#story of shravan kumar

[sacredind]

Shravan Kumar – The Obedient Son And The Curse Of King Dashrath

Shravan Kumar was a legendary figure known for his devotion to his parents. He was born to Gyanvanti (mother) and Shantanu (father). Both of them were blind hermits. Shravan took it upon himself to become their caregiver and provider. Shravan’s parents wished to visit Chardham. He was poor so he decided to carry his parents on a wooden palanquin to the pilgrim. He would ensure they were comfortable.

One day, while carrying his parents to a pilgrimage site. Prince Dasharatha was out hunting in the forest of Ayodhya when he heard a sound near a lake. He shot an arrow (Shabdbhedi Baan) hoping to hit an animal but found that he had accidentally struck a teenage boy named Shravana who was carrying his sick and elderly parents on a sling. He came to the lake to collect water. With his dying breath, Shravana requested Dasharatha to take water to his parents and inform them of what happened.

Shravana passed away due to his injuries, and when Dasharatha delivered the water and the news of his tragic mistake. Shravan’s parents could not bear the shock and died of grief. Despite acknowledging that it was an accident, they cursed Dasharatha with “Putrashoka,” which means grief due to the loss of a son. This curse came true when Dasharatha died without seeing his beloved son Rama, who was exiled at the order of his step-mother Queen Kaikeyi.

The story highlights the tragic consequences of hasty actions and the importance of being mindful of one’s actions to avoid causing harm to others. It also illustrates the devastating impact of grief and loss on parents who have lost a child.

The story of Shravan Kumar is often used as an example of the importance of filial piety and the duty of children to care for their parents.

[ofsrkajol]

Movie idea:

Sort of modern day Shravan Kumar inspired, but not the son instead the daughter in law.

The story is about a woman, Maya Saxena. Maya is in her late 30s/early 40s. She's an event manager by profession and lives with her in laws and a son named Krish. Maya and her husband had parted ways due to differences decades ago. He wanted to chase his dreams of becoming this big shot international photographer and she chose her (his) family.

Movie begins with scenes from Maya's home. How she's taking care of her in laws, Prabhakar and Nandini Saxena, in the morning- serving breakfast to one while reminding the other of his medications- and bugging her teenage son who's almost late for college as usual. We move onto Maya finally leaving the house for work.

The first half of the movie is spent in learning about Maya and her life and career and how she's accomplished both. We learn she doesn't like to talk about her husband even though she carries his last name, Saxena. One day at dinner things get a little emotional and Prabhakar and Nandini ask Maya take them to visit their son in London. She is hesitant at first but they ask her to take it as their last wish. She finally agrees.

What Maya doesn't know is that this was all a scheme by Krish and his grandparents. He had seen his mother suffering alone for a long time, he was always in contact with his dad and knew he hasn't gotten together with anyone else in all those years as well. He also knows how stubborn they both are.

Maya is anxious the whole time she prepares for the journey and during it. She keeps asking asking Krish if he has informed his father about their visit. Krish confirms several times he has (with his fingers crossed behind his back- something he got from his father). When they arrive at Heathrow, Krish lies through his teeth that his father couldn't make it and has asked them to come to his house directly. Maya is already annoyed that he hasn't changed all these years later and couldn't even come to see his parents.

They take a cab and arrive at the location. Maya knocks on the door- faint music could be heard from somewhere inside the house -she knocks again. Inside the house, a studio is set up, a man is working around some photographs and reels. He finally hears the sharp knock and walks towards the door. The door opens and all the air is knocked out of his lungs when he sees the woman infront of him yelling his name- "Samar-"

When Samar doesn't respond to her rant for a couple of seconds Maya realises he had no idea they were coming. She turns to look at her son and in-laws and it's suddenly a funny moment where they collectively find the grass and the sky very interesting.

-intermission-

Samar seems to finally notice that more people were at his doorstep. It gets emotional as he meets his parents and kid after a really long time. He welcomes them inside. Maya pulls aside Krish to confront him, prabhakar comes to his rescue and tells her it was all her idea and that may be she should give Samar a second chance. Maya tells them the ship has sailed.

After a quick awkward family get together, Maya announces that she's going to stay at the AirBnB she booked for them and that the rest of them are welcome to stay with Samar. After failing with Maya, the three of them succeed in persuading Samar to give his and Maya's relationship a second chance.

Samar visits Maya's place the next morning (Sunday) and offers to show her around the city while they are here- as friends -for old times sake. She reluctantly agrees. [Krish has accompanied his grandparents on the city tour so Maya doesn't have to worry about them.]

Over the course of several days, Samar shows Maya all his favourite places in the city, he has his camera with him and he's capturing the moments he remembers why she was his favourite muse. He notes how much Maya cares for his parents as she calls them every couple of hours to take updates on their whereabouts and reminds them of their medication, how she chastises Krish to look after them. Maya notes Samar has changed a lot, aged, even matured a bit. But he still remembers her favourite drink and her choice of icecream flavour when they enter a icecream parlour once.

Krish had been alternating between staying with his dad and mom over the days although Maya insisted he should stay with Samar since he never got to see him. One night, Maya accepts Samar's dinner invite. They share a meal as one happy family after a long time, Nandini expresses how her family seems complete to her now.

Samar offers to drop Maya at her place. She invites him in and things get a little serious as she starts talking about how life has been since he's left. Samar apologizes for leaving and for not trying to get back when he realised his mistake, for not making the effort stay in contact with her. She apologises too for not trying. Samar asks her if she's willing to give him a chance now. Maya more than agrees to it and one thing leads to another and they end up spending the night together.

The next morning Samar gets a call from a frantic (may be hopeful) Nandini,

"Where are you? You didn't come home the whole night, I was worried. Even Maya isn't picking up her phone-"

"Maa. I'm bringing your son home. We'll be a family again." - it was Maya that spoke on the other end.

Fin.

Epilogue/mid credits: The entire family returns to India very happily.

[techygeeks]

Kumar Sanu: The Voice Behind Bollywood's Iconic Love Songs

Introduction to Kumar Sanu’s Career

Kumar Sanu, born Kedarnath Bhattacharya on October 20, 1957, in Kolkata, is celebrated as a playback singing icon in Bollywood. Known for his soulful and emotive voice, he rose to fame in the 1990s, capturing hearts with his timeless melodies, particularly love songs. His work with legendary music directors like Nadeem-Shravan, Jatin-Lalit, and Anu Malik helped establish the romantic sound of Bollywood's golden era.

The Songs That Made Kumar Sanu a Legend

Aashiqui (1990) – “Nazar Ke Samne,” “Bas Ek Sanam Chahiye,” “Jaane Jigar Jaaneman”

Aashiqui was a monumental success and the soundtrack cemented Kumar Sanu's place in Bollywood. Known as the ultimate 90s romance album, its songs are often credited with redefining Bollywood's love songs. Tracks like “Nazar Ke Samne” became instant classics and helped Sanu win his first Filmfare Award for Best Male Playback Singer.

Saajan (1991) – “Mera Dil Bhi Kitna Pagal Hai” and “Dekha Hai Pehli Baar”

Collaborating with Nadeem-Shravan again, Kumar Sanu’s songs in Saajan made waves with their emotional depth and romance. “Mera Dil Bhi Kitna Pagal Hai” and “Dekha Hai Pehli Baar” brought tenderness to the on-screen chemistry between Salman Khan, Madhuri Dixit, and Sanjay Dutt.

Dilwale Dulhania Le Jayenge (1995) – “Tujhe Dekha To Yeh Jana Sanam”

Possibly one of Bollywood's most celebrated songs, “Tujhe Dekha To Yeh Jana Sanam” from DDLJ symbolized romance for an entire generation. Kumar Sanu’s voice brought warmth and a sense of longing to the song, making it an enduring favorite.

1942: A Love Story (1994) – “Ek Ladki Ko Dekha Toh Aisa Laga”

Sung with unparalleled emotion, “Ek Ladki Ko Dekha Toh Aisa Laga” became a signature song in Sanu’s career. With its poetic lyrics and serene melody, the song remains one of Bollywood’s most cherished romantic tracks.

Jo Jeeta Wohi Sikandar (1992) – “Pehla Nasha”

While a duet with Sadhana Sargam, Sanu’s vocals in “Pehla Nasha” capture the excitement of first love beautifully. It’s a unique song in his discography, showing his versatility and ability to capture varied emotions.

Baazigar (1993) – “Baazigar O Baazigar” and “Yeh Kaali Kaali Aankhen”

His work in Baazigar added to the thrill of this suspenseful romance, especially with “Yeh Kaali Kaali Aankhen,” an upbeat and energetic number that remains popular today.

Awards and Recognition

Kumar Sanu’s contribution to Bollywood has been recognized with numerous awards, including five consecutive Filmfare Awards from 1990 to 1994, an unmatched achievement. In 2009, he received the prestigious Padma Shri for his contributions to Indian music. His unique ability to adapt to various genres of Bollywood music, while consistently delivering hits, solidified his place as a legend.

Celebrate Kumar Sanu on Ruh Radio

For fans of Kumar Sanu and Bollywood music, Ruh Radio is your go-to destination. Broadcasting on 1440 AM, our channel plays an extensive array of Bollywood songs throughout the day, ensuring that you can enjoy Kumar Sanu's classic hits and other timeless melodies whenever you want. Tune in to relive the magic of Kumar Sanu's voice and explore the rich tapestry of Bollywood music with us.

Legacy and Influence

Kumar Sanu’s songs are often revisited by both fans and new listeners, who appreciate the depth, emotion, and timelessness he brought to Bollywood music. His voice remains a symbol of Bollywood’s romantic era, and his influence is visible in the work of contemporary playback singers who follow in his footsteps.

In sum, Kumar Sanu’s songs are not merely music but memories that continue to connect with listeners across generations. His legacy lives on through the magic of his timeless tracks, making him an indispensable part of Bollywood’s musical history. Tune in to Ruh Radio to experience this legacy every day!

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[blogtozone]

Dil Ne Ye Kaha Hai Dil Se Piano Notes | Dhadkan

Dil Ne Ye Kaha Hai Dil Se Piano Notes

Notes :-  Dil ne yeh kaha hai dil se G4 A4 C5 A4 G4 F4# A4 G4 Mohabbat ho gayi hai tumse G4 G4 A4 C5 A4 G4 F4# A4 G4 Meri jaan mere dilbar G4 A4 A4# D5 C5 A4# C5 D5 C5 Mera aitbar kar lo F4 G4 A4 C5 A4# A4 A4# C5 A4# Jitna bekaraar hoon main G4 A4 A4# D5 C5 A4# C5 D5 C5 Khud ko bekaraar kar lo F4 G4 A4 C5 A4# A4 A4# C5 A4# Meri dhadkanon ko samjho D4# F4 G4 A4# A4 G4 A4 A4# A4 Tum bhi mujhse pyaar kar lo A4 G4 F4# F4# A4 A4 A4 G4 Music G4 G4 G4 F4# D4, F4 F4 F4 D4# D4 G4 G4 G4 F4# D4, F4 F4 F4 D4# D4 Dil ne yeh kaha hai dil se G4 A4 C5 A4 G4 F4# A4 G4 Mohabbat ho gayi hai tumse G4 G4 A4 C5 A4 G4 F4# A4 G4 Tum jo keh do to chaand taaron ko tod laaunga main D5 C5 A4# A4# A4# D5 C5 A4# A4# A4# D5 C5 A4# C5 A4# A4 In Hawaoon ko in ghataaon ko mod laaunga main C5 A4# A4 A4 A4 C5 A4# A4 A4 A4 C5 A4# A4 A4# A4 G4 Kaisa manzar hai meri aankhon mein kaisa ehsaas hai D5 C5 A4# A4# A4# D5 C5 A4# A4# A4# D5 C5 A4# C5 A4# A4 Paas dariya hai door sehra hai phir bhi kyun pyaas hai C5 A4# A4 A4 A4 C5 A4# A4 A4 A4 C5 A4# A4 A4# A4 G4 Kadmon mein jahan yeh rakh doon G4 A4 A4# D5 C5 A4# C5 D5 C5 Mujhse aankhein chaar kar lo F4 G4 A4 C5 A4# A4 A4# C5 A4# Jitna bekaraar hoon main G4 A4 A4# D5 C5 A4# C5 D5 C5 Khud ko bekaraar kar lo F4 G4 A4 C5 A4# A4 A4# C5 A4# Meri dhadkanon ko samjho D4# F4 G4 A4# A4 G4 A4 A4# A4 Tum bhi mujhse pyaar kar lo A4 G4 F4# F4# A4 A4 A4 G4 Music G4 G4 G4 F4# D4, F4 F4 F4 D4# D4 G4 G4 G4 F4# D4, F4 F4 F4 D4# D4 Dil ne yeh kaha hai dil se G4 A4 C5 A4 G4 F4# A4 G4 Mohabbat ho gayi hai tumse G4 G4 A4 C5 A4 G4 F4# A4 G4 Hey.... F5 D5 A4# F5 G5 F5 E5 C5 A4 E5, D5# C5 G4# D5# D5# G5 G5 D5

About Song :-

"Dil Ne Ye Kaha Hai Dil Se" is a popular Hindi song from the Bollywood film "Dhadkan," which was released in the year 2000. The film was directed by Dharmesh Darshan and featured an ensemble cast, including Akshay Kumar, Shilpa Shetty, and Suniel Shetty. The song is known for its melodious and romantic composition. Here is some information about the song "Dil Ne Ye Kaha Hai Dil Se" from "Dhadkan": Singers: Udit Narayan, Alka Yagnik, and Kumar Sanu Music: Nadeem-Shravan Lyrics: Sameer Summary of the Song: "Dil Ne Ye Kaha Hai Dil Se" is a beautiful and soulful love song that expresses the emotions of deep love and longing. The lyrics convey the idea that the heart has spoken these words with all its sincerity. The music, composed by Nadeem-Shravan, is melodious and heartwarming. Significance: The song "Dil Ne Ye Kaha Hai Dil Se" became a massive hit and received widespread acclaim for its music and the heartfelt renditions by the talented trio of Udit Narayan, Alka Yagnik, and Kumar Sanu. It played a pivotal role in the film and contributed to the movie's overall success. The chemistry between the lead characters, played by Akshay Kumar and Shilpa Shetty, in the song's video was also widely appreciated. Music Video: The music video of "Dil Ne Ye Kaha Hai Dil Se" features Akshay Kumar, Shilpa Shetty, and Suniel Shetty in various romantic and emotional scenes. It beautifully captures the essence of their love story and complements the song's emotional depth. "Dil Ne Ye Kaha Hai Dil Se" is a timeless romantic song that remains a favorite among Bollywood music enthusiasts and is often played at weddings, parties, and on romantic occasions. It continues to be cherished for its melodious composition and heartfelt lyrics. Read the full article

[jothishis-blog]

The story of Shravan Kumar | Vedic stories for children | #YouTubeShorts...

[santoshkukreti04-blog]

Matra Pitru Bhakt Shravan Kumar ki kahani : भक्त श्रवण कुमार का नाम इतिहास में मातृभक्ति और पितृभक्ति के लिए अमर रहेगा । उसके माँ - बाप अंधे थे । 

[sendwishonlin]

एक आदर्श बेटे श्रवण कुमार की कहानी | Ideal Son Shravan Kumar Story In Hindi

आज हम आपको एक ऐसे आदर्श बेटे श्रवण कुमार की कहानी (Shravan Kumar Story In Hindi) सुनाने जा रहे है, श्रवण कुमार (Shravn Kumar) अपना पूरा जीवन माता और पिता की सेवा में लगा दिया, मृत्यु के समय भी उसको अपनी चिंता नहीं थी और वो उस समय भी सिर्फ अपने माता पिता के बारे में ही सोच रहा था, श्रवण कुमार जो (Shravan Kumar Ramayana Story In Hindi) की रामायण काल में पैदा हुए थे और पूरी दुनिया के लिए एक मिशाल बने. तो चलिए हम अपनी आज ��ी श्रवण कुमार (Shravn Kumar) को कहानी शुरू करते है.

https://storiespub.com/shravan-kumar-story/

[spiritmeaningblog]

Curse of Dasharatha and Kaikeyi

Curse of Dasharatha and Kaikeyi

Setting the Scene for Ravana’s downfall. Lord Rama was born to destroy Ravana. However, there were several other ideals that Sri Rama had to set. Firstly, the events that unfolded in Ayodhya had to be natural. This was because, in no way, could the events unfold as purely divine events, unfolding under supernatural conditions. Therefore Itihasa chose two characters namely Devi Kaikeyi and…

[indiejones]

INDIES TOP 108+ BOLLYWOOD MYTHOLOGICALS.. OF ALL TIME !

It is only natural to expect the oldest most ancient perennial spiritual mine & market of the world, the cradle of the universe, India, to devote noticeable quality time to it's spiritual entertainment too.

And not to disappointment here either. The purpose of this playlist being..inspiring the masses into the level of education that's transcendental..ie from normal average understanding of the tangible world (or worldly consciousness) to understanding of the spirit & soul beneath this tangible world & knowledge, (or God/Higher Creative consciousness), & ultimately to Formless Consciousness. And since this process necessarily involves first acquainting the masses with the truth of supernatural overlordship, & thereafter beginning one's journey to connecting the worldy knowledge with that highest spirit knowledge, the hitherto unlearnt & non-formalized deeper science of life, at the doors of which alone lies the keys to developing critical higher thot mass, potent enuf to then acquire the internal energy field needed to burn one's layers of past karma baggage & bondage, & progress faster unto life's ultimate purpose..liberation/self-realization.. ..Thus coming back to the focus area of this study - projecting the big Dot (of God acquaintance!), to be hopefully connected by students later on in life, with the world's many smaller dots, a process known as 'contemplation' !... (A greater elaboration on the process detailed in the below linked blogs- 1. https://wordpress.com/post/indiezone.home.blog/256 2. https://wordpress.com/post/indiezone.home.blog/4696 ) The land with the oldest, & some of the richest most fantastical mythical, aside spiritual literature, ripe for dramatic enunciation, presentation & adornation, has turned out, just in it's national language of Hindi alone, a high quantum of top knotch mythological entt, most prolifically in it's golden cinematic period of 50s & 60s, & also 40s (leaving aside the vast 20s & 30s silent film era spiritual cine treasure, lost to time), the Top 100 of which (as made available for view, though some obscure masterpieces blindly ranked just on basis of reviews of the oldest most highly reputable critics of the time, as also the sampling of some of it's impeccable music) have been laboriously & meticulously extricated, ranked & reassorted, at Indies, for the best most potentially transformative cinematic spiritual experience of its viewers. If ever dharma had a more natural appealing massy outlet! :) Have a watch (any plans on some healthy month long spiritual bingeing!?), & reconnect with the prominent mainstream stories of India, most of your parents, & certainly grandparents & all 'em generations before, have grown up on. The reputed 'land of magic', & it's plethora of multifaried magical Gods & Goddesses! At your beck & call! Should you show some interest! Literally! Have fun! 

Maya Machhendra

Adi Shankaracharya

Vivekananda

Hatimtai

Shri Ram Bharat Milap

Shri Krishna Leela

Meera

Sant Janabai

Ram Rajya

Shiv Parvati

Waman Avtar

Veer Bhimsen

Balram Shri Krishna

Shirdi Ke Sai Baba

Bhakta Prahlada

Bhagwan Parshuram

Ram Bhakta Hanuman

Valmiki

Ganga Maiyya

Raja Harishchandra

Jai Santoshi Maa

Krishna Bhakt Sudaama

Jai Mahadev

Shri Chaitanya Mahaprabhu

Sant Gyaneshwar

Alam Ara

Shakuntala

Gopal Krishna

Sati Savitri

Har Har Mahadev

Sampoorna Ramayana

Veer Ghatotkach

Bhakta Surdas

Sant Tukaram

Bharat Milap

Bhartrahari

Yatrik

Chakradhari

Sati Sulochana

Lav Kush

Bhagwan Shri Krishna

Gopal Krishna

Raja Harishchandra

Harishchandra Taramati

Kaliya Mardan

Muraliwala

Hanuman Chalisa

Jai Radhe Krishna

Rambhakta Hunuman

Jahan Sati Wahan Bhagwan

Maya Machhindra

Krishna Sudama

Sati Aur Bhagwan

Mahabharat

Saat Sawal Yane Haatim Tai

Hanumaan Pataal Vijay

Radha Krishna

Prabhu Ki Maya

Shri Ganesh Mahima

Lakshmi Narayan

Tulsidas

Mahabali Hanuman

Shravan Kumar

Subhadra Haran

Bhagwat Mahima

Angulimaal

Bal Ganesh

Rakshaa Bandhan

Gopal - Krishna

Narsi Bhagat

Sati Ansuya

Sant Sakhu

Sant Tukaram

Ram Hanuman Yuddha

Shree Krishnarjun Yuddh

Narad Leela

Shiv Kanya

Prem Sanyas

Bhakta Dhruva

Bhakt Dhruv

Jai Bolo Chakradhari

Kaliya Mardan

Kailashpati

Narasinha Awtar

Maya Bazaar

Kan Kan Men Bhagwan

Stree

Badrinath Yatra

Bhakta Kabir

Sampoorna Ramayana

Lav-Kush

Naag Padmani

Jai Karoli Maa

Har Har Gange

Mahabali Hanuman

Har Har Gange

Naag Jyoti

Surya Devata

Shankar Sita Ansuya

Sudarshan Chakra

Krishna-Krishna

Sri Ramadasu

Mata Mahakali

Jai Mahakali

Sant Ravidas Ki Amar Kahani

Chintamani Surdas

Naag Champa

Naag Champa

Cobra Girl

[filmmakersvision]

Top 10 Hindi Films of 2018

January 13, 2019

by Inakshi Chandra-Mohanty

1. October

October is like poetry unfolding on screen. An amalgamation of visual pleasure, a heart-warming score, and some of the strongest, most emotional performances of the year, this film is the definition of beauty. With an extremely simple plot, October thrives on the humorous antics of the eccentric Dan (Varun Dhawan) as he develops an unspoken bond with Shiuli (Banita Sandhu). As the trailer stated, it’s not a love story, but instead a story of love. There is the love between mother and daughter, which is tested time and again as the mother (Gitanjali Rao) is pushed by her brother-in-law to take Shiuli off the ventilator. And on the other hand, there are the selfless emotions that Dan has for Shiuli. His feelings for her are never explained, while what she feels for him can never be known. There is so much more to explore in the film, so many more nuances to touch on, which is why it is the best film of the year.

2. Tumbbad

“So jaa varna hastar aa jayega.” When children cry at night, mothers say phrases like this interchanging the villain (for example, Gabbar Singh), to make the children go to sleep. It has become such a popular phrase in the media, that the Tumbbad writers used it as the catchphrase of their film. This mythological horror fantasy film told in three phases, deserves to be recognized for being one of the most imaginative, surreal films made in Hindi cinema. A combination of frightening visual effects, a heart-racing background score, mindblowing cinematography, and creative storytelling, this film is about a man who encounters a mythological demon while searching for an ancient, hidden treasure in his ancestral ‘haveli’ (mansion) situated in the village of Tumbbad. Behind this unique storyline, is a very basic concept of greed in human nature. However, the film manages to present it in a fresh way. The best aspect of this film is the fact that it is a pure entertainer, which is commercially viable. The regular Indian film-going audience would love this film, if they were taken to see it. Unfortunately there is no known name associated with the film, therefore most of this audience has not even heard of the film, let alone gone to see it.

3. Mukkabaaz

Though many people characterize Mukkabaaz as a film about boxing and the hardships sports players in India face, I believe that it is at its core a love story. The heroine, Sunaina Mishra (Zoya Hussain), is the driving force behind the hero, Shravan Kumar Singh’s (Vineet Kumar Singh), passion for boxing. The first time he sees her he rebels against his good-for-nothing, but powerful coach, Bhagwan Das Mishra (Jimmy Shergill), who also happens to be Sunaina’s uncle, in an attempt to impress her. Throughout the film, his motivations, his passion, and his support all derive from his love for her. And even his decision at the end of the film is for the safety and happiness of Sunaina. His passion for boxing is secondary to his love for his wife, which is proven again and again by his actions. Mukkabaaz is Anurag Kashyap’s first attempt at creating a love story and is much better than his latest film, Manmarziyan, which after a certain point, becomes frustrating. Not only is Mukkabaaz a fresh and unique love story, but it also contains elements of Anurag Kashyap’s trademark style, so no true Anurag Kashyap fan will leave the film feeling disappointed.

4. Andhadhun

For many critics and audience members, Andhadhun is being lauded as the film of the year. It is no doubt a great film. The writing is intelligent for the most part, the direction is crisp, and the performances are phenomenal. But in my opinion it is fourth on this list primarily because I viewed it less in comparison to the other films of this year, and more in the context of Sriram Raghavan’s body of work. If compared to his other films, Andhadhun is closest in style and storytelling format to Johnny Gaddaar. Both are told as flashbacks. Both begin with a small mistake spiraling out of control. Both are an ode to 60s and 70s Bollywood crime capers. Both have elements characteristic of a neo-noir. And both are extremely intelligent edge-of-the-seat thrillers, with twists and turns at every moment keeping the suspense high. However, Johnny Gaddaar has a far tighter script than Andhadhun, especially in the second half where Andhadhun becomes slower and slightly less interesting due to the introduction of less entertaining characters. Therefore, Andhadhun is still one of the best films of the year, but my love for Johnny Gaddaar prevents me from rating it higher on this list.

5. Raazi 

Bias is the biggest weakness of any film based off of real events. The director’s most difficult obstacle is to not let his/her own views reflect on the objectiveness of the story, while still keeping the emotions intact. With Raazi, Meghna Gulzar has so brilliantly manipulated the audience into empathizing with every character in the film, regardless of nationality, therefore feeling patriotism regardless of country. After watching this film, you won’t hate Pakistan, nor will you hate India. You will just hate war altogether. Everyone will leave the theater feeling patriotic with no specific country in mind. Raazi follows the character Sehmat (Alia Bhatt), the daughter of an Indian spy, who gets married to a Pakistani military officer, Iqbal Syed (Vicky Kaushal), in order to gather information on the Pakistani military plans during the Indo-Pakistani War of 1971. Sehmat is such a well-written character with multiple dimensions. On one side, she is bound by her patriotism towards India, and the promises she has made to her father. And on the other hand, her growing love and affection for her husband and his family comes in the way of her mission. Ultimately, she is torn between these two and can no longer distinguish between right and wrong. There are very few films, which explore so many emotions and so many different sides to an issue with minimum bias, and Raazi is one of them.

6. Mulk

In the current times, when the Hindu-Muslim animosity is still fatal, and when anti-Muslim hatred is spreading widely throughout the world, a film like Mulk is essential. The film explores the backlash and ostracization Muslims face from Hindus and even from their own community, when the word terrorism is applied to a member of their family. After his nephew, Shahid Mohammed (Prateik Babbar), turns to terrorism, it is up to a respected advocate Murad Ali Mohammed (Rishi Kapoor) and his daughter in law Aarti Mohammed (Taapsee Pannu) to reclaim their family’s honor and fight for their prestige, as the whole family is prosecuted in court on charges of terrorism. The issues discussed in Mulk are tackled with sensitivity and minimum bias by writer-director Anubhav Sinha, and are made to resonate with the audience through the poignancy of the film. The film is not a landmark film, but it is an important one and hopefully it will allow people to gain a broader understanding of the type of anti-Muslim hatred that plagues the country.

7. Laila Majnu

It is very difficult to recreate a timeless, epic love story in a period where in film, practicality and realistic situations have begun to take over the classic notion of love. Making people believe in the intensity of emotions and craziness of love is a complicated task. The plot of Laila Majnu is a basic love story, boy meets girl, they fall in love, and their family enmity causes obstacles in the path towards their union. The first half is full of clichés yet remains fresh because of the new faces, the beautiful music, and the strong chemistry between the leads. However, it is the daring second half, when we see the love being torn apart, where Majnu’s separation from Laila causes him to succumb to depression, that makes this film worthy of being on this list.

8. Stree

After Bhool Bhulaiyaa, here is another brilliant horror comedy that has truly left the audience frightened by some scenes but has also managed to make them laugh extremely hard in others. A town is terrorized by a woman, called Stree (Flora Saini), who abducts men, leaving their clothes behind, and Vicky (Rajkumar Rao) attempts to solve this mystery and rid the town of ‘Stree’ forever. The three male leads, Rajkumar Rao, Aparshakti Khurrana, and Abhishek Banerjee, as well as Pankaj Tripathi have impeccable comic timing, which is supported by the hilarious dialogues. And yet the film still lives up to its role as a horror comedy since it is filled with scary moments and jump scares, the essence of which are not affected by the comedy. Stree is an overall entertainer, and its box office success is proof of that.

9. Pari

Pari was harshly criticized by film critics and the audience because it promised a horror film, yet it was not scary. However, its approach at creating a unique universe and widening the imagination of the audience is commendable. Pari is the story of a man, Arnab (Parambrata Chatterjee), who takes in an apparent victim of abuse, Rukhsana (Anushka Sharma), after her mother is killed in an accident caused by his car. However, everything is not as simple as it seems and soon Arnab realizes he has been dragged into a very dark world filled with conspiracies and supernatural forces. The line between good and evil has been blurred, and he no longer knows whom to trust. Though not scary in the moment, it leaves people with nightmarish thoughts and goosebumps afterwards, as the concepts and characters, which are thoroughly developed, are quite frightening. It would have been on the same level of Tumbbad if not for the weak script that completely derailed in the second half. However, despite that, the film works, partly because of the daring to try something new, and the brilliant performances, especially by Anushka Sharma, which will continue to haunt you for days.

10. Blackmail

At the time of its release, this film went almost completely unnoticed, due to bad PR and few noticeable actors. When I went to see the film, there were only two people apart from me in the theater. However, this black comedy is such a hilariously entertaining film. A man, Dev Kaushal (Irfan Khan) returns home one day to find his wife, Reena (Kirti Kulhari), cheating on him, and instead of confronting her like any normal person would, his sadistic mind convinces him to anonymously blackmail her and her lover, Ranjit Arora (Arunoday Singh). What begins as a simple plan, turns into a convoluted game as Ranjit’s wife, Dolly Verma (Divya Dutta), an employee at Dev’s office, Dolly’s father, and a private detective get involved. Though I do believe that a lot more could have been done with the story to make more comedic situations using the unique characters, the film was still thoroughly engaging due to the witty dialogues and brilliant characterization, emphasized further by the amazing performances.

[creyalearningsblog]

10 Best Mythological Stories for Kids to Learn the Way of Life

Indian Mythological Legends has a vibrant community and a long history. The idea of cultural lineage occurs through all these. Children are naturally inquisitive, and each tale stimulates their creativity. The children will understand what is fair and wrong. Honesty, compassion, love, dedication, courage, humility, and other vital characteristics are instilled in their children's minds. Even when those stories are centuries old, their teaching principles are still very significant today.

What is the importance of reading mythological stories for children?

These narratives retell the age-old conflict of morality over immorality. They can allow kids to distinguish between right and wrong.

These narratives are created on an active imagination, which youngsters will catch up on when told similar anecdotes.

Kids are taught the who, what, when, and why of festivities and rituals that are so important to Indian culture. Myths address children's queries about various customs and fulfill their inquisitiveness.

Whether it's affection for family, instructors, or God, folklore tells us that nothing is more critical than remaining devoted to those who are super important. This is an essential characteristic for youngsters.

Indian mythological history provides a diverse array of old tales that are still pertinent and fascinating and can aid in developing essential principles.

These are narratives from India's magnanimous cultural legacy. Carry them on and provide them with a peek at their cultural heritage.

Here are some mythological stories taught to kids at schools in Madhapur, Hyderabad. 

True friendship- Sudhama and Krishna's story demonstrates the value of genuine companionship. Sudhama is impoverished and struggles to nourish his kids. He goes to Krishna and offers him sticky rice folded in a cloth as a present. When he arrives at Krishna's mansion, he is embarrassed by his gift and attempts to conceal it. Krishna makes Sudhama offer him the sticky rice, and they have a great time together. Sudhama cannot drive himself to seek help, but his wife and family have already been given a new home and liberated from deprivation before he arrives.

Devotion- From the story of Prahalada and Hiranayakashyapu, one can derive the morals of what wonders can true faith do in an individual's life. Prahlada was a devout follower of Lord Vishnu. He was King Hiranyakashipu's and Queen Kayadhu's child. Hiranyakashyapu despised Lord Vishnu because Vishnu slew his demonic brother Hiranyaksha. Even with his father's warnings, his son Prahlada had immense faith in God Vishnu and worshipped him day and night. Hiranyakashipu once urged Prahlada to call Vishnu and determine whether or not he existed. Hiranyakashipu raised his weapon and attempted to slay Prahlada upon learning him agree. At this juncture, Lord Vishnu appeared in the form of Narasimha via pillar. Narasimha is Lord Vishnu's semi-man, semi-lion form, and he vanquished the villain Hiranyakashipu.

Love for parents- Shravan Kumar was a villager who was destitute. His elderly parents indicated a desire to go on a holy pilgrimage. But, because they were crippled, Shravan Kumar reasoned that he couldn't send them unaccompanied. Shravan Kumar then made the decision to take them on his shoulders. Shravan Kumar walked to the lagoon one day as they were relaxing underneath a tree in the jungle to fetch some water for his parched parents. King Dasarath, Lord Rama's father, went hunting there. He wounded Shravan Kumar by mistake while hearing the gurgling sound of water. Even as he was dying, Shravan Kumar begged King Dasarath to first relieve his parents' thirst before informing them of the unexpected event.

Virtuous- Amongst the most often told legendary legends is the Ramayana. Rama is compelled to leave his homeland and is exiled with his spouse, Sita, and brother, Lakshmana. As the banishment ends, Ravana, King of Lanka, abducts Sita. Even against difficulties, Rama defeated Ravana and his vast army to save Sita. Rama consistently stands out by resisting doing what is immoral. This epic has numerous tiny scenes that teach children the virtue of keeping true to their principles and the necessity of brotherhood. Children can learn from heroes such as Lakshmana and Hanuman too.

Suitable over evil- Vrindavan was the home of Lord Krishna. He spent considerable time playing with his buddies and protecting the other villagers from harm. Kaliya, a multi-headed venomous snake, existed in the River Yamuna. He poisoned the Yamuna River, and the steam was so filthy that every living person who interacted with it died. Lord Krishna made the decision to put a closure to this. He leaped into the stream and battled the terrible serpent by putting the entire weight of the cosmos on the snake's head. Kaliya lost the fight and apologized profusely. He let Kaliya escape with the threat that he should never return to Vrindavan and plague people needlessly. 

Concentration and focus in life are essential- Dronacharya, the teacher of all battlegrounds, instructed the youthful Pandavas. Drona pushes his students to the trial by hanging a miniature bird from a branch and challenging them to shoot their arrow keys at the bird's eye. Before beginning the exam, he asked each of them to describe what they saw as they gazed at the aim. The Pandavas respond in various ways, such as birds, petals, bush, and so on. Only Arjuna, without reluctance, claims to have seen nothing except the bird's eye. This Epic incident emphasizes the necessity of having a precise aim and sticking to it. It educates people that disturbances will always exist, but only those who successfully manage to keep their attention on the target will be victorious in life. 

Dedication- Ekalavya was a little child who aspired to be the finest archer in the world. Because he came from a low caste, his desire to learn marksmanship from Dronacharya was refused. However, this did not dampen his desire to master archery. He practiced shooting close to his home day after day and placed a clay idol of Dronacharya alongside himself. He improved his archery skills over time. Dronachariya spotted Ekalavya's remarkable archery prowess one day and worried he would surpass Arjuna, Dronachariya's most noteworthy student. Ekalavya was overjoyed to meet Dronacharya. Because he viewed Dronacharya as his master, he requested that Ekalavya's right thumb be Guru Dakshina. He completed it immediately, without contemplation, and gave Dronacharya the thumb. 

Tolerance and Patience- Some folks assaulted Buddha as he passed through a village. After hearing everyone, he inquired if he may leave if they were pleased. People were amazed and wondered how he could take all the criticism and never become furious. He said that he could not accept insults. Earlier, when he toured a nearby village, the inhabitants offered him sugary treats, which he rejected as he was not starving, forcing them to hand them back. People would give the candy to their families and loved ones. He then asked the villagers if they would report the atrocities to their family members and friends. They were humiliated and, after that, admired Buddha.

Truth over everything- Vibhishan is Ravan and Kumbakarnan's younger brother. They all prayed in hopes of persuading Lord Brahma and obtaining a boon. When Brahma emerged, he inquired about their desires. Kumbakarnan longed to eat and sleep, while Ravan desired for no Lord or Devil to slay him. Ultimately, Vibhishan expressed his willingness to walk the route of truth and justice. Brahma was overjoyed and immortalized Vibhishan in turn. 

Think well before deciding something- Nandi is Lord Shiva's bodyguard and is wholly devoted to him. Some evil men once stormed Shiva's temple. Shiva urged Nandi to fight beside him against the bad guys. On the other hand, Nandi paid no attention to Shiva's comments. Notwithstanding Shiva's protests, he followed those men. Shiva became enraged and commanded Nandi to wait outside Shiva's home. Nandi can be found outside Lord Shiva's Sanctum in shrines.

With the help of mythological stories, it is pretty evident that both parents and teachers can inculcate moral values among students of all ages.  cbse schools in kukatpally hyderabad  n society, moral values play an essential role as it not only helps shape a child into a righteous individual but also make them capable of handling situations in life with morality and not deviating from the right path.

At schools in Madhapur, GES tends to be pretty forward with teaching students morals with the help of mythological stories. Being the best CBSE school in Kokapet, it turns out to be one of the best places to enroll your children, where values matter and are developed from the ground level. 

[globaledgeschool6]

10 Best Mythological Stories for Kids to Learn the Way of Life

Indian Mythological Legends has a vibrant community and a long history. The idea of cultural lineage occurs through all these. Children are naturally inquisitive, and each tale stimulates their creativity. The children will understand what is fair and wrong. Honesty, compassion, love, dedication, courage, humility, and other vital characteristics are instilled in their children's minds. Even when those stories are centuries old, their teaching principles are still very significant today.

What is the importance of reading mythological stories for children?

These narratives retell the age-old conflict of morality over immorality. They can allow kids to distinguish between right and wrong.

These narratives are created on an active imagination, which youngsters will catch up on when told similar anecdotes.

Kids are taught the who, what, when, and why of festivities and rituals that are so important to Indian culture. Myths address children's queries about various customs and fulfill their inquisitiveness.

Whether it's affection for family, instructors, or God, folklore tells us that nothing is more critical than remaining devoted to those who are super important. This is an essential characteristic for youngsters.

Indian mythological history provides a diverse array of old tales that are still pertinent and fascinating and can aid in developing essential principles.

These are narratives from India's magnanimous cultural legacy. Carry them on and provide them with a peek at their cultural heritage.

Here are some mythological stories taught to kids at schools in Madhapur, Hyderabad. 

True friendship- Sudhama and Krishna's story demonstrates the value of genuine companionship. Sudhama is impoverished and struggles to nourish his kids. He goes to Krishna and offers him sticky rice folded in a cloth as a present. When he arrives at Krishna's mansion, he is embarrassed by his gift and attempts to conceal it. Krishna makes Sudhama offer him the sticky rice, and they have a great time together. Sudhama cannot drive himself to seek help, but his wife and family have already been given a new home and liberated from deprivation before he arrives.

Devotion- From the story of Prahalada and Hiranayakashyapu, one can derive the morals of what wonders can true faith do in an individual's life. Prahlada was a devout follower of Lord Vishnu. He was King Hiranyakashipu's and Queen Kayadhu's child. Hiranyakashyapu despised Lord Vishnu because Vishnu slew his demonic brother Hiranyaksha. Even with his father's warnings, his son Prahlada had immense faith in God Vishnu and worshipped him day and night. Hiranyakashipu once urged Prahlada to call Vishnu and determine whether or not he existed. Hiranyakashipu raised his weapon and attempted to slay Prahlada upon learning him agree. At this juncture, Lord Vishnu appeared in the form of Narasimha via pillar. Narasimha is Lord Vishnu's semi-man, semi-lion form, and he vanquished the villain Hiranyakashipu.

Love for parents- Shravan Kumar was a villager who was destitute. His elderly parents indicated a desire to go on a holy pilgrimage. But, because they were crippled, Shravan Kumar reasoned that he couldn't send them unaccompanied. Shravan Kumar then made the decision to take them on his shoulders. Shravan Kumar walked to the lagoon one day as they were relaxing underneath a tree in the jungle to fetch some water for his parched parents. King Dasarath, Lord Rama's father, went hunting there. He wounded Shravan Kumar by mistake while hearing the gurgling sound of water. Even as he was dying, Shravan Kumar begged King Dasarath to first relieve his parents' thirst before informing them of the unexpected event.

Virtuous- Amongst the most often told legendary legends is the Ramayana. Rama is compelled to leave his homeland and is exiled with his spouse, Sita, and brother, Lakshmana. As the banishment ends, Ravana, King of Lanka, abducts Sita. Even against difficulties, Rama defeated Ravana and his vast army to save Sita. Rama consistently stands out by resisting doing what is immoral. This epic has numerous tiny scenes that teach children the virtue of keeping true to their principles and the necessity of brotherhood. Children can learn from heroes such as Lakshmana and Hanuman too.

Suitable over evil- Vrindavan was the home of Lord Krishna. He spent considerable time playing with his buddies and protecting the other villagers from harm. Kaliya, a multi-headed venomous snake, existed in the River Yamuna. He poisoned the Yamuna River, and the steam was so filthy that every living person who interacted with it died. Lord Krishna made the decision to put a closure to this. He leaped into the stream and battled the terrible serpent by putting the entire weight of the cosmos on the snake's head. Kaliya lost the fight and apologized profusely. He let Kaliya escape with the threat that he should never return to Vrindavan and plague people needlessly. 

Concentration and focus in life are essential- Dronacharya, the teacher of all battlegrounds, instructed the youthful Pandavas. Drona pushes his students to the trial by hanging a miniature bird from a branch and challenging them to shoot their arrow keys at the bird's eye. Before beginning the exam, he asked each of them to describe what they saw as they gazed at the aim. The Pandavas respond in various ways, such as birds, petals, bush, and so on. Only Arjuna, without reluctance, claims to have seen nothing except the bird's eye. This Epic incident emphasizes the necessity of having a precise aim and sticking to it. It educates people that disturbances will always exist, but only those who successfully manage to keep their attention on the target will be victorious in life. 

Dedication- Ekalavya was a little child who aspired to be the finest archer in the world. Because he came from a low caste, his desire to learn marksmanship from Dronacharya was refused. However, this did not dampen his desire to master archery. He practiced shooting close to his home day after day and placed a clay idol of Dronacharya alongside himself. He improved his archery skills over time. Dronachariya spotted Ekalavya's remarkable archery prowess one day and worried he would surpass Arjuna, Dronachariya's most noteworthy student. Ekalavya was overjoyed to meet Dronacharya. Because he viewed Dronacharya as his master, he requested that Ekalavya's right thumb be Guru Dakshina. He completed it immediately, without contemplation, and gave Dronacharya the thumb. 

Tolerance and Patience- Some folks assaulted Buddha as he passed through a village. After hearing everyone, he inquired if he may leave if they were pleased. People were amazed and wondered how he could take all the criticism and never become furious. He said that he could not accept insults. Earlier, when he toured a nearby village, the inhabitants offered him sugary treats, which he rejected as he was not starving, forcing them to hand them back. People would give the candy to their families and loved ones. He then asked the villagers if they would report the atrocities to their family members and friends. They were humiliated and, after that, admired Buddha.

Truth over everything- Vibhishan is Ravan and Kumbakarnan's younger brother. They all prayed in hopes of persuading Lord Brahma and obtaining a boon. When Brahma emerged, he inquired about their desires. Kumbakarnan longed to eat and sleep, while Ravan desired for no Lord or Devil to slay him. Ultimately, Vibhishan expressed his willingness to walk the route of truth and justice. Brahma was overjoyed and immortalized Vibhishan in turn. 

Think well before deciding something- Nandi is Lord Shiva's bodyguard and is wholly devoted to him. Some evil men once stormed Shiva's temple. Shiva urged Nandi to fight beside him against the bad guys. On the other hand, Nandi paid no attention to Shiva's comments. Notwithstanding Shiva's protests, he followed those men. Shiva became enraged and commanded Nandi to wait outside Shiva's home. Nandi can be found outside Lord Shiva's Sanctum in shrines.

With the help of mythological stories, it is pretty evident that both parents and teachers can inculcate moral values among students of all ages.  cbse schools in kukatpally hyderabad  n society, moral values play an essential role as it not only helps shape a child into a righteous individual but also make them capable of handling situations in life with morality and not deviating from the right path.

At schools in Madhapur, GES tends to be pretty forward with teaching students morals with the help of mythological stories. Being the best CBSE school in Kokapet, it turns out to be one of the best places to enroll your children, where values matter and are developed from the ground level. 

[anjupanta]

चप्पल बेचेर श्रीमती र छोराछोरी पाल्ने श्रवनको कथा

बिराट भीड मध्येका एक पात्र हुन श्रवन कुमार साह। जिम्म्मेवारिको भारि, थकान शरीर, परिवारको चिन्ताले घरमा खेति गरेर बस्नुपर्ने श्रवानालाई ठेलामा चप्पल हालेर गल्लि र बस्तीमा हिड्ने बनाइ दिएको छ। उमेरले ५० कटिसकेका श्रवन अहिले परिवार पाल्नकै लागि भनेर राजधानीको गल्लि र बस्ति बस्तीमा, सानो चार पांग्रे ठेलामा चप्पल बेपार गर्ने गर्दछन।

https://saptahik.wordpress.com/2022/07/05/story-of-shravan-kumar/

[blogtozone]

Dil Hai Tumhaara Piano Notes | Title Track

Dil Hai Tumhaara Piano Notes

Notes :-  Mastaana mausam hai, rangeen nazaara B4 A4 B4 D5 B4 B4 A4 B4 D5 B4, B4 D5 C5 A4 B4 B4 A4 Dhadkan kya kehti hai, samjho ishaara B4 A4 B4 D5 B4 B4 A4 B4 D5 B4, B4 D5 C5 A4 B4 B4 A4 A4 G4 Aaj se jaaneman dil hai tumhaara... F4# G4 A4 A4 B4 A4 C5 B4 A4 E4 F4# F4# G4 A4 G4 Aaj se jaaneman dil hai tumhaara... F4# G4 A4 A4 B4 D5 C5 B4 A4 E4 F4# F4# G4 Mastaana mausam hai, rangeen nazaara B4 A4 B4 D5 B4 B4 A4 B4 D5 B4, B4 D5 C5 A4 B4 B4 A4 Dhadkan kya kehti hai, samjho ishaara B4 A4 B4 D5 B4 B4 A4 B4 D5 B4, B4 D5 C5 A4 B4 B4 A4 A4 G4 Aaj se jaaneman dil hai tumhaara... F4# G4 A4 A4 B4 A4 C5 B4 A4 E4 F4# F4# G4 A4 G4 Aaj se jaaneman dil hai tumhaara... F4# G4 A4 A4 B4 D5 C5 B4 A4 E4 F4# F4# G4

About Song :-

"Dil Hai Tumhaara" is the title track from the Bollywood film "Dil Hai Tumhaara," which was released in 2002. The film was directed by Kundan Shah and starred a talented ensemble cast, including Rekha, Preity Zinta, Mahima Chaudhry, Arjun Rampal, and Jimmy Sheirgill. The title track is a romantic song that plays a pivotal role in the film's narrative. Here's some information about the song "Dil Hai Tumhaara": Release Date: The song "Dil Hai Tumhaara" was part of the film's soundtrack, which was released in 2002 along with the movie. Singers: The song is beautifully sung by Kumar Sanu and Alka Yagnik, two prominent playback singers in the Indian music industry known for their melodious voices. Music Director: The music for "Dil Hai Tumhaara" was composed by Nadeem-Shravan, a popular music director duo in Bollywood. Lyricist: The lyrics for the song were penned by Sameer, a prolific lyricist in the Indian film industry. Genre: Bollywood, Romantic Language: Hindi Background: "Dil Hai Tumhaara" is a romantic ballad that expresses the feelings of love and longing. In the film, the song is picturized on the lead characters, Shalu (Preity Zinta) and Dev (Arjun Rampal), who are in love but face challenges and misunderstandings in their relationship. The song captures the emotional essence of their love story. Significance: The title track of "Dil Hai Tumhaara" is a melodious and emotional song that resonated with audiences. The soulful singing by Kumar Sanu and Alka Yagnik, combined with the heartfelt lyrics and memorable composition, contributed to its popularity. Legacy: "Dil Hai Tumhaara" remains a beloved Bollywood song and is remembered as one of the highlights of the film's soundtrack. It is often included in romantic playlists and continues to be cherished by fans of Hindi film music. Overall, "Dil Hai Tumhaara" is a classic Bollywood love song that captures the essence of romance and remains a favorite among fans of Bollywood music. Read the full article

[thenetionalnews]

Anupam Kher wants to know whereabouts of Kailash Giri to sponsor his pilgrimages

Anupam Kher wants to know whereabouts of Kailash Giri to sponsor his pilgrimages

Anupam Kher wants to help man who is reportedly carrying his blind mother to several pilgrimages on his shoulder. The actor reacted to a viral post which talks about a man reportedly named Kailash Giri Brahmachari. He is being called the modern Shravan Kumar, based on a popular Indian story of a man who carried his blind parents on his shoulders to a pilgrimage. Also read: Ranvir Shorey hugs his…

[dial-m-for-movies]

Mukkabaaz and Gully Boy – A Combined Review

Disclaimer: This article is for the people who have already seen both the films. It’s an analysis of the stories and not a review per se. 

Before getting into the intricate details of both the films and why I chose to write a combined review, I would want to dig into their timelines and how their timely release resonated with me in my life. Mukkabaaz was released in January 2018, while Gully Boy had hit the silver screen a year later, i.e., February 2019. In January 2018, I had just started my journey as a full-time writer with some talent and no knowledge and network, while in February 2019, I had landed up my next job – a position that would play a huge role in changing my fortunes (Apna Time Aaega, you hear?). Needless to say, in 2018, I felt that all the forces of nature stood against me in my journey as a writer, and in 2019, I started feeling that I am getting into the grooves. Therefore, I could relate to both the films at the time of their release, and they became special to me. 

However, my personal journey with both the films is not the reason I am writing a combined review, but what inspires me to write this review is that both the stories offer an oppositional reading to each other while also being a mirror image of each other in all the aspects – to start with, both the films cater the stories of lower-middle-class people with the faintest chance of achieving anything in life. While Gully Boy offers a ray of hope to the dreams of the underdog artists, Mukkabaaz butchers those dreams with a formidable knife of ground-level politics (literally and figuratively), the caste system of India, the bureaucracy in the Indian government jobs, and of course, a tangential narrative of vengeance that does not surpass the portrayal of the other aspects forementioned.

In Gully Boy, we see an underdog rapper Murad, who eventually rises to fame through sincere and honest hard work. 

On the other hand, Mukkabaaz shows us a promising champion Shravan Singh, who has to lose all his battles and is beaten to submission under the juggernaut of a flamboyant ex-boxer (sorry, a Brahmin ex-boxer), who walks that extra mile to destroy the career of who seems like an eventual star in the boxing ring, or in other words, Uttar Pradesh ka Mike Tyson as the protagonist will proclaim with sheer conviction and passion (read fashion).

Both the protagonists have a very similar background in terms of their strata in the society, but what separates them is their journey to a perennial failure or eternal fame, and what unites them is the raw talent that both of them are blessed with and have nurtured over the years.

Akin to Shravan Kumar of Mukkabaaz, Murad of Gully Boy has a romantic interest, albeit without a narrative-shifting conflict. It is also a coincidence that Murad’s girlfriend is outspoken to the level of rudeness, while the female protagonist of Mukkabaaz cannot speak, although both of them share a similar interest of being a free soul that intermittently experiences bouts of rather entertaining anger.

Shravan and Murad have very distinctive jobs that are equally boring and most importantly, hopeless. However, in Gully Boy, you see Murad experiencing a moment of Eureka that makes him abandon his job and go on to chase his goal of becoming a rap sensation, and this makes the film a warm fantasy of hope for the (contrived) realization of dreams. On the other hand, Shravan continuously struggles against the system. Here, I would digress a bit. There is a scene in Mukkabaaz wherein Shravan’s boss tells him that once upon a time, his forefathers used to work in his house, but the time has changed. This, what seems like a running commentary on the reservation system and the perpetuated politics in the government jobs, can also be interpreted as an empathetic note to a generation that is paying the price for the atrocities committed by the forefathers.

While Shravan Kumar suffers in every way due to his caste being inferior to the Brahmin ex-boxer and superior to the presumably Dalit boss, who has now achieved success through education. On the other hand, we do not see Murad suffering from a crisis due to his religion or him being a minority in India. But we see him suffer due to his financial position so much so that he ends up writing a song named Doorie, which is an odd to the modern times of visionary development that has been turning a blind eye on the crippling poverty in the country.

The supporting characters are also polar opposite in both the films – Shravan’s friend depicts the typical lower-middle-class guy, who likes to play it safe, while the iconic Moin is a go-getter who turns out to be a savior to Murad and also plays a key role in his journey to success.

The characters who coach both the protagonists are very distinctive personalities. 

While MC Sher is a proven rapper who backs these underground artists who are looking for that one single opportunity in life.

Sanjay Kumar from Mukkabaaz is a victim of the caste system – Harijan and more importantly, too good at his job and therefore, forced to failure by the system.

Amid these contrasting characters and narrative threads, what separates Mukkabaaz and Gully Boy are the very different philosophies. While Mukkabaaz teaches you to fold your hands in front of the system to achieve sustainable success, Gully Boy provokes you to be a rebel, so much so that the means through which Murad manages to live and ultimately rise to fame are also criminal and anti-social, even though it is arguable that the filmmaker wanted to show glimpses of desperation in the slums of Dharavi.

This is to say that Mukkabaaz tries to condition or convince its audience to live life like a loser (and that will make you an ultimate winner in the long run), but it also ushers the way to success that is real and safer, especially in a century-old system, which will stand against you.

In that case, Gully Boy sermonizes the world-wide popular self-help quotes (You Can Win) to an extent that not only makes it become unrealistic but also an urban fantasy of dreams - an effect that catapults with the film's iconic song “Apna Time Aaega”. 

Mukkabaaz unravels the loopholes of the system, while Gully Boy asks you to take the responsibility yourself and almost says that you are the only one who can stand against your dreams. This is exactly where Mukkabaaz gets closer to portraying a real society of moral violence, and Gully Boy becomes just another underdog story (though a very good one) that is made to inspire masses.

And to say it, a lot of things separate the journey of both the filmmakers – Anurag Kashyap – an underdog storyteller caught in the tinsel town of mediocrity and a perpetual conundrum of cinema as entertainment and art. And then we have Zoya Akhtar, who is blessed with a flamboyant background and of course, the enviable production value that comes with it. While Anurag Kashyap is yet to see real success with money and awards - the one he actually deserves, Zoya’s Gully Boy experienced the fortune of being a nominee in the Oscars.

On that note, here’s what I want tell Anurag Kashyap with a rather sardonic smile –

“Apne talent ka pramaan-patra leke society me Jhanda gaadne nikle ho?

Daant chiyaar ka time bhool jaaoge.

Pehle sahi vyatitva ke samaksha daant niporna seekho.

Zyada important hai ki tum kisko jaante ho, kisko pehchaante ho.

Kaun tumko jaanta hai, kaun tumko manta hai.”

<wink wink>