#splatune 3

[ardnin]

I uploaded the Splatoon 3 Side Order OST

I just added the Side Order OST to my Splatoon 3 OST game rip which you can look up here

As always these are direct rips from the game, converted to flac and normalized.

This rip also includes the overworld and tower foyer tracks which had to be recorded in-game since these tracks are not stored as music files but rather - from what I understand - the game mixes these tracks live by having each instrument emit its sound from the visual elements that represent the sound.

To make it special I recorded these tracks in surround sound and then tried mixing these channels with a spatial audio mixing tool to emulate the "3D" effect from each instrument playing from a different location. (Mind you I'm not super experienced with mixing like that so it might not be optimal)

I also uploaded every other Splatoon CD release if you're interested!

Edit: I re-uploaded the OST now with tracks that were missing in my first upload. Be sure to use the "Side Order (Complete)" folder!

[mango-fizz]

WAIT. WAIT. THE FULL INTERVIEW HAS BEEN TRANSLATED AND POSTED ON THE OFFICIAL WIKI. WAIT,

[softichill]

Perfect response

[glassesfreekjr]

... Why did they build a whole-ass flood bypass out in the Splatlands, anyway? Is it like California rules where it's arid as hell most of the time except for when everyone drowns, or has the flash flooding caused by Big Runs been more of a long-running issue then we initially thought?

The fan splatband Red Flare District is named in reference to the 190-chapter juggernaut "exercises in gratitude (The Barclay Street Flood)" by @redeyedsheepskull over on AO3. Contrary to what Inkopolis news media would have you believe, the Order vs. Chaos Splatfest was only partly the reason for the mass cultural exodus to the Splatlands. Maybe it had something to do with the fallout after a catastrophic spillway failure submerged a low-class Inkopolis neighborhood in millions of tons of polluted floodwater, I dunno.

RFD changed its name (from RLD) partly to capitalize on the event and partly out of genuine albeit ham-handed tribute.

And here, out in the middle of the desert, is yet another failed flood bypass. The ironic hilarity was too good for them to not write a song about. Fast-forward five years and some still consider the end product to be a tad insensitive.

(sample source list can be found on my YouTube)

[wristonicee]

quick n crusty old vid of me flipping through each of the splatoon ost cds

[zaptap]

octotune was announced a month before octo expansion dropped (and released a month after) but i don't think it's too late for ordertune. in fact i'm kind of expecting them to announce it alongside the sizzle season trailer in a few days

most likely they're saving it until after that season starts because that's the last of the new season music. splatune 3 had music from fresh season 2023, and they announced it alongside that season's trailer, so repeating that timing would make sense

and if there's any more music that gets added later (like with the splatocalypse trailer theme in splat2) they could always do another concert or two and do a splatoon 3 live album to throw that onto once again (also i need to hear ebb and flow out of order live)

[undeadbutstillhasahead]

Spoilers for the OrderTune Bonus track under the cut

I got this from @radialexplosion on Twitter here’s the link to the original post

[moolamixtape]

Thoughts on Splatune 3!

I wanted to share some of my thoughts on the soundtrack of Splatoon 3 now that we have the final composer credit for each track. This is my perspective as a musician as well as a fan of the lore!

Ryo Nagamatsu carried this soundtrack HARD man. There were six composers total and he did a third of the tracks, including everything by C-Side which came as a shock to me. I genuinely thought those were all Toru Minegishi, who has apparently stepped up to a supervisor role since Splatoon 2 and is less involved in the making of the soundtrack itself.

The new composers—Toshiyuki Sudo, Yumi Takahashi and Sayako Doi—also did a lot of heavy lifting this time around too. Takahashi caught me way off guard, especially when I found out she is responsible for all three DLC Squid Sisters tracks. Apparently she has inherited them from Shiho Fujii, who only contributed Wave Goodbye for this game.

Takahashi was able to capture Fujii’s essence while adding some cool harmonic ideas that we haven’t seen from the group’s almost satirical J-pop discography. I think she’s the best out of the new team members at writing chord progressions and strong hooks, and I’m really looking forward to new Squid Sisters tracks if it means she’s behind the wheel!

She’s also a really tight funk arranger, and one of my admittedly few correct predictions was that she was responsible for the vast majority of the lobby tracks. They all reminded me of her tracks from Animal Crossing New Horizons, especially with their mellow chord progressions and laid-back feel. Takahashi’s lobby tracks have energy but don’t carry too much momentum, keeping the tension low and the groove up front while switching occasionally to a more lush and complex progression on the bridge. She is everything I love in a composer lol

Sayako Doi also had my attention when I found out what she was responsible for. She’s only been with Nintendo for about four years now and barely as any individual track credits to her name. As it turns out, she did all of the Alterna map themes as well as the Tableturf soundtrack. All of the Tableturf tracks are intentionally camp and I think they did her sort of dirty by making that a good portion of her contribution, but the variety in her RotM tracks almost makes up for it. She seems more sound design-focused than Takahashi and it sounds like she focuses more on the overall feel of her tracks than the theoretical details behind them. I’m curious to hear what she might contribute for Side Order!

I said before that Minegishi is moving up to a directorial role as many game composers do, and he contributed significantly less this time around musically. He mainly handled the stage themes in RotM, a couple of which I thought were by Sudo and Nagamatsu. With Flying Colors is marked by orchestral sample spam, which I thought was Nagamatsu’s signature sound, and Ride or Fry sounds like Sudo’s Deep Cut compositions. Minegishi did both!

I don’t know what the best way to do this is on tumblr but I guess I’ll just share this now and edit it later? I wish it was more intuitive to make a thread or something I guess I’m just twitter monkey brain

[ranidspace]

Heres the translated clippings from the Splatune booklet, links have a lot more cool stuff check it out

Beika "tweet" about Now or Never

Front roe interview

[pansiesart]

has anyone done this yet from the splatune 3 interview

[loz-the-noob]

Splatoonified my speaker >:3

[ardnin]

I ripped Splatune 3

I ripped Splatune 3 and archived it on a Drive,

you can download it here!

You can also find archives of all other Splatoon CD releases on this Drive.

All the albums are fully tagged and were ripped as FLACs

For Splatune 3 I also added the in-game version of Seep & Destroy for convenience so you can also listen to what the track is actually supposed to sound like (I’m still frustrated they had to fuck up that track in particular)

[mango-fizz]

also um if anyone has a translation for the interview in splatune 3 please send it to me :(

[pibiiiii]

do songs released after Splatune 3 releases ever get CDs?? or are they just lost to history

because i know they released songs like Blitz It from Splatoon 2 in Octotune (thank squid, i love ABXY) but like what's gonna happen to Yoko & the Gold Bazookas ;-;

[glassesfreekjr]

(Oxygen Tank and all associated artwork belongs to and was created by @twipsai. Used with permission — thanks for letting me borrow them!)

Band: Oxygen Tank Single: Eat Shorts Kanabo Description: In stark contrast to the absurdity of the title — or in part because of it — this fresh-cooked shibooyah-kei tour de force succeeded, improbably, in propelling Oxygen Tank away from its beginnings in pirate radio into subtle mainstream recognition. The artist behind this unorthodox title, hailing from the Deep Sea, is "usually pretty chill" according to fellow bandmates, and contributes the distinct musical vibe from over there into Oxygen Tank's melting pot oeuvre. Perhaps it was in experimentally straying from that wheelhouse (with the support of said bandmates) in order to "say what needed to" that has made this fresh bop the default BGM of back alleys everywhere.

Hikara Walker, Feb. 122024 issue

(Sample source list can be found on my YouTube.)

[captainparallax]

the Splatune 3 CD set still isn't in stock in any import stores in Australia, what am I meant to do with myself

(i know i know import it, but ideally I'd like not to)