#sorry my art looks different im doing this on my ipad </3

[inquisitoradaar]

@whatinthefuckingninjaturtles

[struwberrii]

haikyuu!! at an american high school ദ്ദി ˉ͈̀꒳ˉ͈́ )✧

here are my silly headcanons on how i think the karasuno first years would act if they were american high school students teehee

pt.2 pt.3

ヽ(^◇^*)/

hinata

probably runs to lunch

one of those dorky try hards in gym

wears matching neon nike shorts and tops

literally cries if he ever gets in trouble in class

water bottle flips randomly (he never lands it)

his mom drops him off at school every morning

jumps to touch the top of every doorframe

everyone judges him and thinks hes weird but hes gen the sweetest guy if you ever talk to him

he has a phone he just cant bring it to school guys

offers to do stuff first when the teacher asks (like brings attendance to the office or asks other teachers for dry erase markers)

middle school humor (hes kinda funny sometimes tho lol)

kageyama

lets you copy his homework because he knows its all wrong (or gives you wrong answers on purpose)

wears hoodies everyday even during summer

scared to put lip balm on in public because someone once asked if he was gay because of how he applied it

friends with hinata but is kind of embarrassed of him

girls actually like him but dont talk to him because hes so quiet

probably talks to girls from different schools

plays roblox with the others when they have breaks during practice (he hasnt updated his avatar since 2016)

still reads strictly picture books

also a try hard in gym

still does streaks on snapchat

tsukishima

refuses to acknowledge hinata and kageyama outside of volleyball club (he thinks theyre embarrassing)

constantly gets in trouble for having airbuds in or being on his phone

tries putting girls onto his niche music taste then its just cigarettes after sex

if you arent one of his friends or a pretty person hes probably gonna be rlly mean to you im sorry

has hot topic pins on his bag (yamaguchi forces him to shop there with him and tsuki always ends up walking out with a new pin)

dresses very basic but still nice

bros a bully

tries to correct teachers and make the teacher look dumb

if he can tell he actually hurt your feelings he'll say it was just a joke and gaslight you

him and yamaguchi just talk shit all lunch and study period

walks to like mcdonalds for lunch sometimes

yamaguchi

bully on the DL

the only reason people know hes mean is because tsuki is his best friend

always has fruit for lunch

probably in band and plays literally the biggest instrument in the world

he always smells weirdly minty

has the silliest stickers on everything, his notebooks, laptop, headphones

bought sonny angels for him and tsuki

everyone thinks hes gay

him and yachi are art class buddies

brings his switch to school sometimes

rides his bike to school

lowkey stuck in his 2020 indie phase

yachi

has the cutest stationary

takes all her notes on her ipad and has that paper texture screen protector

ali express warrior

shes the sweetest girl in school

probably a closeted lebanese

already has her drivers permit (probably gonna be the first person in her grade with a license)

packs her own lunches everyday in bento boxes

has a private instagram account with like 20 followers and declines everyone she doesnt know personally

always has lotion, gum, perfume, medicine, chargers, everything. she is not taking any chaces

shes like if the 2019 soft girl pinterest aethetic became a person

reminds teachers about the homework

secretly watches youtube during class

she does NOT play about her art projects

her and yamaguchi trade stickers

probably still uses that 2019 kanken vsco bookbag

⋆｡‧˚ʚɞ˚‧｡⋆

sorry guys half of this list is just me being an extreme hater and projecting

[taeiris]

if I’ve already sent this ask before I’m so sorry, I’ve got adhd, but how did you find your art? (I’m in my questioning phase)

hihi!!! no problem! i think i have some kind of glitch with asks bc when i go look for them it says i have 3, but when i check it, there isn’t any so im sorry if any of u have ever sent asks and i havent answered them it’s probably bc of that😭

but anyways lets get on it!

finding you art style is not smth simple at ALL. ive been drawing my entire life!!! and ive had a bunch of different styles until now, they kinda used to change every few months or so, i was always happy with them but it never really lasted??? and i always had at least one part of the process of it to dread doing, for example, coloring.

it wasn’t until recently i FINALLLYYY found a style im 100% comfortable in.

it really takes experimenting and finding what elements of creating art you love and enjoy the most. for me, i used to mostly do traditional art, just pencil or ink sketching and i would OCCASIONALLY color them. so i really used to enjoy kinda the messiness of the pencil on trad mediums and stuff? and i never rlly found a way to translate that element to digital art which is the one i enjoy the most now.

brushes are very important! it depends on the look you like. since i like that pencil feel, i use a pencil looking brush! (softy from esbenlash’s procreate brush set) and i also got a paper feel screen protector for my ipad to enhance the experience🔥

i found i mostly enjoyed doing lineart and didnt rlly look forward to coloring, i didnt find my past styles enjoyable bc they kind of felt restricting in that area? since i didnt find a way to make it more abt the lineart and less abt coloring that i liked (ofc theres plenty! i just didnt find one for me)

so tbh i think what mostly influenced the style i enjoy the most now is film, and baroque art!

i had recently seen:

Crimson Peak (2015)

The Shape of Water (2017)

and ofc

Stranger Things DUHHHHH

and i fell in love with the way the lightning was, heavy dark shadows and moody lights, and tried to match my style to it and found that it highlighted all the things i enjoy doing the most while drawing! so thats where i am now

special mention to the one movie im obsessed with currently

The Crow (1994)

also has the similar style

all that + experimenting, studying other’s art i liked and finding elements to integrate to my art, ANDDD music also played a huge part in it. so as you can see for me its about kind of combining aspects of every single piece of media i like 😭

its not gonna be the same for everyone, but its always good to have a guide so i hope this was useful for you and anyone else! im always willing answer any art questions :)

don’t worry too much about speeding up finding your style, it’ll come to you eventually, so focus on enjoying the moment and learning, take mental notes of what you like and don’t like!

sorry this is kinda long as hell… but i like rambling

[idonthaveanyurlideas]

sorry if this has been asked before but i'd love to know your process for creating animatics. not only are they so incredibly fluid and perfect to the music but they're COLORED! absolutely inspiring. i'd love to know what you do for planning and editing, basically how to put an animatic together in general. i use procreate to make art but other than that i'm completely clueless on how to make animatics

ooooh okay i would LOVE to tell you!!!! So first things first I will say that my animatic process is probably not the most like. Efficient way to do it. I'm not an artistic expert and I'm very self-taught so this is just what I've come up with over the years with the resources I had.

This has ended up VERY long so I'm sticking a read more in

All that to say I have two main programs that I use, one to draw (Medibang Paint Pro) and one to put the frames together for my animatics (Davinci Resolve). These days, I have both of these programs on my laptop so I have everything on one device. Before I had my current laptop, I used Medibang Paint on my iPad and iMovie on my laptop, but the overall process is basically the same.

So. I have five main stages of making an animatic once I have a song and a character/narrative in mind.

Stage 0 is arguably the most important stage, which is deciding it's something I for real want to do. Making an animatic is a big commitment, so it has to be something im 100% on board with or I'll get bored before I finish it. So usually when I hear a song and I think "oh I can apply that to x character" I'll have to listen to that song on repeat for at least a few weeks just to iron out the story in my head, decide what moment I'm going to put with each lyric, basically plot out the narrative internally.

This stage is a bit different for every animatic. For some of them, like the Snackrifice as an example, I heard the song for the very first time and went: i know EXACTLY how this is going to go and then I went home and started planning it out immediately. Others, like Aequitas Aug, I had the song as a vague "oh this is Coin vibes" for months before Expansion Era ended and I finally knew I had all the material I would need for a full cohesive narrative. And then a bit longer to really decide "okay so the redactions are going to be at this point, the semicentennial will be at This moment" and so on.

I have a whole playlist full of songs that I COULD make into animatics that I vibe to on a regular basis, basically marinating them until I have enough content and ideas to start actually planning them out into an animatic.

Stage 1 is scripting it out: I write out all the lyrics of the song, count up how many beats correspond to each line, and plan out what I'm going to do with each section. As an example here's a portion of my script for Miguel's first animatic Autoignition. As you can see my script is often pretty loose and jokey at myself, because I already kinda know what I want it to look like by the time I start scripting it, this is just to get it down for pacing and to fill in any gaps.

[Image ID: Screenshot of white writing on a dark background. There are eight lines, alternating between bolded writing to signify planned action, and regular writing to signify the lyrics of the song Everybody Loves Me by OneRepublic. Line 1, in bold: Uh oh Zack is fallin into fire and hell and disintegrating ur gonna earn that content warning. Line 2, regular: And you don't have to make a Line 3: Miguel left alone at edge of Solarium :) fire everywhere :) big f Line 4: Sound 'Cause they got what you Line 5: Miguel falls to her knees for a moment, stunned. Line 6: Need. What you need Line 7: Then he runs away Line 8: Oh, oh, oh, oh, oh /end ID]

Stage 2 I do my actual draft. I do every frame as a very quick sketch. This stage is where I put all my frames into Divinci Resolve and match it all up to the beats of the song. I work out my timings, I figure out if I need to add/delete frames somewhere. The majority of the fiddly work happens here in terms of lining it all up to the music. All the frames look about as basic as this lmao the idea is Quick and To the point so i get can idea of what I'm working with. Very often I'll have figures in this draft stage where, as an example, I know I'll need to put players from the Flowers or the Dale from a certain point in time, but I haven't decided exactly who yet, so they're just vague humanoid blobs.

[Image ID: A very basic sketch with black lines on a white background, showing two figures facing away from the camera with loose lines showing the ground exploding in the distance. /end ID]

Stage 3 is Lineart, and this stage takes the longest because I'm actually doing the proper drawings for everything. I don't do colouring yet, because this stage takes so Long and I prefer to do my colouring all in one go so I can keep it consistent. it also allows me to catch any errors that I might make in my Lineart because I get to go over it again when I colour. This is where I make my final decisions on who all the extra characters are that show up that don't Really need to be there.

When it comes to deciding Who Gets To Appear in the Animatic, there are a few tiers.

Characters that NEED to be there for plot/emotional reasons (think like Nagomi Mcdaniel appearing in Alaynabella because Layna switched with her for the Shadows)

Characters that I want to put in there for theme reasons (think Luis Acevedo in Hall Stars, I included them as a cameo because they were later incinerated and the whole animatic was about incinerated players)

Characters that I like/my friends like (Esme and Howell making appearances at the start of Aequitas Aug)

Characters that are just easier to draw, depending on how many times I have to draw them and how tired I am at the time (when in doubt, I tend to default to humanoid characters with reasonably simple designs. If I'm like 400 frames in on Aequitas Aug and I have to choose between horse person Winnie Hess and regular human Eizabeth Guerra to help represent the Breath Mints getting got, I'm gonna go with Eizabeth even if Winnie is technically more iconic and recognisable.)

[Image ID: Lineart of a digital drawing showing Miguel James and Zack Sanders as humans, facing away from the camera and looking towards the ground exploding in the distance. Miguel is kneeling on the ground while Zack is standing. /end ID]

And so of course Stage 4 is Colour. I add in the colours, any lighting effects, all the extra fun bits.

My colouring is USUALLY pretty basic, to save time and effort. For colours that I tend to reuse a lot (typically sunbeams uniforms and the main colours for the various beams) I have them saved in my paint app so I can access them easily. For other players I've drawn before I usually have to bring up one of my previous drawings to reference the colours. Backgrounds are the bane of my existence and as thus are usually kept as simple as possible, and lighting is typically something I use sparingly. Basically, I take as many shortcuts as I possibly can to save my sanity.

[Image ID: The above picture but with basic colour. The background is a pale orange. There are some lighting effects on the explosion. /end ID]

And voila! Off to Youtube. Like I said above, I'm sure this isn't the quote unquote 'Best' way to do it. But it works for me, and doing it in these stages give me a fun little progress video to look back on when I'm slogging through the lineart stage.

It's definitely really tedious at times, and keeping up the motivation to do hundreds of frames three times in a row can be really difficult (especially with a full time job) but it's definitely sooooo exciting when I finally finish. I publish all the draft and lineart videos on youtube as well as unlisted videos, and its always fun to look back on them to see the difference between the draft and the final finished product.

Most of all though, it took me AGES to get to the point of animatic making where I am now. My very first animatics for Dimension 20 were SO different to what I do now, and I was very lucky for a while to have a lot of free time to focus on doing it a lot. My VERY first animatic wasn't even set to a song. It was from a Fantasy High clip, and i never got past the draft stage for it.

The other part of animatic making that I had to start taking really seriously was character design credit. For Quite a while, I did not include credits for designs of players that I did not create. It wasn't until Aequitas Aug (which had an OBSCENE number of players) that I realised what a massive oversight that was. Nowadays I have a big spreadsheet that lists every Blaseball player that has ever appeared in my animatics and the creator of the design that I used/riffed off of if I could narrow it down to one or two. For some players its trickier, often because their design was consistent over multiple artists or I couldn't be sure what the origin was, but I do my best to be as accurate as possible. If you're looking to make some blaseball animatics, I totally encourage you to do so, but I would advise getting on top of credits sooner rather than later! It's so much easier to add in new characters and their designers now as I find them rather than trying to backtrack and remember exactly which picture on the wiki I took inspiration from, along with it being a lot more respectful to all the other amazing artists in the fandom.

Overall, animatics are a lot of effort, but they're soooo worth it. If you have any more questions please feel free to ask me, I love to talk about my animatics and my process.

[thepictureofsdr]

Hi. I love your Thomastair art and your artstyle and was wondering if you could tell me a little more about your process (I assume you draw digitally)

I've only been drawing digitally myself for a couple of weeks so I'm curious how other people do it.

this is so FUCKING OLD but i told myself id answer it even if this info is useless to you now bc NO ASK GETS LEFT BEHIND IM SO SORRY IVE THOUGHT ABOUT TTHIS EVERY SINGLE DAY IM SO SERIOUS i was in an art block for so long 😭

i will cry tysm you’re so nice i really need to get back into it

YES DIGITAL ART IS SO FUN what program are you using? i use procreate on the ipad

my process is an absolute fucking nightmare im the person those art accounts warn you about it’s really bad

i start out w a really messy sketch, usually a colour blob to draw lines over and establish guides. i go over the sketch 2-3 cleaning it up until i end up w something like the right, just usually a little messier, i clean it up and edit and change colour as needed along the way. i kinda hate line art, i never do it, clean sketches work so much better for me.

for colouring, i block out the biggest areas w one colour, then use clipping mask on that section i block out smaller sections on different layers, like the skin is a different layer from the dress, this makes colouring a lot easier if youre not doing a more traditional paint style at least imo

then it comes down to individually colouring everything. im a HUGE fan of lighting so i start off w a warm overlay, ESPECIALLY for this one since its firelight but you can tell by anything else ive done that’s its usually the case. it looks really weird rn but trust the process. then i usually go in w a dark purple on multiply for shadows. i do it on multiple different layers, smudging some, some have darker opacities to have darker effects in certain areas etc etc and editing the line work where its needed and adding more lines for detail.

this is also when i sort a background out if needed to make sure the lighting works. then to continue the nightmare on even MORE layers, i do the lighting. some blurred and some lines, in places where the light would hit as well as some face details like blush now that the lighting colours are done.

this isn’t the best i kinda fucked up her face w the colouring i like the sketch sm more but also that’s part of improving and ive been out of it for a while its a new years resolution to stay on top of art, but this has been my general process for a while. its a literal fucking nightmare i use close to or over 100 layers on anything more than a sketch but its really helpful if you’re a bit anxious and want to be able to go back and switch things out. its kinda hard to maneuver with but its worth it for me. once again this is so old you probably dont even care anymore but i needed to answer it at the very least for my conscience im SO SORRY

[primaverabutitalreadyexists]

Ma'am? Sir? Glorious divine that blesses us with gorgeous Viktor art? I love you so much <3

Your art is freaking stunning and, as an artist who's an absolute sucker for lighting, I am legitimately salivating over how you deal with light in your scenes and the way shadows are used to set emotion and the like.

Your expressions are on point and your poses are so expressive it's almost violent. I love how I can briefly glance at a piece and immediately know the type of mood it has by the position of a character.

Your colour theory has me writhing in envy/adoration and that embroidery pattern on V's corset vest is gorgeous and if I ever had intention to get one I would love that design. I can almost feel the texture of the fabric by how you paint it and that is so skillful of you!!

***

I'm sorry for all the nonsense happening on twitter, it's the main reason I will never post there. Most people tend to go there to start conflict or be unreasonably defensive and I am not mentally able to live like that.

As for the specifics, I am not someone who is disabled so won't even try and speak on the disability side of things but will happily say somethin on their way of responding. I think the way you replied was perfectly legible. Any misunderstanding could have been from them not bein an artist or familiar with art terms, so not getting what you meant by setting, but it's a simple word so not really an excuse here.

It seems to me like they had no intention of hearing your response at all by purposefully readin setting as "situation" and their reply being *setting but whatever as if the two words are interchangeable.

***

As a long standing creature of tumblr, I can say pretty confidently that you are very welcome here. We love ourselves a content creator and your willingness to respond to asks and such on the subject is a god-send.

Anyways, this is getting long, so apologies!!!! But I hope you're doing well and please don't let this stop you from releasing/working on some of your art. I would die to see that braced/heraldish version of Viktor because the pose there is *chef's kiss*.

Also do not feel off about posting unfinished or WIP pieces because we will most definitely lap that up here XD

Finally, before I let your inbox rest lmao, do you have any speedpaints at all? I love your art and seeing the process would be incredible. Also... I just... really like speedpaints 😏

~ 💭

Wow thank you so much for that looong message, I appreciate it!! ❤️

Do not hesitate to message me your art account so I can take a look at your work 👀

I honestly think the same way as you, they absolutely wanted to be right and to pick a fight, and there was no way to settle this in an adult way. A shame, but I move on.

Im so glad to hear that you can tell the difference of mood based on the poses, it means I did my job well, and it’s the best compliment I can get!

The amount of unfinished pieces I have in my silly little iPad is discouraging Ahah I want to finish them all at once, but I can’t help having an obsessive idea, scribbling a sketch and then never coming back to it, it’s frustrating!

And oh my god YES I have the Timelapse video of each of my artwork and I have to post them, so if there is a Timelapse you want to see first, do not hesitate to tell me! ❤️

[bogkeep]

Hey! I'm the one who asked the poorly worded art process question. I'm here to give it another try by being more specific. The problem is . . . that's hard. Because that was about a specific as I can get, since I kind of want to know everything about how your art works.

Big things, like how you come up with ideas, or how you design characters. But small things, too, like what tools you use for drawing, how you balance between traditional and digital art, and how you decide what color to use for your unique and beautiful line art.

I want to be more specific so you can answer, but the question in my head is too vague and broad for me to be specific about it. So . . . here are some subquestions of my question, I guess! Maybe that helps?

Sorry this is so weird, and thank you, your art is amazing

first of all, thank you so much <3

and yes, this is far more answerable! i hope i can satiate some of your hunger for insight without writing a whole book.

HOW DO I COME UP WITH IDEAS?

this is obviously going to be very different for everyone. i very rarely have to dig for ideas or sit down and brainstorm, unless of course i am trying to achieve something very specific, like fulfill art contest criteria or working on a commission. my brain is very visually wired, so a lot of my ideas literally just pop up in my head (i know of several artists with aphantasia - some people don't have any visuals in their head at all and I HAVE NO IDEA WHAT THAT'S LIKE AND I AM IN AWE OF THESE ARTISTS), sometimes i see a character or character design and im like HNNNG i need to draw them, or i just... have a concept i really want to Exist and i'm going to figure out how.

my biggest problem is that often, when i get an idea i want to DRAW IT, NOW NOW NOWNOWNOW, and that's just Not Feasible. sometimes because i'm Literally In Bed, sometimes because i have too many things i need to do or draw first... but i need to clear up space in my head, because my Urge To Draw will be like, beeping and whirring until i satisfy it... so i write it down on my TO DRAW-list! it's a real list that exists on my phone and i have to use it frequently. if i keep scrolling down i start finding weird notes that i have NO idea are supposed to mean anymore, but that's fine. i can't satisfy every Art Urge. sometimes i need to let them pass.

HOW DO I DESIGN CHARACTERS?

this one might vary a bit, but it can often be boiled down to "i sketch around until i figure something that Works." many of my characters, especially my older characters, became characters by accident when i kept drawing them over and over and i was like Ah I Like Drawing You... You Exist Now. that's how sparrow spellcaster happened, at the very least. this could happen because i had school and i would focus in school by doodling/sketching while listening to class. since i no longer go to school, pretty much all of my new characters are far more intentional. Timian and Vinta specifically exist as a result of a "favourite character fusion" challenge, and a lot of iphimery characters started with a Purpose rather than just harnessing the vibe of something i drew multiple times without thinking.

it helps to write down elements or tropes i want to include, like "sturdy-looking" or "VILLAIN OF EVIL SCARY MAGICS but it's a little girl and the dark magic is bright lightning and not shadows" or something. it can vary from a tiny visual detail to their role in the story. whatever i want to Achieve. my Intent. because my brain works so visually, i just really need to sketch somethign repeatedly until i nail it and can be like Yes That's It.

sketchbooks look a little messy but that’s what they’re for.

WHAT TOOLS DO I USE

for digital art, i’m currently using an ipad pro and procreate. i use a lot of the brushes that came installed, like Mercury is my primary lineart brush, and Moorilla is my primary sketching brush, but i also buy a lot of custom brushes on the hunt for More Delicious Textures (DAUB has a lot of good ones, especially if you want some that imitate traditional art). i have also used Huion and XP-pen tablets and generally recommend them, as well as clip studio paint as an art program (i love it very much and if it wasn’t subscription-based on ipad i would still be using it).

for traditional art, mostly just whatever sketchbook i have + my trusty mechanical pencil. i mean i have two: one with softer lead (it comes out darker) and 0,7 mm thickness, and one that’s 0,5 and harder lead for more light sketching, or if i’m going to line it with ink.

i also have a trusty pentel brush pen that i love DEARLY and feel bad for not having used in a while for reasons i will get to.

when i work on calendar pieces traditionally, i like to draw lines with ink - i use a dip pen with exchangeable nibs - and then color with watercolors. i have several sets because they’re all slightly different and i want the Range.

i sometimes travel with a little sketchbook in my bag and an assortment of pens, so that i can sketch Anytime, Anywhere. i think doodling with a pen can be very useful because you gotta become comfortable with the mistakes and imperfections and keep going anyway. if i doodle at work that’s the tools i have -  regular ball pens and a bunch of paper lying around.

HOW DO I BALANCE BETWEEN DIGITAL AND TRADITIONAL ART?

currently, i... don’t, really. it was easier when i had school, and i would just doodle freely and then maybe use some of my sketches as thumbnails or concept ideas. it’s harder now that i need to intentionally sit down with my sketchbook, and tbh... the ipad works very well for sketching. it’s so CONVENIENT and i have WORK all the time and my time to create art has become much more limited than it was. i miss going to my weirdo art high school where we would try out a whole bunch of different tools and methods. sure, yes, i had to paint with Acrylics My Beloathed, but getting to play around in different mediums is VERY valuable.

i genuinely want to be able to make more time and space for non-digital art again, but i just don’t have the ability to right now. it’s also different now that i’ve moved away from my parent’s place - i used to have an enormous desk and my mother has a large collection of art tools and there was a lot more storage space for whatever i created. digital art is very convenient and very accessible. ah well!

HOW DO I DECIDE ON THE COLOR FOR MY LINEART?

i usually line in black or a very dark color, and when i’m done coloring + shading i might play around with the colors and see what works. if you lock the layer you can just throw all the spaghetti at the wall you want. i decide on whatever fits the piece. i tend to be pretty fast and loose about it too, sometimes you can probably spot parts of my lineart that have slightly mismatchy color, but it’s like... done is better than perfect! i don’t have the energy to overlook every single pixel of my piece or else i would drive myself utterly mad.

HOPE THIS ANSWERS ANYTHING AT ALL!! THANKS FOR ASKING!!!

[ask-shakespearehigh]

Q&A post with the Mods!!!!

This is going to be a long one oh boy

How strict is the delineation of creative control vis-a-vis characters/plays between the mods? (@pedanticlecturer)

We generally have the plays split up along lines of “what we know”— we have a list at the very beginning of the blog. Sometimes we’ll draw the others’ characters (mostly me drawing some of Star’s…) but even then the final say on characterization is up to the “main” mod for that play — mod aster

what aster said -- mod star

What is your favorite play? What is your favorite character in terms of how they were written in the source material? (@pedanticlecturer)

I think my favorite play overall is Macbeth, just because I like the vibes (and the fact that I too could kill Macbeth), the fact that you don’t say it’s name in theatres, and the fact that it’s a play I did a full read through and analysis of in class. Favorite character? Puck from Midsummer. — mod aster

uhhhh,, hmm. ive always had a soft spot for midsummer since i saw it with aster esp bc of how fun the costumes were. of the comedies it has the largest potential to be the most visually pleasing bc of the concept of fairies,,,and im gay and dramatic so i love that. id die if i got to costume design for midsummer,,,or be in it,,,yeah. fav character. hmm. probably mercutio?? i recently saw a version of romeo and juliet where mercutio was played by a woman and oh my god it was amazing!!! not to mention mercutio’s portrayal in baz luhrmann's INCREDIBLE version of r n j!!! (I based my mercutio design on him) he just spends the entire time making dick jokes. love that. -- mod star

How do you answer asks so fast? I mean it's great but I'm impressed 😂 (Anon)

Personally, it’s a mix of: notifications on, quick drawing speed, and using the blog to avoid my class work — mod aster

aster is fast and (as you can see from all of my answers) im lazey -- mod star

Are there any elements/characters of the plays you're covering that you would have liked to work into this blog's plot, but couldn't due to the constraints of the setting or the synthetic nature of the blog? (@pedanticlecturer)

I wanted to make everyone gay but unfortunately due to plot constraints we have to have some hets but that wont stop me from making it lgbt as possible. -- mod star

I did want to make The Tempest more of a central play, but it just didn’t translate well. Similarly, other supernatural elements like the witches in Macbeth. This isn’t so much a constraint mentioned, but my own time/energy means that I want to show the Macbeth backstory, in a specific format, but I can’t right now— mod aster

Is there a hierarchy of import when it comes to each play's individualized impact on shakespeare high's general arc? If so, what plays are crucial to the foundation of the story? Which ones did you do mostly for shits and giggles? (@pedanticlecturer)

This is phrased like an ACT question and i might not answer it right so sorry in advance but: mod aster and i only selected a few plays for each of us to do given we dont know all of shakespeare’s works, but we tend to put more emphasis on the the more well known. But it also comes down to 1. How much we have plotted out for each play and 2. What the followers ask about most. Our two most popular are hamlet and macbeth bc people are familiar w those but around march caesar always becomes relevant again. I didnt even have designs for some of the characters until someone asked about them. -- mod star

I would say the same as star— it generally comes down to what people ask about. I will say that the overall plot is sort of separated into “has happened” and “is happening”. Like, the human potion of Midsummer, Julius Caesar, and Macbeth are all in the “aftermath” portion, while Twelfth Night, Hamlet, and Romeo and Juliet, among others, are happening. We’re trying to incorporate as much as we can, and I don’t think any of them were really put in without some thought.— mod aster

What personal significance does shakespeare hold in ur guys' lives? (@pedanticlecturer)

I go to a theater school rn and so ive dealt w shakespeare (although not all of them) it also helps that i was in loves labours lost last year as moth and that i read hamlet and r n j. Theres also a theater in my state that always does One Big Shakespeare per season and they always do them super well!!! My love for shakespeare probably started w seeing midsummer at that theater w mod aster!!! So. Theater kid rights!! -- mod star

To be honest, I got back into Shakespeare Because of the blog. I’ve been friends with some people that got really Pretentious about Shakespeare, and it kinda put me off of it. I did have a book of abridged plays (the plays’ plots written out in prose, basically) that I read as a kid, which is what got me into not only the plots of a lot of the plays, but also the idea of having them illustrated. And, same as star, the theater in state does the One Big Shakespeare— and they tend to do some really cool things with the costumes, setting them in diff time periods. I haven’t been able to see any lately since I’ve moved, but they still slap. — mod aster

🥰😘💙🥰🥰💜💟🥰I 😍💗💚😍😍LOVE🖤🖤 YALL ♥️♥️🧡💛💚💝❣️💕💘💖💗💓💞💝❤️💛💜 okay now i have a question i swear— how long have the two of you been doing art??? and what were your first shakespeare plays??? (@hellaghosts)

Uhh i started drawing when i was like idk 12 and i have the giant boxes of sketchbooks to prove it!!! I moved to digital art at abt 14-15 but mostly stayed traditional until this yr when i got a Neat New Tablet so some of my sketchbooks are sitting abandoned rip. My first shakespeare was either romeo and juliet or midsummer nights dream and i love both of them v much!!! I have a very old piece of art that i did for r n j for my freshman class assignment on it and it hasnt aged well alsdjfjafd circa 2016 i think??? -- mod star

Oh man. I started drawing when I was about 10, but it was Bad. I don’t think I got much into drawing again until I was about 14? Sometime around the end of middle school/beginning of high school. I would say I started getting into drawing as more than doodling/coloring edits sometime around 2015-16? I would draw on my iPad with my finger, then I got a tablet for my computer, and now I pretty much stick to my iPad with an Apple Pencil. My first Shakespeare play was….. uh…… probably Midsummer???? I have No idea. We would go to plays when I was little, so I honestly don’t remember if I saw others before. It may have been Romeo and Juliet— I had that book where it was the original and the “modernized” with the little dog that explained things— which, if you know it makes sense, but if you don’t is probably a bonkers answer. — mod aster

Do you think this blog has like? An overarching thesis (be it b/c intentionally or simply b/c ur own take on the world has bled thru to the point where u believe it’s central to the piece at this point)? (@pedanticlecturer)

Not gonna lie, I had to read that like three times AND dm you to figure out what you were asking from us and all I have is “be gay, respect women, write your own happy endings”. — mod aster

This blog started with an ides of march shitpost and you think we have enough brain energy to write a whole thesis? I projected feelings of found family onto my half of the blog but idk if that counts. Be gay do crime 420 69 -- mod star

What’s the nature/rough dynamic of ur relationship? How do y’all know each other? (@pedanticlecturer)

Met mod aster when i was like 4 and even tho we didnt live close we became like, best friends although the Best part didnt start until we were like 13-ish and eventually we talked like non stop (about anime and homestuck. Yknow. 13 year old kid things) and we didnt see each other a lot bc of Distance and now its even worse bc aster is in colleg.,e but we consider each other siblings regardless of family bc we’re adopted into our own respective families so that bled over into our friendship and it would feel weird calling him anything other than my brother now. We’ve seen each other at our best and worst and if you really want a good insight on what we’re like as siblings watch griffin and justin mcelroy’s overview video of catlateral damage wherein i am griffin and he is the long suffering justin. -- mod star

Star is basically my long distance sibling and functionally the only cousin I recognize bc like their parents are basically an aunt and uncle and like our dads look enough alike that we’ve both accidentally gotten the wrong dad for a hug or similar so like. Anyways yeah Star is the Griffin to my Justin, complete with our absent middle brother who we love dearly— mod aster

Dubiously relevant q but what kind of music do y’all listen to when u do art (if that is indeed a habit either of u partake in) (@pedanticlecturer)

It can depend on the piece? I was working on some (unrelated) oc prints that were song-focused, and for those I just listened to said song on loop. Sometimes I have playlists. Sometimes I’ll just be in a Mood and throw a song on loop. But a lot of time for the blog, I’ll listen to The Adventure Zone for the billionth time, because I have Too Much Attention. I’ve also, on request from Star, linked the most recent “loop song”.— mod aster

I tend to obsess over the same like 3 songs every few weeks so those get listened to on repeat but it also depends on the tone of what im drawing or who im drawing i might genre switch bc of that. If im drawing ophelia i stick to lana del rey and if im drawing hamlet its the neighborhood, horatio is sufjan stevens etc. i have categorized,. Most of the characters i draw into different songs/genres/energies of music but not like i ever follow that. Sometimes i just pull up a really long nonsense video and forget to draw. Essentially: ¯\_(ツ)_/¯ -- mod star

How’d y’all come up with ur pseudonyms? (@pedanticlecturer)

I love space so much and my main blog is starryeydsailor space gay rights!! Im also tiny and full of energy and bright so basically i;m star -- mod star

Uhhhh i was like “hey i want to do uhhhhhh flower?” And then I google searched flower names until I found one I liked —- mod aster

How did you end up deciding the rough timeline of events in canon? (@pedanticlecturer)

It’s mostly determined by like. How we choose per story? If that makes sense. Like, we just take story by story, and decide “is it happening, has it happened, and when?” And then we fit them together in relation to each other just by dint of. All existing at once. Like, I knew I wanted Macbeth to be in aftermath, because like, even though there’s no murder, the way I’ve translated it to the AU is still kinda heavy, and it’s something that I don’t know that I could do properly if it were happening right now. Also, it’s more interesting IMO to have them at different times. Tl;dr we wing it per story and slot them together— mod aster (mod star agrees I just can word better, in theory)

If you could tell the story of shakespeare high in a different format than an ask blog, would you? Obviously y'all are making very good use of the format, but would you want to write this as a animated series or like? a comic book? or is the form inseparable from the story? (@pedanticlecturer)

I kinda wanted to do a webcomic or maybe to plot develop through like, animatics but the element of surprise comes from the asks we get and really makes us think so the blog is a good start. We didnt think we’d get this far -- mod star

Pretty much what Star said— there are certain elements where it’d be neat to do as a comic or as an animatic. Like, the fantasy dream is like, an anthology webcomic of each story, where you can like, see other characters in the background and stuff. But to be honest, we develop a lot by what we’re asked— there was a post about developing worldbuilding by being asked questions and then pretending you’ve thought about the answer, and it’s not far off. Personally, it’s hard to just lay out a story, because I have a whole WORLD and what’s relevant? What are people interested in? It’s by getting questions that I can then focus in on an area to develop. And yeah, we Super didn’t think we’d get this far lmao — mod aster

Any headcanons about your characters that you don't think will ever come up on the blog through asks or plot posts? (@pedanticlecturer)

I could make a whole separate post for this!!!!! Mostly its voice headcanons (and by mostly i mean like 1 or 2) or relationship hcs!!!! -- mod star

Honestly same. I don’t think I have voice headcanons for mine, though I bet I could find some. I’ve got a bunch of miscellaneous headcanons that just kinda float around, but like they’re scattered, too numerous for this post, and also not always things I’m sure are canon yet.— mod aster