#steppas records

[jahwarriorrecords]

Brand new and available exclusively at https://jahwarrior.bandcamp.com/album/minds-eye

[priokskfm]

#MixOfDay #Podcast #Radioshow #LiveDjset Aroop Roy | Live at the Olive Grove at Defected Croatia 2023 Croatia 2024 tickets HERE: https://ift.tt/knaGVWP Bklava, Floorplan, Mele, conducta, Defected, Croatia, 2023, "Aroop Roy", "Aline Rocha", "DJ Bone", "Low Steppa", "Mousse T", "Oden & Fatzo", "Rio Tashan", "Sammy Virji", "Todd Edwards", "Defected Croatia ", "Croatia 2023" www.priokskfm.online https://ift.tt/INr4MA6

[zef-zef]

The Yussef Dayes Experience - Live From Malibu

00:00 Istanbul feat. Elijah Fox 04:09 Tioga Pass feat. Rocco Palladino 10:19 Tidal Wave 14:20 Portrait Of Tracy - SWV 'Rain' (Dedicated To The Maestro Jaco Pastorius) 17:32 Black Classical Music feat. Venna 24:17 Malibu 24:34 Mountain Steppa 30:30 The Colour Purple

Performed By Yussef Dayes ~ Drums Rocco Palladino ~ Bass Venna ~ Saxophone Elijah Fox ~ Piano Alexander Bourt ~ Congas & Percussion

Directed By - German Vizcarra Produced By - Daniel Olea Dp - German Vizcarra Cam Op - Richard Olea Cam Op - Roy Park Pa : Louie Perez Recorded By Rory Cashmere Mixed By Rory Cashmere At Canton House Studios

Presented By Cashmere Thoughts Brownswood Recordings Warner Music Uk Nonesuch Records

[justforbooks]

The reggae pioneer and record producer Jah Shaka, who has died suddenly in his late 60s, was a giant of the British sound system scene. In a career that lasted more than 55 years, he transformed the sound system landscape with a distinctive and idiosyncratic style, eschewing the dominant trends to focus exclusively on contemporary reggae that was spiritually uplifting and politically relevant, presenting the music as a means of inspiration and empowerment for the disenfranchised and oppressed.

At the many dances he held in diverse underground spaces, playing on an ancient and archaic Garrard turntable in a trance-like state, Shaka would chant messages of encouragement as well as exhortations of transcendent devotion to Rastafari, adding custom-built effects and live percussive elements to increase the dramatic tension.

Through his masterful use of components such as a pre-amp, a syndrum and a homemade siren box, he made the sessions visceral and immersive, boosting the subsonic bass frequencies at regular intervals to create a transportive and transformative experience. He reinforced this shamanistic persona by not revealing his given name or other details of his personal life.

An integral part of the black community of his home base in Lewisham, south-east London, during the late 1970s, Shaka deployed a sonic wizardry that made a dramatic impact on the post-punk music of Public Image Limited and the Slits, whose members were then among the few white attendees of his dances. Broader audiences became aware of his importance when he appeared in Franco Rosso’s evocative 1980 urban drama film Babylon, playing himself at a south London sound system session as the action draws to a climax.

Jamaican reggae subsequently underwent dramatic changes during the mid-80s as the dancehall style came to the fore, its output largely preoccupied with lasciviousness, violence and frivolity. British sound systems inevitably embraced the new style, but Shaka opted to become a lone voice in the wilderness that kept the roots reggae flame burning, advancing an up-tempo homegrown variant that became known as UK Steppers.

With a backing band he dubbed the Fasimbas after a local activist group established in response to the discriminatory treatment of black children in the British school system, from 1980 Shaka also produced original music with upcoming unknowns such as African Princess and Sister Audrey, as well as self-produced work.

He went on to produce reggae vocalists such as Bim Sherman, Johnny Clarke, the Twinkle Brothers, Max Romeo and Horace Andy, and released an impressive series of dub albums, including collaborative works with Aswad and Mad Professor. In the same period he ran a three-storey community hub in New Cross, known as the Culture Shop, which acted as a focal point for local black youth and housed a record store, a Caribbean food outlet and a Rastafari-oriented hair salon.

Although his record productions did not achieve much mainstream success, they were consistently popular with his core audience, and, more importantly, the uniqueness of his sound system would ultimately inspire acolytes such as Iration Steppas and Zion Train, as well as various sound system operators across the world.

Shaka spent his infant years in rural Clarendon, south Jamaica, before his parents moved the family to the UK in 1956 in search of betterment. They settled in south-east London, and it was while attending Samuel Pepys comprehensive school that he began an apprenticeship on the local soul sound system Freddie Cloudburst, beginning in 1968 as a “box boy”, helping to transport and set up the speaker boxes.

Later he ensured that the amplifiers and speakers were functioning properly, and finally became the resident selector to showcase work by Nina Simone, the Temptations, the Drifters, Diana Ross and other Motown acts. Then, after being inspired by activists such as Marcus Garvey, Malcolm X and Angela Davis, as well as his overarching Rastafari faith, he formed his own sound system in 1970, which he named Jah Shaka after the Zulu king.

Armed with exclusive dubplates and a powerfully commanding presence on the microphone, Shaka soon began building a name on the sound system underground, triumphing at many a sound clash. But along with the accolades came tensions with the police, who raided a dance he held in Brockley, south-east London, in 1975, beating attendees and damaging his equipment.

Undaunted, Shaka established a residency at Phebes nightclub in Stoke Newington, north London, in the late 70s, followed by another at Club Noreik in Tottenham, and was crowned the top sound system at the Black Echoes reggae awards in 1980 and 1981. His audience widened during the 90s, when he enjoyed a popular residency at the Rocket, adjoining the University of North London (now London Metropolitan University).

Shaka made his first pilgrimage to the African continent in 1984, and established the Jah Shaka Foundation in Ghana in 1992 to distribute medical supplies, library books and other materials to schools and medical clinics. He also undertook charitable works in Ethiopia, Jamaica and Kenya.

His extensive touring schedule took him throughout Europe and to Japan, Africa, Mexico and Peru. He became a regular festival headliner while mentoring his son, known as Young Warrior, who became a leading sound system practitioner and record producer in his own right.

Noted for his stamina and for presiding over all-night sessions without a break, Shaka continued to command large audiences at events in the UK and abroad.

He is survived by his extended family.

🔔 Jah Shaka, sound system owner and record producer, born circa 1954; died 12 April 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[9misoundsystem]

Micronomade ft. Antzoni Rubio - World is Shaking

[mooncatmelodies]

SCARING THE HOES Album Review

by Josefina Gaspar

The highly-anticipated collaborative album between JPEGMAFIA and Danny Brown has finally been released. This album has been on my radar for quite some time now, ever since Peggy expressed his desire to collaborate with Danny Brown on Twitter. After numerous leaks and posts on social media, I was eager to listen to this album and see if it would live up to my expectations. So, when it finally dropped, I waited until I got home, put on my headphones, and pressed play. And I must say, it did not disappoint. Without further ado, let's review the new record by JPEGMAFIA and Danny Brown, "SCARING THE HOES."

The album kicks off with Lean Beef Patty, and it sets the tone for the rest of the record quite well. Right from the beginning, you can hear the production style of Peggy's previous release, LP!, in the production. While there has been some criticism online about the production quality, mostly on reddit, I feel that it complements the style of the album. This project has more of a mixtape feel to it rather than a traditional album, and Lean Beef Patty serves as an excellent opening track. Peggy's performance is, as always, fantastic, but it doesn't feel like he's trying to replicate what made LP! great. Although Danny's verse is shorter than expected, it still adds to the overall quality of the track.

Moving on to the next track, Steppa Pig does an excellent job of maintaining the high energy established in the opening track. Danny delivers a spectacular performance, not overdoing it but adding enough to satisfy the listener. Peggy's verse is impressive, showcasing his ability to rap flawlessly along with the instrumentals he produced. The title track, Scaring the Hoes, is also noteworthy, especially with the unique, moist sample in the beginning. However, I did feel that the track could have been more, as it felt slightly drawn out. Nevertheless, it's still a great track overall. Garbage Pale Kids is possibly one of the better tracks on the album, and it's also one of my personal favorites. Peggy's sampling skills are on full display here, demonstrating his incredible talent. Similarly, Fentanyl Tester is another great track that features an unexpected but successful sample from Kelis's Milkshake.

Burfict! is another prime example of Peggy's exceptional beat-making and producing skills, as the track bursts with energy. The use of "super-bowl-ahh" horns is particularly impressive, and I would love to hear more tracks in the future incorporating horns in the mix. By this point in the album, I realized that I had been listening to the first five tracks in absolute awe. The album had completely captivated me, and I found myself shutting my mind off and just listening. The energy doesn't let up with the very next track, Shut Yo Bitch Ass Up / Muddy Waters. Every track on the album thus far has been great. One of the things I appreciate about this track is that it feels like Danny Brown has his moment to shine. Although he's featured on every song, it often felt like the album was more of a New Solo JPEGMAFIA record with lots of Danny Brown features. However, this track made me feel like it was truly a collaborative effort between Danny Brown and JPEGMAFIA, rather than a solo project with supporting features.

Moving on to the next track, "Orange Juice Jones," it offers a moment of respite and allows for some reflection after the high-energy first half of the album. While not quite an interlude, it still provides a break from the intense tracks that preceded it. "Orange Juice Jones" is still a great track that showcases Peggy and Danny's standard of talent. It's a reminder that even when they slow down the tempo, they still maintain their skill and ability to create captivating music. The next track on the album is "Kingdom Hearts Key," which is possibly my favorite track on the entire record. It features the only artist besides Peggy and Danny, and that artist is redveil. The energy on this track is electrifying and it stands out in every aspect - from the production to the beat switches and the overall performance from the artists. Peggy's first verse is a great start with his flawless flow and production, especially with his beat switch section. The track is so mesmerizing and catchy that it was my number one song on my playlist. Danny's performance is an excellent complement to the track, and you can really feel the chemistry between the two artists. The amount of fun they had while creating this album is evident in their work. Finally, I can't forget redveil's flow and style. While there are criticisms about redveil's solo work, he really shines on this track. His ending verse is outstanding, and it's impressive how he is the only artist featured throughout the entire project.

God Loves You, another great track, does a really good job at building and maintaining energy. I absolutely adore everything from this project, and it’s just amplified with this track. Jack Harlow Combo Meal, on the other hand, is a standout for me. The piano sample used in the beat is amazing, and it's a great change of pace from the more aggressive tracks on the album. Plus, hearing Peggy's singing on this track is just beautiful. HOE (Heaven on Earth) should’ve been the ending track. It’s everything that this album is, it’s a project from the two legends of experimental hip-hop having fun. The ending part of this track is my favorite thing they sampled throughout this entire record. But finally, the last track, Where Ya Get Ya Coke From. While a great track, I do wish that this would’ve made it in the middle section of this record. Still a really good track. I don’t think there really was a track that I really didn’t like.

Overall, this album blew me away. I already knew this was going to be a record that I had on repeat, however, I think I underestimated the absolute greatness these two growing legends would produce. And to think that JPEGMAFIA isn’t done this year. He already announced, some time last year, that this was the one out of the three records he would be releasing. I can already predict what one of the releases would be, however, I won’t say much. Besides, I am just speculating. This album is simply a 9/10

My top 3 favorite songs are:

Kingdom Hearts Key (feat. redveil)

HOE (Heaven on Earth)

Burfict!

Least favorite song:

Run The Jewel's

you know this is all an opinion, right?

[culturedub]

TONIGHT🔥🔥🔥 CULTURE DUB RADIO SHOW PLAYLIST #800 #playlist 📻 Tune in Tuesday, March 28th 2023 inna Culture Dub Radio Show on Radio Pulsar from 9pm to 11pm (GMT+1) to listen lot of fresh tunes Roots, Reggae, Digital, Dub, Steppa, Electro Dub, lot of Exclusives tracks, few extracts of the new release of Culture Dub Records, and Win your tickets for Concert DUB Assembly @ Poitiers, Mahom + Ondubground + Tetra Hydro K @ L'Escapade and Festival de la Meuh Folle #20 @ Alès, hosted by AlexDub : 🔊 Playlist : https://culturedub.com/blog/culture-dub-show-800-28-mars-2023-radio-pulsar/ 📻 Win your tickets for Dub Assembly 📻 Win your tickets for Electro Dub Night @ L'Escapade 📻 Win your tickets for La Meuh Folle Festival #20 Large Up, AlexDub 📻 www.radio-pulsar.org // 95.9 FM (Poitiers) #radio #radioshow #culture #culturedub #culturedubradioshow #emission #playlist #fm #webradio #radiofm #roots #reggae #rubadub #digital #dub #steppa #electro #bass #alexdub #radiopulsar #soundsystem @culturedub @radio.pulsar.95.9 @lescapadeheninbeaumont @festival_meuh_folle @gamers_assembly @micronomade @antzonirubio @ruddandwood_bigroux (à Radio Pulsar) https://www.instagram.com/p/CqUYQA2KGdv/?igshid=NGJjMDIxMWI=

[catstarrecordings]

CATSTAR RECORDINGS RADIO SHOW 227

DOWNLOAD MP3 | 免費下載  | 無料ダウンロード   | Ücretsiz indirin  Descarga gratis  | 무료 다운로드   | تحميل مجاني   | הורדה חינמית

01.Da Lukas - Satisfy Your Soul [Groove Culture] 02.Love Klubb - Ready For Love (Richard Earnshaw Extended Klubb Mix) [KMG] 03.Kevin McKay, Duwayne Motley - Somebody To Love [Glasgow Underground] 04.Maximilian Heart - Cigarettes [Kaleydo Prestige] 05.Lufthaus, Sophie Ellis-Bextor, Robbie Williams - Immortal (David Penn Extended Remix) [Armada] 06.Wayne Soul Avengerz, Odyssey Inc., Joa (UK) - We Got A Love Thang [Trois Garcon] 07.AtLows, Romy Black - Ghetto sound [Souluxe] 08.DJ Kone & Marc Palacios - E Samba (Extended Mix) [Tribal Kitchen] 09.Mirko & Meex - Bring It Back (Original Mix) [Cruise Music] 10.Trace, Liquid Rose - Bitch, Don't Kill My Vibe [Nervous Records] 11.Both 91 - Slysoul [Funky Revival] 12.Both 91 - Fall In Love [Boogie Brunch] 13.Pepe Le Punk - Young Forever (Extended Mix) [Zulu Records] 14.Dua Lipa - Houdini feat.Catz N Motion, Vanilla Ace (Murchikk & D!scoman The Boat Club Mix) [CTSTR] 15.Wolfram & Josh Ludlow - YoYo Disco (Purple Disco Machine Extended Remix) [Defected] 16.Sabrina Carpenter - Feather (Murchikk & D!scoman Club Mix) [CTSTR] 17.Dj.A-Bor - Drop It 2024 [CTSTR] 18.Dombresky, Jaded - All For You (Extended) [Higher Ground] 19.Sharam Jey & F.A.R - COME ON! (Dub Mix) [Pimp My Booty] 20.DJ Blackstone - A Walk in the Park (Extended Mix) [Tribal Kitchen] 21.Ghostbusterz - California Gurls (Original Mix) [SUPERCIRCUS] 22.Marco Ferry, Thomas Menegazzi - Escape (Dj.A-Bor Love Parade Rmx) [Casa Rossa]/[CTSTR] 23.Manuel De La Mare & Luigi Rocca - Firestarter (Dj.A-Bor Mix) [Baikonur]/[CTSTR] 24.Martin Solo - Waitin 4 Me [WyldCard] 25.Carly Wilford - The Dance (Ext.) [Toolroom] 26.Low Steppa & Tony Romera - Dance To The Music (Extended Mix) [Toolroom] 27.CASSIMM - Son De Lo - Extended Mix [Adesso Music]

CATSTAR RECORDINGS RADIO SHOW 227 Mixed & Compilation by:Dj A-Bor TELEGRAM CATSTAR REC ЧЕРВОНОГРАД UA https://t.me/catstar

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youtube https://www.youtube.com/channel/UCocnpCLljRlvcYiQ2WpQOWg radio weloveibizaradio https://weloveibizaradio.wixsite.com/we-love-ibiza-radio donate for catstar recordings card 5168755474538556 IBAN: UA283052990262086400933564009

[karamanti]

“Protected Riddim” out now on all streaming platforms!

Watzh You Frenz Records presents “Protected Riddim”, a six-track dancehall compilation that features Ras Bentley, Amnon, Karamanti, D Sweat, Tiana Steppa and Mollo Icon. “Protected Riddim” is out now on all music platforms. It is being distributed by Blakkwuman22 Music.

[jahwarriorrecords]

It's Bandcamp Friday today and we have a brand new release! Find it at https://jahwarrior.bandcamp.com/album/two-roads

4 cuts of this instrumental stepper produced and mixed by Jah Warrior. Heavyweight business!

[am-reggae]

Iration Steppas - Hard Time Pressure In A Babylon Dubquake Records // DBQK1211 / 2023 // ================ A1: Hard Time Pressure In A Babylon (Vocal Mix) A2: Hard Time Pressure In A Babylon (Kick Down Babylon Mix) B1: Hard Time Pressure In A Babylon (Suffocation Mix) ==================== Mixed, produced and arranged by Mark Iration + Dennis Rootical // Track A1 originally released in 2002 by Dubhead Records /// ======== ESTADO: ========== 12" Nuevo / No está precintado // ======== 14€ ==================

[thetoxicgamer]

NBA 2K24’s soundtrack celebrates 50th anniversary of hip-hop

The motivation for the soundtrack this time around is focused on integrating genre-defining songs from the past and present, as well as highlighting rising works from the next generation of artists, in recognition of the 50th anniversary of hip-hop and the 25th anniversary of the NBA 2K franchise. While the official track list for the NBA 2K24 soundtrack has yet to be revealed in full at the time of writing, 2K did unveil a handful of artists and songs that players can expect to be featured in the game this year. Here is a list of songs that have been officially confirmed to be in NBA 2K24 at launch: - “Just Wanna Rock” – Lil Uzi Vert - “Walk” – Kodak Black - “In Ha Mood” – Ice Spice - “Kobe Bryant” – Lil Wayne - “Bad Habit” – Steve Lacy - “hooligan” – Baby Keem - “90 Proof” – Smino and J. Cole - “Breakfast In Monaco” – Larry June and The Alchemist - “Black” – YoungBoy Never Broke Again - In continued partnership with Def Jam Recordings, Season One of NBA 2K24 is set to feature the following tracks as part of the first batch of new offerings coming to the soundtrack post-launch: - “This DJ (feat. O.G.L.B.)” – Warren G - “Hustlin” – Rick Ross - “GOATED. (feat. Denzel Curry)” – Armani White - “2 Certified” – Hit-Boy and Avelino - “My Time” – Haiti Babii - “FOLD” – SwaVay - “Dolla” – Navy Blue - “Crazy” – Connie Diiamond - “Stand Out” – Jex Nwalor On Sept. 1, a Twitter account named NBA 2K24 Community posted a screen recording of what appeared to be a Spotify playlist of the full NBA 2K24 soundtrack before it was removed. Considering the cover art and a number of tracks seen in there have since been confirmed, it appears the following songs will also be in NBA 2K24 at launch: - “Really Really” – Kevin Gates - “B.R.O. (Better Ride Out) ” – A Boogie Wit da Hoodie - “Kilometre” – Burna Boy - “One Up” – Central Cee - “Pick A Side” – WAP5TAR and Young M.A. - “HOTEL LOBBY (Unc & Phew)” – Quavo and Takeoff - “Internet Trolls (feat. Hitkidd)” – GloRilla - “Rumble” – Skrillex, Fred again.., and Flowdan - “AHORA QUÉ” – Quevedo - “Me or Sum (feat. Future & Lil Baby)” – Nardo Wick - “Conceited” – Flo Milli - “Again” – P-Lo, E-40, and LaRussell - “Tradeline” – Ray Vaughn - “A Mí ” – Rels B - “Still Omw” – Blxst - “Power Power (feat. Shaun Ross)” – Duckwrth - “Big Steppa” – Rome Streetz - “Thru the Week” – Kamaiyah - “Fall Back” – Destiny Rogers and CARELESS - “GILA GILA feat. JP THE WAVY, YZERR” – Awich - “Bogo” – Cookie$ - “Black And White” – Nasty C and Ari Lennox - “2 Certified (feat. Avelino)” – Hit-Boy - “Doubted Me” – Kaash Paige NBA 2K24 is set to release on Sept. 8 for PlayStation 5, PS4, Xbox Series X|S, Xbox One, Nintendo Switch, and PC. Read the full article

[rastavibes-reggae-shop]

LPs Steppas Records Uk - Dub Judah Alpha And Omega - Almighty Jah

reggae shop NEWS LPs Steppas Records Uk - Dub Judah Alpha And Omega - Almighty Jah http://www.rastavibes.net/reggae-shop/?lang=en&p=catalogue&format=lp&item=02116 A Side 1. Almighty Jah 2. Hand To The Wheel 3. Dub Can Reveal 4. Honest Opinion 5. David And Goliath B Side 1. Rasta Is Merciful 2. Merciful Vision 3. Africa Is Calling 4. Banks Of The Nile 5. Shebas' Journey http://dlvr.it/SvTY4R

[theeverlastingshade]

SCARING THE HOES- JPEGMAFIA & Danny Brown

With collaborative team-ups between pairs of idiosyncratic artists becoming more and more commonplace within the realm of hip-hop it only felt like a matter of time until we got the underground's answer (or perhaps, in this case, the terminally online response) to Future and Drake's 2015 LP, What a Time to Be Alive. And the case in question here is a far more natural, and intuitive pairing than Drake and Future. After years of well documented admiration and mutual respect for each other's craft, Houston based alternative hip-hop legend, Danny Brown, and Brooklyn based glitch-hop architect, JPEGMAFIA, finally teamed up for a collaborative LP, glibly titled SCARING THE HOES. On STH, blog rap's past and present collide on a deliriously dense LP that exudes a gleeful irreverence at every turn. While STH isn't likely to be considered the strongest work from either artist, it's a fascinating collaboration that generally plays to the strengths of each artist without succumbing to the usual pitfalls that plague big ticket collaborative records from established solo artists. STH scans as both a love letter to both hip-hop, and all the bizarre internet ephemera they've spent the last 2 decades of their lives wading through.

STH is a collaborative record through and through. The 14 songs were written and performed by Danny and JPEG (the only vocal feature comes courtesy of redveil), with the latter having produced the entire record. And the production is where STH really shines. JPEG has been one of the most promising producers in hip hop since the release of his flippant 2016 debut, Black Ben Carson, and his idiosyncratic approach, which blends noise, industrial, glitch, K-pop, and so much more, has only grown more distinct throughout his subsequent work. On STH, JPEG continues his chaotic compositional streak with ingenuity, and what scans like (however intentional) a desire to challenge Brown at every turn. The effect is like listening to audio from multiple internet tabs playing at once, with arrangements flying through the fray at irregular intervals that somehow seem to coalesce into sturdy structures that adhere to the duo's internal logic alone. Early highlight "Steppa Pig" barrels forward on the strength of a heavily distorted sample of NYSNC's "Gone" with the percussion practically collapsing in on itself, while late album breather "Kingdom Hearts Key" is oddly imbued with pockets of melody courtesy of tastefully employed samples of Maaya Sakamoto and the Detroit Emeralds. It's still remarkable to hear all the disparate elements that JPEG seamlessly strings together, and part of the fun is trying to place all the deep cuts, weird commercials, and late capitalist sonic detritus. While there's plenty to admire from the rapping, STH, when viewed strictly through the lens of a beat tape, is nothing short of a modern marvel.

While the rapping on STH isn't as uniformly excellent as the production, there's plenty to savor. The writing isn't anything that breaks new ground for either artist, but aside from the stock bar auto-pilot session of "Fentanyl Tester", the rapping throughout STH is as unconventional and engaging as we've come to expect from either artist, and it easily carries the spotty writing. JPEG isn't as imaginative nor as technically proficient as Brown, but he holds his own throughout STH. More importantly, JPEG's anarchistic outlook meshes superbly with Brown's irreverent sensibilities, allowing songs like "Orange Juice Jones" and "Lean Beef Patty" to feel like colorful exchanges from kindred spirits instead of the sort of half-baked, verse via email execution from artists who are simply after one another's demographic that's so commonplace today. The biggest issue with the vocals (and really, the record writ large) comes down to the way that JPEG mixed Brown's vocals. Brown's verses generally come through clear enough, but there are a few moments when his voice is nearly drowned out by the instrumentation. On songs like "Shut Yo Bitch Ass Up / Muddy Waters", the mixing shines as an inspired aesthetic choice as JPEG lathers the beat with thick slabs of distortion that accentuate the urgency in Brown's delivery. But on songs like the title track, Brown's voice strains for audibility over the horn bleats and visceral bass. This is hardly a major shortcoming, but a rapper as singular as Brown should never be veering on the cusp of obfuscation. Despite its missteps, STH is a strong collaboration that makes good on the undeniable chemistry and talent of its stars.

Essentials: "Shut Yo Bitch Ass Up / Muddy Waters", "Kingdom Hearts Key" ft. redveil, "Garbage Pale Kids"

[butterfly-lies-chase-them-away]

Thank you for the tag @hoodeddreams13, appreciate it :]

But gaddamn! I have a lot in my name :,)

B - Black (Pearl Jam) U - Undisclosed Desires (Muse) T - Teeth (5 Seconds Of Summer) T - The Violet Hour (Sea Wolf) E - Enjoy The Silence (Depeche Mode) R - Regulate (Warren G) F - Fade Away (Che Fu) L - L-Over (Kora) Y - Youngblood (5 Seconds Of Summer) L - Lonely Day (System Of A Down) I - Iris (The Goo Goo Dolls) E - Easier (5 Seconds Of Summer) S - Sex On Fire (Kings Of Leon) C - Crawl (Atlas) H - Hysteria (Muse) A - As The World Falls Down (David Bowie) S - Safety Pin (5 Seconds Of Summer) E - Early Sunsets Over Monroeville (My Chemical Romance) T - Talk Fast (5 Seconds Of Summer) H - Heartache On The Big Screen (5 Seconds Of Summer) E - Empty Wallets (5 Seconds Of Summer) M - Money Honey (Lady Gaga) A - Accidentally In Love (Counting Crows) W - Would? (Alice In Chains) A - Assassin (Muse) Y - You Spin Me Round (Like a Record) (Dead Or Alive)

Let's just say, 5SOS came in clutch. Consider my name, it kinda makes sense. This was really fun, made me think :P ...26 letter...I don't even know if I know that many people @a-literal-no-name @chaos-4baby @j0kers-light @potter-solomons @fapqueen @hufflepuff1700 @naoko-world @elfwoodfae @lupinsfavslytherin @acapelladitty @mollybegger-blog @gea-chan96 @raincoffeeandfandoms @sunder-soul @ficsnroses @i-stan-nct-and-satan @queenshelby @muneca-lemon-steppa @tea-atfive @itsalola07 @kittenblushes @janeofthornfieldhall @fanficsrusz @wickedbarnes @mrsswick @nicb0723 no pressure at all, just wanna let you know I appreciate you and love you 💚

Rules: pick a song for each letter of your URL and tag that many people.

Tagged by @sailforvalinor, and thank you this looks like fun!

Remember and Proclaim (Andrew Peterson)

All I Ask of You (Jackie Evancho)

Innocence (Nathan Wagner)

Níl Sé'n Lá (Celtic Woman)

I Still Need a Savior (Billy Sprague)

No Strings (Ed Sheeran)

Take Me Back Road (Tim & the Glory Boys)

How Great is Our God (Chris Tomlin)

Everything Sad is Coming Untrue (Jason Grey)

El-Shaddai (Amy Grant)

Voice of Truth (Casting Crowns)

Endlessly (Amaranthe)

Not Alone (Red)

I'm an Open Road (Paul Brandt)

Never Leave Your Side (Sam Tinnesz)

Good to Be Alive (Skillet)

Hoo boy, can I think of sixteen people?

@griseldabanks @kraytwriter @kingofattolia @catkin-morgs @clawedandcute @nerdychristianfanboy @steampunk-archer @sergeanttomycaptain @smhalltheurlsaretaken @scribblermerlin @authortobenamedlater @stainedleather @mrtobenamedlater @mrgartist @get-loved-nerd @a-fount-of-blessings (Ignore if this is a repeat tag. Unless you want to do it again. Up to you. :)

[culturedub]

💥 NEW FREE DOWNLOAD ON CULTURE DUB RECORDS 💥 🔥🔥🔥 Various Artists – The World Is Dubbing – Une compilation Dub Stepper de 11 remixes du titre ‘The World Is Shaking’ de Micronomade & AntZoni Rubio ! 🔥🔥🔥 « The World Is Dubbing » est un album remix du titre ‘The World is Shaking‘ produit par Micronomade et AntZoni Rubio en 2022, un projet de collaborations internationales sur lequel vous retrouverez des musiciens et producteurs internationaux : BubbaYagga Sound, Selector Conciencia, Abudub, Masaki Pressure, Newen Dubz, Afrikan Dub, Chuchumayu, Micronomade, Zero One, Xolotl Dub et Dub Master Inna Midi Yard... Du pur Dub Stepper proposé en libre téléchargement par les labels Mayan Steppas Records, Green Beats NetLabel, Wami Records et Culture Dub Records ! info & Free Download : https://culturedub.com/blog/various-artists-the-world-is-dubbing/ Large Up, AlexDub #dub #stepper #Steppa #compilation #remix #compilationalbum #FREE #FreeDownload #international #culture #theworldisshaking #theworldisdubbing #remixdub #collaboration #United #variousartists #CultureDub #culturedubrecords #music @micronomade @antzonirubio @afrikan_dub @abudub.selva @newen_dubz @zeroone_jungle @greenbeatsnetlabel @wamirecords @culturedub https://www.instagram.com/p/CqKXiXBsUVq/?igshid=NGJjMDIxMWI=