Made a playlist for @emi--rose's phenomenal fic surely you will be saved one day aka surgeon boys! this one's meant to be listened to in order.
Full track list below the cut in case the embedded playlist doesn't appear correctly or you use other streaming platforms --
Training Montage -- The Mountain Goats
Weight Of Living, Pt. I -- Bastille
Knowing Me, Knowing You -- ABBA
Hard Sell -- The Crane Wives
Easy -- Son Lux
Clean Slate -- The Mountain Goats
Gnossienne No. 1 -- Lavinia Meijer
I Get By -- Distant Cousins
We Built This City -- Starship
Queen of Nothing -- The Crane Wives
Spiegel im spiegel -- Arvo Pärt
Everybody (Backstreet's Back) -- The Backstreet Boys
Undertow -- Son Lux
Disloyal Order Of Water Buffaloes -- Fall Out Boy
Matthew 25:21 -- The Mountain Goats
Metamorphosis II -- Lavinia Meijer
Coffee -- beabadoobee
Romans 10:9 -- The Mountain Goats
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find another role, carry on the show
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honestly I absolutely love the Avvar in Jaws of Hakkon. How they worship the gods, how they view the world around them, how accepting they are and just how interesting they are too. I absolutely despise how the Inquisitor and Companions make commentary as if they're stupid or wrong in their beliefs, or that they're "just crazy people who worship spirits".
The dialogue you don't choose or even the ones you do are on the line of condescending, and it's frankly insulting, especially that all options on the dialogue wheel fall on that line.
the Avvar are so fucking cool, I hate we only get a DLC with them. (I also miss the Chasind - I wish they weren't forgotten or left in the dirt by BioWare :( )
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soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart
sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers
and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure
the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish
soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down
he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill
we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan
he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost
he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them
he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted
he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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I swear if something happens to the Little One, Imma start a riot!!!
By the way, what did you guys name "The Little One"? I would like to know if someone answers this post ❤️💖🥹🙏🏻
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IT IS DONE
Fanart of Chapter 25 of The Neon Void by @sugarpasteltmnt
Fanart done to the lyrics of The Other Side Of Paradise
THIS TOOK SO LONG OH MY GOD
I first got the idea for this some time after chapter 25 but then I got burned out and then I got distracted by artfight and then I got distracted by an AU I’m making BUT NOW IT’S DONE
YIPPEE
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What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.
What if we were dark mirrors of each other and where I've grown
overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.
By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.
She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.
They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked.
We both haven’t lived for ourselves in a very long time, haven’t we.
They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay
Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.
Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕
I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?
"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.
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smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.
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All the DA2 romances alsmost feel a bit unfullfilling to me, are there many others that prefer Hawke single with the subtext of an unspoken Varric thing?
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Noriko and MinusGoji in Minus One sequel be like:
The Bride of Godzilla 😨
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the honest to god worship of kenny in some twdg spaces needs to be studied... are we forgetting the everything about him being a complex and nuanced character or am i just insane. this man is NOT a hero he is literally just on a downward spiral
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I don’t know if this has been done or not, but one Bowuigi headcanon I’ve thought about and love is the idea of Bowser asking Luigi to teach him some Italian words/phrases because he wants to know Luigi better and just absolutely loves to see Luigi get so excited about teaching him stuff.
Plus, whenever he and Mario have one of their ridiculous, yet really funny, arguments, it’s always fun for Bowser to see the red plumber’s reaction when he learns that Bowser not only actually understood what he said but also made a relevant snarky comeback.
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it takes far too long for soap to realise ghost won’t touch him anymore
he doesn’t avoid him, which he considers no small a miracle given how he usually treats his emotions, and he’s too busy being thankful to notice. thankful he didn’t run from him, thankful his simon has returned to him, no matter how changed he is from the man he knew. ghost doesn’t shy away from his touch so long as he knows it’s coming and he spends long nights just tracing the scars on his newly bared face; following half-remembered tracks and memorising new ones
but ghost never reaches back. he’ll press into his hands like a starved man, melt beneath the smallest of touches but he never initiates. and now, his regular touches have disappeared; no longer does he clap him on the back after a job well done, doesn’t cheekily nudge him after making a recruit shit themself just by giving them a look and soap hadn’t realised how much he’s come to rely on them until they stopped. how much he’s grown to care for ghost the way he used to care for simon
he can’t confront him about it; ghost’s fight or flight always firmly tuned to flight when it came to matters about himself. soap would’ve if it meant fight; if ghost would just put his hands on him again, he’d take his violence with the passion of a lover, wear the marks he left behind with grateful pride. but he remembers the look on ghost’s face when he’d ripped his balaclava off, when he’d stripped his barrier and his protection and spat, “i ruined you the moment i touched you!”
so soap waits. he waits for ghost to crawl into his bunk, to take off his mask and surrender himself to his touch; a touch that seems to burn as much as it freed. and instead of taking his face in his hands and worshiping it the way he has every other night ghost’s come to him, soap takes his gloved hand in his own
ghost flinches, the preemptive bliss fading from his eyes as reluctant fear takes its place. soap brings it up so it hovers between them and already feels him edge backwards. he doesn’t let it stop him and gently tugs his fingers free of the glove one at a time until his hand is bare to him; visibly shaking in the dark. soap brings it towards his face, holding firm when ghost tries to yank it back and presses into it; his breath hitching as he finally gets the touch he’s missed for years
“stop, john,” ghost whispers and it hurts to hear the pain in his voice; closer to begging for the soft touch to end than he’s ever been under torture
“no,” he refuses, pressing a kiss to the centre of his palm
his eyes shine in the dark, arm twitching as he fights himself; pulling back against his grip and leaning into him in turn. (how can he stand to put his mouth on him; can’t he taste it? the dirt and decay that lives under his skin? the maggots that swim in the slow beat of his blood; the rot he’s been trying so hard not to spread to him but he’s weak.) “you don’t know how broken i am. i’ll ruin you, john.”
soap kisses him again; thick, phantom blood coating his lips. “i’m not letting you slip through my fingers again,” he promises, swallowing it down. “i’ve missed you too much to be afraid of getting cut, simon.”
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Sometimes it can feel like if you don't respond to these prompts within a day or two of them getting posted, you'll be too late to get any engagement. Social media moves fast. I feel you. That's why:
Do not respond to this prompt until February 1st, 2023!
Take your time. Come up with an interesting idea and maybe even take the time to really explore what you can do if you've got more than a handful of hours at your disposal. Now for the actual prompt:
Draw or paint something incorporating the theme "Candles".
Incorporate that theme however you like. I look forward to checking back on this in February!
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