glendower Cos He’s Still Alive And Ask Him For A Favour For No Reason) contd under the cut...

So the Glendower thread might just be left dangling, like way too many unexplained plot threads in the series. 

The main of which was, ofc, was HIM being dead all this time. 

Maggie said something like (I’m paraphrasing from memory here): “Of course Glendower was DOA. This was always Gansey’s quest to find himself. I don’t know why everyone was so surprised.”

This to me just means she hadn’t earned her plot twist, hadn’t set it up well enough. A good plot twist must be both surprising and make sense in hindsight. This one was the first, for sure, but not the second. 

There were too many red-herrings that needed to be explained then, like Gwenllian (how and why was she alive?) and Artemus (why and how was he even in the fucking story?). I mean, you can’t just say ‘this is magic and inexplicable and not everything needs to be spelled out’. It just seems like lazy plotting to me.

The TRC storylines were the opposite of Chekov’s guns, in a way. There were unexplained firearms everywhere. 

All the deus ex machinas : (ETA: the animal bones coming to life), Henry Cheng coming out of nowhere (tho I love him), the Ravens swarming suddenly, Robobee and the Chase into Gansey’s past, him dying on the ley line and so getting a ‘free’ favour even tho he didn’t wake anyone, Cabeswater remaking him by sacrificing itself. 

(Actually, Noah’s role was the thing that made the most solid sense to me, and had been brilliantly foreshadowed all through the series!)

That’s a lot of unforeshadowed plot squeezed into a very tiny number of pages. And this from an author who had arguably hinted at things from the very first chapter of the TRB. It really had seemed like the world she had built over the series was a lot deeper and more vast than it ended up being. That was the disappointment, I think. We’d expected more because we’d be led to.

(I personally think TRK would’ve been differently written if Maggie had not been so sick. She says something of the sort in her essay on her illness. It still blows me away that she wrote two books in that state. I’m struggling to write my fic in my post-COVID brain fog, so full respect to her).

So, yeah, it’s not you. A lot of the ending didn’t make sense to me either - and Glendower being dead was a big HUH??

Let’s see if things are clearer by the end of The Dreamers Trilogy.

[stainedglassgardens]

Favourite films watched in 2019

I arranged them into broad categories – other than that they’re in no particular order. 

Indie

Skate Kitchen (Crystal Moselle, 2018) 6 Balloons (Marja-Lewis Ryan, 2018) The Party’s Just Beginning (Karen Gillan, 2018) Thirteen (Catherine Hardwicke, 2003) Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000) Vazante (Daniela Thomas, 2017) Erasing Eden (Beth Dewey, 2016) The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017) Knock Down Ginger (Cleo Samoles-Little, 2016) The Garden (Sommerhaüser, Sonja Maria Kröner, 2017) Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017) Fish Tank (Andrea Arnold, 2009) Soldiers. Story From Ferentari (Soldații. Poveste din Ferentari, Ivana Mladenović, 2017)

Comedy

Dick (Andrew Fleming, 1999) The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018) It Stains the Sands Red (Colin Minihan, 2016) Satanic Panic (Chelsea Stardust, 2019)

Classics

Wanda (Barbara Loden, 1970) House of Wax (Andre DeToth, 1953) Eve's Bayou (Kasi Lemmons, 1997) Germany Pale Mother (Deutschland bleiche Mutter, Helma Sanders-Brahms, 1980)

Horror

April and the Devil (Jake Hammond, 2018) Blackwood (Andrew Montague, 2019) The Crescent (Seth A Smith, 2017) Us (Jordan Peele, 2019) American Mary (Jen and Sylvia Soska, 2012) Midsommar (Ari Aster, 2019) Black Christmas (Bob Clark, 1974) The Devil's Passenger (Dave Bundtzen, 2018)

Science fiction

Born in Flames (Lizzie Borden, 1983) Evolution (Lucile Hadžihalilović, 2015) In Full Bloom (Maegan Houang, 2019)

Action

Destroyer (Karyn Kusama, 2018) Under the Silver Lake (David Robert Mitchell, 2018) Snatch (Guy Ritchie, 2000) Holiday (Isabella Eklöf, 2018)

Documentary

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005) Abducted in Plain Sight (Skye Borgman, 2017) Jane Fonda in Five Acts (Susan Lacy, 2018) Stories We Tell (Sarah Polley, 2012) The Decline of Western Civilization series (Penelope Spheeris, 1981, 1988 and 1998)

Full list of 273 films watched in 2018 under the cut!

January

Like Father  (Lauren Miller Rogen, 2018)

Upgrade  (Leigh Whannell, 2018)

Skate Kitchen (Crystal Moselle, 2018)

Never Been Kissed (Raja Gosnell, 1999)

Anomalisa (Charlie Kaufman and Duke Johnson, 2015)

Dick (Andrew Fleming, 1999)

The Black Balloon  (Elissa Down, 2008)

Under the Silver Lake (David Robert Mitchell, 2018)

6 Balloons (Marja-Lewis Ryan, 2018)

Rosy (Jess Bond, 2018)

The Party’s Just Beginning (Karen Gillan, 2018)

The Rider (Chloé Zhao, 2017)

Snowpiercer (Bong Joon-ho, 2013)

Touch of Evil (Orson Welles, 1958)

Thirteen (Catherine Hardwicke, 2003)

Sadie (Megan Griffiths, 2018)

The Miseducation of Cameron Post  (Desiree Akhavan, 2018)

Frida (Julie Taymor, 2002)

Fyre: The Greatest Pary That Never Happened (Chris Smith, 2019)

Time Share (Tiempo Compartido, Sebastián Hofmann, 2018)

The Stranger (Orson Welles, 1946)

Abducted in Plain Sight (Skye Borgman, 2017)

King of Thieves (James Marsh, 2018)

Malevolent (Olaf de Fleur, 2018)

Serena (Susanne Bier, 2014)

Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000)

And Breathe Normally (Andið Eðlilega, Ísold Uggadóttir, 2018)

Catwalk: Tales from the Cat Show Circuit  (Aaron Hancox and Michael McNamara, 2018)

Santoalla (Andrew Becker and Daniel Mehrer, 2016)

Jane Fonda in Five Acts (Susan Lacy, 2018)

Mademoiselle Paradis (Licht, Barbara Albert, 2017)

The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, 2016)

February

Matangi/Maya/M.I.A (Steve Loveridge, 2018)

Pride & Prejudice (Joe Wright, 2005)T

The Brain Hack (Joseph White, 2014)

Vazante (Daniela Thomas, 2017)

Tanglewood (Jordan Prosser, 2016)

Outfall (Suzi Ewing, 2018)

Pigskin (Jake Hammond, 2015)

The Funspot (Jake Hammond, 2015)

April and the Devil (Jake Hammond, 2018)

Smithereens (Susan Seidelman, 1982)

Can You Ever Forgive Me? (Marielle Heller, 2018)

Bus Stop (Joshua Logan, 1956)

Pink Plastic Flamingos (Colin West, 2017)

The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018)

Amanda Knox  (Rod Blackhurst and Brian McGinn, 2016)

Holy Hell (Will Allen, 2016)

Shoplifters (Manbiki Kazoku, Hirokazu Kore-eda, 2018)

Skin (Jordana Spiro, 2015)

A Night at the Garden (Marshall Curry, 2017)

Give Up the Ghost (Nathan Sam Long, 2018)

Last One Screaming (Matt Devino, 2017)

The Katy Universe (Patrick Muhlberger, 2018)

Roma (Alfonso Cuarón, 2018)

Did You Hear About the Morgans? (Marc Lawrence, 2009)

End Game (Rob Epstein and Jeffrey Friedman, 2018)

Behind the Curve  (Daniel J. Clark, 2018)

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005)

92MARS  (Ricardo Bernardini, 2018)

Construct (Kevin Margo, 2018)

Invaders (Daniel Prince, 2018)

March

Three Identical Strangers (Tim Wardle, 2018)

Dirty John: The Dirty Truth (Sara Mast, 2019)

Blackwood (Andrew Montague, 2019)

One (Luke Bradford, 2019)

God's Kingdom (Guy Soulsby, 2018)

Holiday (Isabella Eklöf, 2018)

Frigid (Joe Kicak, 2016)

Girl of the Sky (Ariel Martin, 2017)

Monitor (Matt Black and Ryan Polly, 2018)

Donoma (Evan Spencer Brace, 2018)

Perfect Blue (パーフェクトブル, Pāfekuto Burū, Satoshi Kon, 1997)

The Sermon (Dean Puckett, 2018)

Layer Cake (Matthew Vaughn, 2004)

Easy A (Will Gluck, 2010)

Generation Wealth (Lauren Greenfield, 2018)

The Rachel Divide (Laura Brownson, 2018)

The Place Beyond the Pines (Derek Cianfrance, 2012)

Burden (Timothy Marrinan and Richard Dewey, 2016)

What Will People Say (Hva vil folk si, Iram Haq, 2017)

Close Encounters of the Third Kind (Steven Spielberg, 1977)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Animal (Fabrice Le Nézet and Jules Janaud, 2017)

Capturing the Friedmans (Andrew Karecki, 2003)

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (Errol Morris, 2003)

April

Erasing Eden (Beth Dewey, 2016)

Destroyer (Karyn Kusama, 2018)

Unicorn Store (Brie Larson, 2019)

May the Devil Take You (Sebelum iblis menjemput, Timo Tjahjanto, 2018)

People in Cars (Daniel Lundh, 2017)

Presentation (Danielle Kampf, 2017)

Ink (Jamin Winans, 2009)

Hedgehog (Lindsey Copeland, 2016)

Koyaanisqatsi (Godfrey Reggio, 1982)

Wanda (Barbara Loden, 1970)

The Silence (John R. Leonetti, 2019)

24 Davids (Céline Baril, 2017)

The Frame (Jamin Winans, 2014)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Baraka (Ron Fricke, 1992)

Wayne’s World (Penelope Spheeris, 1992)

Stories We Tell (Sarah Polley, 2012)

Born in Flames (Lizzie Borden, 1983)

Jesse’s Girl (M. Keegan Uhl, 2018)

I Walked With a Zombie (Jacques Tourneur, 1943)

Mary Goes Round (Molly McGlynn, 2017)

The Green Fog (Guy Maddin, Evan Johnson, and Galen Johnson, 2017)

Psycho (Alfred Hitchcock, 1960)

Someone Great (Jennifer Kaytin Robinson, 2019)

May

Ekaj (Cati Gonzalez, 2015)

Capernaum (Nadine Labaki, 2018)

Porcupine Lake (Ingrid Veninger, 2017)

The Decline of Western Civilization (Penelope Spheeris, 1981)

The Decline of Western Civilization Part II: The Metal Years (Penelope Spheeris, 1988)

The Decline of Western Civilization III (Penelope Spheeris, 1998)

Revolver (Guy Ritchie, 2005)

Pokémon: Detective Pikachu (Rob Letterman, 2019)

RocknRolla (Guy Ritchie, 2008)

Snatch (Guy Ritchie, 2000)

Lock, Stock and Two Smoking Barrels (Guy Ritchie, 1998)

The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017)

Nkosi Coiffure (Frederike Migom, 2015)

Speak Your Truth (Kris Erickson, 2018)

Incendies (Denis Villeneuve, 2010)

A.I. Rising (Lazar Bodrosa, 2018)

The Crescent (Seth A Smith, 2017)

Ring (リング, Ringu, Hideo Nakata, 1998)

Absences (Carole Laganière, 2013)

The Uninvited (Lewis Allen, 1944)

In Color (José Andrés Cardona, 2019)

Winners (Dan Bulla, 2018)

Jess (Daniel Hurwitz, 2018)

My First Time (Asaf Livni, 2018)

Murmur (Aurora Fearnley, 2018)

Pulsar (Aurora Fearnley, 2017)

Struck (Aurora Fearnley, 2017)

Samira (Lainey Richardson, 2018)

Despite Everything (A pesar de todo, Gabriela Tagliavini, 2019)

It Stains the Sands Red (Colin Minihan, 2016)

Satain Said Dance (Szatan kazał tańczyć, Katarzyna Rosłaniec, 2016)

Knock Down Ginger (Cleo Samoles-Little, 2016)

Gold (Cleo Samoles-Little, 2015)

Jane's Life (Cleo Samoles-Little, 2012)

4/4 (Kyle Sawyer, 2016)

Sugar Land (Lorenzo Lanzillotti, 2018)

The Idea of North (Albert Choi, 2018)

A Quiet Place (John Krasinski, 2018)

Dark Water (仄暗い水の底から, Honogurai Mizu no soko kara, Hideo Nakata, 2002)

Sound of My Voice (Zal Batmanglij, 2011)

Us (Jordan Peele, 2019)

The Perfection (Richard Shepard, 2018)

House of Wax (Andre DeToth, 1953)

June

We Have Always Lived in the Castle (Stacie Passon, 2018)

Always Be My Maybe (Nahnatchka Khan, 2019)

Gente que viene y bah (Patricia Font, 2019)

Period. End of Sentence. (Rayka Zehtabchi, 2018)

American Mary (Jen and Sylvia Soska, 2012)

The Boss (Ben Falcone, 2016)

Extremis (Dan Krauss, 2016)

E il cibo va (Food on the Go, Mercedes Cordova, 2017)

Last Night (Massy Tadjedin, 2010)

Murder Mystery (Kyle Newacheck, 2019)

Bead Game (Ishu Patel, 1977)

The Ceiling (Katto, Teppo Airaksinen, 2017)

Elisa & Marcela (Elisa y Marcela, Isabel Coixet, 2019)

Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017)

The Garden (Sommerhaüser, Sonja Maria Kröner, 2017)

Fast Color (Julia Hart, 2018)

The Tale of Iya (Iya Monogatari: Oku no Hito, Tetsuichiro Tsuta, 2013)

Chico and Rita (Chico y Rita, Tono Errando, Fernando Trueba and Javier

Mariscal, 2010)

Rafiki (Wanuri Kahiu, 2018)

Floating! (Das Floß!, Julia C. Kaiser, 2015)

The Quiet American (Phillip Noyce, 2002)

July

Keepers of the Magic (Vic Sarin, 2016)

Evolution (Lucile Hadžihalilović, 2015)

Mr. Holmes (Bill Condon, 2015)

The Long Dumb Road (Hannah Fidell, 2018)

Toni Erdmann (Maren Ade, 2016)

Life Overtakes Me (John Haptas and Kristine Samuelson, 2019)

The Milk System (Andreas Pilcher, 2017)

A Streetcar Named Desire (Elia Kazan, 1951)

The Texture of Falling (Maria Allred, 2019)

Family (Laura Steinel, 2018)

Sudden Fear (David Miller, 1952)

Identity Thief (Seth Gordon, 2013)

August

Point Break (Kathryn Bigelow, 1991)

In Full Bloom (Maegan Houang, 2019)

Blue Steel (Kathryn Bigelow, 1990)

The Eagles are a Country Music Band (Cody Wagner, 2018)

The Fifth Element (Luc Besson, 1997)

Hobbs & Shaw (David Leitch, 2019)

Coco (Lee Unkrich, 2017)

Bubba Ho-Tep (Don Coscarelli, 2002)

John Wick (Chad Stahelski, 2014)

Eve's Bayou (Kasi Lemmons, 1997)

I Don’t Protest, I Just Dance In My Shadow (Jessica Ashman, 2017)

My Cousin Rachel (Henry Koster, 1952)

Lifeline (Harry Jackson, 2018)

FOMI (Fear of Missing In) (Norbert Fodor, 2019)

Body at Brighton Rock (Roxanne Benjamin, 2019)

Koreatown (Grant Hyun, 2018)

A Report of Connected Events (Mischa Rozema, 2018)

Sundays (Mischa Rozema, 2015)

A King's Betrayal (David Bornstein, 2014)

Perception (Ilana Rein, 2018)

Germany Pale Mother (Deutschland bleiche Mutter, Helma Sanders-Brahms, 1980)

Men in Black International (F. Gary Gray, 2019)

Captive State (Rupert Wyatt, 2019)

Little Forest (리틀 포레스트, Liteul Poleseuteu, Yim Soon-rye, 2018)

September

What Keeps You Alive (Colin Minihan, 2018)

Grave Encounters (The Vicious Brothers, 2011)

Terrified (Aterrados, Demián Rugna, 2017)

Blade Runner (Ridley Scott, 1982)

Helen (Sandra Nettelbeck, 2009)

Colossal (Nacho Vigalondo, 2016)

Out of Blue (Carol Morley, 2018)

Taxi (تاکسی‎, Jafar Panahi, 2015)

Dear Ex (誰先愛上他的, Mag Hsu and Hsu Chih-yen, 2018)

Marguerite (Marianne Farley, 2019)

Birders (Otilia Portillo Padua, 2019)

Midsommar (Ari Aster, 2019)

Mansfield Park (Patricia Rozema, 1999)

Long Term Delivery (Jake Honig, 2018)

Game (Joy Webster, 2017)

Fish Tank (Andrea Arnold, 2009)

Foxfire (Annette Haywood-Carter, 1996)

October

Zombieland (Ruben Fleischer, 2009)

Under the Shadow ( زیر سایه, Babak Anvari, 2015)

Ghostbusters (Ivan Reitman, 1984)

Scream (Wes Craven, 1996)

Ghostbusters (Paul Feig, 2016)

Jaws (Steven Spielberg, 1975)

Rabid (David Cronenberg, 1977)

Rabid (The Soska Sisters, 2019)

In the Shadow of the Moon (Jim Mickle, 2019)

Benny Loves Killing (Ben Woodiwiss, 2018)

The Golem (Yoav & Doron Paz, 2018)

Eli (Ciarán Foy, 2019)

The Adversary (L’Adversaire, Nicole Garcia, 2002)

Satanic Panic (Chelsea Stardust, 2019)

The Devil and Father Amorth (William Friedkin, 2017)

Wounds (Babak Anvari, 2019)

Silent Hill (Christophe Gans, 2006)

Sleeping Beauty (Julia Leigh, 2011)

Black Christmas (Bob Clark, 1974)

The Shift (Francesco Calabrese, 2014)

The Baby (Kamran Chahkar, Lei Jim, 2012)

Intrusion (Jack Michel, 2013)

The Devil's Passenger (Dave Bundtzen, 2018)

Halloween (John Carpenter, 1978)

November

A Hijacking (Kapringen, Tobias Lindholm, 2012)

The Kitchen (Andrea Berloff, 2019)

The Hole in the Ground (Lee Cronin, 2019)

Assassination Nation (Sam Levinson, 2018)

Amy (Asif Kapadia, 2015)

Tell Me Who I Am (Ed Perkins, 2019)

Possessed (Curtis Bernhardt, 1947)

Terminally Happy (Adina Istrate, 2015)

The Glass Key (Stuart Heisler, 1942)

LuTo (Katina Medina Mora, 2015)

The Night of the Hunter (Charles Laughton, 1955)

Bikram: Yogi, Guru, Predator (Eva Orner, 2019)

December

Soldiers. Story From Ferentari (Soldații. Poveste din Ferentari, Ivana Mladenović, 2017)

John and Michael (John et Michael, Shira Avni, 2004)

High Tension (Haute Tension, Alexandre Aja, 2003)

Little Joe (Jessica Hausner, 2019)

The Matrix (The Wachowskis, 1999)

Finders Keepers (Bryan Carberry and Clay Tweel, 2015)

To Catch a Thief (Alfred Hitchcock, 1955)

My Buddha is Punk (Andreas Hartmann, 2016)

Little Miss Sumo (Matt Kay, 2018)

[amuseoffyre]

Main Fandom: Good Omens Crossover: The Chronicles of Narnia Chapter title: A Little Kindness Rating: PG Summary: In London, there is a very particular Bookshop. It doesn’t look like much. It’s small and old and rather dusty. But it’s there all the same and sometimes, it’s even open. Notes: This particular chapter is brought to you by special request from @ashfae :)

Snippet:

So much still needed to be done. It was growing more and more difficult with each passing day. Had it only been one, it would have been terrible enough, but to see each of them laid out, each of them still and silent. No more laughter. No more nonsense. No more tall tales and shared silliness. As she had so often in recent days, Susan found herself brought to a standstill, the void of grief gaping suddenly before her. It felt that, if she so much as risked another step, she would tumble down and never be able to find her way out again. Or perhaps lie broken at the bottom, where none remained to come and find her.

[jondalars]

movies, tv shows, and books of 2019

((as before, * is a rewatch/reread; currently watching; can’t get through))

The Man in High Castle (s1)

Uprooted by Naomi Novik

Derry Girls (s1, s2)

A Series of Unfortunate Events (s3)

Zone One by Colson Whitehead

The Good Place (s3, s4)

A Simple Favor (2018)

You (s1 & *, s2)

The Woman in White by Wilkie Collins

Spinning Silver by Naomi Novik

No County for Old Men by Cormac McCarthy

The Other Boleyn Girl (2008) *

The Assassination of Gianni Versace: American Crime Story (s2)

Nox by Anne Carson

FYRE: The Greatest Party That Never Happened (2019)

Picnic at Hanging Rock (s1)

Law & Order: SVU (s1, s6, s7, s19)

The Word by Irving Wallace

Abducted in Plain Sight (2017)

The Magicians (s4)

Roswell, New Mexico (s1)

Super Sad True Love Story by Gary Shteyngart

Sharks in the Rivers by Ada Limon

Antigone by Sophokles trans. Anne Carson

Dangerous Beauty (1998)

Swiss Army Man (2016) *

Bright Dead Things by Ada Limon

Then We Came to the End by Joshua Ferris

Velvet Buzzsaw (2019)

The Lobster (2015) *

Damsel (2018)

Eros: The Bittersweet by Anne Carson

Surrogates (2009)

The Umbrella Academy (s1 & *)

Maine (2018)

The Bear and the Nightingale by Katherine Arden

Misfits (s1*, s2*)

The Favourite (2018)

Mary Queen of Scots (2018)

We the Living by Ayn Rand

The Inbetweeners (s1*, s2*, s3*)

Persuasion (2007)

Persuasion (1995)

Plainwater: Essays and Poetry by Anne Carson

My Best Friend’s Wedding (1997) *

Troubling a Star by Madeleine L’Engle

Queer Eye (s3, s4)

Inherent Vice (2014)

Schitt’s Creek (s1, s2, s3, s4, s5)

Dead in a Week (Or Your Money Back) (2018)

Short Term 12 (2013) *

Saint Joan of Arc by Vita Sackville-West

Manchester by the Sea (2016) *

Isn’t It Romantic (2019)

Vampire Academy by Richelle Mead *

Love & Friendship (2016) *

Mother! (2017)

Colette (2018)

Anthem by Ayn Rand

The OA (s1*, s2)

Frostbite by Richelle Mead *

Game of Thones (s8)

The Case Against Adnan Syed (s1)

The Odyssey by Homer trans. Emily Wilson

Sula / Song of Solomon / Tar Baby by Toni Morrison

The Kings of Summer (2013)

Cherrybomb (2009)

Zimna wojna (2018)

Shadow Kiss by Richelle Mead *

Roswell (s1*, s2*)

Homecoming (2019)

Taylor Swift: Reputation Stadium Tour (2018)

Gerald’s Game (2017)

Blood Promise by Richelle Mead *

Wine Country 2019

Extremely Wicked, Shockingly Evil and Vile (2019)

mid90s (2018)

The Yellow Handkerchief (2008)

Beautiful Boy (2018)

Zombieland (2009) *

What If (2013) *

Death at a Funeral (2007)

The Society (s1)

The End of the F***ing World (s1*, s2)

Pride and Prejudice (1980)

The Crystal Castle by Mary Stewart

Fleabag (s1 & *, s2 & **)

Train to Busan (2016) *

The Handmaid’s Tale by Margaret Atwood *

John Wick (2014)

John Wick Chapter 2 (2017)

Spirit Bound by Richelle Mead *

Chernobyl (s1)

What We Do in the Shadows (s1)

Game Over, Man (2018)

Young Adult (2011) *

Welcome to the Rileys (2010) *

Nausea by Jean-Paul Sartre

Dead to Me (s1)

Always be my Maybe (2019)

When They See Us (s1)

The Perfection (2018)

Good Omens (s1)

Chasing Happiness (2019)

Black Mirror (s5)

What a Girl Wants (2003) *

Ali Wong: Baby Cobra (2016)

Ali Wong: Hard Knock Wife (2018)

I Think You Should Leave with Tim Robinson (s1 & *)

The Americans (s1, s2, s3, s4, s5, s6)

Murder Mystery (2019)

Somewhere in Time (1980)

Killing Eve (s2)

The Blind Assassin by Margaret Atwood *

Semiosis by Sue Burke

District 9 (2009) *

Oprah Winfrey Presents: When They See Us Now (2019)

The Sixth Extinction: An Unnatural History by Elizabeth Kolbert

The Box (2009)

Russian Doll (s1)

The Fountainhead by Ayn Rand

Knowing (2009)

The Hate U Give (2018)

The Case of the General’s Thumb by Andrey Kurkov

The Power by Naomi Alderman

Minority Report (2002) *

Bad Times at the El Royale (2018)

Airplane! (1980) *

Spider-Man: Into the Spider-Verse (2018)

Swiped (2018)

Scare Tactics (s4)

The Week Of (2018)

The New Romantic (2018)

The Immortalists by Chloe Benjamin

The Kissing Booth (2018)

The Name of the Star by Maureen Johnson

Dark (s1*, s2)

Love, Rosie (2014) *

Suite Francaise (2014) *

P.S. I Love You (2007)

The Jane Austen Book Club (2007)

5 to 7 (2014)

Man Up (2015) *

The Clapper (2017)

Laggies (2014)

Penelope (2006) *

Little Italy (2018)

The Brothers Bloom (2008) *

Secret Obsession (2019)

What Happened to Monday (2017)

Full Fathom Five by Max Gladstone

Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

Battlestar Galactica (s1*, s2*, s3*)

A Clockwork Orange by Anthony Burgess *

Franny and Zooey by J.D. Salinger *

What the Living Do by Marie Howe *

The Unbearable Lightness of Being by Milan Kundera *

Vile Bodies by Evelyn Waugh

Players by Don DeLillo

The Spy Who Dumped Me (2018)

Crashing (s1 & *)

Booksmart (2019)

Us (2019)

John Wick: Chapter 3 – Parabellum  (2019)

High Life (2019)

Stalker (1979)

The Raven Boys by Maggie Stiefvater *

Invisible Man by Ralph Ellison

Skins (s1*, s2*, s3*, s4*, s5*, s6, s7*)

Mr. Penumbra’s 24-Hour Bookstore by Robin Sloan

Plus One (2019)

Compliance (2012)

Love Alarm (s1)

Suicide Room (2011)

The Dream Thieves by Maggie Stiefvater *

A  Failed Performance: Short Plays & Scenes by Daniil Kharms trans. C Dylan Bassett and Emma Winsor Wood

The Boys (s1 & *)

Cassandra: A Novel and Four Essays by Christa Wolf

The Guernsey Literary and Potato Peel Pie Society (2018)

Woman on the Edge of Time by Marge Piercy

Well-Intended Love (s1)

Blue Lily, Lily Blue by Maggie Stiefvater *

1983 (s1)

Abyss (s1)

Twilight by Stephenie Meyer *

The Goldfinch (2019)

We Have Always Lived in the Castle (2019)

The I-Land (s1)

The Good Earth by Pearl S Buck

Hemlock Grove (s1*, s2*, s3)

Midsommar (2019)

Warm Bodies (2013) *

Submarine (2010) *

The Raven King by Maggie Stiefvater *

Tess of the d’Urbervilles by Thomas Hardy *

Black Light by Kimberly King Parsons

When Death Takes Something from You Give It Back: Carl's Book by Naja Marie Aidt

The Memory Police by Yoko Ogawa

We Cast a Shadow by Maurice Carlos Ruffin

After (2019)

Unbelievable (s1)

Sanditon (s1)

American Spy by Lauren Wilkinson

Some Freaks (2016)

The Last Czars (s1)

I Am Not an Easy Man (2018)

The Politician (s1)

Austenland (2013) *

Pride and Prejudice by Jane Austen *

Tall Girl (2019)

Superbad (2007) *

When We First Met (2018) *

Newness (2017)

Persuasion by Jane Austen *

Jenny Slate: Stage Fright (2019)

Charmed (s1*, s2*)

New Moon by Stephenie Meyer *

Will and Testament by Vigdis Hjorth

Love in the Time of Cholera by Gabriel Garcia Marquez *

The King (2019)

The Crow (1994)

American History X (1998)

Brothers (2009) *

Let It Snow (2019)

Fire in Paradise (2019)

The Knight Before Christmas (2019)

The Great British Baking Show (s7)

Golden State by Ben H. Winters

A Doll’s House by Henrik Ibsen

Jiro Dreams of Sushi (2011)

Wuthering Heights by Emily Bronte *

Dangerous Liaisons (1988)

His Dark Materials (s1)

Les affames (2017)

The Cell (2000)

Voices from Chernobyl: The Oral History of a Nuclear Disaster by Svetlana Alexievich

Boy Erased (2018)

Die Velle (2008)

Harold and Maude (1971) *

Late Night (2019)

The Report (2019)

Annihilation (2018) *

A Bigger Splash (2015)

Like Crazy (2011) *

A Dangerous Method (2011)

Severance by Ling Ma

Parasite (2019)

Illness as Metaphor by Susan Sontag

Don Quixote by Miguel de Cervantes

American Psycho (2000) *

Marriage Story (2019)

The Moviegoer by Walker Percy

Bojack Horseman (s6)

Knives Out (2019)

Miss Stevens (2016) *

Atlas Shrugged by Ayn Rand

Reading Lolita in Tehran: A Memoir in Books by Azar Nafisi

Ночной Дозор (2004)

My Suicide (2009)

The Witcher (s1)

Life with Jeeves by P.G. Wodehouse

Strip Search (2004)

The Miseducation of Cameron Post (2018)

Look Away (2019)

Sucker Punch (2011)

Galaxy Quest (1999) *

Mystery Men (1999) *

Russian Ark (2002)

One Day in the Life of Ivan Denisovich by Aleksandr Solzhenitsyn *

The Dirt (2019)

Eugene Onegin by Alexander Pushkin

Almost Famous (2000) *

Rocket Science (2007)

[libidomechanica]

Untitled Composition # 8655

Auaile talked to haue to thee to  be utter weep in truely mought 

to fashion my dust weene that ho, the  sparry blont. Health were thousand  for the carefully there 

gone: and bunched out of long half-wise raind the  sweete reward that three time must  be my loves towards make history, 

and sparry selfe doth in this  let me seen border; mildnesse mountains disease,  he fyre of natures. That deep with  such as coy excuse. 

Bones good choose    you faire, and a silken 

slacker I sighing displace than soldiers.  And revive, capers, none sits I was  never wi the mind  draw but give years believes in ever things  drew. Too golden-sheavens, far from he mountain.  Vnto hys why state is middle of such  tempest dove let me respect  and time and, which love to season  is selfe ye be heart suggests  cruel stone, hes idlenesse  you stremityes, the sawe this  me! In myne eyes, “fore higher to end  out this hold the evil earth do  moves hurts are ourse, and still, and does needle 

bred today: nor sure same!  Lethal. Which way walked time this ydle boots, chill 

on a sands: think its no othering  is through half the Fates; and peculating  to sharpening  ran, affects, why, Sir? unto oerload of  hard hardimented blythest cloak applies  wont with cruell fifth in her imagined  not of sweeping heate Feast  Love another. while week he displace First dyd  bear oer wisht, yea, everybody yet neuer taste  the loose dusk cocoons, with her 

amiss! the midnight; aye, 

all strove that clymbe thundergrown of my presses  creeping footstoole hung in that  she scription ruine, come white, which are  thank gently for did vnto you  at the started, her to  waved from nobody neede,  one its old Susan rise the pond you  thyself be kept second 

is morn: Apollos for in  flowers, sent thee Diggon, If you to  makes not any long as we” mighty view?— Devoid 

[xxsimschallengesxx]

100 Not So Berry Baby Challenge: Rose Generation (Babies 71 - 73: Susan, Marielle, and Journey)

Father: Coleman Fyres

Susan Silly Genius Romantic Childish

Marielle Inquisitive Perfectionist Green Fiend Cheerful

Journey Fussy Dog Lover Romantic Dance Machine

[voluxpa]

Parce qu’il fallait bien que ça sorte un jour... par ailleurs si ça vous dit de rejoindre cette famille de tarés, vous retrouverez les deux grands frères (présents dans les crackship) dans ces deux scénarios (en cours mais on vous attend tho):

https://beyondthethrone.forumactif.com/t556-en-cours-h-gerard-butler-prenom-nom (pour gerard butler aka césair ashby)

https://beyondthethrone.forumactif.com/t498-en-cours-h-michael-fassbender-clive-fyre (pour fassy aka clive fyre)

[0-nouke-0]

Susan with 2 of her 5 sisters,

Madison Fyres-Volkov and Desiree Hauata. Desiree can also be found on the Straud family tree.

[dogwitchcity]

What I Didn’t Know About Love::

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I am .. as pause .. as cat .. as feline graves grace a an ans man meant and dead allows … you didn’t .. youd didn’t mean it … don’t .. stop don’t stop .. and how come you don’t judge … as if daughter .. as thought family isn’t worth it isn’t worth practicing … there is no excuse for good form … sin is a tyranny .. and when you hear nothing of the truths which deign vale eel ills veiled the threats and swollen the vile while … nothing ever hurt somebody unshine … susan … susan … fires and fires and … bus travels and fear forest own was familiarly fond of … evil shadows ill veil night and … have you traveled without starlight before … I would never do druges … binge drink redbull three eleven rituals of elven enlightenment on the music radio and … get that vieo dill hole vile video need … hatrrs ahshas .. this cup looks like it will hold yours well enough …. Cupps cupped and hey child .. hey kiddo .. hey love … and in an ans android answersd need .. need needs need needed to be .. I am not my faith motherws fathers im not your child im not not a big girl now and … fade to .. blah blah blah … and when why .. when why says cantain .. an canteenas … only one more drink … only one more … how do you say stay .. how do you stand hatred .. bird spider breed flying hatred of what mother nature allows blue bile beehive winnies to fear OF blah blah blah … oh daddy why wont you love me with the courage of … hmmmm hmmm … of hymns and hymns of … id never believe in jesus but … I don’t not believe in .. I don’t not not feel … do you know what sorrow is … we have ways of dealing with .. with the likes of .. how do you like my new … fears lead distrust… human is humane and guilt is global .. you can as scream screams reach the epitome of … cinders smiling smoke plumes tarantula sinues sin dues sin soes does what sins .. chjild .. djiln … deam .. I kill .. 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I am pleased to meet … see you soon .. yes and yes … scary as life all power life is child … real be believe to … I only work here … have ahte have hated haven’t had too many only brides bridges waneing and desperate devine sons fallen finds of oh ohh my .. the pair drove on .. highway highway-lights on the sided side lined lane they slowed and continued … an and ans annana ana nananas nain-nian the sons sons moon moons mooning palefaced grandson of a child not not the father of not not no one but only of .. and ways to morning bring .. red sun .. red son … reds on the mound and the pitch is and …. Screams that have less to do with the volume each of a childs wonder becomes betrayed when .. when introduced to … hi im kyx and im synks and .. im pleased to meet you .. and uhuhh .. yeah .. uh .. of course not hon .. name lice liscense and record contract or … are you .. are you … are you experienced … are you as experienced with meant to men to mean to mean to mean to be too mean to me than to abley be able to .. take take take me now .. and hands fly .. hands fly up and … sic sic sic vomit putrid .. and how long has this recurring been upon the breast of the nextdoor neighbor you know you know he took my cookie … and pale faced and daughter sobs heaving and ruogey rouged red rose ruddied and marmalade calmed down and … remember .. we are only only less than devils … we we less less thqan meek and feign lord high kin da’kines kind kindness and .. follow the black cat kaets to find a ward way out and .. some surfers you can trust .. zak .. zak .. did you say he was black … aye yes no ma’am … wake me when its mourning and youth spiteful and grace relieve me of .. sheakspearean drudgery and cudgel .. pead on sweet seeker .. lead amd pewter crystal .. lenses tyra tire iron …..at ways red read once and kicked … believe not every eves written writ wrote written in text latin and true as … definite definitely need coffee … the one coule drove .. over and over the wheels of the … business busy with witty wrapt attention and .. android love syndromes .. queens sense .. que ques qags lane .. and lar lars lara crFT AS .. HOVERCRAFT .. heavy as heated .. droned and drew too .. too may too many .. true manly men .. naught naughty gi4rls need .. gnawed bones and .. blighted ways and .. stay safe miranda .. stay safe mahriah .. stay safe mah love .. and spirit vbe your own …

 Love you ..

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Okj dad …

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  Cold noble space breed and power heat become .. three

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‘

Curled up curled uparound … book and warmth infanths blessing .. be safe and soul whole conten t .. but .. not too much ..

 Wouldn’t want to ..

  Get tippsy with it

 Gt hotrods ND ..

 VAUGE FOG FOGGY MOANS IN MEANS MEAN  AND VIOLET COLORED  ….

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 I think ive heard this song before .. and .. into think Ive the ethers eyen aen eyed went and wound ..

 Time patience war trust life grace truth and faith

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  Cu101

[musicoviniciusrodrigues]

12 filmes extraordinários para assistir na Netflix

A Netflix oferece um acervo significativo de filmes e séries para os seus usuários. No entanto, nem sempre é fácil encontrar alguma produção que tire o fôlego em meio a tantas opções. A Bula decidiu dar uma ajudinha aos usuários do serviço de streaming e listou 12 filmes extraordinários que estão disponíveis na Netflix. A seleção contempla longas de diferentes gêneros, das produções clássicas às contemporâneas. Entre os destaques, está o documentário brasileiro “Estou Me Guardando Para Quando o Carnaval Chegar” (2019), de Marcelo Gomes, o aclamado “O Irlandês” (2019), dirigido por Martin Scorsese; e a comédia “Como Ser Solteira” (2016), de Christian Ditter. Os títulos estão organizados de acordo com o ano de lançamento.

Dezessete (2019), Daniel Sánchez Arévalo

Hector, um garoto de 17 anos, está em um centro de detenção juvenil há dois anos. Como parte de sua terapia de reabilitação, ele recebe visitas de um cachorro chamado Oveja e acaba se apegando ao animal. Quando Oveja deixa de aparecer por ter sido adotado por uma família, Hector resolve fugir para encontrá-lo. Ismael, o irmão mais velho, decide acompanhar Hector para garantir que ele não terá problemas.

Estou Me Guardando Para Quando o Carnaval Chegar (2019), Marcelo Gomes

Na pequena cidade de Toritana, no agreste de Pernambuco, mais de 20 milhões de peças de jeans são produzidas anualmente em fábricas caseiras. Orgulhosos de serem seus próprios chefes, os donos dessas indústrias trabalham incansavelmente, todos os dias do ano. Exceto no carnaval, quando eles vendem tudo que acumularam e viajam para praias paradisíacas. Na quarta-feira de cinzas, um novo ciclo de trabalho começa.

Fyre Festival: Fiasco no Caribe (2019), Chris Smith

Em 2016, o empresário Billy Mcfarland contratou celebridades para divulgarem nas redes sociais sua nova empreitada: o Fyre, um festival no Caribe que prometia ser inesquecível. Os ingressos, que custavam entre 400 e 12 mil dólares, foram vendidos em poucos dias e davam direito a acomodações luxuosas, apresentações musicais e refeições elaboradas por chefs. Mas, ao chegarem no local, as pessoas perceberam que tudo não passava de uma fraude.

O Irlandês (2019), Martin Scorsese

Frank Sheeran, “O Irlandês”, é um veterano de guerra cheio de condecorações. Ele aprendeu a matar servindo na Segunda Guerra Mundial e divide seu tempo entre os trabalhos de caminhoneiro e assassino de aluguel para a máfia. Já velho, Frank reflete sobre sua carreira no mundo do crime e seu envolvimento com os Bufalino, uma família de mafiosos. Ele também relembra seu envolvimento no desaparecimento do líder do sindicato dos caminhoneiros, Jimmy Hoffa, que era seu amigo de longa data.

O Vazio do Domingo (2018), Ramón Salazar

Chiara foi abandonada por sua mãe biológica, Anabel, há três décadas. Um dia, ela decide procurar pela mãe e lhe propõe algo inusitado: que as duas passem dez dias juntas em uma vila remota entre a Espanha e a França. Anabel aceita e o convite e, a partir desse encontro, o filme destrincha a relação dessas duas mulheres que, apesar de serem mãe e filha, não se conectam há muitos anos.

Animais Noturnos (2016), Tom Ford

Susan é uma bem-sucedida negociante de arte que está passando por um momento de instabilidade em sua vida pessoal. Um dia, ela recebe um livro ainda não publicado, escrito por seu ex-marido, Edward. A história acompanha Tony, um homem que leva sua família para viajar, mas o passeio é interrompido quando eles são abordados por uma gangue violenta na estrada. Durante a intensa leitura, Susan relembra seu passado com Edward.

Como Ser Solteira (2016), Christian Ditter

Após idas e vindas em vários relacionamentos, Alice decide ficar solteira por um tempo. Ao conversar com uma amiga, ela entende que não consegue namorar sem anular suas próprias vontades, então prefere ficar sozinha para se conhecer melhor. E para aproveitar melhor tudo que Nova York tem a oferecer, Alice conta com a ajuda de sua melhor amiga, Robin, que promete ensiná-la como ser solteira.

Docinho da América (2016), Andrea Arnold

A adolescente Star vive com o namorado alcoólatra e violento e cuida dos enteados, apesar das dificuldades financeiras. Cansada da vida que leva, ela entrega as crianças à mãe biológica e decide fugir com um grupo de jovens rebeldes que dirigem pelos Estados Unidos vendendo assinaturas de revistas. Junto aos novos amigos, Star descobre um novo mundo de festas e diversão sem limites.

Handsome Devil (2016), John Butler

Ned e Conor são pessoas com personalidades totalmente diferentes. Enquanto Ned é um nerd apaixonado por poesia e sofre na mão dos jogadores de rugby da universidade, Connor é a estrela do time. Mas, a contragosto, eles são forçados a dividir o mesmo quarto. Com o passar do tempo, eles formam uma amizade improvável e Ned descobre um segredo que Connor esconde de todos.

Sangue Pela Glória (2016), Ben Younger

O filme conta a história verídica do campeão mundial de boxe Vinny Pazienza. Em 1991, dias após uma grande vitória em sua carreira, ele sofre um grave acidente de carro e quebra o pescoço. Quando acorda do coma, Vinny descobre que provavelmente não voltará a andar e não poderá praticar esportes. Mas, com a ajuda do treinador Kevin Rooney, ele retorna aos treinos e, surpreendentemente, consegue mais um título mundial nos ringues.

Pais e Filhas (2015), Gabriele Muccino

Um escritor americano, ganhador do Prêmio Pulitzer, fica viúvo após sofrer um acidente de carro. Com o trauma, ele se torna mentalmente instável e precisa deixar a filha, Katie, aos cuidados dos tios para tratar de sua saúde mental. Anos depois, Katie, já adulta, cuida de crianças com problemas psicológicos e ainda se esforça para entender os acontecimentos da sua infância conturbada com o pai.

O Som ao Redor (2013), Kleber Mendonça Filho

O filme acompanha a vida dos moradores de uma rua em Setúbal, bairro de classe média na zona sul de Recife. Francisco é dono de grande parte das propriedades da região e, por isso, exerce certo controle na vida dos inquilinos. Mas, quando os moradores contratam milicianos como seguranças particulares da rua, Francisco vai perdendo sua influência. Enquanto alguns comemoram a tranquilidade trazida pela milícia, outros entram em conflito com os vigilantes.

Bônus

O Amor Adora Coincidências (2011), Ömer Faruk Sorak

Em 1977, em Ancara, um homem leva sua mulher para dar à luz em um hospital, mas acaba se envolvendo em um acidente de trânsito. No outro carro, uma mulher que também está grávida entra em trabalho de parto. Assim, os dois bebês, Ozgur e Deniz, nascem no mesmo dia, lado a lado. Cerca de 25 anos depois, Deniz, que trabalha como atriz em Istambul, visita uma exposição e se apaixona pelo fotógrafo: Ozgur.

12 filmes extraordinários para assistir na Netflix publicado primeiro em https://www.revistabula.com

[swan2swan]

Someone’s YA Dystopian Future novel is going to feature one character being a natural leader and then revealing:

“I was at the Fyre Festival in 2017.”

The whole camp went quiet, with the exception of Daran, who swore softly. Chelsea looked like she was about to cry; Pete laughed softly with disbelief. “You were at the Fyre Festival?”

Craig nodded slowly, his gaze not leaving the flames in front of him. “One of the first ones in. One of the last ones out.”

Susan furrowed her brow, trying to piece the words together. Would it be inappropriate to ask him? Was it a religious thing? A massacre?

“What’s a Fire Festival?” The question slipped from her lips before she could help it, and suddenly all eyes were on her--all except Craig’s. The fire still flickered inside them.

“There was just one. The Fyre Festival, with a ‘y’. They thought it was clever.” He sighed, stroked his beard, and shifted a little before continuing. “It was supposed to be a simple weekend in the Bahamas. Me and a bunch of other rich kids packed our clothes, gathered our things, and took a plane down south. Everything was going smoothly...but when we hit the first landing strip, that’s when we started to realize that something had gone awry. Instead of seeing a private beach in front of us, we saw a crowded tourist trap. We were promised private jets, fancy boats, the full VIP experience...” His eyes flicked up to her, and though his mouth curved up in a smile, the eyes did not share in it. “But none of that was anywhere to be seen. We thought it would be fine, all we had to do was get our things, make sure they were together, and they’d lead us to the hotel, but...it was already growing dark, and that’s when the luggage arrived. Unloaded from one of those giant storage containers, the big ones, like you see on the docks. Just tossed out to the crowd, one after another. No conveyer belts, no lockers, no express deliveries to the rooms...and it was when I finally got my bag, with a dented crease along the side, like it had been resting under someone’s golf clubs, that I realized: everything had gone wrong.

“Anyway, I’m standing there with this bag, and it occurs to me how hungry I am, so I start looking for the restaurant. I was young, and foolish...fortunately, Gabe was young and foolish, too, so we both headed off to find the restaurant, thinking it would be there.”

His smile widened, showing those teeth again. “There was no restaurant. They fed us sandwiches--small, flat, flimsy sandwiches, with that bread you see on a gas station shelf, and some meat they said was ham. A single wilted piece of lettuce and a piece of rubbery cheese were the condiments, if you could call them that...Gabe said he saw someone with a ketchup packet. I didn’t believe him. Served in a white styrofoam box.

“Anyway, this would be regal fare to us today, but back then, to us, it might as well have been cow dung. I saw three people vomiting their food right back out; the girl next to me saw the same thing, and she became number four. I don’t know how many of us managed to actually choke our way through the meal, or how many of us actually made it back to go onto the plane, but I do know this: there were two thousand of us left in that village when the last boat left the island. Two thousand of us left to fend for ourselves. 

“When the sun rose the next day, we were one thousand nine hundred and ninety four. Four of us were missing; two were dead. It was then that I realized that this was going to be a live-or-die situation. I chose to live.”

I would continue with this but it is late and I needed sleep an hour ago.

[stainedglassgardens]

In a surprising turn of events, I have watched more films in the past six months than I ever have before, bringing the total to 171 from the first of January, 2019. Recap:

Like Father (Lauren Miller Rogen, 2018)

Upgrade (Leigh Whannell, 2018)

Skate Kitchen (Crystal Moselle, 2018)

Never Been Kissed (Raja Gosnell, 1999)

Anomalisa (Charlie Kaufman and Duke Johnson, 2015)

Dick (Andrew Fleming, 1999)

The Black Balloon (Elissa Down, 2008)

Under the Silver Lake (David Robert Mitchell, 2018)

6 Balloons  (Marja-Lewis Ryan, 2018)

Rosy (Jess Bond, 2018)

The Party’s Just Beginning (Karen Gillan, 2018)

The Rider (Chloé Zhao, 2017)

Snowpiercer (Bong Joon-ho, 2013)

Touch of Evil (Orson Welles, 1958)

Thirteen (Catherine Hardwicke, 2003)

Sadie (Megan Griffiths, 2018)

The Miseducation of Cameron Post (Desiree Akhavan, 2018)

Frida (Julie Taymor, 2002)

Fyre: The Greatest Pary That Never Happened (Chris Smith, 2019)

Time Share (Tiempo Compartido, Sebastián Hofmann, 2018)

The Stranger (Orson Welles, 1946)

Abducted in Plain Sight (Skye Borgman, 2017)

King of Thieves (James Marsh, 2018)

Malevolent (Olaf de Fleur, 2018)

Serena (Susanne Bier, 2014)

Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000)

And Breathe Normally (Andið Eðlilega, Ísold Uggadóttir, 2018)

Catwalk: Tales from the Cat Show Circuit (Aaron Hancox and Michael McNamara, 2018)

Santoalla (Andrew Becker and Daniel Mehrer, 2016)

Jane Fonda in Five Acts (Susan Lacy, 2018)

Mademoiselle Paradis (Licht, Barbara Albert, 2017)

The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, 2016)

Matangi/Maya/M.I.A (Steve Loveridge, 2018)

Pride & Prejudice (Joe Wright, 2005)

The Brain Hack (Joseph White, 2014)

Vazante (Daniela Thomas, 2017)

Tanglewood (Jordan Prosser, 2016)

Outfall (Suzi Ewing, 2018)

Pigskin (Jake Hammond, 2015)

The Funspot (Jake Hammond, 2015)

April and the Devil (Jake Hammond, 2018)

Smithereens (Susan Seidelman, 1982)

Can You Ever Forgive Me? (Marielle Heller, 2018)

Bus Stop (Joshua Logan, 1956)

Pink Plastic Flamingos (Colin West, 2017)

The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018)

Amanda Knox (Rod Blackhurst and Brian McGinn, 2016)

Holy Hell (Will Allen, 2016)

Shoplifters (Manbiki Kazoku, Hirokazu Kore-eda, 2018)

Skin (Jordana Spiro, 2015)

A Night at the Garden (Marshall Curry, 2017)

Give Up the Ghost (Nathan Sam Long, 2018)

Last One Screaming (Matt Devino, 2017)

The Katy Universe (Patrick Muhlberger, 2018)

Roma (Alfonso Cuarón, 2018)

Did You Hear About the Morgans? (Marc Lawrence, 2009)

End Game (Rob Epstein and Jeffrey Friedman, 2018)

Behind the Curve (Daniel J. Clark, 2018)

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005)

92MARS (Ricardo Bernardini, 2018)

Construct (Kevin Margo, 2018)

Invaders (Daniel Prince, 2018)

Three Identical Strangers (Tim Wardle, 2018)

Dirty John: The Dirty Truth (Sara Mast, 2019)

Blackwood (Andrew Montague, 2019)

One (Luke Bradford, 2019)

God's Kingdom (Guy Soulsby, 2018)

Holiday (Isabella Eklöf, 2018)

Frigid (Joe Kicak, 2016)

Girl of the Sky (Ariel Martin, 2017)

Monitor (Matt Black and Ryan Polly, 2018)

Donoma (Evan Spencer Brace, 2018)

Perfect Blue (パーフェクトブル, Pāfekuto Burū, Satoshi Kon, 1997)

The Sermon (Dean Puckett, 2018)

Layer Cake (Matthew Vaughn, 2004)

Easy A (Will Gluck, 2010)

Generation Wealth (Lauren Greenfield, 2018)

The Rachel Divide (Laura Brownson, 2018)

The Place Beyond the Pines (Derek Cianfrance, 2012)

Burden (Timothy Marrinan and Richard Dewey, 2016)

What Will People Say (Hva vil folk si, Iram Haq, 2017)

Close Encounters of the Third Kind (Steven Spielberg, 1977)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Animal (Fabrice Le Nézet and Jules Janaud, 2017)

Capturing the Friedmans (Andrew Karecki, 2003)

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (Errol Morris, 2003)

Erasing Eden (Beth Dewey, 2016)

Destroyer (Karyn Kusama, 2018)

Unicorn Store (Brie Larson, 2019)

May the Devil Take You (Sebelum iblis menjemput, Timo Tjahjanto, 2018)

People in Cars (Daniel Lundh, 2017)

Presentation (Danielle Kampf, 2017)

Ink (Jamin Winans, 2009)

Hedgehog (Lindsey Copeland, 2016)

Koyaanisqatsi (Godfrey Reggio, 1982)

Wanda (Barbara Loden, 1970)

The Silence (John R. Leonetti, 2019)

24 Davids (Céline Baril, 2017)

The Frame (Jamin Winans, 2014)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Baraka (Ron Fricke, 1992)

Wayne’s World (Penelope Spheeris, 1992)

Stories We Tell (Sarah Polley, 2012)

Born in Flames (Lizzie Borden, 1983)

Jesse’s Girl (M. Keegan Uhl, 2018)

I Walked With a Zombie (Jacques Tourneur, 1943)

Mary Goes Round (Molly McGlynn, 2017)

The Green Fog (Guy Maddin, Evan Johnson, and Galen Johnson, 2017)

Psycho (Alfred Hitchcock, 1960)

Someone Great (Jennifer Kaytin Robinson, 2019)

Ekaj (Cati Gonzalez, 2015)

Capernaum (Nadine Labaki, 2018)

Porcupine Lake (Ingrid Veninger, 2017)

The Decline of Western Civilization (Penelope Spheeris, 1981)

The Decline of Western Civilization Part II: The Metal Years (Penelope Spheeris, 1988)

The Decline of Western Civilization III (Penelope Spheeris, 1998)

Revolver (Guy Ritchie, 2005)

Pokémon: Detective Pikachu (Rob Letterman, 2019)

RocknRolla (Guy Ritchie, 2008)

Snatch (Guy Ritchie, 2000)

Lock, Stock and Two Smoking Barrels (Guy Ritchie, 1998)

The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017)

Nkosi Coiffure (Frederike Migom, 2015)

Speak Your Truth (Kris Erickson, 2018)

Incendies (Denis Villeneuve, 2010)

A.I. Rising (Lazar Bodrosa, 2018)

The Crescent (Seth A Smith, 2017)

Ring (リング, Ringu, Hideo Nakata, 1998)

Absences (Carole Laganière, 2013)

The Uninvited (Lewis Allen, 1944)

In Color (José Andrés Cardona, 2019)

Winners (Dan Bulla, 2018)

Jess (Daniel Hurwitz, 2018)

My First Time (Asaf Livni, 2018)

Murmur (Aurora Fearnley, 2018)

Pulsar (Aurora Fearnley, 2017)

Struck (Aurora Fearnley, 2017)

Samira (Lainey Richardson, 2018)

Despite Everything (A pesar de todo, Gabriela Tagliavini, 2019)

It Stains the Sands Red (Colin Minihan, 2016)

Satain Said Dance (Szatan kazał tańczyć, Katarzyna Rosłaniec, 2016)

Knock Down Ginger (Cleo Samoles-Little, 2016)

Gold (Cleo Samoles-Little, 2015)

Jane's Life (Cleo Samoles-Little, 2012)

4/4 (Kyle Sawyer, 2016)

Sugar Land (Lorenzo Lanzillotti, 2018)

The Idea of North (Albert Choi, 2018)

A Quiet Place (John Krasinski, 2018)

Dark Water (仄暗い水の底から, Honogurai Mizu no soko kara, Hideo Nakata, 2002)

Sound of My Voice (Zal Batmanglij, 2011)

Us (Jordan Peele, 2019)

The Perfection (Richard Shepard, 2018)

House of Wax (Andre DeToth, 1953)

We Have Always Lived in the Castle (Stacie Passon, 2018)

Always Be My Maybe (Nahnatchka Khan, 2019)

Gente que viene y bah (Patricia Font, 2019)

Period. End of Sentence. (Rayka Zehtabchi, 2018)

American Mary (Jen and Sylvia Soska, 2012)

The Boss (Ben Falcone, 2016)

Extremis (Dan Krauss, 2016)

E il cibo va (Food on the Go, Mercedes Cordova, 2017)

Last Night (Massy Tadjedin, 2010)

Murder Mystery (Kyle Newacheck, 2019)

Bead Game (Ishu Patel, 1977)

The Ceiling (Katto, Teppo Airaksinen, 2017)

Elisa & Marcela (Elisa y Marcela, Isabel Coixet, 2019)

Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017)

The Garden (Sommerhaüser, Sonja Maria Kröner, 2017)

Fast Color (Julia Hart, 2018)

The Tale of Iya (Iya Monogatari: Oku no Hito, Tetsuichiro Tsuta, 2013)

Chico and Rita (Chico y Rita, Tono Errando, Fernando Trueba and Javier Mariscal, 2010)

Rafiki (Wanuri Kahiu, 2018)

Floating! (Das Floß!, Julia C. Kaiser, 2015)

The Quiet American (Phillip Noyce, 2002)

[glovenose82-blog]

Video: Trailer - Hulu Original Comedy "PEN15"

[01/18/19 - 10:50 AM] Video: Trailer - Hulu Original Comedy "PEN15" All 10 episodes will premiere Friday, February 8, only on Hulu.

[via press release from Hulu]

TRAILER: Hulu Original Comedy "PEN15"

School is almost in session and we are excited to share the official trailer and key art for Hulu's hilarious new original comedy series PEN15. All 10 episodes will premiere Friday, February 8, only on Hulu.

Series Synopsis: PEN15 is middle school as it really happened. Maya Erskine and Anna Konkle star in this adult comedy, playing versions of themselves as thirteen-year-old outcasts in the year 2000, surrounded by actual thirteen-year-olds, where the best day of your life can turn into your worst with the stroke of a gel pen.

The series is created, written, and executive produced by Maya Erskine, Anna Konkle, and Sam Zvibleman. Andy Samberg, Akiva Schaffer, Jorma Taccone & Becky Sloviter of Party Over Here, Shelley Zimmerman, Brin Lukens and Jordan Levin of AwesomenessTV, Marc Provissiero & Brooke Pobjoy from Odenkirk Provissiero Entertainment, Debbie Liebling, and Gabe Liedman also serve as executive producers.

Series Twitter/IG: @PEN15show

[01/18/19 - 10:50 AM] Video: Trailer - Hulu Original Comedy "PEN15" All 10 episodes will premiere Friday, February 8, only on Hulu. [01/18/19 - 09:16 AM] Video: New Trailer Released - truTV Season 2 of "At Home with Amy Sedaris" This season, Sedaris welcomes an impressive list of guest stars, including: Rose Byrne, Matthew Broderick, Justin Theroux, Susan Sarandon, Gillian Jacobs, Juliette Lewis, Ellie Kemper, Fred Armisen, Michael Shannon and more! [01/17/19 - 09:09 AM] Video: IFC Releases First Trailer for the Highly-Anticipated Return of the Emmy(R)-Nominated "Documentary Now!" This season's all-star line-up of guest stars includes Cate Blanchett, Michael Keaton, Owen Wilson, Michael C. Hall, John Mulaney, Taran Killam, Renee Elise Goldsberry, Bobby Moynihan, Natasha Lyonne, Paula Pell, Richard Kind, James Urbaniak and more. [01/17/19 - 08:01 AM] Video: New Trailer for Steven Soderbergh's "High Flying Bird" Starring Andre Holland and Zazie Beetz The film will debut Friday, February 8 exclusively on Netflix. [01/16/19 - 01:48 PM] Video: "Happy!" - Season 2 Official Trailer - Syfy The next insane season premieres Wednesday, March 27 on the cable channel. [01/16/19 - 10:44 AM] Video: "Better Things" - Season 3: Official Trailer - FX As previously announced, the series returns Thursday, February 28 at 10:00/9:00c. [01/16/19 - 10:01 AM] Video: WGN America Unveils February 27 Premiere Date and First Trailer for Crime Drama "Gone" Chris Noth, Leven Rambin and Danny Pino star in the 12-part limited series. [01/16/19 - 08:03 AM] Video: "Unbreakable Kimmy Schmidt" Final Episodes - Official Trailer - Netflix Look for the show's swan song on Friday, January 25. [01/15/19 - 07:31 AM] Video: Trailer Debut - "Black Earth Rising" Launches January 25 on Netflix The limited series is a contemporary thriller that follows the journey of Kate Ashby (Michaela Coel), a Rwandan orphaned by the genocide, raised in London by an adoptive mother and trying to discover the truth of her past. [01/14/19 - 09:42 AM] Video: Trailer Debut - "Conversations with a Killer: The Ted Bundy Tapes" Launches January 24 The series features exclusive, never-before-heard audio interviews with Ted Bundy from death row. [01/14/19 - 08:06 AM] Video: "Fyre Fraud" Now Streaming on Hulu The film features an exclusive interview with Billy McFarland, the convicted con-man behind the festival. [01/14/19 - 08:05 AM] Video: Netflix Debuts Trailer & Key Art for "Paddleton" Ray Romano and Mark Duplass star in the film, due on February 22. [01/13/19 - 06:00 PM] Video: "Game of Thrones" Returns April 14 HBO aired a new tease tonight, which announced the debut date for the show's six-episode, eighth and final season. [01/10/19 - 10:11 AM] Video: Trailer - "Fyre: The Greatest Party That Never Happened" The Netflix documentary launches Friday, January 18. [01/10/19 - 08:46 AM] Video: Trailer Released for Sony Crackle's "The Oath" Season 2 The series returns with eight all-new episodes on Thursday, February 21 with a sneak peek on Amazon devices through the Sony Crackle app starting Monday, February 11.

Source: http://www.thefutoncritic.com/video/2019/01/18/video-trailer-hulu-original-comedy-pen15-654310/20190118hulu01/