#still haven't started my dissertation

[awolfgeeksclothing]

YESSSS MORGYN!

[hella1975]

hella i too am in the trenches with uni work right now (i have a 12 page paper due tonight and i started yesterday ahahaha fuck) but WE’VE GOT TH so sorry but somebody just skateboarded past me. what the fuck. this is the fourth floor of the library?????? THEYRE EATING DORITOS WITH CHOPSTICKS WHILE SKATEBOARDING IN THE PHILOSOPHY SECTION HUH i was gonna say more poetic things abt how we’re bad bitches or whatever but i’m just. baffled right now.

WHAT IS GOING AWN 🔥🔥

[crescencestudio]

๋࣭⭑ Devlog #41 | 5.28.24 ๋࣭⭑

It's hot girl (/gender neutral) summer season

HAPPY MAY!!

Hope you're all doing well <3 We're already getting into summer, which is a little crazy to me. The year is flying by! Before I get into what we actually did this month, it wouldn't be a May devlog without our annual Mermay celebration!

Look at those locks. His Ariel/Rapunzel era fr

Since I already had updated Mermay pieces for the Alaris LIs, I decided to do one for our beloved Van this year ^^ Hope you all like it!

For writing this month, I spent a lot of it catching up on Etza edits. Being totally transparent, I wasn't Completely Happy with their route when their draft was finished. But now that I've started the editing process with Wudgey, I'm really excited to see how their route is shaping up!!! We've been fleshing a lot of little interactions out with their route, and I can already see Etza's character really starting to shine with these edits ^^

I've also been chipping away at Kuna'a's route! While it's nowhere near finished, I'm hopeful that this upcoming month will be the month of Kuna'a now that I don't have a bunch of releases I'm trying to balance. His route is also one of the ones whose outline is more fleshed out (Druk and Etza I would say were the least fleshed out, which might be why they also took a bit longer). So I'd love to see Kuna'a's first draft complete/almost complete by the next devlog!

This month, I had to dust off my art skills tbh LMFAOIJSDF. It's been.... a WHILE since I've made CGs since I've been in the writing and coding dungeon for so long. So most of this month's art updates are me getting tilted from redrawing an ugly sketch over and over.

I DID manage to get the Van Mermay piece out. And I also was able to sketch out Kayn's Tragic End CG; that leaves only one CG that has to be sketched out! Currently, six of their CGs are finished, two need to be rendered, and one needs to be drawn still.

And since Kayn's CGs are mostly done, I've started drawing Fenir's. I was actually able to finish one because I basically Locked In when I made it, so here is a sneak peek!

Kisses his little pink nose

You might notice there's not toooo many updates on this month's devlog. The reason for that is because this month, I spent a lot of it recovering both mentally and physically. April shenanigans and those back-to-back releases took a lot out of me, and after going full speed basically since this year started, I learned I REALLY needed a break. That coupled with the concussion I got made it so that most of this month was focused on recovering and then getting back into the groove of things.

Another thing I tried to focus on this month was finding a balance in my workflow. Going into this month, I felt like I was on the verge of a mental breakdown almost every day, in large part because I have a lot of big things I'm trying to accomplish this year. Between finishing my dissertation, Alaris, and a personal big event that I have to plan, I have a lot on my plate this year, and it's made it easy to get overwhelmed as the months pass by. So I wanted to find a balance between all three that didn't make me feel like I was also falling into insanity. After talking to beloved Wudgey of @herotome fame, I've started adopting a schedule that gives me enough structure and flexibility to feel like I'm making progress without going crazy and getting lost in the sauce.

While it's still early in the process, I'm really happy with the balance I've hit, and I'm feeling much more like myself now compared to a month ago!

I caught up on quite a few things in my backlog this month, which made me happy ^^ I always like to learn from and support other devs, so finally being able to return to that helped with the recovery process <3

I don't have any actual fanart pieces, but there are a couple of games I'd like to highlight!

First of all, of course I must talk about our hot girl (/gender neutral) summer cross-promo. If you haven't checked out these games, I can't recommend them enough!!

Links to each game can be found on the Alaris Game page under the magic and mystery otome section!

Specifically, Save the Villainess, The Good People, and Thorn for the Villain are amazing games if you're into thriller/political games layered with mystery

The Silent Kingdom (which I played recently and is AMAZING) and Dual Chroma (Otojam 2023 ALLY) have added mechanics of RPG for exciting action-adventure fantasy stories

Lost in Limbo, Obscura, and Snow White Ashes are BEAUTIFUL dark fantasy games. I've played all three of these and they have some of the most beautiful writing and visuals... BIG FAN OF ALL OF THEM.

Mask Beyond Lies and Sigh of the Abyss have that epic fantasy adventure appeal to them, in a way that I think is similar to Alaris! And Pearlglow Cafe (another Otojam 2023 ALLY) is a very lighthearted and charming game for those of you who like the comfy vibe that most of my stories have!!

Some other games that I played are Favor (@favorvn) by beloved @concreteparasite which is SOOOOO stylish. If you've played Binary Star Hero by Connie, you can expect that same stylish, dark, sultry vibe from Favor. If you haven't checked out either of those games by Connie, I can't recommend them enough, especially if you like yanderes. There is so much aesthetic and atmosphere to them!

I also played Where Winter Crows Go by @prikarin who is a VERY talented developer (and one I'm sure many are familiar with). I had a lot of fun romancing Crowe and both the MC and him have such strong personalities, it was so fun seeing their dynamic!!!! The CGs were also made by anta, who is the dev behind Thorn for the Villain, and they're BEAUTIFULLLLL. Each one has so much style and rly has a professional look to them. Can't recommend enough if you haven't played already ((heads up that it is another yandere game for those who can't do yandere!))

Okay I've yapped enough. If you've made it this far, you are god's strongest soldier LFMASLDIFJ. See you all next month with hopefully some exciting progress!

[darlingofdots]

I know a lot of you are waiting for updates on the duck post and I also said that I would write a sort of primer on the romance genre and romance novel scholarship which I haven't done. Unfortunately I've been dealing with an RSI on my dominant hand for a couple months now which is really irritating and uncomfortable and is also preventing me from doing, like, most things. I haven't been able to craft in months which is usually one of my favourite things to do and how I spend a lot of my time; I've had to cut back on dancing and I also am struggling to do a lot of everyday tasks such as getting dressed or doing my hair without making it worse. Cooking is really bad because it's hard to peel or chop or even just hold things with only one hand and my flat is a mess (even more than usual). I am currently dictating this to Microsoft Word because typing is also really uncomfortable and I need to get more comfortable using dictation because I also have a PhD dissertation to write and no way of knowing how much longer I'm going to be dealing with this. I'm really hoping that the doctor I'm seeing on Monday will have anything constructive to offer but in the meantime I am doing all I can not to succumb to the depressive episode that's starting to really get to me, because it really feels like this has gone on forever and it's not getting any better. Sorry if you followed me because of my original posts which I had been trying to write more of, I promise there are still ducks waiting in my parents’ house and I will eventually update that post!

[magellanicclouds]

Halo - An Essay: regarding waste management systems and devices for MJOLNIR armoured Spartans It has been a hectic sort of few weeks. Between work and getting sick again (for the fourth time already this year thanks to my crewmates who can't remember it's their duty to stay home when they're ill) I've been on the outs. I haven't had the energy for much, but I'm usually a pretty active person, so this has kind of made me loopy? Which feels like as good a time as any to talk at length about the concept of catheterizing Spartans for waste management in MJOLNIR.

Let me explain.

This Silly Post crossed my dash recently and I fully understand it is meant as lighthearted fun - we have fun here. But it also dragged out some strong thoughts I've had haunting in the back of my mind about this for years because I'm super normal about Halo, and have time on my hands and the right amount of sleep deprivation and medication on board. So I wrote 3500 words about it. And about Karen Traviss, who is pretty knotted up in this conversation, since she's the one who decided to start it back in 2011.

To preface, I'm not an expert, but I have worked in emergency medicine for 25 years, and been a fan of Halo for almost as long. I've had more of a lukewarm relationship with it the last decade or so if I'm being honest, but it will always have a home in my heart; I just think letting it under my skin like that in the first place may have made me feral and prone to biting. Thankfully, I can always happily rotate Fred in my mind until the heat-death of the universe, so that's nice. Anyway, full disclosure: the essay below contains discussion about medical devices, physical trauma, and I am sharing quite a lot of personal negativity about the Kilo-5 trilogy and Karen Traviss. That said, if you'd like to sit in on the length of what I'm about to yell into the sky about all this, you can find it under the cut. I love you.

Welcome to my dissertation.

Section 1 - The Relevant Background:

Equipping Spartans with urinary catheters weeded itself into the Halo universe in the 2011 book Halo: Glasslands, during a conversation between Spartan II Naomi-010 and ODST Mal Geffen. Glasslands was the first in Karen Traviss's Kilo-5 trilogy, and she is both the originator of this, and the only official Halo author or source to have used catheters specifically since. Some context: I don't personally like these books, or their author, or even her reasoning for why she chose to add this. My personal preference doesn't make something 'bad', and I'm not out to hurt any feelings. Kilo-5 isn't a total wash for me, there are some characters and ideas that I'd of otherwise loved to have seen explored through the lens of a different author, but these books felt smothered under Traviss's habit of always injecting her very loud personal voice into the narrative fabric. I think this is something that's fine to do in an original series, but doesn't really belong in an established third party IP. She bangs on about so much of her own narrow worldview and self-assured prejudices across the trilogy that still discussing them today creates division in the fandom, and sadly did a lot of lasting damage to a couple characters. But for the topic here, the dialogue that started all this cath chat came from Naomi-010, having idle conversation with Mal who asks her about bathroom breaks. “I’m catheterized. Another reason why that machine has to be so precisely calibrated. This suit plugs into me in a lot of places.” 'The Machine' she's referring to is a Brokkr assembly, which was introduced to the lore as a large mechanical armature used to get Spartans in and out of MJOLNIR. You can see them in action in cinematics from Halo 4 (+Spartan Ops) and 5.

One single mention, and it was big news. Traviss was naturally interviewed about it because of course she was - people can't help themselves but forget an entire novel and tunnel vision on 'but how pee pee?', and her answer has always irritated me. It's not in what she says, so much as what 'what she says' means in her voice. Traviss didn't answer it directly, but instead talked about how she likes to get into character's heads by addressing the mundane necessity of things that often go overlooked to expand a sense of familiarity with the character and their world. Sounds super reasonable, I know, but don't give her too much credit - that's not a quote. It's just me paraphrasing and honestly I was pretty generous in my wording. Probably because I agree! What bugs me about it, is if you've ever read literally any interview with her, or her personal musings about her writing process, you know there's a bit of an 'honesty' issue there. She's somebody who feels perfectly comfortable ignoring established character voices, traits, or histories to satisfy whatever roles she's reinvented for them, and too many others wind up as mouthpieces. How much are you really challenging yourself in finding characters' voices when most of them are just yours? And the part about familiarity with their world? I giggled a little. She doesn't care about their world, or their aesthetics, or their technology, or their medicine. Because she didn't care about Halo while writing these, and she's not vague about admitting that. It's a matter of pride for her to purposefully refuse to research those things, in the same way she disregarded Star Wars and Gears of War - she doesn't consider the effort to be a valuable part of her process. So instead she'll skim the foundation, gather some recognizable names, pick her targets, and trusts that her personal experiences combined with an outsider perspective will generate better content to seamlessly overwrite what existed. Cool, Karen. Annoying, but why bring all that up? We're here to talk about catheters, right? Well, the fandom for the most part begin and end their assessment of the dialogue at urinary catheters, but the whole quote implies so much more than that - "This suit plugs into me in a lot of places." We're not just dealing with a cath, but apparently with multiple additional external-to-invasive connections. Reader, this dialogue is a plinth to Traviss's bizarre refusal to research not only the franchises she's contracted to write in, but also just into the basic function and hazards of existing concepts that she wants to introduce, and all because she's convinced herself she's done learning about the world. Choosing to ignore the creative freedom of limitless potential in a future of technology that would be basically magic to us today, and instead degrade 529 years of advancement is certainly a take, but it's even more ridiculous to do it with a subject (The Spartan Programme) that is considered to be the peak of advancement in that future's setting. That's clownery, just like her alleged commitment to adjusting her perspective to suit a universe's world.

I want to close out this section with a question: Why is it that writers in the Halo space - both fan and official - cling so tightly to current-day modern concepts as if they'd still be perfectly relevant in 500+ years? Music, for example, apparently suffered a multi-century stagnation in lots of published and fanmade Halo media. Though my partner made a strong counterpoint about this to be fair: we still listen to music composed by Mozart. So there's an argument to be made there. Medicine though. There is way less latitude to embrace the classics there. It's been shown across several games, novels, and films to be sufficiently advanced well beyond anything we're currently capable of or even understand, so why undermine that and choose to drag it centuries backward? For clarity, I am not talking about what might be standard in the public or private sectors, nor the enduring things that'd be used by the public and military alike, like sterile dressings, syringes, supplemental oxygen equipment. Those are the Basics and they will be relevant to us indefinitely. But I'm talking about the UNSC. I'm talking about ONI R&D. I'm talking about Section Three. Retrograding tech and failing to address a necessity that applies to every living person in the Super Soldier Wizardry department makes my mouth flatten into a tight little line.

Section Two - Caths, and why this whole thing got written:

Indwelling urinary catheters, both urethral and suprapubic. There's a laundry list of problems here, but I've distilled it down to the three biggest when suggesting they'd have any safe practical application in Spartans: Care. Activity. Damage. There is unreasonable expectations of care and maintenance for caths with regards to people who can be on operations isolated for months at a time with no support of any kind and are often limited to carrying only what can be kept on their person. The level of extreme physical activity Spartans engage in on any perfectly normal day whether deployed or not is unfit for the stability and safety of a cath. And damage; obvious enough, but with this one I'll be taking a huge emphasis on concussive forces - explosions. Something Spartans are subjected to a lot. I'll be using the height of modern-day catheter quality as a baseline for this, since that's what Traviss felt was sufficient. Regarding Urethral vs Suprapubic, Traviss doesn't specify by name, but Naomi's comment in full reads to me that she's only catheterized temporarily while armoured, hence the assembly needing to be so finely calibrated. Foley caths are temporary urethral caths that would only supplement the urinary process while a person was armoured. Suprapubic caths however are surgically placed devices. They do need routine tube replacement to keep them clean, but unlike the Foley that just serves as an aide measure for an otherwise fully functioning bladder, suprapubic caths are usually placed in people with congenital bladder disfunction, or who've suffered injury or disease that left the bladder in poor health or failure. This type of access will always require a tube in place and this would be the exclusive method of urination - in or out of armour. My Big Three Concerns fit both types similarly, though there is some additional risks associated with urethral caths that I'll cover.

Care: Caring for an invasive cath is a not insignificant effort. They're prone to blockage, kinking, and bacterial growth. They're so frequently responsible for UTIs and kidney stones that these complications are just considered the Standard Fair for having a cath. Their need to be frequently replaced because of their penchant for bacterial growth is the kicker here - whole floral colonies sprout up in caths and can eek their way out into the body through compromised tissue and wreck havoc. They have no self-cleaning mechanism, and steadily deteriorate. Changing and replacing an indwelling cath is a procedure that requires additional supplies that'd have to be carried, and needs to be done in a practiced and clean setting; preferably medical. Granted, there are people who manage the removal and insertion of their own caths at home, but they still need to ensure a clean and safe environment while they do this. A Spartan could never be guaranteed that, nor would it even be wise to consider the vulnerability of removing so much armour to handle it. Modern day caths are recommended to be replaced every 30 days or so, with some models able to be in place for a few months at a time, but that's with constant daily care and cleaning; something that'd be unreasonable for a Spartan to maintain while entrenched who knows where for who knows how long, and without access to replacement medical supplies. Those endurance times between replacements are geared for the average public person who leads an average public life and care for their cath as directed and don't get into fist fights with Sangheili. Needless to say, the endurance time for the same device in a Spartan who leads a wildly different lifestyle probably cuts those times down to a third.

Activity: Modern day caths are designed to offer people the most utility and versatility possible. Both models are available for people who are bed-bound or have extremely limited mobility, as well as for those who are mobile, independent, and live out average lives. With regards to the latter, suprapubics are somewhat more common, if for no other reason than to reduce the Foley's higher risks of induction injury, but modern urethral caths also allow for regular movement and activity with a more reduced chance of becoming dislodged or damaged than they would have had a couple decades ago. But when I say regular activity, I mean going on a walk. Shopping for groceries. Doing basic house chores. Even light exercise and sexual activity can be managed with physician advisement and the appropriate precautions taken. Anytime a Spartan was fielded they'd have to be all the more overly-cautious about Movements Outside of Their Control during confrontations, maneuvers, ambush, environmental or vehicular incidents. Even when things go well there'd be too much risk involved. That said, traumatic decatheterizations happen more frequently than anyone would like, and I'm talking about regular old Joe Everybody. I respond to no less than a dozen of these incidents a year. Both types of catheter are held in place by a bulb balloon that's inflated from a port with around 10-30ccs of saline after the tube enters the bladder (30ccs would be more appropriate for better security of the line). Before removing a cath, the saline is removed to deflate the balloon and the tube is guided out - with a Foley cath, that means being guided out of the urethra. When a Foley cath is traumatically removed, the saline filled balloon - which is like five times wider in diameter than the average 6mm urethra - does a pretty devastating amount of damage on it's way out, penis or vagina; though a penile urethra has significantly more length to damage, and the penile meatus very typically is torn. These incidents run high risk of bladder hematoma as well, which requires urgent surgical intervention. The very worst traumatic decatheterizations I've responded to were all penile and had trauma to external tissue. Ever microwaved a hotdog a little too long?

Damage: How often are Spartans subjected to explosive and other concussive forces? Silly question - answer: a lot and often and unavoidable. And we know they still feel the powerful feedback. Despite shields and dampeners and a self-moderating gel layer, strong inertial forces are still felt through the suits. Across multiple novels we're given details about near misses and blasts, accelerated or uncontrolled falls, rattling their teeth, hampering their vision, hearing, or balance; they've been rendered unconscious and suffered internal injuries. The fact that most of these events don't flat out kill them is a credit to their armour and augmentations. For reference - when a person experiences explosive or concussive force from a distance enough to avoid separation of limbs, bisection, etc, the totality of their injuries can't and won't be seen externally. How they present on the outside is just the tippy tip of the iceburg - it's what's happened to them internally that you need to be concerned about. Cracked or fractured bones, torn musculature, arterial shearing, hollow organ rupture, cardiac and brain tissue bleed, to name some common ones, and this kind of trauma extends to all implanted devices as well. For example, rods and nails and other structural aids or replacements are much more resilient than your organic tissues, and can dislodge when tissues tear or rupture, damaging anything in their way like shrapnel. The fragile little balloon of a catheter will shatter when subjected to even relatively minor explosive force, so to even consider for a moment that this would be a viable piece of equipment for people intended to routinely be involved in explosive environments is beyond willful negligence. That there wouldn't be a better solution to the question of waste management - a necessity for literally all human people who make up the entirety of the Spartan branch, with the infinite funding of ONI R&D seems so stupid to me that I… well, that I wrote this. Because, friends - participating in active warfare is not cath-safe. The kinds of physical demands and forces on Spartan bodies are not cath-safe. The risks will never outweigh the benefits to this. Even while sealed in powered armour and a skinsuit tech layer, the very thought of Section Three engineers or Halsey or anyone involved in the development of MJOLNIR dismissing the glaring obvious failure of Spartans having any kind of externalized invasive devices is so unreasonably negligent that it could only be the brainchild of an author who's convinced that these characters are all actually just psuedo-intelligent government boogiemen who aren't as capable as they claim to be. But No. They are that capable, and they are that intelligent and the fact that they have a bottomless budget and deeply flexible ethics is literally what makes them so dangerous.

So if we have to address this, how do we do it? Apparently there was always an official answer for this. Former Franchise Development Director, creator of the Master Chief**, and extremely racist asshole Frank O'Connor weighed in on this in the same interview, where he almost immediate rejected and denied Traviss's catheterization claim and says that 'this sort of stuff' was the kind of thing he and the other creative heads at Bungie/343i talked and planned about all the time. So how does this work then, because we're invested now. According to 'ol Frankie's elegant input: they just pee freely into the suit. That's it. For clarity, he's talking about the skinsuit and not the MJOLNIR interior proper. He goes on to say that connectivity between body and MJOLNIR at all levels is fully noninvasive, but precise, and that it doesn't matter what kind of body output a Spartan introduces into the suit interior, because a hygienic valve system (??) will scrub it continually and collect all matter for recycling and reintroduction via capillary action powered by movement. It's not clear in what layers or intermediaries these mechanisms occupy, he doesn't break it down more than that. But that's the answer, and it did exist back when Traviss was penning Kilo-5.

Is this answer better than haphazardly plugging extension cords from actual organ systems into MJOLNIR interior? Yes. Like, leagues better by comparison, but also I still think it sucks. To me anyway. It's flat out gross as hell, which definitely fits the personal brand of a man who proudly overfed his cat and called himself "Stinkles", but also it just doesn't strike me as the kind of design strategy ONI would pursue for any of their assets. Beside it just being 100% torn from Dune's stillsuits, it's also missing that special brand of proprietary Section Three je ne sais quoi. There's layers upon layers of too-specialized equipment installed into these people for everything else, why skip this? A body function that should have been Point 3 on a 50 point list of 'stuff to manage'. Also though? It's a lot of freedom. This is just another easy opportunity to add yet another layer of dependence. Spartans are expensive equipment. It doesn't do to give them any fewer reasons to think they can ever walk away.

So anyway, I figured I'd take a crack at it. I came up with this while editing the last two paragraphs: [Waste management] - a fully internalized collection and processing device - lets say a cybernetic implantation - that entirely replaces the bladder. It has bio-organic lumens that interconnect it to the GI and Hepatic organs. The implant assists in accelerating the processing of gathering and refining waste materials with the help of nanobots that identify and redirect waste along the lumens of each system, plus they keep the implant clean and free of bad flora. All twice-processed waste gets refined a lot quicker and any water by-product of the process is refined and redistributed back to the organs along the lumens. None of the refined water is removed from the body for drinking, because that's an unnecessary step; it's already inside. (Drinking water would be the responsibility of a suit system more likely - like, sweat leeching in the skinsuit; refine, filtrate, purify, collect into a reservoir, and jettison the excess sodium. ) There is no 'extraction of other viable nutrient' from the remainder, it's been twice identified as waste. It gets catabolized and consumed by the nanobots as a fuel source, and no externalized waste is created at all while the Spartan is geared up. The implant doesn't always run like this - it only engages this way when the Spartan is wearing MJOLNIR, and when they're not, it just works like an out-of-the-box bladder. The intermittence of usage lets the organic organs truck along as usual, preventing risk of atrophy, and the Spartan can just use a bathroom like everyone else. I'm not a bioengineer, but I do like sci fi and I think all that sounds like something that'd be possible in this sandbox. And that's the real fun of it, isn't it? There's no way anyone today can anticipate what sort of gadgetry might be available 500+ years from now, especially in a fictional universe that includes military tech hybridized with reverse engineered alien tech.

I think it's fascinating when writers and artists shake loose and really grab the reins, and I love seeing the fruit of that labour in this particular tumblr community so often. We're not a huge Halo circle, but we're a passionate one, and if this essay leaves you with nothing else, I hope it will at least remind you to Go For It when you're writing your next fic or drawing your next piece, or composing, or sewing, or printing, or anything!

In Conclusion: Rest easy, friends.

Despite Traviss's word and even books that went to print, the official canon is that Spartans are not catheterized. If that's a bummer for anyone, canon can't stop you from writing whatever you want, but I do hope maybe you'll remember my reasoning for why it might not be the best idea? At least not for armoured Spartans. A Spartan, but they're laid up in hospital? Any non-Spartan personnel? Maybe you're writing in the public sector, a colony world or vessel? Sure - I'll bet caths are still plenty widely used. Why not? They're a blissfully simple and useful effective piece of equipment. It's just all about adjusting and adapting for practicality. Medical science, like any technology, adapts and evolves infinitely as we learn and discover new things. Treatments or drug algorithms I'd of used just last year have already undergone changes, and protocols are amended constantly. It's why a person 'practices' medicine; why a scientist is always a student. If questions like this or similar really need answering in your next work, remember: Give yourself the credit you deserve, and embrace the spirit of invention. Let my Cyber Bladder, by Sparklets be the candle in the window for you!

You may all retrieve your keys from the bowl and unsilence your phones. Stay safe and please text me when you get home. Thank you. ' u ' **Addendum: Former Bungie Creative Art Director Marcus Lehto is in fact the person who is most associated with the creation of the Master Chief.**

[inkblackorchid]

What the hell happened with Crow: an autopsy (Part 3)

Trying my absolute damnedest to finish this one and part four sooner now that I've finally covered the Pearson backstory. *Ehem* Hello again! I hope you're ready for more yelling about a certain spiky-haired Blackbird aficionado, because I sure am.

To get some things out of the way first, though, here come the usual disclaimers:

This is part three of a series of posts about hpw Crow's character was handled during 5Ds' whole run. You can find part one here and part two here. Reading them technically isn't required, but things sure will make a whole lot more sense if you do. (Bring snacks, they're long.)

This post isn't meant as a Crow hate post, nor is it meant to convince people who didn't vibe with his character to change their mind. This is my very long winded-attempt to analyse the writing decisions surrounding his character as best I can, without too much bias. That said, full disclosure, I do personally like Crow, so there's a good chance that will shine through whether I want it to or not. But also, I'm trying to have fun here, so please cut me some slack.

In case you haven't read my previous Crow posts (no shade there) and/or still believe the many, many production rumours that have been haunting the 5Ds fandom since the show's original run, please let me burst your bubble(s) with some insanely comprehensive research by someone over on Reddit (thanks again to @mbg159, who's also here on tumblr): No, Crow was not meant to be a dark signer, or the final boss of season 1, and his spike in screentime has nothing to do with his cards. And also, No, Aki didn't get less presence in the narrative because her VA got pregnant. What if you don't have the time to read either of those long posts? In that case, please take away this simple, very easy rebuttal of why the above theories are bullshit: Their would-be "key points" don't line up with the 5Ds production timeline. At all. Not even vaguely. So please, ditch them, let them die, seeing them still talked about makes me feel like I'm gonna break out in hives. And for the love of god, don't use this post or in fact anything else I post to pit Aki and Crow against each other. Both characters have their strengths and their reasons to love them. I am not the least bit interested in starting any character discourse. So please, spare my sanity. Ok? Thank you.

And now, we can get to the good part at last. In my previous post in this series, I stopped my analysis at episode 95, a.k.a. part two of the Pearson backstory. In this post, I will thus be picking up right after, at the very start of the WRGP—with the Team Unicorn match. The goal for this post is to analyse Crow's part in this particular arc, then provide some food for thought/ideas on how things that rubbed some people the wrong way could have been improved.

More below the readmore, and I give you not just my usual warning, but an extra warning, too: The universe will not let me write short things, so tread with caution, stay hydrated, and expect a veritable dissertation below, because this post feels long even to me, who has long since lost her sense of length when it comes to text. (But I'm well aware this is the result of me refusing to split the WRGP part into two separate posts, so I take full responsibility for that.)

Since we left off right after I chewed through all the issues with Crow's rather belated backstory and especially Black-Winged Dragon last time, we jump right into the thick of things now, with episodes 96 and 97, which serve as the preamble to Team 5Ds' first WRGP duel against Team Unicorn. Crow only gets two major things to do during this short stretch of episodes, the first being that he's Team Unicorn's gateway into roping Yusei into a duel during practice, which helps them set up a ruse that baits the 5Ds gang into sending Jack as their first wheeler because they think Jack's deck is best suited to countering Andre's—which, as it later turns out, it is not.

(Arguably the screenshot where Crow gives off the strongest Youngest Sibling Vibes during the entire show. Look at him, all chastised.)

Crow's second role is an odd one that I argue only he out of the main three guys could fulfill at this point: He's the one to get injured right before the Team Unicorn match, rendering him unable to compete, which leads to Aki offering to take his place for that particular match.

(Pictured: Bird Boy regretting all his life choices up until that point simultaneously.)

Here's the first moment I have to talk about in greater detail. See, the thing is, I don't know what the fandom consensus on Crow getting injured here is, but I argue that this moment was a (rare) strategic decision made by the writers at this point. Crow's injury accomplished several things: 1. It sets up the mystery of why his back wheel locked up out of nowhere, which is later paid off through Team Catastrophe's shenanigans. 2. It organically allows Aki to take his spot without introducing any argument about which of them is "worthier" of having that third spot. 3. Through this, it also allows him to actually bounce off Aki for once (a point I will come back to below, during the Team Catastrophe section). And 4. It allows the show to (TECHNICALLY) pay off the setup they did in letting Aki get her turbo duelling license and train with the boys. (Generally, Crow's and Aki's character writing intersects a bit during the pre-Diablo incident WRGP section, something I'll touch on below.)

Moreover, I think this is also the only match where they could have done something like this, and the reason for it is very simple: Team Unicorn are one-off opponents whose presence in the narrative is only relevant as far as it concerns the WRGP, and they are also one of the first teams the 5Ds gang faces. If we think about the opponents Team 5Ds has after this, it becomes very obvious why Crow could only be injured during this duel: If they had tried pulling this stunt later, it would have forced the writers to pull Aki centre stage during a much more plot-relevant duel than this one (which they were apparently allergic to, but let's not go there), not to speak of the fact that it would have forced them to sideline someone they were definitely trying to sell as the third portion of their protagonist trifecta, which would have probably been awkward. (If not for the fact that they literally did this to Crow later in the show, but I'll get there. Yes, I know there's a lot already that I'll still be "getting to".)

The thing is, whether or not it feels like an awkward writing choice to make so early in the big tournament of this arc (you be the judge of that), Crow's injury finally allows him to have a few interesting character moments for once. For one, there is his immediate disappointment about being forced to stay on the sidelines. Aside from the fact that this is a human and relatable reaction to his injury, it stings even more for the character than it does for us as the audience, because Crow got a moment where the Satellite orphans he previously took care of cheer him on for the tournament literally within the same two Team Unicorn preamble episodes.

(Say what you will, this is just stupid cute.)

So when Aki eventually offers to take his place during the match, he's understandably apprehensive—and again, this is human. It may seem mean in the moment, but from a character writing standpoint, it's a natural response. Plus, it's certainly more interesting to watch the group have a bit of conflict among themselves, rather than everyone immediately jumping straight to acceptance. It introduces tension, and, for however brief a moment, raises the question of whether Crow might refuse to let Aki take his spot. This is also the point where Aki and Crow's character writing officially intertwines, at least for the stretch of episodes between the Team Unicorn duel and the Team Catastrophe duel. And you know what? Say what you will, but I think it does a world of good for both of them. The 5Ds cast, as lovely as it is, doesn't get a lot of room to bounce off one another where it concerns personal matters anymore, once the WRGP starts. Arguably, they get little time to bounce off one another outside of plot-related discussions at all once this portion of the show comes around. The characters are treated as "fully developed", and thus, the writing largely doesn't take the time to show us how the group naturally interacts with one another anymore, especially not with how many side characters (chiefly Bruno and Sherry), antagonists, and duels the show now has to juggle. So Aki and Crow getting even a smidgen of personal conflict here is honestly a breath of fresh air. The interaction kicked off by Crow's injury isn't completely plot-irrelevant, like most character interactions during the pre-WRGP were, but it's not something that feels like it's only there to explain the machinations of the antagonists to the audience, either.

Let me go through this in a little more detail to illustrate my point.

So, episode 97. Crow storms off after Aki offers to take his spot, while Aki heads out to prepare her runner, intent on helping her team. The personal motivations here are already very nice and reflective of these characters as we've gotten to know them up until this point: Crow's angry and disappointed (mostly at himself, which is noteworthy!) because he can't compete. And specifically, he's angry because not being able to compete in the first match means he can't show the kids his duelling like he wanted to. Then there's Aki, whose offer to take Crow's place is every bit as much of a strategic suggestion as it is a bid for acceptance from her. Acceptance, which is the thing she's been all about ever since she was introduced, basically. So she pleads with her friends to accept her, see her as an equal, and allow her to duel for the team, which they do. And Crow initially throws a fit, but then...

(Listen. You have no idea how much Crow and Aki getting to actually be friends means to me.)

He comes around to the idea and not only gives Aki his express permission to take his spot, he even coaches her a bit right before the match. Moreover, as his text states above, he literally entrusts her with the kids' hopes, as well as his own. This quickly brings both of them full circle: Crow, who already has a theme of legacy attached to him, passes the torch to Aki for this match, and in so doing, offers her the acceptance she asked her teammates for. (Frankly, stuff like this makes me wonder why on earth people were so eager to pit these two against each other, when their shared moments are actually some of the best-written during the often rocky WRGP arc.) So, though this injury pulls Crow out of the duel, it, funnily enough, ties him better into the story and to the other characters.

From there, we then dive into the Team Unicorn match proper. And well, being injured as he is, Crow doesn't exactly get a whole lot to do there. However, since we're in the portion where his and Aki's writing overlaps a bit, I do need to go on a quick tangent about what Aki's portion of this duel means for Crow.

(Sigh. Okay, buckle up for a quick and rough detour.)

First, something I need to get out of the way and off my chest: I have made no secret out of the fact that I hate Aki's portion of this duel, save for the moment where she summons Stardust. Hell, this duel segment is pretty much universally hated by anone who has even a smidgen of sympathy for Aki. It's regarded by many as the very moment the writers axed Aki's character, and for good reason: After all the buildup surrounding her getting her turbo duelling license, the supposed "payoff" of it all is that she gets to duel against Andre for a depressing four turns before being defeated immediately, which leads into Yusei's frustrating portion of this duel, which, to my knowledge, isn't regarded any more kindly by fans than Aki's segment. It's a massive let-down, simply put. But the thing is, it's not just a let-down for Aki. After all, the brief character conflict she had with Crow about taking his spot here can and should be regarded as part of the setup for this moment, and as such, it can also be considered to be wasted the second Aki leaves the track after barely making an impact whatsoever.

However, I do need to mention that I have a theory on why this segment was handled the way it was, mostly because I feel like Crow's later interaction with Aki, shortly after she's out of the duel, underlines it (mind that this is just my personal theory, though, after having watched the show perhaps more times than can be considered sane): I think there is a cultural aspect to this duel. See, the word ganbaru, which anime subtitles often like to translate with "do your best" or something along the lines, has a greater significance than the translation implies. Though it's not inaccurate per se, there's more than just the idea of doing your best behind ganbaru, because it's something like an umbrella term not just for doing your best and succeeding, it's also the idea that you have to keep trying, even if you don't succeed. It's related to tenacity, to persistence, even in the face of terrible odds. And make no mistake, I don't mean the Japanese equivalent of "if at first you don't succeed, try again" here. I genuinely do mean "you have to keep trying, even if you fail". There is no guarantee of success here. And for that reason, the idea behind ganbaru is also that it's not simply the success that has value, but the effort made in the attempt to attain it, regardless of the result. (Side note: I tried to scrounge up a resource I could link to that nicely explains this concept, but unfortunately, all the promising articles were paywalled and the ones I learned it from require institutional access to lecture materials.) And this is where I will posit the tentative theory that this is exactly what the 5Ds writers were going for with Aki's segment of the duel—it was very much meant to be the payoff for her turbo duelling license setup and her plea to take Crow's place, but it wasn't so much her success that was meant to be valued, as the effort she (and by extension, Crow) made for and during this duel. And this is where Crow's little pep-talk with Aki after she's out of the duel comes in, because it feels like it supports exactly this interpretation:

(This is essentially the whole sequence. Note how Crow, despite so fervently entrusting Aki with his and his kids' hopes prior, doesn't admonish her for making a bad showing in the slightest.)

I don't think it gets any clearer than it is here. During this sequence, Aki is painfully aware of how poor her performance was against Andre, especially after she was so insistent on duelling at first, and despite having been entrusted with Stardust by Yusei, to boot. Yet, Crow doesn't have a single word of criticism to offer her. Instead, he even tells her she did well and that nobody's perfect. It very much reads as valuing Aki's effort over the result she achieved to me, and thus seems perfectly in line with the idea behind ganbaru.

However, if we assume I'm correct about the intentions behind this writing choice, we come back to why Aki's segment of the duel is so hotly debated and why it may have arguably been a disservice not just to her, but to Crow, too, character-wise. Because the majority of non-Japanese watchers of the show culturally don't have a 1:1 applicable concept like ganbaru, this writing choice was more likely to fall flat for them, because to someone who wasn't raised to understand the idea behind it, Aki's portion of the duel doesn't register as a payoff; it registers as a massive disappointment, because it feels like the writers, who had so much setup already done for her, let her fail on purpose, just to later let Yusei attain his arguably dumbest victory of the entire show. Thus, they also essentially waste the conflict she had with Crow about whether she would be allowed to take his spot in the first place, because with how little she achieved during the duel, she may as well not have gotten on the track. (Figuratively speaking. Please Do Not take this to mean I would prefer a version where Aki hadn't duelled at all. That would be worse. It would be infinitely worse.)

(Also, side note: If this post reaches anyone who's actually Japanese and still remembers this duel, I would genuinely love your input on whether my interpretation is feasible or just wishful thinking. Did you interpret Aki's part of the duel the way I did here? Or did it fall flat for you, too? If what I'm saying here feels like an absolute reach, please tell me. I'm honestly just trying my best to make things make sense here and remembered this concept from some classes I took in Japanese studies at uni.)

With all that in mind, it doesn't come as a surprise that some people were just as frustrated with the way Crow was barred from duelling here as they were with Aki's segment or Yusei's later victory. But it is what it is—the Unicorn duel concludes the way we all know it to, and with that, the show begins setting up the following duel with Team Catastrophe.

The only other, non duel-related, noteworthy thing that happens between the Unicorn and the Catastrophe match is a brief appearance at the Poppo Time by Sherry, who admonishes the signers for celebrating their victory early and warns them about Iliaster. Why do I bring this up? Because it's one of less than five times that Crow is in the same room with Sherry. Remember, Sherry. The girl he later, during the finale, talks out of working for the big bad evil guy because he suddenly seems to have such a deep understanding of her motivations and character that he can accurately deduce what argument will make her understand that working with Z-ONE won't give her what she's looking for. So, does Crow get a meaningful interaction with her during this scene, then? Nope. Not even in the slightest. Crow says exactly one sentence that is aimed at Sherry during her appearance, and that sentence is this:

(What a meaningful conversation!)

And yes, I will come back to Crow and Sherry's dynamic in particular. But we'll save that for the Ark Cradle arc post. For now, just keep it in mind as we move along to the other WRGP duels.

So. Team Catasrophe.

During the duel against this team, which was previously only hinted at ominously, the writing for Crow and Aki overlaps again, and this starts with the writers essentially doing a complete switcheroo of what came before: Instead of Crow getting injured and being unable to compete, it's Aki who crashes, ends up in the hospital, and is thus forced to give up her spot during the duel. (This also goes hand in hand with her suddenly losing her powers, which we are given absolutely zero explanation for, but let's not talk about that clusterfuck here. If you're interested in my opinions about that particular trainwreck, I have a rant for you.) Additionally, it's during this stretch of episodes (103-105, which is a whopping four episodes less than Team Unicorn got) that we find out that not only Aki's crash, but Crow's previous one, too, were both sabotage, caused by the rather unscrupulous Team Catastrophe by way of a special card that can cause real damage even when there is no psychic duellist present. (A card we also find out was given to them by Placido/Primo, but this is irrelevant for both Aki and Crow.) Crow's reaction to this piece of information, particularly once Aki gets injured due to the same thing, is where things get interesting for him again, because he gets pissed, to say the least.

(A moment I imagine firebirdshippers must have been positively delighted about.)

Here, I have to reiterate an earlier point: Think what you will of Team Catastrophe, of Aki's crash, and of the sequence where her powers suddenly don't work, but this moment here, where Crow gets angry on her behalf and swears to duel Team Catastrophe into submission—not because he wants his kids to cheer for him, or because he wants to prove himself, but as revenge for his friend—is one of sadly only a handful of moments the writers use to show the strengthened relationships between the individual members of Team 5Ds after the dark signers arc. It's one of the precious few scenes that actually shows, rather than tells us or lets us search for scraps in the subtext, that the signers, and the members of Team 5Ds as a whole, care for each other outside of revolving around Yusei like planets around the sun. Even if it's laughably small, it's at least a hint that there are individual friendships between the other signers, too, that they all stick around one another for reasons beyond gravitating towards Yusei for one reason or another. And for that alone, I'm grateful that they put this here, even if Team Catastrophe was otherwise so ridiculous and made such a bad showing at their actual match that they could barely be taken seriously as antagonists at all.

Speaking of which. The actual meat of the matter. The Team Catastrophe match. What does Crow do here? Well, he duels! Even though he wasn't supposed to, for injury-related reasons. What both his participation as well as the actual duel accomplish, though, are that they not only showcase previously established character traits of Crow's again, but they also make a (possibly unintended) callback to a previous, major duel Crow took part in: His dark signer duel against Bommer/Greiger. Where and how? Let's see.

Firstly, Crow's participation. The reactions of the other characters to this make it very evident that Team 5Ds did not plan for this, with Yusei and Jack even going as far as to say they "had no choice" but to let Crow duel, because he insisted. This is perfectly in line with the stubbornness we already know from him at this point—a stubbornness that was also a major reason for why he took Bommer on and later continued his duel with said man, despite Yusei showing up and telling him he shouldn't be duelling a dark signer.

Secondly, there's the manoeuvring thing, and here's where I can call attention to a fun tidbit: The WRGP isn't what introduces the concept of manual mode during turbo duels to the audience. It's Crow. During his duel with Bommer. Being crafty and a bit shrewd as he is, Crow, during said duel in the DS arc, purposefully switches to manual mode when he duels Bommer, because he figures that attacks that can deal real damage can probably be evaded if you actually have control over your runner and aren't stuck in autopilot.

(Don't believe me? Here it is. And frankly, it is somewhat hilarious, yet also very fitting that Crow is the only one who thinks to do this during a duel with a dark signer.)

The reason this particular bit is relevant during the Team Catastrophe duel is because Crow essentially repeats this trick here. Of course, it's a bit less impactful now, given that manual mode is standard for WRGP duels, but still: Due to Hook, the Hidden Knight, Crow is forced to pay attention to the track and manually evade the monster's attempts to make his back wheel lock up during the duel, mirroring how he thought to manually evade Bommer's attacks during the DS arc.

Thirdly, there's the revenge angle, and this one is a particularly juicy callback. Remember, Crow's major reason for taking on Team Catastrophe, despite being injured, is that he wants to get revenge for Aki. This directly parallels how his major reason for duelling Bommer during the DS arc was that he wanted revenge for his kids, whom he believed to be dead at that point in time. (It also, interestingly, establishes a bit of a connection to his deck, which boasts a fair amount of revenge effects, but I'll not get into that here, seeing as I've talked about Crow's cards a bit before.)

Keep in mind, despite all the things listed above that this duel accomplishes, it's also by far the shortest WRGP duel. It lasts a whole six turns, total, which is ludicrous compared to the likes of 27-turn Team Unicorn, 26-turn Team Taiyou, or 25-turn Team Ragnarok. And I don't think it's controversial to say that the Catastrophe guys are probably the most forgettable WRGP Team, too. Yet, somehow, despite all its shortcomings in terms of memorable antagonists and plot relevance, this is one of the best duels of the WRGP where Crow's character writing is concerned. Now, I'll be perfectly candid: Coming into this post, I did not expect the Team Catastrophe duel, of all things, to end up being as good at actually showcasing Crow's character and his ties to other characters (who aren't Yusei) as it was, but here we are. And we had better hold on to the good the Team Unicorn - Catastrophe segment did for Crow, because the next thing that's coming up is a harsh break from the WRGP, starting with the sudden appearance of Placido's home-engineered army of killer duel robots. And what does Crow get to do during this part?

Uh. Well.

(Pictured: Bird Boy being demoted to benchwarmer while the city's being ransacked by murder duel robots.)

Nothing. A whole lot of nothing, is what.

During the duel robot invasion, we only ever flash back to Crow to ascertain that he is, in fact, useless during this part of the show, something he shares in common with Ruka, Rua, and Aki here, because all of them get pretty much nothing to do while Yusei finally gets the hang of accel synchro. Granted, Aki gets to save a little girl at the hospital, but in comparison to Yusei's lengthy, plot-heavy duel with Placido, this feels like a consolation prize. And for once, Jack is only marginally better off, too, because sure, he gets to beat up a couple of robots, but that's it, really.

Where Crow is concerned, his plot relevance doesn't actually resume once the Placido duel finishes, though. (And neither does Rua's, Ruka's, or Aki's, while we're at it.) Because wouldn't you know it, the next big thing directly after the duel robot invasion are the Red Nova episodes, where three out of five signers (Crow, Aki, and Ruka, unsurprisingly) are removed from the screen almost in their entirety again while Jack gets his much-needed dragon upgrade so he can keep up with Yusei, in order to uphold his status as a classic, almost-evenly-matched yugioh rival.

Speaking of upgrades and dragons, let's make a quick detour while our protag and rival duo take their express vacation to the Nazca plains. It is, of course, no secret that no signer outside of Yusei and Jack ever got a dragon upgrade within the anime. (No, I'm not forgetting about Life Stream Dragon. But that one, unlike Shooting Star Dragon and Red Nova Dragon, was a.) teased all the way back in the DS arc and b.) didn't have a unique summoning method or some other gimmick that made it an "elevated" synchro. So I'm discounting Life Stream as a "proper" dragon upgrade on purpose.) Is this the point where I start arguing that Crow should have gotten one, then? Well, not quite. Not with the writing the show canonically gave us, at least—after all, with how late Black-Winged Dragon was introduced, it would have been bonkers to upgrade him here already, if even at all. However, I do argue that the way the show hands only Yusei and Jack upgrades seems a bit... off. Now, I know why only those two get upgrades, or at least I think I do. After all, they're the central protag/rival duo, and within the framework of the character archetypes the larger yugioh canon has created for itself, this would have always made them the first, if not the only candidates for dragon upgrades. What feels a bit off to me, though, is that specifically the 5Ds cast feels like it... chafes a bit against those character archetypes, for lack of a better word. The problem is this: The signers, as far as the first two arcs are concerned, are sold to us as equals who all have very powerful ace monsters. Yes, Jack and Yusei are still undoubtedly the best duellists among them, but not on account of having uber-powerful extra special monsters that were acquired through supernatural means that are categorically inaccessible to the other signers. However, with the appearance of Shooting Star and Red Nova, this changes. While Yusei and Jack were previously and would have always been the two guys who had a Special dynamic with a capital "S" on account of their character archetypes, their acquisition of the dragon upgrades—and even more so, the lack of upgrades their fellow signers receive—now decidedly puts them in a different power bracket and skews the balance between previous, supposedly "equal" characters. (Which, unfortunately, is yet another thing that makes everyone else easier to sideline.)

Why do I bring all this up in a post dedicated to Crow? Because this new power imbalance arguably impacts him more than the other signers—because he's Team 5Ds' second wheeler and doesn't miss another WRGP match from here on out. Thus, that power imbalance is felt in the upcoming duels, where Yusei and Jack bust out Shooting Star and Red Nova like it's nothing, while Crow is left manoeuvring with the somewhat underpowered Black-Winged Dragon and whatever else he can come up with. This is also why I claimed that the show did sideline Crow in some aspects further above. Because while some parts of his writing go to great pains to establish him as part of a protagonist trifecta that is now supposed to take centre stage before the other characters, he also permanently lives in Jack and Yusei's shadow, ultimately barred not just from reaching equal status as a signer (due to his late and rocky introduction and dragon acquisition), but also barred from becoming the equal of his foster brothers as a duellist. Frankly, I'm surprised the show didn't make this a plot point, because the first thing my mind jumps to when I think about this is whether Crow felt left behind after his brothers acquired such immensely powerful, special cards. But more on my personal writing ideas later. For now, let's just put a pin in the power-imbalance thing.

So, when is Crow back on screen in any meaningful role, then? (Note that I mean this as literally as possible. As per my discussion about "screentime" and my gripes about it in part two, I gloss over the parts where Crow is on screen, but could be traded for any other signer or even a lamppost without affecting the scene at all.)

Well, the next thing Crow gets to do isn't exactly glorious, but it sure is funny.

(I want you all to remember that he has to wear this costume and play this part in Team 5Ds' absurd plan to capture Yaeger/Lazar because he lost at rock-paper-scissors. This will never not be funny to me.)

Ignoring the hilarious outfit and Crow playing the bait at a fabricated cup ramen promo event meant to lure Yaeger in, bird boy does actually get something that's not just for funsies to do during the two episodes where Team 5Ds is trying to get more information about Iliaster: He gets to have a duel revanche against Yaeger, who, if we remember the DS arc, ditched him the last time they squared off. Much like the Team Catastrophe duel, this one, too, calls back to previous duels Crow has had: For one, it's the obvious conclusion to his unfinished, first duel with Yaeger. And for two, Crow repeats a "trick" (for lack of a better term) here that is also unique to him: losing on purpose, which we remember from his duel with Lyndon.

(Identical-looking clown family jumpscare be upon ye.)

And again, much like getting injured for the Team Unicorn duel, I argue that this story beat here is something that could also only have been accomplished with Crow. Because he's the only one who has previously duelled Yaeger, firstly, because not wanting to make a child cry by beating their dad in a duel makes sense for him as a character due to him being a family-oriented person who loves children, secondly, and because losing on purpose in this scenario is a tactic that would seem out of character from anyone else, thirdly. (We recall, the only times Jack and Yusei, respectively, ever consider/offer to lose on purpose is when the lives of people close to them are on the line, in the shape of Carly/Rally. As for the others, aside from not being present, Aki, Rua, and Ruka are so heavily sidelined at this point that they would have never been an option for this. And if his writing is anything to go by, Bruno is mostly purposefully forbidden from accomplishing Plot Things, especially through duels, while he's Bruno.) But hey, due to the way this episode is set up, losing on purpose works out for Crow, because it convinces Yaeger to stop hiding and actually share his knowledge about Iliaster. This, by the way, is the second scene where Crow gets to be in a room with Sherry for a longer stretch of time. And look, him joking that Sherry might kill Yaeger if he doesn't spill the beans about Iliaster soon is fun and all, but in light of the Ark Cradle duel later, I have to point out that he, again, doesn't get to have so much as a shred of a meaningful conversation with Sherry here. Again. But moving on. The scene with Yaeger at the Poppo Time then leads us first to the small sequence in the arcade where the gang has to win a simulated duel to get Yaeger's encoded intel, then to episode 116—the Moment Express episode, where, due to this being a Yusei, Sherry, and Bruno-focussed episode, Crow gets nothing to do again. (And also doesn't get to interact with Sherry again.)

Congrats! We've survived the WRGP break. This leaves us with three more WRGP duels before shit hits the fan and the Ark Cradle arc commences. And full disclosure, I'll be doing a bit of a quick-fire round of those three duels. Why? Because despite them all having their merits in their own rights (they're the better liked duels of the WRGP for a reason), there honestly isn't that much focus on Crow during them. He duels, yes, and I've seen people point this out over and over again as the supposed smoking gun that shows how Crow had so much more relevance and screentime than Aki and yadda, yadda. We've been there. And it's not that I can't see where this argument is coming from—I'll be the first to tell you that it's a travesty that Aki never got to duel in the WRGP again outside of the Unicorn match. But I want to use the final three matches to dig into how the way these matches—and especially the opponents to go with them—were set up made it nearly impossible for Aki to replace Crow again during any point of the WRGP finals.

First, episode 118. This is the only preamble episode we get for the first two WRGP finals teams, and here, our group is split in two: Yusei, Bruno, and Rua introduce us to Team Taiyou, while Jack, Aki, and Crow introduce us to Team Ragnarok. There isn't much to say here, because the only thing this episode does for Crow is a shallow repeat of what the Team Catastrophe duel did: By putting him in a group with Aki and Jack, and letting them decide among themselves, independently, to check out the exhibition match, it implies that he voluntarily spends time with signers who aren't Yusei. Thumbs up. Gold star. You made an effort (I guess). Then, the real fun starts.

Round one. Team Taiyou.

(Pictured: The sweetest country bumpkins to ever grace this earth. Yes, I'm biased.)

So here's the deal with Team Taiyou, from a narrative standpoint, as best as I can grasp it: They are a callback to Team 5Ds' roots. Specifically, to the boys' Satellite roots. The Taiyou boys come from humble origins, have only one, mostly home-engineered duel runner, and play using old cards that are widely considered shitty, as 5Ds canon tells us. They are essentially the non-signer, countryside version of what Jack, Crow, and Yusei once were, which is why this is the first duel where the duellist constellation on Team 5Ds' end couldn't possibly have been altered. Team Taiyou is there to remind us where our boys started, so it has to be our boys duelling them. This also goes for Crow, even though this duel otherwise doesn't accomplish much for him, character-wise. Instead, it's more of a narrative wink at the audience, as well as providing a breather between otherwise extremely tense, plot-focussed duels. But yeah, Crow's part in this match isn't much to write home about; he doesn't get any verbal interactions that are very meaningful to his character, can't get so much as a scratch in on Zushin, even with Black-Winged Dragon, and is defeated so Yusei can take out the legendary giant.

Round two. Team Ragnarok.

(Behold the pizzazz of at least two contenders for Haircuts With The Most Spikes in the show.)

Though this duel is framed as being even more so aimed towards bolstering Jack's character writing than Crow's, given the inclusion of Dragan's personal history with Jack, Team Ragnarok gets significantly more interesting for Crow again than Team Taiyou did. This is, of course, mainly because of Brave/Broder. Where Team Taiyou were a callback to the 5Ds boys' roots, Team Ragnarok are their narrative foils. Dragan is the duellist who lost his pride to contrast Jack, who's brimming with pride at all times, and Harald/Halldor is essentially the rich, "destiny isn't bullshit, actually" version of Yusei. Meanwhile, unlike the first two, who highlight our 5Ds boys' characteristics by contrasting them, Brave acts as Crow's mirror. Through Team Ragnarok's flashbacks, we see that he gets almost exactly the same, lovable-rogue-type backstory that Crow did during the DS arc, just in a different setting. The only, major difference between them is that while Crow is more down-to-earth, Brave likes to be pretty flashy.

(Keep in mind that he's doing this on a runner. Is there such a thing as courses on how to do acrobatics on your runner? Like there are courses for vaulting on horseback irl? I'm overthinking this again.)

Unsurprisingly, the duel thus ends up addressing the similarities between Crow and Brave, mostly through two things: One, the duel essentially becomes a contest of who can out-trickster who, culminating in the famous, ridiculous-in-the-good-way sequence where Crow activates a trap from his graveyard, to the shock of pretty much everyone present. And two, despite being on opposite sides, the two bond over their concern for the children they took care of and their concern for children in general, which is expressed most clearly in the scene where Crow's kids, in an attempt to hold the poster they made for him higher, very nearly fall over the barricade in the WRGP stands. Despite the hefty length of the full duel, these are pretty much the only things actually related to Crow's character that come up, though. They're good, don't get me wrong, but in a duel that is otherwise this dense with plot, Aesir shenanigans, and Iliaster foreshadowing, it's no surprise that the duel doesn't add that much to Crow's character, outside of giving him someone he can bounce off very well and relate to. Again, though, we are faced with the same situation as with Team Taiyou: Due to the way the members of Team Ragnarok are written, meant to contrast/parallel one male duellist each from Team 5Ds, nobody other than Crow could have taken the third spot here, either. It would have felt awkward from a narrative standpoint (as much as I would have loved to see Aki duel more).

Now, finally. Round three. Team New World.

(Welp. Here come the robots.)

I had to check to make sure I wasn't misremembering this, but due to the way this duel was set up so José/Jakob could bust out Meklord Emperor Granel with a ridiculous amount of attack points, Crow gets a resounding four turns total in this duel. (Gee, I wonder which other character got this treatment during a WRGP duel.) During those four turns, there are only two things he accomplishes: One, leaving behind two combo pieces Yusei later uses, and two, showcasing the shrewd tactics that earned him the label of "trickster" during the Ragnarok duel by bringing out a non-synchro monster that can take advantage of a synchro monster's attack points and effects—Aurora the Northern Lights. And arguably, this is a very smart play, moreover, it's the only time anyone in the show has the bright idea to not use synchro monsters against the known and feared synchro-killer Meklords. Unfortunately, as smart as it is, the narrative doesn't reward Crow for this play—José all but shrugs what could have been a turning point in the duel off, then proceeds to steamroll Crow the next turn, leaving Yusei to score the win, as usual. To get back to the "Crow got so much more screentime than Aki during the WRGP" thing for a second, of all the duels in the WRGP finals, this is arguably the one where Aki could still most easily have taken Crow's spot again, because here, it doesn't matter whether it's him or someone else, as this duel isn't tied to his character in any way. Unfortunately, due to the Granel-steamroller-strategy, this is also the duel where letting Aki take his spot again would have been the biggest shot in the foot, because unless they had changed Team New World's strategy, Aki would have gotten brutally guillotined here, same as Crow—something I can't imagine anyone, not even people who hate Crow, being happy about.

With that, though, we've finally made it through the WRGP. So, what's the bottom line here? Frankly, speaking from my own interpretation, Crow occupies an... odd spot during this tournament, to say the least. Though he does get to duel the majority of the time, few of the duels actually cater to his character in any way. Moreover, he only gets to be the star of the show in a WRGP duel once, during the by far most forgettable match against Team Catastrophe. And mind that I use the term "star of the show" very loosely here, because the problem the WRGP arc as a whole has, in my opinion, is that the rather lame Team Catastrophe duel is the only one in the whole tournament that isn't won by Yusei, which categorically means that any of the other character's big moments are usually undermined by the fact that they ultimately still need him to save the day. Thus, moments like Aki summoning Stardust Dragon and Crow using an anti-synchro-killer strategy that for once actually forgoes synchros are somewhat cheapened by the fact that they're not actually the turning-point moments they're initially painted as, because ultimately, Yusei always has to be the one to save the day. What's worse is that this almost feels like a bit of a non-issue that could have easily been fixed—given that the show tells us that teams can shuffle around their line-up for a match any time. But unfortunately, the writing never interacts with this as a possible strategic element, nor does it ever seem to consider letting Yusei lose, or forcing him to give up his spot for a match. I feel the need to say that I don't put the blame at Yusei's feet here, though: This strongly feels like an oversight by the writers, and perhaps a disproportionate need to have a nigh-infallible protagonist (on the duelling side of things) that their audience would never run the risk of calling "lame". For Crow, though, this chiefly means one thing: In any duel other than the Catastrophe one, it was always clear that even if he partook, he would never finish the match. And yes, this is technically an issue Jack has, too. But this is where the character writing outside of the duels comes into play, too.

Unlike Jack, who actually gets to do something during the Diablo invasion (albeit very little), who gets his very own dragon upgrade and who gets a very personal, pre-duel plot with Dragan, the show's writing doesn't bother giving Crow a lot of plot- or character-relevant things to do, once the WRGP starts. This is also why I was so surprised at how much the Unicorn and Catastrophe duels embrace his interactions with Aki—compared to the later duels in the finals, this portion still makes Crow feel genuinely relevant and interwoven with the other characters. Meanwhile, out of the three final duels, only the Ragnarok one actually tries to establish a connection to his characterisation, through Brave. The Taiyou duel only sets itself up in such a way that Aki partaking instead of him would have been awkward. Meanwhile, the New World duel just has him being treated like a floormat in a sad parallel to Aki during the Unicorn duel, seeing as they both get a nice moment where it looks like they might turn the duel around (Aki summoning Stardust Dragon and Black Rose Dragon onto the field at the same time; Crow summoning Aurora the Northern Lights, which couldn't be absorbed by the Meklords), only to have their hopes dashed as they're mercilessly cleared off the track. Outside of the duels, many scenes sadly give the impression that they may as well not have included Crow, though—he often gets so little to contribute to a moment or even to say at all that substituting him with a cardboard box seems like it would not have impacted the scene in any way. And that's without addressing his non-existent connection to Sherry, which feels extra glaring, given his later interactions with her on the Ark Cradle.

All in all, the WRGP feels like a very mixed bag, where Crow's character writing is concerned. His belated backstory, which I talked about in part two, is front-loaded and asks as many questions as it answers. Then the tournament commences, gives him some actually decent character interplay with Aki for once (at the cost of letting her succeed in the tournament, it seems), only for him to be basically irrelevant during the WRGP pause again. And once the whole thing resumes, it becomes this hot-and-cold thing where some duel aspects seem tailored to him, while others treat him as completely expendable. The end result is an arc where I'm left wondering why exactly the writers felt the need to make it seem like Crow made up one portion of a protagonist trifecta, if they never actually bothered treating him as equal to the other two. (The answer, I believe, lies somewhere between the fumbled setup they did for him during the Fortune Cup and DS arc, and the way yugioh in general treats its character archetypes. But that's just speculation on my part.) The one, saving grace the WRGP (outside of the Pearson backstory) has for Crow is that it at least doesn't introduce any new character- and/or timeline inconsistencies. In fact, his character stays remarkably true to form once the tournament begins.

Okay, onto the final bit, then. As I've done in both previous posts, let me delve into completely subjective territory and offer some ideas on how this arc could have been handled to make it seem a little less all over the place with Crow. And since his writing here canonically intersects with Aki's several times, let me try to do it while offering the best of both worlds to both characters, if I can.

As far as Crow's backstory is concerned, I've already offered my solutions to that in part two. Now, to stay consistent with my own suggestions, I'll try to branch off what I wrote in the last post. This means that, as per my previous two analyses, we're dealing with two scenarios again: One, Crow stays a signer and we try to touch canon as little as possible. Two, Crow isn't a signer and we adjust canon in whatever way we need to to make him feel interesting and necessary despite/because of that.

First, though, let's get two adjustments I personally would have made in both versions out of the way:

The way the WRGP is structured puts every character that isn't Yusei at a massive disadvantage, where character moments in duels are concerned. Thus, I propose an overhaul. Among the changes I think could have benefitted the characters (yes, all of them) are: One - Aki actually getting to accomplish something during the Unicorn duel (she can and should still have her moments with Crow, but maybe let her portion of the duel end in her thanking him for coaching her, creating a more upbeat scene that strengthens their friendship, which could double as good setup for their later double-duel against Sherry). Two - letting the Team Catastrophe duel actually play out properly (as in, they become more meaningful as opponents by having a better strategy, for example, and Crow could stick it out longer against them, in order to make this more so his win than Jack's. Also, why not let Aki actually see him get back at Team Catastrophe for her?). Three - giving Crow an actual character moment during the Taiyou duel (what if one of the country boys had played a card or two of the ones he learned to read from? It could have helped drive the parallel between the two teams home.) Four - letting Crow's anti-Meklord strategy get at least a little payoff, if only for two turns (show us at least proof of concept, damn it!). Yes, the Ragnarok duel is the only one I wouldn't rewrite (unless special circumstances are introduced, see below). Additionally, let Team 5Ds alter their line-up more than once, damn it. Let them actually strategise about the duels, let them take into consideration who should go first when and whose deck might be better suited to which scenario. Also, remove Yusei from at least one duel. Doesn't matter how, just let him not partake once. Perfect setup to let Aki duel again, and would also allow for spicy character interactions. (Arguably the best duels where this could have been done would have been any of the final duels, though it would have also required rewriting the antagonists somewhat in any case.)

For the love of god, give Sherry and Crow some setup. Let them actually interact, let them introduce their philosophies to one another, just do something, anything to make Crow understanding and talking sense into her during the finale seem earned. A few chance meetings, or maybe even a tiny side-plot could have done so much here. And if you can't let them interact outright, at least let Aki and Crow talk about Sherry! Double whammy! The two characters who end up duelling against her are made to seem even more like a team, and Crow actually gets to find out what Sherry's deal is on-screen. Just. Set. it. up. I beg you.

There we go. Now, onto the two branches.

Option A: Crow stays a signer and obtained Black-Winged Dragon.

Seeing as Crow's signer status, funnily enough, isn't all that relevant during the tournament itself (save for two notable exceptions), there aren't that many fixes to be made here. Crow can still get injured, miss out on the Unicorn duel and be the star of the Catastrophe duel. But giving him something to do during the duel robot invasion that isn't standing around and hoping Yusei will fix everything would also be nice. It's fine if he can't drive out there and duel, but why not let him do something else? He's a crafty guy, why not let him find, say, a way to fry the Diablos' runners, taking a few of them out even from a semi-stationary position without duelling them? He could at least get as much of a consolation prize scene as Aki got with her saving that child. Then there's Team Taiyou, which, save for what I proposed above, is a duel that doesn't feel like it needs changes. Crow does his thing here. That's it. The same goes for Team Ragnarok, especially given that they're specifically written to oppose an all-signers Team 5Ds. Finally, there's Team New World, which, if I'm being completely candid, I would personally overhaul to change the cyborgs' strategy entirely in order to actually let all three members of Team 5Ds shine. But this is the version where I touch canon as little as possible, so... Aside from what I wrote above, no changes needed. Just make Crow seem a little more relevant, make his strategy have at least a little payoff, even if Granel's back out and menacing literally two turns later.

Option B: Crow, as per my previous posts, isn't a signer and doesn't have Black-Winged Dragon.

This is the version that would categorically require heavier changes, though they honestly don't arrive until the break in the tournament. Unicorn and Catastrophe stay the same, I would still propose that Crow gets to be a little more useful during the Diablo invasion. But! In this version, seeing as he never acquired BWD, the break in the WRGP would be an excellent spot to let Crow acquire an upgrade for his beefy Blackwing ace monster of choice. Give him a little side-plot, too, something to do, something where he proves himself. Maybe let him run into Iliaster here, or maybe call back to Pearson again and introduce the new Blackwing upgrade as a treasure Pearson stashed away before he died (maybe this could have even been the card Bolger was actually after; the world is our oyster here). Then he's beefed up, too, and actually feels a little more on the same level as Jack and Yusei. The tournament recommences and again, the Taiyou duel could stay mostly the same, I think. Ragnarok and New World are where it gets really interesting, though. The way I see it, Ragnarok could go two ways with Crow not being a signer: Either he partakes as he did in canon and his non-signer status is called out as a peculiarity by our Swedish boys who happen to be obsessed with fate (which would make his performance against Brave seem all the more impressive), or, due to this being a duel all about destiny and celestial pissing contests, Crow's spot is given to Aki again for this duel due to her signer status (this would, obviously, require rewriting Brave, perhaps even switching him out for a Ragnarok lady instead). As for Team New World, this duel would honestly be a lot more juicy with a non-signer Crow, because much like he was for the dark signers, a non-signer Crow would essentially be an unknown in their plan for the cyborgs. He would be the guy who's Not Supposed To Be Here. Granted, he would still be beaten, but he could still get an excellent moment where his out-of-left-field anti-Meklord strategy genuinely seems to turn the tables for a bit, angering José and providing even stronger setup for Yusei to win later.

Aaaaand that's that. Somehow, I get the feeling the WRGP had the least things that needed fixing because it also had the least actual character writing. But that might just be me. It's late and I have been writing for A While. But hey, I got out part three faster than part two! I consider that an achievement.

Now, while I get my talking points in order for part four, I hope you'll have fun chewing on this one. See you in the grand finale to my Bird Boy dissertation.

[cazzyf1]

Mon Ami Mate - The Tragic life of Britain's First Formula One World Champion Mike Hawthorn - Essay

If you haven't read my published dissertation on Mike Hawthorn already, check it out with this link. This essay examines what I have written about in-depth, discusses the context, and lists my sources.

Word Count: 3.8k

Estimated Reading Time: 15 minutes

Context: Over a year ago, I needed to come up with an idea about what I wanted to do for my dissertation. I knew that I wanted to write about a classic f1 driver because the history had been my passion for a long time. Still, I knew I couldn't write about Niki Lauda or James Hunt because I already knew so much about them, and I wanted to start not knowing anything so that all the research was a part of my dissertation. I recently brought the book 'Life at the Limit' about Phil Hill and Wolfgang von Trips, but it features Mike Hawthorn. I decided to look more into him, curious to learn about Britain's first world champion. After learning about how tragic his life was, I knew I wanted to know more about him and write it for my dissertation. As I study creative & professional writing, I decided to write my actual dissertation as if it were a story to make use of my creative writing skills. This makes it easier for the audience to read - but I decided to write this essay as well, giving context to what I have written and some more information for those wanting to know more about Mike.

The dissertation starts directly after the Le Mans 55 incident took place. As Mike Hawthorn was in front of it, he only glimpsed what had happened, and it would still be a while after the accident that it was known just how many people had been injured and killed. I wanted to show Mike's confusion and panic, knowing something bad had happened that he had been involved in but not knowing how bad, by starting off directly in the chaos. In terms of the actual crash, my views are that the main fault was down to the Le Man's layout, which did not accommodate space for the drivers, especially when they needed to come into the pits; however, Mike did make the mistake in trying to get ahead of Fangio and come into the pits early, and Lance Macklin made the mistake of only starting to break last minute and not checking to swerve out into the path of Levegh. However, all of this could have been prevented if there had been more consideration and care for public safety alongside the tracks, which sadly would not have become a priority for a long time in the racing industry.

'Wasn't this the jaguar pit? No. Where was he?' - When Mike first came into the pits, he didn't pull into his section in the panic, though he had left the car. Therefore, he was made to complete another lap for his team not to be disqualified, meaning he would have had to drive past the accident again. 'He tasted bitter in his mouth as he remembered last night when they had a drink.'- in the book 'Mon Ami Mate' it says that the drivers, including Mike and Levegh, had been drinking the night before together and that Levegh had complained about the track not being wide enough to support the cars.

'Lofty glanced around and saw Duncan Hamilton approaching, who had swapped with his teammate a few laps before.' - Duncan Hamilton was one of Mike Hawthorn's closest friends, and they both raced for the Jaguar team at Le Mans, though not as teammates. Duncan had been waving to some people across the track in the pits as he waited to switch with his teammate when the crash happened. Mike was in a state of panic, traumatised, and so Duncan pulled Mike to the side and, as Mike says, 'spoke to him like a father' to try and calm Mike down. There has been some confusion about exactly who Mike had spoken to as accounts ranged from Duncan to Rob Walker, so when I contacted an expert on Mike, Nigel Webb, I was able to find out that Mike spoke to Duncan first, then found Lance Macklin and apologised to him crying (this I cut from my dissertation) before then walking around to the back of the pits to hide in Rob Walker caravan.

Parts I cut out from my dissertation that happened was that mechanics from other teams, including the Mercedes team, went and found Mike and told him it wasn't his fault. Even drivers, such as Stirling Moss, went and found Mike to talk to him and tell him it wasn't his fault (the newspapers said Stirling softly reassured Mike). After Mike had apologised to Lance Macklin and ended up in Rob Walker's caravan, it's alleged in a newspaper report I read that a commentator on the loudspeaker was saying it was all Mike's fault and blaming him, which Mike would have been able to hear from the caravan.

Context - the race was not stopped because it was believed that if the race stopped, the ambulances wouldn't be able to reach the patients with all the crowds leaving the tracks, so the race carried on as usual while the ambulances treated people and took the bodies away.

“Now, would you truly do that to your father, Mike? He gave everything for you to be a racing driver. He may not be around to see you win, but you would make him proud. You can’t give up now.” - A year and a few days before the 1955 crash, in 1954, Mike's dad had died in a car crash coming back from Goodwood. Mike was in Paris travelling to race in Le Mans. This would have been his first race in a while as he had been in hospital recovering from severe burns to his legs. However, while he was travelling to Le Mans, he got news of the crash and desperately tried to get back home to his dad, but his dad died before Mike could get back. This might explain why it was important for Mike to do well in this race after what happened last year.

“I’m not going to drive again, Lofty,” Mike said, avoiding eye contact. Nevertheless, Lofty’s eyebrows furrowed, and his jaw clenched. - After Mike's father had died, Lofty England became a father figure to Mike. Lofty said himself that he viewed Mike like a son. They were very close, so Mike would naturally listen to what Lofty told him. And Lofty's opinion was that Mike needed to continue racing to distract his mind. So Mike listened to him and continued racing, although he had said before that he wouldn't continue.

'Mike looked over to the BBC TV interviewer, Rudolf Whlenhaunt and nodded.' - In the book mon ami mate, it is mentioned that Mike Hawthorn had an interview with the BBC and this interviewer about the Le Mans incident. However, no record of this interview is out on the Internet so I had to imagine what might have been said for this scene.

“You’ve been quite controversial in the newspapers as of late, Mike; many of our British civilians aren’t happy at you avoiding your national service. What do you have to say about that?” - Mike had been under scrutiny by the public, press and even the House of Commons the last few years because he had not done his national service. National service was completing a certain amount of time in the forces as part of your duty. The press had discovered Mike hadn't done this yet and felt that Mike was trying to get out of it and so lead a big campaign against him. Mike Hawthorn had filled out an application to apply for the RAF, but when his chronic kidney issues were discovered, and one had to be taken out, he was disqualified from national service. If his chronic illness was made public, Mike risked not being allowed to race anymore. So he made sure it wasn't public knowledge, which meant he had to bear the burden of the public, thinking he was skipping his national service instead of knowing the actual reason.

“It’s true that a policeman came to your door on the day of your father’s funeral, isn’t it?” - Mike Hawthorn often had a habit of speeding when driving around on normal roads and would get fines that he paid off. On the day of his father's funeral, there was a big fuss in the newspaper about his national service, and a police officer came knocking at Mike's door about paying speeding fines. To which Mike slammed the door in his face.

“The Germans and French want to blame me!" - In the aftermath of Le Mans there was a lot of blame placed on Mike, especially from Germany and France. Germany because it was a Mercedes driver that had been killed and then subsequently Mercedes pulled out of motorsports, and France because it's where Le Mans is.

“If I was to die in an accident, would you identify my body?” he asked quietly, glancing at Duncan.' - This was an actual pact that Mike and Duncan made. Mike's mother hated anything to do with motorsports especially after his dad had died so Mike wanted to make sure she didn't have to identity his body if he did die racing, and Duncan had similar views with his own mother.

'Next to Peter, sulking in his seat with crossed arms, was Luigi Musso, the only Italian Ferrari driver currently on the team.' - I originally also had Phil Hill and Wolfgang von Trips involved in this meeting, but in the end cut it down to Peter and Luigi just being there. I wanted to address Mike's issues with Germans and how that ultimately lead to his death, and use his friendship with Wolfgang von Trips as a key point in it, but unfortunately I didn't have enough of a word count to go into this so I had to cut them out. I had to include Luigi though but unfortunately I couldn't write as much about him as I wanted to because of the word count so he only has a really small part in the dissertation.

“Do wish your mother well on mine and Louise’s behalf, won’t you? We have meant to come down to visit her and the garage.” - Some fans of Mike and Peter try to claim that they weren't as close as people make them out to be simply because there was no record of Peter ever visiting Mike's garage. But personally, I see that simply as they were both busy people who didn't have lots of time outside of f1 and with time, Peter definitely would have visited and spent time with Mike if they had lived.

“She’ll be happy with that, yet frankly, I think she finds running the garage tough without father, even with Bill’s help. Though I’ve been considering moving to a cottage nearby with Jean when I propose to her.” - Bill was one of the main workers of the garage who helped run it after Mike's father died and then after Mike had died. Throughout Mike's adulthood, he still lived at home with his mum at their cottage. He had viewed a cottage he planned to buy near his mum's place and the garage, which was a place for him to settle with his fiance. Sadly, they would never get this place, much like Peter and Louise, with the house they planned to buy.

“Not all of us can charm him into accepting us as family,” Luigi added, his eyes fixated on Peter, who frowned.' - Peter Collins became good friends with Enzo Ferrari's dying son, Dino Ferrari. When Dino passed away, Enzo started focusing his fatherly affections on Peter. However, when Peter quickly married Louise, it was said Enzo wasn't happy, seeing it as distracting Peter.

'Louise Collins was an American actress comparable to Marilyn Monroe.' - Louise did actually meet Marilyn Monroe.

“I’ve just run him a bath; he’ll be getting in in a few minutes,” Louise said, watching Mike with surprise as he walked past her and into the bathroom.' This didn't happen in 1958, but in 1957, there was another friend in the bathroom as well as Mike and Peter, but I included this part in 1958 between just Mike and Peter to build up their friendship.

'Farnham was Mike’s home, and his favourite pub in the area was ‘The Barley Mow’.' - This pub I have visited before, and it has photographs of Mike Hawthorn up on its walls. My dissertation tutor suggested that I write about Mike being confronted by a member of the public to show the general attitude, which is where this scene comes from.

'Yet Mike felt frozen as he stared at the now blood-tinted urinal.' - As Mike’s chronic illness got worse, so did his symptoms. Blood in urine would have started becoming common for Mike, along with a large stabbing pain where his kidney is. Some days were worse than others for Mike Hawthorn. During the 1958 British GP, they weren't sure if Mike could race as he was in much pain. Occasionally, his housekeeper would find Mike lying on the floor in pain, unable to move. He also started developing a moon face condition where his cheeks swell up. His doctor predicted that at the time of Mike's death, he only had four years of life left and, near the end, would have been wheelchair-bound.

“I can’t; she might bring him around here again. She did last year,” Mike muttered.' - a few years previously, in 1953, Mike had a one-night stand with a lady after he had won the French GP. He didn't think of anything till later when he got a letter from her saying that she was pregnant with his child. Mike found it hard to believe as it was one time and felt that it was someone trying to scam him. However, in 1957, at the French GP, he suddenly spotted a child dressed in white trousers and a green jacket with bright blonde hair just like his. She had dressed the kid up just like him so Mike would see. Mike met up with her and the boy and agreed to help pay child support for him, but Mike wasn't heavily involved with the boy. In the 90s, Chris Nixon, the author of Mon Ami Mate, was able to track down Mike's son, Arnaud Michael Delaunay, and talk to him. For a little while, Arnaud had some involvement in the scene, turning up to events, but eventually, he decided he didn't want to anymore, and other fans of Mike have tried to get in contact with him but haven't been successful.

“Of course, mon ami mate. You don’t need to ask. It’s our deal, and it will stay our deal,” - Mike and Peter did have a deal at some races to put their money together to share. People claim that Luigi Musso felt quite alienated from the team, as he wasn't involved in this.

“I’m sorry, but we can’t. We need the money as much as you do,” Mike told Luigi, with Peter slowly nodding.' - Luigi had asked them to help with money because he owed a lot of money in debt and had been rumored if he didn't get the money from this race he would be in trouble, but Mike also needed the money to put towards the child support. The French GP had one of the highest money prizes for first place so lots of drivers wanted that spot.

'When they reached the hospital, Ferrari team leader Romolo Tavoni was outside. His eyes were red and puffy, and in a flat voice, he told them that Luigi Musso had died.' - It was actually a friend who told them Luigi had died because when Romolo found out, he fainted and so was put in a hospital bed. I didn't have the word count to include this next bit, but Afterwards, Mike and Peter went back to the hotel, and eventually, someone suggested they go out and celebrate Mike's win instead of sitting around feeling depressed about Luigi, though they were all affected by his death. Luigi's girlfriend got back from the hospital and saw Mike and Peter kicking a can around like a football; she felt lots of rage, thinking they didn't care, and spat curses at them. This, therefore, created an impression that Mike and Peter never cared for Luigi, which wasn't the case; they just weren't as close to him as they were to each other, and sometimes their British humour in teasing could come off as rude.

'Mike, Peter, and Louise were relaxing in a hotel room.' - Mike often would wander into Peter and Louise’s hotel room and spend the day with them at the races. His partner Jean was often away modelling, and his mother never went to the races, so unless his friends from home were visiting, he'd either be with Peter and Louise or hanging out with other friends from the track, usually at a pub or nightclub.

‘He is the one that won’t die,’ Mike thought as he observed Peter's peaceful appearance.' - Mike wrote in his autobiography that on the day Peter had passed away, Mike had gone into Peter's room, looked at him, then thought that, then accidentally woke Peter up.

'A few other drivers came in and out, offering help to Peter on his puzzle, but he turned them all down. He was determined to finish this himself.' - Mike says in his book Peter was working on the puzzle all morning, and Mike remarks that he was happy Peter was able to finish it before he passed away.

'Mike ran over to the marshalls desperately' - It took a while for the news to come through, in that time, some german offered Mike some orange juice and tried to calm him down. There was a lot of confusion about what had happened.

'Travoni was doing his best to comfort Louise' - When Louise arrived at the hospital, a phone call from her dad was waiting for her. With his connections, he could find out first that Peter had died, and he wanted to be the one to break the news to Louise. Louise went to see the body but all she could manage was seeing the feet sticking out from under the sheet before she had to leave.

'Mike was vaguely aware Tavoni was watching him.' - Mon Ami Mate reveals that Tavoni saw Mike collapse on the wall and slide to the ground after seeing Peter.

'But the journalists had been waiting for a moment to pounce' - The interview with Mike talking about the crash and Peter is from this moment, where he had to give an interview at the airport before taking Louise to Peter's parents. I used parts of that interview and made up some of my own parts as the full interview is not available on the internet.

'"Dam silly of me" He muttered' - In the book, mon ami mate, it states that Mike said this and started breaking down as he spoke, having to use a handkerchief to rub the tears away.

'Like Peter, Stirling was a gentleman' - At one point, Mike had spun out and tried to push the car back onto the track but was pushing it the wrong way. As Stirling was driving past, he saw and shouted at Mike to go the other way so he could get back on track. Later on, Mike was called in by the stewards and was going to be disqualified because they thought he had left the track and cheated by going a different route to get back on, but Stirling went to the meeting and explained that Mike had done the right thing. If Stirling hadn't done this, he would have been the world champion, but Stirling never regretted this because he saw it was the sportsman thing to do to explain Mike was in the right.

'A telegram to Miss Louise Collins' - By this point Louise was in America performing in a play. She needed to do something to distract herself from what had happened. When I went around the Peter Collins exhibit, I saw Mike's telegram and knew I had to include it in my dissertation.

'Mike felt awful. He had woken up in a sweat' - His housekeeper said on the day of his death, Mike had been lying on the floor in pain from his kidney. It was one of his bad days.

'He had told Louise he would drive up to London to see her' - This wasn't the only reason he was going to London that day. He had plans to meet Louise and chat with her, but he was also going to London to sort out financial support for his son as he had plans to marry his fiance and needed to sort out arrangements for his illegitimate son.

'Mike stopped into one of his main pub's and found Duncan Hamilton sitting at a bar' - Mike didn't actually see Duncan in the morning but he had plans to see Duncan later on in the day. But Duncan was in a pub nearby where the crash happened. So he found out quickly, got to the site just after Mike's body had left. He grabbed a few belongings, such as Mike's flat cap from the crash and then went to the hospital to identify Mike's body as he had promised Mike. He described it as one of the hardest days of his life. Duncan Hamilton retired from racing right after.

'I will show him the Jaguar, which is clearly the better car' - When Mike's death was first reported, Rob Walker denied they were racing. He had to go to court and say they were not racing. There was a lot of speculation on why Mike crashed for a long time. To this day, Mike's fiance believes he had a blackout, and so does Mike Hawthorn expert Nigel Webb. There were other theories put out that the rain caused him to spin or even that someone had assassinated him with a rifle. A long time later, Rob Walker did come out and say that they had been racing, but he had been told to deny it to protect himself. A worker who saw Mike leave a pub right before the crash says Mike was running out to race Rob when he saw the Mercedes. So I chose to mix the two most believable theories for his crash, that he was racing Rob Walker but had a blackout during it, which caused Mike to crash.

Books I read for information:

Challenge me the race - Mike Hawthorn

Champion Year - Mike Hawthorn

The Limit: Life and Death on the 1961 Grand Prix Circuit - Michael Cannell

One Glorious Hour - Don Shaw

Mike Hawthorn: Golden Boy - Paul Skilleter & Tony Bailey

Mon Ami Mate - Chris Nixon

Touch Wood - The Autobiography of the 1953 Le Mans Winner - Duncan Hamilton & Chris Evans

Peter Collins: All about the boy - Ed McDonough

Also, see the Mike Hawthorn tribute website for lots of information

If you have questions about Mike Hawthorn, my dissertation or just want to know more, send me an ask, and I'll get back to you! <3

[thisonesatellite]

Tagged by the always wonderful @fsbc-librarian -- thank you so much, darling! 💖💖💖

1. how many works do you have on ao3?

42 works

2. what’s your total ao3 word count?

677,643 (how do i have so many?)

3. what fandoms do you write for?

MCU/Stucky -- this is my main focus and current sandbox. i love to play with these two. OUAT/CS -- that is where i started my fic writing journey and it still makes up the bulk of my works. i no longer write it, but it will always have a soft spot in my heart. Dramione -- i wrote one dramione fic a while back, and it is a ship dynamic i really enjoy. i still have one big, rather epic fic idea for it, too. Since this idea -- (and @mysteriouscatstellation) -- have been bugging me about it for over a year, i absolutely have to write it. Eventually. Obvi. (Actually, it's up next after i finish my East German Stucky Spy Lunacy, shhhhhhhhh.) Leverage -- i also have one Leverage fic. i have literally no idea how that happened. None. This fic basically walked out onto the page and said, my turn. 😂 It did give me a really good opportunity to create an original character though.

4. do you respond to comments? why or why not?

Always. ALWAYS. i love and appreciate each one, from a row of emojis to a page of analysis. i go back often and re-read them, just to motivate myself. People who leave comments are the real heroes. (Although i do understand that not everyone has the spoons to comment, and that's OK, too. Just know that if you leave me a single emoji i will love it no less than if you write a dissertation. 💖💖💖)

5. have you ever had a fic stolen?

Not that i know of. But i haven't checked either.

6. have you ever co-written a fic before?

Yes -- The Sword and The Heart, an epic rewrite of OUAT S5 i tackled with the amazing @ohmightydevviepuu. If you have never collaborated with another writer, i strongly urge you to try it. i learned things about myself and my writing that i am still benefiting from to this day and i am immensely proud of what we created together. However, that is pretty much due to dev being the best collaborator ever. (Get yourself someone you trust and love and yet challenges you at every turn, is what i'm saying.)

7. what’s your all-time favourite ship?

That's a hard question, because affinity does change -- and why wouldn't it. We change, become different people, and sometimes the things we used to bleed for no longer resonate quite as hard. Like - my OG ship was Buffy /Angel, and i have the absolute soft spot of all time for them, but also i'm (obviously) no longer in high school and so the urgency has subsided. There have been a few other ships i've sideswiped over the years, characters i absolutely loved but never quite got 'ship-invested' in. (Shipvested? 😂) Personally, one factor is definitely that i did not know what a fandom was, or even that there was 'fandom' (as a concept, a community, a Thing) until Captain Swan tore a hole in my heart five years ago. i didn't really know what fanfic was. Or AO3. Apparently i live under a rock. But currently, the tl;dr is a dead tie between Stucky, Captain Swan, and James Holden /Naomi Nagata from The Expanse. With lots of honorable mentions bringing up the rear. 😂

8. what are your writing strengths?

Plot, dialogue, world building, and having characters stay true to their nature even when seen through various AU lenses, i think. Also action and fights and sometimes even battles. And i think i have a knack for letting exposition bleed through action and dialogue, instead of writing it outright. (That last one is a hard-won skill and kills me dead at least once a chapter, you feel me.) i also put a ridiculous amount of research into everything. Seriously, it's a sickness. i once spent more than two hours looking up radio dramas from the 30s that had a supernatural bent and might appeal to teenagers. For half a throwayway line. Possibly i should not list this as a strength. 😂

9. what are your writing weaknesses?

Smut. SMUT ALL THE WAY. i cannot write it, i don't know how. People who read my fic will always get shortchanged in the E department and for that i am sorry. But i really am completely useless on the smut front. And fluff. i can do soft scenes, but i cannot write pure fluff. i don't know how to do that either. i'll write a fucking coffee shop oneshot, or a thieves AU that doesn't even crack 5K, or even a BARTENDER fic, and yet complex back story and plot and action will still burst out from between the lines. All you people out there who can just tear off a sex scene or a fluff piece, i salute you. Also all you people who have multiple WIPs. i don't know how you do it. i can only ever write one fic at a time. You are all wizards, aren't you.

10. first fandom you wrote for?

OUAT /Captain Swan, back in 2019.

Zero pressure tags: @sparkagrace @cable-knit-sweater @bittersweet-in-boston @late-to-the-party-81 @metalbvcky @voylitscope

[hexiewrites]

on romcommunism, bisexual ted lasso, and the mumford-and-sons of it all

TLDR: this ENTIRE SHOW is about subverting expectations, expecting one thing and ending up with another, trying and trying and trying and ending up with something you never expected but is exactly what you need.

I've been thinking about this a lot, especially in regards to the amsterdamn episode which I think is the show finally 'coming out of the dark forest' so to speak, so I wanted to revisit the romcommunism speech and how it interacts with the theme song and with the other mumford references I see throughout the show, and why I think it points to a possibility of bi!ted, or at least, of a ted ending entirely different than what the majority is expecting it to be.

first off, as a reminder, the rom-communism speech from season 2 episode 5:

"If all those attractive people ... can go through some light-hearted struggles and still end up happy, then so can we. (...) Gentleman, believing in Rom-Communism is all about believing that everything's gonna work out in the end. Now these next few months might be tricky. But that's just 'cause we're going through our dark forest. Fairytales do not start, nor do they end, in the dark forest. That's something that only shows up smack dab in the middle of a story. But it will all work out. Now it may not work out how you think it will, or how you hope it does, but believe me. It will all work out. Exactly as it's supposed to. Our job is to have zero expectations, and just let go."

I've highlighted one of the most important parts of this speech for my analysis here, because when @stevecarrington and I were discussing it they pointed out where that sentiment comes into ted lasso again and again and again:

sound familiar? yup! it's right out of the theme song itself.

I have a lot of feelings about the theme song in general, but specifically the fact that it's... it's not exactly a sitcomedy theme. it's not actually a hopeful song on first read through, but it also kind of is. because one of the unfortunate and inexplicable truths in life is that it's pretty much assured that you might not get what you want, but, as the rolling stones and the season 3 trailer itself tell us, you can't always get what you want, but if you try some time you just might find you get what you need

I'm viewing this very much from a point of, Ted is going to find what he needs this season. he doesn't know yet what that is (winning the whole damn thing? moving back to his son?) but it's our job as the viewers to have no expectations, to not assume that things are going to work out in any specific way but that they will work out. and that you're going to keep trying, you're not going to know what to expect, and what you end up with may be something entirely different than what you thought when it started.

(kind of like having a giant bi awakening, no?)

I also have a lot of personal feelings about mumford and sons (and marcus mumford's) influences on ted lasso. I've started writing that post a hundred times but it's kind of a mess so I haven't posted anything (in the meantime, go watch the hopeless wanderer video, which exists because jason sudeikis is a close friend of marcus mumfords), but the one I come back to over and over is the song believe, and how the lyrics fit so perfectly into this romcommunism concept to the point that I think the entire central theme of the show is built off of mumford&sons lyrics:

and again. this drags it home so hard for me, on all of this. I could do a literal dissertation on what I think are other major mumford and sons influences on the show but this post isn't that. instead, I just want you to think about how the believe lyrics fit in with everything we're seeing. "your world's not all it seems" <- ted is not all he seems. he doesn't know if he believes yet, he needs someone who can "open up [his] eyes, tell [him he's] alive" and it needs to be someone who communicates openly, who talks to him

ted doesn't yet know if he believes. and he might not get what he wants (his marriage to be fixed, an easy relationship, an ending where everything is perfect), but he is going to get what he needs. he is going to try, and try, and we as the audience will go in with zero expectations and trust that it is going to work out.

I think different people will read this differently, but to me, it's a great subversion of the obvious idea that ted and rebecca are going to end up together. the cast has already said again and again that people seem to expect tedbecca to be A Thing, partially because they're both attractive, or they're both leads, because romcoms have trained us to expect this. ted is in a lot of ways some of what rebecca has been in need of, and there are some great posts about rebecca as the rom com heroine and what that means for her arc. but for me, the writers and cast saying that their relationship is strictly platonic, that they're brother and sister, is an excellent example of 'you can't always get what you want, but if you try you get what you need'. they might have some thoughts, they might start to think they'd be right for each other, and they are, but not in the way we might be primed to expect.

what ted and rebecca both NEED in each other is that confident. that platonic love and support that they're both craving in a lot of ways. sure, ted has some of that with beard, and rebecca has some of it with keeley. but their relationship, their connection, is so powerful to me from a platonic place, and this season is going to show them that's what they need from each other and always have.

and what ted needs is someone who can open up his eyes, who can, as mumford say in "white blank page" (which is also a very ted coded song):

he needs someone who can lead him to the truth.

perhaps... someone we might not expect? someone who built his career on finding the truth, and who destroyed it to do just that, to give ted the truth even at the cost of his job and the life he had built?

perhaps now that we've come out of this dark forest, we're going to start to see those expectations shifting, and we're going to see ted get exactly what he needs, even if he doesn't yet know what he wants.

(I want to be clear that I think you can also view this very strongly from the angle of 'ted does not need to end the show in a romantic relationship, he just needs to surround himself with love and truth and platonic support' and truly I think that's more likely to be what we actually see. I just couldn't help the tedtrent implications slipping in a little at the end here.)

[gamebunny-advance]

Doodle Dump: Misc. Edition

Time for misc. doodles~

Notes under the cut.

1: "Ikigusare Idols". Like many people, "Injection Girl" randomly appeared in my Youtube feed, and I was admittedly charmed by them. It's like they're from a bygone era, but they just put out another music video last month. Currently, my favorite song is "スーパーZ指定ガール". (Content warning for mass violence in the lyrics.)

2-4: "Clown Doll Redesign". So, since I've started doll customizing as a hobby, I tend to lurk on the Dolls and CustomDolls subreddits on the lookout for inspo and info. Not too long ago, someone posted asking for advice/critique on their doll ideas. So I sketched these (and some notes on the original design, which are not included here) as a response. In the end, I never did reply because I don't actually have a reddit account, and I thought it would be weird to make one solely to criticize someone, so I'm just posting them here.

My main critiques were that there wasn't a lot of contrast in their color choices and that the blue and red hair seemed random when the rest of the design was pink/green. So, my main goal was to increase the contrast between the pink and green, so the different patterns would stick out more and to unify the pallet a bit more. The skintones differ from the reference because the doll they said they were going to use was a G3 Frankie Stein, who has bluish skin and a prosthetic left leg, so I'm not really sure why their sketch uses the original green skin or why the silver leg is on the wrong side, but it is what it is.

The first 2 are straight pallet swaps, but the 3rd is based on a second design that the OP made. They originally asked for users to pick between the two. Most people said they preferred the blue and yellow design because it was more cohesive, but the OP replied that they really wanted to make the pink and green one work somehow, so that's why I focused on using that one as the base, but I still included a version with the alternate pallet and patterns.

Here's a link to the original thread since I'm kinda reposting their art by including it with sketch. Just maybe avoid linking back to me >_<;

5-8: "Music Junkie Soundwave". In a similar vein, there was another user on the subreddit that wanted opinions on a potential Transformers fashion doll line, citing a video that one of their friends made on the idea.

Now despite having a limited knowledge of Transformers, and I'm still pretty green to the fashion doll world, I wrote a whole-ass dissertation on the idea because magical girl/boy robot dolls are totally something I'd be into.

But, for a similar reason to the clown doll, I didn't want to make a reddit account just to critique someone (though I still have the original response in my drafts).

When I finished writing that response, I decided to sketch how I would go about the idea as it'd been proposed, and created this Soundwave doll idea. Admittedly, he's very inspired by Giacomo from Pokemon Scarlet/Violet (never played it, but I do like some of the character designs in it). I dunno if the overalls are a little dorky, but I couldn't think of another way to represent his chest-deck in a meaningful way.

9-10: "Kingsley and Mamuta". I tried to make some human? designs for them, but it's not going great. I really wanted Mamuta to still be monstrous, but designs like that aren't my strong-suit... Kingsley I'm just not satisfied with yet.

11: "OC Line-Up". Just a few OCs of mine. From left to right: Carol, The Prince Formerly Known As Frog, Shapeshifter, and Fizz.

12: "Rival". An idea for a rival to Kun3h0, ala Shadow the Hedgehog and Wario. I made another sketch recently that goes in a very different direction, but I kinda want to finish that so I haven't included it in this dump.

[dallonwrites]

LOVER BOY - WIP INTRO

[ lover boy by @dallonwrites / sfgate / tumblr user catilinas / lover boy | little weirds by jenny slate / lover boy / hellraiser (1987) / manhunter (1986) / the lost boys (1987) / lover boy ] this post has alt text.

disclaimer: this is my own original work

Genre: Literary that wishes it were horror Setting: San Francisco, 1987/88 Aesthetics: fake blood, uncanny SFX in old horror movies, grainy home videos, a deeply orange sunset, retro arcade games, an empty mall, overripe fruit, anatomical heart models, heart shaped candles, leather jackets, rolling fog, the moon in the ocean, bowling alleys, red lights, trying to see a ghost in the hallway, real blood, mixtapes from former lovers, nightclub bathrooms, vampire fangs, neck kisses Summary: Sometimes, to cope with change and unpredictability, Beau likes to pretend he's the protagonist of a blood-soaked horror movie. And all he's ever wanted is a lover. But after the death of his childhood best friend he retreats into himself - frustrated at love and frustrated that Bobby hasn't haunted him the way he promised to - until he's jolted back by former friends needing his help with a movie project, an ex lover returning as new ones find new ways to hurt him, his friends and his community getting sicker, and a near death experience that comes with the urgency to record everything around him whilst he still can. The more that happens, the more he tries to find ghosts around him. The more times he sees blood on his hands, the more painful his old coping mechanism becomes, as his thoughts become less and less tasty.

what if you were autistic but you didn't know it because it's the 1980s and your special interest is horror movies and sometimes your brain feels a little bit blood-soaked but it's okay because it feels good! it makes you feel better, right? but then your best friend dies and also you lose the closest person you had to a lover and you wonder if you've wasted your time obsessing over romance but you don't have time to think about it because life keeps happening and nobody seems to care that your community is dying and no matter how hard you try you never see a ghost in the hallway or the bathroom mirror like you want to, and then your lover comes back but he's different, and so are you, and you really want to stop looking death in the eye, so you try to capture everything around you on your video camera to show that you were here, we were here and we're alive, and your queerness is your heartbeat and all you want to do in this life is love, so that's what you do, despite everything, whatever that love looks like, even when everything gets louder and brighter and too much to bare and you're starting to get scared by the blood in your thoughts

I call this "the culmination of my growing obsession with horror and the undergrad dissertation I wrote on how the AIDS crisis functions in queer narratives". I think it's my favourite thing I've started in a long time! There's so much flesh to this story that I haven't even dug my hand as deep into it as I could go. It's fun, it's silly, it's raw, it's sweet, it's emotional, it's complicated, it's a bit bloody, it's theatrical, it's trying it's best. It doesn't take itself too seriously but it's also crying in the bathtub you know

Characters (just a few otherwise this would get way too long)

Beau (he/him) the bestest boy in the whole world. Someone pleeeease take him to a farmers market on a chilled Sunday afternoon

Benji (he/him) Beau's little brother who Beau thinks is the bestest boy in the whole world. Even though he loves bugs and dirt and wants to be a shark when he grows up

Bobby (he/him) dead but before he died he thought being a ghost would be so fun. It'd be so much easier to sneak up on Beau! He could finally go to Fire Island! He loved handmaking jewellery and wanted to be a volcanologist.

Felix (he/him) the ex lover! He's doing sooo much better since the last time you saw him! Hey why is he crying in that movie theatre bathroom

Tiff (she/they) Beau's old friend and roommate. Tattoo artist who collects eye shaped decor and broken rotary phones. Lesbian/gay solidarity is the backbone of this novel.

Dorothy (she/her) In love with the moon and acrylic paints. What if you bumped into your ex boyfriends twin sister and feel like you shouldn't get involved but then you remember she's realllyyy fun to talk shit about people with?

[rfallfish]

Introductions and Master List

Hiya, everyone! I'm Raine (she/her), a speculative fiction author from the United States. I tend to write stories about endings of some kind, and the various emotions and nuances of emotions that these endings can evoke.

Interested in joining my tag list?

If you want an introduction to my work, I'd highly recommend "Prisoners". It's under 1,000 words, so it's not a large time investment, but I still consider it one of the best things I've written so far. Obviously, I'll stand by anything that's on here, and I use the tag "#Raine Fallfish Stories" to mark those. I'll be tagging everything else having to do with my writing (including fragments, discussions, ask games, etc) with "#Raine Fallfish Fragments".

I haven't usually shared my poetry as much, but I want to share more of it soon. I'll be using "#Raine Fallfish Poetry" to mark those. All of these tags are included on this post for easy access.

Send me asks! Send me messages! Don't be afraid to interact with me. If you want to be on my tag list, comment on any of my posts, or send me a PM, and I'll add you.

I also take commissions! Info can be found here.

Below is the master list of everything I've finished. Feel free to look around and see what grabs your interest!

Reclamation (361 words): Even after humans destroy themselves, the world keeps turning.

The Cosmonaut (1,761 words): An American crew rescues a cosmonaut in deep space, and everything starts to go wrong.

Ruin Bay (352 words): A young teenager ponders on the ruins of the Old City.

A Faulty Dissertation (2,282 words): Two college students go into the woods to study the faeries that live there.

The Recollection of Mathew Turner (1,252 words): The child of Fatum gives the account of his best friend's death.

Deep Sleep (298 words): A robot awakes from a period of low-power and tries to find the girl it took care of.

Prisoners (989 words): After the mass deforestation of the Earth, a man takes care of the last living female squirrel.

Flight of the Songbird (4,216 words): The owner of a small-town coffee shop has to face the reality that her girlfriend left her for good.

The Clerk in the Tower (2,603 words): A man stuck in the endless loop of his job needs to make a change in his life.

[scorpio-karma]

I honestly really don't get it, why after all these years, are people still obsessed and invested in TVD or with the cast? That show nothing but a complete shit show and dumpster fire garbage from start to finish (though the first few seasons did a better job in hiding it, because the show had promise and potential). Nothing  but one problematic thing after another and just so much negativity and toxicity surrounding it. And a lot of your stances raise a lot of questions and put a lot of things into perspective for me. 

First, it's so funny to me that you single out Nina for being a mediocre actress and using that as a reason to say her career after TVD flopped, or that she hasn't done anything since leaving the show. Because the majority of the TVD/TO cast (with the exception of only a few select), were also mediocre and not particularly good either. And honestly, what did you expect from a CW show, of all things? Also, the other cast members haven't done anything or gotten jobs after TVD either. 

Second, only singling out Nina for being problematic and doing shady things, when all of the TVD cast, including your dear and lovely Kat Graham, have done a lot of fucked up, problematic, and shady shit as well. Absolutely none of them are innocent or saints. Ian acted like a straight up, petty, and bitter manchild after he and Nina broke up and he got with Nikki Reed, while Nina handled that whole situation with grace and maturity, even with how shitty both Ian and Nikki treated her. On top of that, he's a fucking abuser who threw away Nikki's birth control pills, coerced her into pregnancy, and bragged about it publicly on a podcast as if it was something to be proud of. 

Third, singling out Nina for supposedly being racist (which to my knowledge, I've never seen her make any racist posts or comments), but say fuck all about Matt Davis, the biggest racist piece of shit in the whole show. Or Nate Buzolic, who on top of being racist, is also a raging homophobic and anti abortion rights. Most of the men on the show have done way worse than Nina or any of the girls, yet I don't see any posts from you calling them out on their shit behavior. Because as always, men can do the most abhorrent shit, they can be racist, homophobic, sexist, misogynistic, they can abuse, rape, or even kill somoene, and still have people defend and support them. But god forbid women aren't perfect and have flaws or make mistakes and fuck up. 

And you all wonder why the TVD fandom had such a bad rep back then, and still continue to have such a bad rep now. The very definition of toxic. 

First of all sweetie, you seem to be responding to some old ass posts from like 2019, so you the one that's still obsessed. Second of all, if you searched my Tumblr thoroughly (which I know is hard given Tumblr piss poor searching system) you'd find posts critical of all cast members. In fact, I'm pretty sure the only one I'm not critical of is Trevino because he knows when to stay quiet. And lastly, I'm definitely only skimming that whole message because you're clearly an unhinged Nina fan who went searching for shit to be mad at since they're tagged as "anti" meaning your not the audience for these opinions. Maybe find more recent and relevant criticisms before blowing up someone's inbox anonymously with a dissertation as to why they're wrong. In fact, maybe put this in an actual response to that post so they know what the fuck you're going on about.

[therentyoupay]

Hi, I was just wondering if technical difficulties is abandoned?

I hope you’re doing well!

*drops in after 5 years and 4 months with a technical difficulties chapter update*

*disappears*

cover art made by @angel-gidget ♡

03/08/23. HELLO, HELLO, HELLO, ALL, LONG LONG LONG TIME, NO SEE. ♡ Can you believe it? When I first published this story (first to tumblr, then to ao3), I had just moved to Japan! When I posted ch. 7, I was still living in Japan, and would stay there for another 7ish months... and in the 5 years and 4 months since posting the last chapter, I have moved to three different cities in the United States and started a Ph.D. program. (I am currently halfway through my PhD program!!!!!) What a wild ride. Also, we lived through the pandemic?! And I bought a house! Over the summer! The market was vicious.

So, then how did I get the inspiration/time/energy/motivation to write Ch. 8, you ask? Marvelous question. I lied down in bed last night to go to sleep "early" and ended up reading an utterly hilarious play-by-play commentary on Bad Books, Good Times of a popular fantasy novel series—and I'm not quite sure what it was about "poorly written books explained by hilariously clever book lovers" but I suddenly had a craving for fanfiction, so I opened up my Books app on my phone, and my eyes fell upon a sudden recommendation for my downloaded copy of technical difficulties. And I thought, "Am I suddenly and weirdly in the mood to jot down some notes to start Ch. 7 right now? By golly, I think I am."

4.5 hours later, I'd written the whole damn thing from scratch on my phone in my Notes app. (Messily! Half-assed! But I wrote all of it down!) I then spent another 6.5 hours today filling in the gaps and "editing." This chapter (and the one that will follow it) has been in my head for more than half a decade, but I just haven't had the space to get it out until now!!

I think one of the most beautiful parts of getting a PhD is how completely it blows your perfectionism tendencies utterly to bits, and one of the really interesting byproducts that has come up in my acdemic writing is just how quickly I can crank out decent-enough writing (skill-building!!). In my case, I think so much of it has to do with just being able to word vomit fairly well while not trying to fix anything until the whole damn thing is basically done. So, I applied that knowledge here! Behold!

This isn't to say that I'll be writing the final chapter anytime soon—I may be on spring break right now and may have had a stroke of Writing Inspiration in the Wild™ last night, but I'm still finishing my last semester of classes and learning advanced Python and working on my milestone paper for my doctoral program and preparing to present at my next conference in June and preparing my proposal for my dissertation next fall. BUT! The important thing is that I will post the last chapter of this story (and all my other stories)! Eventually!! ;)

No BETA for this chapter because I gotta THROW this out onto the internet and get back to coding, so bear with! I may do minor edits for it in the near or distant future. Also, please note that I have not watched any episodes of Miraculous Ladybug after the finale of Season 1, so this fic is very much a ~time capsule~ from the past. If there is any additional lore that might otherwise apply to the plot of this fic, please know that I don't know about it, and I am keeping myself selectively ignorant on all matters of Miraculous Ladybug season 2 and beyond until after I finish this story the way I originally intended. ♡ Woo!

as for, tumblr, sadly, to be honest, I'm never really online anymore! I'll respond to comments here on ao3 ASAP, though. ♡ LOVE YOU ALL, THANK YOU. ♡♡♡

[theshinazugawaslut]

hello! no rush at all just wondering when you’d ever finish a few of your requests? that’s all! no pressure! :)

Hello! I appreciate this question being worded so sweetly, so thank you so much! I expected this question to come in eventually!

Okay, so, I am currently a month away from my final exams starting hence teachers have overloaded us with assignments, essays, dissertations, and experiments (I'm sobbing, if I have to write one more politics essay or do another fucking antimicrobial experiment I'll cry); since I'm also school vice-captain and a language ambassador, I'm organising a lot of events for the school as well. I'm also studying at the same time for the upcoming exams — afterwards, I'll be graduating and I'll have my prom!

If you can't tell, I've been overloaded with work for the past few weeks and will continue to be.

This isn't to say I haven't been working away at the requests but all the requests are only partially done, and I want to make sure I give my full to the requests and not some half-assed, sorry excuse of an attempt, especially when I have a good idea.

If you guys can't tell, I like making sure you guys get proper answers to your requests, something everyone can enjoy!

But due to my workload, time to work on them is sparse and since I have so many requests, I try to write bits and bobs of each instead of writing a whole solid thing that might turn out shit.

You guys have all been lovely and patient to me and I hope you guys can continue to do so for a while longer. I am genuinely sorry I haven't been as active on Tumblr as I first was when I started but I'm just a bit stressed from my education right now and I hope you guys can all understand!

I can give you an exact date that I will be incredibly online again though: May 17th. This is the date of my final exam. I can absolutely promise that your requests should be done within a week from that date.

My Easter break starts sometime in late March to early April for two weeks as well, so I may finish some requests during that time but I'll have to go again since my exams will start April 20th.

BUT main point is that from May 17th onwards, expect everything to be done. I am okay with people still sending in more requests since I love hearing your guys' ideas and working with them!

I guess this is kind of a semi-hiatus, I will be online and answering private messages or questions like these, and MIGHT squeeze in some time to fulfil requests, too!

Once I am fully back, though, I have many ideas to write for you guys! After requests are all finished and done, I plan on writing lots of other ideas ― many Sanemi ideas, of course, but definitely squeezing in some Bakugo this time, too (specifically barbarian king bakugo) and Genya!

Take care!

[sasquapossum]

I've discovered a lot of covers of Zombie, by The Cranberries, lately. Some of them have been around for a while but somehow I haven't seen them, while others are genuinely new. Here's the original, to get us started.

This is an extremely powerful song, and I have equally strong opinions about it. If you know anything about Dolores O'Riordan and The Cranberries, or have watched the video, you'll know it's about the Troubles in Ireland. I feel it's critically important for any cover to respect that, both for the sake of Dolores who is now gone and for the sake of Irish people generally. The vocals are meant to express both great sadness and great anger. For that reason I will not be linking to the Miley Cyrus or Halocene covers, because I feel that their performance in an emotionally bland style fails to show that respect.

One particular aspect of Dolores's singing is that at many points she's keening (from Gaelic caoineadh meaning to cry or weep). As the most amazing Elizabeth (Charismatic Voice on YouTube) explains in her reaction video, this involves deliberate crossing from upper CT-dominant to lower TA-dominant registers, over and over again. It's a powerful expression, as you'll see.

The best known cover, by a long shot AFAICT, is by Bad Wolves.

Tommy Vext has a rich, deep voice, so he doesn't do keening. In fact he kind of goes in the opposite direction with an impressively smooth delivery, but he expresses that intensity in many other ways. Again, Elizabeth enlightens with another reaction video. There's also a personal connection to Dolores here (mentioned in the video itself) and a few lyrics changes which I'm sure she must have approved. The first call-back to the original video (at about 1:30) broke me so badly I had to stop and compose myself for a full minute. Very powerful.

Next up is Dan Vasc. I love Dan. Unfortunately, I don't have much to say about his version, except that he delivers this with his customary excellence. Also, this is explicitly a cover of the Bad Wolves version, which makes it third generation and I think that's kind of cool.

Next up is another favorite: Colm McGuiness. This one hits hardest of all IMO. Of all the male singers, Colm comes closest to keening, and his intensity in other sections is something to behold. I hope he had a nice cup of lemon-ginger tea after doing that to his vocal chords. It's hard to believe anyone could go darker and heavier than Dan, or break me worse than the Bad Wolves version, but ... well, just listen.

Shifting gears just a little, but still on the rock/metal side, we have Rock Orchestra. IMO this is the best arrangement of a cover, using all the sounds of an orchestra to great effect. I love the woodwinds, I love the strings, I love the brass, I even love the xylophone. Julian Hinton did a masterful job on that. Erin Fox also does a great job, coming closest to Dolores's sound in the first two thirds and adding some of her own completely appropriate stylings in the last part.

Now for a complete change of pace - sort of a "palate cleanser" if you will. Systir is another one of my favorites. This is an acoustic version, with Lauren McGlynn delivering a shoegaze-y performance that leans much more into sadness than anger. That might seem at odds with the original's intent, but it really does work IMO. One of the things about a great cover is that it can go in its own direction while still remaining connected to the original. As an Irish group, I'm sure everyone involved here understood the importance of respecting the original song and its subject matter, and they thoroughly did those justice. This one might haunt me the most.

There are many more, some of them very good in their own ways. Unfortunately, I need to stop short of turning this into a whole dissertation and - as you can see - the competition for what to include is very intense. I hope you've all discovered some new artists, and maybe learned a little bit as well. Thanks to all of these wonderful artists (and one commentator) for honoring Dolores, and of course the people she was singing about as well.