#studio Ilk

[moodboardmix]

Tinderbox Residence, Tinderbox, Tazmania, Australia,

Designed by Studio Ilk Architecture + interiors

[sosuperawesome]

Mini Ghost Vases // Ilke Studio

[wc-confessions]

I’ll do a full breakdown of why the news surrounding the Tencent animation disappoints me.

Disclaimer: while you can have criticisms about Tencent as they seem to be a controversial company, don’t use it as an excuse to be sinophobic. If your thoughts ever go to “well of course a Chinese production would suck” or something of that ilk, please stop right there. The main issues are corporate greed and laziness, not China. Got it? Time to carry on.

Firstly, it strikes me as more of a proof of concept than an actual announcement. It’s the most minor problem IMO, so I’ll let them off the hook. They probably wanted to make sure people knew it was being worked on.

Secondly, AI. Warrior Cats is an art-centric community; it’s no wonder fans are pissed. I don’t like AI art, you - a (probable) Warriors fan reading this - likely don’t like AI art, your father doesn’t like AI art, everyone here doesn’t like AI art. Which means I’m going to argue on a more technical side. Looking at the confirmed and possible AI art, I have a question. What do they achieve? They don’t fit with the style of the hand-drawn illustrations, they resemble galaxy cats in space, while that Yellowfang generation is just a bootleg of the reprinted Rising Storm cover. Their existence in the presentation is a waste of time and resources (literally, AI prompts use up absurd amounts of water). I’d rather them show exclusively human art because you can tell they’re going in a direction, even if it’s uninteresting.

Speaking of the presumably human art, oh boy. To start off mildly positive, I’ll say a majority of the illustrations are decent. You get some character designs and scene concepts. They’re clearly playing with art style. I don’t find them particularly ugly, so… good job! I suppose! Now, to address the elephant in the room: anthro cats. For the love of StarClan, I’m begging on my knees, don’t make these cats anthro in the final product. It would fundamentally break the entire series. They call humans “twolegs” for a reason! Go work on the Redwall movie if you want anthro animals.

Finally, my last concern. As of writing, there hasn’t been confirmation of the Tencent animation being a movie, TV show, or other. My opinion on a TV show is “it’s fine.” Warrior Cats is a long series, making it suitable that it gets a longer adaptation. Meanwhile, my hope for a Warriors movie is as big as a single grain of sand. 

Warrior Cats is borderline unadaptable when it comes to shorter-form media unless you want to dish out a pretty penny. We can already see this with the Prophecies Begin graphic novel; it’s transparent HarperCollins or whoever is in charge of these things didn’t want to pay for six TPB comics, so they had to hastily mash two books together in one. If the Tencent animation is a movie, I’m afraid some concepts already have signs of this. Multiple pieces have what can be assumed to be Fireheart and Tigerclaw fighting. I’m sorry, but that happens later in the books. Are they going to scramble the narrative worse than the graphic novel adaptation? Are we seriously going to wait 20+ years for an official animation, watch at least one high-profile fan project get canned, only for it to be about as accurate as evil snipers in an action movie? If it’s not a movie, ignore what I’ve said. If it is a movie, sigh.

TL;DR: Should’ve made the Little Dragon Studios series official instead of forcing them to cancel, guys.

.

[max1461]

Thought for a moment in the 2010s that we were entering a new serious era (e.g. 1920s, 30s, 40s), but it seems that we're instead in an increasingly tacky era (50s, 60s, 70s). Like look at the change in YouTube. Well you all are textheads you don't do video, I know that. But like. In 2017 there was ContraPoints. Agree or disagree with her opinions, what she was doing was conceptually and aesthetically serious. Even her early, low-production-value stuff. She was talking about incels and other internet shit, but the internet is part of the real world, that's fine. In fact that's what gave me hope for another serious era, people were finally talking about internet stuff the way 1920s German intellectuals or whatever talked about the cultural trends of their day. Maybe because Contra has half a philosophy PhD and was explicitly influenced by those German intellectuals.

Another example from a totally disjoint cultural niche was Digi a.k.a. Trixie a.k.a. Ygg Studios or whatever they go by now. Drunk, smelly, and unkempt—yes. Or at least so went the persona. Talking seriously about anime—also yes. When they claimed they were the only good anime reviewer on the internet it made a lot of people mad. But they were right!

There were thinkers, we had thinkers. My generation, or roughly my generation, had thinkers. To be clear, when I include Contra here I'm not including all of her ilk, I'm not including the leftist-theory-regurgitators and so on. But Contra herself was a thinker! Digi was a thinker! We had thinkers.

But that era is over now, on YouTube at least. I go on there and it's all algorithmic drivel. I look for anime content and as I've explained it's all about #hype and #epic and how the new season of whatever #hits different and other empty meaningless bullshit. No analysis, no thought, fundementally unserious bullshit. Tacky! It's tacky! The the YouTube thumbnail O-face is fucking 70s-ass fake wood paneling tacky bullshit!

MrBeast. I've never seen a MrBeast video but I hate him for what he represents. I used to watch this channel called Wranglerstar, he made videos about different types of axes and forest fire fighting equipment and various other stuff. "Modern homesteading" I believe was the tagline. And it was always evident that he was a far-right guy but who gives a shit, his videos where good. Serious videos about interesting topics, that a fucking normal guy might watch. Well around 2020 he basically started flooding his channel with covid conspiracy bullshit and "the Chinese are going to attack us any day!" bullshit and other unserious crap. And I had to stop watching. How could I find any of that compelling? It's vapid nonsense.

And I don't know if it's a shift in the algorithm or people becoming more savvy to the algorithm or what, but all of YouTube is like this now. Vapid clickbait empty meaningless bullshit for another tacky commercialized bullshit era.

And you know, I felt like it might just be localized to YouTube for a while, but I started to look around, and it just feels like everything is like this. Backsliding to the tacky times. God I hate tackiness. I hate unseriousness. I'm having a little meltdown. At least SMW kaizo hacks are having a renaissance. People are doing serious shit in that space, serious shit that is also not anachronistic, you know, it's kept up with the modern world. It addresses modern concerns (fun to play hard Mario). But it's serious. People are serious. One of the few serious things happening in my orbit.

Even in science it feels like people aren't serious anymore. You know, standard Sabine Hossenfelder complaint about particle physics. But I don't really know enough about that to say. Get the vibe that biology is still serious these days.

To be clear, everything I'm saying here is pure vibes. I'm just saying shit. I'm just saying shit that I feel. But I'll be deeply disappointed if I have to live my youth in another tacky era, god damn it. Even the 80s seem like they were better than this.

[bubblesandgutz]

Every Record I Own - Day 831: Metallica Ride the Lightning

A classmate of mine loaned me his cassette of Ride the Lightning during art class in junior high sometime around '89 or '90. I'd seen the video for "One" and liked it, but beyond that I only really knew about Metallica because the skaters and metal kids wore those classic Pushead design shirts all the time. The Black Album wouldn't come out for another year or two, so Metallica still felt more rooted in the underground than the mainstream. It was music for outsiders.

I felt like an outsider too. And that's probably why Ride the Lightning connected with me. I liked the hardcore fury of "Fight Fire With Fire." I thought the suicide subject matter of "Fade to Black" was both dangerous and oddly comforting. Even the more dense and complex tracks on the album had an undeniable strength and palpable narrative arc to them. I wan't a metalhead, mainly because it was the heyday of hair metal and I found Mötley Crüe and their ilk to be campy and bloated, but Metallica appealed to my punk tastes. The anger and desperation felt authentic.

The Black Album came out as I was really going down the rabbit hole of punk music, and its studio sheen and cultural ubiquity didn't appeal to my fickle adolescent tastes. Metallica wasn't cool anymore as far as I was concerned. Two years after its release I would meet a guitarist named Dave in my high school trigonometry class who wanted to start a band. I mentioned I played bass and wanted to try out. The band would become Botch. We'd spend the next nine years playing shows, putting out records, and going on tour together. Dave loved Metallica, particularly And Justice For All, and suddenly Metallica was back in my life.

And they haven't left. Mike from Russian Circles picked up the guitar in large part because of Metallica. Same with Aaron from SUMAC. And while Ride the Lightning has always been the bronze medal winner for those guys, coming in behind Justice or Master of Puppets, Ride the Lightning was my entry point and my favorite album by the band. Because it will always sound like that cassette played on a shitty Walkman loaned to me by the kid with the dirt-stache wearing a Merciful Fate shirt.

I got to see Metallica last night. Dave hit me up because one of Botch's old roadies (and the guy who put out our second 7") manages one of the opening bands on Metallica's current tour and was able to get us a couple of free tickets and backstage passes. I'll be honest, I was ready to be a bit disappointed. Metallica moved on from the ambitious thrash metal opuses of the '80s a long time ago. This was no longer the band heralded by the misfits of my youth. But it's a free concert and a chance to catch up with an old road buddy.

But ya know what... they were great. They played FOUR Ride the Lightning songs ("Fight Fire With Fire," "For Whom The Bell Tolls," "Ride The Lightning," and "The Call of Ktulu") and they played with enthusiasm. And it felt just rough enough around the edges to activate the same pleasure centers in my brain that lit up when I heard that cassette tape 30+ years ago.

[miloscat]

[Review] Hyper Light Drifter (PS4)

Sometimes hyperactive, technically made of light, but sadly no drifting mechanic.

Another Kickstarter success story scoring 2000% of its goal, this 2016 game (crowdfunded in 2013) by a small American studio is now spawning sequels, board games, and an animated series. With all of its plaudits my expectations were sky-high, only to find a game that is merely very good.

Modelled after top-down action adventures of the Link to the Past ilk, HLD puts tone front and centre. Its world is colourful but sombre, fantastical but relatable, and carefully rendered in pixel loveliness. With no dialogue, the environments and your own imagination are left to tell the story of this ruined world populated by beshawled animal people and robots. The drifter himself stumbles through it, haunted and suffering a lethal lurgy. This theme, as sci-fi-tinged as it is, was inspired by the lead designer's own chronic heart condition... I found myself identifying with him, his struggles and breakdowns.

Exploring this world was rewarding, with hidden passages usually marked by a subtle but recognisable square symbol. You can get goodies this way but finding new lovingly crafted screens—just seeing another little corner of this universe—was a prize in itself. Well, for the most part; the underground zones can get a bit drab and drag on at times.

Of course, there's also a lot of frantic fighting. Dash in, slash, sword recharges gun, pew pew. It's occasionally overwhelming and unforgiving but satisfying when done right. The four cardinal zones (three of which can be tackled in any order) feature unique foes with their own strategies, but the fundamentals are consistent and solid. Having said that, don't overlook the charge attack and projectile deflection upgrades in the hub town.

With my playtime of seven and a half hours, I felt well served by HLD. It didn't overstay its welcome, and on a related note I didn't push myself to track down all the unmarked collectibles. It's a game with a clear idea of what it it's going for, and executes that well. Enough said.

[whoiwanttoday]

Sydney Sweeney is pretty much everywhere at the moment promoting Anyone But You, which I'll be honest, looks awful. Maybe it isn't but it sure does look bad. I don't think I am alone in this assessment and it feels like a throw back to a very uninteresting sort of Romcom of a different era that is full of awful rich people and why do we care? I guess that's true of Hollywood in general, a lot of movies and shows are about rich people now in a way that makes me uncomfortable. But these rich people are the types who think someone else's wedding is all about them from what I have seen of the trailers and if the movie isn't about what awful narcissists they are then why would I want to see it? Just because they're hot? I mean, I guess that is the answer. Either way, the fascinating little game I will play over the next year or so is, "Would this movie always have been promoted this hard?" Because this movie is certainly getting a lot of promotional power thrown at it and while Sydney Sweeney and Glen Powell are both potentially rising stars I think lots of people think they are really going all in on this and we're pretty sure it's because there is nothing else to promote. The strikes mean Hollywood is out of stuff to show us for a bit and they are going to have to restock. This movie rushed into reshoots as soon as work was reallowed and reshoots a month before a movie comes out are not a common thing. It's just that something has to come out in December and you have what you have. Maybe this movie always would have been hyped but I have my doubts. I absolutely think we are due for a reassessment by the studios on what makes money, I think the world is hungry for midbudget movies. Not even good ones, though those are always welcome, but there is a market for the Pope's Exorcist and Anyone But You, not because they are all time classics but movies that are cheap enough you don't have to worry about universal appeal or big spectacles. Variety I guess. So maybe this makes a lot of money cause the romcom is all but dead and people might really, really want one. And I get that. I would be fine with a world where Sydney Sweeney becomes a steady star of movies of that ilk, it gives her steady work and gives people something to watch other than giant attempts at cinematic universes (I hope. I mean, Nick Fury could show up in the post credits of this movie). Anyway, all that said, the press push has been good because Sydney Sweeney has looked nice so here she is. Today I want to fuck Sydney Sweeney.

[hicranlakitaplar]

Çizgi Studio kullananlar hikayeme göz atabilir miii

[kappuccinostudies]

(en) thank you @studywithmeblr for tagging me! anyone’s free to join. underlined word is a link to the og post.

(tr) @/studywithmeblr’a beni etiketlediği için teşekkür ederim! isteyenler katılmakta serbest. altı çizili (ing versiyonda) sözcük orijinal gönderinin bağlantısı.

age / yaş: 18

height / boy: ~5’6 (167cm)

grade / sınıf: first gap after hs (retaking uni exam) // ilk mezun senem

confidence / özgüven: 5/10 (hopefully this will increase when I get back my life) // (umarım hayatımı geri alınca yükselecek)

happiness / mutluluk: 5/10

gender / cinsiyet: female / kadın

sexuality / yönelim: bisexual / biseksüel

fav food / fav yemek: crispy chicken tenders / kemiksiz çıtır tavuk

fav movie / fav film: anything by studio ghibli / studio ghibli tarafından herhangi bir film

fav song / şarkı: don’t have one, too hard to choose / yok, seçmek çok zor

relationship status / ilişki durumu: been w/my bf since 2022 <3 / erkek arkadaşımla 2022’den beri beraberiz

fav color / renk: forest green / orman (koyu) yeşili

fav season / mevsim: winter / kış

followers / takipçi sayısı: 59 (tysm everyone!) / (herkese çok teşekkürler!)

[gilmourist]

En/Tr

Their love affair started at a party in David Hockney's old studio in Notting Hill, when friends introduced them more than three decades ago. Very apt that this rock romance between the Pink Floyd guitarist and the journalist daughter of a woman who had been a major in Mao's Red Army began in the colourful painter's eyrie. Gilmour was 46 and she was 30; the son of Cambridge academics enraptured by the scintillating single mother (Samson already had Charlie, by the poet Heathcote Williams), "I can't remember many of the details of that first meeting," says Gilmour, boyishly diffident even at 78, modest, wry, careful. "Don't worry, I can," chips in Samson, laughing, elfin, effervescent and chic in black. "I can humiliate David!" she teases. "One of her favourite occupations," he joshes, eyes tenderly locked on her.

~~~~~

Aşk ilişkileri, David Hockney'nin Notting Hill'deki eski stüdyosunda bir partide, arkadaşlarının onları otuz yıldan fazla bir süre önce tanıştırmasıyla başladı. Pink Floyd gitaristi ile Mao'nun Kızıl Ordusu'nda binbaşı olan bir kadının gazeteci kızı arasındaki bu rock aşkının, renkli ressamın yuvasında başlaması çok yerindeydi. Gilmour 46 yaşındaydı ve kendisi 30 yaşındaydı; Cambridge akademisyenlerinin, ışıltılı bekar anneye hayran olan oğlu (Samson, şair Heathcote Williams'tan Charlie'yi çoktan doğurmuştu), Gilmour "İlk tanışmanın pek çok ayrıntısını hatırlayamıyorum," diyor, 78 yaşında bile çocukça çekingen, mütevazı, alaycı, dikkatli. Samson, gülerek, cin gibi, coşkulu ve siyahlar içinde şık bir şekilde "Endişelenme, yapabilirim," diye lafa giriyor. "David'i aşağılayabilirim!" diye takılıyor. "En sevdiği mesleklerden biri," diye şaka yapıyor, gözleri şefkatle ona kilitlenmiş.

(Geordie Greig "The Independent" Sep.4 2024)

[teknobeyin]

Rami Malek'in Yeni Filmi The Amateur'dan İlk Fragman Yayınlandı

Hollywood’un başarılı oyuncusu Rami Malek, yeni casusluk gerilim filmi The Amateur ile izleyicilerle buluşmaya hazırlanıyor. 20th Century Studios, merakla beklenen filmden ilk fragmanı yayınladı. Bu fragmanla birlikte, filmin özellikle İstanbul’da geçen sahneleri dikkat çekiyor. Evet, yanlış duymadınız! The Amateur, Türkiye’nin de dahil olduğu farklı coğrafyalarda çekildi ve bu, filme ayrı bir derinlik kazandırdı.

Devamı: https://www.teknobeyin.com/rami-malekin-yeni-filmi-the-amateurdan-ilk-fragman-yayinlandi.html

[evildeerboy]

watching 90 fiance and one of the fiances moms walks into the guys studio apartment and looks around ilke this

[likeadevils]

I love thinking about Evermore VS Midnights (3AM) like for me that's her really figuring out herself, her typical relationship issues, the marriage question, and The Joe Alwyn situation as it was and how much forever was really on the table ilke to me Evermore is her putting alot of her worries about Trying Marriage Vs ending the relationship out there like am I making sense? (and musical similarities like Closure goes into Question)

i feel like evermore is much more the resolution of the issues set up in folklore— like, the first song written for folklore was my tears ricochet and the last song written for evermore was happiness, and i think the journey between those songs is the stuff evermore is grappling with. i think it sets up some of the ideas we see on midnights— standing alone, especially. but i think folklore also introduced (in an abstract sort of way) a lot of the what ifs that she ended up exploring in a more literal way in midnights, because like, she wrote them all fairly close together and one mindset will bleed over into the others. but i think the marriage throughline is actually two different issues— in folklore and evermore, it’s a metaphor for the scott borchetta masters situation, a relationship so close that its end feels like ripping out a part of yourself.

the marriage issue explored in midnights is more something that really came about during 2021, to my read, when joe didn’t show up to the grammys and then taylor moved to belfast with him despite having a massive rerecording process going on and he missed her birthday and it just really kicked off a year of her really showing up for him while he just. didn’t. like i’m sure issues where present in 2020– her flying back to london with him despite being in the middle of recording an album and not having any open studios in london is like, a big sacrifice on her part. but i also think it’s notable that she starts the year off writing renegade and ends it with you’re losing me— one is her being like, hey i’ve noticed this issue we’re having, please help me fix it, and the other is like, there’s nothing here anymore. and in that, renegade is less of an expansion of happiness, and more the start of a new conflict.

[floralbeautysweet]

Happy 20th Anniversary to Foster's Home for Imaginary Friends!!

العربية:

قبل 20 عامًا، ظهرت ”منزل فوستر للأصدقاء الخياليين“ لأول مرة على قناة كرتون نتورك في 13 أغسطس 2004 (وهي السنة الذي ولدت فيه) وقد أنتجته كرتون نتورك ستوديوز كأول مسلسل كرتون للقناة باستخدام مسلسل أدوبي فلاش بشكل أساسي، وقد تم تنفيذ هذه المسلسل من قبل كرتون نتورك ستوديوز في بوربانك وفي أيرلندا من قبل بولدر ميديا.

أحد أفضل مسلسلات كرتون نتورك في سنوات 2000، لم أشاهد هذا المسلسل على كرتون نتورك فحسب، بل شاهدته على موقعين ستارديما و أرابيك تونز (بالعربية طبعاً).

Türkçe:

20 yıl önce, Foster'ın Hayali Dostlar Mekanı 13 Ağustos 2004'te (benim doğduğum yıl) Cartoon Network'te ilk kez gösterime girdi ve Cartoon Network Studios tarafından üretildi, hem Burbank'taki Cartoon Network Studios hem de İrlanda'da Boulder Media tarafından yapılan Adobe Flash ile ağın ilk animasyon programı oldu.

Cartoon Network'ün 2000'lerdeki en iyi şovlarından biri olan bu şovu sadece Cartoon Network'te izlemekle kalmadım, aynı zamanda her iki web sitesinde de Stardima ve Arabic Toons (tabii ki Arapça) var.

English:

20 years ago, Foster's Home for Imaginary Friends made it's debut on Cartoon Network in August 13th, 2004 (The year that i've born in) it was produced by Cartoon Network Studios as the network's first show animated primarily with Adobe Flash, which was done both by Cartoon Network Studios in Burbank and in Ireland by Boulder Media.

One of Cartoon Network's Best Shows in the 2000's, Not only did I watch this show on Cartoon Network, but also on both websites are Stardima and Arabic Toons (in Arabic of course).

[selimugurlu]

Age of Wonders: Shadow Magic Nedir? Age of Wonders: Shadow Magic, 2003 yılında çıkan ve Hollandalı oyun stüdyosu Triumph Studios tarafından geliştirilen bir strateji oyunudur. Bu oyun, Age of Wonders serisinin üçüncü oyunudur ve fantastik bir dünyada geçmektedir. Oyuncular, kendi imparatorluklarını kurmak ve geliştirmek için çeşitli stratejik hamleler yapmalıdır. Oyun, hem tek oyunculu hem de çok oyunculu modlarıyla oynanabilir. Age of Wonders: Shadow Magic, büyüleyici grafikleri ve derin oyun mekaniğiyle dikkat çekmektedir. Oyunda, farklı ırkların ve büyülerin olduğu bir dünya sunulmaktadır. Oyuncular, kahramanlarını yönetirken askeri birlikler oluşturabilir, düşmanlarını yenmek ve stratejik avantajlar elde etmek için farklı yetenekleri kullanabilir. Ayrıca, diplomasi ve ticaret gibi unsurlar da oyunun önemli bir parçasıdır. Oyunda, senaryo tabanlı görevlerin yanı sıra özgür oyun modu da bulunmaktadır. Bu sayede oyuncular, kendi stratejilerini kullanarak dünyayı keşfedebilir ve istedikleri gibi oyunun keyfini çıkarabilirler. Age of Wonders: Shadow Magic, strateji severler için eşsiz bir deneyim sunmaktadır ve oynadıkça keşfedilecek birçok içeriği olduğunu göstermektedir. Büyülü bir dünyada strateji oyunu deneyimi Farklı ırklar ve büyülerin olduğu geniş bir evren Tek oyunculu ve çok oyunculu modlar Gelişmiş grafikler ve derin oyun mekaniği Senaryo tabanlı görevler ve özgür oyun modu Oyun Adı Yapımcı Çıkış Tarihi Age of Wonders: Shadow Magic Triumph Studios 2003 Neden Türkçe Yama Kullanmalısınız? Türkçe Yama Nedir? Türkçe yama, bir oyunun orijinal dilinden Türkçe'ye çevrilmiş olan bir güncellemedir. Oyun yapımcıları tarafından yayınlanan orijinal sürümde Türkçe dil desteği bulunmayabilir ya da mevcut olsa bile yetersiz olabilir. Bu durumda, Türkçe yamalar oyunun Türkçe diline çevrilmesini sağlar. Böylece Türk oyuncular, oyunu daha iyi anlayabilir ve daha keyifli bir deneyim yaşayabilirler. Türkçe yama kullanmanın birkaç önemli avantajı vardır. İlk olarak, oyunun ana hikayesini ve yan görevleri daha iyi anlamanızı sağlar. Oyunun orijinal dili sizin için yabancı olabilir ve metinlere tam anlamıyla hakim olamayabilirsiniz. Türkçe yama ile oyunun içeriğini daha iyi kavrayabilir ve oyunun keyfini çıkarabilirsiniz. Ayrıca, Türkçe yama kullanarak oyunun diline daha fazla hakim olabilirsiniz. Oyun içerisindeki menüler, seçenekler ve yazılar Türkçe olarak karşınıza çıkacaktır. Bu da oyunu daha rahat ve kolay bir şekilde oynayabilmenizi sağlar. Çünkü oyunun diline hâkim olmanız, oyun içerisinde yapmanız gerekenleri daha hızlı ve etkili bir şekilde yapmanızı sağlar. Sonuç olarak, Türkçe yama kullanmak oyun deneyiminizi geliştirecek ve oyunu daha keyifli hale getirecektir. Oyun içerisindeki metinleri daha iyi anlamak, hikayeyi tam olarak kavramak ve oyunu daha etkili bir şekilde oynamak için Türkçe yama önemli bir araçtır. Türk oyuncuların oyunlardan tam anlamıyla keyif alabilmesi için oyun yapımcıları da Türkçe dil desteği sunmalı ve Türkçe yamalar yayınlamalıdır. Türkçe Yama Nasıl Kurulur? Türkçe yama, bir oyunun orijinal dilinden Türkçe'ye çevrilmiş bir versiyonudur. Oyunseverler için çok faydalı olduğu için birçok oyunda bulunur. Türkçe yama, daha fazla insanın oyunu anlamasını sağlayarak kullanıcı deneyimini artırır. Ayrıca oyunun Türk kültürüne daha uygun hale gelmesini sağlar. Bu yazıda, Türkçe yama nasıl kurulur sorusunun yanıtını bulabilirsiniz. Türkçe yama kurulumu oldukça basittir. İlk olarak, oyunun resmi web sitesine gidin ve Türkçe yama dosyasını indirin. Dosyayı indirdikten sonra, zip dosyasını çıkarın. Yama dosyası, genellikle .txt veya .exe uzantılı bir dosyadır. Ardından, oyunun kurulu olduğu klasörü bulun. Bu genellikle C:\Program Files (x86)\oyunadı şeklinde bir yol olabilir. Oyunun kurulu olduğu klasörü açın ve yama dosyasını yapıştırın. Dosyanın üzerine sağ tıklayarak "Buraya çıkart" seçeneğini seçin. Böylece yama dosyası oyunun kurulu olduğu klasörde yer alacaktır. Yama dosyasını kurduktan sonra, oyunu başlatın.

Genellikle ana menüde veya oyun ayarlarında bir dil seçeneği bulunur. Dil seçeneğini "Türkçe" olarak değiştirin. Bu sayede, oyun artık Türkçe olarak oynanabilir olacaktır. Bazı oyunlarda ise, oyun başlatıldığında otomatik olarak Türkçe dil ayarı yapılır ve ayrıca oyundaki metinlerde Türkçe karakterler görüntülenir. Her oyunun kurulumu biraz farklı olabilir, bu yüzden yama dosyasının yanında gelen talimatları takip etmek önemlidir. Türkçe yama kullanmanın avantajları şunlardır: Oyunu daha iyi anlama imkanı sağlar. Oyun deneyimini artırır. Oyunun Türk kültürüne daha uygun olmasını sağlar. Dil barajını ortadan kaldırarak daha fazla insanın oyuna erişimini sağlar. Adım İşlem 1 Oyunun resmi web sitesinden Türkçe yama dosyasını indirin. 2 Yama dosyasını çıkarın. 3 Oyunun kurulu olduğu klasörü açın. 4 Yama dosyasını klasöre yapıştırın. 5 Oyunu başlatın ve dil ayarını Türkçe olarak değiştirin.

[cinemaocd]

I'm very interested in your thoughts on foundations and products for gen x skin. How I miss the days of college when I would just tamp on a thick layer of Studio Fix powder (wrong shade, always), use a lip liner (Twig, always) instead of lipstick and then hit the town living my best life looking like a dry crusty ghoul. Being young really mitigated a lot of make up mistakes. Wait I got off track there...

Oh wow, I'm so flattered you sent this ask. I'm so sorry because...

Get ready...here it comes...

Insanely Detailed Make up Skin Care for Gen X skin Info Dump

So this is for typical post menopausal skin, which is my situation, and pretty much blemish free (I do get the occasional blemish when I do something silly like use lip balm or lipstick as a blush because they have the same effect as a cream blush, but often have pore-clogging ingredients), running normal to dry with a light medium complexion.

I'm a huge believer in skin prep before makeup. If you don't have your skin right, your makeup is always gonna look like makeup and it's probably going to age you rather than make you look younger. For over 50 skin it's all about moisture. All those bougie make up branded prep products are really just adding moisture. Get yourself a tube of Vanicream at the drugstore and slap a bunch on before you do your makeup. It works just as good as Charlotte Tilbury Magic Cream or the ilk at a fraction of the cost.

Skin care routine:

Micellar water: Removes makeup with gentle/sensitive formula (walgreens has a good knock off of the bougie French one in the pink bottle). I use it on my eyes in the mornings because over night oil and dirt build up in that area and it effects makeup performance. It does not irritate my eyes which are very sensitive.

Second cleanse: I Wash with vanicream bar soap in the evenings. Costs $5 and was recommended by my derm. A bar lasts months and I use it as a regular soap in the bath as well. It's just very gentle and moisturizing. I have stopped needing body lotion in the winter since using it. In the mornings I don't second cleanse because I don't need it. I just splash my face with warm water and head right into the next step.

Paula's Choice perfecting gel (a little easier to use than the liquid and better packaging but pricier). Amazing all around face acid, gentle enough to use twice a day even on my delicate little face. Improves almost every skin issue while adding moisture. The GOAT tbh. There is nothing at the drugstore to compare to it, sadly.

Cereve AM moisturizer with SPF. Another drugstore product. Under $15 and Walgreens has a knockoff that's just as good that's even cheaper. My whole family uses this stuff. It works for everyone really. If you want to have good looking skin into old age stay out of the sun and use sunscreen every day, even when it's cloudy, etc.

Vanicream moisturizer (Tube is under $20 and is huge by skincare standards. I buy maybe two a year and just slather it on in the winter). It has a light consistency that soaks in fast and makes layering it over itself easy. This was the moisturizer rec'd by my derm and honestly it's just so great.

Twice a week I end my night routine with the Paula's choice retinol/moisture barrier repair cream. I don't use it daily because it dries out my skin too much. Retinol helps with a host of skin issues, especially if you have acne scars. This formulation is great because it's very occlusive and makes a great last step before bed. You need to be careful not to wear it in the day though because it can make you sunburn. (Also it won't play well with makeup).

Lips: I love the Paula's choice lip balm with spf. My lips get so destroyed in MN winter between wind and UV. It has a slight tint to it that makes it a bit lighter than my lip color which has a plumping effect. (In general paler colors in the middle of the lip will make your lips look fuller). I also use Boodah lip treatment because it's plastic free and it works really well. You can get an unscented one, but it still smells like coconut oil which I like. (Scents in lip balms actually dry out your lips because they cause inflammation. Many lip balms have ingredients that actually GIVE you chapped lips...Burt's Bees I'm looking at you). Also I totally simp for Cereve healing balm. It comes in a small purse sized tube and it's just great for any irritated, cracked angry skin. It even works on diaper rash. Great stuff.

Foundations:

Most of the time liquid foundations are not recommended for older skin because they tend to be drying because the alcohols they use to let the foundation dry down quickly can be drying. For years I formulated my own bb cream by mixing a liquid foundation like MAC Studio fix with MAC Strobe cream. I've tried loads of BB creams but I feel like they never last on me, unless I powder my whole face, which defeats the purpose, my skin just gobbles them up.

I've tried ultralight foundations like MAC face and body, glossier skin tint but because those products are made to be applied and dry instantly they also have loads of alcohols. They are also just better marketed versions of pro air brush foundations, so if you like this category of products, check out air brush foundations. They are usually way cheaper ounce for ounce...

Kosas Revealer: This is ounce for ounce my most expensive foundation but I had a bottle that lasted me a year. It's the closest in texture to the effect I got from mixing studio fix with strobe cream but it comes in a single package with a pump. Applies best with a damp sponge, but I will use a dense brush when I'm in a hurry (The Real Techniques face perfecting brush is a fantastic drugstore foundation brush). Less is more with this as with all foundation. Do thin layers and build up spots where you need more coverage. (Or add in a color corrector or concealer).

Wayne Goss Cream Foundation: I bought this when it launched and I still have so so much left. I apply dots of it with my fingers and spread it with a brush in a stippling motion. It's a fantastic base for a cream blush. It wears like iron when correctly powdered. This is very similar in formulation to RCMA cream foundation which is what Beyonce uses on stage so you know it's bullet proof. It's just mineral oil base with massive amounts of pigment suspended. (This is really the basis of all pro cream foundations going back to the literal grease paint of victorian times) It should never go off. I think I will bequeath my jar of this foundation to my grandchildren should I ever have any. Also doubles as a concealer. (I wish Wayne would put out smaller/cheaper containers of this stuff. Then I could buy a lighter shade for concealing...). The pigment load in these foundations is so high, I actually don't think they are necessary for every day use. It's more coverage than I really need most of the time. I'm not on TV. Camera Ready Cosmetics sells samples of all their cream foundations, so if you want to dip your toe into this world of products without investing I would go there and try the RCMA or the William Tuttle...

Concealers:

I struggled with every concealer I liked being discontinued for a while. I was paying top $ for Lancome Touche Eclat because all of the drugstore knockoffs I adored disappeared. Liquid concealers should be really thin and have moisturizing ingredients. I think it's standard to say avoid them over 50, but products like the Kosas liquid concealer are very good and don't get that dry, cracked look that shape tape and the ilk does on older skin. I've used the Elf camo concealer and I went through many tubes of Maybelline age rewind over the years, but I'm just over them. There may be some newer drugstore alternatives, but I've been living in Bill Tuttle's blissful world of Hi-lite (see below) now long enough that I've stopped paying attention to new products in this category. I don't even use concealer any more...

Color Correctors:

William Tuttle hi-lite: OMG if you have light medium skin this stuff is utter magic. It masks redness and darkness, blending in with the undertone in my skin without flattening me out or making my face too red. I just can't explain it but it even masks my hyperpigmentation spots that absolutely no foundation will cover and many concealers fail with as well. There used to be a maybelline age rewind product that worked but it disappeared and now they only have the one for under eyes. Hi-lite's original purpose was to cover marionette lines for studio lighting which often makes those lines way worse. And it works great for that too, but it's just so amazing as a corrector/concealer for me.If you have a deeper skin tone with more darkness around your eyes, it may not work, but it worth a try. Tuttle has other similar products in different tints that I haven't tried. The jar is under $15 (Jones Road who?) and I have had it over 6 months and it's not even half gone. (Miracle balm is almost $40 a jar and it smells weird after a few months.) Hi-lite'stexture is perfection. You can do light thin layers and spread it out. It just melts in and disappears. Applies beautifully with a finger but a concealer brush is useful because it fits in the jar better. The brand also has a foundation that is $15 a jar as well. Sold at Camera Ready Cosmetics and some pro/specialty stores. William Tuttle is honestly the find of the last five years for me. If you take nothing else away from this post, check out William Tuttle. I lowkey think Bobbi Brown was using this shit as a makeup artist and one day realized it worked great as an overall concealer/color corrector on older skin and decided to make her own version and market it as miracle balm...

Powder:

Despite what Bobbi Brown says in the Miracle Balm ad, powder is a necessary step and actually your friend if you know how to use it. The main thing is to be strategic with placement and actually learn powdering technique that make up pros use and not what you see on on most of youtube.

Controversial take: I bake my under eyes and you should too. Here's why...

Cream products, which are mostly what we're using here, plus moisturizers/sunscreens are going to move around and settle in lines and actually exaggerate them. In the summer they may look shiny when you sweat which isn't great either. Powder will keep it in place and give you that soft focus/glass skin effect. Powder is also blurring. So it's keeping your concealer from settling in under eye wrinkles, acting like the Photoshop healing brush for you face. Another bonus for baking is that if you leave it on while you do your eyeshadow/liner it will keep fallout from sticking. You'll be able to just brush it away. Baking also lightens the color of the skin in the place where it's done. It started in drag as a technique to make highlights pop from the stage. It is so great in the undereye for this reason. No need to get a brightening concealer with bake...

My technique is I apply an eyeshadow base (really like the NYX ultimate shadow/liner primer) from my under eye to brow. Don't skip the undereye! The reason you need a primer is to create a barrier between your eye skin and the powder. (Eye liners and the heavy pigments in dark eyeshadows will absolutely fuck up the skin around your eyes.) Then I color correct with a thin layer of the Hi-lite, then I powder. I use a powder puff or powder sponge (Real techniques makes an awesome powder sponge) and press in the first thin layer. Then I pile it on with a fluffy eyeshadow brush and leave it. I do my eye makeup and brush it away with the fluffy eye brush or a small powder brush. That's it. If you moisturize and prime adequately it is not going to dry out the skin on your eyes. It's all in the prep.

Don't waste money on fancy powders. I bought a massive bottle of RCMA transluscent powder more than 10 years ago and I still have it. I use it every day. I recently bought the William Tuttle powder just because it was cheap and the container was cute. It has a slight pink cast to it, which is really great for the under eye. Coty airspun which is a drugstore classic is great as well. Maybelline fit me is a fantastic "finishing powder" which means it has a little tint and some micas for glow. I use a finishing powder sometimes instead of basic transluscent powder if I want a little more coverage. If you have a lot of acne scarring a finishing powder will be your friend. Wayne Goss and Mel Thompson (RIP) both have amazing tutorials for buffing/finishing techniques. The Wayne Goss Air brush is a god tier brush for this but the RT perfecting brush works great too and is cheap enough that you can have one for creams and one for powders).

Highlight: MAC Strobe cream, strobe cream, strobe cream. Did I mention strobe cream? How I love thee, bougie upscale scented product. Blurring perfection, added moisture, a beautiful soft focus glow that doesn't look like make-up. Mix it with a liquid and foundation and make a bb cream. Throw it on as a last step for a "no makeup" (lol as if) day. You can use it any step in your routine almost and not fuck things up. It's just so great. I use it daily and a bottle will last years. They will pry my strobe cream from my cold dead, gently sparkling hands.

Honorable mention for the Wayne Goss powder highlight which is such a beautiful soft touch glow that doesn't emphasize texture. Absolutely does not look frosty or powdery. Only downside is you have to also buy a powder blush with it, which is a beautiful product, but it adds to the over size and cost of the product. Fantastic highlight for eye shadow as well though...

Contour/blush: I am a big, big fan of cream products for older skin and there such great cream blushes and contours now. One of the best I've discovered is Phytosurgence Skin Spark in Condensate which is a deep burgundy red that works as a contour and blush. It looks like it would be too dark but when it blends out it just works with the underlying redness in my skin to look so incredibly natural. Sometimes I put it on and blend it out and can't tell where my natural flush ends and the phytosurgence begins. Sigma also makes awesome cream blushes, though pricey, they are huge and last forever. I've had a sigma cream blush for over ten years and it's still going strong. The coral shade looks great on everyone. Especially if you are sick or exhausted a coral blush will make you look healthy and awake. If I were gonna do Joe Biden's makeup, I'd use my Bill Tuttle Hi-Lite and sigma coral blush. He might get re-elected.

Eye Shadow:

Controversial Opinion: I wear sparkly/glittery/mettalic eye shadow over 50 and you should too. Here's why...

Life is short. Have fun while you can.

Charlotte Tilbury, Wayne Goss and Lisa Eldridge have spent a lot of time trying to sell you eyeshadow specifically formulated for older skin and they are amazing. They are also really fucking expensive. Eye shadow is some of the cheapest make-up to produce and the mark up is just coo coo bananas. The difference between $20 a pan eye shadow and $1 a pan eye shadow is the fillers, packaging and marketing. That's it. The main thing to look out for is the way the makeup is pressed and what the kind of sparkles it has in it. You want something that is pressed so that you don't pick up huge amounts of pigment sparkles at a time and get massive fallout which just fucks up the area you've worked so hard to perfect. (Don't get me started on what social media did to eyeshadow formulations to cater to influencers swatching on their arms...). You usually want more pearlescent micas which looks softer, but mettalic eyeshadows give me life and I won't give them up. Some less expensive brands that have good beginner friendly/age friendly formulas are The Balm, Colorpop and Karity. These closely mimic the drugstore formulations of the 80s/early 90s which were pretty low on pigment/micas. (Most drugstore formulations now like Elf or Wet and Wild are too pigmented and fillers are just not great quality so the performance varies).

Another reason for wearing eyeshadow is that it makes you look more trendy and youthful, I think. If you get your undereye sorted, you can make your lids look as textured as dragon scales up close and no one will notice or care in real life. I am huge fan of Pat McGrath and I have three 6 pan palettes and I don't think I'll ever need another PM shadow in my life because they last forever. Not a super beginner friendly formula as it is very pigmented. A little goes a long way with Mother Pat but if you are that person that can't go into Ulta or Sephora without slaying and getting compliments from the staff than Pat McGrath is your friend. You'll never get it too look as amazing as it does on instagram though because that's all in the lighting and using a super good camera lens.

Brushes: Look if you want to do eyeshadow you need brushes. I could do an equally huge info dump just on eye shadow brushes but the most basic kit is three brushes: a bog standard liner brush from anywhere in the world, they sometimes come free with eyeshadow you can even use a water color paint brush which is cheaper but will have a weirdly long handle; a flat paddle fluffy blender like the classic Sigma E27 and a dense round pencil brush like the Sigma E42 blender. Those are synthetic brushes, I prefer natural hair but that's a whole area and those get pricey fast. Sigma brushes are pro quality and they absolutely stand by their shit. I've seen them accept returns at their store without a receipt.

Technique: The best way in my opinion is to start with your darkest color and work to the lighter colors, not the other way around. You don't need transition shades. Most of us have hooded eyes by now and there's no transition zone anyway. That is what transluscent powder and highlighter shades are for! Use your liner brush to apply the darkest shade to your lash line. On the upper lash line extend it past your eyeball upward toward your brow. This will counteract the look of sagging skin at the corner of your eye. On the lower lash line go about a third of the way from the outer corner toward the inner corner and stop. Completely encircling your eyes in dark shades will make them look smaller. Use the pencil brush to blend outward, away from the lashline. You want it diffuse and smokey. Go in with whatever the main shade will be for your lid and you can either apply this with the paddle brush or use your finger for metallic shades. Press lightly and then drag very gently to activate those micas. You will get way better shimmer results with your finger than any brush, I promise. I use my pinky to apply my inner corner highlight. I usually do my brow highlight with a paddle brush. Now flip that paddle brush on it's side so the wide part makes contact with the crease of your eye and blend out the edges. If you've got a good powder/primed base it should blend really easily. That's it. It's like three little steps and I can do a basic eye look in under ten minutes. You've probably heard a lot about "hooded eyes" and needing special brushes, techniques etc., but where you fix hooded eyes is with eyeliner...

Eyeliner:

Controversial Opinion: I wear heavy black eyeliner every day over fifty and you should too. Here's why...

Eyeliner is not only bad ass, it is the biggest bang for your buck in the makeup world. Nothing else is so impactful for the time and money involved. It is also an invaluable tool for reshaping your eyes if you want to look younger...

My favorite eyeliners are pencils that can be sharpened. I have one gel eyeliner I love but pencils are my bread and butter. I have so many and I just keep buying more. They last forever. My oldest piece of makeup is from the last century and it's an eyeliner pencil. Favorite formulations of pencil are: Lancome Creamy water proof, Urban Decay 24/7 and melt. At the drugstore: wet and wild, rimmel kohl, Revlon photo ready kohl and NYX epic wear.

I use Rituel De Fille Black orb gel liner, which I've had for over three years and it hasn't dried up. The key with this is very thin layers because it will get crusty and flake off if you use too much product. It lasts all day, makes a terrific black base and smokes out like butter. Also comes in a spherical jar which is so flipping charming. Love this shit. (Actually really wanna try the new trixie mattel gel liners because they look good and lets face it trixie's entire drag is gel liner based...).

Technique: key technique for older folks is tightlining. I usually tightline my upper water line and the outer third of my lower water line. This emphasizes the eye without getting into issues with sagging skin and makes the lash line fuller which is an area that thins out when you age. The effect is kind of subtle, but the way makeup works is layers and layers of subtle changes. :) Pencils work best, but you can do gel with a good brush. The Wayne Goss #8 has no equal for tightlining. I then tightline the lash line all the way on upper lid and use a pencil brush to smoke it out at the edges. Always blend upward in a straight line toward the tip of your brow. (Beginner tutorials have you hold a tissue there or whatever. I don't think it's necessary, just practice.) If you have very hooded eyes, you may not have any real lid space in which case just skip eyeshadow and tightline. It's all anyone can see when your eyes are open.

Lips:

We are almost done I swear. :D

Not that much difference for ageing but life is too short to buy super cheap lipstick. Any decent drugstore lipstick will run you $10 these days and it's worth it. Bougie designer lipstick is the same shit, in nicer packaging and trendier colors. My favorite formulas are basically all of them but I have a fondness for covergirl, the maybelline matte trance (in the skinnier tube) and revlon anything. A little light colored gloss in the middle of the lip even with no lipstick just takes years off your face, I don't know why. I love the fenty gloss bomb and any of Trixies. Lifter gloss at the drugstore is supposed to be great but I haven't tried it. I'm still finishing that gloss bomb I got when it launched, lol. In general a lighter shade in the middle will make lips look fuller. Lining used to be critical when you get little fine lines around your lips, to prevent lipstick from bleeding but these days lipstick formulas really don't bleed much, I think. A dark "nude" lipliner will make your lips look bigger, but keep it to the outer corners.A MAC lip pencil will probably last you the rest of your life if you don't lose it.

Finishing Spray: Everything I said about liquid foundations using alcohol goes double for finishing spray. It's just different kinds of alcohol with other stuff like micas for shimmer, scent, glycerin and water. No other ingredients are really proven for finishing sprays because there's so much water it's like a homeopathic concentration. I make my own by combing a few tablespoons of whatever finishing spray is cheapest at the drugstore, distilled water and a few drops of glycerin. It helps with that powdered tight feeling and I think it does help it last a bit more. The hardest part about making your own finishing spray is finding a spray bottle you like.

And we are done.

Whew.

That was a lot but it was fun to impart.