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aethon-recs · 1 year ago

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Tomarrymort Intermediate Pack — 16 Longfic Recs

As a follow-up to the Tomarrymort starter pack rec list, I put together a list of Intermediate Reads that are best enjoyed with a bit of context about the ship. If you’ve been reading Tomarrymort for a while, or have read everything in the starter pack, this next set of recs is for you.

These recs feature a sampling of different authors than the first list, with an emphasis on underrated fic that I think deserve more recognition (hard to define, but for the most part, I tried to find fics with fewer than 2000 kudos). So I hope that even for the readers who’ve been reading Tomarrymort for a long time, there’s something new in here to discover.

This is Part 2 of a 3-part series (see here for Part 1, and Part 3 will be an Advanced reading list that will feature works of a more challenging nature). In the meantime, please enjoy these additional 1.8 million words of wonderful Tomarrymort fic.

Tomarrymort Intermediate Recs

aurora polaris by @aglassroseneverfades (E, 136k, WIP)

Setting: Post-Canon Premise: If Harry wakes up one day with no memory of his past, upon which he’s greeted by a handsome, doting older man named Gaunt who claims that he and Harry have been in a relationship together for years. Why I rec it: A haunting psychological horror where the truth slowly creeps up on Harry that his domestic life with his devoted partner Gaunt is not as idyllic as it initially appears. The twisting, unhinged depths of Voldemort’s obsession in this fic are so beautifully portrayed. There were chills that ran down my spine as Harry starts to get his memories back and the mystery of what happened starts to unravel. I love the pacing in this fic — there’s no one big reveal; it’s a slowly unfolding sequence that gets delightfully darker and more fucked-up as the fic progresses.

dawn of a death of a dream by @cindle-writes (E, 66k, WIP)

Setting: Post-Canon Premise: If Tom Riddle appears in London the morning of Voldemort’s defeat, with the last thing he remembers from 1944, and quickly realizes that Harry Potter is the key to all the answers that he’s looking for. Why I rec it: A light-hearted take on the identity porn trope, full of playful banter and delightfully charged chemistry between Harry and Tom. It’s usually Harry who’s thrown back through time, so it’s fun to see Tom scramble to figure out what’s going on when he’s pulled forward into Harry’s time. It’s also fun to see Harry try every avenue to prove that this mysterious new Tom is the Tom Riddle, even as he ends up hitting dead ends, and subsequently falls so deep into his obsessive tendencies that he refuses to let Tom out of his sight.

My Lord, Master, My Soul by FletchleyRose (E, 69k, complete)

Setting: Post-Canon Premise: If Voldemort captures Harry after the final battle and decides to break him — not with torture, but with pleasure and softness. Why I rec it: The soft, creepy non-con in here is so memorable and excellent! Voldemort takes a different approach to breaking in his horcrux than what we usually see, and this particular approach leads to such delicious and hot smut scenes between them wherein Harry utterly succumbs to all the softly pleasurable attentions. I can never get enough of darkly twisted captive Harry stories and all the ways that Voldemort keeps Harry isolated and utterly reliant on him. I gasped out loud at the part where Voldemort made it so that Harry can only speak Parseltongue — this exactly the kind of fucked-up content that is so perfect and fitting for this ship.

(never) let me go by @perhaps-sunlight (M, 28k, complete)

Setting: Post-Canon Premise: If Harry returns to Hogwarts after the war for eighth year, and he’s the only person in the castle who can see and talk to the ghost of Tom Riddle. Why I rec it: This fic completely destroyed me. The story unfolds in such a poignant and haunting way — it feels like the most natural thing for Harry to feel such a strong connection with Tom and fall in love with him as the year progresses. The angst in here is so delicately layered and beautifully portrayed — Harry’s feelings are muddled with a growing hope that Tom doesn’t have to move on to the afterlife and the desperation that he feels when he realizes they’re running out of time — such that the emotional beats will end up resonating for a long time after you’ve finished reading this fic.

One Year In Every Ten by @saintsenara (E, 124k, WIP)

Setting: Post-Canon Premise: If a series of gruesome murders 10 years after the war has Harry and the rest of the Aurors completely stumped, and Harry figures out how to bring Voldemort back from beyond the Veil in exchange for his help in solving the murders. Why I rec it: This is a spectacular and richly layered murder mystery featuring incredibly complex character dynamics and gorgeously lavish prose. I am blown away at the sophistication of the storytelling here — we get to delve into Voldemort’s past and so many hidden layers of his character, as well as how Harry has been handling the ‘picture-perfect’ life he’s always wanted after the war (in short: not well) — and in between, following all the clues and disparate threads of a mysterious serial killer case that could be its own standalone casefic! One of the most impressively sweeping pieces of writing I’ve seen in this ship, and there isn’t an element of this fic that I don’t absolutely adore.

Perfect Places by @skaelds (NR, 72k, complete)

Setting: Post-Canon Premise: If Voldemort dies in the Final Battle, and then wakes up in a strange house with no one but Harry Potter for company, and there is no way for either of them to get out. Why I rec it: I absolutely love the trapped-in-a-room trope, and how Voldemort and Harry have to work out their differences if they want to have any hope of getting out. I adore that the entire fic is told from Voldemort POV — his arrogance and his malevolence and his rage and the utter force of his emotions are so palpable. The emotional journey in this fic is so intense from beginning to end, as they eventually come around to an understanding about each other and figure out a way out.

Promises, Promises (part 1) / Dreams in the Dark (part 2) by @mosiva (E, 72k, complete)

Setting: Time-Travel (1940s) Premise: If Harry is accidentally thrown back in time to Tom’s 6th year, and then suffers a bout of amnesia from a memory-loss spell and can’t remember anything about Tom Riddle or why he spent all semester trying to avoid him. Why I rec it: A brilliant fast burn featuring amnesia trope and tons of delicious dubcon. Tom is at his manipulative peak here, as he tries every underhanded technique to first figure out exactly what is going on with that new transfer student Harry Evans, and then when he’s figured it out, doing everything he can to keep Harry within his grasp. I cannot say enough about how hot the smut is throughout this 2-part series — so many layers of dubcon and manipulation that blew me away at every turn.

Sunspots by @crowcrowcrowthing (E, 249k, WIP)

Setting: Alternate Universe Premise: If Harry grows up in the muggle world without realizing he has magic, but he suspects there’s a bigger world out there because he’s had recurring dreams featuring Tom’s horcruxes his entire life. Why I rec it: One of the most unique takes on a book 1 rewrite that I’ve ever seen. First of all, the characters are aged up to college-age, and since Hogwarts starts at 18 here rather than at 11, there’s a lot of character dynamics that are possible to explore with older characters that aren’t possible with 11-year-olds. Secondly, Harry has access to each of Tom’s horcruxes through a magical dreamscape dimension he can access in his sleep, and he has unique and distinct relationships with each of them, including (the main) Voldemort, so there’s a lot of fascinating and multi-faceted Harry and Tom dynamics. Also, the descriptions of magic in this fic are just stunning; it’s clear that a lot of thought went into the magical worldbuilding here that makes you feel as excited and awestruck by the concept of magic as reading the Harry Potter books for the first time.

Tender Reigns Our Night by @noumena-writes (M, 69k, WIP)

Setting: Time-Travel (1940s) Premise: If Harry is sent back to the 1940s, just after Tom Riddle has graduated from Hogwarts, on a mission to stop Tom becoming Voldemort and imperiling the world of magic. Why I rec it: I love the mutually obsessive chemistry here as Harry and Tom quickly fall into each other’s thrall as their relationship heats up. The writing style is so poetic and beautiful, and I find myself rereading many sentences over again just to fully absorb the impact and beauty of @noumena-writes’ words. Even as Harry becomes increasingly entwined with Tom, he’s never blind to who Tom is, and he’s able to strike back with just as much viciousness — their relationship dynamics are so very intense and suspenseful, and the latest plot twist had me completely floored.

The Incantation of the Oak-Priest by @relic--crown (T, 223k, complete)

Setting: Alternate Universe Premise: If Harry and Tom are pulled into an alternate reality where Voldemort never existed and Harry’s parents are still alive. Why I rec it: The richness of the magical worldbuilding in this fic blew me away — there’s a whole system of magic explored here that goes deeper and is far more brilliant and sweeping than what is covered in canon. The relationship between Harry and Tom develops in such an organic, lovely way, and it was fascinating to see all the changes in this parallel universe where Harry’s parents live and what Harry’s life could have been like, were there no Voldemort. Also, the plot! This fic was so intricately plotted that it felt like reading multiple books with a complex, epic plot spanning fifth through seventh years at Hogwarts, ending in a grand showdown like in the original book series, but with a surprising twist.

The Sense of Self by SpitFire97 (E, 87k, complete)

Setting: Time-Travel Fix-It Premise: If Harry and Voldemort find themselves trapped in a strange cycle of reincarnations where they visit different points in time in Voldemort’s past. Why I rec it: A very cool take on a time-travel fix-it. Instead of traveling back to a fixed point in time, Harry and Voldemort are thrown back to various points of Voldemort’s past and relive life through certain people significant to shaping Voldemort into who he eventually becomes. The time travel theory in here is amongst the most complex that I’ve encountered — I love the concept that time is a river where multiple timelines and divergent events end up converging, rather than branching off and creating a bunch of alternate universes. I also love how organically the growing relationship between Voldemort and Harry unfolds as they progress through each cycle and gradually start to develop trust in one another and care and attraction for each other.

These steep woods and lofty cliffs by Rimeme (M, 76k, complete)

Setting: Canon Divergence – Book 6 Premise: If Harry runs away to America after Sirius’s death and disguises himself in the Muggle world for many years before getting discovered by MACUSA and offered a job with the magical government. Years later, he is recruited back to Britain to work for the Ministry, under none other than Undersecretary Thomas Gaunt himself. Why I rec it: A thoroughly enjoyable read from beginning to end — I devoured this fic in one sitting. Harry makes an extremely rational decision here — why not run off from the war if Voldemort is trying to kill everyone you love? But then, when he comes back undercover 15 years later, things don’t quite seem to add up. Britain doesn’t seem like it’s been taken over by a genocidal Dark Lord, but there’s something nefarious simmering under the surface. Voldemort as a very rational Undersecretary Thomas Gaunt is a delight here, with his seemingly very reasonable focus on progressing wizarding society. It was fun to follow along as Harry slowly starts to put the pieces together, and I love how relentlessly Voldemort pursues and seduces Harry in this fic, until he's utterly unable to resist his attraction to a Voldemort who seems to have turned over a new leaf.

These Violent Delights by @heirofdragons (M, 55k, WIP)

Setting: Time Travel (1940s) Premise: If Harry, Ron, and Hermione accidentally find themselves thrown back in time to the late 1940s, four years after Tom has graduated Hogwarts and is working at Borgin and Burkes. Why I rec it: A highly entertaining time travel fic with Harry stumbling back in time to find Tom Riddle in the full dregs of his Retail Hell years post-Hogwarts. Their chemistry is delightfully charming as they prod at each other and do everything to get under each other’s skin (including attempted murder), while growing undeniably attracted to each other. They simply can’t stay away from each other, despite Harry knowing who Tom turns out to be, and Tom knowing that Harry is the one who destroys all his Horcruxes and ends up defeating him in the future.

Three Turns Should Do It by @vdoshu (M, 284k, WIP)

Setting: Time Travel (1940s) Premise: If Harry gets thrown back in time after an accident with the Time Turner in 3rd year, and ends up as a disembodied voice in Tom’s head from the time that Tom is 11. Why I rec it: I absolutely love Tom growing up alongside Harry who is a kind of caretaker presence in his mind, helping make his days a little bit less lonely and helping him navigate the unfortunate circumstances he’s thrown in. This is probably the most extensively researched WW2 era story I’ve ever read; at times I felt like I was learning more detailed history about everyday life during WW2 than I’ve ever read out of a history book. This fic does an amazing job of fleshing out the pivotal events of Tom’s Hogwarts years and showcasing Tom’s humanity, and the bond of mutual trust and love that he and Harry build over the years is so beautifully portrayed. It also does a great job of exploring the question of predestination and whether anyone has the power to change the fate that lies in store for them.

Til Death Do Us Part by @duplicitywrites (M, 117k, complete)

Setting: Voldemort Wins AU Premise: If Harry gets captured by Voldemort and held as his captive, in a world where Voldemort had won the war sometime before Harry was born, and Harry has been fighting against Voldemort his entire adult life. Why I rec it: The emotions that this fic evokes are so moving and heartfelt. The evolution from Harry as Voldemort’s prisoner to Harry as Voldemort’s trusted advisor unfolds in such a beautiful, unrushed way. Harry is in his early 30s when he’s captured, so he’s older than what we typically see in fics where he’s Voldemort’s prisoner, and his maturity and composure really shine through as he starts working together with Voldemort and trying to exert his influence to improve the fate of the wizarding world. He eventually breaks through Voldemort’s shell, and helps Voldemort to grow in so many ways as the story progresses — particularly in his understanding of love and acceptance of death as a part of life.

With a resolute heart by Act_Naturally (M, 84k, WIP)

Setting: Same-Age AU Premise: If Harry and Tom attend Hogwarts together and are selected as Hogwarts Champions for an AU version of the Triwizard Tournament that is structured more like the Hunger Games tournament. Why I rec it: This is a skillfully-written generation mashup featuring an incredibly suspenseful and high-intrigue setting. There’s a dark overhang of dread and anxiety that permeates every character interaction and training session, as we’re informed that most of the champions (8 from each of the 3 schools) will not make it out of the Tournament alive. Yet the chemistry between Harry and Tom builds and builds despite the life-or-death stakes — Harry is immediately attracted to Tom, and Tom admires Harry’s resourcefulness — even while they each realize they may be the death of the other.

#Tomarrymort Intermediate Recs #tomarrymort #tomarry #harrymort #aethon recs #tomarry recs #tomarrymort recs #harrymort recs #hp fic recs #longfic recs #ao3 recs #fanfic recs #tom riddle #voldemort

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timesomewhere · 2 months ago

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in honour of the West End's next to normal closing today I've finally proof-read my 'things I noticed/general thoughts' post that's been sitting in my drafts since I saw it earlier this month. it's very long I'm very sorry.

Act One:

it was really fun watching this show in September given that there's two references to it in the first song

I adore the monologue about the pills that Dr. Fine gives during 'Who's Crazy'. it's rhythmic and funny yet also unnerving. It's such a quick and impactful way to summarise what Diana has been through for the past 16 years

Gabe does a 'one of your French girls' pose on the kitchen counter under the cabinets during 'My Psychopharmacologist and I'

Jamie Parker made direct eye contact with me during the last part of 'Who's Crazy' and it was one of the most intense experiences of my life

I might just be dense but I don't get the point of the neon sign that says 'Fine' which drops down during the Dr. Fine scene. Initially I thought that then one would drop down saying 'Madden' during his scenes to help people differentiate between the doctors but then it didn't so it just feels like a weird extra prop

speaking of random props, shout out to the iPad on the table in the opening scene which Gabe pretty much instantly takes away after telling Diana that she shouldn't obsess over tragic news stories and is then never seen again as far as I remember

Dan in the flashback scene being such an optimist about Diana's pregnancy and the future they're gonna have together... soul-crushing

Caissie Levy's 'I Miss The Mountains.' Holy Shit.

I love how Diana and Gabe are the only characters who sing on/stand on the table. it's as though it's this extra dimension of the house that only they have access to and it's a really neat and subtle way to show that they relate to each other in ways other characters don't

'It's Gonna Be Good' is so underrated. Jamie Parker's somewhat genuine optimism becoming optimism-through-gritted-teeth is incredibly acted

The way Jamie delivers the first line of 'He's Not Here' is devastating. the heaviness of that moment as you feel the audience around you realising what's just happened is something I'll remember forever

Gabe body-blocking Dan from Diana during 'I Am the One' is such good staging. People talk about how Jack Wolfe plays Gabe with a lot of layers and a lot of simultaneous contradiction and this song is one of the best examples of that. how Jack manages to project a character who is goading his father and protecting his mother at the same time is beyond me

also Jack has maybe half-an-inch on Jamie which obviously isn't something the actors control but it does makes Gabe seem just that bit more threatening when he's getting in Dan's face

for the first part of Superboy and the Invisible Girl when it's just Natalie singing, Gabe is actively laughing. He's totally unperturbed by her efforts to make herself seen to her mother. it's only when Diana replies, particularly when she says "you're our little pride and joy, our perfect plan" that you see his face drop and you see him trying to figure out a way to stop her from getting Diana's attention which then results in him kicking her off the melody in her own song

"I'll hurt you" being directed at Dan and "I'll heal you" being directed at Diana as Gabe gently touches her face gets me so bad. but the most painful part of 'I'm Alive' for me is when Gabe looks at Dan as he says "I'm the perfect stranger who knows you too well." that's the first time you realise that perhaps Gabe doesn't just impact Diana, and there's something much larger at play

Caissie and Jack W's voices harmonising on 'Catch Me I'm Falling' was one of my favourite parts of the whole show. Their voices are so magical together and their mother/son chemistry is incredible

The 'I Dreamed A Dance' into 'There's a World' sequence is one of the most tragically beautiful things I've ever witnessed. I went into the show knowing what Gabe was trying to achieve during 'There's A World' and yet Jack's voice is so beautifully haunting you totally forget you're supposed to root against Gabe in that moment

Jamie Parker's 'I've Been' is some of the best acting through song out there. Interestingly my friend and I had very different interpretation's of what Gabe's horrified reaction to the blood meant. I viewed it as him being upset about what he convinced Diana to do - he doesn't like seeing her hurt. Whereas my friend saw it as him being angry at himself that she didn't manage to follow through, meaning that he has failed to regain control over her life

'I'm no sociopath, I'm no Sylvia Plath. I ain't no Frances Farmer kind of find for you' is one of the best musical theatre lyrics of all time. I genuinely don't know why I Miss The Mountains is the 'big song' known from N2N over 'Didn't I See This Movie?', it's just so good

Natalie's 'She trusts you!' line is heartbreaking, I was basically watching that entire scene through my fingers because of how high the emotion was

Act Two:

'Pfizer's woman of the year' will in fact be peak comedy every time. Eleanor's delivery is *chef's kiss*

Gabe having just one line in 'Wish I Were Here', and that line being 'Wish I were here.' Yeah. I feel very normal about that.

Natalie's line of "Can I hide my stupid hunger, fake some confidence and cheer?" being pretty much exactly what Gabe has done throughout the entirety of act 1

"And you're not a scary rockstar anymore" got one of the biggest laughs at both of the shows I went to

Dan's desperation during 'Better Than Before.' He is simultaneously trying to cajole Diana into remembering and get Natalie to be more positive. This one song really highlights how he's being pulled in a million different directions while trying to hold it all together and Jamie portrays that so well

Aftershocks. Wow. The way the last word of each line echoes throughout the theatre is great sound design. I've been in exam halls louder than the audience during that song. Holding a room that captive as a silhouette is quite the feat Jack Wolfe you will always be famous

"I don't know where the fucking pieces go" as Diana pushes things off the table as if there's a real jigsaw there that she's rage quitting and choosing to give up on is such a nice detail

"Have you talked of your depression, your delusions and your son?" The gasp in the theatre both times was sickening

the response of "good' in reply to "name?" when technically that was part of his name as they are the "Goodmans". I don't really have a point here I just think it's neat

The 'It's Gonna Be Good" reprise was one of my favourite Dan/Diana moments. Caissie and Jamie are really pushing each other to their emotional limits and they handle it so well

The first "Why stay?" is so fragile as Diana sits against the kitchen island. Also interesting given that Dan and Gabe will also sit against there later when they are at their lowest point in the story. The idea of the characters crawling to the 'centre/heart' of the home when they are at their weakest

"This is one old game that I can play so well" is the line that has stuck the most with me throughout the show. Jack's delivery of it while striding across the kitchen table - seemingly totally invincible - is crazy.

how Caissie manages to deliver "you shrugged and said that no one really knows" with humour and desperation at the same time is amazing

When Gabe and Diana stand on the table and if they let go of one another they'll fall. yeahhhhh.....

Gabe's realisation that Diana isn't going to give up on getting better. Totally collapsing in on himself and beginning to cry. How you manage to feel bad for him after all the destruction he's caused is wild

Diana's "maybe I'm tired of the game" relating back to Gabe's "this is one old game that I can play so well"

the lyrics in 'Hey #3' clearly reflecting things Diana has done, Henry cutting Natalie off at "bleeding in the bathtub"

"I am the one who'll heal you" being said to Dan not Diana this time

"Why didn't you go with her?" is the most devastating line in the whole musical I said what I said. Jamie's delivery of it is heart wrenching

the drums and bass kicking in for the loud part of I Am The One as Gabe becomes desperate to be seen once again

Jack and Jamie's acting in this moment is so intense. there's a moment where it's genuinely feels as though only one of them can make it out of the interaction alive

Jack's emphasis on the word 'loved' in the line "I am the one who loved you" nearly killed me on the spot. how somebody can deliver a line so desperately while remaining pitch perfect is unfair

Natalie coming in to kiss Dan's head at the start of 'Light' like Gabe kisses Diana's in the first scene. I'm such a sucker for a gut punching

the "And are they real?" line about Diana's parent's from Henry gets such a loud reaction from the audience. Some people laugh immediately, some people clearly get shocked out of their sobs. so good

In conclusion, this is my favourite musical of all time and I'm going to be so annoying waiting for the pro-shot to come out

#next to normal #next to normal uk #next to normal west end #caissie levy #jamie parker #eleanor worthington cox #jack wolfe #trevor dion nicholas #jack ofrecio

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