#south asian! james

[theyonlytoldthemoon]

lily: oh, i love chai tea!

james: WHAT DID YOU JUST SAY

james: chai means tea, lily, you’re saying tea tea

james: would i ask you for coffee coffee with room for cream cream??!!

[smileyvillainarc]

i’m in love with the idea of Barty and James being absolute polyglots

like picture this James - who I headcanon as a south asian - can read and write in a bunch of languages like Tamil, Hindi etc. because of his culture and some other ranodm languages like Japanese and Arabic because Fleamont worked there and James picks them up quickly

Barty is just a spiteful little fucker who initially learnt a bunch of languages to impress his political dad and to convince him that he’s good enough but as he got older it was more to just piss off all his friends by saying stuff they couldn’t understand

either way they’re both in transfiguration and mcgonagall sets individual projects for this term and the absolute nerds they are, they both insist on doing spells in the various languages they learnt and compete for the best possible marks but they both end up going so over the top that minnie puts a stop to their madness

she loves the projects ofc but the idiots were losing sleep over it

side note: i love the idea that they both tried to learn french at one point but regulus and sirius noticed this and were like fuck no it’s the only language we get privacy in and hex all the french books in hogwarts against them

[lunar-serpentinite]

AU where the Potters are actually South Asian and their earliest ancestor, Linfred of Stitchcombe, was actually an immigrant from what is now known as Tamil Nadu. He came from a family of potioneers and healers who were known for their relationship with snakes and their ability to understand the language of serpents (known within Europe as Parseltongue) but their variant of Parseltongue was believed to be a blessing from their patron deity Aravan.

The Descendants of Nandhini

The Descendants of Nandhini, more commonly known as the Descendants of Aditya by outsiders, refer to a family of Tamil wix who occupy a heavily warded and hidden territory within part of the Western Ghats in Tamil Nadu, India. They are traditionally healers and agriculturists who work closely with snakes of both Magical and mundane origins. Their affinity and bond with snakes lead them to develop the Magical ability to speak and understand the language of serpents. 

They are named after the first member of the family who mastered the language of serpents, Nandhini. Nandhini was a Tamil witch who lived at the height of the Chola Empire, specifically during the mid-900s. Nandhini was her parents’ third child and only daughter. When Nandhini began to display perfect fluency in the language of serpents, it was viewed as a sign of favour from their patron Aravan and Nandhini was then announced as the family’s next head. However, she was to disguise herself as a man and go by the name Aditya as well as take on a wife for the rest of her life.

From Nandhini, new traditions were developed. One tradition was the secretive way of succession for the title of family head. While the family head remained a male in official records and to anyone who asked. But in reality, a woman held the actual title of family head. The hereditary Magic and Relics of the family was bestowed upon the eldest daughter of the main line, which she would then pass down to her eldest daughter when the daughter came of age. This is one of the family’s best kept secrets and is still kept close and hushed up to this day.

Another tradition was keeping long-living Magical serpents as familiars and protectors of the family and carriers of hereditary knowledge. These serpents were regarded around the same level as the family’s elders and the family often spoke with them for advice or knowledge.

The descendants of Nandhini, like the other Magical families of Tamil Nadu at the time, lived in harmony with their mundane neighbours. Mundanes were aware of and lived with Magic despite being unable to wield it themselves. This carried on until the start of British colonization in India. The Magical families of Tamil Nadu escaped colonization by a breath’s width by using Magic to completely hide themselves from the rest of the world. The descendants of Nandhini in particular worked with their snakes to “camouflage” their biggest family compound within the Western Ghats, with the snakes themselves acting as the living “boundaries” of their territory who also act as natural deterrents for anyone who comes too close.

The Magical families remained isolated from the outside world for the entirety of the British’s colonization of India and even lasted a couple of decades after. However, they have managed to reestablish connection with the other Magical families as the years passed by. During their time of isolation, the caste system was slowly dissolved and forgotten and many Magical Tamil families abandoned their castes and titles in favour of simply calling themselves the descendants of their oldest recorded ancestor. In the present time, Magical Tamil Nadu are large joint family groups scattered geographically but are well-connected by an intricate communication system set up by their ancestors. They are still mostly disconnected from the rest of the Magical World but not as much as it was during the colonial era.

The descendants of Nandhini in the present time mostly use the language of serpents, Tamil, and Sanskrit as their main languages. However, their members also show fluency in Middle Tamil and Classical Sanskrit. The latest generation of the descendants are currently learning present-day English.

BRITISH BRANCH — THE POTTERS

During the 1200s right as the Chola Empire began to decline, a group of the descendants of Nandhini led by someone now known as Linfred of Stitchcombe found their way to the British Isles. Though considered “eccentric” by his British neighbours, Linfred was nonetheless well-liked due to his helpfulness and affable nature. He and his family were known for their excellent healing remedies and strange plants, but they were warned by their ancestral snakes and the local snakes to hide their affinity for snakes and their knowledge of the language of serpents for their own safety. 

This branch eventually adopted the surname of Potter by demand of the British Ministry of Magic, though there wasn’t any significant reason behind the choice of surnames. Though they are Potter on paper, they still proudly refer to themselves as descendants of Nandhini and would often use Nandhini as another surname in addition to Potter. They kept in contact with the main branch throughout the centuries until the main branch seceded during the British colonial period.

Despite their positive reputation in the British Magical community and their position of being essentially Purebloods, the Potters preferred to marry within their South Asian community. The other British Pureblood families attempted to marry into the Potter family for generations especially after the Potters rose to the top of their respective industries, but they remain unsuccessful to this day. It is because of this refusal to marry into the British Pureblood society that the Potters were exempted from the Sacred 28, not that they cared anyways. 

The Potters amassed wealth, prestige, and influence through their revolutionary contributions and breakthroughs for British healing magic and potions. Eventually, they also started to build up a business in Magical pottery and ceramics. The potions they sell are often packaged in custom ceramic bottles made by their own company. Their business partners are exclusively businesses owned and run by South Asians and South Asian immigrants and have recently begun to open their connections to other BIPOC-owned businesses as well. As of the present day, the Potters are one of the leading names in both the potioneering and Magical pottery/ceramics industry.

The Potters usually send their children to Hogwarts School of Witchcraft and Wizardry where they would usually be Sorted into either Slytherin or Gryffindor. However since they have reestablished their connection with their main branch in Tamil Nadu, the recent generations have been considering sending their children to their ancestral home for schooling instead.

During the mid-18th century, the Potters began to republicize their affinity and connection with snakes and their usage of the language of serpents as a way of preserving their connection to their family back in their motherland and as a silent protest against the growing negative perception of snakes and serpent-speakers in the United Kingdom. It was noted by Magical linguists that the language of serpents that the Potters knew were far different than what Europe had called “parseltongue”. This variant of “parseltongue” became known as Potters’ parseltongue amongst the European populace, though the family themselves have never used the term themselves.

Despite having lived away from their main branch for centuries, the Potters still maintain almost all of the family traditions. The family is patriarchal on paper but matriarchal in practice. Their family manor in Gloucestershire had an entire green space for the ancestral snakes that they have brought from Tamil Nadu and their other snakes that they have adopted and bred. They continue to revere their patron deity Aravan, whose image decorates sacred spaces within the Potter family estate. 

In the latest generation, the Potter family is closely connected with the other Magical South Asian families within the United Kingdom and the rest of Europe. They also have close ties with the Black family who claims ancestry from ancient Egypt and Persia. The current heads of the Potter family, James and Lily, have both married Regulus Arcturus Black who is the second son of Orion and Walburga Black. James also considers Sirius Orion Black his best friend and the couple have appointed Sirius as the godfather of their eldest child Hariharan "Harry" James Potter.

[soupinaboot]

OK SO! Yall know how people compare Steve Harrington and James Potter and talk about how they are very similar and alternate versions of each other and blah blah blah?? OK and you know how a lot of people headcanon James as being south asian? Well hear me out, South Asian Steve Harrington?? Anyone?? Please?

[thenerdsofcolor]

Shekhar Kapur on Directing 'What's Love Got to Do With It'

We interview Shekhar Kapur, the director of What's Love Got to Do With It, now out here in the US!

Shekhar Kapur is an acclaimed Indian filmmaker whose credits range from directing The Bandit Queen to the Elizabeth films starring Cate Blanchett. He is now finally directing a rom-com, What’s Love Got to Do With It, starring Shazad Latif, Lily James, Shabana Azmi, Jeff Mirza, Asim Chaudry, Emma Thompson, and more in a heartwarming funny time that highlights Pakistani and Muslim culture in a…

[chaos0pikachu]

Is BL Being Overly Influenced by Modern Western Romance Tropes?

Short answer: No. anyways, in the following essay I will explain that James Cameron is a weeb...

(okay fine~~ lets actually do this)

TLDR: discussing what media globalization is, how fandom can distill it down to only American/European cinema, showcasing how a lot of current BL is influenced by countries within it's own proximity and NOT "the west" but each other, also James Cameron is still a weeb

I had seen a post that basically proposited that BL was being influenced by modern western romance tropes and had used things like omegaverse and mafia settings as an example. I found this, in a word, fucking annoying (oh, two words I guess) because it's micro-xenophobic to me.

It positions western - and really what we mean by this is American/European countries, we're not talking about South American countries are we? - cinema as the central breadbasket of all cinema in and of itself. Inherently, all following cinema must be in some way, shape, or form, influenced by American/European standards, and as such America/European countries are directly responsible for cinema everywhere else, and these places - namely non-white countries - do not influence each other, nor have their own histories in regards to storytelling or cinema and do not, in turn, also influence American/European film making either.

Now like, do I think all of that~~ is intentionally malicious thinking on behalf of folks in fandom? No, so chill out.

I do, however, think a lot of it is birthed from simple ignorance and growing up in an environment where ~The West~ is propagated to be central, individual, and exceptional as opposed to the monolith of "Asia" - by which we mean China, Korea, Japan don't we? How often in discussions of Asian countries is Iran, India, or Saudi Arabia brought up even tho they are all Asian countries? - or the monolith that is South America - in which some folks might believe regions like the Caribbean and/or Central America belong to, but nope there both North America.

Anyway, what we're talking about here is the concept of "media globalization":

"The production, distribution, and consumption of media products on a global scale, facilitating the exchange and diffusion of ideas cross-culturally." (source)

"The media industry is, in many ways, perfect for globalization, or the spread of global trade without regard for traditional political borders. [...] the low marginal costs of media mean that reaching a wider market creates much larger profit margins for media companies. [...] Media is largely a cultural product, and the transfer of such a product is likely to have an influence on the recipient’s culture." (source)

Typically when I see fandom discussing what falls under MG the topic is usually focused on how "the west" is influencing Thai/Korean/Chinese/Japanese media.

Enter, Pit Babe.

Surely Pit Babe was influenced by Supernatural right? Omegaverse is huge in the west - love it, hate it, meh it - it originated in the west - specifically via Supernatural after all.

Nah.

Omegaverse has been popular in Japan and China for almost a decade, if not longer. The earliest omegaverse manga I can think of is Pendulum: Juujin Omegaverse by Hana Hasumi which was released in 2015, almost a decade ago.

(what if you added furries into omegaverse? WHAT IF?? - Japan)

There's countless popular omegaverse manga too, and the dynamics only moderately resemble the ones we're familiar with in the west. Juujin is part omegaverse and part furry/beastmen - the alphas are all beastmen the omegas are humans - while something like Ookami-kun Is Not Scary only slightly resembles omegaverse dynamics as a hybrid series - beastmen are really popular in Japan in part b/c of historical mythology (you see the combination of romantic Beastmen and Japanese culture & folklore in Mamoru Hosoda's work The Boy and the Beast and Wolf Children).

Megumi & Tsugumi (2018) is so popular they're an official English edition published by VIZ's imprint SuBlime and that's a straight up omegaverse story.

(look at the omega symbol on the cover loud and proud baby)

So if Pit Babe was influenced by anything, it certainly wasn't "the west" it was Japan, Korea and China. Because those countries have a thriving omegaverse sub-genre going and have had such for 10 plus years now. Supernatural is popular in Japan, yes, and that may be where Japan and Japanese fans originally found omegaverse as a fictional sub-genre.

HOWEVER

Japanese fans took the sub-genre, bent it, played with it, and evolved it into their own thing. As such, other countries in their proximity, like Thailand, China, and Korea who read BL and GL manga, found it and were like "hey, we wanna play too!"

(is that an omegaverse yuri novel I spy?? yes, yes it is)

When I watched the Red Peafowl trailer, it had more in common with Kinnporsche, History: Trapped, along with films and shows like: Jet Li's The Enforcer, and Fist of Legend, Donnie Yen's Flash Point, Raging Fire, and Kung Fu Jungle, Han Dong-wook's The Worst of Evil, Kim Jin-Min's My Name, Lee Chung-hyeon's The Ballerina, Baik's Believer & Believer 2, Yoshie Kaoruhara's KeixYaku, popular Don Lee films The Gangster, the Cop and the Devil and Unstoppable alongside BL manga like Honto Yajuu and Bi No Isu (probably one of the most well known yazuka manga to date).

Like, we're seeing a rise in mafia based BLs and people think that's because of "western influence" and not the absolute insane success of kinnporsche??? Especially in countries like China, Korea, Taiwan, Philippines and other Asian countries???

Mafia films and gang shows aren't even that popular here in America/Europe; don't get me wrong, they still get made and exist, but the last full length film was The Irishman which did not make it's budget back, and while Power is still on-going it's not a smash hit either. The heyday of Breaking Bad, The Sopranos, The Wire, Goodfellas, and Scarface are long gone. And if you've watched any those shows or films they have very little in common with Kei x Yaku, Kinnporsche, or Red Peafowl in tone, or style.

(who knew martin just wanted to make his al pacino/robert de niro fanfic come to life all these years?)

Another example, The Sign, which is clearly taking inspiration from Chinese costume dramas: Ashes of Love, Fairy and Devil, White Snake (and it's many adaptions), Guardian, & Ying Yang Master Dream of Eternity. Alongside Hong Kong and Korean cop and romance shows like Tale of the Nine-Tailed, Hotel Del Luna, Director Who Buys Me Dinner, First Love, Again, and previously mentioned cop dramas.

Like, I know y'all don't think Twins is influenced by, what, American sports classic Angels in the Outfield?? Gridiron Gang?? Rocky?? Nah that shit is inspired by the popularity of sports manga like Haikyuu!!, Slam Dunk, Prince of Tennis (which even has a Chinese drama adaption), and the like. And also probably History 2, & Not Me but I'm like 87% sure Twins is just Haikyuu fanfic.

So like, does this mean that there's NO history in which American and European cinema influenced these countries? What, no, obviously that's not true, American/European totally have had media influence on countries like Korea, Japan, etc.

Astro Boy by Osamu Tezuka considered "the father of manga" was inspired by Walt Disney's work on Bambi. Another more recent and prominent example is director Yeon Sang-ho and his film Train to Busan.

"And it was Snyder’s movie [Dawn of the Dead, 2004], not the 1978 original, that filmmaker Yeon Sang-ho recalled as his first encounter with the undead. “That was when I started my interest in zombies,” Yeon said, in an email interview through a translator from South Korea. Even today, he added, “it’s the most memorable and intense zombie movie I’ve ever seen.”" (source)

HOWEVER, the global influence doesn't stop there. It's not a one-way street. Yeon Sang-Ho was inspired by Zack Synder's Dawn of the Dead, a remake of George Romero's own work, but Yeon Sang-Ho's work has inspired countless Korean film makers to make their own zombie media; following Train to Busan there's been: Kingdom (2019 - current), All of Us Are Dead (2022), Zombie Detective (2020), Zombieverse (2023), Alive (2020), Rampant (2018).

And hey, wouldn't you know it now we're starting to see more zombie media coming out of places like Japan (Zom 100 the manga, movie, and anime) and High School of the Dead.

Do you know what Domundi's series Zombivor (2023, pilot trailer only) reminds me of? It's NOT The Walking Dead (which is the only relevant zombie media America has created in the last decade) it's Korea's All of Us Are Dead (2022). Comparing the trailers, the settings, the tone, it's clear where Zombivor is pulling inspiration from: Korean zombie cinema. NOT American zombie cinema.

In fact a lot of Domundi's shows - Cutie Pie, Middleman's Love, Naughty Babe, Bed Friend - are all very clearly inspired by Korean filmmaking, specifically that of romantic kdramas from the 2016 - 2020 era. Not always in story, but rather in technique.

This is media globalization. It's not simply ~The West~ influencing non-American/European countries but countries who are often more close in terms of: proximity, culture, and trade are going to have more influence on each other.

It is far more likely that Aoftion (Naughty Babe, Cutie Pie, Zombivor) was influenced by watching Train to Busan, All of Us Are Dead, and other Korean zombie shows and films than a single episode of Walking Dead.

My point isn't that this goes one way only, but rather it is very literally a global thing. This includes American and European film makers being influenced by non-American and European cinema.

Martin Scorsese, Steven Spielberg, Darren Aronofsky, Christopher Nolan, the Wachowski sisters, George Lucas and James Cameron have all been influenced by Japanese film making, especially the works of Akira Kurosawa, Satoshi Kon, and Mamoru Oshii.

John Wick's entire gun-fu sub-genre is heavily influenced by classic Hong Kong action films, specifically John Woo films. Legend of Korra, The Boondocks, Voltron, Young Justice, My Adventures with Superman are all obviously inspired by Japanese anime but animated by a Korean animation studio (Studio Mir). Beyond that, the rise in adult animated dramas like Castlevania, Critical Role Vox Machina, and Invincible to name a few are very clearly taking inspiration from anime in terms of style. The weebs that were watching Adult Swim's Inuyasha, Bleach, and Dragon Ball Z have grown up and are now working in Hollywood.

Okay so like, what's the point of all this? What's the issue? Since American/European cinema does influence et all cinema does any of this really matter?

YES.

I take contention with this line of thinking because it centers "the west" and our supposed individual importance way to much. Declaring definitively that "BL is being influenced by western tropes" and then including tropes, narratives, and film making styles that aren't inherently western and actually have major roots in the cinema of various Asian countries, removes the existence of individual history these countries have which are rich, varied, and nuanced. It removes the "global" part of globalization by declaring "the globe" is really just America and Europe.

It distills these countries down to static places that only exist when American/European audiences discover them.

BL doesn't exist in a vacuum you can trace the development of Korean BL to the development of Korean het dramas almost to a T. You can also trace their development to the queer history of each country and how Thailand interacts culturally with China, Japan, Korea, etc and vice versa. It also ignores the history of these countries influencing American cinema as well. Don't mistake "the globe" for only your sphere of experience.

Anyway James Cameron is a damn weeb y'all have a good night.

Check out other posts in the series:

Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?

[like these posts? drop me a couple pennies on ko-fi]

[welcometotheravenclawcommonroom]

(South) Indian Harry Potter Headcanons:

Harry knew he was Indian (mostly because the Dursley’s used to say racist shit to him) but he didn’t know where in India the potters were from until he went to Hogwarts. He finds out from the Patils, who were close with the potters because desis stick together.

The Patils are from the north and use Hindi to speak to each other. Neither of them knows Telugu/Tamil/Marathi/Malayalam/insert Southern language of choice here (I personally headcanon Telugu because it’s the only Indian language I speak and because there’s a huge diaspora of telugumandi in the west, but feel free to choose whatever you’d like). So Harry has to rediscover his heritage language on his own.

He also studies Sanskrit, and it opens up a HUGE world of spells that they don’t teach at Hogwarts (because of course Indian wizards don’t do spells in Latin). He and the Patils know a bunch of spells that nobody else does.

Harry’s pleat game is ON POINT. It makes sense, since he had to do all the chores at the Dursley’s and that includes perfectly folded and ironed laundry with the edges aligned neatly, or else he would risk being punished. But the result is that if you want your saree drape to pass the inspection of even the most judgemental auntie, you go to Harry to help with your pleats.

Even when they’ve graduated and all have their own homes, it’s a pretty regular sight for the Patil twins to come through Harry’s floo, half dressed, to have Harry pleat their sarees or their lehenga dupatta for them.

Harry LOVES spices. The dursleys only liked bland food, but Harry has always liked flavorful foods, and has no problem with (hot) spicy food either. He uses lots of spices in his own cooking now. His food is very flavorful, but when he’s cooking for himself, it’s too spicy for all his friends (even the Patils). So nobody can eat his leftovers unless he was specifically cooking with other people in mind. Ron learned this the first time he rummaged through Harry’s fridge after a night of drinking. Now Harry labels all his food as to whether or not it’s “Harry spicy”.

James LOVED to buy Lily sarees. He’d order them with custom, wizard-themed designs from weaving villages in south India. The women who made them assumed he was just very imaginative, so he wasn’t violating the statute of secrecy since saree patterns are often vibrant and unique. Harry finds some of them in the old potter manor, and they still smell like the perfumes and scented oils his mother would wear when James took her to the local temple for Hindu holidays.

Indian witches often store extra magic in or enchant pieces of their copious jewelry with spells that can keep them safe if they’re ever in a situation where they don’t have their wands. stuff like, each bangle can function as an emergency portkey that can take you to different safe locations if you say the activation word, or ones that create an instant magical shield when you tap them. Harry finds some of his mothers gajulu, gives them to his female friends.

He ties Rhaki on Ron and Neville, and all the weasley boys. Ron was the first person he ever tied it on, because Ron was the first person who he ever bonded with, and his closest brother.

Harry always cooks idli sambar or dosa for his friends for breakfast the next morning after a night of drinking together, and it’s the perfect hangover food because it definitely brings you back to full alertness/knocks the last bit of post-hangover grogginess right out of your system.

Harry’s parselmouth abilities are valued in his native culture because of the sacredness of snakes in Hinduism, and it comes to be something he’s really proud of (personally I think the ‘parselmouth connected to the horcrux’ thing is dumb, so I’ve always imagined Harry was just naturally a parselmouth).

As the number of Indian immigrants/expats continues to grow after they graduate, Harry helps some of his students (he’s the DADA teacher) start the Hogwarts “South Asian Student Union”.

He always has snacks out for his students when they come to visit his office hours, and they’re all Indian snacks and sweets. His personal favorite is kaju barfi, but he always has a good variety of both sweet and spicy treats, especially for stressed out owl and newts students.

He collaborates with Hermione, who works in the ministry, to make it mandatory for Hogwarts students to a “foreign magical language” course so they can broaden both their minds and their spell repertoires. Padma Patil becomes the “Sanskrit Spells” teacher, and Seamus teaches “Irish Gaelic”. (It took him a little longer to get his course started, since it turns out that at least 40% of Gaelic spells are just increasingly complicated and violent ways to repel the English).

Hermione and Harry also work together to make sure there are employees in the international magical cooperation department who specialize in post-colonial relations, because the magical world also has its issues with that colonialist mindset towards countries that were formerly part of the empire.

Just south Indian Harry embracing his heritage, learning about what was ripped from him, and using it to enact meaningful change in a multicultural magical society.

[partlysunny15]

I can’t believe you’re only discovering desi james potter in the year 2024.

i am re-entering the marauders fandom after about 10 years & one huge difference, besides the skittles (?) stuff, is desi james potter & like. how did this happen. who did this. send them to me so I can kiss them on the mouth

[silantryoo]

ENCHANTED ; nakamura kazuha

 idol! nakamura kazuha x fem! non-idol! reader

SYNOPSIS ;  instead of following yunjin's private account, kazuha accidentally follows some random person, someone who went by the name y/n. the idol thought nothing of it, that is until y/n accepted. it's a good thing that y/n was pretty... cool.

TAGS ; idol x non-idol! reader, reader goes to hanlim arts school, wlw, angst, fluff, idol au, strangers to lovers, slow burn

WARNINGS ; strong language, idol industry, film industry, overworking, east asian/south east asian school life, toxic school life, internalized homophobia, nepotism, invasion of privacy (from dispatch)

FEATURING ; le sserafim, newjean's minji, nmixx's bae and sullyoon, uap's jini, enhypen's jungwon, hanlim's jung hana (oc), appearances and mentions of other various idols

STATUS ; ONGOING!

UPDATE TIMES ; tues + thurs

PROFILES. #koreasbestperformers #theindustrystandard #other

CHAPTERS.

01. jesse st james

02. fcking idols man

03. DAMN???

04. moomin

05. a gut feeling

06. SAMYANG NIGHT

07. HOLD ON.

08. nice

09. EDATER???

written: in my dreams

10. infp

11. SHES PRETTY

12. zuha likes girls?

13. oh

written: hanlim

14. romeo and juliet

15. bad idea, right?

16. tryna do smthn?

17. GATEKEEPER

18. jini

19. quinn fabray core

written: a nice day

20. let her cook

21. clone

22. i see u thinking

23. asthma attack

24. VIVA LA REVOLUTION

25. no

more to come...

taglist (CLOSED)!

@sewiouslyz @ivy-aurora @wbgngrengnwrg @gfriendsapple @sserabey @zhivaxo @forever-in-the-sky2 @perfectsunlight @txtbrainrot @vaeeeel @hopeworld45 @jisooftme @lauxymy4 @nkahydnxo @haeyoui @uzumakioden @hyp3boy @meowrinz @sweet-dhrafts @marimo-anura @limbforalimb @awkwardtoafault @kyaitosz @eggomi @hyukasverse @cine-cult @mits-vi @staryujinnie @nicolecaye @edamboon @bzeus28 @woonie57 @lcv3lies @vvyuqi @dnzsnr @meifeikss @cosettesrants @sofakingwoso @pandafuriosa60 @xxsplatashaxx @cloud-sadness-05 @emphobics @brokeeyedrops123 @444yizhuo @blue4hour @junoswrlld @jihyostolemyheart @isanggayfrog @havex00 @thefirstonetoeverlikemeback

[evilbeepthemeep]

You know after watching James Somerton's dog shit Killing Stalking vid, I don't know how people didn't notice the racism.

He literally just analysed it from a western culture lens and divorced it from the culture it did come from.

As well as refusing to do any research into why it's classed as a romance. Pretending that straight women and the publishers were behind the categorisation of it as a romance. When it was marketed as a Boy's Love manhwa in its native country of South Korea. Meaning the whole point was you are meant to ship the characters together. Plus Boy's Love is a genre for a majority female audience. Who are mostly queer in some way.

He also complained about the sex scenes. Like the sex is there for people to get off to. Because even porn can have artistic merit and be a horror story. Sex and horror go hand in hand after all.

The most egregious thing was him bringing up an interview Koogi did in 2018 while KS was still being serialised to prove it wasn't a love story. Completely ignoring a different interview she did in 2019 once the story was over to confirm Sangwoo loved Bum.

Throughout that god-forsaken video he kept mispronouncing the characters names. Like he kept calling Bum things like bomb and balm while also always calling him Yoonbum, when Yoon is actually his family name and Bum is given name. And forever saying Sangwo instead of Sangwoo unless I'm wrong about that but I doubt it.

His anti Asian racism is so fucking blatant the only reason people didn't fucking say anything because it was hating on a comic that they disliked for being queer in the wrong way.

So if you did like James Somerton and didn't notice the racism, please check your biases. Talk to those of us who are into BL as a genre and actually listen to us when we say it's not straight girls fetishising gay men. It's usually queer people who enjoy our media to be different from what the West has to offer. Most of us aren't white either.

And if you liked the Untamed, I'm sad to break it to you but that was also a BL novel written by a woman who wrote kinky gay sex.

[lunar-serpentinite]

lily "tea is tea is tea is tea" telugu but adopted and raised by a predominantly white family evans VS james "BRITISH TEA IS THE SHAME OF THE TEA FAMILY IT SHOULDNT EVEN BE CALLED TEA" born and raised tamil potter

choose ur fighter

[marsabillions]

AND!!! Writing james to solely be a vessel for comfort and character development for his white partner is also racist

Its not the bad fanon itself that irritates me tbh like ive been in fandom too long to let run of the mill mischaracterizations bother me anymore. What pisses me off is the absolute unearned superiority complex that most of the people here seem to have. Ppl denounce canon and critique JK Rowling for the bigotry in her writing (rightfully so) but think themselves sooo above canon even tho they a) cant write women and b) consistently portray black and brown ppl to be angrier, meaner, and more sexually dominant than their white partners. But this fandom is so #progressive bc they think one of the male characters wears eyeliner. Whatevvverrrrr

[gunsatthaphan]

~ Monthly BL Breakdown: June 2024 ~ 

☀️ Happy July!!! 🧴

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 My Love Mix-Up - June 6th (Thailand)

🌟 Love Sea - June 9th (Thailand) ✅

🌟 SunsetxVibes - June 15th (Thailand)

🌟 Blue Boys Part 2 - June 15th (South Korea)

🌟 His Man Season 3 - June 21st (South Korea)

🌟 Marahuyo Project - June 24th (Philippines)

🌟 The Rebound - June 26th (Thailand)

🌟 I Hear the Sunspot - June 26th (Japan)

🌟 Sparks Camp Season 2 (Dating Reality Show) - June 26th (Philippines)

🌟 The Trainee - June 30th (Thailand) ✅

Monthly Likes / Dislikes

❣️ - 👎🏻 -

New series & movie announcements

🎥 Islanders - Date TBA (Taiwan)

🎥 Desire (Omegaverse) - Date TBA (China)

🎥 Khemjira - Date TBA (Thailand)

🎥 See Your Love - Date TBA (Taiwan)

🎥 Happy Ending (starring JeffBarcode) - Date TBA (Thailand)

🎥 Sugar Dog Life - Coming August 2024 (Japan)

🎥 Let Free the Curse of Taekwondo - Date TBA (South Korea)

🎥 Allure of the Siren - Date TBA (Thailand)

🎥 Soulmate (starring Taec-yeon from 2PM) - Date TBA (South Korea)

🎥 Secret Love - Date TBA (Thailand)

Other news from the BL world

❗️ Bible W. and Jess J., the leads of the upcoming BL 4 Minutes, starred in a music video - short film by the Thai band Getsunova called Spaceless. The film was released on June 4th, the music video was released on June 6th.

❗️ Jeff S. and Barcode T. were revealed to star in the upcoming BL Happy Ending, along with Mike Angelo and Jorin K. A first trailer was released on June 15th. The show is produced by Jeff S. himself.

❗️ Actor Chimon Wachirawit withdrew from the upcoming GMMTV BL Perfect10 Liners due to his struggle with mental health issues. He was previously hospitalized and pulled back from various events, such as the LOL Fanfest and multiple fanmeetings. He released a statement on June 24th saying he has been suffering from depression and is currently receiving treatment. On June 27th, GMMTV issued a statement announcing a hiatus in Chimon's career and the end of the PerthChimon ship as a result. They have mutually agreed to end their work as a pair due to Chimon's condition and will continue to pursue separate career paths. Chimon will return to acting once his treatment is finished.

❗️ It was revealed that the upcoming Taiwanese BL First Note of Love will be a collaboration with the Thai production company StarHunter. The show stars Charles Tu (HIStory 4) and Michael Chang (My Tooth Your Love) as well as Jame Kasama (GenY) who plays a Thai singer. The show is set to premiere in August.

❗️ The production company Be On Cloud announced a lineup event titled "The Next Altitude", which will be held on July 9th. It will feature upcoming projects such as series and various events. Further details are unknown.

❗️ Following the legalization of same-sex marriage in Thailand, the production company StarHunter announced a reality series surrounding the marriage of actors Porsch A. and Arm S. titled "Porsch-Arm The Wedding". The show will follow the pair on their path to their wedding and is thus the first Asian LGBT+ marriage themed reality show. In light of the bill-pass, fellow actors Both N. and Newyear K. also celebrated their engagement after 10 years of being together.

Upcoming series & movies for July

👉🏻 Takara no Vidro - July 1st (Japan)

👉🏻 This Love Doesn't Have Long Beans - July 5th (Thailand)

👉🏻 The Boyfriend (Gay Dating Reality Show) - July 9th (Japan)

👉🏻 The Next Altitude (BOC lineup event) - July 9th (Thailand)

👉🏻 Century of Love - July 10th (Thailand)

👉🏻 Meet You at the Blossom - July 11th (China/Thailand/Taiwan)

👉🏻 Heavens x Candy - July 13th (Japan)

👉🏻 Sky Valley - July 20th (Philippines)

👉🏻 4 Minutes - July 26th (Thailand)

👉🏻 Battle of the Writers - July 29th (Thailand)

[metamatar]

@anneemay just filched these references from the south asian guest workers article im reading, since you were interested in the middle east labor economies

Fred Arnold and Nasra M. Shah, “Asian Labor Migration to the Middle East,” International Migration Review 18 (1984): 294–318;

Urmil Minocha, “South Asian Immigrants: Trends and Impacts on the Sending and Receiving Societies,” in Pacific Bridges: The New Immigration from Asia and the Pacific Islands, edited by James T. Fawcett (New York: John Wiley, 1987), 347–73;

Frank Eelens and J. D. Speckman, “Recruitment of Labor Migrants to the Middle East: The Sri Lankan Case,” International Migration Review 24, no. 2 (Summer 1990): 297–322;

Kale, Fragments of Empire; Dovelyn Rannveig Agunias, “From a Zero-Sum to a Win-Win Scenario? Literature Review on Circular Migration” (Washington, D.C.: Migration Policy Institute, Program on Migrants, Migration, and Development, September 2006);

Andrew Gardner, City of Strangers: Gulf Migration and the Indian Community in Bahrain (Ithaca, N.Y.: Cornell University Press, 2010);

Jane Bristol-Rhys, “Socio-spatial Boundaries in Abu Dhabi,” in Migrant Labor in the Persian Gulf, ed. Mehran Kamrava (New York: Columbia University Press, 2012), 59–84;

Michelle Buckley, “On the Work of Urbanization: Migration, Con­struction Labor, and the Commodity Moment,” Annals of the Association of American Geographers 104, no. 2 (2014):

J. S. Birks and C. A. Sinclair, “The International Migration Project: An Enquiry into the Middle East Labor Market,” International Migration Review 13, no. 1 (1997): 122–35; Minocha, “South Asian Immigrants.”

Arnold and Shah, “Asian Labor Migration to the Middle East.”

[diiwata]

"all this yapping about asian d4/d7 and not one fancast!" WRONG. I have a thing or two up my sleeve 🙄

bright vachiwarit OR james reid as finnick odair

havana rose liu OR chase sui wonders as our annie cresta

ayesha madon as johanna mason and rahul kohli as blight

AND OF COURSE, this wouldn't be complete without our tbosas tributes!!!

madison hu as coral with gordon cormier as mizzen

iman vellani as lamina and ajay friese as treech

(but keeping hiroki also works since my hc -- thanks to the contribution of @ylvisruinedmylife -- is that d7's just based on south asian INFLUENCE and is not necessarily dominantly south asian, so we can keep him as treech lol)

[thenerdsofcolor]

Shazad Latif on the Nuanced Relatability of 'What's Love Got to Do With It'

We interview Shazad Latif, one of the stars of What’s Love Got to Do With It, premiering in the US this Friday! Continue reading Untitled