#stuart carroll

[histoireettralala]

A reputation in tatters

Henry III’s divergence from the traditional model of French kingship made him a controversial figure in his own lifetime. He was an enigma to many of his subjects. Henry looked majestic: he was taller than average, comported himself with elegance and dignity; he was a good public speaker and, following the model set by Philip II, diligent and hard-working. He took the idea to heart that in order to reform the state Frenchmen would have to reform themselves. Who better to set an example than the king: for three years, beginning in January 1576, he instituted the practice of retiring after dinner to hear public lectures from the leading thinkers of the day on edifying subjects. But he did not always behave in the manner which was expected: he was notoriously free with his emotions in public and his sense of irony — he ennobled his court jester in 1584— was lost on many of his subjects. Without a child and dogged by ill-health his rule was precarious. He and the queen tried all sorts of quack fertility treatments. From the moment in March 1580 when Guise recommended a doctor from Dauphiné, the king would spend an increasing amount of time away from court taking thermal cures. The duke accompanied the king on the pilgrimages that he undertook to various shrines to assist the queen’s conception. In 1582 Henry, already noted for his piety and convinced that divine wrath was the cause of his afflictions, underwent some form of spiritual conversion that manifested itself in abstinence. Regular dietary austerities had already become a significant part of his life and he now vowed to sleep with no other woman than the queen. On 11 August the king took leave of the court, leaving his mother in charge to go on a three month retreat. His immersion in the burgeoning penitential movement was crowned by the establishment of the new Confraternity of the Annunciation of Our Lady, which held its first procession at the feast of the Annunciation 1583.

On Maundy Thursday, in pouring rain, the king, dressed in the grey serge cagoule of a simple brother, returned in procession from Notre Dame cathedral, imitating Christ’s Passion with ritual flagellation. Many were shocked at the indignity of the spectacle; others, were more inclined to satirize what they saw as hypocrisy. The following ditty was one among dozens of lampoons:

Having pillaged the kingdom France

And all his people ripped off,

Is it real penitence

To cover yourself with a dripping sack cloth?

The Cardinal of Guise, who carried the cross, and Mayenne, who was master of ceremonies, had more dignified roles. Their elder brother was not present: he mocked the king for ‘living like a monk and not a king’. And there was something in this: the king spurned the traditional aristocratic pastimes, like hunting, tennis, and riding. As a consequence jousts and tourneys at his court were rare. The king was aware of Guise’s scorn, turning it into a joke one day, as he leapt into his saddle, remarking afterwards to one of the duke’s men nearby ‘Does my cousin have monks like me in Champagne who mount their horses in one leap?’

Henry was widely admired but he was not popular. Recent historians have found much to applaud too, but their judgement relies too much on the assessment of the educated elite. The people were less impressed. They blamed Henry for permitting heresy and thus bringing down on them God’s wrath in the form of harvest failure and plague, which afflicted his reign and came on top of the economic dislocation caused by civil war. As early as 1578, Claude Haton overheard the townsfolk on Provins denouncing him as a tyrant and an atheist. And his reputation suffered further because one could not trust him; he said one thing and did another. He issued a grand edict in 1580 abolishing many recently created venal offices, which were hated as a form of stealth tax since the purchasers recouped their investments in gifts and bribes, only to invent all sorts of new ones to sell soon after. Even taverns were turned into venal offices, forcing their owners, who had to purchase them from the Crown, to pass the cost on to the poor customer! Haton thought Henry deceitful, about as trustworthy as a ‘Turk’ or a ‘cunning whore’. The perceived gap between the king’s publicly declared virtue and privately practised vice was fertile ground for satire. Moralists railed against Henry’s court as a den of immorality, profligacy, and corruption. They pointed the finger at the king’s favourites, his mignons, or ‘sweeties’, a word with homosexual undertones. There was no truth in the rumours: but the king did little to stop tongues wagging; his ostentatious shows of affection towards them scandalized the public. The king’s penchant for dancing, which he undoubtedly associated with dexterity and self-discipline, was a red rag to the priggish. The mignons were swaggering dandies, whose fashions marked them out from ordinary gentlemen and outraged the Parisian bourgeoisie, none more so than the misanthropic diarist Pierre de l’Estoile, who described:

their hair like whores in a brothel, curled and recurled by artifice, sticking up under their bonnets, and their ruffs of their fine linen shirts stiffened and elongated so that their heads above them looked like the head of Saint John the Baptist on a platter. The rest of their clothes were the same; their pastimes were gaming, blaspheming, jumping about, dancing and vaulting, quarrelling and whoring, to follow the King around everywhere and do everything to please him.

Anti-court feeling was strong among the middling sort and fuelled the righteous anger of the pious killjoys who made up the ranks of the Catholic League. Haton described how in 1581 the religious radicals in his parish refused to take part in public prayers for an heir, desiring Henry’s ‘death and the extermination of his entire lineage’. This was an extraordinary moment which shows that ordinary people, who surely had no acquaintance with the new Protestant literature justifying Tyrannicide, were imagining the king’s death in the early 1580s.

Stuart Carroll - Martyrs and Murderers: the Guise Family and the Making of Europe

Thanks @microcosme11 for the gif!

[letterboxd-loggd]

The Whistler (1944) William Castle

June 8th 2024

[citizenscreen]

Rodgers & Hammerstein's “Cinderella,” directed by Charles S. Dubin and starring Lesley Ann Warren and Stuart Damon, with Ginger Rogers, Walter Pidgeon, Pat Carroll, Jo Van Fleet, Barbara Ruick, and Celeste Holm, premiered on CBS-TV #OnThisDay in 1965.

[ihaveatypeanditstrickstergods]

My top three favorite pieces of random author drama, in no particular order:

Anne Rice's feud with the owner of Popeye's Chicken because the latter put a big gaudy restaurant on the used car lot where Lestat died

That time Nora Roberts popped off at a commenter on her blog who was complaining that the sequel to one of her books wasn't coming out fast enough and tried to fan-splain the publishing process to her

The most influential children's librarian in American history pushing really hard to get E.B. White to write Stuart Little, then making a complete 180 on it once she read it and trying to keep it from getting published

[hollywoodcomet]

Musical Monday: Cinderella (1965)

Musical Monday: Cinderella (1965)

It’s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals. This week’s musical: Cinderella (1965) – Musical #144 Studio: CBS Director: Charles S. Dubin Starring: Lesley Ann Warren, Stuart Damon, Walter…

[nonsensology]

This was supposed to just be a rough sketch, but then I started getting really invested in it.

I hadn't initially intended to include so many picture book characters, but the nostalgia was overwhelming. Does anyone remember the animated short films produced by Weston Woods? My local library used to have a bunch of them on the Scholastic VHS tapes from the late 90s. (I know some shorts were released on the Children's Circle VHS tapes back in the 80s (🎶 Come on along! Come on along! Join the caravan!), and some were packaged in Sammy's Story Shop in 2008.)

Characters:

Max, from Where the Wild Things Are, written and illustrated by Maurice Sendak

Peter, from The Snowy Day, written and illustrated by Ezra Jack Keats

Brother Bear and Sister Bear, from The Berenstain Bears series, written and illustrated by Stan and Jan Berenstain

Pooh and Piglet, from the Winnie-the-Pooh books, by A. A. Milne, illustrated by E. H. Shepard

Owen, from Owen, written and illustrated by Kevin Henkes.

Mouse, from If You Give a Mouse a Cookie, by Laura Joffe Numeroff, illustrated by Felicia Bond

Louis, from The Trumpet of the Swan, by E. B. White

Mr. Toad, from The Wind in the Willows, by Kenneth Grahame, based on the illustrations by E. H. Shepard

Mr. Tumnus, from The Chronicles of Narnia series, by C. S. Lewis

Pippi and Mr. Nilsson, from the Pippi Longstocking books, by Astrid Lindgren

Willy Wonka, from Charlie and the Chocolate Factory, by Roald Dahl, based on the illustrations by Quentin Blake

Matilda, from Matilda, by Roald Dahl, based on the illustrations by Quentin Blake (with an homage to the Mara Wilson movie)

Peter Pan and Tinker Bell, from Peter Pan, by J. M. Barrie

Merlin and Archimedes, from The Sword in the Stone, by T. H. White, based on the illustrations by Dennis Nolan

Pinocchio, from Pinocchio, by Carlo Collodi, based on the illustrations by Enrico Mazzanti

Alice, White Rabbit, and Cheshire Cat, from Alice's Adventures in Wonderland, by Lewis Carroll, illustrated by John Tenniel

Rupert Bear, from the Rupert stories, created by Mary Tourtel and continued by Alfred Bestall, John Harrold, Stuart Trotter, and others.

Arthur Read, from the Arthur series, written and illustrated by Marc Brown

Tin Woodman and Scarecrow, from the Land of Oz series, by L. Frank Baum, based on the illustrations by W. W. Denslow and John R. Neill

The Cat in the Hat, from The Cat in the Hat, written and illustrated by Dr. Seuss

a frog on a flying lily pad, from Tuesday, written and illustrated by David Wiesner

Charlotte, from Charlotte's Web, by E. B. White

[hotvintagepoll]

THE TOURNAMENT IS OVER! Eartha Kitt lounges in her deck chair in the sun, dipping her toes in the pool with Toshiro Mifune and sipping a brightly colored fruity something with an umbrella in it.

Far below in the shadow realm, however, the fallen hotties dance in the dark—let's take a minute to look back at them under the cut.

PRELIM PRETTIES:

Claude Gensac, Silvia Pinal, Ewa Aulin, Rita Tushingham, Annette Funicello, Norma Bengell, Catherine Spaak, Brigitte Auber, Micheline Presle, Nanette Fabray, Libertad Lamarque, Vera Miles, Martha Raye, Catherine McLeod, Virginia Mayo, Elizabeth Allan, Belle Bennet, Virginia Cherill, Mary Brian, Ruth Chatterton, Agnes Ayres, Merna Kennedy, Marie Prevost, Corinne Griffith, May Allison, Virginia Brown Faire, Alice Brady, and Jetta Goudal

ROUND ONE WONDERS:

Angie Dickinson, Thelma Ritter, Geraldine Chaplin, Evelyn Preer, Vanessa Brown, Betty Blythe, Susan Hayward, Mae Clarke, Sally Ann Howes, Ossi Oswalda, Adrienne La Russa, Hermione Gingold, Barbara Bouchet, Melina Mercouri, Anna Karina, Edwige Fenech, Charmian Carr, Pina Pellicer, Marlène Jobert, Tsuru Aoki, Alice Roberts, Leila Hyams, Lady Tsen Mei, Geneviève Bujold, Dolores Hart, Anita Berber, Bonita Granville, Vonetta McGee, Claire Windsor, Zizi Jeanmaire, Tuesday Weld, Grace Darmond, Carol Channing, Deanna Durbin, Laraine Day, Mariette Hartey, Wendy Hiller, Candy Darling, Hermione Baddely, Valeria Creti, Ella Raines, Ann Miller, Dana Wynter, Dalida, Martine Beswick, Gale Storm, Simone Signoret, Cristina Gaioni, Mabel Normand, Stéphane Audran, Ruth Weyher, Anna Wiazemsky, Ann Sheridan, Sandhya Shantaram, Alice White, Anne Francis, Gena Rowlands, Lyda Borelli, May Whitty, Cathleen Nesbitt, Jessica Walter, Virna Lisi, Barbara Shelley, Iris Hall, Heather Angel, Anne Shirley, Joanna Pettet, Virginia O'Brien, Joan Collins, Greer Garson, Gracie Allen, Peggy Ryan, Frances Dee, Shirley Maclaine, Geraldine Farrar, Kathleen Byron, Margaret Hamilton, Eva Gabor, Francesca Bertini, Julie Adams, Olga Baclanova, Misa Uehara, Yvette Vickers, Milena Dravić, Jenny Jugo, Madeleine Carroll, Benita Hume, Olive Borden, Shirley Jones, Miyoshi Umeki, Dorothy Lamour, Gale Sondergaard, Mary Anderson, Charlotte Greenwood, Sybil Seely, Mona Barrie, Kathryn Grayson, Katharine Ross, Madge Bellamy, Rhonda Fleming, Sally Gray, Jana Brejchová, Debra Paget, Madame Sul-Te-Wan, Evelyn Brent, Zelma O'Neal, Marie Laforêt, Türkan Şoray, Beatriz Costa, Irene Zazians, Eleanor Powell, Susan Luckey, Patsy Kelly, Lil Dagover, Norma Talmadge, Dorothy Mackaill, Madge Evans, Virginia McKenna, Amália Rodrigues, Mamie Van Doren, Valerie Hobson, Isabel Jeans, Beata Tyszkiewicz, Claire Luce, Aleksandra Khokhlova, Nieves Navarro Garcia, Janet Leigh, Carmen Miranda, Jean Harlow, Aud Egedge-Nissen, Nina Foch, Jean Simmons, Piper Laurie, Katy Jurado, Jayne Mansfield, Anita Garvin, Frances Farmer, Lizabeth Scott, Joan Greenwood, Una Merkel, Arlene Francis, Ethel Merman, Doris Day, Suzanne Pleshette, Ruta Lee, Carolyn Jones, June Richmond, Eva Nil, Diana Dors, Anna Chang, Colleen Moore, Alexis Smith, Yvette Mimieux, Ruby Keeler, Viola Dana, Dolores Grey, Marie Windsor, Danielle Darieux, Jean Parker, Julie Christie, Acquanetta, Leatrice Joy, Ghita Nørby, Julie Newmar, Joanne Woodward, Sandra Dee, Eva Marie Saint, Simone Simon, Katherine Dunham, Birgitte Price, Lee Grant, Anita Page, Flora Robson, Martha Sleeper, Elsie Ames, Isabel "Coca" Sarli, Glenda Farrell, Kathleen Burke, Linden Travers, Diane Baker, Joan Davis, Joan Leslie, Sylvia Sidney, Marie Dressler, June Lockhart, Emmanuelle Riva, Libertad Leblanc, Susannah Foster, Susan Fleming, Dolores Costello, Ann Smyrner, Luise Rainer, Anna Massey, Evelyn Ankers, Ruth Gordon, Eva Dahlbeck, Ansa Ikonen, Diana Wynyard, Patricia Neal, Etta Lee, Gloria Stuart, Arletty, Dorothy McGuire, Mitzi Gaynor, Gwen Verdon, Maria Schell, Lili Damita, Ethel Moses, Gloria Holden, Kay Thompson, Jeanne Crain, Edna May Oliver, Lili Liliana, Ruth Chatterton, Giulietta Masina, Claire Bloom, Dinah Sheridan, Carroll Baker, Brenda de Banzie, Milú, Hertha Thiele, Hanka Ordonówna, Lillian Roth, Jane Powell, Carol Ohmart, Betty Garrett, Kalina Jędrusik, Edana Romney, Geraldine Fitzgerald, Kay Kendall, Ruth Hussey, Véra Clouzot, Jadwiga Smosarska, Marge Champion, Mary Astor, Ann Harding, María Casares, Maureen O'Sullivan, Mildred Natwick, Michèle Morgan, Romy Schneider, Elisabeth Bergner, Celeste Holm, Betty Hutton, Susan Peters, Mehtab, Leslie Caron, Anna Sten, Janet Munro, Nataša Gollová, Eve Arden, Ida Lupino, Regina Linnanheimo, Sonja Henie, and Terry (what a good girl)

ROUND TWO BEAUTIES:

Evelyn Nesbit, Thelma Todd, Tura Satana, Helen Gibson, Maureen O'Hara, Rocío Dúrcal, Mary Nolan, Lois Maxwell, Maggie Smith, Zulma Faiad, Ursula Andress, Musidora, Delphine Seyrig, Marian Marsh, Leatrice Joy, Sharon Tate, Pina Menichelli, Teresa Wright, Shelley Winters, Lee Remick, Jane Wyman, Martita Hunt, Barbara Bates, Susan Strasberg, Marie Bryant, Diana Rigg, Jane Birkin, Rosalind Russell, Vanessa Redgrave, Brigitte Helm, Gloria Grahame, Rosemary Clooney, Bebe Daniels, Constance Bennett, Lilian Bond, Ann Dvorak, Jeanette Macdonald, Pouri Banayi, Raquel Welch, Vilma Bánky, Dorothy Malone, Olive Thomas, Celia Johnson, Moira Shearer, Priscilla Lane, Dolores del Río, Ann Sothern, Françoise Rosay, June Allyson, Carole Lombard, Jeni Le Gon, Takako Irie, Barbara Steele, Claudette Colbert, Lalita Pawar, Asta Nielsen, Sandra Milo, Maria Montez, Mae West, Alma Rose Aguirre, Bibi Andersson, Joan Blondell, Anne Bancroft, Elsa Lanchester, Nita Naldi, Suchitra Sen, Dorothy Van Engle, Elisabeth Welch, Esther Williams, Loretta Young, Margueritte De La Motte, Ita Rina, Constance Talmadge, Margaret Lockwood, Barbara Bedford, Josette Day, Stefania Sandrelli, Jane Russell, Doris Dowling, Zsa Zsa Gabor, Donna Reed, Ruby Dee, Diana Sands, Billie Burke, Kyōko Kagawa, Françoise Dorléac, Hend Rostom, Monica Vitti, Lilian Harvey, Marjorie Main, Jeanne Moreau, Lola Flores, Ann Blyth, Janet Gaynor, Jennifer Jones, Margaret Sullavan, Sadhana, Ruby Myers, Lotus Long, Honor Blackman, Marsha Hunt, Debbie Reynolds, Michèle Mercier, Irene Dunne, Jean Arthur, Judy Holliday, Tippi Hedren, Susse Wold, Vera-Ellen, Carmelita González, Nargis Dutt, Purnima, Harriet Andersson, Yvonne De Carlo, Miroslava Stern, Sheila Guyse, Helen, Margaret Dumont, Betty Grable, Joan Bennett, Jane Greer, Judith Anderson, Liv Ullman, Vera Zorina, Joan Fontaine, Silvana Mangano, and Lee Ya-Ching

ROUND THREE ELECTRIFIERS:

Jean Hagen, Sumiko Mizukubo, Mary Philbin, Ann-Margret, Margaret Rutherford, Claudia Cardinale, Eleanor Parker, Jessie Matthews, Theresa Harris, Brigitte Bardot, Alla Nazimova, Faye Dunaway, Marion Davies, Anna Magnani, Theda Bara, Myrna Loy, Kay Francis, Fay Wray, Barbra Streisand, Bette Davis, Hideko Takamine, France Nuyen, Claudine Auger, Miriam Hopkins, Maylia Fong, Samia Gamal, Maude Fealy, Machiko Kyō, Sharmila Tagore, Lucille Ball, Ginger Rogers, Juanita Moore, Anna Fougez, Waheeda Rehman, Ruan Lingyu, Nina Mae McKinney, Ethel Waters, Nadira, Olivia de Havilland, Abbey Lincoln, Louise Beavers, Agnes Moorehead, Lana Turner, Norma Shearer, Maria Falconetti, Reiko Sato, Marie Doro, Clara Bow, Margaret Lindsay, Catherine Denueve, Madhabi Mukherjee, Rosaura Revueltas, Hu Die, Mary Pickford, Fredi Washington, Louise Brooks, Leonor Maia, Merle Oberon, Paulette Goddard, Vivien Leigh, Francine Everett, Savitri, Tita Merello, and Meena Kumari

ROUND FOUR STUNNERS:

Judy Garland, Dorothy Dandridge, Yoshiko Yamaguchi, Marilyn Monroe, Irene Papas, Lupe Vélez, Pola Negri, Gene Tierney, Barbara Stanwyck, Gina Lollobrigida, Lena Horne, Nutan, Jean Seberg, Kim Novak, Gladys Cooper, Tallulah Bankhead, Linda Darnell, Julie Andrews, Carmen Sevilla, Gloria Swanson, Glynis Johns, Anne Baxter, Angela Lansbury, Anita Ekberg, Toshia Mori, Deborah Kerr, Hazel Scott, Chelo Alonso, Cyd Charisse, Nancy Kwan, Devika Rani, Shima Iwashita, and Anouk Aimée

ROUND FIVE SMOKESHOWS:

Setsuko Hara, Pearl Bailey, Joan Crawford, Madhubala, Marpessa Dawn, Keiko Awaji, Rita Hayworth, Veronica Lake, Ava Gardner, Greta Garbo, Grace Kelly, Xia Meng, Suraiya, Natalie Wood, María Félix, and Mbissine Thérèse Diop

ROUND SIX SEXY LADIES:

Marilyn Monroe, Sophia Loren, Vyjyanthimala, Jane Fonda, Katharine Hepburn, Josephine Baker, Elizabeth Taylor, and Ingrid Bergman

QUARTER FINALIST GLAMAZONS:

Audrey Hepburn, Marlene Dietrich, Anna May Wong, and Lauren Bacall

SEMIFINALIST ICONS:

Rita Moreno, Diahann Carroll

FINALIST FABULOSITY:

Hedy Lamarr

ULTIMATE CHAMPION OF THE HOT & VINTAGE MOVIE WOMAN TOURNAMENT:

Eartha Kitt

[floridaboiler]

Released June 23, 1970, Kelly's Heroes is an American caper war film directed by Brian G. Hutton and starring Clint Eastwood, Telly Savalas, Don Rickles, Carroll O'Connor, Donald Sutherland, Harry Dean Stanton, Gavin MacLeod, and Stuart Margolin.

[eesirachs]

For a school assignment, I'm assembling an anthology around the theme of queer divinity and desire, but I'm having a hard time finding a fitting essay/article (no access to real academic catalogues :/ ), do you know of any essays around this theme?

below are essays, and then books, on queer theory (in which 'queer' has a different connotation than in regular speech) in the hebrew bible/ancient near east. if there is a particular prophet you want more of, or a particular topic (ištar, or penetration, or appetites), or if you want a pdf of anything, please let me know.

essays: Boer, Roland. “Too Many Dicks at the Writing Desk, or How to Organize a Prophetic Sausage-Fest.” TS 16, no. 1 (2010b): 95–108. Boer, Roland. “Yahweh as Top: A Lost Targum.” In Queer Commentary and the Hebrew Bible, edited by Ken Stone, 75–105. JSOTSup 334. Cleveland, OH: Pilgrim, 2001. Boyarin, Daniel. “Are There Any Jews in ‘The History of Sexuality’?” Journal of the History of Sexuality 5, no. 3 (1995): 333–55. Clines, David J. A. “He-Prophets: Masculinity as a Problem for the Hebrew Prophets and Their Interpreters.” In Sense and Sensitivity: Essays on Reading the Bible in Memory of Robert Carroll, edited by Robert P. Carroll, Alastair G. Hunter, and Philip R. Davies, 311–27. JSOTSup 348. Sheffield: Sheffield Academic Press, 2002. Graybill, Rhiannon. “Yahweh as Maternal Vampire in Second Isaiah: Reading from Violence to Fluid Possibility with Luce Irigaray.” Journal of feminist studies in religion 33, no. 1 (2017): 9–25. Haddox, Susan E. “Engaging Images in the Prophets: Feminist Scholarship on the Book of the Twelve.” In Feminist Interpretation of the Hebrew Bible in Retrospect. 1. Biblical Books, edited by Susanne Scholz, 170–91. RRBS 5. Sheffield: Sheffield Phoenix Press, 2013. Koch, Timothy R. “Cruising as Methodology: Homoeroticism and the Scriptures.” In Queer Commentary and the Hebrew Bible, edited by Ken Stone, 169–80. JSOTSup 334. Cleveland, OH: Pilgrim, 2001. Tigay, Jeffrey. “‘ Heavy of Mouth’ and ‘Heavy of Tongue’: On Moses’ Speech Difficulty.” BASOR, no. 231 (October 1978): 57–67.

books: Ahmed, Sara. Queer Phenomenology: Orientations, Objects, Others. Durham, NC: Duke University Press, 2006. Bauer-Levesque, Angela. Gender in the Book of Jeremiah: A Feminist-Literary Reading. SiBL 5. New York: P. Lang, 1999. Black, Fiona C., and Jennifer L. Koosed, eds. Reading with Feeling : Affect Theory and the Bible. Atlanta, GA: SBL Press, 2019. Brenner, Athalya. The Intercourse of Knowledge: On Gendering Desire and “Sexuality” in the Hebrew Bible. BIS 26. Leiden: Brill, 1997. Camp, Claudia V. Wise, Strange, and Holy: The Strange Woman and the Making of the Bible. JSOTSup 320. Gender, Culture, Theory 9. Sheffield: Sheffield Academic Press, 2000. Chapman, Cynthia R. The Gendered Language of Warfare in the Israelite-Assyrian Encounter. HSM 62. Winona Lake, IN: Eisenbrauns, 2004. Creangă, Ovidiu, ed. Men and Masculinity in the Hebrew Bible and Beyond. BMW 33. Sheffield: Sheffield Phoenix Press, 2010. Eilberg-Schwartz, Howard. God’s Phallus: And Other Problems for Men and Monotheism. Boston: Beacon, 1995. Huber, Lynn R., and Rhiannon Graybill, eds. The Bible, Gender, and Sexuality : Critical Readings. London, UK ; T&T Clark, 2021. Guest, Deryn. When Deborah Met Jael: Lesbian Biblical Hermeneutics. London: SCM, 2005. Graybill, Rhiannon, Meredith Minister, and Beatrice J. W. Lawrence, eds. Rape Culture and Religious Studies : Critical and Pedagogical Engagements. Lanham, Maryland: Lexington Books, 2019. Graybill, Rhiannon. Are We Not Men? : Unstable Masculinity in the Hebrew Prophets. New York, NY: Oxford University Press USA, 2016. Halperin, David J. Seeking Ezekiel: Text and Psychology. University Park: Pennsylvania State University Press, 1993. Jennings, Theodore W. Jacob’s Wound: Homoerotic Narrative in the Literature of Ancient Israel. New York: Continuum, 2005. Macwilliam, Stuart. Queer Theory and the Prophetic Marriage Metaphor in the Hebrew Bible. BibleWorld. Sheffield and Oakville, CT: Equinox, 2011. Maier, Christl. Daughter Zion, Mother Zion: Gender, Space, and the Sacred in Ancient Israel. Minneapolis, MN: Fortress, 2008. Mills, Mary E. Alterity, Pain, and Suffering in Isaiah, Jeremiah, and Ezekiel. LHB/OTS 479. New York: T. & T. Clark, 2007. Stökl, Jonathan, and Corrine L. Carvalho. Prophets Male and Female: Gender and Prophecy in the Hebrew Bible, the Eastern Mediterranean, and the Ancient Near East. AIL 15. Atlanta, GA: SBL, 2013. Stone, Ken. Practicing Safer Texts: Food, Sex and Bible in Queer Perspective. Queering Theology Series. London: T & T Clark International, 2004. Weems, Renita J. Battered Love: Marriage, Sex, and Violence in the Hebrew Prophets. OBT. Minneapolis, MN: Fortress, 1995.

[qtkat]

..who do i write for ?

✩ everyone i write for might not be in my masterlist yet because i haven’t published anything about them — but that doesn’t mean i won’t

✩ i generally only write for female readers, so if you want anything else specify so in your request

✩ as long as my requests are open any one of these characters are available to send in!

˗ˏˋʚ SKINS UK ɞˎˊ˗

gen two —

cook, freddie, jj, effy, emily, naomi, katie

gen three —

rich, alo, nick, mini, grace (but basically anyone because it’s my favorite gen)

˗ˏˋʚ THE BIG BANG THEORY ɞˎˊ˗

general tbbt —

sheldon, raj, howard, leonard, bernadette, amy, penny, stuart

young sheldon —

romantic; georgie, mary, pastor rob, connie

platonic; missy, sheldon

˗ˏˋʚ MISCELLANEOUS ɞˎˊ˗

male —

austin!elvis, benedict bridgerton, steve harrington, eddie munson, rory!euro, carl grimes, carl gallagher, lip gallagher, phil dunphy, luke dunphy, leo!jim carroll, cillian!oppenheimer, harry potter, ron weasley, mike wheeler, neteyam sully, jj maybank, james maguire

female —

daphne bridgerton, eloise bridgerton, violet bridgerton, nancy wheeler, robin buckley, fiona gallagher, haley dunphy, clare dunphy, gloria pritchett, blair waldorf, ginny weasley, hermione granger, fiona goode, zoe benson, madison montgomery, misty day, beth harmon, michelle mallon, orla mccool, clare devlin, erin quinn

[simptasia]

LOST reading list

a list of books read by characters in lost for you to enjoy (or not). this isn't every book referenced in lost. for all that and more, see the "literary works" page on lostpedia, where im getting my info

no, my criteria for this list is that it's been read by a lost character. i'll tell you who (you'll see sawyers name a lot), and i'll add if it's somebody's fave book. this list will not include things like the bible or the qur'an or historical texts, as that while that can technically be recreational reading (it seems to be for ben), i'd rather not

Alice's Adventures In Wonderland by Lewis Carroll (read by Jack)

Are You There God? It's Me Margaret by Judy Blume (read by Sawyer)

A Brief History of Time by Stephan Hawking (read by Ben)

The Brothers Karamazov by Fyodor Dostoevsky (read by Ben)

Caravan of Dreams by Idries Shah (read by Ben)

Carrie by Stephen King (Read by Juliet, Ben and various other Others. This is Juliet's favourite book)

The Chosen by Chaim Potok (read by Sawyer)

Dark Horse by Tami Hoag (read by Jack)

The Dark Tower I: The Gunslinger by Stephen King (read by Ben)

Dirty Work by Stuart Woods (read by Jack)

Everything That Rises Must Converge by Flannery O'Connor (read by Jacob)

Evil Under The Sun by Agatha Christie (read by Sawyer)

Fahrenheit 451 by Ray Bradbury (read by Ben)

Flowers for Algernon by Daniel Keyes (read by Ben)

The Fountainhead by Ayn Rand (read by Sawyer)

Harry Potter and the Prisoner of Azkaban by JK Rowling (read by Jack)

Haroun and the Sea of Stories by Salmon Rushdie (read by Desmond)

Hotel by Arthur Hailey (read by Ben)

The Invention of Morel by Adolfo Bioy Casares (read by Sawyer)

Lancelot by Walker Percy (read by Sawyer)

Laughter in the Dark by Vladimir Nabokov (read by Hurley)

Notes from Underground by Fyodor Dostoevsky (read by Ilana)

The Oath by John Lescroart (read by Ben)

Of Mice and Men by John Steinbeck (read by Sawyer. This is Sawyer's favourite book and author)

Roots by Alex Haley (read by Ben)

A Separate Reality by Carlos Castaneda (read by Ben)

The Sheltering Shy by Paul Bowles (read by Ben)

Ulysses by James Joyce (read by Ben)

Valhalla Rising by Clive Cussler (read by Ben and Jack)

VALIS by Philip K. Dick (read by Ben)

Watership Down by Richard Adams (read by Boone and Sawyer)

A Wrinkle In Time by Madeleine L'Engle (read by Sawyer)

Every work by Charles Dickens other than Our Mutual Friend (read by Desmond. This is his favourite author)

I encourage you to speculate on the character implications put forth by these reading choices. This can raise such questions as: Jack is a Harry Potter fan? What is Desmond's favourite book by Charles Dickens? Boone can read??

Thank you for your time

[histoireettralala]

Young Henri de Guise

Born at Joinville on New Year's Eve, 1549, the life of Henri, third Duke of Guise, was forever scarred by one harrowing event. At the age of twelve he had been forced to watch his father die in agony. The letters he wrote as a 7 year-old to the father, who was away on campaign, reveal a precocious intelligence. Henri idolized his father. When his uncle suggested that he would make a good priest he wrote to his father: "I would rather be next to you breaking a lance or a sword on some brave Spaniard or Burgundian to show that I like much better to fence and joust than to be always shut up in an abbey dressed in a gown." His formal education was, however, brief. At the age of 7 he was sent to Navarre College with the two other Henris, who would one day be his rivals: Henri, the son of Antoine, King of Navarre, and Henri, Duke of Anjou. But it was barely a year before the Prince of Joinville, as he was styled, was summoned by his father to learn the profession of arms. He was soon joined by his younger brother, Charles (born in 1554), while his youngest brother Louis, born in 1555, was destined to inherit his uncle's ecclesiastical empire. Henri was not interested in letters and, in spite of the close attention of his uncle and his grandmother, his knowledge of matters theological was superficial: "I heard the beautiful sermons that my uncle gave at Reims but I promise you," he wrote to his father, "that I will not be about to recite them because they were so long I can only remember half of them." Like his father and grandfather, he was more interested in traditional aristocratic pursuits and his letters resound with the theme of horses, hunting, and war.

In an age when looks and demeanour were thought to herald majesty, the beauty of the House of Guise was renowned. It contrasted with the ugliness that afflicted most of their Habsburg, Valois and Bourbon contemporaries. And the portraits of the new duke support the contention of observers that Henri —as ‘beautiful as an angel’, according to the Venetian ambassador —surpassed even his cousin, Mary Stuart, in looks. He had the trademark pale visage and curly, strawberry blond hair. He was tall too and had a good physique shaped by the usual martial sports and tennis and, more unusually, swimming —he could, it was said, swim across a river in armour. He inherited both his father’s charm and common touch: his immense attractiveness to women and affability with commoners would later be major political assets. If Henri had an Achilles heel it was hubris. In his father, the inbred pride of the aristocrat had been tempered by reserve and modesty, which charmed even his enemies. Henri, in contrast, inherited some of his uncle’s arrogance. A story told by Marguerite de Valois about the young duke is instructive. Asked by her father, Henry II, which prince she preferred, Guise or the Marquis of Beaupréau, son of the Prince of la Roche-sur-Yon, she agreed that Guise was without doubt the better looking but she preferred the other because ‘every day the duke does something bad to someone and always wants to be master’. The story is probably apocryphal but it stood the test of time because it captured something essential.

Stuart Carroll- Martyrs and Murderers: the Guise Family and the Making of Europe

[kchasm]

Ryu Number: Alice (i.e. of Wonderland)

Okay, I know what you're thinking. K.C., are you really churning out a post on Alice's Ryu Number? Sora is in Smash, for goodness' sake. That's Kingdom Hearts, which gets you the Disney version split-lickety.

Yeah, that's true. And it would be perfectly reasonable to shut the book on the matter right there and shout, "Problem solved!" But here's a question: Are Alice of Wonderland and Alice Liddell the same person?

That's a rhetorical question, by the way. If a century of Alicologists aren't going to come to an agreement, an opinion off the end of a tumblr post is unlikely to set off a scholarly paradigm shift. For what it's worth, Lewis Carroll himself seemed to consider Liddell and the literary Alice as separate individuals—the latter as more of an idealization than any real person*—but he's got some investment in the matter, so he's not exactly a reliable source.

(This is a joke. Don't at me.)

*Woolf, J. (2010). The Mystery of Lewis Carroll. St. Martin's Press.

... But we're not here for literary analysis, of course. We're here for the Ryu Numbers. So what's Alice Liddell's?

The most obvious route, of course, would be through American McGee's American McGee's Alice and Alice: Madness Returns video games. The lore of the second game straight out gives Alice the surname Liddell...

... and the opening cutscene of the first game features a photograph in Alice's bedroom of someone who might be Lewis Carroll (which is a bit weird, but whatever), as well as an Alice storybook (meaning Alice exists one narrative layer higher than the literary Alice).

...That said, if American McGee did mean for the game Alice Liddell to be the Alice Liddell, that's something it looks like he walked back in game two (or at least went in with plausible deniability about). Game Alice seems to have had just the one sibling, an older sister named Elizabeth, and her father's name was Arthur—the real Alice, on the other hand, had nine siblings in all (jeez), with her only older sister named Lorina and her father named Henry.

(Also all the Wonderland elements explicitly take place in Alice's head, which means technically we shouldn't be counting Wonderland characters any more than we'd count characters that show up in dreams or hallucinations, but I'll pretend not to notice if you pretend not to notice, alright? Call it the Code Name: S.T.E.A.M. precedent.)

To get to something plausibly Liddeller, I'ma jump back to the Apple II/Commodore 64 era.

Wait, the Laurence Yep? Aunno, maybe! I wrote to him once, because I wanted to know if the Charles Edward Stuart that appears in this game is actually Charles Edward Stuart, or just the White King believing himself to be Charles Edward Stuart, both of which seemed likely enough to me given the setting.

I never got an answer back, probably because I couldn't find any contact info for Laurence Yep and ended up writing to the most recent publisher of his works I could find instead. What I'm saying is that I doubt Mr. Yep ever laid eyes on my letter before it was slam-dunked into the nearest wastebin (Mr. Yep if you are reading this please DM me).

Anyway, shortly before Alice falls into the rabbit hole, gets swept up in the usual Wonderland annoyances, then finally makes her way up and out the same rabbit hole (i.e. no "it was all a dream," it's happening for realsies), Alice runs into a dude on a boat. It's Lewis Carroll, and you know he's Lewis Carroll because he says he's Lewis Carroll.

Add that that he's a teller of stories to this Alice, and and it serves as good implication as any that the player character is the historical Alice Liddell.

[mariacallous]

A group of current and former OpenAI employees have issued a public letter warning that the company and its rivals are building artificial intelligence with undue risk, without sufficient oversight, and while muzzling employees who might witness irresponsible activities.

“These risks range from the further entrenchment of existing inequalities, to manipulation and misinformation, to the loss of control of autonomous AI systems potentially resulting in human extinction,” reads the letter published at righttowarn.ai. “So long as there is no effective government oversight of these corporations, current and former employees are among the few people who can hold them accountable.”

The letter calls for not just OpenAI but all AI companies to commit to not punishing employees who speak out about their activities. It also calls for companies to establish “verifiable” ways for workers to provide anonymous feedback on their activities. “Ordinary whistleblower protections are insufficient because they focus on illegal activity, whereas many of the risks we are concerned about are not yet regulated,” the letter reads. “Some of us reasonably fear various forms of retaliation, given the history of such cases across the industry.”

OpenAI came under criticism last month after a Vox article revealed that the company has threatened to claw back employees’ equity if they do not sign non-disparagement agreements that forbid them from criticizing the company or even mentioning the existence of such an agreement. OpenAI’s CEO, Sam Altman, said on X recently that he was unaware of such arrangements and the company had never clawed back anyone’s equity. Altman also said the clause would be removed, freeing employees to speak out.

OpenAI has also recently changed its approach to managing safety. Last month, an OpenAI research group responsible for assessing and countering the long-term risks posed by the company’s more powerful AI models was effectively dissolved after several prominent figures left and the remaining members of the team were absorbed into other groups. A few weeks later, the company announced that it had created a Safety and Security Committee, led by Altman and other board members.

Last November, Altman was fired by OpenAI’s board for allegedly failing to disclose information and deliberately misleading them. After a very public tussle, Altman returned to the company and most of the board was ousted.

“We’re proud of our track record providing the most capable and safest AI systems and believe in our scientific approach to addressing risk,” said OpenAI spokesperson Liz Bourgeois in a statement. “We agree that rigorous debate is crucial given the significance of this technology and we'll continue to engage with governments, civil society and other communities around the world.”

The letters’ signatories include people who worked on safety and governance at OpenAI, current employees who signed anonymously, and researchers who currently work at rival AI companies. It was also endorsed by several big-name AI researchers including Geoffrey Hinton and Yoshua Bengio, who both won the Turing Award for pioneering AI research, and Stuart Russell, a leading expert on AI safety.

Former employees to have signed the letter include William Saunders, Carroll Wainwright, and Daniel Ziegler, all of whom worked on AI safety at OpenAI.

“The public at large is currently underestimating the pace at which this technology is developing,” says Jacob Hilton, a researcher who previously worked on reinforcement learning at OpenAI and who left the company more than a year ago to pursue a new research opportunity. Hilton says that although companies like OpenAI commit to building AI safely, there is little oversight to ensure that is the case. “The protections that we’re asking for, they’re intended to apply to all frontier AI companies, not just OpenAI,” he says.

“I left because I lost confidence that OpenAI would behave responsibly,” says Daniel Kokotajlo, a researcher who previously worked on AI governance at OpenAI. “There are things that happened that I think should have been disclosed to the public,” he adds, declining to provide specifics.

Kokotajlo says the letter’s proposal would provide greater transparency, and he believes there’s a good chance that OpenAI and others will reform their policies given the negative reaction to news of non-disparagement agreements. He also says that AI is advancing with worrying speed. “The stakes are going to get much, much, much higher in the next few years, he says, “at least so I believe.”

[dannyreviews]

Veteran British born/based film/TV actors born before and including 1936 still alive:

With the recent death of Dame Maggie Smith, I thought I'd detail the legendary actors of UK cinema and television that are still living as of the date of this post:

June Spencer (b. 1919)

Eileen Bennett (b. 1919)

Arnold Yarrow (b. 1920)

Beulah Garrick (b. 1921)

Elizabeth Kelly (b. 1921)

Elisabeth Kirkby (b. 1921)

Sara Luzita (b. 1922)

Annabel Maule (b. 1922)

Paul Harding (b. 1923)

Vincent Ball (b. 1923)

David Lawton (b. 1923)

Anne Vernon (b. 1924)

Donald Pelmear (b. 1924)

Thelma Ruby (b. 1925)

Pete Murray (b. 1925)

Michael Beint (b. 1925)

Shelia Mitchell (b. 1925)

Kerima (b. 1925)

David Attenborough (b. 1926)

Elizabeth Benson (b. 1926)

Margaret Barton (b. 1926)

Terry Kilburn (b. 1926)

Stanley Baxter (b. 1926)

David Frankham (b. 1926)

William Glover (b. 1926)

Josephine Stuart (b. 1926)

Patricia Davidson (b. 1926)

Barbara Clegg (b. 1926)

Glen Michael (b. 1926)

Araby Lockhart (b. 1926)

Eileen Page (b. 1926)

Rosemary Harris (b. 1927)

Cleo Laine (b. 1927)

Lee Montague (b. 1927)

Genevieve Page (b. 1927)

Neville Phillips (b. 1927)

Jean Lodge (b. 1927)

Barbara Ashcroft (b. 1927)

Jill Freud (b. 1927)

Jean Southern (b. 1927)

Antonia Pemberton (b. 1927)

Peter Cellier (b. 1928)

Jeanette Landis (b. 1928)

Sheila Ballantine (b. 1928)

Dorothea Phillips (b. 1928)

Jeannie Carson (b. 1928)

Hazel Ascot (b. 1928)

Brenda Hogan (b. 1928)

Philip Guard (b. 1928)

Raymond Llewelyn (b. 1928)

Pauline Brailsford (b. 1928)

Leonard Weir (b. 1928)

Kevin Scott (b. 1928)

Tony Hughes (b. 1928)

Joan Plowright (b. 1929)

Patricia Routledge (b. 1929)

Colin Jeavons (b. 1929)

Michael Craig (b. 1929)

Thelma Barlow (b. 1929)

Peter Myers (b. 1929)

Paul Williamson (b. 1929)

Kevin Miles (b. 1929)

John Gale (b. 1929)

Phillip Ross (b. 1929)

Jimmy Fagg (b. 1929)

Hazel Phillips (b. 1929)

Mignon Elkins (b. 1929)

Margaret Stallard (b. 1929)

Maya Koumani (b. 1929)

Clive Revill (b. 1930)

Charles Kay (b. 1930)

Roy Evans (b. 1930)

Una McLean (b. 1930)

Roddy Maude-Roxby (b. 1930)

Ruth Trouncer (b. 1930)

Cyril Appleton (b. 1930)

Vera Frances (b. 1930)

Gary Watson (b. 1930)

Keith Alexander (b. 1930)

Libby Morris (b. 1930)

Pauline Jefferson (b. 1930)

Claire Bloom (b. 1931)

Leslie Caron (b. 1931)

Carroll Baker (b. 1931)

Virginia McKenna (b. 1931)

Vivian Pickles (b. 1931)

Stanley Meadows (b. 1931)

Gerald Harper (b. 1931)

Patricia Greene (b. 1931)

Ellen McIntosh (b. 1931)

Elvi Hale (b. 1931)

Maureen Connell (b. 1931)

June Laverick (b. 1931)

James Martin (b. 1931)

Denyse Alexander (b. 1931)

Arthur Nightingale (b. 1931)

Eileen Derbyshire (b. 1931)

Carl Held (b. 1931)

Shelia Bernette (b. 1931)

George Eugeniou (b. 1931)

Corinne Skinner-Carter (b. 1931)

Tusse Silberg (b. 1931)

Petula Clark (b. 1932)

Prunella Scales (b. 1932)

Phyllida Law (b. 1932)

Ray Cooney (b. 1932)

Brian Murphy (b. 1932)

Edward De Souza (b. 1932)

Alan Dobie (b. 1932)

John Turner (b. 1932)

Roland Curram (b. 1932)

Gabriel Woolf (b. 1932)

Johnnie Wade (b. 1932)

Eileen Moore (b. 1932)

Laurie Leigh (b. 1932)

William Roache (b. 1932)

Athol Fugard (b. 1932)

Carmen Munroe (b. 1932)

Norman Bowler (b. 1932)

Marcia Ashton (b. 1932)

Thelma Holt (b. 1932)

Antony Carrick (b. 1932)

Sally Bazely (b. 1932)

Michael Caine (b. 1933)

Joan Collins (b. 1933)

Sian Phillips (b. 1933)

Sheila Hancock (b. 1933)

Elizabeth Seal (b. 1933)

Shani Willis (b. 1933)

Patrick Godfrey (b. 1933)

Caroline Blakiston (b. 1933)

Donald Douglas (b. 1933)

Ann Firbank (b. 1933)

Vera Day (b. 1933)

Tsai Chin (b. 1933)

Geoffrey Frederick (b. 1933)

Marla Landi (b. 1933)

Monte Landis (b. 1933)

Mary Germaine (b. 1933)

Ruth Posner (b. 1933)

Barbara Archer (b. 1933)

W.B. Brydon (b. 1933)

Robert Gillespie (b. 1933)

Brian Patton (b. 1933)

Arthur White (b. 1933)

Barbara Archer (b. 1933)

Sally Bazley (b. 1933)

Madhur Jaffrey (b. 1933)

Jeanette Sterke (b. 1933)

Ann Rogers (b. 1933)

Barbara Knox (b. 1933)

John Boorman (b. 1933)

Derek Martin (b. 1933)

Michael Aspel (b. 1933)

Bill Edwards (b. 1933)

Judi Dench (b. 1934)

Eileen Atkins (b. 1934)

Tom Baker (b. 1934)

Alan Bennett (b. 1934)

Timothy West (b. 1934)

Jean Marsh (b. 1934)

Annette Crosbie (b. 1934)

Wendy Craig (b. 1934)

Richard Chamberlain (b. 1934)

Millicent Martin (b. 1934)

John Standing (b. 1934)

Vernon Dobtcheff (b. 1934)

Nanette Newman (b. 1934)

David Burke (b. 1934)

Christopher Benjamin (b. 1934)

Mary Peach (b. 1934)

Geraldine Newman (b. 1934)

Renny Lister (b. 1934)

Priscilla Morgan (b. 1934)

Audrey Dalton (b. 1934)

Leila Hoffman (b. 1934)

Simone Lovell (b. 1934)

Magda Miller (b. 1934)

Robert Aldous (b. 1934)

Ram John Holder (b. 1934)

Jamila Massey (b. 1934)

Margaretta D’Arcy (b. 1934)

Leslie Saeward (b. 1934)

Maurice Podbrey (b. 1934)

Steve Emerson (b. 1934)

Peter Bland (b. 1934)

Michael Darlow (b. 1934)

Barbara Archer (b. 1934)

Joy Webster (b. 1934)

Jacqueline Ellis (b. 1934)

Jacqueline Jones (b. 1934)

Julie Andrews (b. 1935)

Julian Glover (b. 1935)

Jim Dale (b. 1935)

Anne Reid (b. 1935)

James Bolam (b. 1935)

Christina Pickles (b. 1935) 

Judy Parfitt (b. 1935)

Wanda Ventham (b. 1935)

Amanda Barrie (b. 1935)

Derren Nesbitt (b. 1935)

Nadim Swalha (b. 1935)

Gary Raymond (b. 1935)

Janet Henfrey (b. 1935)

Melvyn Hayes (b. 1935)

Susan Engel (b. 1935)

Amanda Walker (b. 1935)

Delena Kidd (b. 1935)

Derek Partridge (b. 1935)

Allister Bain (b. 1935)

Derry Power (b. 1935)

Phyllis MacMahon (b. 1935)

Rowena Cooper (b. 1935)

Derek Partridge (b. 1935)

Jill Dixon (b. 1935)

Des Keough (b. 1935)

Barbara Angell (b. 1935)

Lucille Soong (b. 1935)

Anita West (b. 1935)

June Watson (b. 1935)

David Daker (b. 1935)

Shirley Cain (b. 1935)

Bobby Pattinson (b. 1935)

George Roubicek (b. 1935)

Brian Blessed (b. 1936)

Richard Wilson (b. 1936)

Tommy Steele (b. 1936)

Edward Petherbridge (b. 1936) 

Ursula Andress (b. 1936)

John Leyton (b. 1936)

Jess Conrad (b. 1936)

Elizabeth Shepherd (b. 1936)

Sandra Voe (b. 1936)

Doug Sheldon (b. 1936)

John Golightly (b. 1936)

Peter Ellis (b. 1936)

Andria Lawrence (b. 1936)

Jon Laurimore (b. 1936)

Tony Scoggo (b. 1936)

Barry MacGregor (b. 1936)

Frank Barrie (b. 1936)

Kenneth Farrington (b. 1936)

Eileen McCallum (b. 1936)

Frederick Pyne (b. 1936)

Philip Lowrie (b. 1936)

Marian Diamond (b. 1936)

Anthony Higginson (b. 1936)

Elsie Kelly (b. 1936)

Ann Taylor (b. 1936)

Heidi Erich (b. 1936)

Keith Faulkner (b. 1936)

Ruth Meyers (b. 1936)

[boldlycrookedsalad]

Literary Canon (from kissgrammar)

The Holy Bible, Authorized King James Version [At a minimum, the books of Genesis, Exodus, Job, Psalms, from the Old Testament; Matthew, Mark, Luke, John, and Apocalypse from the New.] Whether or not you are Christian is irrelevant. The civilization in which we live is based on and permeated by the ideas and values expressed in this book. Understanding our civilization, the world in which we live, is probably impossible without having read -- and thought about -- at least the most famous books in the Bible. Historically, the King James Version is considered the most artistic, and thus has probably had the most literary influence.

Homer, The Iliad

Homer, The Odyssey

Sophocles, Oedipus the King (Oedipus Rex)

Sophocles, Antigone

Plato, The Republic, especially "The Myth of the Cave"

Ovid, Metamorphoses

Saint Augustine, The Confessions

Dante, The Divine Comedy

Giovanni Boccaccio, The Decameron

Niccolo Machiavelli, The Prince

Giambattista Vico, Principles of a New Science

Miguel de Cervantes, Don Quixote

Geoffrey Chaucer, The Canterbury Tales

Romeo and Juliet

King Lear

Hamlet

Othello

Macbeth

John Donne, "Holy Sonnet XIV"

John Donne, "A Valediction Forbidding Mourning"

Andrew Marvell, "To His Coy Mistress"

John Milton, Paradise Lost

Jonathan Swift, Gulliver's Travels

A Modest Proposal

Daniel Defoe, Robinson Crusoe

Laurence Sterne, The Life and Opinions of Tristram Shandy, Gentleman

Michel de Montaigne, Essays, especially "Of Experience"

Francois Rabelais, Gargantua and Pantagruel

Moliere, The Misanthrope

Blaise Pascal, Pensees

Jean-Jacques Rousseau, Emile

Voltaire, Candide

Erasmus, In Praise of Folly

Johann Wolfgang von Goethe, Faust, Parts One & Two

Honore de Balzac, Old Goriot (also translated as Pere Goriot)

Stendhal, The Red and the Black

Gustave Flaubert, Madame Bovary

Emile Zola, Germinal

Henrik Ibsen, A Doll's House

William Blake

William Wordsworth

Jane Austen, Pride and Prejudice

Lord Byron, Don Juan

John Keats, "Ode on a Grecian Urn"

Robert Browning, "My Last Duchess"

Charles Dickens - Oliver Twist

A Tale Of Two Cities

Hard Times

A Christmas Carol

Matthew Arnold, "Dover Beach"

John Stuart Mill, On Liberty

Lewis Carroll, Alice in Wonderland

Charlotte Bronte, Jane Eyre

Emily Bronte, Wuthering Heights

Francis Thompson, "The Hound of Heaven"

Samuel Butler, Erewhon

Oscar Wilde, The Picture of Dorian Gray

George Eliot- Silas Marner

Middlemarch

Robert Louis Stevenson, Dr. Jekyll and Mr. Hyde

Friedrich Nietzsche - Beyond Good and Evil

The Will To Power

The Birth of Tragedy

On the Genealogy of Morals

Alexander Pushkin - Eugene Onegin

The Bronze Horseman

Nikolai Gogol -The Overcoat

Dead Souls

Mikhail Lermontov, A Hero of Our Time

Ivan Turgenev, Fathers and Sons

Fyodor Dostoevsky -Notes From the Underground

Crime and Punishment

Leo Tolstoy -The Death of Ivan Ilych

War and Peace

Anton Chekhov, The Cherry Orchard

James Fenimore Cooper, The Deerslayer

Ralph Waldo Emerson, Essays

Emily Dickinson - "Because I Could Not Stop For Death"

"The Tint I Cannot Take"

"There's a Certain Slant of Light"

Walt Whitman  - "Song of Myself"

"The Sleepers"

"Crossing Brooklyn Ferry"

"As I Ebbed With The Ocean of Life"

"Out of the Cradle Endlessly Rocking"

"When Lilacs Last in the Dooryard Bloomd"

Nathaniel Hawthorne - Young Goodman Brown

The Scarlet Letter

Herman Melville, Moby-Dick

Edgar Allen Poe - "The Raven"

The Cask of Amontillado

Henry David Thoreau, Walden

Kate Chopin -The Story of An Hour

The Awakening

Stephen Crane, The Red Badge of Courage

Henry James

Mark Twain, The Adventures of Huckleberry Finn

Luigi Pirandello