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#spn: destiny's child
fandom-hoarder · 2 months
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I am forever thinking about this moment in 15x13 Destiny's Child
1) We assume the car is THE car, the impala, Baby; and in context wtf else CAN we assume? We've seen some vehicles in the bunker but no other car that Dean cares about enough to get angry
And
2) the sequence of scenes sure makes this feel like Dean is rushing them off as soon as they get back (albeit they're back in their own clothes)
But
3) TFW took the impala with them to get the Occultum
HOWEVER
4) it honestly would've made more sense plotwise for them to leave the impala in the bunker and take a different car; they should know by now that Chuck sees the car as his special character also
And, all that set aside...
The way this possible writing gaffe opens up the possibilities of og-verse Sam and Dean and Huntercorp Sam and Dean cohabiting long enough that Huntercorp Winchesters can joyride Baby 👀👀👀👀👀👀👀
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thursdaythen · 25 days
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Day 1: Heaven & Hell
A slightly different take on Anael and Ruby hehe
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insanesonofabitch · 10 months
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I can’t believe the Pizza Man Montage was from the actual fucking show like that’s exactly the type of shit you’d see from a fan edit/amv.
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winchestress · 21 days
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wait... are these mfers still in Brazil???
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iightbringer · 11 months
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mmaeeve · 3 months
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daily dean quote #148/366:
“black market. yeah, that’s what i was gonna say next. that was the next one.”
- season 15, episode 13, destiny’s child
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Other!Dean or Bizarro!Chester as J2 call them! He's so soft and cute and dramatic and flamboyant. I love him 💗
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babysoftboyking · 2 years
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why did supernatural become a sitcom comedy in later seasons…. like it’s so bad.. it’s clinical
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fandom-hoarder · 1 year
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Never over this
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likeaprayermp3 · 2 years
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i know i’m not there yet but i think they fucked up this show by making god some guy. making everything in the world About the Winchesters. it’s so much better as a horror story and as a human story when it’s all unknowable. truly a shark jump
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deansmom · 3 months
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The fact that the spn fandom is entirely incapable of a nuanced discussion involving Dean and the relationship with his mother shouldn’t surprise me as much as it did when I came back to fandom, and as much as it still does when I’m forced to see it with my own two eyeballs
Mary Winchester was a person before she was a mother, and I’m going to be so honest with you, I think by the time she died, John didn’t like who that person was. So I think when she died, he did what a lot of people do, which is put the person they lost on a pedestal. And that’s who Dean grew up hearing about, that’s what all of his memories of his mom were contextualized with, this person who didn’t exist. And so then his mom comes back and I think it’s very, very clear to Dean almost immediately that this isn’t the same person John told him about.
In the real world, we have no context to draw from and nothing to compare it to, the experience of getting a dead parent back and to be part of your life again. We can’t know how he felt beyond what we were shown in canon - So of course Dean is thrilled, but he’s also a Winchester and deeply traumatized, and tries so hard to make it seem normal and not internalize his complicated feelings about her and her being alive. He’s dealing with:
Grappling with losing the mother he was told she was and resenting mary for it because she’s standing in front of him
Realizing that John robbed so much from him by denying him the version of his mother who feels like looking in a mirror
The guilt of how and why mary is there
Trying to reconcile his feelings of resentment and anger that he knows should be directed at John, but John’s not there, so they end up getting directed at mary, and feeling bad about that
A deeply traumatized inner child who has his safe person back, and just wants his mom to hold him and tell him it’s going to be okay, but he knows that isn’t fair to ask of her
And meanwhile mary was dealing with
✨trauma✨ from being brought back to life
Having to confront her own failures as a parent (which is silly it’s not her fault she died but y’know, feelings tend to be silly)
Having to reconcile her toddler with the man in front of her who’s older than her being her son
Seeing so much of John’s worst qualities in both of them and recognizing the trauma of a shitty dad
The fact that they had this idea of who she was, and it’s nothing like her at all, and trying to understand why John would lie to them while also probably coming to terms with what looks like confirmation of her own worst fears about who she was as a parent
I cannot stress this enough: the last time her feet touched the ground, she had been married, with a new baby, and a 4 year old, she wasn’t a hunter, John barely knew about hunting, and it was the 80’s. She woke up in what, 2017 and her husband’s dead, her babies are grown men (again: older than her!!!) and the most prolific hunters in the world. Oh, also, angels? God? The afterlife?? Funny story! Like I’m sorry, you wanted her to have well-adjusted coping skills for that????
The Mary hate just gets me because she’s Dean in a different font, and so many of y’all hate her for such superficial bullshit that you could let go of if you took 5 seconds to think about the situation critically for both of them. The only bad guy here is, was and will always be John Winchester. John was there, but Mary tried her best. Mary tried to do what was best for them when she left, because she didn’t want to damage their idea of who she was anymore than she had. Mary literally died trying to save Sam from the destiny that heaven had written for him - John couldn’t be bothered to think about his kids.
And if you think that Dean ever genuinely hated Mary, your critical thinking skills need some work. The thing that prompts his speech in 12.22 is Mary saying to his younger self, “I only want good things for you, Dean. I'll never let anything bad happen to you.” So he says
I hate you. And I love you. 'Cause I can't – I can't help it. You're my Mom. And I understand...'cause I have made deals to save the ones I love more than once.
I forgive you. I forgive you. For all of it. Everything. On the other side of this, we can start over, okay? You, me, Sam. We can get it right this time. But I need you to fight. Right now, I need you to fight. I need you – I need you to look at me, Mom. I need you to really look at me and see me. Mom, I need you to see me. Please.
Translation: “you’re right. I resent you for not being the person I was sold, I resent you for your death being the thing that ruined dad, I resent you for being the touchstone for so many of heaven’s plans for us. I resent you because you’re here, and John isn’t, and it’s easier to hate someone tangible than someone dead. And if I hate you, it’s only because I can see so much of myself in you, and I’m so incredibly angry that John treated us the way he did. My whole world, my whole identity revolves around you being someone that you never were, and wrapping my head around that is scary, but when I pull my head out of my ass and look around, you were just a kid. And you did your best, you’ve always tried to do what’s best for me and Sam, and I don’t hate you. I don’t know if I like you right now because you’re a stranger, which is scary - but I love you. So please, mom, I’m sorry that I’ve been taking my bullshit out on you. Just… try. For me. Please.”
Anyways!!! You guys don’t deserve Mary.
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ohsc · 2 months
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what taylor swift album would the spn characters be??
or specifically what song?
hi lovely!! im gonna do specific songs instead of albums bc it’s easier for me to choose / i can give more comprehensive responses <3
dean’s is this is me trying. the song, at least in my interpretation, is about someone trying to push through their mental health struggles in spite of things they’ve done in the past, and they’re trying. the song also alludes to struggles with alcoholism, which dean definitely struggles with, and also mentions that they have been having suicidal thoughts. the song represents dean trying to push through after hard times (after he’s lost somebody, moc arc, michael!dean arc), and specifically the person he’s admitting he’s “trying” to being sam.
sam’s is the prophecy. the song is about somebody praying to a higher power that they don’t like the “prophecy” set out for them, and they can never obtain what they truly want, love. sam’s entire life is planned out for him by the time he’s six months old, he could never escape his destiny (or his own prophecies that he was having too), when all he really wants is love (see jess, madison, amelia, eileen etc etc), and we also know that he believed in that higher power before he even knew angels existed bc he prayed to them, so he’s been praying for a change in “the prophecy” ever since he wanted to escape the hunting life as a child.
castiel’s is castles crumbling. the song is about somebody who used to be a beloved leader and were very successful and “held up so high”, but then they had “fallen from grace” as they grew more hated and outcast from that previous community. it definitely relates to cas rebelling from heaven and being an outcast to the angels, getting tricked by metatron to have the angels fall, godstiel arc, divorce arc with dean, etc. the song is about his slow decline from angel of the lord to being a member of tfw, and all of his loss of faith and grace and respect from heaven.
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ananke-xiii · 3 days
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Although I mainly see the first six episodes of s13 as an engaging portrayal of two giref-stricken people lacking the tools to deal with what has happened to them, I can also totally see them as the so-called "widower arc". Two things can be true at the same time because yes, Dean was totally grieving Cas' death. But I'll make it worse for you.
Maybe I'm biased by the many times I've read the term "widower arc" but Dean was 100% looking for a consort in Cas in s12 (yes, "consort", I'm tired of "partner" or "boy/girlfriend", they're weak terms, give me "sharing destiny" type of old words) so I think this interpretation is not so far-fetched.
We have a grieving widow(er), a desired consort who's dead and then resurrects and a son who's been defined as "the rising son". As I've already said these are some of the elements of one of the most ancient myths in Western culture, that is the myth of Isis and Osiris.
Now, of course it was not a retelling of that myth, I don't even think it was a conscious effort to shape the story that way but sometimes symbols will be symbols, what can you do?
First of all, two brothers: Set and Osiris and Lucifer and Cas. We know how it goes, one brother kills the other (As an aside in one version Set built a wooden chest and tricked Osiris to enter into it just to seal it and drown it in the Nile. We have totally NEVER seen this image in Supernatural. Not even ONCE).
Things get very interesting from here on because in the myth there's a lot of focus on the body of the deceased brother, Osiris/Cas. The most famous way Set disposed of his brother's corpse was to cut it into pieces, to... tear him apart if you will. It is then kinda WILD that AU!Michael kills "his" Lucifer the same way:
MIchael: I killed my Lucifer. Tore him apart in the skies over Abilene. But hey, can’t get enough of a good thing.
Apparently, the body must be somehow intact for resurrection to happen. In the myth Isis has to find his husband's bodyparts scattered all over Egypt in order to resurrect him. So we need to pay extra close attention to Cas' body which we are actually shown in that tragic scene where Dean prepares him for the pyre. So it's Dean who takes care of Cas' body, who "collects" it, just like Isis. Interesting.
In SPN "What gets burned stays dead", therefore Cas cannot resurrect, or so they think. The mantra is repeated by Jack in "Tombstone" when he first sees his father. To be honest, we don't really know how Cas resurrects. For the first time we see what happens to him between death and rebirth but we miss the technicalities. We can only assume that Cas' ashes were enough. Or maybe, just maybe, that's just a rule that applies in Chuck's story. Just saying.
I'm not sure if they try to discover how Jack managed to do that but the point remains: it was Jack who woke Cas up in the Empty.
And why did he do that? Well, because he can. The very first thing that Jack does is resurrecting Kelly in an episode aptly named "The Future", where Jack is sort of introduced via his mother's resurrection. He doesn't know how to use this power but he unconsciously does it again with his father. And I ask again: why?
Jack wakes Cas up in "The Big Empty", four episodes into the season. He could've done it sooner? No. Because what prompts him to unconsciously act is Dean's grief. And Dean reaches his boiling point when Sam finally provokes him. Osiris/Cas dies and his consort Isis/Dean is inconsolable. Other people like Sam can forget about it, but Dean can't in every sense of the verb.
In the myth it's Isis who resurrects Osiris and has a child, Horus, with him. But she got help. Dean's only human but there is a demi-god running around in his bunker so I think that helped. And Cas must be credited for the effort and the pushing.
Let's just say that resurrecting Castiel took three, actually four people okay? It required a team effort. Because none of them is a fully-fledged god like God or Amara or some Archangel who can just snap their fingers and boom welcome back to Life. Coaxing someone into resurrection (a resurrection with consent) takes a lot of willpower... and a lot of love.
I said four people because the last character in this little story is The Shadow. And we see this in the myth as well!
Isis doesn't "just" resurrect Osiris, she has to convince the motherfucker. Cause, you see, Osiris's heart was tired. A tired heart! Oh so beautiful! He didn't see the reason to go back to life. He was sooo tired. Isis has to literally seduce him back to life. And... this is kind of what The Shadow does, but in reverse? It tells Castiel to go back to sleep, to find peace, it's been in his mind and he wants to sleep, it knows!
The Shadow is Cas' tiredness, all his failures and regrets. But, as I said, it takes a lot of willpower and a lot of love to resurrect the dead, this is what Isis teaches us actually. To love more and then some more. And Cas loves back and he loves hard.
Castiel: You can prance and you can preen and you can scream and yell and remind me of my failings but somehow, I’m awake. And I will stay awake and I will keep you awake until we both go insane. I will fight you. Fight you and fight you for…ever. For eternity.
He didn't come back because he annoyed an ancient cosmic being. He came back because he loved.
So Osiris/Cas are back to life and that's good, right? Well... yeahhh. The thing is that Osiris will then live in the world of the dead so he kinda doesn't really really stay alive for long. And Isis will follow him. Things will likely go bad for Cas.
But the story continues!
Set/Lucifer and Horus/Jack engage in a rather disturbing (in the myth) struggle for power. The myth has different endings: in one they reconcile, in another they divide the realm, in yet another one Horus is the one true winner. So we don't really know (from this point in the narrative) how things will actually turn out for the two of them.
Isn't it interesting? Well, it's not surprising because there is a connection between christian stories and greek and egyptian ones but still? Kinda cool to see how myths keep repeating and repeating. As if we're still trying to understand them.
Anyway: yes to the widower arc, yes to love piercing through the veil of death. Both ways! It takes the love of two to resurrect.
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zmediaoutlet · 10 months
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so i know we just have to accept certain retcons, but the big one that bugs me is yellow eyes's plan for sam and how it doesn't fit with all the vessel stuff. how do YOU make that work in your head?
hallo hallo anon, you have hit on one of the Great Big Bugaboos of spn canon and also the #1 evidence we have to throw in the face all those goofs who uncritically repeat the "Kripke had a 5 year plan!" factoid. He clearly did not, he was flying by the seat of his pants, and while he managed to put stuff together in a fun way the pants are Not Coherent.
Nevertheless, we can make it work, and the way we make it work is that the various members of the angelic and especially demonic hierarchies do not have complete information. Let's do a rough timeline:
In the beginning Chuck created the universe. This is widely regarded as a bad move.
Then, you know, handwaving on him setting up some version of a 'destiny' story arc which will inevitably end in his two sons fighting to the death, via characters he'll create called The Winchesters.
After inventing demons and being a real jerkface, Lucifer ends up in the cage.
In the 70s or whatever, Azazel goes to Ilchester to butcher a bunch of nuns and talk to daddy Lucifer -- Lucifer says "you have to help get Lilith out of her pit so that the seals on my cage can get broken." Azazel says, "But how, Evil Daddy?" Lucifer says, "This really special child." -- HERE IS WHERE THE RETCON APPEARS TO HAVE HAPPENED, BUT WE CAN WORK WITH IT
Sam Winchester is fated in the demonic archives among the true higher-ups, but lower-level demons don't necessarily know about him and his importance.
Azazel starts seeding the earth with special babies. COMPLETE CONJECTURE TO FOLLOW: While he knows that Sam is the one who will be Lucifer's vessel, he also knows that a series of events will need to occur so that Lucifer will get out of the cage to take his vessel in the first place. The first seal is the most important: a righteous man must shed blood in hell. How do we get that to happen? CONJECTURE TWO: I think that Dean must be the Righteous Man because of his place within the tripartite celestial structure: God-Michael-Lucifer mirroring John-Dean-Sam. I do not think that John could have ever actually been the one to 'spill blood' that would allow the first seal to break. (Ethical conjecture three: perhaps it's the weakness itself which has its own kind of righteousness? John's implacable; Dean is not.) CONJECTURE UHH FOUR I GUESS: Azazel is designing an elaborate scheme to ensure that Sam will die on a particular day (maybe bc it works well for opening the door to hell?) specifically to ensure that Dean will sell his soul to bring Sam back, and thereby doom himself to the hell where he will break the first seal.
This should be 6b but tumblr doesn't work this way: now, would it be a hell of a fucking lot easier for Azazel to just ensure Sam dies somehow? Yeah. But given everything we know about him and the dorky-ass demons who hang out in s1 and s2, Azazel is clearly a dramallama and does stuff for the lulz. Plus, I think there's an element of 'proving' to Sam how much destiny has a hold on him, because that is so important for his grooming into saying yes to Lucifer. If he was just hit by a car or something it doesn't have the same effect than if he's part of the emo hunger games.
Sam dies; Dean sells his soul; Sam lives, and wants to save Dean. But of course, he can't save Dean, because Dean *must* go to hell to ensure the first seal is broken. This is why the angels don't help Sam at all, and why Ruby is allowed to run around with impunity. Happily the writer's strike intervened and gave us a miserable fucking s3 finale where that happened, because that is WAY more interesting than Hero Sammy Saving The Day.
Ruby has been getting instructions from Lilith the entire time, presumably since she became a demon herself, and gets launched literally as soon as Azazel is out of the way to continue the Sam-grooming.
CONJECTURE FIVE(?): Azazel and Lilith fucking hated each other, lol. But it's Lilith who's the *actually* important demon, so she wins and Azazel gets sacrificed for being really bad at teaching drama.
It's not actually that complicated, but you do have to take "the special kids were just sacrifices on the altar of let's see what we can get Sam to do" as a given. If Sam had actually started killing all of them, that'd be one thing, and Azazel could have turned that to his favor before maybe having Ava stab Sam in the back regardless. (Then, a Special Kid will go and open the devil's gate for him anyway, so the demons can get out there and start their important seal-breaking prep.) Since Sam was being such a Good Guy -- well, so what, Ava will kill all the rest of them, and then either her or Jake will get turned easy-peasy and kill Sam too. Dean will make his deal either way, and the apocalypse is off with a bang. Or a sick crunching of knife into bone.
Anyway, that's my theory. It fits alongside my ironclad theory that all of history and fate and destiny was leading toward two brothers standing in front of each other in a cemetery, and the only real free will starting once Dean could choose what to do when Sam-as-Lucifer stood in front of him, and what he chose was to be there for his brother. Thereby giving Sam a solid space to grasp and overcome Lucifer, and then save all the days. The Righteous Man who begins it is the only one who can end it, as they say.
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soullessjack · 10 months
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high and fucker up thinkin g about jack in the garden with the snake that asked him who he really was and whoo he was meant to be . Like okay I’m stay waiting for an answer motherfucker
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mmaeeve · 3 months
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daily dean quote #147/366:
“it was seized by the king of the dead and his warlords. am i close?”
- season 15, episode 13, destiny’s child
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