#sort of、again.

[liquidstar]

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

[egophiliac]

bring back zooterkins, the best 17th-century swear word

I don't normally do Just Characters Swearing, but. ...this kind of wrote itself and then wouldn't leave my head. it comes from both a piece of character-writing advice that has always stuck with me, and also my conviction that Leona is 1000% funnier as a character if his dialogue has to stay G-rated. let Kalim say fuck, but don't let Leona say bastard.

(I'm sorry)

[chloesimaginationthings]

Vanny's type in FNAF is so obvious...

[spoopdeedoop]

king and harbinger, old and young

[canisalbus]

These started out as MLP versions of the dog lads but quickly got away from me and became just their own thing. Machete is a medieval unicorn and Vasco was inspired by Renaissance tack and carousel horses.

[kathaynesart]

REPLICA PLAYLIST

MUSIC UNDER CUT

I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).

Replica Main Theme - “Die for You” by Grabbitz Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon Shanghai - "Icarus" by Madeon Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP Book 2 Trailer - "Sea Dragon" by Covet 7 Years Later - "Iron" by Woodkid Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia Omega's Theme - "Touch" by Daft Punk Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes Spear - "Monsters" by Tommee Profitt Final Protocol - "The Kraken" by Katie Dey Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills

I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.

I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!

[nowwheresmynut]

Post AA6-5 Edgeworth agreed to spend a night in Khura'in which meant sleeping on the temple floor with Phoenix and Trucy and who knows who else and I have to say I don't think he got much sleep that night.

[pigswithwings]

Show some love! [Based on this post]

[rendevok]

Moon dance 🌕✨

[shellem15]

Can I just say, I really appreciate how Critical Role plays the Devil trope straight. There's been this phenomena in a lot of modern media (I'm not going to mention specifics but I'm sure a few examples pop up in people's minds) where Hell and the Devil aren't scary or malevolent forces. Hell is portrayed as being basically the same as our world just "edgier", and the Devil is a pretty decent guy actually. Heaven are secretly the real bad guys!

But Critical Role doesn't do that. In Exandria, Asmodeus *feels* like the Devil. He's malevolent and manipulative and terrifyingly powerful and he hates you, personally. We never see that type of portrayal anymore! And it's amazing! And he still manages to be sympathetic and tragic without losing his edge!

And the "Good Gods" are portrayed as flawed without being secretly evil or something! Like, actual nuance? In my Heaven/Hell dichotomy? What!?

It's just such a breath of fresh air after so many "The Devil was right, actually" stories. So props to Matt and Brennan and the cast.

[linkedin-offficial]

me when i get the opportunity to think about speculative biology and non-existent game mechanics in media i like

⠀

[bluegiragi]

holding back (part 2)

early access + nsfw on patreon

[bklily]

thinking of comedic ways of how the hell that talk is gonna go

[starcrossedandstupid]

Just saw Etho’s TCG card and. Oh my god

Now you may think ‘what are you talking about that’s just etho at his base?’ But no, you silly man. That’s Joel’s base. The Etho statues in front of that style of arch? With the cherry blossom tree? That isn’t Etho’s base. He made the conscious decision to do that. I will NEVER be over this bit.

[steddiealltheway]

1984 is not Steve Harrington’s year.

Not only does he find out that his girlfriend doesn’t actually love him, but somehow the creepy monster thing that united his now ex-girlfriend and her new boyfriend, came back in the form of some type of monster dog.

The highlight of his year might actually be befriending a nerdy middle schooler who introduced him to said monster dog - which he named Dart of all things... something to do with a candy bar.

He groans at the thought as the music from downstairs carries into his room. For some reason, Tommy Hagan decided to temporarily ignore the fact that he ditched Steve for the new keg king, Billy Hargrove, who managed to give Steve something else to worry about while literal Hell crawled its way into Hawkins, in favor of throwing a New Year's Eve party in the Harrington residence.

Typical for the year Steve's having. Why not end it horribly too?

He glances at the clock, relieved that it's already somewhat close to midnight. If it weren't for the noise, he would consider trying to sleep through this one. Instead, he lays back on his bed and hopes that no one tries to disturb him.

As if the universe can hear his thoughts, and then curse them, the door to his bedroom swings open.

Steve sits up with a huff and frowns at the person.

A guy with medium length curly hair and doe eyes stares back at him with a big smile that screams chaos.

"Sorry, dude," Steve says, "Bedroom is off limits. Go hookup, smoke, or whatever somewhere else."

Instead of leaving, the guy closes the door behind him and locks it.

Steve scoots back on the bed, hand reaching back to wrap around the nail bat he leaves behind his nightstand.

The dude raises his hands in mock surrender, silver rings glinting in the light streaming in from Steve's window - blinds open enough so he can make sure no one does anything weird in his pool. "Listen, man, I'm not here to hurt you or anything. Although you might hurt me when you hear why I'm here."

There's something about his voice that sounds familiar to Steve when it suddenly hits him - all the yelling and stomping around on tabletops. "You're Eddie Munson."

Eddie smiles and bows dramatically. "Guilty as charged."

Steve's frown deepens, and for a fleeting moment he thinks Dustin would really like the guy. "So, why would I hurt you if I hear you out?"

"Because, Steve," Eddie draws out his name as if it has a deeper meaning, "I was downstairs thinking about what a wonderful year I've had, and I decided that I might as well start the year with a little chaos."

Steve's grip tightens around the bat in case he's some sort of satanic serial killer or something, although his gut tells him that he shouldn't be scared of the man. "What do you mean by chaos?"

There's a strange glint in Eddie's eye when he shoves his hands in his pockets and rocks on the feet as if he wants to move closer to Steve but has decided to plant himself by his door. "I mean... I came to this party to sell my supply and after my whole lunchbox was cleaned out, I started thinking about who I should kiss at midnight. Or more precisely, who would be the worse option, or rather, the option that would bring the most-"

"Chaos. Yeah, I got that part," Steve cuts him off.

Eddie's smile changes to something genuine for a moment as he comments, "Wow, Steve Harrington is actually listening to me."

Steve rolls his eyes, grip loosening on the bat. "I'd rather you not stand on my desk to get my attention." To Steve's surprise, Eddie actually laughs in response and pulls a strand of hair in front of his face to hide his smile. And to Steve's much greater surprise, his heart starts beating a little faster and he finds it harder to not smile back at him. "So, chaos?" Steve prompts.

"Right," Eddie says, rocking on his feet again, "Chaos." He ducks his head for a moment as if hyping himself up for the next thing he's going to say, which is when Steve entirely releases his grip on the bat, realizing that Eddie is more scared of him. "So, I thought, to start the year off with the most chaos, I would choose someone to kiss that would bring the most chaos. And I thought, why not the host of this party?"

Steve frowns. "Tommy's downstairs."

Eddie mirrors his frown. "You're not hosting?"

"Why would I be in my room if I'm hosting?"

"Why would the party be in your house if you're not hosting?"

It suddenly hits Steve. "Wait, you want to kiss me?"

Eddie takes a step back, hovering even closer to the door than he was before. "Consensually, of course."

It takes a moment for Steve to fully process what is being asked. "You think I'm the worst option to kiss?"

"That's what you're asking?" Eddie asks, trailing off to mutter something like, "The fragile ego of athletes, I swear."

"I got dumped this year. Of course my ego is low."

Eddie smiles bashfully. "Sorry, my uncle always tells me I'm not as quiet as I think I am." And there's something about Eddie's cheeks that are slightly flushed, the strand of hair he starts tugging at again, and the way he can't stop bouncing as if he's buzzing with energy and nerves that makes him so...

"Yes," Steve blurts out suddenly. For a moment, he wonders if the mindf- mind fly? mind... whatever evil thing from a few weeks ago has possessed him.

"Yes what?" Eddie asks sounding genuinely confused. As Steve stands up to look out his blinds and shut them, Eddie rambles, "Yes, I'm not as quiet as I think I am? Or yes, you're about to punch me, and I'm going to finally figure out how it felt when you got your face bashed in a few weeks ago?"

Steve rolls his eyes before holding up both of his hands, mimicking Eddie's pose when he first came into the room. "Yes, I'll kiss you."

It's as if Eddie has forgotten he's asked the question the way his jaw drops, and he stares at Steve like he's said the most confusing thing he's ever heard. Which... to be fair... is highly likely.

"You want to kiss me?"

Steve takes a small step closer to Eddie. "I want to give you your chaos."' When Eddie doesn't look convinced, Steve takes a step closer to him, hand running through his hair as he continues, "Who knows, maybe it'll give me good luck or something for next year by cancelling out the chaos from this year."

Eddie nods. "Okay. You're giving me your chaos. Yeah. That makes sense."

"And you're taking my chaos away," Steve agrees, trying to tell himself that this is a rational decision. "This makes sense."

"You're not going to beat me up?" Eddie asks, risking a small step away from the door.

Steve shakes his head. "Seems like a bad way to start the year, don't you think?"

Eddie nods as Steve steps closer to him, slowly, as if not to startle him away. "You know, I thought just asking you would be chaotic enough as is and then I could run away and pretend you hallucinated or something when you tried to beat me up."

"Should've asked Hargrove then," Steve says, cocking his head to the side. "Does that mean you don't actually want to kiss me?"

Eddie swallows and shakes his head. "I didn't say that."

Just as Steve gets in front of Eddie, he hears people downstairs counting down from ten. "Good," Steve says, "Because there isn't enough time to find someone else."

Eddie scoffs, the countdown now at eight, "That's not true for you."

"Maybe, but I'm not really looking to find anyone else right now. Are you?" Five.

Eddie smiles and takes a step forward. "No." Three.

Steve reaches up to tuck a strand of hair behind Eddie's ear. "Good." One.

Steve's not really sure who moves first or if they move together, but the yells of, "Happy New Year" are drowned out as Eddie's lips meet his in a kiss that feels more desperate than Steve expected. He's not sure why they're kissing as if the countdown was for the end of the world, but he really doesn't care.

It's only when Steve's gets a little carried away, Eddie's back slams against Steve's door with a thud that's loud enough to alert anyone that something's happening in Steve's room, that Steve breaks away with a gasp, seeking the air Eddie's stolen from him. He wonders if - hopes - it's the chaos he's taken.

"Happy New Year," Steve whispers, hands cupping Eddie's face while Eddie's are tangled in the mess he's made of Steve's hair. He's not sure when either of those things happened.

"Happy fucking New Year, Steve," Eddie mutters, hands slowly dropping from his hair.

Steve's hands hold onto Eddie's face a little tighter for a moment, and he sees the moment a bit of fear sparks in Eddie's eyes. Steve quickly shakes his head. "No, I'm not about to beat you up. It's just... I kind of slammed you against the door a little hard there, and if someone else is up here and they see you..."

"Chaos," Eddie fills in with a nod, "And not the good kind."

"Yeah," Steve sighs, "Not the good kind." He glances to his window where the blinds are firmly shut - thank you Jonathan for teaching him that lesson - and down at the locked doorknob before looking back at Eddie. He glances at his lips momentarily before blurting out, "Stay with me."

Eddie's jaw drops, mouth opening slightly in shock.

Steve steps back, hands reluctantly leaving Eddie's face. "Stay until everyone clears out at least. No ulterior motive."

Eddie shoves his hands into his pockets and moves back into Steve's space. "What if I want there to be an ulterior motive?" He tilts his head down and gives Steve a case of lethal puppy dog eyes. "Fully take your chaos away, remember?"

Steve is absolutely sure that this in no way will take away the chaos of his previous year and will likely only invite questions, confusion, and further chaos into 1985.

"Yeah, I remember," Steve says, pulling Eddie into another desperate kiss.

Maybe Eddie was onto something about starting the year with a little chaos. And maybe 1985 will be his year.

(i accidentally wrote a tiny epilogue later in the tags that i really like)

[twolovelyberries]

and now i know how joan of arc felt!