#supernormal comic

[lunadreamscaper]

Sam Winchester sketch... thing... outfit ref.... for... Supernormal......comic...

all my fellas

[wigglybug]

did martin think up an excuse as to WHY theyre visitng their rival at his workplace before actually making it to the cafe? no. they did not

[pockycigar]

first comic done! woohoo!!

[mleelunsford]

Akela Bunny

People wanted more of my comic characters in bunny suits, so here's Akela from my older comic Supernormal Step!

[starry-eyes-is-me]

a character design I made. The main character of a comic I'm working on for the webtoon legends 2025 contest.

Supernormal Detective Silvian Voltair

no clue if I'm going to finish on time, but ehh

[birdwithsocks]

wgat is the one piece

One Piece (stylized in all caps) is a Japanese manga series written and illustrated by Eiichiro Oda. It has been serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump since July 1997, with its individual chapters compiled in 109 tankōbon volumes as of July 2024. The story follows the adventures of Monkey D. Luffy and his crew, the Straw Hat Pirates, where he explores the Grand Line in search of the mythical treasure known as the "One Piece" in order to become the next King of the Pirates-The manga spawned a media franchise, having been adapted into a festival film by Production I.G, and an anime series by Toei Animation, which began broadcasting in 1999. Additionally, Toei has developed fourteen animated feature films, one original video animation, and thirteen television specials. Several companies have developed various types of merchandising and media, such as a trading card game and numerous video games. The manga series was licensed for an English language release in North America and the United Kingdom by Viz Media and in Australia by Madman Entertainment. The anime series was licensed by 4Kids Entertainment for an English-language release in North America in 2004 before the license was dropped and subsequently acquired by Funimation in 2007. Netflix released a live action TV series adaptation in 2023.One Piece has received praise for its storytelling, world-building, art, characterization, and humor. It has received many awards and is ranked by critics, reviewers, and readers as one of the best manga of all time. By August 2022, it had over 516.6 million copies in circulation in 61 countries and regions worldwide, making it the best-selling manga series in history, and the best-selling comic series printed in book volume. Several volumes of the manga have broken publishing records, including the highest initial print run of any book in Japan. In 2015 and 2022, One Piece set the Guinness World Record for "the most copies published for the same comic book series by a single author". It was the best-selling manga for eleven consecutive years from 2008 to 2018, and is the only manga that had an initial print of volumes of above 3 million continuously for more than 10 years, as well as the only that had achieved more than 1 million copies sold in all of its over 100 published tankōbon volumes. One Piece is the only manga whose volumes have ranked first every year in Oricon's weekly comic chart existence siSee also: List of One Piece charactersThe globe of the One Piece worldFlag of the World GovernmentThe world of One Piece is populated by humans and other races such as dwarves (more akin to faeries in size), giants, merfolk, fish-men, long-limbed tribes, long-necked people known as the Snakeneck Tribe, and animal people (known as "Minks"). The world is governed by an intercontinental organization known as the World Government, consisting of dozens of member countries.

The Navy is the sea military branch of the World Government that protects the known seas from pirates and other criminals. There is also Cipher Pol which is a group of agencies within the World Government that are their secret police. While pirates are major opponents against the Government, the ones who really challenge their rule are the Revolutionary Army who seeks to overthrow them. The central tension of the series pits the World Government and their forces against pirates. The series regularly emphasizes moral ambiguity over the label "pirate", which includes cruel villains, but also any individuals that do not submit to the World Government's authoritarian—and often morally ambiguous—rule. The One Piece world also has supernormal characteristics like Devil Fruits,[Jp 1] which are mysterious fruits that grant whoever eats them transformative powers. Another supernatural power is Haki,[Jp 2] which grants its users enhanced willpower, observation, and fighting abilities, and it is one of the only effective methods of inflicting bodily harm on certain Devil Fruit usersThe world itself consists of two vast oceans divided by a massive mountain range called the Red Line.[Jp 3] Within the oceans is a second global phenomenon known as the Grand Line,[Jp 4] which is a sea that runs perpendicular to the Red Line and is bounded by the Calm Belt,[Jp 5] strips of calm ocean infested with huge ship-eating monsters known as Sea Kings.[Jp 6] These geographical barriers divide the world into four seas: North Blue,[Jp 7] East Blue,[Jp 8] West Blue,[Jp 9] and South Blue.[Jp 10] Passage between the four seas, and the Grand Line, is therefore difficult. Unique and mystical features enable transport between the seas, such as the use of Sea Prism Stone[Jp 11] employed by government ships to mask their prese

nce as they traverse the Calm Belt, or the Reverse Mountain[Jp 12] where water from the four seas flows uphill before merging into a rapidly flowing and dangerous canal that enters the Grand Line. The Grand Line itself is split into two separate halves with the Red Line between being Paradise[Jp 13] and the New WorThe series focuses on Monkey D. Luffy—a young man made of rubber after unintentionally eating a Devil Fruit—who sets off on a journey from the East Blue Sea to find the deceased King of the Pirates Gol D. Roger's ultimate treasure known as the "One Piece", and take over his prior title. Luffy sets sail as captain of the Straw Hat Pirates,[Jp 15] and is joined by Roronoa Zoro, a swordsman and former bounty hunter; Nami, a money-obsessed thief and navigator; Usopp, a sniper and compulsive liar; and Sanji, an amorous but chivalrous cook. They acquire a ship, the Going Merry[Jp 16]—later replaced by the Thousand Sunny[Jp 17]—and engage in confrontations with notorious pirates. As Luffy and his crew set out on their adventures, others join the crew later in the series, including Tony Tony Chopper, an anthropomorphized reindeer doctor; Nico Robin, an archaeologist and former Baroque Works assassin; Franky, a cyborg shipwright; Brook, a skeleton musician and swordsman; and Jimbei, a whale shark-type fish-man and former member of the Seven Warlords of the Sea who becomes their helmsman. Together, they encounter other pirates, bounty hunters, criminal organizations, revolutionaries, secret agents, different types of scientists, soldiers of the morally-ambiguous World Government, and various other friends and foes, as they sail the seas in pursuit of their dreams. Eiichiro Oda's interest in pirates began in his childhood, watching the animated series Vicky the Viking, which inspired him to want to draw a manga series about pirates.[2] The reading of pirate biographies influenced Oda to incorporate the characteristics of real-life pirates into many of the characters in One Piece; for example, the character Marshall D. Teach is based on and named after the historical pirate Edward "Blackbeard" Teach.[3] Apart from the history of piracy, Oda's biggest influence is Akira Toriyama and his series Dragon Ball, which is one of his favorite manga.[4 While working as an assistant to Nobuhiro Watsuki, Oda began writing One Piece in 1996.[

demon cut but is pronounced the same as rice ball in Japanese. Eisaku Inoue, the animation director, has said that the creators did not use

[unnounblr]

#if you described miguel to hobie w/o mentioning the society hed think he was kinda cool

#but then its like 'oh we have a rigid idea of what is right & wrong & a group of ppl we classify as Bad For The World'

#& hobie is like oh lmao okay fuck you then

I mean, in his comics history, when Dr. Doom took over the 2099 United States, he made Miguel the CEO of Alchemax and Baron of Nueva York and made Spider-Man 2099 the Minister of Supernormal Affairs and for a little bit Miguel just. Did those things. And with his control of the police department, gave them orders to give Spider-Man 2099 free reign in his super-heroing.

For me, the problem with Spider-Man 2099 and all of the marvel 2099 comics is that while they’re cyberpunk, technically, they’re also 90s, right-leaning, american libertarian cyberpunk.

Miguel thinks capitalism is fine as long as he gets to be the boot.

i find it a bit amusing that were it not for everything else hobie would actually be interested in hanging out with miguel. like, he was manipulated into a drug addiction so his boss could keep forcing him to work. is that not like. everything hobie has been warning people about capitalism

[normaldefault]

Maybe I’ll use Tumblr again! I’ll probably slooooowly post all the stuff I’m most fond of I’ve been working on over the past few years.

[bgb16999]

Supernormal Step Chapters 3 and 4 Reread

This post is part of a series in which I comment on each chapter of Supernormal Step by M Lee Lunsford.  Spoilers follow!

A lot happens in chapter 3!  Fiona gives us the first hints about what kind of person her father was, and the (non-)relationship she has with her mother.  She also gives us a monologue about what she knows about the history of the magic world.  Artwise Lunsford's style seems to be changing rather quickly (for the better, IMO).  We get our first look at Rascal the restaurant owner, whose name I had forgotten even though I remembered his appearance and character.  We also learn, without being told why, that Fiona doesn't drink (I suspect it is due to something her father said).  

This chapter is also the first time we are told that confidence is the key to magic in the SNSverse.  Supposedly something more than confidence is needed for the most powerful magic, but that information is contradicted by what we find out in part two IIRC.  Whether this discrepancy is because the author changed their mind, or because Myrinne has more complete knowledge of how magic works than Cecilia.  

And then we cut back to Jim and Van, and Jim drops the bombshell that he knew Fiona's father.  Van deduces that Jim summoned Fiona in a failed attempt to summon Jackson, but Van's deduction is seemingly contradicted by the fact that Jim's magic is red, and Fiona was pulled in by a purple portal.

Then we get to the real meat of this chapter: the time when Fiona transitions from a down-on-her-luck homeless person working a minimum wage job into a superhero.  It takes a giant laser-eyed wolf to get her into hero mode.  Oh, and there's an enigmatic appearance from Kite.

Chapter 4 gives us our first look at Britta, Elvina's "sister," and also our first real taste of Em's personality.  There's also a little bit of Hall/Fiona shipteasing which I missed my first time through the series, and I only noticed it now because the author pointed it out as an aborted storyline during the Twitch stream in 2018.  And Kite is still enigmatic.

But the real heart of chapter four is Cecilia introducing Fiona to the Nameless, shortly after Henderson offered her a job with him.  Fiona is no longer just a local super hero: her talent is sought after by both the most powerful man in the world, and the rebellion against the most powerful man in the world.  Oh, and we learn about Judgement Magic, and get another enigmatic hint about Hal and Eva's origins.  

All in all, the author's storytelling and worldbuilding progressed a lot in comparison to the first two chapters

[lunadreamscaper]

I know I've made posts talking about remaking my VT P.I.E. and Supernatural comic "Supernormal" a few times.

I FINALLY started working on the storyboarding for it, simce im doing mkre than remaking it, but rewriting it. it'll still follow the original storyline i had in the original. just some changes will be made to better flesh things out. and feel less rushed.

especially since i better understand my lore on Shatterverse P.I.E. lol

AND ALSO idk how many of u remember this detail from the og comic but the number 13 was a reoccurring element i did on purpose at the time, but during my planning and rewriting process that number has surprised me in unexpected places which is funny to me. Main example being: when i first started making the comic? season 13 of Supernatural started airing, in fact i think the first episode aired on October 12, 2017, which is the day before the main events of the og comic also takes place. just thought that was cool :P

anyways sneak peek of the story boards and stuff

🪄✨🎩

i havent gotten to the parts with PIE establishing yet but there is ONE ☝️ panel featuring the Johnnys in the first pic if you can find it

also GOD i need to practice drawing Baby, SHE MUST BE PERFECT/silly

[bgb16999]

Reminder: Indepentent media is consistently better about queer representation than media from major publishers.  There are a lot more asexual characters in webcomics  See @webcomiclibrary​ for a lot of examples, or try some of my favorites:

Sister Claire 

Tamberlane

Inhibit

Rain

Supernormal Step

Dumbing of Age

and yet we "complain too much" about wanting more asexual representation on media

[pockycigar]

the supernormals. this is js a bust i will make a comic soon. unless i dont.

[pearly-sims]

Ok Paranatural theory time

So a lot of us are under the assumption that Agent Summers was Max’s mom, yeah? Yeah. There are posts that go into more detail but both have a connection to fire and have similar aesthetics. And you can’t tell much from the silhouette in last week’s update but both characters wore their hair in a high ponytail/bun hairstyle

You know who else has red hair and wears it in a high ponytail?

Zoey! We haven’t seen her in so long, and I believe the only people in town who have seen and interacted with her are her family and Isabel. Mr. Spender has gone to the convenience store before, shown in this Supernormal comic

But he didn’t meet Zoey, only Dad Puckett. Isabel never knew Agent Summers, but Spender, Garcia, and Zarei did. I think it’d be cool to reveal Summers=Mom Puckett with one of those three meeting Zoey, seeing the striking resemblance, and putting 2 and 2 together.

That or something silly like Spender helping Max set up some sort of account with security questions, one being “your mothers maiden name” and nearly having a stroke when he hears the answer.

[multiverseforger]

The contemporary version of the character is the alter-ego of Dr. Doris Zeul,[8] who suffers from a fatal blood disease. She captures Wonder Woman and plans to put her "life-essence" into Wonder Woman's body using an experimental machine. Interrupted by Wonder Girl halfway through the experiment she ends up with her consciousness in a test animal gorilla named Giganta.[1]

Desperate to return her mind to a human body, Zeul the gorilla abducts a comatose circus strongwoman named Olga with size-changing abilities[9] through unknown means (though Olga was comatose due to a mysterious shaman) and uses the machine to successfully transfer her mind into that body, keeping the villain name "Giganta".

Following her transformation, Giganta allies herself with Queen Clea and the modern incarnation of Villainy Inc. in an attempt to conquer the lost world of Skartaris.[10] Villainy Inc. is defeated by Wonder Woman, but Giganta is subsequently seen as a member of several criminal groups, including the Secret Society of Super Villains.[11]

As part of the Society, she takes part in the "Battle of Metropolis", a confrontation with multiple heroes, including Elasti-Girl, the size-changing member of the Doom Patrol. The Society ultimately loses this battle.[12]

When Diana Prince noted that Giganta's intellect reduces as she grows in size,[13] compelling the villain to become less rational and more prone to violence, she was corrected by her colleagues in the Department of Metahuman Affairs. They implied that Giganta has overcome that limitation and retains her full intelligence at any size.[14]



Giganta in her One Year Later costume, which she continued to use until the New 52.

"One Year Later," Giganta, along with The Cheetah and Doctor Psycho, engage in a battle with Donna Troy (who has assumed the identity of Wonder Woman one year after the events of Infinite Crisis), as part of a search for, as they term it, the "real" Wonder Woman (Diana of Themyscira).[9] The villains continue their quest,[13] holding Troy hostage in order to draw Diana out for a rescue attempt and contend with the current Wonder Girl, Robin, and Diana herself in the guise of government agent Diana Prince. Giganta and her allies also battle Hercules, with the giantess being felled by the legendary champion.[15]

Giganta is a teacher at Ryan Choi's Ivy Town University.[16] Infected and controlled by M'Nagalah, the monstrous Cancer god, she was sent to seduce and capture Ryan Choi, the new Atom, in the process even going so far as to swallow the miniature hero alive (he escapes, and also discovers that she has a tongue piercing[17]). Now free of M'Nagalah's control, a seemingly repentant Dr. Zeul retains her position at Ivy University and has approached Ryan for a second chance, despite the bizarre circumstances of their first meeting.

Before their second date, the Atom is approached by Wonder Woman on behalf of the Department of Metahuman Affairs and asked to wear a wire on his date with Dr. Zeul. After professing her desire to reform, she is informed that Ryan is wearing a wire and tears off the roof of the restaurant to see Wonder Woman and Ryan talking - unaware that Ryan had removed the wire. A fight between Wonder Woman and Giganta ensues. Wonder Woman quickly knocks Giganta out but Ryan intervenes to stop Wonder Woman from beating her further, after admitting she had lost her temper - they realize that Dr. Zeul has disappeared.[18] Whether she heard or saw Ryan's actions to stop her from getting further injuries is yet to be seen.

Giganta is a member of the new Injustice League[19] and she is one of the villains featured in the Salvation Run.[1]

Giganta is also a member of Libra's Secret Society of Super Villains, during the Final Crisis and is shown as a thrall of Darkseid alongside several other super-powered women. She is now called Gigantrix.[20] Over the course of the series she fights as one of the new incarnations of the Female Furies with Wonder Woman, Batwoman and Catwoman. She is possessed by the spirit of the fury Stompa, and only freed when Supergirl smashes the skull-and-crossbones mask from her face.[21]

Giganta is attacked by Diana while on her way to a date with Ryan Choi,[22] implying that their relationship has survived despite earlier difficulties. Mellower than in her appearances in the All-New Atom series, she seems to accept and respect the shortcomings brought by their different lifestyles, going so far as to help Wonder Woman in a mission, reasoning that, with Ryan being a superhero, they should both be used to putting their heroics in front of their private lives.

Most recently, Bane hires her on as one of the new members of Secret Six.[23] The team also includes the shrinking killer, Dwarfstar, who recently hired Deathstroke and his Titans to kill Ryan Choi. Giganta initially seems unaware of this fact, admitting to Dwarfstar that she is dating the Atom (much to Dwarfstar's amusement). Following a disastrous mission to Skartaris, Amanda Waller reveals the details of Ryan's murder to Giganta. After luring Dwarfstar to her bedroom with the promise of sex, Giganta strips him of his belt (the source of his powers) and beats him into submission. She is last heard covering Dwarfstar's mouth with duct tape to stifle his screams, telling him that she plans on keeping him alive so that she can prolong his suffering.[24]

In September 2011, DC Comics revised the fictional history of its comic book line under the title "The New 52". In the revised comic book line, Doris Zeul was bullied as a child due to a rare blood disease. When she got older, Doris tried to cure herself using radiation which resulted in her gaining sizeshifting abilities.[25] Giganta appears as a member of the Secret Society during the "Trinity War" storyline. She assists Vandal Savage and Signalman into tracking Pandora. When the three villains attack Pandora, Pandora successfully subdues Giganta. Her costume combines elements from her original and One Year Later costumes.[26]

After her first encounter with Pandora, Giganta returns for revenge following the conclusion of the Forever Evil storyline. During their fight, Pandora looks into Giganta's soul, and reveals her origin story. Doris Zeul was a bullied child with a blood disease, but cured herself with a radical procedure that gave her her growth powers. A side-effect of the untested operation was that it reduced her intellect.[27]

Giganta is later recruited by agents of S.H.A.D.E. to serve as a supernormal asset, fighting vampires and other monsters. She is tempted by the offer of a pardon for her crimes almost as much for the chance to kill things, which she admits to enjoying.[28]

After the events of "DC Rebirth," Giganta appeared alongside several other villains as they battled the Justice League.[29]

Later, Wonder Woman and Steve Trevor tracked Giganta down to a Los Angeles museum. Giganta had been stealing mystical artifacts for unknown reasons. Wonder Woman managed to defeat the giantess. She was then taken into custody.[30] When Steve Trevor interrogated Giganta in Belle Reve alongside Amanda Waller, he discovered that Giganta had been recruited by Darkseid to steal the artifacts. She told Steve Trevor where to find the remaining artifacts. She stated that she, Steve, and Wonder Woman have had a long history together.[31]

Giganta was then recruited by Amanda Waller into Task Force XL in order to capture the powerful creature known as Damage. During the battle, Giganta revealed that she would love to study Damage's physiology. However, Damage burst through Giganta's hand, leaving her to bandage herself while the rest of the team battled the creature.[32]

In the "Watchmen" sequel "Doomsday Clock," Giganta is among the villains that attend the underground meeting held by Riddler that talks about the Superman Theory. When Comedian crashes the meeting, Giganta attacks him as the villains start to scatter.[33] Later on, she takes part in the attack led by Black Adam against the United Nations, where she is beaten back by Wonder Woman.[34] Giganta was with Black Adam's group when the People's Heroes, the Outsiders, and the Doomed tried to get to Superman and gets into an all-out battle with them until it is broken up when Doctor Manhattan undoes the experiment that erased the Justice Society of America and the Legion of Super-Heroes.[35]

[shirtlesssammy]

15x10: The Heroes’ Journey

Then:

Heroes

Now:

Monster Fight Club! RAWR. In one corner we have wolf-man and in the other, we have wraith-woman. I felt like I was watching a Sci-fi channel show or another show on the CW with this opening scene. I have to give it up to the music and cinema of the sequence though. It’s quite lovely, even as the wolf-man gets stabbed to (near) death.

Meanwhile, in tiny Lebanon, Kansas, Dean’s picking up essentials (plus pie magazines) at his local Kwik Trip. 

I have many things to say about this. First, who knew Lebanon had such tall buildings in it? And I’ve read many a comment about Bobo getting his name on something, and while YES, that’s technically true, this Kwik Trip (a real regional chain of gas stations/convenience stores in Wisconsin) is also named after the comedian behind The Manitowoc Minute, Charlie Berens. The Open sign missing the ‘n’ is a reference to it as well. Bless Jerry Wanek and his love for his home state. Anyway, Dean’s credit card is declined, his fight or flight instinct kicks in when faced with the store attendant's psoriasis, he gets a toothache, AND he gets a parking ticket. 

Sam Fucking I Don’t Need Hotpads Winchester royally messes up dinner by burning the food, dropping the pasta all over the food, and breaking all the plates. 

The weirdness continues once Dean gets home. Sam trips when running to greet him and he’s getting a cold.

Dean gets a call from Garth who needs some help. On the road, they discuss their Very Bad Day. Dean thinks they’re cursed. Sam’s too busy sneezing to contribute. I’m surprised Dean didn’t make him sit in the backseat. (Did Dean seem sarcastically unhappy about Cas seeking out angel help? #missinghusbandhour). Then the ultimate travesty happens: Baby breaks down. 

They have to walk the last ten miles to Garth’s. When they make it, he welcomes them with open arms (Sam declines the hug but Dean gets one and a compliment -- “You smell so good.”)

Garth was previously feeding his twin baby boys, and he takes them to meet his children. He has a daughter, Gertie, and twin boys, Sam (named after Sam) and...Castiel. Dean is confused and disappointed. I love how there’s no explanation as to why Dean didn’t get a namesake. Natasha wrote a thing though. 

Garth then takes them to see why he called. Bess’s cousin is unconscious on Gertie’s bed. He has wraith cuts all over his body. 

Dean, the candy eating monster that he is, nabs some candy beans from Gertie’s dresser and Garth notices his pained reaction to eating them. Dean makes note of how nice Garth’s home and life are. (SOFT) Sam sneezes again and Bess tells him she has something to help. 

Beth hands Sam her family concoction for helping the common cold. Sam downs it in one go --and instantly has regrets. It’s mostly cayenne pepper. Wherps. Sidenote: Gertie’s little wolf stuffy. All the hearts! 

Poor Sam really goes through something --and it is a sight to see. Little Sam and Little Cas are sympathy crying with him and he tries to reassure them that “Big Sam’s okay.” He’s really not. 

Garth asks about Dean’s teeth and Dean confesses they’ve hurt since the previous day.

Garth takes Dean to his basement dentist office. It seems he finished getting his dental degree and is now a dentist for other werewolves. “Fang maintenance is a B.” He assesses Dean’s mouth and finds 17 cavities! 

He rolls out the nitrous oxide and gets to work. We get to stay with Dean though, AND GOOD FUCKING CHUCK ON A CRACKER. 

I can’t explain what I witnessed with my own two eyes. I really, really can’t. @neven-ebrez​ had a great thread on Twitter that I fully love. 

In any event, Dean tap dances to Cole Porter’s Let’s Misbehave. Garth starts showing him the ropes, but then he takes over on his own and starts dancing with a light stick LAMP. He blows a kiss at the lamp and ascends a stairway to heaven the top of the map table and finishes his dance. They dedicated almost 2 minutes to this scene. I --I just. can’t. Also, Dean going for the lamp is timed to line up with the “lovebirds” lyric? I’m so very tired. 

Anyway, Dean comes to with a mouth full of gauze, and presumably no cavities. 

Everyone reconvenes in the Fitzgerald’s living room. Garth wants to know what’s happening. Sam tells him that they’re kind of on the outs with God. Garth realizes that they’ve been the heroes of Chuck’s stories, and wonders, “what’s that make me? A supporting character? A special guest star?” Garth's happy being the guest star. Being the hero is the worst. Their lives are going to suck until the end. Also, little vanilla couple Garth and Bess apparently love 50 Shades. Lol. Garth points out that the hero never sweats the small stuff because that stuff ruins the story. They’re normal now. (Dean suggests cursed, which, like, lol bud, normal people's lives just suck.) 

Bess’s cousin calls for her and they all rush to his side. He doesn’t want to talk to hunters. Sam turns on the ol’ puppy dog eyes and….it does nothing. In fact, Brad can hardly believe that that shtick works at all. Ooof. Bummer, Sammy. Bess digs into the wraith wound to get some answers. And ugh. That was squishy grossness. Brad starts talking about the monster fights though. He tells them where to find the place. 

The Winchesters bid Garth farewell. Garth is VERY WORRIED about them. “The old Sam and Dean” could handle a whole warehouse of monsters but the Supernormally Normal boys don’t stand a chance. Dean’s resolute. Fighting monsters, righting wrongs? That’s just who they are. Dean implores Garth to stay home with his wife and kids, and the Winchesters head off. 

They arrive at midday outside the arena. Dean polishes off his SEVENTH grilled cheese sandwich and they gather weaponry to storm the place. Sam’s concerned that Garth’s theory that the Winchesters are normal is correct, and they need to take precautions. They gather extra ammo, dead man’s blood, and Dean pulls out his beloved precious weapon.

Upon entering, Sam immediately trips noisily over a bucket and Dean’s grilled cheese extravaganza decides to throw a party right back into his mouth. Dean races for a bathroom, leaving Sam to peruse the room holding the main fight cage. 

While Dean is throwing up in the toilet, I desperately try to pretend this isn’t happening. I’m FINE with entrails but upchuck is a hard no, apparently. The bathroom stall opens and one of the monsters from the cold open’s fight night stands there, training Dean’s grenade launcher on him.

Sam and Dean end up locked in the cage-match cage (not to be confused with the CAGE cage). The monster, Cutty, owns the fight club. “Man? Monster? They’re at their best, their most pure, in the heat of competition.” Pardon me while I fake cough “Purgatory�� for twenty-five minutes. 

Cutty introduces them to their new friend, Maul, a huge monster who grimaces gloomily and flexes his muscles. He wants the Winchesters to fight Maul (together) in the cage match that evening. 

Dean tries to tell a story to get out of the situation and I HAVE NEVER BEEN PROUDER. He draws on their legends - the mighty creatures they’ve taken down - and questions whether any MERE monster should even think about trying to attack them. Nobody’s buying what he’s selling. 

A short commercial for the upcoming cage match plays. It’s….

AMAZING

All the monsters are gathered around, ready to watch the two mighty cage matches. KILLER WRAITH versus JAMAICA DJINN and MIGHTY MAUL versus THE WINCHESTERS!!!

It’s battle royale time, motherfuckers. When the first fight begins, Dean and Sam are locked up in cells just outside of the ring. “Just how I wanted to die,” Dean grouses. “With a freakin’ audience.” We shall not speak of the 200+ times we have witnessed Dean die on this show. 

Dean pulls a nail from the ceiling and proceeds to try to pick the lock. He…fails. Miserably. Sam gives it a try on his lock and neither of them can pick it. 

“Could we ever actually pick locks?” Sam asks, frustrated. I’m with others in guessing that both their natural and learned skills have been hugely demoted through Chuck’s interference and this downturn won’t last. But this is a great way to make them doubt themselves. This is the black moment in the hero’s journey - at least for this episode. They’ve never doubted themselves more! Dean delivers a stirring speech anyway. “We’re the best in the world. I say we go out there. We kick some ass.”

Cutty returns to fetch the Winchesters. “Shirts off,” he demands on the way. EYEBALLS EMOJI. But Sam and Dean are gone, the cage doors wide open! The episode rewinds, this time with another point of view. Who’s that lanky man in the floppy-eared hat walking through the crowd? It’s everyone’s favorite werewolf hero, that’s who. Garth frees them by just…BUSTING off the lock.

Outside, Sam and Dean are ready to flee. But Garth has other plans. He whips out a detonator and we get a quick clip show of Garth planting C4 around the club. The club is DECIMATED by fire. Maul survives, however, and strides out of the burning building. Garth goes up against him, but Maul knocks him out. Sam and Dean stand and face Maul, despite their low, low expectations of themselves. Like real damn heroes!

What follows is a HIGHLY comical fight. Sam and Dean do their absolute, precious best, but fortunately the fight seems to be operating on some modified Looney Toons rules. 

Garth saves them with a machete through Maul’s head. “You got Garthed!”

Back at Garth’s home, Dean and Sam cradle the babies. “This Cas keeps looking at me weird,” Dean notes. “So kinda like the real Cas,” Sam says. OH SAM. OH SHOW. How we are blessed!

They head out, Dean clutching a bag of grilled cheese sandwiches from Bess. Sam and Dean thank Garth for saving them and call him a hero. Excuse me while I CRY FOR FIVE MINUTES this is so soft. “I guess I learned from the best,” Garth returns. Garth gives them a tip - a place in Alaska where you can go when your luck’s run bad. “There’s always a catch,” Garth warns. 

They hug!

“You don’t smell so bad yourself,” Dean notes when he hugs Garth. “It’s Hai Karate,” Garth says. Guys. I love them. 

Werewolves of London plays us out. Garth and Bess dance together through the window as the Winchesters get into the Impala. It’s. So. Precious. And. Warm. 

“I always thought I could be a good dancer if I wanted to be,” Dean muses. Sam admits that Dean’s good at the Macarena. Ah, yes. My generation!

Dean and Sam reflect on their situation. Their lives are far from normal, so being “normal” is dangerous by its very nature. They need as many advantages as possible, so it’s time for a road trip to Alaska!

The music mounts dramatically! Triumphantly! It’s time to ride into the sunset!

Baby sputters out. “Son of a bitch!” Dean shouts as the screen fades to black.

Natasha: I can tell you IMMEDIATELY and WITHOUT RESERVATION that this episode is going to be on my short list of comfort rewatches for all eternity. <3

Werewolves of Quotedom:

Seriously?

Still a hugger, huh?

You smell so good!

You’re very strong

Fang maintenance is a B

Mommy, the giant’s crying!

I wanna be the guest star. Being the hero sucks.

You need a colonoscopy STAT

Just because God yanked the magic horseshoe out of our ass, doesn’t mean we’re gonna give up

I’m a growing boy!

I think you might be lactose intolerant now

You keep all your friends in a cage?

You know them. You don’t like them. The WINCHESTERS

You are SO STRONG

C4, a hunter’s best friend

Want to read more? Check out our Recap Archive! 

[myhahnestopinion]

THE AARONS 2019 - Best TV Episode

A lot of streaming services are switching over to a more traditional weekly release of episodes instead of dumping a whole season all at once. It may be because they, like me, want to highlight the unique achievements of singular episodes. It could also be that they don’t want people, like me, signing up for free trials to binge watch one show and then cancelling before they are billed anything... Here are the Aarons for Best TV Episode:

#10. “Chapter Fifty-One: Big Fun” (Riverdale, Season 3, Episode 16)

Chapter Fifty-One of Riverdale is quite aptly named. With a talented young cast on hand, Riverdale often indulges in music numbers, but their full-blown musical episodes still manage to stand out. Incorporating songs from the Broadway adaptation of Heathers, Riverdale uses the famous high-school satire as a meta-criticism of its own ever-growing ridiculousness. The characters give a fervent lament of their inability to be just regular high school students, but, in the end, are forced to confront their status as mere players on a stage and puppets of a ravenous following. Riverdale is often quite fun; how much more can it do for our amusement?

#9. “Striking Vipers” (Black Mirror, Season 5, Episode 1)

Though it made its name in pessimistic twist of fortune, Black Mirror has been best when indulging in affectionate tales. In its fifth season premiere, what begins as two friends testing out a near-future fighting video game swiftly and surprisingly switches gears into a sweet story of longing and vulnerability. The episode chooses not to map its relationship onto any existing conceptions of sexuality and gender, suggesting ways in which they may continue to evolve alongside new technology. Though there are hints on darkness on its edges, the episode is one of the heart-warming tales that have always been the series’ most striking.

#8. “A Knight of the Seven Kingdoms” (Game of Thrones, Season 8, Episode 2)

The second episode of Game of Thrones’ final season was the calm before the storm in more ways than realized at the time. As its characters brace for their imminent battle against an undead horde with a night of quiet companionship, the show produced its last great moments before being swallowed by backlash to its rushed and illogical ending. Unlike the show after that point, the episode does right by its characters, building off their storied histories and delivering earned and endearing pay-offs to several relationships. “A Knight of the Seven Kingdoms” forges the last vestige of good in its world; it would have been wise to say ‘good night’ afterward.

#7. “The Trial” (What We Do in The Shadows, Season 1, Episode 7)

The What We Do in The Shadows franchise has conjured a lot of comedy from the long legacy of vampire tropes; in the seventh episode of the new TV iteration, it put the spotlight on the various actors who made up that legacy. As our regular characters arrive for their criminal trial, the show lines up an impressive amount of guest stars, including, but not limited to, Tilda Swinton, Evan Rachel Wood, Wesley Snipes, and the trio from the original What We Do in The Shadows movie. The show doesn’t just use these stars to hang upside down on its laurels though; it’s plump with jokes certain to stir the blood. It’s a very large gathering of vampires, and it doesn’t suck one bit.

#6. “Replay” (The Twilight Zone, Season 1, Episode 3)

Jordan Peele was a promising voice to head up the new incarnation of The Twilight Zone, but the insightful, livid spark of his film projects seemed to get lost along the way for most of the season. “Replay”, though, was one that managed to replicate it. Like the best of the franchise, the situations are supernormal, but the anxieties are very real: a mother discovers a video camera that can rewind time, but still finds herself unable to protect her son from a prejudiced cop hunting them down. The fear of powerlessness is all too palpable; though a fantastic episode that’s worth a watch, it would be hard to sit through again.

#5. “Danny Patrol” (Doom Patrol, Season 1, Episode 8)

The company’s new streaming service has likely doomed Legends of Tomorrow from ever being able to reclaim its title as weirdest DC television series ever. Taking inspiration from writer Grant Morrison’s run in the comics, Doom Patrol is pure absurdity. In episode 8, the team’s quest to find their kidnapped leader brings them into the path of Danny, a sentient genderqueer teleporting street (Yes, like the streets you drive on. This one has thoughts and feelings and can teleport). This odd premise paves the way for the show to reemphasize its core message of learning to love one’s self. The episode most affecting moment is its big karaoke celebration of this idea from Matt Bomer’s Negative Man; the streets are alive with the sound of music. 

#4. “A Quick One, While He’s Away” (BoJack Horseman, Season 6, Episode 8)

The first half of BoJack Horseman’s final season spent a lot of time saddling up its characters to ride off into the sunset… and one episode indicating they won’t get off that easy. The show has frequently experimented with new storytelling tactics, but it has never felt as purposeful as this one, which focuses exclusively on three ancillary characters from the show’s run. The show effortless transplants its engrossing conflicts and noted animal puns to the new trio, but the tragedy at play is knowing, without it being explicitly stated, that we are witnessing BoJack’s worst actions still reverberating in the lives of others. As the show prepares its definitive statement on the series-long question of whether BoJack can find happiness, the toughest answer to acknowledge is that we’ve been backing the wrong horse.

#3. “407 Proxy Authentication Required” (Mr. Robot, Season 4, Episode 7)

While its long-gestating final confrontation against the manipulators of the world economy wouldn’t be for another handful of episodes, “407 Proxy Authentication Required” was the one that finally brought balance to the world of Mr. Robot. Pairing down its characters and sets and stabilizing the series’ deliberately off-kilter cinematography, the episode unfolds as an intimate five act play, slowly preparing Elliot and the audience for a heart-wrenching revelation. It’s a brutal, but ultimately cathartic bit of television, and the finest hour the show has produced. The series rips all its long-standing proxies away, leaving the viewer no choice but to engage with its raw pain and hope for healing.

#2. “I’m In Love” (Crazy Ex-Girlfriend, Season 4, Episode 17)    

After an improbable four season run, Crazy Ex-Girlfriend gave its final bow in 2019, but the show had one last dramatic turn before exiting stage left for good. Having held herself responsible for her actions and addressed her underlying issues, the series finale, in which she is torn between three equally meaningful romantic interests, sees Rebecca Bunch thoroughly and healthily in love. In its final twist, the episode’s title proves as much of a misnomer as the series’ has been all along. Subversive, stirring, and sidesplitting to its very last breath, Crazy Ex-Girlfriend’s impeccable eleven o’clock number sent the series off on a high note.

AND THE BEST TV EPISODE OF 2019 IS...

#1. “This Extraordinary Being” (Watchmen, Season 1, Episode 6)

Masks as a method to hide trauma was a prominent theme of the Watchmen comic; the TV show sequel added a few interesting wrinkles to the idea. In its boldest reinvention of the source material, the episode presents an interpretive origin story of the mysterious comic character Hooded Justice through the eyes of his descendant, laying bare the show’s anxieties of inter-generational trauma. Just as the comic toyed with the composition of its medium, the episode also engages with its own make-up. It illustrates the visual arts’ power to either further the erasure or promote the healing of such lingering pain. As a singular piece of television, comprised as it is with standout guest actors and impressive technical qualities, it’s a great use of the artform; placed within the context of its historic inspirations on- and off- the page, it’s something truly extraordinary. 

NEXT UP: THE 2019 AARON FOR BEST TV PERFORMANCE!