#srry it late here...

[forgettable-au]

FORGETTABLE-AU (Page 36-39)

* To note. Her hands are scaly. * And...unexpectedly wet?

[BEGINNING] [PREVIOUS] [CONTINUE]

[zoskyto-art]

Carrie White 🩸👑

[demidevildonnie]

i need an intervention i need an exorcism

[couch-house]

big pile of low-effort drawings and doodles from the past few weeks

[kogglyuffs]

its her day!!

[mr-megaphone]

DEC 13 -> IMPROVISED SNOWMAN DECORATION

[redcallisto]

Danstelle week 2023 Day 7 - Our Eternity

[ghostlylicious]

a dandelion in the sun (he is experiencing philippine heat)

[beescake]

found some old tweets frm my private diary acc logging errant thoughts i had while getting into hs

and well. smth abt the progression of it makes me emo. happy new year ig :')

[doyeons]

happy (late) bday, @kimsuyeon ♡

[super-paper]

:re your tags about body motifs in bnha got me curious about something. I can think off the top of my head several examples of how this applies to the trio, and a couple more about how this applies to AFO. But can I ask you to expand on how the eye motif is present in AFO specifically? The hands and mouth are obvious, but I can't say I've ever picked up on the symbolism around eyes when it comes to him. Well, unless you're referring to that scene with the sensors in Tartarus. But I'm curious if there's more that I missed, and since I'm a slut about themes and symbolism (and the eye theme relating to the todofam in particular), I would love a deep dive into it and how they're connected, if you don't mind sharing, of course 👀 Really love your meta btw

Thank youu~!

Yea, the eyes def receive less focus overall compared to the emphasis placed on AFO's mouth/hands-- but I feel that AFO's association with eyes is still pretty important even if they don't get as much focus, and the rare scenes where we -do- get to focus on his eyes + his relationship with eyes do a lot for his character.

↑ Breaking down AFO's character design to its barest essentials, you can see Hori more or less designed his "true" appearance with these three elements in mind: mouths, hands, and eyes. A perpetual mask-like grin, the stigmata marks to both hands, and completely blank white eyes. Hori uses the composition and lighting in his art to further emphasize these aspects, usually by placing focus on one part/motif at a time-- AFO is essentially introduced to us in pieces, bit by bit, body part by body part.

I would say act 1 focuses primarily on his hands, while act 2 shifts to focusing on his mouth/smile. The final act is where we finally start exploring AFO's relation to eyes-- and imo, Hori chose to focus on AFO's eyes last b/c AFO's eyes seem to be what connect him to his humanity and """true""" feelings:

Panels that emphasize AFO's eyes specifically are almost always tied to Yoichi! It's a neat and completely loaded little detail. In what's heavily implied to be the aftermath of Yoichi's death, we suddenly shift from obscuring AFO's eyes to obscuring his mouth-- the total reverse of how he's typically depicted during flashback scenes. His eyes (and tears) receive all the focus. The narration doesn't match or address what we're actually*seeing* in a fashion that's eerily similar to the way that Tomura narrates over the deaths of his family. There's a lot of set up here already, and I'm looking forward to see how it all ultimately pays off.

And if eyes are ultimately the motif that ties AFO to his humanity, then the lack of eyes throughout Act's 1 & 2 also feels intentional.

Blank eyes are also a design trait he shares with Twice (i.e. "Guy whose own quirk drove him to insanity and completely wrecked his sense of identity/individuality") and Sir Nighteye (i.e. "Guy whose quirk lets him see into the future of others, and the future he saw caused him to fall into despair and become a bitter husk of his former self")-- both characters are depicted w/ blank eyes for 90% of their screen time, but "gain" pupils during key scenes. Twice stands out in particular, bc Hori starts consistently drawing him with pupils immediately after he's able to verify his identity and overcome the trauma associated with his quirk.

Also worth mentioning: Jin kicks off his entire arc talking about the importance of knowing who you are and lamenting about the pains that come with losing sight of yourself/no longer being able to connect with or trust others, and he completes his arc by affirming that he knows exactly who he is and dedicating his heart completely to others. Nighteye's entire arc is about smashing past his fear of the future and the fear of change while *also* learning to value Mirio and Izuku as individuals instead of merely viewing them as vessels for OFA. Both arcs are very much relevant to AFO's whole deal as a character/antagonist and the overall theme(s) of MHA as a whole. Twice and Nighteye serve as semi-heroic foils to AFO who manage overcome the same shortcomings that AFO implicitly struggles with, specifically because they allowed themselves to care about others-- So imo it's neat that these three all share this particular design trait!

they're also the two characters whose deaths have the most narrative impact outside of Yoichi and Nana/The Shimura Fam (whoops)

The final act has also been placing more and more emphasis on how a person's eyes look when they finally get to be their best selves and follow their dreams, and how they sparkle and shine when they think about their origins and their hopes for the future (and I've talked about how this contrasts with Tomura's fairly dead-eyed expression whenever he talks about his "dreams" of destroying everything before (link!), so I'm pretty pleased that the narrative is now calling attention to how a person's eyes look + making the total lack of ~shine~ in Tomura's eyes a very intentional thing).

AFO addresses this directly-- on the surface, he appears to be echoing Touya's desire to be "seen" and expresses resentment that people aren't looking at him. But where Touya longs to be seen in a way that truly validates his humanity and reason for existing, AFO instead wants to be "seen" as something completely devoid of those human qualities. Dabi wants people to see Touya, Mysterious Shigaraki X only wants people to see "AFO." He wants to be a looming, mythical figure who blots out the sun itself-- and when people look towards their future, they should only be seeing a path that ends with him and him alone:

This sequence will never not be thematically relevant

Tomura, Himiko, and Touya all desire the basic human connections that are associated with Hands/Mouths/Eyes. Even as they continue to lash out and use their respective motifs in increasingly violent/self-destructive ways, their core desire never changes. The desire to be touched gently, the desire to be spoken to like a normal girl, and the desire to be truly seen-- that longing for human intimacy (and who they ultimately seek understanding/intimacy from) betrays what their true desires are more than anything else.

AFO shares the same body motifs as the hero and villain trios, but he's a corrupted version of those motifs and represents what hands/mouths/eyes are capable of at their absolute worst. AFO doesn't truly "see" others. AFO doesn't see people as individuals, he only sees them as extensions of himself or as bit-part "roles" to be played out in his increasingly off-the-rails real people fanfiction. AFO doesn't want people to look to the future or even attempt looking beyond him. AFO doesn't want anyone to see what lies behind his shadowy mask and the AFO persona. AFO counts on society to avert their eyes from problems and pretend they don't see, so he can swoop in and play the benevolent savior to those who have been abandoned. AFO doesn't want anyone to see "Tenko," he only wants them to see "Shigaraki." Et cetera et cetera et cetera.

Anyway--!!

There's also the underlying implication that AFO wants everyone to have eyes that are just like his:

Blank. Empty. Completely devoid of spark and soul, pushed past the brink of total despair, with no hope whatsoever for a future.

[just-sp-in-inginthevoid]

Rindo has a twitch channel in the final timeline and he does collabs with the Akashi sibs. Part 3

When Ran is angry, Rindo makes sure to have a Mont-Blanc ready (or to go get one fast enough) - that's canon, that's in the guidebook

Now, after waking Ran up one too many times from screaming because of horror games (he swears it's Senju and Haruchiyo, he knows better)(not better enough to stop playing horror games with them when Ran is sleeping it seems), he decides to keep a Mont-Blanc near him every time they play

The fanbase, of course, after having long decided that Ran was some sort of cryptid, nicknamed those Mont-Blancs 'offerings' (you have to appease the cryptid(/deity (???)) you just woke up after all)

The Akashi Sibs find the whole situation (including theories on the internet on what Ran is) way too hilarious to explain anything to the fans

[pixanefan]

Happy Birthday Michael Adamthwaite and Jay Walker!!! 🥰🤩🥳🍰🧁🎂🎈🎉🎊✨🎇🎆

September 1st

[daily-sans-es]

sans #355

well at least the other snowman now has a friend.

[perenial]

something i havent rly seen mentioned when it comes to comparing/contrasting book & tv omens is the different yet deeply interconnected contexts of conflict they emerged from and interact with: book omens was written towards the end and published in the immediate aftermath of the cold war and tv omens was/is produced during the denouement of the war on terror*, and these real world climates are intrinsic to how each iteration contends with war, nationalism, (bi)partisanship, pacifism & conscientious objection, and the institutions and movements that uphold or disrupt these constructs

[failedcoinflip]

ahhh sorry for the late daily... here's a doodle! there will be something tomorrow :)

he already gave levi li xi srry marina (shillings are so hard to come by good gods) (day 20)