#structuration of structures

[prismsoup]

OH also i saw in a sketch two other iterators that are in the same local group as TLSPTS, i think it was Structuration of structures and Fractures amongst others?

What do they do in the story (if they have an impact)? I assume they don't like Spears that much x] grumpy robot

Ooh yes ! I haven't drawn these two in a while

Structuration of Structures is also a First Mass Construction Wave ( gen 1) iterator, their construction was finalized a bit before spears' own (probably the equivalent of months or a year or two before his own construction was finalized). It shouldn't be that important since their age difference is negligible but it's often a point of conflict they bring up because Structuration "technically" is his senior (in the sense of being older) (they refer to their actual group senior as Administrator) and they do love to remind spears of that whenever they're in the middle of a debate.

Speaking of debates, these two do that quite often. Their respective Houses don't exactly get along but it's reflected quite more through them, especially since spears' aggressive behavior was something that was heavily encouraged by his Creators. Beyond yelling about how their theories and works and ideas are better, as the two oldest members of their group (after Fracture Amongst Others), they're also constantly bickering about who should be the actual Administrator of the group. If they could, they'd get each other dismantled.

Fracture Amongst Others is the group Administrator, she's the oldest of the bunch since she's a model from the Prototype era (gen 0). She still struggles with handling the more recent communication systems so Structuration helps her with that (and does try to use that as a point for them to be made the new Administrator, or at least take the role "unofficially"). She doesn't really like conflict so she tends to simply avoid it until it's way too urgent or problematic. If you need a general vibe, just think "facebook grandma" I guess. She would send these over-edited sparkling gifs with "BLESSED MONDAY" or "GOOD MORNING" written in fancy fonts in chats if she wasnt too busy with- whatever it is she's doing, no one really knows, she's generally not very active in the comm lines of her group. She's kind, but simply not very helpful as she seems clueless about anything that's happening most of the time. She doesn't dislike Structuration or spears, but they do give her the equivalent of headaches quite often.

There are other group members but I just- never really got the time to ever create them I guess ? Besides one other guy, Calls from the Past, who tried to run simulations within simulations to find out what happened to Sliver of Straw and got trapped in them, only to emerge thinking they were SOS but stuck in someone else's body.

here's a doodle of FAO btw

she has that permanent TBH stare it's not visible here but her puppet has a bulkier build because it's basically a metallic shell full of organic components a proper fully organic puppet (or one that has a better harmony between both organic and mechanical components, and isnt just basically meat stuffed in a can) probably wasnt exactly easy or viable yet at the time of her construction

[bugthingsdaily]

today's bug thing is the bug carousel at the Bronx Zoo!

[itsbrucey]

Big fan of sun motifs in characters not necessarily being about positivity and happiness and how they're so " bright and warm" but instead being about fucking brutal they are.

Radiant. A FORCE of nature that will turn you to ash. That warmth that burns so hot it feels like ice. Piercing yellow and red and white. A character being a Sun because you cannot challenge a Sun without burning alive or taking everything down with them if victorious.

[zegalba]

Snake Bridge on Macclesfield Canal. location: Astbury Congleton, England

[fastepp]

Every time I see an author promoting their debut Greek mythology retelling on twitter I mourn the loss of like. To put in ineloquently. Just using these stories as inspiration for your own. Your story does not need to force itself to fit the shape of Orpheus and Eurydice it’s fine you can just allude to their story!! You can use their themes!! Nobody is going to arrest you for being allegorical instead of literal!! I might eat them alive at this point. It’s the only way.

[lennonhead]

something that exists in the city I'm moving to:

I am obsessed with this park that combines all midcentury dangerous playground elements into one awful whole. witness this steep metal slide descending from the top of a jungle gym into a concrete pit

if you fall off the jungle gym, you too will be doomed to the pit

there's very little opportunity to get out, too. the only handholds are the ones on the left. Sendai gets a lot of rain, almost as much as Vancouver, so imagine being mangled from sliding into concrete and having to climb a sheer, slippery slope to freedom. I think I would just make a home down there and give up on life

I'm sure it does.

[chronicbitchsyndrome]

so: masking: good, unequivocally. please mask and please educate others on why they should mask to make the world safer for immune compromised people to participate in.

however: masking is not my policy focus and it shouldn't be yours, either. masking is a very good mitigation against droplet-born illnesses and a slightly less effective (but still very good) mitigation against airborne illnesses, but its place in the pyramid of mitigation demands is pretty low, for several reasons:

it's an individual mitigation, not a systemic one. the best mitigations to make public life more accessible affect everyone without distributing the majority of the effort among individuals (who may not be able to comply, may not have access to education on how to comply, or may be actively malicious).

it's a post-hoc mitigation, or to put it another way, it's a band-aid over the underlying problem. even if it was possible to enforce, universal masking still wouldn't address the underlying problem that it is dangerous for sick people and immune compromised people to be in the same public locations to begin with. this is a solvable problem! we have created the societal conditions for this problem!

here are my policy focuses:

upgraded air filtration and ventilation systems for all public buildings. appropriate ventilation should be just as bog-standard as appropriately clean running water. an indoor venue without a ventilation system capable of performing 5 complete air changes per hour should be like encountering a public restroom without any sinks or hand sanitizer stations whatsoever.

enforced paid sick leave for all employees until 3-5 days without symptoms. the vast majority of respiratory and food-borne illnesses circulate through industry sectors where employees come into work while experiencing symptoms. a taco bell worker should never be making food while experiencing strep throat symptoms, even without a strep diagnosis.

enforced virtual schooling options for sick students. the other vast majority of respiratory and food-borne illnesses circulate through schools. the proximity of so many kids and teenagers together indoors (with little to no proper ventilation and high levels of physical activity) means that if even one person comes to school sick, hundreds will be infected in the following few days. those students will most likely infect their parents as well. allowing students to complete all readings and coursework through sites like blackboard or compass while sick will cut down massively on disease transmission.

accessible testing for everyone. not just for COVID; if there's a test for any contagious illness capable of being performed outside of lab conditions, there should be a regulated option for performing that test at home (similar to COVID rapid tests). if a test can only be performed under lab conditions, there should be a government-subsidized program to provide free of charge testing to anyone who needs it, through urgent cares and pharmacies.

the last thing to note is that these things stack; upgraded ventilation systems in all public buildings mean that students and employees get sick less often to begin with, making it less burdensome for students and employees to be absent due to sickness, and making it more likely that sick individuals will choose to stay home themselves (since it's not so costly for them).

masking is great! keep masking! please use masking as a rhetorical "this is what we can do as individuals to make public life safer while we're pushing for drastic policy changes," and don't get complacent in either direction--don't assume that masking is all you need to do or an acceptable forever-solution, and equally, don't fall prey to thinking that pushing for policy change "makes up" for not masking in public. it's not a game with scores and sides; masking is a material thing you can do to help the individual people you interact with one by one, and policy changes are what's going to make the entirety of public life safer for all immune compromised people.

[july-19th-club]

seriously have been thinking about this all night long. call me autistic but the fact that 90% of workplaces the point is not to get your work done and then be done doing it but to instead perform an elaborate social dance in which you find something to do even when you're done doing everything you need to do in order to show your fellow workers that you, too, are Working . because you are at Work . disgusting why cant we all agree that if there is no work immediately to be done. we just dont do anything

[attyrocious]

ace sketch study + a law so i can feel goth again after that

[higgsbison]

I got into the falling down holes podcast

[prismsoup]

Hi, I'm Sol !

He/him - adult - running on one neuron - some sort of bug - I draw and code sometimes

Interested in commissioning me ? Find more info here ! > Even when my main commissions are closed, the Lineless Beafts ones are always open !! Same for the Emote Packs !

More important info below the cut !

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[physalian]

How to make your writing sound less stiff

Just a few suggestions. You shouldn’t have to compromise your writing style and voice with any of these, and some situations and scenes might demand some stiff or jerky writing to better convey emotion and immersion. I am not the first to come up with these, just circulating them again.

1. Vary sentence structure.

This is an example paragraph. You might see this generated from AI. I can’t help but read this in a robotic voice. It’s very flat and undynamic. No matter what the words are, it will be boring. It’s boring because you don’t think in stiff sentences. Comedians don’t tell jokes in stiff sentences. We don’t tell campfire stories in stiff sentences. These often lack flow between points, too.

So funnily enough, I had to sit through 87k words of a “romance” written just like this. It was stiff, janky, and very unpoetic. Which is fine, the author didn’t tell me it was erotica. It just felt like an old lady narrator, like Old Rose from Titanic telling the audience decades after the fact instead of living it right in the moment. It was in first person pov, too, which just made it worse. To be able to write something so explicit and yet so un-titillating was a talent. Like, beginner fanfic smut writers at least do it with enthusiasm.

2. Vary dialogue tag placement

You got three options, pre-, mid-, and post-tags.

Leader said, “this is a pre-dialogue tag.”

“This,” Lancer said, “is a mid-dialogue tag.”

“This is a post-dialogue tag,” Heart said.

Pre and Post have about the same effect but mid-tags do a lot of heavy lifting.

They help break up long paragraphs of dialogue that are jank to look at

They give you pauses for ~dramatic effect~

They prompt you to provide some other action, introspection, or scene descriptor with the tag. *don't forget that if you're continuing the sentence as if the tag wasn't there, not to capitalize the first word after the tag. Capitalize if the tag breaks up two complete sentences, not if it interrupts a single sentence.

It also looks better along the lefthand margin when you don’t start every paragraph with either the same character name, the same pronouns, or the same “ as it reads more natural and organic.

3. When the scene demands, get dynamic

General rule of thumb is that action scenes demand quick exchanges, short paragraphs, and very lean descriptors. Action scenes are where you put your juicy verbs to use and cut as many adverbs as you can. But regardless of if you’re in first person, second person, or third person limited, you can let the mood of the narrator bleed out into their narration.

Like, in horror, you can use a lot of onomatopoeia.

Drip Drip Drip

Or let the narration become jerky and unfocused and less strict in punctuation and maybe even a couple run-on sentences as your character struggles to think or catch their breath and is getting very overwhelmed.

You can toss out some grammar rules, too and get more poetic.

Warm breath tickles the back of her neck. It rattles, a quiet, soggy, rasp. She shivers. If she doesn’t look, it’s not there. If she doesn’t look, it’s not there. Sweat beads at her temple. Her heart thunders in her chest. Ba-bump-ba-bump-ba-bump-ba- It moves on, leaving a void of cold behind. She uncurls her fists, fingers achy and palms stinging from her nails. It’s gone.

4. Remember to balance dialogue, monologue, introspection, action, and descriptors.

The amount of times I have been faced with giant blocks of dialogue with zero tags, zero emotions, just speech on a page like they’re notecards to be read on a stage is higher than I expected. Don’t forget that though you may know exactly how your dialogue sounds in your head, your readers don’t. They need dialogue tags to pick up on things like tone, specifically for sarcasm and sincerity, whether a character is joking or hurt or happy.

If you’ve written a block of text (usually exposition or backstory stuff) that’s longer than 50 words, figure out a way to trim it. No matter what, break it up into multiple sections and fill in those breaks with important narrative that reflects the narrator’s feelings on what they’re saying and whoever they’re speaking to’s reaction to the words being said. Otherwise it’s meaningless.

—

Hope this helps anyone struggling! Now get writing.

[cornerihaunt]

no nuance sorry

[zegalba]

[strctr17]

Structure VII

Photo by :unknown // edited by @strctr17

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