#web serial

[qrowscant]

LINK ROT / TRANSMISSION 001 / APRIL 3rd, 2024

Link Rot is a multimedia webserial following those within a research station. Once dedicated to the study and containment of a newly discovered life form, complications arise following its unexpected merge with the station's AI. TRANSMISSION 001 - In which you survive the unthinkable, and the world is worse for it.

General warnings can be found in the 'About' section. Any videos will have flashing warnings if applicable.

additional rambling under the cut

wow!!! it's been (checks archive) almost exactly a year since i originally conceptualized Link Rot, and since then it's grown into a beast of a story i cannot wait to tackle.

currently i'm aiming for updates once every month/month and a half (with occasional vacations to work on bite-sized projects). i'd like to do more, but i have a job and don't want to burn myself out. for now, i will take things slow B) maybe this will change in the future!

i hope you all enjoy reading my story as much as i enjoy creating it. there's a couple of hidden things on the website, so if you find anything fun let me know

and lastly,

take this

[reachartwork]

Samantha "Sam" Small is a 14 year old high school freshman and superhero-in-training, recruited by the Delaware Valley Defenders to protect Philadelphia. Her powers let her bite through metal and smell when people bleed. Her interests include soccer, women, putting herself in danger, and Shabbat dinner with her Pop-Pop Moe.

Chum is a slice-of-life/action web serial, currently around 1,100,000 words. It has been described as "good enough to spend hours organizing info on it", a "beautiful coming of age story", and "a superhero story to rival worm". It's got dinosaurs in it. It's got heartbreak in it. It's got really good fight scenes in it.

Go read it on Royal Road or Wordpress and consider joining the Chumcord!

[maxwell-grant]

So is Worm good from what you have read

"Yes" doesn't begin to cover it but yes. Worm is a brain-rewiring mobius strip disguised as a bible disguised as a superhero web serial that either cured your cancer or shot your dog or both depending on who you ask, and it has many extremely dedicated, brilliant scholar priest surgeons publicly dissecting it on this platform on the regular to the point I don't think I have much to add to the conversations surrounding it, even if I do have some The Thoughts about it. I had never even really seriously thought about superhero prose before and Worm isn't a thing I go back and reread frequently but it did a complete and total 180 on the way I think about superheroes and even fiction, and I've never stopped thinking about it since I've read it.

It is a monumentally impressive story with completely absolutely incredible characters that I cannot stop thinking about. No matter where it was going, even past stretches that were less interesting or more of a slog to read or worse, I could not put the story of Taylor Hebert down for one minute. Tattletale fascinated me every step of the way, I had to keep up with her. Rachel Lindt was a character I feel like I'd been waiting my whole life for. What was I gonna do, not see them through? I feel like Worm easily loses you if you don't particularly connect with the characters enough to justify to yourself the amount of time you'll spend with them, but man, I could not unglue my eyeballs from these people enough (I love all the core Undersiders, to be clear, I'd say it's Rachel > Taylor > Tattletale > Aisha and Alec and Brian, there are very small gaps between these, I just don't go berserk for the last three like I do for the first three, I'm taking Bitch and Skitter to the grave I'm dead serious)

Worm irreparably destroys your ability to engage with superhero fiction the same way ever again, as evidenced by the fact that it destroyed the author's own ability to engage with his own superhero fiction ever again. And everybody who read it has one or several gripes with it with some major dealbreakers in the mix. Tumblr's kinda the only place online where you can really talk about them at length without the spectre of John Wildbow hanging over the discussion, which enables discussion to the point where yes, maybe it does look like to outsiders that nobody can agree on whether Worm is good or what is it even about or whether it even has worms in it (it has at least one, although it's a very big one).

And it is good, it has the Undersiders in it and the Undersiders are one of the greatest groups of characters ever put together, but everyone has at least one major point of contention with Worm whether it's the timeskip or the length or the racism or the gross fatphobia or aspects surrounding the Dallon-Pelham Torment Nexus and etc. I'd say it has maybe the most racist vision of Latin America I've ever seen in a superhero text a hair short of pro-colonial tracts in Golden Age comics and that is a tall fucking order by any metric (part of why I started WEON4 as a project was motivated by spite, to try and make my own stories about non-American superheroes even if just as practice). It is Complicated, and that winds up making it so fascinating to talk about.

Worm has self-sustaining ecological systems of posts up here, far away from the Spacebattles and Reddit battlegrounds where it has different ones and that's not getting into Weaverdice or the sequel or Wildbow's larger body of work, which I haven't gotten to and probably will not any time soon because Worm was enough of a commitment as is. Do I recommend Worm to everyone? It is certainly not to everyone's tastes and I personally find it difficult to describe it simply enough to make it sound appealing or not like a pyramid scheme. But yes I do think it's good, in fact great, in fact, amazing, except when it isn't, and except it Plainly Sucks, but then something like Taylor vs Mannequin or Kevin Norton's interlude or "You needed worthy opponents" happens and it fucks harder than anything has ever fucked before and you don't walk away from it the same, so yes I guess "good" will have to do now.

It's certainly a lot but I definitely found it worth my time to read and then read the texts written about it here. You'll have to take my endorsement of Worm as proof of it's quality and proof of how deranged it makes it's readerbase, they're not mutually exclusive. If you can make it, Worm and the wormosphere has layers and layers to wade through and talk about and enjoy, despite how we're all so very small in the end *gunshot*.

[elcuervoborracho]

you could grind meat on those

[gengarguy27]

A series of offensive in universe Worm memes (not for snowflakes)

[eddathegreat]

Oh this is gonna get fucky

[st-just]

"Make your entire main cast walk into a magic thing that plunges them into a nightmare of their deepest darkest fears realized' really is an absolutely amazing character exploration cheat.

[makapatag]

A king's daughter is sent to be wed to a lunar prince. An alliance between two realms.

A storm riddles their goal. A mad god rouses his Chosen One.

A demon goddess awakens the daughter to her heritage. She forges her own path.

One in where the princess murders the hero.

A romance of blood and steel. The lost daughter of a Raja with the blood of a demon goddess. A timawa bound by oath and love. A hero chosen by a mad god. PRINCESS. KNIGHT. HERO. The cycle turns evermore. What conviction will they find now?

PRINCESS MURDERS THE HERO is an ongoing martial romance (both in the love sense and the adventure story sense) fantasy webnovel set in The Sword Isles, an epic fantasy setting founded upon Southeast Asian stories and myth. Read it for free here!

The main characters are...

👑 BAKONG THE PRINCESS, a sheltered girl awakening to the truths of the world

🛡️ MASUNA THE KNIGHT, swordgendered peerless swordmaster bound by duty and love

⚔️ SAMPONG BAHA THE JUGGERNAUT, butch lesbian heir to a royal house, slayer of pale kings

🪷 BANGAHOM THE SORCERER, trans wielder of dark blade magicks and claimant to Put'wan's Throne

[does-it-like-women]

Does Worm/Parahumans like women?

(Fanart cover, source)

Worm (Web Serial, 2017)

Explain your reasoning in the tags!

[fireandslate]

Blank Slate is a dark fantasy web serial about fire, lesbians, religious oppression, and cultural exchange. If any of the following pique your interest, you might want to check it out!

Pseudo-medieval post-apocalyptic kingdom

evil church that is just catholic enough to be cool

malevolent sellsword haunted by a benevolent demon

uncertain-hero minstrel who is smarter than she lets on

cold-eyed and conflicted traitor knight

deranged and ironhearted nun awaiting her own execution

evil knights

mysterious druids

the occasional outburst of spectacular violence,

and, most important of all,

an indestructible thread of hope--

--hope that eventually winter will end, and a new spring will bring new beginnings to the kingdom of Frydain.

Sometimes dark, sometimes sapphic, sometimes mystical, and always updated on Sundays, this character-driven fantasy web serial is available to read at fireandslate.com!

[distortedsense]

Art for The Day My Dream Died

[qrowscant]

things feel out of order

[reachartwork]

"The Goon Economy: Why People Choose to Work for Supervillains"

Leslie Lester, for Psychology Today, October 2022

When asked why anyone would choose to work for supervillains, most people imagine costumed henchmen cackling maniacally while fighting Spider-Man. The reality is far more mundane - and more economically fascinating.

"It's just a job," says Former Employee X under the condition of anonymity, who worked security for a major East Coast villain organization. "Better benefits than Netsphere, better pay than private security, and yeah, higher risk, but you've got clear procedures for hero encounters. Most guys never even see a cape."

The numbers support this pragmatic view. While exact figures are difficult to obtain, conservative estimates suggest supervillain organizations employ hundreds of thousands of workers across the U.S., from direct muscle to legitimate business employees. The total economic impact likely rivals major corporations.

But why choose such high-risk employment? Dr. Sarah Chen, economist at MIT, suggests three key factors:

Economic Pressure: "In cities with active supervillain presence, these organizations often control major employment sectors - construction, shipping, waste management. Sometimes working for them isn't really a choice."

Risk vs. Reward: The average "muscle" for a villain organization makes 1.5-2 times standard security work, with comprehensive health coverage and legal protection. "When you're living paycheck to paycheck," Chen notes, "guaranteed medical care becomes very attractive."

Systemic Integration: Many workers start through legitimate businesses, becoming gradually involved in illegal activities. "It's rarely a conscious choice to 'become a minion,'" Chen explains. "It's more like finding out your company has mob ties - but you've got a mortgage and kids in school."

The psychology is equally complex. Dr. James Morrison of Harvard explains: "These organizations offer what many legitimate employers don't: clear advancement paths, protection from both heroes and rivals, and often a sense of belonging. They're filling gaps in our social safety net."

The rise of powers-based crime has only increased this trend. "Supervillain organizations have better protocols for superhuman encounters than most legitimate businesses," Morrison notes. "If you're working in a city where hero-villain battles are common, that matters."

[kimpining]

Did you know that right now you could be reading over a million words of trans lesbian communist sci-fi?

Unjust Depths is a webnovel about communists struggling for the sake of a better world, through mech combat and romance and sparking waves of liberation in the depths of the sea. And there's even an epub now!

It's my favorite story, and its dedication to portraying the clashing ideologies and ideals of such a large ocean-spanning cast of memorable characters inspires me every day. The vast majority of its cast is trans and gay women striving and fighting for a better world that has a place for them. The willingness of the story to jump between perspectives and understandings of the world and to manage it so gracefully and effortlessly is incredible to read.

And at the heart of it, the story is funny, romantic, sensual, just capable of encompassing so many different dimensions of the characters within and using all of those elements together with ease to shape the work into something I've been turning over in my head for years. It's got romantic cannibalism, muslim catgirls, horrors from beneath the hadal zone, toxic old women yuri, and gertrude lichtenberg. It's really good. I think everyone should read it.

[valentinedagger]

this is an official plea to all amateur webfiction authors on tumblr to stop putting entire pieces (chapters, short stories, etc) in tags like "#web serial" and "#writeblr" without readmores.

i promise. you will get so much more engagement if you just put your writing under a readmore. most people are probably blocking you to avoid scrolling through your stuff in the tags, not because you're a bad writer or they wouldn't want to read your work, but because people are scrolling through those tags to find things like art, announcements, shitposts, polls, writing advice--basically anything but entire pieces of fiction that take multiple minutes to scroll past.

tumblr is a shaky place to host fiction natively to begin with--i'd really recommend slapping together a quick wordpress or neocities template, frankly, or at the very least using an aggregation website like ao3, just because the tumblr format is so inaccessible to readers and hosting your work on tumblr natively is actively working against you building an audience--but if you go with that, please don't shoot yourself in the foot by spamming tags! again, even continuing to post your work in the tags while putting most of it under a readmore will massively improve your engagement.