#sozosha

[shihlun]

Nagisa Oshima

- Death by Hanging

1968

[coppercookie]

Band of ninja (1967)

This barely counts as a animated film but I'll count it since it is made up of drawn pictures. A young man looking to avenge his father's death, joins a band of ninja assisting peasants and farmers to uprise against shadowclan's rule.

Honestly I took the summary from Wikipedia and imdb because it's hard to follow. Characters and plot points kind of pop in and out of the story ranging from a fishman that isn't brought up again after he's been introduced to a horde of rats appearing out of nowhere to eat everything. Some characters will loose parts of their body but have them back later for some reason? This could be from the subtitles not being translated well enough but I thought it was worth mentioning.

As you can tell this is just the manga panel per panel with sound laid on top. The artstyle is pretty but with it being just zoomed in manga panels you loose out on things like the page layout.

Band of ninja is a great example of why direct adaptations from one media to another doesn't work, certain scenes need to be cut so it flows better and isn't too longwinded. I'd just read the manga itself if you're interested (especially since the movie is dragged out to 2 hours). Besides that I think there are more entertaining anime/manga with gore and engaging story.

The list

[lumchan]

will we ever get sozo's real name themn?

dunno...........................................will you?

[ketunpentu]

The more I hear about Sozosha the more I love him

A @bakughoulz oc!

[art-obulist2016]

「インスタント / INSTANT」2016 養生材、梱包材 / curing material.packaging material、不定形 / dimensional variable

BON Yasuji

ボン靖二

どこで感じているのかわからないことがあります。 どう思えばよいか 考えてしまうことがあります 。 ぼくは工事現場でアルバイトをしていますが、 そういった職種を選ばない場合は、工事中の状 態を内側から見ることは少ないかと思います。 完成した状態が建物の機能を果たすので、 工事中は「建物以前」と言えるかもしれません。

「事件」もそれに似ていて、起こってから認知さ れるまでの間に、未完成の状況が発生している ようです。 何 か に 奪 わ れ る 前 を 体 験 し た と き 、そ れ を 感 じ る 場 所 が 自 分 の ど こ に あ る の か わ か ら くな り ま す 。 まるでパスワード同士が会話をしているかのよ うで、 その交わらない会話が饒舌であればあるほど、

「 た だ 見 る 」こ と し か で き な く な っ て し ま う の で す 。 ̶ ボン靖二

1983年 大阪府生まれ 2007年 京都教育大学造形表現卒業 2011年 創造社デザイン専門学校中退

I don't know where it's felt. I think how to think. I work part-time at a construction site. But when not choosing such job category, I think the state under construction is rarely seen from the inside. The state that it has been completed works as a building, so you may be able to call under construction "before building". "Incident" even similar to it, to until it is recognized from happening, it seems unfinished situation has occurred. When experiencing the before taken by something away, I don't know any more its where the place where that's felt is. It is like a password to each other have a conversation, about the intersect not conversation is, if talkative, I can do any more only "just viewing"

— BON Yasuji

個展:

2016 2014 2014 2011

web:

「ここにいる」(アートラボあいち長者町 / 愛知) 「アカペラ」(星画廊 / 愛知) 「ちゃんとする」(FIGYA/大阪) 「あとでみる」(梅香堂 / 大阪)

1983 2007 2011

Solo 2016 2014 2014 2011

Born in Osaka. Guraduated at Kyoto University of Education Drop out of SOZOSHA College of Design

Exhibitions: “I’m here”, Art Lab Aichi, Aichi “A cappella”, Star Gallery, Aichi “I will properly”, FIGYA, Osaka “View Later”, BAIKADO, Osaka

https://picasaweb.google.com/103740360156027931337

[shihlun]

Nagisa Oshima

- Diary of a Shinjuku Thief

1969

[shihlun]

Nagisa Oshima

- Diary of a Shinjuku Thief

1969

[shihlun]

Nagisa Oshima

- Dear Summer Sister

1972

[shihlun]

Nagisa Oshima

- Band of Ninja

1967

[shihlun]

Nagisa Oshima

- Death by Hanging

1968

[shihlun]

Nagisa Osihma

- The Ceremony

1971

Design: Kiyoshi Awazu

[shihlun]

Nagisa Oshima

- Death by Hanging

1968

[shihlun]

Nagisa Oshima

- Sing a Song of Sex 

1967

[shihlun]

Nagisa Oshima

- The Catch

1961

[shihlun]

Nagisa Oshima

- Dear Summer Sister

1972

[shihlun]

The most prevalent anti–Vietnam War motif is the recurring reference to the infamous photograph taken by Eddie Adams on February 1, 1968, which came to be known as “General Nguyễn Ngọc Loan executing a Việt Cộng prisoner in Saigon.” In the photo General Nguyễn stands to the right (screen left) of a Việt Cộng prisoner, pointing a handgun at his head. This image is restaged many times in the film, from the boys using their fingers for a gun (as early in the film as when they are on the beach in the first sequence) to pointing the gun at the stowaway Korean corporal, to the realistic mural depicting the photo-image at the end with the execution of the Korean corporal staged in the background. Considering that the film was released only two months after the photo was published one can feel the white-hot immediacy of Oshima’s film.

- David Desser / “Oshima, Korea, and 1968” (1968 and Global Cinema, 2018)

Nagisa Oshima

- Three Resurrected Drunkards

1968