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that-ari-blogger · 11 months ago

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Stray Gods: The Role-Playing Musical

If I asked you to close your eyes and picture something that you have lived through, what do you picture?

Chances are, you are picturing a single moment in time, and feeling all the emotion that runs through it and connects it. Maybe it makes you smile or cry. But it's a single moment, crystalised in a wonderfully imperfect brain.

Life isn't about the great stories and sagas. Sure, that's what historians write down, but that's not what the life of a person is about. It's about falling in love, it's about a cup of coffee in the morning and a conversation with a friend, it's about crying in the rain, and it's about a moment of song and dance. Life is about the little moments, the things that you remember.

Stray Gods: The Role-Playing Musical is an epic, but it's also very much not. Stray Gods is about small choices and moments that add up. So, in this post, I'm going to be looking at some of those moments that I liked, and that some of y'all liked, and doing some analysis of what they say about the story as a whole.

Let me explain.

SPOILERS AHEAD

Stray Gods is a video game. That's really important to the themes and emotions. Video games are often collaborative endeavours, the game itself often just serves to facilitate moments with the group. A perfect example of this is Ludohistory's streams with the crew from Overly Sarcastic Productions (Link).

I have played the game a few times over, with family members and friends, and on my own, and it's a lot less fun playing solo. Not that the game isn't fun to play on my own, but it felt like it was designed to be multiplayer.

The other benefit of the medium is Stray Gods' calling card. The story is interactive. You make choices and interacts with people within the game. When you convince people to give love a chance, that's your choices leading to an outcome.

One of the best examples of this happens twice. Once halfway through the first song, and then again later on in the story. You get to choose your primary character trait from Charming, Kickass, or Clever. And I think these three are interesting, because their names are misleading. Charming doesn't make you more charismatic, and clever doesn't make you more intelligent.

Instead, I read them as relating to the different driving forces. Emotion, empathy, and logic. I tried to map these on to Ethos, Pathos, and Logos, but it's not quite accurate. Pathos is emotion, Logos is logic, but Ethos is credibility, which isn't the same, but it's a neat idea. In any case, a kickass character is more likely to make rash, emotion driven choices and a clever character is more likely to step back and think, and that is reflected in the choices made available later.

@rosespark2 gave a different, more fascinating read of the concept (source).

I personally think that [the second choice of personality trait] is supposed to act in a way as Grace developing in the story. An example I could think of being maybe Charming Grace gaining Kickass trait later as her being a more open and compassionate person but seeing the injustices in the system become more glaringly obvious it starts to frustrate her and make her more aggressive.

I genuinely hadn't considered this, but it's fascinating to me. Specifically, because of how these choices influence the story. Your primary character trait lets you make slightly different choices, it affects the little moments later on down the line. For example, Clever lets you ask more questions or make different observations. Case and point, in Aphrodite's party, Grace gets asked if she knows the purpose of this event, and the clever choice is the exact opposite of another option.

You can say it's to forget, but if you're clever, you can say it is to remember. This gave me a chuckle the first time around, but on a second playthrough, it reminded me of something.

One of my favourite songs is Hotel California by the Eagles and part of the second verse goes like this:

"How they dance in the courtyard, sweet summer sweat. Some dance to remember. Some dance to forget."

A party can be for remembrance and for its antithesis at the same time. Because that's what this event is for, it's for keeping the good times and replacing the bad ones with new moments. It's a time to reminisce. And a clever Grace could work that tiny little detail out, and it could change your perspective on the entire story, a small moment having a big impact.

But as Rosespark pointed out, you get two choices of character trait, and they can act as character development. And the way that the story uses these choices works with this take. Because instead of your second choice superseding or supplanting your original, it adds to it. Because character development can mean losing parts of yourself, but it can also mean developing. Maybe you are clever and kickass, and that lets you make both clever and kickass choices.

This retroactively makes the Grace from the first half of the story feel incomplete, and that's exactly who this character is, she is young, and lost at sea, trying to find a way forwards. This is a character who needs to decide who to be, and that doesn't happen all at once, it happens gradually, in the smaller moments.

When you play a TTRPG (be it Pathfinder, or DnD, or Raccoon Sky Pirates), you usually play as a single character. And one of the fun things about those games is finding out in real time, who your character is, and it's influenced not just by your choices, but by those of your friends, and the rolls of your dice.

And characters are made in the little moments, because you cannot look at the wider story. I remember two separate occasions where characters went in completely opposite directions. One champion I made to seek out power wherever she could find it ended up being the redeemer of the group, and one alchemist I made to seek revenge ended up being a father figure. And those two characters came about not through looking at how the plot would play out, but by small decisions in the moment of play.

Stray Gods works a lot like that, and that's for one key reason. TTRPGs are reflections of life, in a way. They are spontaneous, and that's what Stray Gods seeks to achieve. It is possible to play the game with the intent of being specifically charming, but what happens when you get given a choice with no charming options. Most notably, do you side with Persephone or Apollo in Old Wounds? Character comes about in the small moments and the little choices that lead to a large outcome.

This all works for little choices within the game and within its music. The neat little instrumental association of the choices (Electric guitar for Kickass, harp for Charming, bass clarinet for Clever) is a cool choice that associates the choices with distinct moods that can really help to back up the choice as being charming or clever or whatever. And the repetition of this means that you end up associating those instruments with their choices. So, when a character other than grace starts singing with these instruments backing them up, you associate them with that character trait.

For example, Orpheus is the owner of the single coolest looking guitar ever made, and in The Throne, is preceded by this instrument. So, you immediately associate him with strong emotions, just through the music. When you finally meet him, he isn't particularly rash in action, but you are wary of him because of your intuition brought on by the guitar.

Another example of a small musical choice affecting the story is in Cast A Spell and was pointed out by @adragoncat (link):

[Asterion] might be singing a harmony, and when [Hecate] accepts his proposal, she starts singing a melody to compliment it.

It's a tiny choice in the grand scheme of things, within the entire musical, the Asterion and Hecate love story has no plot bearing. But I have gone into detail on the thematic significance in a different post.

But what I think Adraconcat is pointing out is that the music signifies the connection between the two characters. Asterion's singing is less than immaculate, and that is the point, but when Hecate joins in, she doesn't make his singing obsolete, but she adds to it. The two complement each other. Not only is Asterion's song more bearable with her addition, but his singing itself becomes a harmony as the voices intermingle and complement each other into something infinitely better than the opening fumbles.

Things don't have to be plot relevant to be remembered. You remember Cast A Spell because of the emotion you invest in the relationship, and if you don't invest, you don't remember. And there's nothing wrong with that. Memories are unique to the person. My favourite moment in the entire musical is a small line by Eros in The Ritual:

"My arrows are rusty, forget the bow"

The arrows rusted because they were metal, but forget the bow because it was wood and rotted away. (That may be obvious, but I thought it was cool). That bow, mythologically speaking, is what makes people fall in love. It gets used on Jason and Media, and it gets used on Psyche and Eros himself. Probably a mythological interpretation of the flightlines and unpredictability of love, it was a purpose for Eros, and this single line conveys a loss of purpose as time has shifted, and the song attributes that to the pain of Aphrodite.

This is especially powerful because Grace's entire journey is finding her own purpose, and she can empathise with that. If you get invested in Grace's story, there's a high likelihood you will empathise with this as well.

But the line that sums up the themes the most comes in The Trial:

"Give it time you'll find even an island drifts. You don't notice 'cause it only moves in teeny, tiny shifts."

Stray Gods is about the small moments, because Stray Gods is about choices. You make decisions, you accept the consequences. But sometimes you get so caught up in the small things and you don't understand or see what they all lead to.

You are defined by your choices, for better or worse. And sometimes you look back on yourself and don't recognise who you were or who you have become. And it's important to do so, because the moments keep coming. Even now, there is the choice to change for the better, even when all is lost, you can make a choice. And that choice will be remembered as a tiny moment that might just change your life.

Final Thoughts

This musical is phenomenal and my greatest respect to Austin Wintory for the music, David Gaider for the writing, and everyone else involved.

This is game niche, and that is a strength. It's a Greek mythology, murder mystery, musical, coming of age story, video game. But it zeroes in on its heart, that being the small moments and choices that make a life.

This game made me laugh and cry and sing along. It made me dance, and brought about some fantastic memories, and that's the best praise I can offer it.

Thank you to all those who have read my posts and fed my ego. I put out a request for y'all's opinions on this and while I admittedly overestimated how many responses to that call I would get, it was fun seeing what y'all thought and working that into the final analysis. I am eternally grateful to those who offered their thoughts. I might do it again for other series of analysis that I do.

But this isn't it for my analysis of musicals. In the new year, I plan to take a look at Wicked, so stick around if that interests you.

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