#succubus chic

[bryqe]

slavic doll and succubus chic girlys

[meruladelux]

"Flirting is a woman’s trade, one must keep in practice.”

- Charlotte Bronte

[dumpsterdoll663]

The one thing common in 'trends' like the 'it girl', buccal fat removal, fucking 'heroin chic' and whatnot is the pressure to adhere to the 'pale and skinny' standard... I don't understand why we're passing these off as mere trends as if they're not deeply rooted in white supremacy and fatphobia

[mercadona007]

OUT

- [ ] hyper specific food trends

- [ ] kanye west as antihero celebrity worship

- [ ] hypebeast style

- [ ] doom scrolling

- [ ] being micromanaged

- [ ] substance abuse

- [ ] hyper specific tiktok microtrends as a personality trait

- [ ] succubus chic

- [ ] corporate tools irl (excel)

- [ ] making fun of peoples interests

- [ ] landlords

- [ ] vague communication

- [ ] hostile clique mentality

- [ ] baguette bags

- [ ] 2 day hangovers

[illusoryfem]

Beauty culture critic Jessica DeFino says she’s seeing “succubus chic” being called different names online, including “dark bimbo.” She thinks the overall trend is selling a false idea of rebellion — with the benefit of actually not rebelling against beauty ideals. “Darker, goth-inspired looks seem to push back against the feminine beauty ideal but are, in fact, curated via the actions of conforming to the ultimate feminine beauty ideal,” she says. After all, Morticia Addams and Barbie are not so different, except for their preferred color palette. “This glamorizes an aesthetic that signals wealth, excessive product use, and generally funneling money into your appearance. It serves as submission to the beauty industry under the guise of independence and individuality.”

As has been the case throughout history, the essence of illness continues to reinforce traditional feminine gender roles. Vulnerable, weak, or easily controlled women have been “attractive” in the capitalist patriarchy for hundreds of years. If that wasn’t problematic enough, illness-encoded beauty trends still do very little for those suffering from a chronic illness. “Even though the beauty industry glamorizes the aesthetic of illness, it’s still deeply ableist,” says DeFino. “Illness is only considered cool or chic if it’s put on and if it seems deliberate, signals wealth, or demands money and effort.”

“Succubus Chic” And The Problem Of Glamorizing Illness by Laura Pitcher

[thatbitchsimone]

Y’all should all read this article: https://www.nylon.com/beauty/succubus-chic-and-the-problem-of-glamorizing-illness

It’s an interesting read about the current ‘beauty standard’ (Gabriette, Amelia Gray, Kylie Jenner, Sydney Carlson etc.)

“If ‘heroin chic’ glamorizes drug addiction, succubus chic glamorizes cosmetic addiction”

“Illness is only considered cool or chic if it’s put on and if it seems deliberate, signals wealth, or demands money and effort.”

i do eat shit like this up im not even gonna lie i love these types of articles and little essays so thank u for sharing it was pretty interesting

im predicting botched chic as the next trend bc half of all these popular cosmetic surgeries and procedures are gonna age like shit anyways so might as well just embrace being a botched bitch at this point bc trying to fix it is gonna be a lengthy and maybe even nearly impossible process so that feels like the best move to make here

[the1975attheirverybest]

What I mean with she’s not like the other influencers I meant that she doesn’t commodify her life like the others, I mean there are certain influencers that literally share everything they do, including how many time they piss during the day. I’m not a fan nor a hater of her, I just noticed that she could easily share more things about her private life to gain more popularity, especially now that she’s dating Matty and she literally doesn’t. Also i think it’s safe to say that she does more things as a model than as an influencer these days? Like she has done quite a good number of campaigns and walked the runway for a good number of designers, so idk it feels a bit reductive to say that she’s simply an influencer. All that being said I know that she comes from a wealthy family and I think she knows that since she never made a mystery of her origins. I genuinely take at her face value and I only pay attention to her when people share things on twitter since I don’t even follow her on instagram (that being said, I want to specify that I understand the criticism of Matty’s love life, but at the same time I don’t because even if his choices are not ideal, I still think that I don’t him personally and I never will, so if he’s happy with Gabbriette so be it. I think it was way more hypocritical of him dating TS last year since he publicly criticised her lack of substance and her approach to music from a business point of view). Again, I mean no hate to you or any of your anons, I just think this is a interesting conversation to have since it’s very nuanced

Yeah. I get what you mean!

Okay, I think that the way that we’ve been talking maybe conflates different types of social media use so let me be more specific:

I think that being an “influencer” isn’t just type of job. A lot depends on the platform and what your “niche” is or whatever. We won’t go into the nitty gritty but suffice it to say Gabbriette is not a “day in the life” tiktok influencer who has to put out 5-8 videos a day with stuff like morning routines and evening routines. And “here’s where I went today” and “get unready with me” she’s an Instagram model. The can’t be an irl model (this is not me shitting on her btw this is just fact. She’s too short for it and stuff like that) so she had to tailor her content to that. Naturally she’s gonna post about clothes and jewelry and stuff. This is not because she understands the moral depravity of monetizing your entire existence for clicks and stuff. This is simply because she has to be brand friendly for her type of work. Brands won’t wanna work with her if she acted a certain way or posted certain types of content.

Her job hinges upon her being aspirational not relatable.

It only takes a few moments of thinking when you look at how she used to look and act during her stint in Nasty Cherry vs now. She’s just hopping on the succubus chic thing rn. Once that’s fades, she’ll hop on some other trend.

Being an IG model still depends on those qualities that I find dangerous, the foster self-centeredness, exploiting people’s parasocial relationship with her in this aspirational way of wanting to be like her so they buy her clothes off depop or buy whatever she promotes or copy her eyebrows or whatever, is extremely materialistic, and depends by and large upon being brand-friendly, being likeable (literally and figuratively, she needs people to hit like on her content), and all those gross things that make this a problematic career at best and a downright evil one at worst. Again, all which matty has come out staunchly against.

There are reasons that not all influencers are content creators and not all content creators are influencers. I’m not saying you can’t have an online presence and be a morally conscious person. You just can’t have the kind of presence that she does and be a self aware person. Most content creators who care about social economics and justice have hard lines about brand deals and what sponsorships or collabs to take and stuff like that. That’s why they can never be an influencer. Gabbriette definitely is one. She’s one that has a niche in food and fashion so she’s obviously not gonna make other types of day to day stuff. But that’s not out of the goodness of her heart that’s just how being an IG model works.

[meruladelux]

Non ho più paura di svanire, di mimetizzarmi con ciò che mi circonda, di fluttuare con i miei fiumi interiori e la tempesta nella mia testa. Molte persone prendono droghe per questo, altri meditano in modo che il loro ego si dissolva per un po' e io posso farlo senza sforzo, quando lo permetto - il trauma a volte può essere funzionale.

I am no longer afraid to fade away, to blend in with my surroundings, to float with my inner rivers and the storm in my head. Many people take drugs for it, others meditate so that their ego dissolves for a while and I can effortlessly do that when I allow it - the trauma can sometimes be functional.

[divaricca]

"𝕬𝖑𝖘 𝖎𝖐 𝖌𝖊𝖊𝖓 𝖑𝖎𝖊𝖋𝖉𝖊 𝖐𝖆𝖓 𝖎𝖓𝖘𝖕𝖎𝖗𝖊𝖗𝖊𝖓, 𝖟𝖆𝖑 𝖎𝖐 𝖆𝖓𝖌𝖘𝖙 𝖛𝖊𝖗𝖔𝖔𝖗𝖟𝖆𝖐𝖊𝖓!" - Mary Shelley.

[sannsthink]

Ozempic e o mundo da moda.

Ozempic é um medicamento injetável feito para tratar diabetes tipo 2, com um princípio ativo chamado semaglutida. Durante os tratamentos, foi observado um efeito colateral: perda de peso e redução de apetite. Pouco tempo depois, foi criado um derivado para tratar casos de obesidade.

Logo, esse medicamento passou a ser usado de maneira errônea com frequência, após se tornar uma “trend”, sendo fortemente recomendado entre “influenciadores” como uma boa maneira de emagrecer.

Mas o que isso tem a ver com moda? Parte do padrão que foi criado vem dela e de sua campanha de idolatria à extrema magreza, popularizada pelo Heroin Chic nos anos 90 e que continua até os dias de hoje. Tudo isso contribuiu para a romantização de procedimentos estéticos e qualquer meio de alcançar esse “corpo dos sonhos” — medicamentos, drogas, cirurgias, transtornos alimentares.

Isso sempre foi refletido nas passarelas. Nunca houve uma grande diversidade de modelos em desfiles, mas, durante essa época, o pouco que existia desapareceu. Por ser um movimento muito nocivo, logo desapareceu, mas deixou feridas que começaram a ser reabertas a partir de 2023. O nome da estética muda e vem repaginado, seja Messy Girl, Succubus Girl, Office Siren, mas o objetivo segue sendo o mesmo: extrema magreza. E as passarelas voltam a ser afetadas.

O relatório de inclusão de tamanhos da Vogue Business mostra o quanto esse retorno tem afetado a indústria de maneira preocupante. Nas passarelas SS25, de 8.763 looks apresentados em Nova York, Londres, Milão e Paris, apenas 0,8% eram plus size, 4,3% mid size, e 94,9% straight size. Algumas marcas mostram oposição a essa tendência, como Rick Owens, Bach Mai e Karoline Vitto, mas a maioria tem voltado ao ideal obsessivo e distorcido.

Um grande caminho de conquista de espaços representativos foi traçado, mas ele vem perdendo força à medida que o pêndulo da moda volta a glamourizar a magreza, o que está diretamente ligado ao uso crescente de Ozempic e à magreza voltando a ser adotada por celebridades e influenciadores. Esses acontecimentos não se limitam às passarelas. 31% da Geração Z dos Estados Unidos dizem se sentir pressionados a perder peso simplesmente por saber da existência desses medicamentos.

Com o acesso a medicamentos de perda de peso aumentando, as marcas têm o dever de se perguntar: queremos realmente abandonar a aceitação do corpo?

[is-she-suffering]

06/2000 - Dazed and Confused

QUEEN ADREENA WORDS: ROGER MORTON

AGAINST THE HARSHLY LIT BACKDROP OF CALIFORNIA, QUEEN ADREENA’S SEXUALISED ROCK THEATRICS APPEAR AS A WELCOME BEACON OF DARK.

“I think childbirth is pretty fucking amazing,” says Katie Jane Garside. “I think that sex isn’t golden copulation. I think sex is like childbirth really I do. It’s blood, it’s blood and it’s caring and it’s breaking out.” We are trying to draw correlations for Katie Jane’s rock'n'roll band, but somehow even with prompting in the direction of Frida Kahlo and some edging towards Anais Nin, we keep slipping out of highbrow into something more amniotic. It is disconcerting, particularly because the Pre-Raphelite dryad of a singer is intermittently slurping pink slush through a straw with matching coral vampire lips.

If the job of an artist is to make you reinterpret life, then Queen Adreena’s ectoplasmic chanteuse is due for promotion. It’s been a long time since a band came along with such a powerful, prenatural, psycho-sexual aura. Drop the fourth ‘e’ out of their name and you find its derivation in the notorious American dominatrix Queen Adrena, a six foot four giantess who specialises in crushing submissive men. A fascination with the fetish world surfaces again in Martina Hoogland-Ivanov’s Victorian postcard style short films made to accompany the album Taxidermy. In one scene guitarist Crispin Gray crawls on all fours with a bit in his mouth while a naked Garside rides forth. In another, the singer towers spookily, a 12 foot child giantess in a 19th century ballgown.

In less skilled hands the Adreenal vision of insane sex faery rock would be in danger of descending into the dungeon of camp, but Garside and Gray plus bassist Orson Wajih and drummer Billy Freedom have taken extreme pains and a good few years to perfect their current incarnation. In 1991 Gray and Garside were the creative core of the briefly mesmerising Daisy Chainsaw. Their electric chair punk and Garside’s damaged doll charisma made a sizeable impression, but only one album - LoveSickPleasure - emerged before “fragile” Katie ducked out of the spotlight, shaving her head and literally heading for the hills. Most of the '90s was spent recovering. “I haven’t ever not been involved, I’ve always just done music,” says Katie. “It’s the one thing that’s been consistent in my life from the moment I can remember. I’ve always sung and it’s always given me solace, sanctity. It’s what’s kept me safe. Because I think art, or whatever you want to call it, it’s not, in my experience, a choice. If I don’t do what I do, I get very sick. I don’t want to make it sound too melodramatic, but what it does is allow me to be a witness of myself so I’m not absorbed by the other stuff that’s going on around me. That’s what I mean by it keeps me safe.”

In the intervening years before she met with Crispin again and reconciled their differences, Courtney Love had popularised Garside’s ripped petticoat and lace “kinder-whore” chic (“I adore Courtney, I think she’s amazing”). But no one apart from PJ Harvey proved much cop at the lid-off-female-subconscious volition. Backed by a ridiculously great band, Katie Jane is now the most stage-articulate and daring woman performer in music, making Tori Amos look like Sarah Brightman.

In LA, showcasing he Taxidermy album, she terrifies the crowd at the Viper Room. Her voice is now beautifully controlled, cutting from petal-child to succubus harlot. Eyes rolling beneath the flowerpinned snake tresses, she approximates possessed sex with the mic stand and spends half the show upside down. Then she heads to the nearest strip bar to study.

The music and the performance express a version of sexuality that goes against the norm. Is that a political act? “I’m not sure that I want to be political, but I think the true feminine has been denied and is really being written out. It’s got just a tiny little edge of the screen and I think that’s why so many women are so down on themselves. You don’t really witness the true feminine at work very often at the moment, but I know that she’s bubbling underneath, and things like eating disorders, they’re symptomatic of that, because she’s being denied. She’s being forced out of existence, but whenever you repress something or deny something it comes back with such a force.”

Unlike her very distant relatives the goths, Garside does not melt in the tungsten sunshine of LA. She’s of a different shade. Her complexity and the close partnership with Crispin shine through in Taxidermy. “Madraykin” is a blues in calipers; “Hide From Time” a creaking womb; “Sleepwalking” a dreamscape and “Cold Fish” is bloody bones violence. It sounds like Jane’s Addiction fronted by Ophelia. Katie’s addiction however, is not going to fuck her up this time.

There’s a track called “Are The Songs My Disease?” which appears to be saying all this might be bad for your mental health. “Yep, that’s true. But that’s what I meant in the beginning about if you’ve got a choice about this stuff don’t do it. But I’ve got nothing left to lose in a lot of ways. See, when the struggle really comes on, it’s taken me to some really, really crazy places that I wouldn’t have anyone else go to. It’s the place where people become Jim Morrison and Napoleon Bonaparte and where you become God and omnipotent and you think you’re the only thing alive. That’s the most frightening place I’ve ever been to and that’s also a kind of living death because there’s nowhere to go after that.”

[tingtingyang919]

Those who are engaged in Succubus Chic fashion tend to be individuals who are drawn to gothic or alternative subcultures. This fashion style is often associated with a sense of rebellion and a desire to reject mainstream fashion trends and beauty standards. People who are interested in Succubus Chic may also be drawn to its themes of power, seduction, and sexuality.

Fashion icon:

-Bella Hadid

-Gabbriette Bechtel

-Angelina Jolie

This style could involve clothing choices that emphasize feminine curves and sensuality, such as tight-fitting dresses, corsets, or lingerie-inspired pieces. It might also feature materials and textures that evoke a supernatural or otherworldly vibe, such as lace, leather, or velvet. Accessories like chokers, black boots, and statement jewelry could also be part of this style.

Due to the influence of culture, Chinese celebrities generally dress conservatively and are unlikely to wear what people call "weird outfits" in front of the camera. What people seem to fear the most is revealing clothing. As long as a celebrity wears something slightly revealing, they will be labeled with various inappropriate and negative tags.

[ariescults]

a majority of “core” aesthetics fashion are ugly and the ones that aren’t are just emulating some kind of style or aesthetic ppl have been wearing for years and just giving it a new label

i think people started overusing the term aesthetic anyway, like today i saw sth abt the succubus chic aesthetic or some shit like ? be so fr. i also think ppl just want to be original so bad that it becomes ugly and well. unoriginal

[fashionveroshop]

Meru Sexy

Discover unparalleled allure with the Meru Sexy collection, where elegance meets bold sophistication. Crafted for the modern individual who craves both comfort and style, each piece in this collection is designed to make a statement.

The Meru Sexy line offers a seamless blend of luxury and seduction, perfect for enhancing your wardrobe with timeless pieces. Every garment is thoughtfully designed to accentuate your best features, ensuring you feel confident and empowered. Whether you're dressing for a special occasion or adding a touch of glamour to your everyday look, Meru Sexy has something for every moment.

Enjoy the exquisite craftsmanship and high-quality materials that promise durability and a perfect fit. The collection's designs are not just visually stunning but also incredibly comfortable, making them ideal for all-day wear. With a range of styles to choose from, including chic dresses and stylish separates, you can easily express your unique personality and elevate your fashion game.

Don't miss out on the opportunity to redefine your style. Embrace the luxurious comfort and captivating designs of the Meru Sexy collection today. Transform your wardrobe with pieces that combine sophistication and sensuality effortlessly. Shop now and step into a world where elegance meets desire.

More Design at Fashionveroshop

[the1975attheirverybest]

why are people so weird about Matty probably taking her pictures? They are a couple. She stayed at his house, he’s obviously helped her with some of her social media content… We also know he knows a thing or two about aesthetics and instagram as well… (and that was also not the first time he ever took pictures of a significant other just saying). It’s also just a paid post. She wasn’t announced as the new face of the brand. it’s really not that deep people… she definitely looks beyond stunning though. she reminds me Angelina Jolie

Idk man??? It’s odd.

It’s so funny you should mention Angelina Jolie because all the fashion editorials and magazines discuss the “succubus chic” look and credit Gabbriette with popularizing it. They all also compare her to Angelina Jolie for the early 2000s hahaha.

[mercadona007]

brody dalle walked so succubus chic girlies could run