#splitting this chapter literally wouldn't have worked actually
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bonus-links · 7 days ago
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*waiting eagerly and patiently for directors commentary* :)
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IT'S DONE RAHHHHHH ITS FINALLY DONE!!!!!!! I hope you all have enjoyed this chapter but I am REALLY excited to move on to what's next!!!!! i have been waiting literal years to get here,,,,
starting off with a few things: these frames are the same design from pt. 9, just damaged now. it's also uh. literally the same drawings KJSNFKJG listen sometimes I just have to make things easier on myself. also convenient crack through the hero of time's right eye >:-)
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okay so the hero of time lore gives me a bit of a headache. let it be known that I understand in wolf's timeline, the events of OOT technically never happened. He knows the "hero of time" moniker bc he's met him, and i could've SWORN that name is mentioned if not somewhere in TP then in the TP manga. suspend ur disbelief for me lol
Anyway the idea is basically that post-game Wolf has done some digging to track down the person the Hero's Shade was when he was alive. I like to imagine he had some kind of bargain with Zelda where if he agreed to come to certain events she'd let him dig around in what survived of the archives after lol. I actually got stuck on this panel for a while trying to think of some other imagery that got this idea across without being so,,,idk on the nose? but i couldn't think of anything so i went with this HAHA. Even if Mask wasn't technically the "hero" in this timeline, I think he still ended up being a prominent figure, and some documentation of him would exist. An unfinished portrait, a text about the history of the royal guard, military records, correspondence between him and the castle, etc.
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ALSO ALSO. how do they know they're talking about the same hero of time? well, they don't. they're making an educated guess lol. obviously whoever made this statue of the Hero of Time couldn't make it look exactly like him, but I feel like Wolf has noticed enough similarities between depictions to be like. hey wait a second
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wake is trying to give a pep talk here like "come on guys, going on adventures is what we do!!" meanwhile Wolf and Loft are both like. yeah i guess leaving our loved ones behind with little notice to go on dangerous missions we may never return from IS what we do.....
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speaking of which Loft is maybe technically being a little bit of a hypocrite here but I really think he's just trying to make sure Wake doesn't make the same mistake he did lol. he's feeling guilty
one of many things I really regret abt this chapter is not having Tetra and Loft have a conversation similar to the one he and BOTW Zelda have. I feel like Tetra's experience of getting to grow up outside of the pressure of the royal family or her role and then basically having it forced on her during the events of WW would be very valuable for him to hear. I had so many things I was trying to juggle this chapter and somehow that just slipped through the cracks 😭 im sorry tetra.
AT LAST!!! ANNA FROM FROZEN!!! when all that was going down a few weeks ago i was like GUYS GUYS WAIT. HE'S ALMOST HERE. does this mean I have to get a new icon now
in case its not clear (and it probably isn't) he's in the ALTTP lost woods!
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okay so some of you may have noticed this, but up until now we've basically been following the thread of mainline games, starting where the timeline merged and working our way back to where it split in OOT. ALTTP is technically part of that, as the timeline where the Hero of Time dies. I have them all connected through the Lost Woods. The pitch for this was basically "wouldn't it be so fucking funny if Mage could've joined the story way earlier but didn't bc he was the only one with enough sense and also enough gall to just throw something through it." and then I couldn't NOT do that
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so on that note, this is the BOTW lost woods. If you look closely, you can see Wolf in the distance.
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I wanted to do something to establish him as a magic user! he could have just pulled these out of his bag but where's the fun in that. you might also notice that he's not wet because the rain isn't actually hitting him
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ALTTP ZELDA MY BELOVED!!!! that's all
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that's all i've got for now!!! bonus links turned 3 years old 3 days ago which is. wild. thank you all for sticking with this story for so long!!!
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feng-xunlu · 9 months ago
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BSD CHAPTER 119
There are many- mANY Things to discuss, cry, despair, and glee about. T.T. ✨✨✨✨ But I will mention this one thing now.
Have you considered we've never seen Fyodor wear an expression like this before?
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THE A N G E R IN HIS EYES...!!! It feels genuine and then again it's so damn hard to tell with a character like Fyodor.
But no matter what, it hit damn harder than I expected..... Makes me wonder even more what's behind this whole thing about Atsushi being a "bookmark" ?
And just how important it must be for Fyodor. But.. in what way?
One of my first thoughts of it, was it being a reference to a main character. Think about it, wherever the bookmark is placed, that is where the "present" is. For the reader that is. That is us. And the main character will usually always be where the bookmark is, where the story goes on.
Not that that's it but it's a great comparison in my mind.
Moving on.. Fyodor may have started out by saying:
”You are... Its "BOOKMARK"”
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But later he calls Atsushi “He who HOUSES the "BOOKMARK"“, not THE Bookmark:
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And then he even says afterward that the "Bookmark" DWELLS WITHIN Atsushi, basically just saying it twice in two different ways, and therefore making it even more clear that Atsushi isn't directly the bookmark himself:
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He specifically refers to the TIGER, the Abhorrent, Noble, Glistening Tiger to quote him correctly. Which dwells within Atsushi. Obviously referring to his skill. So assuming it's the skill, it isn't weird either he would just say that Atsushi IS the"BOOKMARK".
Atsushi himself said in Dead Apple, when he finally accepted his skill, that his skill IS him, it is not something someone can take away from him. He said something along the lines of:
"That's not a skill! That's me..!"
(( Yes, yes, I know it was literally taken out in Dead Apple without him dying. even if it only was for a short while, but so can some of your organs, and no one would argue your organs aren't.. YOU. Just because they can be cut out without you dying. It's a quite great example actually. Even if you can live without some organs, there could be after-effects depending on what organ we're discussing, maybe there's something you wouldn't be able to do? Just like if you lost your skill.
So even if it's T H E S K I L L, which is this so-called "bookmark" Atsushi is also special. Because the skill is him.
Not to forget, all this relates to the fact that his claws can cut through any ability, which Fyodor directly mentions in this chapter, concerning Atsushi being the "bookmark".
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And in fact, Fyodor kinda mentions the thing about Atsushi AND the Tiger being special. Directly saying to Atsushi:
”You... and the Tiger are Special.“
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Here's a chronological order of all the times Fyodor refers to Atsushi as the "Bookmark".
How he first said, "You and the Tiger", then just "You are..." And then the rest is straight up just him confirming that it is something within Atsushi, and how he only has an interest in that, and none in Atsushi himself:
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Even though Atsushi and the Tiger come in a set, Fyodor only wants the Tiger.
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The thing bothering me is this last panel. Even if it isn't Atsushi he needs, but the Tiger, wouldn't that also disappear if Atsushi died??
What in the multiverse do you mean you only need his head, Fyodor!!!?
Could it be the skill survives even when the skill user dies? Like the example with the organs, except it also works the other way around with skills?
Might depend on the skill I imagine.. Like the example with Tatsuhiko Shibusawa ? His skill survived even after he died. But then again, his skill specifically made it possible to split skills from skill users.
But even back then, there was something going on with Fyodor.. The whole thing about his skill being the only one not attacking him.
.. Now when I think about it, Fyodor would indeed know all about that, wouldn't he?
Hmmmmm—
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obsessivestar · 4 months ago
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'What If It's All A RomCom?' a Ted Nivison x Reader
{{-When you reach the end of this chapter, I'd love to know: who do you think is at fault? Do you think it's evenly split? 30/60 one way or the other? Completely someone else's fault? I'd love to know!-}}
//General Warnings: 18+ fic (MINORS DNI), Reader implied to be afab and under 5'5, She/They pronouns generally used.
//Chapter Warnings: HARSH language, loud arguing, pure angst. Lyrics from Tommy Hanks by Jakey used. This was pain.
Word Count: 5.1k
☆▪︎▪︎▪︎Taglist!▪︎▪︎▪︎☆
@k-k0129 , @callsign-scully , @schlattandcompany & @limecorpse
☆Love You To Death!☆
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Chapter 21: All These Lies.
Friday turned to Saturday, which turned into Sunday and by this point I know Ted won't be telling me anything. He isn't gonna tell me shit, and that frustrates me more than the actual secret he's been hiding. I haven't been nearly as chatty and sarcastic with him like I normally am, but he hasn't really shown to be suspicious. I can't tell if he feels the difference, I know I certainly do, but that's not a secret to me.
That's honestly what I don't get, all the secrecy. Sure, I get why Joe didn't initially tell me the truth, he had made a good point about it. No one was expecting Ted and I to actually get together so Joe didn't think it was important to share. That, and I was literally there for that event, I was there when it happened. I was right up on the stage while Ted was escorted out of the venue. I just don't remember it being HIM. That's just...so strange.
Because I didn't want to come off as suspicious, I would still be sleeping in Ted's bed with him every night, having his arm draped around me from behind or with my head laying against his shoulder. As I lay there Sunday night, knowing that Ted's time limit was coming close to an end, I couldn't help but wonder what it would've been like to meet him at that wedding or anytime afterwards. It wasn't technically the first time we were at the same event, we've attended the same cons and are friends with some of the same YouTuber's and yet it took Tanner's final assignment to bring us together. How different would everything be between us if Ted had been able to approach me at the wedding? Would I see back his drunken state and become curious? There would be no secret for him to hide, but considering his girlfriend had just left him that day, I more or less would've ended up a rebound. I don't wanna think about that.
Above all else, I just...I want this to work. Yes, I'm hurt that he's been hiding this and I'm even more upset with how easily he's been able to lie to my face, but there's also a small part of me that...kind of gets it. Not the lying part per se, but I keep thinking back on Ted and Joe's conversation and I can recall how anxious Ted sounded. I get not wanting to bring up old memories, I get wanting to get rid of that wasted first impression, I get wanting to start over and move on...but at least give us that option, right? At least let me decide how I'm going to feel about it. Who knows, I probably would've thought it was funny, it could've become a cute inside joke between us, an old mistake being used to strengthen our bond, but he wouldn't let me have that; let us have that. That's what's fuckin' bothering me, that's what I don't get. Why couldn't he tell me? Why couldn't he let me in?
I have a hard time sleeping that night, knowing that when the morning comes, Ted's time will be over. I know this limit was set by Joe, I don't have to be following it, but we're all packing up and officially leaving on Friday. That's less than 4 days at this point and I wanted to end the project on a high note. I don't want to wait for Ted to choose, not when he's had plenty of time. I'm not about to ruin this project because I'm anxious from all the fuckin' waiting. I still have to pretend to be falling in love with his character.
I manage to get at least some sleep, waking up to Ted's alarm as usual. I move Ted's arm off of my side and sit up, rubbing the sleep out of my eyes. This would usually be the part where I turn over to Ted and give him a kiss, but I just can't muster it up this time. I feel awful, like absolute dog shit. To my surprise, Ted notices that I've broken a pattern. For the first time since the weekend started, he's noticed a change.
"You feelin' okay?" Ted speaks up, his voice a little hoarse from just waking up, sitting up to lean back against his pillows. I don't really want to lie to him, but I'm not about to be like 'No, Joe told me you kept hitting on women at his wedding and I didn't sleep well', so I just cut that in half.
"I didn't sleep well.." I mumble, moving to stand up off the bed. One thing I'm lookin' forward to after this project is no longer waking up at 5am. I can't believe I've been as consistent with this as I have. I guess it's just been that fun. It was that fun...
"Oh--shit, is that my fault?" Ted asks with a slight frown, beginning to feel his bare chest and under his arms. I furrow my brows at him in confusion, watching as his hand lightly smacks around his body, feeling for...something.
"No, I just..." I pause, my confusion growing as I watch him. "...what are you doing?"
"I'm feeling for sweat. I sweat in my sleep sometimes. I sweat, like, all the time." Ted admits with a small shrug, returning his hands to his sides. "I thought maybe I had sweat on you or somethin'."
"No, I'm...I'm okay." I can't help the small chuckle that escapes me. "You haven't sweat on me.." It's weird to be speaking to him normally. It makes me nervous, making me subconsciously place my hand over my stomach. Anytime I hear his voice, it's a constant reminder that he's been lying to me, keeping something from me. I'm reminded that he's capable of lying to my face. I'm reminded that he's a coward, but then...I don't like keeping him at a distance, either. That nervousness turns into anxiety and I just feel cold and lonely. I'm not just sleeping in his bed to keep the act up, I'm sleeping in his bed because I need to be next to him. I need to feel his body heat next to me. I need to hear his steady breathing as he falls asleep. I need to feel his arms around me, need to see him smile, need to see him gaze at me with those warm hazel eyes. He needs to tell me. Please, God, Ted, just fucking tell me. It's Monday, you need to tell me.
I can see that Ted is still waiting for his kiss, quirking his brow at me with a small smile after he moves out of bed. I know I should probably kiss him, I don't want to take away affection all because I'm upset, but...I just can't.
"See ya downstairs.." I give Ted a little smile and a wave instead before I open his front door and head for my own room to get dressed. I don't even wanna imagine the look that washed over Ted's face in that moment, but at the same time, I hope he's disappointed. If he's finally starting to notice that things are different after a whole weekend, maybe it'll coax him into being honest with me. I don't know how much extra time today I'm gonna give him, but I've just woken up and I'm already getting frustrated.
I know what we're doing today, in fact I know what we're doing for the last 4 days of production. We officially only have 2 more scenes to film and they're both for the fabled ballroom dream sequence that's been hyped throughout this entire trip. I have no idea how it's going to be edited exactly but I know why we're shooting it twice. Ted and I will be slow dancing together, doing one version in our casual clothes with the living room as it is, and one version dressed up in our 60's Era formal wear with the entire living room switched up to look more vintage and old. I've been trying to picture how the final product will look in my head, but Tanner hasn't been giving me much to work with. He's been purposely vague about his plans for this scene and claims it'll be much more impactful that way when we all see the final product on the big screen. I trust him on that.
After I get dressed, I head downstairs to do the usual. I grab some breakfast, chat with Dan, Tanner and Joe and then head to the makeup corner to get all dolled up. I hear Ted come downstairs after a little bit and hear him chatting up the guys as well. He doesn't sound particularly sad or low, but I guess he knows how to hide it. I'm not doing a half bad job at doing that either. I can be secretive too.
No I'm sorry, I'm not gonna let this go. It's constantly running in my head, even now as I'm just sitting here getting my makeup done. My head is spinning. I've got a giant hamster running on a massive wheel in my head right now, I don't fucking know, I'm just getting madder and madder about this. I don't give a fuck that he got too drunk, I don't give a fuck that he was headed my way, I don't fucking care that he spilled wine on Joe's mom or his husband's mom or whoever's mom. He didn't have to lie to me about it. I'm pissed. I can't get over this.
I'm snapped out of my own thoughts when I hear Tanner calling for Ted and I, realizing that the makeup team had finished me up almost a full minute ago and I had been sitting there, staring at myself in the mirror in silence. I let out a soft sigh and move off the chair, moving into the living room to join Ted, Tanner and a few members of the wardrobe team who would be acting as extras. We had a different set of actually hired extras during the first week of filming, yes, but everything that's done is done on purpose, according to Tanner. You're supposed to not recognize anyone in the background. For reasons Tanner won't spill, it's intentional.
God, I don't really wanna slow dance with Ted right now, but I'm doing this for Tanner's project. The second we get some sort of break, I'm bringing my frustrations up to Ted in private. That's how I want to do this.
The first bit of today's scene is done in relative silence. One of Ted's hands rests on my hip while the other takes my free hand, holding it out at our side. I rest my hand on his shoulder, glancing down at my feet to make sure I'm not about to step on him. We have some basic music playing to give us a beat to sway to, but Ted and I are not told to talk at all, everyone's meant to be silent as a moving camera runs around the entire living room, slowly circling us. Ted's warm eyes never leave mine. I can tell that he's not acting here, he is gazing at me with real infatuation and adoration, his soft smile genuine and affectionate. For a moment, I become...lost in his gaze, a small smile creeping up along the corners of my own lips.
'What if it's a rom-com? Baby, we could get away
Be my Meg Ryan and I'll be your Tommy Hanks
I know people die young and your friends fade away
But I'm your Jakey Matthews, Christensen, McConaughey'
I feel Ted let go of my hand to bring his hand up to my face, lightly brushing some of my hair out of my face, his affectionate smile stretching his lips out more. He slowly caresses the back of his finger down the side of my face I...I don't think I've ever had a guy look at me the way Ted is right in this moment. Not ever. I wish the only thing I could feel right now were the butterflies in my stomach and the warmth in my heart, but the burning realization that he's been lying to me with those same eyes creeps right into my soul. I can't let my feelings for him push away my anger.
Tanner gets a few good shots with all of the expensive cameras in the room. He decides to do one more slow go around, encouraging everyone in the scene to talk to each other, claiming it'll add some 'natural-ility' to the scene. That's not a word, Tanner, but I get what you mean. He says we can talk about anything as long as we're a little quiet about it, so after a bit of adjusting, we return to slow dancing. I can immediately hear the room be filled with quiet conversation between the extras, once again keeping my eyes on Ted. I must've made a face at some point between scenes because Ted's no longer looking at me with infatuation. He looks visibly confused, maybe even a little conflicted.
"Are you okay?" Ted whispers to me, his smile faltering slightly with concern. "You've been...different." Okay, so he has noticed a difference and he's waiting until now to bring it up? How has he not connected the dots at this point? We didn't even film yesterday, he had ALL DAY yesterday to tell me the truth, he had ALL DAY yesterday to ask if I was okay, if we were okay. He can't possibly be this ignorant, can he? I can't fucking do this anymore.
'I could be the ten days that you never wanna lose
Be the ten things that they hate about you
It don't gotta be this way, Just rewind the tape back to the meet-cute
View it from the top anytime that you need to, babe'
"No.." I admit in a quiet tone, letting out a soft huff. I know this isn't the appropriate time to talk about this, but I need to get it off my chest. I can't wait for break. "I know, Ted.."
Ted clearly doesn't understand what I'm referencing at first, shaking his head ever so slightly. "I figured you'd know if you were okay or not, princess." Ted gives a quiet scoff, a soft smile once again crossing his blush-toned lips.
"No, Ted..." I shake my head back at him, keeping my voice quiet, but firm. "I know, Ted. I know."
Any and all affection and happiness is completely washed off of Ted's face and his expression slowly drops. His mouth hangs open slightly and his eyes widen. The camera is currently behind him so it doesn't catch his shock, but I do. I get to witness the exact moment of realization on Ted's face. I get to see him grasp the fact that I know he's been lying to me, all while still mindlessly swaying to whatever music we've drowned out.
"...How did you?--" Ted tries to speak up first, but I immediately cut him off, already knowing that the question was coming.
"I overheard you and Joe arguing about it Thursday night.." I cut him off to answer him, my tone cold and serious. "And I made him tell me Friday, around lunch.."
Ted let's out another scoff, not as friendly this time, and he looks away. He gives a slow shake of his head, poking the inside of his cheek with his tongue. He looks upset. He doesn't have a right to look upset. "Okay..." He mutters under his breath and turns to look at me once more, giving me an expression I could only describe as...unamused. "How much did he tell you?.."
"Everything you didn't." I admit bluntly, trying to look relaxed just in case the camera circles back around to show my face. "That you got drunk, talked around with the girls, spilled wine on someone and was escorted out.."
"...Okay.." Ted repeats with another slow nod. He can't even look at me anymore, not directly. Not even 5 minutes ago he had no issues gazing at me, all with the knowledge that he was purposely keeping secrets from me. Now that the cats out of the bag, and he can't look at me? All he can say is 'Okay'?
"Okay? Okay?" I repeat back at him mockingly, still keeping my voice down. It's hard not to look angry. I certainly feel angry. "That can't be all you have to say.."
"Well I-I thought--" Ted let's out another scoff, blinking his eyes a bit more. "I thought I'd have more time.."
"More time?" I repeat, furrowing my brows ever so slightly. "Joe gave you until Monday, I heard all of it. Have ya checked the calendar lately?"
"I was going to tell you, (Y/N).." Ted frowns a little. "Eventually, I just...I'm sorry."
"When? Thursday? Friday?" I scoff. "Over the phone when I'm back in Washington, maybe?"
"No, just--I-I just needed time, I--"
"Time? We didn't even film anything yesterday, Ted. We filmed nothing."
"And?"
"You knew Joe had given you until today to tell me, that would've been the perfect day."
"Oh yeah, right before filming this? Real perfect."
"You had a full fucking day, Ted. That's plenty of time."
"It's not that easy, (Y/N)."
"Not as easy as lying to me, huh?"
"I wasn't lying the whole fuckin' time, princess. I didn't know--"
"Stop calling me that, I'm serious."
"What, did you want me to prepare a speech?"
"Guys?"
"What are you talking about?"
"Did you want a poem written in cursive, too?"
"Guys--"
"Oh fuck off, Ted, that's not fair."
"I don't know what want from me."
"I wanted the truth."
"Guys!"
It takes Ted and I way too long to see that our argument had disrupted the scene. At some point during the exchange, everyone had stopped and just stared at us. It was Tanner that had started calling out to us, a concerned frown on his face. "What's going on?.." Tanner speaks up again now that he has our attention, anxiously crossing his arms in front of his chest. "What happened?"
"Nothing.." Ted speaks up before I can, giving Tanner a dismissive wave. "It's nothing."
"No, it's not nothing." I step up in a frustrated tone, placing my hands on my hips. "Can we take 5? I need to talk to Ted."
"No, I'm not taking 5. We can finish the scene." Ted huffs, shaking his head at me before gesturing to Tanner again. "How much did you get before you stopped?"
"L-Like half.." Tanner stutters a little, the growing tension in the room causing him to look visibly uncomfortable. "Look, if you guys need to...work something out, we can--"
"We can work it off after you film the other half, right?" Ted asks, glancing over to the camera's. No, I'm not letting him get out of this. I don't care if he's a fucking director. "Just start from back there." Ted instructs the camera man, completely ignoring me at this point. "It's all good."
"No, it's not all good." I strengthen the tone of my voice, moving around Ted to stand in front of him once more. "We need to talk about this."
"We will, when we finish the scene." Ted insists.
"No, you've had all weekend. We're talking about this now."
"It's one fucking minute, princess."
"I wouldn't care if it was 5 seconds. I'm not finishing the scene until we discuss this."
"What is there to discuss? You know now, and I said I was sorry."
"Two words aren't gonna cut a week of lying to me, Ted."
"Are you really doing this here?"
"You won't do it elsewhere!"
"I just wanna finish the fucking scene, (Y/N)."
"I'm not fuckin' touching you until we talk."
"(Y/N), you're not gonna ruin a whole day of shooting when we've only got 4 days left, alright?"
"I'm not trying to ruin anything! I fucking love Tanner, he and Joe are like my brothers! You know this!"
"Yeah? And this is how you treat them?"
"Oh, like you were any fucking better to them at Joe's wedding?"
"I was drunk! I don't even--"
"All because you got dumped?"
I hear a few quiet gasps from some of the wardrobe team from that drop, but my focus is on how pale Ted's face becomes. He looks even more shocked than he did before, and he's not the only one. Dan is covering his mouth with his hand, Tanner looks distraught and Joe looks anxious, but disappointed.
"You what?.." Dan speaks softly, like he's trying to be quiet as to not set anyone off. "That's when she broke up with you?.."
"(Y/N)..." Joe frowns and pinches the bridge of his nose, lowering his head in shame. "Shit.."
"Wait, what? That's-That's not--" Tanner stammers over his words, completely stunned. "That's not what you told us..."
I'm finding it difficult to read the room, furrowing my brows as I look over everyone's astonished faces. I understand why the film crew might look surprised, but why are Tanner and Dan so perplexed?
"What? What?" I shrug my arms out, turning to look at Tanner. "What, like y'all didn't know that?"
"No." Tanner admits with raised brows, shaking his head a little at me. "That's not when he said it happened.."
"No, he said after." Dan admits, nervously clasping his hands in front of his face. "He said it happened a week after the wedding."
So I guess at some point last week, Tanner had asked Ted about his ex alongside Dan, the one that had left Ted at the wedding, but even when it was just the 3 of them, Ted had once again told a lie to save his own appearance, and I just completely spilled the truth out for everyone to hear. Not just in front of our core friend group, no. Everyone. The entire film crew, makeup, wardrobe department and all just heard me air that out.
All eyes are on us, Ted and I. Well, this isn't my fucking fault. How was I supposed to know all of the lies Ted has told? I didn't mean for it to turn into an argument. I didn't mean to disrupt the whole scene. I didn't mean to spout out his stupid secret. All these secrets. All these lies. All these rumors and whispers and eyes. I look at Ted one final time and he hasn't moved from where he's standing. He looks ashamed and pale, like all of the brightness and color has been sucked out of him. I don't care. I can't do this. I can't fucking take this. I need to breathe.
Without addressing anyone else, I grab my phone from the kitchen counter and start marching towards the front door. I ignore any and all calls to me, anyone saying my name, anyone telling me to come back. I put my shoes on and head right out the front door and I just walk. I just start walking forward.
I pass by everyone's parked cars in the roundabout driveway, I pass the fence that acts as a sort of archway into the property, I step onto the sidewalk and I just keep fucking going. I'm not even thinking about where I'm going or how far I'll be going, I'm just huffing and puffing as I stomp across this sidewalk. I take in the fresh air of the midday, wondering if any entitled suburban families are watching me stomp by their house through the front window. I can't fucking believe this. I can't believe it went this far. I didn't want to fucking argue like that. I didn't want to have a spat in front of every single fucking employee of that project. I didn't want to air out Ted's dirty laundry like that. I'm not that kind of person. I don't hurt people like that. I don't use secrets against people. I'm better than that. I'm better than this...
...but he didn't give me much of a choice, did he? Ted didn't want to fucking talk about this, he didn't want to tell me the truth. He told me the truth about his fuckin' girlfriend dumping him but didn't think to tell me to keep that to myself? Or is HE the only one allowed to keep secrets? I don't get it! What did I do that made him think he could treat me this way; that he could lie to me? Was I too easy? Was I too short? Too small? Too innocent? Too infatuated? Too biased? Christ, I know I've only known the guy for less than a month, but he never seemd the type to pull THIS shit. Joe and Tanner trusted him, they had so many good things to say about him, Joe practically gave us his fucking blessing. Joe said we looked good with each other, we were good for each other, we were good together! What the fuck happened?
I can feel my phone buzzing in my pocket but I just keep fucking walking. I only deter away from the sidewalk when I come across an empty park that's always in the middle of these family-centric complexes. It reminds me that I should probably find a place to sit, I don't want to go too far in case I don't come back until the sun starts to set. I turn into the empty park and plop myself down on one of the low swings, rocking myself up and down with my feet against the chipped ground. I put my phone on the ground so I can hold both of the rusted chains with both hands and I just...sit, think and breathe. I genuinely can't stop feeling frustrated about this.
There's a part of me that wants to keep finding reasons to blame myself, that this all happened mostly because of how I was or how I acted. Maybe if most of it is my fault, we can move past it easier and stay together. I have no issues with apologizing, I can make up for what I did.
But there's another part of me that wants to put this 100% on Ted. He got me high under false expectations, he lied to my face multiple times throughout the week and he refused to talk to me in private unless it was under HIS conditions, like that fucking worked out the last time. Every step of the way, he was trying to avoid this. How else was I expected to react? How long was I expected to handle his dodging and weaving calmly and rationally?
I don't know how long I sit at this park. By the time I had sat down at the swings, my phone had stopped ringing for a little while. The longer I sit there, taking in those deep breaths, the calmer I start to become. I start to feel ridiculous for coming out here, for storming out of the house the way I did. All I did was walk straight for like 10, 20 minutes. It wouldn't take long for anyone to find me if they came looking. I just...I don't know what to do. I don't know what I should be feeling, how else I should be handling this. I've been trying to get him to communicate with me, we were doing so good before all of this shit, I don't want it to be over. So what if he flirted with a few girls 2 years ago? That's not what I'm hurt over, I'm hurt over the secrecy and the lies. I need to understand why he was so okay with lying, why he felt the need to lie. I just want the truth. I just want to talk to him.
...Damnit.
I put my head in my hands, leaning forward while still on the swing. I'm no longer moving back and forth, completely stagnate. What do I do? How do I fix this? This can't be the end, it can't be. Ted gets a little too drunk and spends the next 2 years essentially waiting for me, and it's gonna end with one argument? If we really, truly can't work this out, that's fine, but...I just need some damn answers. I want to talk to him. I need to talk to him, need to see him. I take in one last deep breath before pushing myself off the swing, grabbing my phone off the ground, then walking back to the sidewalk to return to set. I don't know what time it was when I left so I truly had no idea how to gaugue how long I'd been gone.
...Until I actually got back.
The first thing I notice as I approach the driveway is that most of the cars are gone, including Ted's Tacoma. None of the upstairs lights are on and I can't see any cameras in the windows or anything, despite the curtains being wide open. I take in another deep breath before sheepishly opening the front door, relieved that it was unlocked since I hadn't grabbed my keys. The only people I see right away are Tanner and Joe in the kitchen, looking almost...scared as they gaze down at their phones. The cameras and lights that had been set up earlier hadn't been moved since I've been gone. As I close the door behind me, Tanner and Joe look up from their phones with wide eyes, shuffling out of the kitchen to head to me.
"Did he find you?" Tanner asks with a worried frown, clenching his phone anxiously in his left hand. "Where is he?"
"What?" I give Tanner a confused look, shaking my head a little. "Who? Who's gone?"
"Ted. He left right after you." Tanner admitted, his frown deepening. "He's not with you?"
"No, I came back alone." I admit, slipping my shoes off. "I was just down the street. Why? Where did he go?"
"We don't know." Joe let's out a heavy huff and shrugs. "He just left."
"What do you mean you don't know?" I ask with a scowl. "He didn't say?"
"No, he literally just...grabbed his keys and went, like, a couple minutes after you.." Tanner replies, anxiously scratching the back of his head. "He's not answering his phone. He just...left."
Ted's...
Ted's just gone?
'It's the middle of the night with the morning dew
605 or the 212
Even after I'm gone, what if it's all a rom-com?'
__________________________________
Chapter 1 || Chapter 2 || Chapter 3 || Chapter 4 || Chapter 5 || Chapter 6 (smut) || Chapter 7 || Chapter 8 || Chapter 9 || Chapter 10 (smut) || Chapter 11 || Chapter 12 || Chapter 13 || Chapter 14 (smut) || Chapter 15 || Chapter 16 || Chapter 17 || Chapter 18 (smut) || Chapter 19 || Chapter 20 || Chapter 21 (here) || Chapter 22 || Chapter 23 || Chapter 24 (smut) || Chapter 25 (final) ||
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Arranged marriage with a plot twist oumasai/saiouma AU
[the link to the post I brought up for the prompt in the Pit broke, but it was the purpose of arranged marriages and finding a good reason to make gay ships make sense within the setting, concluding that families with too many children, not wanting to split their fortunes to a point of losing worth or simply playing favoritism would arrange gay marriages since their other options are continuing to support their child or the catholic church, as priesthood was also the thing for spare royal and noble sons in reality]
me: the Saiharas would fucking do that Ves: oh that's very good normally i would abandon any au that meant i couldn't hc shuuichi as trans immediately but this is JUICY worldbuilding me: you know I like to keep my short king amab, but sometimes… t4t is better (mid-saying that I realized I already wrote t4t saiou arranged marriage in a fantasy au, and it might be a stretch to do the same wild combination again) but like… I could I think, Shuichi and Tsumugi would be siblings (or perhaps even twins), and their parents would want to put Shuichi aside simply because he doesn't fit in, doesn't do well socializing or performing on stage, too quiet and a little weird meanwhile Kokichi would be in the situation where, he is directly in the line to the throne, king's oldest child, but the king remarried and they want that bloodline to continue to be the royalty, and they don't want to go as far as get rid of Kokichi, but he shouldn't have children, so they can close this chapter Flaire: I think it's even funnier if Kokichi didn't want children in the first place and is like "So you're telling me… I have to go… and not reproduce? Oh thank god-" me: another funny thing is the shock saiou would experience meeting bc nobody gave a fuck what Kokichi was doing ever since king got another heir and he just rolls up looking like some random guy from maybe middle class while Shuichi was forced into his best dress, 20 gems and a perfume bath "who are you and where's the princess?" (Shuichi wouldn't be that straightforward, at least not out of the gate. but. he is confusion) and Kokichi has meet Tsumugi & the old Saiharas at balls before and he came with a [rolling eyes emoji] attitude locked & loaded, just to find that Shuichi is very much not like them universe works in mysterious ways, the way Shuichi's hair got magically short & jaggedly cut after the first time they got left alone without a chaperone the courtship period in general would be funny, because Shuichi is just wide eyed "wait, you can do that?" and getting his gender transed simply by exposure to Kokichi & getting to be a bit of a rebel, almost choking on the small gulp of freedom he got fandom shipper: did shuichi already start transitioning already? me: before meeting Kokichi he only knew that being a girl felt off also I imagine they're pretty young while in courtship. as it goes in those AUs. so they get to have fun together, learn a lot, esp on Shuichi's side, but don't get hit with the feels and what this all means until they're actually at the stage of preparing for the wedding, and I think it's Kokichi's turn to be stupid and believe Shuichi won't love him & that they're going to be unhappy, trapped together, and just angsting about how he doesn't want their friendship turn into something weighting them down instead, and maybe a little of (uneducated about queer sex insecurities) but Shuichi is literally already in love with him atp, and down bad, so they can just figure it out together Apollo: Kokichi sees him awkwardly adjusting his dress with an uncomfortable look and is like I know what you are while you don't /j
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rosieuv · 7 months ago
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Project: Eden's Garden chapter 1 is so fucking good oh my god
btw spoilers here
go watch the official playthrough
Please.
Okay so ever since I saw the announcement trailer I was like "Diana's going to die first, I can feel it". It was something with her design, and her personality that screamed "early target". So when all that trial stuff was targeted towards her, I assumed it meant this was when she died: still chapter 1 but a bit later.
Now I think she's gonna die in chapter 2 from all that heroic monologuing. I also feel like Wenona's gonna play some kind of big role due to the way she acts. Possibly an antagonist? I'm not sure.
The actual contents of the chapter are long, with the official playthrough's being about 11 hours combined (and you bet I watched them the day they came out this weekend) yet the pacing still feels fine. A lot happens within both daily life, deadly life and the trial and I can in vision a timeline based on what happened on each day/part of day. The tournament thing was cool and how despite the murder not being in the new rooms, the fact that it would be impossible without it made it feel like it actually had a purpose, which I was a bit concerned about when the corpse was in the boiler room.
I wouldn't have guessed Wolfgang was the victim though but it makes so much sense. And Eva being the murderer. That was a whole bag of plot twists and they work very well. The rooms are cool, the concept of the whole locks thing is cool, basically everything is cool and Tozu is more interesting than Monokuma and he's definitely some drama kid that get rejected from the lead role and so some organisation thing that Wolfgang's father made (I swear he's going to be important in the future) and he was basically like "yeah just act all dramatic and stuff and scare the kiddies". Why Wolfgang is in this game though...idk. I feel like his father has to be important though, especially with the message on the back that for some reason took Damon so long to figure out when I figured it out very quickly: Wolfgang's father is an asshole and he is too. His animal is literally a sheep how the hell did he not realise this. I mean, the conversation with Tozu was cool as he doesn't appear often, but like, has Damon ever heard the phrase "Wolf in sheep's clothing?".
Okay here's my nitpicks:
some of the furniture models are a bit low poly which doesn't mesh well with the 2D sprites
3D textures are weird in places (Wolfgang's chair is the worst offender of this)
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the line width is a bit thin in some of the new sprites and it bugs me because the artstyle typically has quite thick lines
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this book is never shaded
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the Damon thing I mentioned earlier
this bug in the trial where it fades out to show some kind of floor plan, and Damon is talking, but when the UI fades back in, for a split second it shows the mugshot of whoever was speaking before the fade thing (I can't find where this happens in the official playthrough but I swear it's real)
nobody realising the "thin bit of metal" was a hairpin until it was brought up as a lockpick in the trial like i realised that immediately
does Eva have a game console or a tablet? Pre-trial and at the start of the trial it was called a game console but towards the end when it was relevant, it was called a tablet? I can't find an image of it as the wiki doesn't have a gallery page for her (idk why) but I remember it looked like a DS from it's lid
there's only like 4 minigame section things in the trial: non stop debate, rebuttal showdown, the choosy one and the ending one. where's the letter one? i know there's more and i know this is probably so the programmers don't shoot themselves in the head, but still.
when did they have lunch during the last day? there was the tournament, the blackout, the investigation and then the trial and that was all about 5 hours going based on gameplay so if the investigation was at 9:45 ish and the trial ended 5 hours later, then it should be 2:45 and these poor people are starving! Well, idk about them all but Damon certainly didn't stop investigating to make lunch.
there's little inconsistencies with the art style/quality of the image in the CGs. The ending one with Diana sticks out the most to me: the lineart and shading look a little different. It's like a different artist from the rest drew it.
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Okay more praise:
grace pulling the middle finger in her objection sprite
wenona
the music made by mark having a danganronpa motif in
the dummy thing in the execution
the whole scene where eva's true talent is revealed and her "oh shit" sprite
all the voice acting
the maths equipment in the execution
the thing with the calendars and the horses joke at the beginning
eva's free time events (it was shown in the playthrough)
the scenes with Tozu at the beginning of each day
the tree animation is sick
the thing with the footsteps
the thing with the blackout
everyone screaming one by one when they see the body
the beginning
the middle
the end
all those biblical references
Tumblr is going to have a field day with this game.
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myheroblogs · 2 years ago
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Yoichi and All For One are IDENTICAL TWINS (and what it means...)
Okay, I know this acc has kinda been dead for over a year or two by now and I haven't exactly caught up with MHA, I only started reading the last 3-4 chapters, and I wasn't planning to revive this acc after being inactive for so long, but I discovered something that I CAN'T keep quiet about.
In the newest chapter, further detail on Yoichi and AFO's backstory is revealed (Yes! The chapter I've been waiting for!), and surprisingly, AFO and Yoichi are TWINS! I think very few people really thought of the concept, so it was unexpected in general.
I assumed they're fraternal twins, because while they're twins, the anime showed them having different eye colors... (Yoichi has green eyes and AFO has red eyes)
...Until I realised that isn't actually possible.
Because TTTS (twin to twin transfusion), can only occur in IDENTICAL TWINS.
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In other words, yes, Yoichi and AFO aren't just twins, they're IDENTICAL TWINS. Anime may be wrong about eye colors again (like how they were for Iida's).
And while it's both unexpected and funny to think about all this (I mean, c'mon, that means Yoichi could've had the exact same face as his brother-), a lot of people may have missed the very BIG implication that this has.
Remember, identical twins share the exact same genetic makeup. After all, they are basically what should've been one person but got split into two somewhere in the early process.
But aren't y'all forgetting...
...that QUIRKS are also genetic?
If AFO and Yoichi are identical twins the entire time, with the EXACT SAME GENETICS, then that would mean that the quirks they have, would be identical as well. Because quirks are also genetic.
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All For One and One For All are the SAME QUIRK by nature.
You may be wondering, "if they're the same quirk, why do they seem to function differently?" Yes, OFA can pass itself on, AFO can't, etc.
Well, while they are identical twins, they did suffer through TTTS, with Yoichi as the donor twin.
This probably messed a lot with Yoichi's development, and thus, his quirk. After all, while identical twins, are well, identical, a lot of factors can change how their genetics are expressed (some are expressed more than others). TTTS would've been a big one for AFO and Yoichi.
Notice when looking at OFA's functions (minus the stockpile), it's a significantly weaker version of AFO? AFO can just take and give through close contact with another person. For the transfer to even work for Yoichi, he has to transfer through DNA (blood, or eating hair??), and the only way it can even store quirks if said person inherited the quirk and passed it on like hot potato. I wouldn't even be surprised if Yoichi's quirk could only story a certain number of quirks.
The functions of Yoichi's original quirk got so messed up, it had to evolve into being able to pass itself on for it to even function itself. So much so that literally no one realised he had a quirk, maybe even Yoichi himself until after his death.(Im in the camp that Yoichi died passing on the quirk and it was Kudou who discovered the transfer ability and made the plan to defeat AFO)
So yeah, Bakugo was correct about OFA being the same as AFO all along. Except he was wrong about it being due to AFO creating OFA. It's actually because the original quirk holders were identical twins, meaning the quirks they have would also be identical. But things happened, which caused the quirks to work differently from each other.
EDIT: As another addition to this post, this also explains why OFA and AFO are so intricately linked, that the two users can start seeing into the other's vestige realm. To the point that when they both come into contact, it merges their vestige plains into one. Or perhaps, it's actually two quirks temporarily merging into one.
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Since identical twins are basically one split into two, then two identical quirks having contact with each other is the same as two merging back into one again.
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sukisheadlights · 2 years ago
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MAKE ME STAY!
landonorris x famous!oc
summary: where she sends the Internet into a slow spiral after releasing a song out of the blue (except it’s not out of the blue, it’s papaya)
part 1: make me stay, series masterlist
faceclaim: dua lipa 🫶
rory’s voice mail 🎧: PART 1! hope you guys like this, it’s obviously going to be a slow burn but I’m really excited to write it for y’all <3 ALSO the first two chapters are gonna be a little slow to set up the story and a strong base for it 😚 LOVE YOU SAY IT BACK
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@TMZ • 2 hours ago
Exclusive: F1 phenom Lando Norris spotted leaving Las Vegas after-party with a mysterious redhead!
Rumors are swirling that F1 racing superstar Lando Norris may have found a new love interest in Las Vegas!
The 22-year-old McLaren driver was spotted leaving the after-party of the FIA Formula 1 Las Vegas Grand Prix with a gorgeous gal on his arm.
Our source spotted Lando and the mystery woman leaving together and said the pair appeared to be "flirty", as Lando "wrapped his arm around her" and they "walked off into the night."
@THEHOLLYWOODFIX • 2 hours ago
It looks like F1 driver Lando Norris is getting back into his dating game!
After breaking up with his long-term girlfriend last year, our favorite driver was seen leaving the Formula 1 Las Vegas after party with a mysterious red-haired woman dressed in a form-fitting black leather dress.
We're not sure if this is just a one night stand, or if Lando has his sights set on someone new. Either way, we wouldn't blame him - the Formula 1 Las Vegas parties are known for being a hot spot for celebrities and models alike!
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liked by paisleysterling, zendaya, and 8,75,784,894 others
lizcolton miss me?
paisleysterling no girl gtfo of my house 🙄
lizcolton stfu you love me
paisleysterling god I hate you
lizownsme UH YES?!!?! THE RED HAIRR???? ITS GIVING NEW ERA 🫣
user654 the world is NOT READY for whatever lizzy is cooking rn
user849 literally buy me
taylorswift stunning as always!! ❤️
tittieswhere BOTH MY MOTHERS ARE HERE OMFGGG TAYLOR GET HER TO OPEN FOR YOU
lewishamilton pic creds to me, btw.
lizcolton he took the pictures, or whatever 🙄
user4 EXCUSE ME WTAF ARE YOU DOING HERE
user9 @user4 it’s giving “excuse me what the actual fuck are you doing in my house—”
isoldmysoultof1 WHAT WHAT WHAAAT
isoldmysoultof1 @f1wags NEW F1 WAG POSSIBLY?!!?!!
@TMZ • 45 mins ago
Pop Sensation Liz Colton is Back!
Liz, who's long been hailed as a retro-pop phenomenon and one of the biggest social media stars, has just announced her return to the spotlight after a two-year break! Liz had been absent from public life following her rough breakup with actor Jacob Elordi.
Now, the queen of pop has set the Internet ablaze with a photo of herself sporting a sleek new red do and rocking an all-leather look, accompanied by the caption 'miss me?' Fans are abuzz!
In addition, Colton has been recently spotted interacting comfortably with Formula One superstar Lewis Hamilton in her social media comment sections! Hamilton, who is a known celebrity himself, has even asked Colton to give more picture credits, making fans hope that she's ready to expand her network and step into the world of Formula 1.
Could this mean the start of a whole new era for Liz?
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liked by paiselysterling, sabrinacarpenter, and 9,34,748,830 others
lizcolton the face of a person keeping secrets 🤐
comments disabled.
@TMZ • 1 min ago
BREAKING NEWS!
It looks like Jacob Elordi, the "Euphoria" heartthrob who recently broke up with longtime girlfriend Liz Colton, was caught in a compromising position.
Just months after Liz and Jacob decided to split, details have emerged that the Australian actor cheated on his girlfriend multiple times. While neither Liz nor Jacob have commented publicly on the situation, fans have been quick to blast the actor for his apparent indiscretions.
With a successful career and multiple projects in the works, it looks like Jacob's reputation is about to take a dip.
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liked by alexademie, sydneysweeney, and 8,59,499,484 others
lizcolton kisses to my exes, out 8pm tonight 💋
paisleysterling ATE
paisleysterling first picture’s for someone special?? I KNOW YOU BITCH
liked by lizcolton
lizcoltonsslave MOTHER ISNT SINGLE ANYMORE!?
lizcolton @lizcoltonsslave single as HELL baby!! Y’all haven’t lost me yet dw 😚
lizcoltonsslave @lizcolton bye I’m about to go die in a hole now
lewishamilton roscoe is ready to stream
lizcolton @lewishamilton thanks ig 🤨
wagintraining @lewishamilton LEWIS LIZ OMG LIZ ARE YOU FRIENDS WITH THE DRIVERS!?
lizcolton @wagintraining no comments
coltonhq headphones are ready!! 🎧🤍
lizcolton @coltonhq love u admin 😭💋
lizismother18 oh this is gonna EAT
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fanaticmorelikefantastic · 9 months ago
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Emergency HCs for Octobie Week Three :D
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Hcs for @the-kr8tor s Octobie event!
Also, last times, I forgot to credit @the-shroom-garden for the banners, so sorry :(
It was becoming EXTREMELY apparent that I would be unable to finish a whole chapter in time and I am already a week late, so this is about how r and hobie in the verse I made for this event start dating, relationship dynamics etc. It's like a candy salad
I have this really big idea where the day they started dating was the one year anniversary of r and him living together
Idk if it's weird or not, but I was thinking like, she's going to her first ever riot (bc it's their anniversary, yk, that's what people do on their anniversary)
And r gets to throw a molotov for the first time :D
I feel like she was like, uncannily excited about it
Like, she had been practicing for weeks
So she chucks it and it lands straight in the unidentified and corrupt governmental official's window, blows it up
So r screams like a little girl who got a pony for her birthday, she turns and jumps onto hobie, then tugs him down and gives him a big fat kiss
and he kisses back :0
And she doesn't even notice for a while afterward she's just standing there all smiling like :]
And like, the moment she realizes it, the cops pull up and they have to split
so they're like, running from the cops while trying to figure out their relationship like, "Stop right there!! D:<" "So, are we dating, or did you..."
And it's funny, it's a tale for the ages
I am a firm believer of Hobie calling r lovie
I am also 100% biased
I feel like r wouldn't have a concrete pet name for hobie, and instead she just makes up a ton of new ones all the time
one that she's currently fond of it literally just Hobart, but with an extra emphasis on the "-bart"
I feel like he asks her every morning what today's nickname is
like it's a part of the morning weather
"Today is cloudy with a chance of being called Hobby-Lobby"
R TEACHES HOBIE HOW TO WALTZ
This is canon now, I have just decided
and I feel like hobie usually hates dacing, but he learns it because he loves dancing with HERRRRR
And they toally just waltz to everything now
like heavy metal? alt rock?
sounds like something that should be waltzed to
I want to make a separate fic for when he tells r he's spiderman, but we'll see if I actually end up doing it, or if my bones return to the ether before I'm able to.
I think she would be surprised, upset, happy, and sad all at once
A very big mix of emotions because everything is kind of coming full circle and it all finally makes sense
but also sad because he's out there all the time, working his but off for his ideals and saving people and r is just kind of here (as in she feels guilty that she wasn't able to help him because of an internalized feeling of inadequacy)
After she finds out, she sews up his suit and stuff for him, does the best she can to support him while he's away and stuff
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petra-creat0r · 10 months ago
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Deltarune: Fool's Fate Ch. 8 Secret Boss
Chapter 8 of 10 and the last boss unique to the Fool's Fate era! (The last two were originally intended for Kris's journey, but Kris skipped over them). This chapter we head back to Hometown because this SBs Dark World takes place in the Town Hall!
I originally came up with this gal like... Only a couple of days ago. I struggled with the Town Hall secret boss for a while. I knew I wanted the SB to relate in some way to the Holidays, but with how much time has past since the original Deltarune, I'm not sure Mayor Holiday would be mayor anymore. (I think it might be interesting/funny if the election happened recently and Mayor Holiday lost to Heats Flamesman after running unopposed for many, many years in a row.) Anways, on a walk home I eventually came up with something and that's how we now have Polaris!
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Her name is both because she's based somewhat off a polar bear/lives in a polar climate (perhaps the only polar climate left in the transformed Town Hall Dark World) but also Polaris is the name of the northern star. Doesn't exactly relate to her time motif but I thought it still fit her. (I can't put a whole lot of thought into all the names, okay? Chapter 10's secret boss is literally just mirror backwards)
Not sure what to do for her text quirk, but I imagine with her hood up, she rarely speaks. When she does speak, it's in short, to the point sentences. She's cold and closed off. However hood off, she rambles about the vastness and never-endingness of time and dimensions beyond comprehension. The concept of infinity, the end and the beginning coming together as one. A 4th dimension. She sounds insane. But then again... Aren't all the secret bosses?
For Polaris's soul mode, it's a split orange and blue mode. I imagine it works similarly to how the Switch soul mode works, but still utilizing the orange and blue soul modes from my previous bosses. (Alternatively I might just give her the actual switch mode and give the next boss some twist up to the switch mode, for the sake of skill leveling.)
If it isn't clear by now, Polaris is based off a clock. Specifically a pocket-watch clock that was likely a gift to Mayor Holiday since the clock in her office doesn't work. (Imagine it's literally frozen because how cold she keeps her office) At some point though, the pocket watch's cover snapped off and it's face froze as well. Thus it got thrown in the trash and left behind when Mayor Holiday left office.
Backstory under the cut
Polaris wasn't really anything special back during the town hall world's old era, she was just the friendly clock tower keeper. Watching after the old and cold watch tower that loomed over the town hall Dark World from the north. Sure, she could sometimes be cold and a little blunt, but so were many denizens of this world. (Likely something due to the primary Lightner influence of the time)
Even still, Polaris did her job and she did it well. Upkeeping the clock tower and making sure it's time was accurate and bells tolled when they were supposed to. Everything had a schedule. Everything had a set time. There was order. There was routine.
Until there wasn't.
One day the clock tower broke. It's clockwork stopped ticking and it's hands refused to move. "It's fine" Polaris thought. "Just the ice freezing up the gears again. Just have to warm them up and get everything back on schedule!" ... But even after warming up the gears, they wouldn't budge. Polaris kept the heater on them for hours, days even... And yet nothing.
In the mean time, Polaris tried her best to keep the time herself. She knew when it froze and *approximately* how long it's been since then. She could help keep the time, right? Not to mention she was a clock herself! Though... It's a bit difficult to read your own face. Even still, Polaris had to try. So many Darkner's depended on the time for their own routines and schedules. There were meetings, conferences, appointments that all relied on Polaris and her clock tower. She couldn't afford to let them all down.
Eventually during this time of desperation and scrambling to try and fix the clock tower, now frozen at the same time for months on end, Polaris met a man. A man from beyond both time and space who offered to help. Not just in the little polar bear's dilemma, but also to show her how great and expensive time could truly be. The other Darkners below the tower were like ants, all scurrying around, scrambling to make their next meeting or appointment or conference on time. They limited and rationed their time because they believed it was constantly running out. That the ticking of the clock was always counted down to something. When in reality, the clock was just ticking. Time would always keep going, be it "wasted" or used, and unaware of anyone's life.
Even though he original deal was only about fixing the tower, after hearing the man talk about the endlessness of time and the futility of life, she needed to hear more. She didn't care about fame or power, she only wanted knowledge now. She paid no mind to if people even noticed the tower was fixed. Polaris only yearned to learn more. The man, ever the curious mind himself, was happy to oblige. Sharing secrets about time and the universe with the little clock bear that anyone else would fail to comprehend.
And oh, the more Polaris knew, the more she wanted to see. She wanted to understand, to be able to comprehend this glory that was the man's dimension, far from her own. Her world just looked so flat in comparison. So limited, so confined. She wanted to be able to view and understand time as the man did. As the endless expanse forever stretching on rather than just a meager ticking clock that could only imitate the concept by ticking the seconds down. Even when the man tried to explain that even those in his domain still see time itself as a clock face, Polaris didn't care. In fact that tidbit made her feel more entitled to the knowledge. ... Though hesitant, the man showed her all he could.
Perhaps it was a type of fear, or perhaps the man simply had more important matters to attend to, but regardless, one day the man disappeared. Polaris, loosing her mind and still yearning for more, started to spiral. She wanted to understand. She NEEDED to understand. She needed to be able to articulate what she'd learned to others! ... But how do you explain infinity in a way that others will truly get it? How can she share the Truth that the man shared with her? Polaris needed to see it again. She needed to see what the man had showed her but the man was gone... She went mad
Polaris tore her cover off. Her true face was the clock, it always had been. The cover was just a mask to hide behind. Why should she cover such a beautiful thing? If even just an imitation, it still represented the thing she yearned for most. That endless expanse. People around Polaris had eventually noticed her change in demeanor. How she'd ramble on and on about a dimension behind their own. Beyond even the world of the Lightners. They called her insane. By definition, she probably was. And all the while, Polaris was still searching for a way to see what the man showed her again. She new it was somewhere, that the man had left something behind. She just didn't know where.
Eventually, after enough people had caught on to her lunacy (and taken note that she'd fallen behind at her job), Polaris was relieved of her duties and kicked out of her tower. Out into the snowy tundra of the north. She couldn't believe it. Didn't they know what she was doing!? What she was trying to see, what she was trying to get everyone else to see!? ... Of course they didn't. How could they? Polaris could barely explain it herself. And so she walked the icy cold tundra, ever searching for ways to explain it.
Until a puppet and a group of young Lightners fell into the town hall world...
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Hey, any of y'all watched/read Flatland? ... Yeah, that's just the secret bosses in a nutshell imo.
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noiriarti · 11 months ago
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The Arrangement: Armitage Hux x Reader (College AU) Ch. 1
Summary: A cuddle-buddies-to-lovers college AU.
[Ch. 1], Ch. 2, Ch. 3, Ch. 4, Ch. 5, Ch. 6
Chapter 1: A Can of Homestyle Chicken Soup
It started because of a can of soup. Armitage didn't quite know how he ended up here, standing in his bathing suit in his own bathroom, waiting for you. Well, he knew, but he still thought it was the weirdest alternate universe he could have ended up in since this morning. Not that there was any other option. He wouldn't just skip out on helping you once you'd cut your hand, of course. When you split open your palm with the pull-top chicken noodle soup (homestyle), he heard your hiss in the kitchen of your shared suite from his room, and he rushed out. He was the only other one home--Kylo was at practice, Phasma was in class--and luckily, his car was parked around back. The gauze from the first-aid kit was rough against his fingers as he pressed it to your hand. You had just wanted some soup for breakfast, you said. It was clear you needed stitches, mainly because it was on your palm, easy to accidentally open again, but it was only an inch long. Armitage mentally placed a bet on three stitches, and he was right, he discovered when you had arrived to the emergency room. He was a premed, anyway. It was practically educational to be there and watch the physician work while you held his hand tightly, afraid of the needle. Three stitches later, you were strictly ordered to avoid wetting the injury, your palm almost absurdly bulked up with gauze and bandages.
That was a problem, though. Your hair was greasy, and you had an interview for an internship at four. You needed the experience--it was junior year and you had just switched into computer science--but more than that you needed to come off as a young professional, not a greaseball. But no wetting the injury meant no showering, and that meant greasy hair. You were complaining about the dilemma on the way back to your shared house in his immaculate Lexus when he practically had an out-of-body experience and asked you if you wanted his help. He had literally actually legitimately asked you to shower with him. What the fuck was wrong with him? He kicked himself mentally, but you hadn't found anything weird in the offer, and happily accepted.
At 2 p.m., he slipped on his swim trunks and walked over to the bigger bathroom. It was yours and Gwen's, technically, but he sometimes used it when Kylo hogged the one they shared. He liked yours better, anyway. It smelled nice, and it at least seemed like there were two people cleaning it, instead of one who did so regularly and one who somehow found a way to make it even more gross every time. He pulled out the folding chair he had dug out of the garage and set it up in the shower. There was no denying that this was going to be fucking weird. Since you had moved in this year, the two of you had only hung out in groups or, occasionally sipped coffee in the bleary hours of the morning together, trying to pump out some assignment or study for some test. Other than that, he didn't know you like Gwen did, though that was his own fault. He was kind of a recluse, and he was taking graduate bio and psychology courses, so he was never lounging around the house anyway. Pretty much all he needed to know was that Millie was obsessed with you, trailing you around the house and sneaking into your bedroom some nights. That was character endorsement enough.
You knocked on the door, and pushed it open gently with an awkward smile. Totally normal, hanging out in the bathroom with your roommate. Your roommate, who is shockingly hot under his crisp collared shirts, it turns out. But you elected not to think of that. At all. 
"Hey. Thanks for doing this, Armitage. I just--I'm so sorry I'm so gross. I didn't expect you, or anyone really, would have to do this for me," you said, stepping into the shower with him. You untied your robe to reveal your bikini in a way he hopefully didn't find sexy--that would make your rooming situation just downright weird.
"It's really no problem. I've seen worse at the hospital, I promise." It was true. Nothing you could ever do would surpass that one guy whose surgery he watched who he swore had cysts within cysts. It was gruesome. "But if you throw up on me, or get pus on me, I'm moving out," he added with a chuckle.
"Alright, ready?" He asked. You nodded, moving your bandaged hand far away from the shower head, so he turned the water on. Of course, it was immediately freezing, and you gasped. 
"Sorry, sorry!" He yelled out as he cranked the handle to the warm side. He gritted his teeth and begged the gods to turn it warm soon because he was getting the brunt of the water. 
It took a minute, but it finally got warmer. The pipes in your building gave decent water pressure, but any toilet flushing or sink turning on would fluctuate the temperature wildly. The housing was cheap enough that none of you complained, though. Armitage angled the shower head fully toward you, and your hair started getting thoroughly wet. For a moment, he wondered why people enjoyed shower sex. The spray off your body was hitting him in weird directions, some of it going straight into his eyes, and he was miserably cold and wet. There wasn't enough warm water to hit the both of you, and he was just there to help, not to shower, so he didn't get any of it. His thought just distracted him from the inevitable: it was time to begin.
"Ready?" He asked you, but he was really asking himself. Although you told him you were, the answer inside his head was a resounding no. When was the last time he had touched someone's hair? Or, hell, even touched someone? For a moment, his heart ached as he realized he couldn't remember the last time he was hugged. Was it his mother? The details of her face were slipping away from him; he could hardly remember the exact contours of her nose, or whether she had dimples, or if she had a cleft chin. What were her hands like, again? He could barely picture her, the image going fuzzy the more he tried to grab onto it. His chest felt like someone had taken a hammer to his ribs, leaving a gaping, raw hole.
He was so distracted, he barely even noticed when he put his hands on your head. He gently worked his thumbs over your scalp, working in the water. He grabbed some cheap 2 in 1 shampoo/conditioner--the one you had texted him you had left in the bathroom for this very purpose, to make it quicker than a full hair care routine, and he lathered it in his hands. It smelled like crisp green apple, so fresh and bright and energetic that he decided he had to stop being angsty, and just focus on the task at hand.
When he applied just a bit more pressure, going down to the nape of your neck with his sudsy hands, you let out a borderline sinful groan. The truth was, you hadn't felt anyone taking care of you like this in a long time. And his hands were so big and strong, you almost wanted to ask if he'd do this again. But that would be weird. So, you let yourself close your eyes and enjoy the feeling. You could feel warmth radiating off his body, and his nearness from the water that was cascading off of him and onto you. Although you found him hot--not that you would ever verbalize just how badly you wanted to run your hands over his lean chest--just being near someone was comforting. Just a touch that didn't want to take you for a drink or fuck you, a touch that had no ulterior motives. Simple, honest, trustworthy. You had been falling asleep clutching a stuffed dog the past couple of nights, imagining it was someone who would pet your hair as you fell asleep and tell you it'd all be alright. You couldn't stand it when every single time a hookup or a guy you were dating was cuddling with you, then immediately tried to grab your ass or shoved his boner against you. Simple, honest touch. And you were getting it from your roommate of all people.
He angled the water back to your head, rinsing out the suds in silence, as both of you enjoyed the quiet moment of intimacy. It wouldn't happen again, after all. After a few seconds, the water ran clear, and Armitage spent another couple of seconds chasing bubbles that weren't there. If he stopped, it would be over, and he'd have to go back to his room, alone. There, he'd remember the lonely ache that he pushed away with books and classes and As on his transcript that he hoped his father would acknowledge. Here, he was single-mindedly focused on you, and nothing else mattered. Even he recognized that he was taking weirdly long, so he counted down in his mind--5, 4, 3, 2, 1--and shut off the water.
"Thank you so much Armitage. You're literally a lifesaver," you commented, turning around to face him, "And look! My hand's still dry!" You wiggled your fingers at him with a bright smile to prove your point. His chest constricted, like it was somehow aware that his yearly ration of human touch was over. He masked that feeling with a chuckle and some platitude in response to you. He excused himself and dried off with a towel, which he unceremoniously tossed onto the bed when he was back in his room.
He peeled off his bathing suit and put on his standard outfit for working at home (a polo and dark jeans), trying to forget the feeling of your warm body near his. Armitage was on auto-pilot, and he was good at it. He tossed the swim trunks and dirty clothes in the washer, pulled out his textbook (Modern Physical Organic Chemistry) when he got back to his desk, and buried himself in it like he didn't feel empty. Even when he made himself a gourmet dinner of instant mac and cheese and ate it over an MCAT flashcard session (it was never too early to start, his father said), he barely felt the aching loneliness in his chest. Only Millicent curling around his feet pushed that feeling away, but she had left, probably to scurry into your room as you went to bed, leaving him alone for hours. That's how he liked it, anyway, he thought.
Around midnight, he closed his lab report--finished, of course--and changed into his flannel pajamas. Somewhere in between neatly folding his polo and putting it in the dirty hamper, he heard it.
There was a knock at his bedroom door.
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ageless-aislynn · 7 months ago
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Nobody asked me any of these but, honestly, I wanted to know the answers to some of them myself, so... I'm answering what I want anyway! 🤷‍♀️😉
ao3 wrapped [writers edition]
How many words have you written this year?
I'm counting this as how many words in something that I posted, which is 14,819. A lot more than I expected, honestly, but most of it came from me doing several chapters of "15 Minutes" early in the year. 😉
How many works did you publish this year?
9 chapters in all, but only 4 individual works.
What work are you most proud of (regardless of kudos/hits)?
"Sentence Starters Short Fic Collection" (Soap and Ghost, Call of Duty, Kaidan x Shepard, Mass Effect and Kai and Vannak, Halo the series) Yeah, they're all suuuuuper short but I'm always proud of myself whenever I write anything at all for fandoms/characters I've never attempted before. 😎👍
What work of yours has the most hits?
Definitely "15 Minutes" (John x female Reader, Halo the series). I'll never have anything else that will get this sort of response and I'm going to miss it when it's over. But I AM finishing it. Someway. Some how.
What work of yours got more feedback than you expected?
"15 Minutes," yet again. It was meant to be a one-shot and then people liked it and asked for more.
Favorite title you used
"It's All Coming Along" (Master Chief, Halo/Halo the series) Never post things you wrote while in the middle of a bad insomnia bout, kids. You'll think something is funny and everybody else will probably not. I've debated removing this one but finally thought, eh, so it's dumb, that doesn't mean that one day, somebody might get a laugh from my puns. If not, then welp, I'm woman enough to have a total dud in my collection.🤷‍♀️😂
If you use song lyrics, which artist’s songs did you pull from the most?
Didn't use song lyrics this year but I have in the past. I honestly just use whatever artist or song fits the story or theme. I have a really eclectic bunch of artists that I like, so you never know what'll pop up.
Pairing you wrote the most for this year?
John x female Reader, since "15 Minutes" had so many chapters and "It's All Coming Along" is technically a John x Reader as well. "Recreation" is Kai x male Reader and the Sentence Starters I've already mentioned above. 😉
Favorite pairing you wrote for this year?
It's actually the female OC/Frank West from my Dead Rising AU titled "Turn Back." They're the only ones I can consistently sit down and just bang out blocks of hundreds of words. I dunno why. 🤷‍♀️
What work was the quickest to write?
"It's All Coming Along" took literally two hours from "Hey, wouldn't it be funny if...?" to me hitting post. Don't do that, kids. Have a nap first if you haven't slept in, like 40 hours. Don't commit fiction, lol. 😆😴
What work took you the longest to write?
"15 Minutes" which was started 2 years ago along with "Recreation" probably deserves that "honor" for more than one reason, lol.
How many WIP’s do you have in your docs for next year?
In addition to finishing "15 Minutes" and "Recreation," I have 6 others: "Untitled Fluffy Vannak fic" (Halo the series), "Choices" (Noble Team choose your own Spartan adventure, Halo: Reach), "The Price" (Caitlin Frost/Hunter Zolomon, The Flash), "Guardian Angel" (Time Wraith!Caitlin Snow/Eobard Thawne, The Flash), "Split" (Caitlin Snow/Eobard Thawne, The Flash) and "Try" (TomCav!Eobard Thawne/Caitlin Snow/Mattobard!Eobard Thawne, The Flash).
What’s your longest work of the year?
"15 Minutes" chapters 7 - 11 totaled 12,064 words on their own.
What’s your shortest work of the year?
"It's All Coming Along" at 106 words
What WIP are you taking into next year with you?
I'm dragging all 8 of them with me, lol.
What’s your most common “Additional Tags” tag?
I'm terrible at tagging so most of my tags are just pairings or the occasional warning I feel might be needed.
Your favorite character to write this year?
I'll always love writing for Master Chief John-117, my beloved. I also really love writing Cortana.
The character that gave you the most trouble writing this year?
All of them. Writer's block suuuuuucks. 😭
What’s one pairing you want to explore next year?
Honestly, once I finish my WIPs I feel like I'm done. I'll probably keep writing things like my Dead Rising AU and my handful of Mass Effect: Andromeda fics but they're all totally just for me, not to be posted. If something pops to mind, I'll write it but, for the most part, I don't think fandom in general needs me anymore, lol.
Which work of yours have you reread the most?
"15 Minutes" because I'm trying to make sure I keep things consistent and wrap up any loose ends.
How many kudos in total did you get this year?
I can't really tell because there's no way to sort out the kudos that "15 Minutes" and "Recreation" already had on them. Excluding them, though, 21.
Which work has the most comments?
"15 Minutes."
Did you do any collaborative works this year?
No, I could barely work with myself this year, lol. I'm lousy at collabs, unfortunately.
Did you write any gifts this year?
No.
Did you receive any gifts this year?
No.
What’s your most common category?
I guess I technically write (hopefully) humorous romance?
What do you listen to while writing?
My inner editor screaming NO1CURRS and that I'm wasting my time even trying to finish my WIPs. I try to drown her out with various playlists. Here's one.
Favorite work you wrote this year?
Again, it's probably the "Turn Back" Dead Rising AU or "The Best Mistake" (Gil x OC, Mass Effect: Andromeda AU). Of my posted stuff, though, "15 Minutes."
Favorite line/passage you wrote this year?
"Look, it's not my fault that that penguin documentary was kinda lame and—"
"IT WAS NOT!" Vannak bellowed back and took a swing at her that would've definitely put a marine in the infirmary for a month, if not in the ground, permanently. For Kai, it would've at the very least mussed her hair. "Those penguins are adorable and—"
"Lame. Laaaaaame," she singsonged, ducking a flurry of punches, then doing a very impressive parkour run up the wall into a backflip that sent her soaring over the enraged Spartan's head.
"THEY'RE NOT LAME, YOU TAKE THAT BACK!"
"Sentence Starters Short Fic Collection" Chapter 3, Kai and Vannak, Halo the series. For some reason, I absolutely LOVE the idea they're arguing over whether penguins are adorable or not, lol!
Biggest surprise while writing this year?
That I haven't totally given up. It's been verrrrrry close, friends. But every time I've thought, "Eh, why keep trying?" a comment will pop up, thanking me for writing something that gave them a laugh or the like and that'll give me the strength to keep in the fight. If there's even one person left who wants to read how these end or who'll check out the ones I haven't started posting yet, then I want to finish them.
Here's the original post if you'd like to reblog it for yourself or hey, if you'd like to just go ahead and answer it, no asks require, lol!
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hatereadings · 7 months ago
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Throne of Glass Chapter 2
(previous)
Note: I think tumblr is taking issue with how long this post is, so I'm splitting the chapter in half. This one's the first half.
...
We open back in the same opulent room as before.
"Your Highness," said the Captain of the Guard. He straightened from a low bow and removed his hood, revealing close-cropped chestnut hair. The hood had definitely been meant to intimidate her into submission during their walk. As if that sort of trick could work on her. Despite her irritation, she blinked at the sight of his face. He was so young!
I'm not sure why him removing his hood means it was meant to intimidate her. Unless the idea was that he thought she wouldn't take him seriously if she could see how young he was? In which case -- there's a better way to communicate that.
Captain Westfall was not excessively handsome, but she couldn't help finding the ruggedness of his face and the clarity of his golden-brown eyes rather appealing.
This was the part that made me reconsider whether the Prince was the love interest -- the captain being close to her in years means he's a candidate too.
Somehow I'd forgotten about 2010s YA's penchant for love triangles.
They both wait for Celaena to bow to the prince, she has some defiant thoughts about how she's not going to grovel to him in her last moments, and then
Thundering steps issued from behind her, and someone grabbed her by the neck. Celaena only glimpsed crimson cheeks and a sandy mustache before being thrown to the icy marble floor. Pain slammed through her face, light splintering her vision. Her arms ached as her bound hands kept her joints from properly aligning. Though she tried to stop them, tears of pain welled.
Okay, so... we spent the entire last chapter being told she was deadly, she was badass, she needed six guards to protect everyone else from her, and now... some dude just sneaks up on her and shoves her onto her face?
I realize that some readers might have thought I was being sarcastic when I made my last post. So, to clarify, when I said teenage girls dreamed about being deadly assassins or fearsome mercenaries, that was sincere. And, honestly, that's an extremely valid power fantasy. Good for them.
It's just... this is supposed to appeal to those folks, and yet...
One of my friends called this the Gamora Effect: In the first Guardians of the Galaxy movie, we get told over and over how incredibly deadly and badass and whatnot Gamora is, but then we actually watch the movie, and she somehow fails to win a single fight. She has a three-way fight with Quill and Rocket and Groot, where she gets captured by them in slapstick fashion; she has to get 'rescued' from Drax by Quill, with the implication being that no way she could possibly win a fight against him, because look big guy with buff muscles, even though we were literally told she was trained to kill from birth. She gets rescued by Quill again when she's launched into space without a breathing mask, and then she gets sidelined from the main battle into a girl-on-girl sparring match with her sister, where, somehow, neither of them win, because collateral damage from one of the other fights takes them both out. We don't actually get to see her have a single physically badass moment in that first film. But we're told over and over how deadly and dangerous she is, so I guess we have to believe it, despite the lack of onscreen evidence.
It hasn't been long enough for me to claim that the same thing is happening here, but I'm going to start keeping track of Celaena's actual on-page showing in physical situations, rather than what the narration says about her. So far, we've seen her
get dragged into a room she didn't want to go in by guards, even though she genuinely thought they wanted to kill her and was presumably fighting for her life
get shoved to the floor by a red-faced mustached man - one whom she apparently didn't even notice while she was describing the chandeliers and the stained glass.
Anyway, the guy lectures her on showing respect for the Crown Prince:
"That is the proper way to greet your future king," a red-faced man snapped at Celaena.
What, faceplanting in front of him?
Anyone who's ever tripped in front of their crush, please rejoice. That is, in fact, the proper way to greet your YA love interest. Ruddy-faced man is portrayed as fat and balding, dressed in orange that matches his hair, so we're clearly meant to dislike him (again, 2010s YA; Disney attractiveness logic is in play). I'm guessing he looks something like this:
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If she could move her right arm just a few inches, she could throw him off balance and grab his sword...The shackles dug into her stomach, and fizzing, boiling rage turned her face scarlet.
The ellipses aren't skipping over anything; that was present in the text. But this is another hallmark of Maas's that was present in ACoTaR, too: She doesn't fully finish her thoughts. They kind of imply something, but you're left to actually draw the conclusion yourself. Here, Celaena is pissed at this orange man, and she wants to kill him. But... presumably the shackles stop her? Except we don't actually see her try to take any kind of action; she just feels the shackles digging in, which... she would have done anyway, since getting thrown on her face with her wrists in shackles in front of her would have made the shackles... You get it.
I'm not saying we need every move or every thought spelled out or anything. Just... here, specifically, having Celaena try to act but having the shackles surprise her by getting in the way and ruining her attack? That would make what's happening on the page actually explicit to the reader, instead of halfway-implied; and it would solve the Gamora Effect problem -- sure, she's deadly, but she's restrained, and the restraints are working.
The Prince is like, you don't have to do that, and he's super bored. We're told that Tangerine Man is named Duke Perrington, which makes it all the weirder that he somehow managed to sneak up on a trained assassin, and also decided to... attack her? After she killed an overseer and needs all these guards around to prevent her from killing anyone? Whatever, though. Perrington leaves and she gets up.
As she rose, she frowned at the imprint of grit she left behind... But she'd been trained to be an assassin since the age of eight, since the day the King of the Assassins found her half-dead on the banks of a frozen river and brought her to his keep. She wouldn't be humiliated by anything, least of all being dirty.
Does assassin training somehow include not-being-ashamed-of-being-dirty classes? Why are these sentences relevant to the possible humiliation? This is like if I went, "I have been eating cookies since the tender age of three, when I was first left with a box unsupervised. I won't be embarrassed by getting caught with spinach in my teeth during an interview!"
Dorian Havilliard smiled at her. It was a polished smile, and reeked of court-trained charm.
I mean, if I'm describing a love interest's charming smile for the first time, I don't think "reeked" is the verb I'd use, but you do you.
Sprawled across the throne, he had his chin propped by a hand,
Is it just me, or is this kind of weird phrasing? Like, I know he doesn't literally have a severed hand propping up his chin, but... what was the point of wording it like that?
...Yet there was something in his eyes, strikingly blue--the color of the waters of the southern countries--and the way they contrasted with his raven-black hair that made her pause. He was achingly handsome, and couldn't have been older than twenty. Princes are not supposed to be handsome! They're sniveling, stupid, repulsive creatures! This one ... this ... How unfair of him to be royal and beautiful.
You know what, that's actually fair. I'll give Celaena that.
"I thought I asked you to clean her," he said to Captain Westfall, who stepped forward. She'd forgotten there was anyone else in the room.
How romantic. He talks about her like she's a dusty used car, and she's like, wow, the entire world just narrowed down to you and me.
She looked at her rags and stained skin, and she couldn't suppress the twinge of shame. What a miserable state for a girl of former beauty!
We JUST WENT THROUGH your whole career and how that meant you wouldn't be ashamed of anything!!!! It took ONE SENTENCE from a cute boy for you to--
Actually, you know what, that is kind of realistic. I take that back.
At a passing glance, one might think her eyes blue or gray, perhaps even green, depending on the color of her clothing. Up close, though, these warring hues were offset by the brilliant ring of gold around her pupils.
This is pretty and all, but I'm going to skim through the rest of the description because it just doesn't justify that much wordcount.
In short, Celaena Sardothien was blessed with a handful of attractive features that compensated for the majority of average ones; and, by early adolescence, she'd discovered that with the help of cosmetics, these average features could easily match the extraordinary assets.
Honestly? I actually like this. I remember there being a lot of not-like-other-girls YA fiction in the '10s involving being effortlessly attractive without makeup, so it's nice to see a protagonist who doesn't do that. It's also a welcome change from how Feyre apparently didn't like makeup or dresses, but those pesky servants were always forcing it on her, so she had to go around being all pretty and girly.
"And you're Celaena Sardothien, Adarlan's greatest assassin. Perhaps the greatest assassin in all of Erilea."
Did Maas just keyboardsmash to get these names? "Erilea" is just. Terrible.
He rested his elbows on his thighs. "I've heard some rather fascinating stories about you. How do you find Endovier after living in such excess in Rifthold?"
"such excess" you are a LITERAL PRINCE. And are you seriously asking her "how" she "finds" a slave mine???
Oh. Oh, I get it.
This is one of those stories where the love interest starts out spoiled and ignorant, and eventually finds out what atrocities his family perpetuated, and this actually matters to him because the protagonist was one of the victims and she turns out to be really hot, so then he does the bare minimum in rehabilitating his country and the protag forgives him and they bang.
Great.
(next)
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just-1-scorpio · 6 months ago
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Reading Asterion by Alessa Thron, so you don't have to. Chapter 18 and 19.
This is a shared review, and discusion/dissing by me, and @wordsmithic
This time. I have only one positive.
The look of the Pithos's leader is pretty good. I like it.
A woman with a voice changer, and wears an ancient Greek depicting an exaggerated smile, has tears painted on it, and is made out of porcelain? The concept on paper is pretty good. In a batter book she would have actually be intimidating.
That's all with the positivs.
Chapter 18 starts after chapter 17. Asterion, Ariadne, and co, are about to attack the Pithos building. The plan is that they split in to two groups. Group one is Asterion and a few of his men, who go in from the front, whaile group two witch is Ariadne as the lead, Vin, and Theseus from the other said. They go in, and fight insues.
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wordsmithic: Since when is Asterion trained to be the leader of an assault team? That's so weird
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wordsmithic: Yes, okay Theseus is the mole 99%! If I can understand it, why does Ariadne not even *suspect* it??
scorpio: I don't get this eather. It's clear that Theseus acts suspicious, and she doas not even suspect something. When she is suposed to be smart.
Then sudenly Minos's assasins apear, and Ariadne has a little fight with them, where she literally says "You don't have to do this" to an assasin we literally seen only once in the begining, and probably completly forget about. And it also turns out that Theseus is the mole, to nobady's suprise. I'm sorry, but this was basicly one of the most oviouse plot twists ever.
And Asterion is laying in a pull of blood. Then Ariadne confesses her love to him, and then Pithos kidnaps her.
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wordsmithic: Okay, we both called it! But no character saw it coming... Sure... 🤦‍♀️
scorpio: Theseus being the mole, is a pretty badly writen plot twist. Maybe if there was more build up and was less oviouse it could have worked.
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wordsmithic: I am confused... Minos's assassins worked with Pithos? I don't remember this, if it happened.
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wordsmithic: oohhh noo, not the "mine" thing!! Some readers like those animalistic instincts and I get that I am not the target audience for this but.. damn I cringe every time
scorpio: This "mine" thing is pretty cringe in my openion too.
After this Asterion, and his only surviving man, Vin, are taken to the hospital, where Selene is the nurse for some reason. Hades apears. Asterion wants to find Pithos, to get Ariadne back.
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wordsmithic: HADES BEING THE VOICE OF LOGIC! THANK YOU! Too bad the narrative tells us we should not listen to him
scorpio: I agree with Hades too. They bearly know each other, but act as if they had a long romanc.
scorpio: I'm the only one who has the question that, why is Selena a nurse? Maybe I don't know much about her, but as far as I know she has not conection to medicine and healing. She is the titan Goddess of the moon.
wordsmithic: Well yeah she's The Moon basically. Yeah I have no idea why she would do the healing :O
So this is where chapter 18 ends. Don't worry it will be mentiond agein a bit.
So chapter 19 starts with Ariadne being inprisond by Pithos. She thinks a bit, then Thesues steps in, and takes her to they leader, whaile they arguing. Where do to the lack of context, or knowlige about Theseus's life, Ariadne looks rather bad and unsymphatic.
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wordsmithic: Yes, thank you, that was my question as well. Why wouldn't they collaborate from the beginning? I hope she can explain this a little bit better although... I doubt it xD
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wordsmithic: Eeeeeh.... Didn't she, herself, tell him to come find her a chapter ago? "Listen to me, Asterion. You need to get better, and then you need to come and find me. You did it once, so I know you can do it again." To quote her.
scorpio: Yes too. Doas she want him to find her, or not?
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wordsmithic: Finally, something remotely accurate!
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wordsmithic: I mean....even if he was not a Monster, Asterion is kind of a mafia boss with his own fighters. Of course he has blood on his hands. Theseus is not entirely in the wrong here.
scorpio: I have a feeling "Theseus is not being in the wrong here" was not intentional on Alessa's part.
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wordsmithic: Sorry.... how can you "fight" gods?? That's not even in the myths or Greece's history. The Greeks just changed their religion man. They didn't fight off the actual gods xD No saint went campaigning against Zeus to take him down from his throne.
scorpio: I have this question too? Is changing your religion means "fighint the gods" in this book, or what? What was Alessa thinking?
wordsmithic: She thinks we went on a crusade or something 😂 basically anything else than that characterization would be better
So then Ariadne is taken outside, and we learn that Pithos has basicly an army. Men and women with weapons, and full on military equipment are working for them. And we also meet Pithos's leader.
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wordsmithic: "A palace". Thank you, Alessa, for the detailed description. Also what type of palace?? Does she think that all the European countries have one type of palace? Are we still in Greece? Cause we have... two palaces in the whole country, I think?
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wordsmithic: As far as I know there are zero palaces on Crete. Does she mean they are on the ancient ruins of Knossos? Or did they build a new palace to stay in? Ughh that is so confusing.
scorpio: I have this question too. The Knossos palece is in ruins. I don't get this eather.
scorpio: I feel like these two chapters were supposed to be emotional. But it faild being it.
scorpio: Ariadne, and Asterion are more annoying then likable, we haven't seen or known Theseus, or Vin to have an emotional gut punch. Same with the Minos assasins apearing. I feelt nothing when Ariadne said "You don't have to do this" to Lynx, or what was her name.
wordsmithic: The Theseus being the mole plot twist, was so predictable, that it faild at being a suprise.
scorpio: Yes. He is the only one logical here, even if we don't agree with him.
wordsmithic: Also, yes, who cares about Lynx and the rest.. we only saw them in one scene
scorpio: I precticly forget about her existenc.
wordsmithic: Same 😂
wordsmithic: Also some said that Ariadne is "Minos' favourite". And ok this makes some sense because Ariadne is "the high priestess" But we don't see what "his favourite" means. Minos treated her like shit all her life. And we still don't know what "high priestess" is supposed to represent
scorpio: I think we don't get an answear to this. At this point we will not learn what it supposed to represent.
wordsmithic: That's what I'm thinking too 😂 What a fail
scorpio: Yes.
wordsmithic: Ariadne is The Bestest and Most Important but we have no idea what her title means
scorpio: Alessa failing at basicl world building. Agein.
scorpio: Also I'm the only one who still has the question about what happand? Okey there were riots, and such but what happand exectly for that day to be referd to as a fall.
wordsmithic: 🤷‍♀️🤷‍♀️🤷‍♀️🤷‍♀️🤷‍♀️ Apparently the whole country collapsed with riots and fire
scorpio: The fect that we bearly know anything about both that day, and Theseus, makes Ariadne kinda look bad in the conversetion she has with Theseus. All we know he was poor, and lost is family in a fire. Or something
wordsmithic: Yes! I felt it too. I'm not sure if this collapse is realistic in the first place. Yes, governments and systems do collapse like that but riots alone are not enough to dismantle a whole country. She should have done w civil war or something
wordsmithic: >> All we know he was poor, and lost is family in a fire. Exactly
scorpio: YEs. Riots are not enough.
wordsmithic: "oh you must've been rich if you hae things to lose" Let's stop the assumptions please. Alessa wants us to accept this as reality, ofc
scorpio: It would have been easy to explain that "it was a civil war" instead of riots.
scorpio: The "your angry beacause you now have to work like the rest of us" just sounds bad, when we don't know anything about him.
wordsmithic: "She drowned in a spoonful of water" as we say in Greece
scorpio: Also if instead of riots it was a civil war, that could have been an explonations about why Pithos has guns, and military gear.
scorpio: The only good thing in my openion in these two chapters was the apearenc and look of Pithos's leader. It's a good disgne in my openion. It's just a shame, that it had to apear in this book.
wordsmithic: That's good! So far you have great points and better world building than her
scorpio: Thanks.
scorpio: I know someone who was in the Hungarian Defense Forces. He said that militrary equipment is expensive. So if instead of riots Alessa went with a civil war, then she would have get rid of the "where do they get the money for this", because then Pithos could have used lthe military equipment that was left from the civil war.
wordsmithic: Yess! And Pithos could've been born from the civil war
I think from this little conversetion, it's clear what are the problems with the book.
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generallemarc · 1 year ago
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The Amazing Digital Circus analysis that none of you wanted
If you're like me and have an entertainment diet consisting of politics and anime, it's probably gonna be annoying to see yet another blog start theorycrafting the latest trend-show. But last week's One Piece chapter has me in a Dwarf Fortress-style fey mood-I must theorycraft, and I'll use whatever material I can find. So, let's get right to it!
Pomni glitched into that alphabet block when she fell out of bed like she got hit with the gmod physics gun-is that just a sign that the digital world had corners cut, or are we getting hints that her dream might be prophetic?
Caine's VA, Alex Rochon, is Canadian, and I just can't help but wonder if that's why they went with maple syrup. I know I'm seeing conspiracies and hidden threads everywhere, but I mean, they literally had a Canadian describe maple syurp as a place's "greatest treasure". They had to know what they were doing.
3:30 in and no theme song. I was really hoping they'd keep it in, too.
Poor Pomni. What's even more heartbreaking is that it seems like Ragatha is being completely serious and not at all passive-aggressive when she says she forgives Pomni for abandoning her. I think she meant every word literally-that she really does get why Pomni did it and doesn't blame her for it, presumably since she'd have done the same thing if she believed there was a way out.
Ok, what's the twist gonna be? Because it could not be more obvious that something isn't just going to go wrong with this adventure, but that something will be wrong. Like, the gang are actually unknowingly doing something awful, or it's all a trap for some sinister unknown purpose. Something like that. I mean, I'm pretty sure everyone but them is a non-sentient program, so that wouldn't work. Unless the twist is that they are sentient and it's a reverse-Ender's Game scenario.
Nope, we're going for the "gang are doing something awful" plot. This can go one of two directions: either the npc's are just that and Pomni has to grapple with the disconnect between seeming to have done something awful while in reality it's all just a simulation, or they're sentient and Pomni has to try and find a way to stop the meaningless nightmares created by the adventures.
This is way longer than I thought it'd be so I'm gonna split it up
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warthogreporter · 9 months ago
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Thinking about the 'serialized rough draft then polished print/ebook version' model after a post mentioned being optimistic about it being the future, and now thinking about my own experience with it and having a newsletter that includes serial fiction.
For my own serial, Battles Beneath the Stars I have it on the same publication where I post non-fiction and short stories, because I was looking for a way to build a general author platform not dependent on social media and saw other people do it/ recommend it.
I've had people suggest dividing this into multiple specialized newsletters, but the idea of running multiple indefinitely ongoing newsletters doesn't appeal to me. Even if it's the same amount of writing, splitting them into separate publications feels like it'd be more time consuming for something I already have to make time for.
And I was drawn in by the idea of not having to 'niche down,' that I could just post my various interests and trust that to be my niche, not having to carefully select what I talk about and how much I talk about it. Like I don't want a mythology newsletter and a video game newsletter, I'd rather just talk about both depending on my mood.
Anyway, something that resonated with me when just starting out with Battles Beneath the Stars was the idea that a little roughness in serial fiction is part of the charm. So instead of having things mostly pre-written I've been writing as I go, getting some things written ahead of schedule but not too far. The pressure of a publishing schedule has been great for keeping me writing.
It's important to note that Battles Beneath the Stars is an unconventional oddball, a walkthrough of the story mode for an imaginary fighting game that's a crossover between various yet to be published stories in the same world.
Starting with something like that was strategic in thinking that it was better to do it before there was an audience to alienate, plus the sheer novelty would draw eyes. And also that for something like that it will end up undergoing some stylistic evolution as I work out new ways to make the most of the format, which would be interesting to watch happen, and well it has happened.
But I have a small overall readership after two whole years so I've had moments of doubt with Battles Beneath the Stars due to how often I publish to relative silence. I get consistent likes now, but it's rare to get comments, though the ones I've gotten made my day.
Looking at other serials like What Manner of Man they feel more polished than my own. I wouldn't call at least all of them rough drafts, especially since I'm literally mutuals with the editor of What Manner of Man. Not sure about the editing process for others like Case Files of Sheridan Bell/ Fractured Magic (same author), Talebones, or Chokeville.
I'm sticking with my current approach to Battles Beneath the Stars because despite everything I am getting this massive weird project done instead of leaving it on the unfinished backburner with everything else. The pressure of having to publish is powerful.
But thinking about what to do different in the future for other serials, I think things will be more written in advance, still keeping room for flexibility. And maybe give other serials their own publication. Though I still need to decide which stories would actually work as serials and which should be done in the more traditional draft and then publish way.
I think my Nordic Saga styled one would work as a serial because the saga style feels very friendly to serialization, short quick chapters focused on a specific event. And it's where some of the Battles Beneath the Stars characters come from.
If you read this whole thing thanks. Mainly just rambling and throwing out my thoughts hoping somebody finds this worth noting or helpful.
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silver-wield · 1 year ago
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Final Fantasy VII Rebirth Review Chapter 4!
Okay, this collection of posts will be filled with spoilers, including clips and screenshots, so if you don't wanna see things, then don't look. Some of the things I'm gonna highlight will include references to Remake and other sources to link with the overarching plot. This is a straight path playthrough with no sidequests or extra content.
Now you know, let's go!
Chapter four is a meaty fucker. Once you discount all the waffle you can do with sidequests and other random things, chapters 1-3 aren't actually that long and involved story content wise. Chapter four is really the start of the bulky content. And I'm gonna summarise most of it because I'll be here all day otherwise.
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Okay, once we cross the plains and reach Under Junon, we're basically thrown into the fight with Bottomswell, although it's not called that anymore and icba to recall what its new name is.
The battle itself is pretty fun and makes full use of Tifa's flight capabilities if you know what you're doing.
The plot has been changed slightly. We don't rescue Priscilla, but instead it's Yuffie in trouble. Our buddy, Mr Dolphin, has his moment at the end with a combo and he comes back into play later when we climb the electrified tower, which I honestly thought wouldn't happen because it's pretty cringe originally, but they made it work so I can't complain.
Once we've dealt with Bottomswell and made it back to shore, we find the mayor giving Yuffie CPR. Now, I noticed Cloud scrutinising the procedure, so I'm suspicious about this coming back at some point in part three. There was originally a draft of Tifa giving Cloud CPR that didn't make it into the game, so it's possible they're planning on doing something with the idea.
Anyway, we save Yuffie and get a hilarious bit between her and Barret. I honestly love their dynamic. She's such a kid and he's got so little patience for older kids. I feel bad for future teenage Marlene 🤣
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After we agree to meet Yuffie, it's back to the inn for some convos and rest. This one with Barret amused me. Cloud knows he likes the limelight and plays along with it. This detail also comes into play later the GS when Cloud's defending Barret to Dio.
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On the way to his room, Cloud overheard a strange voice coming from Aerith's room. This is the first hint that Red isn't exactly what he seems to be. We also hear more about the whispers and what happened to them both. This is actually interesting. What exactly did Sephiroth need to steal from them?
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This chat with Tifa is non-optional, unlike the others, and delves deeper into their relationship and her suspicions about what he remembers. They have a heart to heart, but aren't quite on the same page, which leaves them both a bit downcast.
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Next morning, Yuffie intrudes to let the group know she's been hired to kill Rufus at his inauguration. She escapes and they're left to pursue her and hide in plain sight as troopers. But they also want to talk to Rufus about whether they're actually being hunted.
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But before all that, Cloud has to go hopping off the back of a dolphin to climb the tower. And yes, he looks smug when he's done because he's a lil shit 🤣
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Meanwhile, we get some snippets leading into part three's storyline in Wutai with EC's Glenn making an appearance. Rufus literally killed him, and going off what he spoke about, it's possible he's actually just Sephiroth in disguise and using Glenn to stoke war and gather more dead souls in the lifestream to corrupt it. But we won't know for sure until part three.
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After the failed assassination, Cloud splits up with the others and finds himself stuck with some of the platoon he was directing in the parade. You have to keep them alive to succeed at this part.
At the end of the gauntlet is a rematch with Roche. And after you kick his ass, he helps you get to the dock to board the ferry.
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Cloud reunites with his team and has picked up a few stragglers. And Yuffie. Who's in disguise as a robe. But that's for chapter 5.
A lot happens plot wise in this chapter, but most of it is set up for part three. Rufus mentions he's read Cloud's file, so that'll be interesting. There's also the plot with Glenn and stuff with Roche. And that's before we even get to Sephiroth.
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