#sorry this turned rambly!
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aristocrating · 5 months ago
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Check Please Hot Take! There's not enough information on-page to determine whether Kent still loves/is obsessed with Jack or just wants to manipulate him into getting what he wants for his own gain (winning). Relatedly, the fact that Kent steamrolls Jack and doesn't listen to him, and moves straight to trying to make out with him, supports Jack's assertion to Bitty that their relationship was "just physical."
Yeah I agree that Kent is undercooked and underwritten as all hell, so I get why the situation could be read as ambiguous. (For me, what puts it more in one direction than the other is the fact that the narrative frames Kent as very emotionally invested in the situation. In LVA @ PVD there is that big establishing shot of Kent stumbling over his words when he gets asked about Jack, before he catches himself, and then also the flashback shot to him crying at Epikegster interpolated with Jack saying "it's all in the past" to the interviewer.)
But ultimately, the framing to me makes such a strong case for reading Kent as emotionally hung up of some kind. I think it's also interesting to read him as trying to manipulate Jack into joining the Aces because he cares about winning so much, because then that still means he's kind of obsessed with Jack, even if it's not romantically. Idk I think every reading of Kent, even to the most bad faith ones claiming he's a villain or a bad person or whatever, imply to me that he just can't get over Jack. Why would he show up and corner Jack at Epikegster at all if he wasn't? Doesn't really matter to me whether it's romantically, platonically, sexually, professionally. It's still good drama and I think it gives insight into how he ticks.
The second part of your ask is interesting because you bring up how he goes straight to making out with Jack, which to me is very much evidence that Kent is obsessed with Jack, even if it's just physical. So it's entirely possible (even if I personally think Jack is a very unreliable character, given how he tends to deal with his emotions) that to Jack the whole thing was just physical but Kent still got hung up. Even if just about the hockey they played. I think Kent's entire existence is kind of the evidence that something more significant happened between him and Jack, though. What's the point of introducing a new counterplayer into the narrative and drop all these hints about that "did they, didn't they" if the plan was for it to just dissipate into nothingness. If Jack is right and nothing happened, why even have Kent show up at all?
They were a pretty big deal, after all.
So yes, I agree there's a lot we don't know and we'll never know for certain what exactly his deal was ultimately supposed to be, but at the same time there are a lot of things we can triangulate, like that he definitely showed up at the Kegster for a reason, and that he definitely was supposed to serve some bigger purpose in the narrative. And that's why people are so obsessed with him, right? The mystery of it all. It's fun to speculate!
But yeah, who can say, truly. I don't know if I can give this a rating because I'm too biased in my own opinion of what I think of Kent, but I give it many many ghosts haunting the narrative.
👻👻👻👻👻👻👻👻👻👻👻👻👻👻👻👻👻👻👻👻
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mintaikk · 5 months ago
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I fuck hard with Asexual Venom, but the idea of Venom, an alien whose species doesn't breed sexually and don't have concepts of sex, being sexually attracted to some boring sad and sweaty white guy he picked up on the streets is just so funny to me
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astronnova · 2 months ago
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doodles (as i avoid work) of the super awesome you wouldn't like me alive fic by @ectoplasmranch which i binge read in a 7 hour sitting yesterday
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chellychuu · 1 month ago
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Mew Ichigo 🎀
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xxplastic-cubexx · 3 months ago
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Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?
thank you so much !!
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i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]
and the obligatory bonus:
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#xmen#xmen comics#fall of x#cherik#charles xavier#erik lehnsherr#erik magnus lehnsherr#max eisenhardt#professor x#magneto#snap sketches#for clarity on of this tag ramble im calling magneto max OK ok#sorry it took me a while to answer- ive been busy this week !#but yah like i said theres a lot of Fall Of X moments i wanna poke at#one i really wanted to doodle around was max's time with the shadow king from Resurrection of Magneto#the third issue is prob my fave in general if im so tbh .... but i wont prattle bout that ill go back to my previous prattle#i dont think i have a comic in mind prob just a doodle with shadow charles....#i mean if im devious enough i can def turn it into a comic but for now i just know i wanna do something with that#honestly even this moment i might revisit when i have more time to draw something. a lil better#i dont hate this its a sound start- but i THINK i wanna draw a smooch. a lil kiss. idk we'll see#cause im cheeky like that. 'will this be the last time i see you' 'girl idk we can kiss about it though' etc etc#god not to get off topic but im so curious what will happen with these two ... but thats for a diff post i guess#honestly if you guys have any runs i should read lemme know !! i just finished way of x and bar that ive just been reading the 60s issues#i have a couple on my list i wanna check out but im always excited to look into recs if yall think theyre worth it !!#but ya. thats all from me for now#my time is so finite this week i hope i can draw these sillies again soon .. i have a lot of ideas i fear#maybe i can sneak in one more doodle tonight ... <- doubtful
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pricklybruin · 6 months ago
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Transformers Reverse Mini-Bang 2024 (@tf-bigbang) is finally here!!💥💥 Here is my piece, featuring Minimus and Ravage on a mission on a frozen planet. It's quite eventful!
Please go read @icypolargirl78 's wonderful fic Dead and Melting Ice!!!
((Close-ups below cut <3))
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anna-scribbles · 1 year ago
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they should've been at the club(infertility treatment centers)
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otome-dissection · 1 month ago
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Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.
It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).
It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.
(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).
It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).
It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.
It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.
It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.
She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)
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It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.
It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.
Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.
On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)
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cjlouwho · 4 months ago
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prompt: something where buck and tommy argue over gerrard. like, buck doesn't know how tommy could have been so passive, and tommy's like way over that version of himself or something. I know a lot of people don't want that to happen in the show, and I get it, but I'd like a fic version!
“I have never, in all my life, dealt with someone so- so... so evil!” Buck was pacing back and forth in Tommy's living room, just as he'd been for the last half hour since he arrived.
“Really, Evan? Never?”
“You don't understand, Tommy. Gerrard is, it's like he's targeting me, but not in a bad way.”
“There's a good way to be targeted?” Tommy asked from his spot on the couch.
Buck sighed, placing his hands on his hips. “It's like he- he wants us to be buddies, ya know? He thinks I'll be his puppy or something. H- He's treating everyone else like garbage except for me and it makes me feel really weird. He took me golfing, Tommy. Golfing.”
“You fit his ideal firefighter, Babe. He needs minions, he's gonna latch onto you.”
“What do you mean his ideal firefighter? What even is that?”
“White, strong, straight,” Tommy replied simply.
Buck raised an eyebrow. “What we did yesterday morning was very not straight.”
“Yeah, but does he know that?”
“Does he know what we did yesterday morning?”
Tommy tilted his head. “Evan.”
Finally, Buck plopped down on the couch, staring toward the blank TV. “I figured he knew after we went to the medal ceremony together.”
“It's not like we made out in front of the crowd. For all he knows, we're friends.”
Buck was silent for a moment. “I've never really talked about my personal life with him,” he admitted. “Didn't really want to. N- Not because I'm ashamed or anything,” he added quickly, looking at Tommy with wide eyes. “I'm not. I promise, I- I'm not ashamed.”
“I know, Evan.” Tommy reached over and gave Buck's hand a squeeze. “You're a very good ally.”
He glared at Tommy. “I'll never live that down, will I?”
“Nope.”
Buck grew quiet again, and Tommy was beginning to think the conversation was over.
Then Buck, barely above a whisper, said, “I don't want him to think we're just friends.”
“It's fine if he does,” Tommy replied. “I don't mind. Probably best that way, honestly.”
Buck's eyebrows furrowed. He turned more toward Tommy, his back leaning against the armrest. “What do you mean?”
Tommy contemplated his words before speaking. “Listen, I'm not telling you to be buddy-buddy with the guy. I definitely do not recommend that. I'm also not saying to turn a blind eye to all the crap he pulls. But, why make it harder on yourself?”
“Because it's living a lie, Tommy.”
“It's not lying if you just don't mention it.”
Buck huffed out a breath. “You want me to hide who I am? I distinctly remember that being the reason our first date ended so abruptly.”
Tommy let out a deep breath. “I'm not saying to hide, Evan. And that's not exactly the reason our date ended, you know that. I'm saying if there's been no reason to bring it up so far, why bring it up now? What he thinks about you doesn't matter.”
“It matters to me.”
Tommy squeezed his eyes shut, trying to rid himself of the growing frustration. “So, what? You wanna walk into Gerrard's office and say 'Hey, I'm bisexual by the way. Also, I'm dating that Tommy guy you worked with years ago. You know, the one you made fun of when you saw him at the medal ceremony?' You really think that's the best thing to do?”
“It's better than being his puppet like y-” Buck cut himself off abruptly.
“Like me?” Tommy finished. “That's what you were gonna say, isn't it?”
“Tommy, I-”
“It's true,” he continued with a shrug. “I was his puppet. I did whatever he wanted me to do and I didn't question it. Even after he was going to let me die in that explosion, I still stuck by his side. I don't deny that part of my life, Evan.”
“I wasn't trying t-”
“You know I apologized for all of that well over a decade ago, right? I feel like I remember us talking about that.”
“W- We did.”
“And I would never want or expect you to be who I was. You know that?”
“I know, Tommy, I-”
“And I'd never ask you to hide yourself, because I did that too and-”
“If you'd let me finish a damn sentence,” Buck snapped.
Tommy stopped, stared at Buck with pursed lips. A silent go ahead.
“I don't- I didn't. I... Ugh, Tommy!”
A pause, then. “That's what you needed to let out?”
“God, you're being so annoying right now!” Buck could feel his body getting hot.
“No, I'm trying to stop you from getting needlessly harassed at work.”
“By essentially cutting off a part of myself every time I'm there!”
“Evan, if your sexuality hasn't come up by now I don't see a reason why it ever would! It's not cutting off a part of yourself, it's just existing!”
“But I- I'm getting special treatment because he doesn't think that part exists,” Buck tried to explain. “I don't want to be his right hand man, Tommy. That might've worked for you but it doesn't work for me.” The words came out harsher than he intended. He knew it was a low blow to bring up something from so long ago, something long dead and buried. But Tommy had made him upset, and he needed to make Tommy upset too.
Except Tommy didn't get upset. He got quiet.
Somehow, that was worse.
A tension so thick you could cut it with a knife filled the air.
After what felt like an eternity, Tommy stood, letting out a sigh. “I'll be back,” he said, beginning to walk out of the living room.
“What- Where are you going?” Buck nearly shot out of his seat. “Are you leaving?”
Tommy turned back to him. “First of all, my house,” he said, motioning around the room. “Second, I'm going into the kitchen to get a drink.”
“Well, I- do you want me to leave?”
“I didn't say that, Evan. I mean, I'm not gonna block the exit if you wanna go, but I prefer to finish the arguments I get involved in.”
Buck sat back down. “Then I'm staying.”
“Good. You want water or something?”
Buck folded his arms over his chest. “With ice.”
“Okay.”
A couple of minutes later, Tommy returned with two cups of water in his hand. He held Buck's out to him, Buck taking it with a low, “Thank you.”
“Mhm.” They both took a few sips, then Buck stared down at the ice in his cup until Tommy started talking again. “You're not wrong,” he said. “Being his right hand man did work for me for a long time. It's not something I'm proud of, and I don't make excuses for it, but I also don't really appreciate it being thrown up in my face.”
Buck set his glass on the coffee table. “That wasn't fair of me, I- I know that. I was just angry. I'm sorry.”
“I probably should have tried explaining myself a bit better,” Tommy replied. “I'm sorry too.” He set his own cup down, then held his arm out toward Buck. “Will you come here?”
Buck didn't hesitate to move into Tommy's space. He curled up next to him, resting his head on Tommy's chest while Tommy wrapped him in his arms. “I can't help wanting to protect you, Evan,” Tommy said, pressing a kiss to Buck's head. “I know you don't need it, and I know it's selfish, but the idea of you getting harassed by that man for any reason, it- it scares me. I have,” he let out a humorless laugh, “I have never been as brave as you. I still feel nauseous every time I see the guy. But I never want you to feel like I want you to hide yourself, or that I want you to be like me. That's not what I meant.”
Buck ran his hand slowly up and down Tommy's chest. “I know. I- I get it. I've never dealt with a Gerrard before, not directly. Didn't think I'd ever have to.”
Tommy hummed. He ran his fingers through Buck's hair. “I will back whatever decision you make,” he assured him. “Whether you tell him or you don't, I am right beside you. I never want you to think I'm not.”
Buck propped himself up enough to be able to look at Tommy. “I know you are,” he replied, bringing a hand to Tommy's face. He stroked his thumb along Tommy's cheek, then leaned up for a kiss. “That's why I love you.”
Tommy sucked in a breath. His heart began to race. They'd never said those words before. Honestly, Tommy had stopped himself a few times, figuring it was way too soon.
But, as always, Evan burst through every door Tommy had locked up in his mind.
“I love you too, Evan,” he replied, and he hoped Evan could feel just how much he meant those words.
But, in case he couldn't, Tommy pulled him in for another, deeper kiss. Holding him close and tight while he wished they could stay right here in this moment for the rest of their lives.
When they finally separated for some air, Buck sat up straighter. “I'm going to tell him,” he said without an ounce of fear or hesitation. “Maybe not the way you suggested, but I... I want him to know I'm yours, and your mine, and screw whatever he has to say about it.”
And God, if Tommy thought he couldn't love this man anymore than he already did, there went Evan proving him wrong.
He nodded. “Okay.” He brought Buck's hand to his lips, pressed a kiss against his knuckles. “I'm with you. I love you.”
Buck smiled, wrapping himself up in Tommy once again. “I love you more.”
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kate-bot · 10 months ago
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REQUIRED READING for any noisecouple enjoyers: @manicplank 's "the colour pink" fic ITS SOOOO GOOD and i just had to do a little animation of their date.... so so so so cute i love them forever
gif version under the cut:
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idk why it loses so much quality . kind of annoying but oh well
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ywuji · 10 months ago
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BABE! wake up!! new yuuji character description dropped! (link incl. spoilers for shibuya arc events)
yuuji lives to fulfill his roles, and this doesn’t change when he becomes your boyfriend. (f!reader & nsfw under the cut!!!)
he’s the sweetest, you think. always updating you on what he’s doing. even though he goes to the heavens and back on days that he’s busy, he’ll always make time to send even a little ‘i miss u ;(((((😭😭🙁❤️’
when he’s finally free, it goes without saying that he tells you about everything that kept him away, even the tiny little things. one week in particular, this included a daily update on a tiny rash on the underside of his buttcheek.
he’s also never shy with his praise and words of reassurance. also with soft, gentle touches, and actions that let you know he cares. he loves you and he makes sure you know it.
it’s not just you he lets know either, it’s his friends, his “brothers”, his teachers, and maybe even random strangers he happens to meet during the day. he takes all the opportunities he can to bring you up in conversation.
”oh that’s my girlfriend’s favourite flavour too...!!”
“oh yeahh...!!! my girlfriend told me about that the other day,”
“oh sorry, i’m busy. ‘m seeing my girl later tonight n i wanna look nice for her so i’m getting ready. tomorrow...? noo, sorry. she’s staying the night tonight so we can spend tomorrow together. …next week? ahh i’m sorry, i—”
even when he’s out with other people, he’s got you on his mind, taking random pics and selfies of things he’s doing, sending them to you accompanied by silly little captions. ‘kugisaki doing choso’s makeup! they miss u baby!!”
very specific hc but also whenever he does a live on whatever app, he’s always talking about you to the people watching too.
“guys i just miss her so much :(“
‘ji i’m watching ??’
“hi, babe. yeah i know, but i still miss you ;(“
he’s the cutest!
nsfw under the cut!
naturally, this also translates to the bedroom.
as your boyfriend, his sole goal during sex is to satisfy you, and god does he do that and more. your moans, your sounds, your body. he loves it all and has to show you.
yuuji’s into overstim—for you and consequently himself too. he genuinely cannot get enough of you. he needs to give you all his big, heavy balls can give. whenever you have sex, it’s always at least two orgasms for you, though it’s usually more than that—you both 'have the time', he tells you. his fingers, his tongue, his cock, and toys even, he’ll use anything and everything to make sure you’re cumming.
“y’look so good, baby, feel so warm… mhm, can feel you squeezin’ on my fingers… so cute.”
“a-ah…! my pretty girl.. my pretty fucking girl.. please cum, baby… just one more... please…”
“please, baby, i love you, please, please, can i cum inside, baby? inside..? please?”
his fav position is missionary. the mere idea of you laying there, all pretty n spread out for him will never fail to get him hard. he loves it’s so easy for him to lean over you and shove his mouth onto yours, as he mercilessly fucks his hips into you. he’s gentle but unrelenting with it—he doesn’t mean to be this intense, genuinely, it just happens that way. he just loves your so pussy much.
being able to see your face is probably his favourite part of the position though, watching your changing expression as he switches from a fast to slow pace and back to fast is something he wishes he could witness time and time again, so he makes it happen time and time again. (highest sex drive in the franchise if i may say)
he loves going face to face with you when you’re both about to cum. it’s hard for him to not fall onto your face when his orgasm hits, he can’t help it when your pussy feels ‘too good’ clenching so tight on him like that. he makes sure it doesn’t happen though, he would never want to hurt you.
when you manage to pry yourselves off of each other, he’s quick to tend to you. moments ago he was making you shake and cry from pleasure, and now he’s stroking your hair, massaging your chest, and talking about some random food craving he’s getting.
his aftercare is so lovely n he’s goofy with it too. so many side pokes, and dick, and butt, and pussy jokes, but you don’t mind. it’s him and you love him.
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chronicowboy · 7 months ago
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god no but the blind faith in eddie's expression when buck comes out of chris' room kills me. it's buck. he's the guy who likes to fix things. but more than that he's christopher's buck. he's his kid's safe space when eddie can't be that for him. he's his confidant. he's his best friend and maybe a little more. he's eddie's last hope and you can see in his eyes that he never really considered the possibility that buck could fail here. you can literally see his reality crumbling on his face when buck comes out of christopher's room utterly defeated and shakes his head. and then you watch it dawn on him, the guilt take over as he realises he's fucked up so badly that even buck can't fix it.
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skrs-cats · 10 months ago
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twoigbranch
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altcvnningham · 28 days ago
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adler can’t stop holding bell’s face when he kisses them.
and not gently, either, not the caress of a flower petal, delicate and sweet- bell’s barely a rose if not for all their thorns, and he wrings a hand round their jaw like one might wrench out a weed. rid and tossed to the dirt with all the rest. with all the red. with all that makes them wrong. with everything that came before.
if he can’t muzzle his dog, who can?
he bends their head upward in the interrogation chair, thumb dug into their cheek, squeezing the blood from their mouth into a sanguine rivulet between the web of his fingers; he jerks bell’s face toward the evidence board when their empty eyes fix on him a moment too long, enough to unsettle him; he stamps their chin under a hard thumb when he turns them to the light, soft pupils blown wide as he watches the sweet drug take hold; he digs his fingers into their jaw when they bark too loud at their duly master, shaking sense into his dumb mutt’s whistling hole of a head.
when he deigns to let them go, he makes a point to tear his hand away, sharp and spiteful, so even with the sting they still manage to find suffering in the loss. to yearn for the hand they bit back.
so the rest comes violent, too. the rest comes hungry. the rest comes when he wants it, and he wants bell, with such a blind fervour it drives him mad. where better men might leave, kick their losses to the curb and go elsewhere to get their fill, adler digs his heels deeper in the mud, the dirt where he buries all that red he carved out of them. if it’s tenderness he wants, he can take it for himself, and leave them with the hurt. it isn’t stooping to their level if he’s the one with the leash.
he kisses bell like he’s eating them from the inside. one hand squeezed tight around their flushed face, mouth forced open into an o-shaped pucker. he nicks their lip as smirking proof of his callousness, snags it on his sharpest canine. a peck that mocks affection. licks his way inside their mouth like it’s a threat, a proclamation. you let me do this to you. you let me in, bell. let me in, let me in. such a good dog when they do, loll their tongue out pathetic and starving. he drives his thumb inside, hot, wet, forces their mouth open by the hinge of their stiffened jaw- the last laughable vestiges of their reluctance, crumbling into dust fine enough to sift like sand between his fingers. guess science still has its limits, but so do you.
when he’s worked bell’s mouth nice and wide, he flattens their tongue with a thick finger, face clamped between the rest, and while they’re just about learning to make peace with it all- the humiliation, the degradation, submission made sanctification through the eager expectation of praise- he spits inside, and makes them swallow.
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myokk · 5 months ago
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birbleafs · 2 months ago
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Most people tend to point out how badass Alhaitham is here (true). But what I like and appreciate a lot about this scene is how it also shows that Alhaitham cares enough for the general public's safety (including the Ayn Al-Ahmar members he'd agreed to fight with just moments before) that he rushed in to disable Mizri's corrupted Akasha terminal to stop his rampage. Alhaitham didn't actually need to do so either (he's not the Matra; public security isn't part of his job as the Scribe) since Mizri was attacking his own members. But Alhaitham still crossed that distance just to protect the other members of the faction once he'd realised what was happening, and he didn't even draw his swords out against Mizri. **Edit: I would like to also point out how there's a note of concern and urgency in Alhaitham's voice that you can hear clearly both in the JP dub here and in the original CN voice. It can be argued, of course, that he only did this knowing that Mizri had the Divine Knowledge Capsule and because he'd wanted to steal it. Still, Alhaitham could've kept his distance as Mizri continued lashing out at his men, and during the chaos and confusion, he could've easily filched the Capsule too before letting the Matra deal with the group's in-fighting while he slipped away with it. But he chose to jump right into the fray instead and risk injury to himself by going against a berserk Mizri.... though, I suppose Alhaitham had probably already decided that risk is extremely low and reasons that "I'm a very good fighter and I've a Vision, so I was never in any actual danger" or something along those lines. Because he's just annoying like that lmfao. This also makes that one iconic, quotable quote of his "I'm merely a feeble scholar" all the more hilarious.... What a lying liar LOL...
Still, I'm willing to accept his (modest lol) rationale, that in terms of sheer brute strength and perhaps without any help from his Vision, Alhaitham isn't as physically strong as the most jacked Eremites—he did preface the above line with "Compared to the mercenaries...", after all lol. He's simply a very efficient fighter who excels at using speed and agility to his advantage.
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