#sorry if you really enjoyed the original

[periprose]

What happened to ur Joel fic??? 😭😭

Oh I'm rewriting it! I was really not happy with the original fic and how much random stuff was in it... it also was paced way too quickly. I really like soaking in themes so I'm gonna post an updated version soon :)

[zivazivc]

The Floyd JD and Branch sitcom in your head is the funniest show I’ve never seen

can the third movie's spin-off series just be this please?

[hoshiina]

pairing: narumi gen x gn!reader (no prns)

summary: he's always thought that anyone would do if he just wanted to find love but he realizes you're the one he wishes for, inspired by pop song by yonezu kenshi

warnings: some profanities from narumi

wc: 1300

Narumi Gen hated a lot of things, but one of his least favourites of all time was "true love". He despised when people would describe their love for another as "true love". It couldn't possibly be that serious. Just say you loved your partner. That was probably the extent feelings got to anyways— you just so happened to like each other at the same time. To him that was plenty of a feat alone, why would you have to make it sound like more than it is? For the sake of love? Ridiculous.

To him, that was truly all love was. If there was someone who liked him when he happened to like them too, that was enough. No need for years of pining, no need to get attached to some unrequited love. All that noise about love and destiny surely wasn't all that necessary.

Now, this wasn't to say that he didn't wish to find love— because he did. Like any other person, he truly wished to be loved. It was just that what he had in mind wasn't some deep pure love that'd last forever, nor was it a promise for eternity. He just wished for a light-hearted "I love you" here and there with someone he found special.

And for that, anyone would do. He'd find someone who fancied him along the way, and hopefully he'd like them back. That was all there was to it.

This meant his plan for finding his partner was sitting around and waiting. As horribly lame as that sounded, because he was Narumi Gen, this wasn't that hopeless of a plan. So, that's what he did. He'd go around saving people and doing his duties (to the absolute bare minimum) while making sure he was constantly trending, hoping that one day, someone would like him.

Today he was standing around for a solid five extra minutes after he defeated the honju with ease, hoping the media would snap some nice pictures of him, or he'd finally charm someone this time.

"Captain, you ought to stop that," you said. "It's rather embarrassing, you look desperate now."

"Oh, would you shut up," he said. "You're ruining my good name!"

You snorted. "What good name," you scoffed.

"I'm starting to think its your fault I'm not charming anyone. Perhaps if you didn't stop me every time, someone would have found me by now," he said.

"Yeah, right. Captain Ashiro seems to be having no issues charming people and I've never seen her try to," you said.

"You little shit," he said.

"Besides they're going to be utterly disappointed if they think this is what you're like and then they find out what you're… actually like," you said, and he was starting to think you wanted him to fire you. "It's okay. Someone will see how you're actually lovely at times soon."

"What?" he asked, shocked by what you said.

"What?" you replied, confused.

"You— you said lovely," he said quietly. Suddenly he felt flustered.

"Oh," you said, looking away and avoiding eye contact. It wasn't like you didn't mean to say that, but you didn't think it was that big of a deal. Rather, how flustered he sounded took you by surprise. “Well, you’re a little lame but you’re a good guy. Like you pretend you only do it for the media, but I know you’re always checking the alleyways that don’t have as much surveillance just in case, and checking alleyways isn’t something a captain has to do. And we both know the media isn’t writing about anything you do there. Things like that.”

“You never know!” he said, and you snorted.

“Alright then,” you said. “You do you, Captain.”

“I will!” he said back, trying to sound proud.

A week had passed and here he was, doing what he always did after arriving fashionably late to the scene and taking all the kaiju out in a matter of minutes: standing around trying to look good. Because he wanted love, and anyone would do. Anyone who liked him was supposed to do.

...

And yet he wished for you.

He wished that when he woke up, the first thing he would see was you. He wished that you'd smile at him everyday with love and genuine joy the way you did to others, and he wished that you’d smile that way to him alone. He wished that after a long day, he was the one you came home to. He wished from the bottom of his heart that you would always be safe and no harm would ever come your way. He wished that your days were filled with laughter and smiles and he knew he would risk his life to protect that.

It was so unlike him in a way he absolutely hated. True love was supposed to be nonsense and someone being ‘the one’ was supposed to be some dramatic line in a movie. It upset him, that he was so utterly fond of you. Yet, no matter how much it upset him, it didn't change the fact that he was, and he couldn't deny it anymore after trying to ignore it for the full week.

So here he was, acting stupid again, hoping that you’d scold him again or tell him he’s embarrassing himself, because that’s what it’s come down to. He just wanted another reason to talk to you.

But you wouldn’t come to stop him after 10 whole minutes.

“Why aren’t you stopping me?” he asked, irritated.

“Pardon?” you asked, utterly confused.

“Why aren’t you telling me to stop?” he asked again. He was aware how silly he sounded, but he was pissed off that you meant so much to him so he had to take it out on you.

“Because you told me to stop last time??” you replied. “I thought you were going to keep this up until you found yourself a partner.”

“You’re the one who told me to find someone that saw how I was…. lovely…. at times,” he said, but said the lovely very quietly. Remembering that you had described him as lovely made his cheeks burn and he’d rather die than let you see that.

“I mean, yeah. I do think you should,” you said.

“Don’t you notice, though?” he asked quietly, avoiding eye contact. There was a moment of silence.

“I do,” you said, and immediately he looked up to face you. You had a grin on your face and you looked so proud— you looked like you had won a game. Oh, how he hated you.

“You’re so annoying,” he said, and you raised an eyebrow.

“Rich coming from you,” you said.

“So, do you—,” he started to yell before cutting himself off. Carefully, he tried again. “Would you please… uh… be mine…?”

Oh, this is so embarrassing, he thought. Perhaps you’d laugh at him, but he wanted to do this properly, or at the very least try to. He’d be far more than just stupid to mess this up now. He was finally in love.

But your laughter never came. When he looked up your eyes were wide and you looked so flustered, but soon you had the most beautiful smile on your face.

“I would absolutely love to,” you said.

So he kissed you right then and there, because there was nothing he wanted to do more at the moment.

He laughed a little.

“What’s wrong?” you asked.

“No, nothing,” he said.

There was no way just anyone would do— it had to be you.

[pastelhooman]

[WVW Exchange Event 2023!]

"The kisses on your lash, your ears, on the nose that keeps scrunching. The kisses on your hand, on your cheeks, and the exchanging soft words waiting for the break of day."

----- ID under break -----

A total of 6 pages of comics, starting with a close up shots of vash kissing sleeping wolfwood's nose, eyes, lashes, and he furrows them a bit. an overhead shot of the two of them in a motel room, on the bed with vash leaning over wolfwood from the left, laying soft kisses on him. their legs tangled. their normal outfits are thrown haphazardly on the floor, instead donning comfortable clothes. on the outside, the very first ray of lights are yet to shine.

"what a face you're making pfft" - vash says as he grabs both of wolfwood's cheeks, squeezing them a bit. wolfwood mumbles, "There's something that keeps landing on my face, it tickles." he grabs the hand that is on his right cheek. "Well you're letting it happens anyways right?" Vash muses, bringing the hand up to kiss on its knuckles. "Good morning Wolfwood. It's almost dawn"

"… Isn't it way too soon?" - wolfwood asks, but keeps to himself the prayers he's sending to god because the the boy on top of him was such a sight to behold. Vash flops down onto him, leaving the hand hanging and lace his own hand into Wolfwood's hair, peppering kisses to the side of his face. "Yep" - he answers - "But you woke up on your own tho" - facetiously. He giggles, saying that it was a joke after a beat of silence. A sigh, "don't make me upside you first thing in the morning." Wolfwood closes his eyes, hand combing through golden strands. "Heh, how merciful~" "We have a meet up with Milly and Meryl today, remember?" Vash reminds him, which does raise some vague memory. wolfwood hums, the other hand reaching around vash's torso, hugging him. " So, the sooner we arrive, the less likely she'll chew through my head." - Vash adds. "riiiight. And you were SO urgent in waking me up." in wolfwood's hold, both of them slowly turn to the right, towards the edge of the bed.

Well, you were just soooo cute, I couldn't help it! didn't thinkk you'll actually wakE UAA-!"

the bed creaks under the sudden shift in weight as wolfwood tosses vash over and under him, arms firmly hugging him, one at his back and one at his head, hungrily dives down to kiss. "!! Wolf-! Wait-!" Vash yelps, leg instinctively curls around the other's man hip to hang on, trying his damnest to grip on his shirt as HE is now half airborne, barely has any contact with the bed on his upper body. However, wolfwood seems to have another idea as he keeps deepening the kiss, pointedly holding Vash close, hands spread guarding the back of his head as both of them are sliding off the soft fabric.

"THUD!" a resounding fall, possibly enough to wake the room downstairs, followed shortly by laboured breaths amist wet smacks of lips. Heaves and huffs of air exchanging between the two bodies when the need to breath made itself necessary. They press close, cradling each other, and are lost to their own world. After a while they had to part. Metal arm shifts through black locks, caressing down to his nape and they hold eye contacts there, with lidded eyes, strands of saliva thins then breaks.

Wolfwood pushes up on his arms, looking smugly down at his now disheveled partner: "Now this is how it's done, Needlenoggin." he remarks. Vash tries to wrangle his thoughts back in order, but strings of Wolfwood's name and a wonderous question keeps filling his mind, of whether he should risk it all and have fun for a bit more. Regardless, snapping out of his trance, Vash sourly asks, with a wry smile and an aching head: "But did you really need to roll off the bed?" "Wrong side, whoops" - Wolfwood anwers unseriously, laughing as he finds the situation quite amusing.

----- End of ID -----

[basilpaste]

& he forgives you dogs are like that so loyal dead dogs are just happy you're here Let Dead Dogs Lie, Silas Denver Melvin (from Grit)

〔You grit your teeth so hard that they shatter into fangs.〕

[vernrot]

The Lover

[bananasfosterparent]

An anti-AA account posted a comment akin to "I'm tired of the fandom being taken over by sex pests who are obsessed with abusive relationships" in response to the AA kisses being optimized for evil route roleplayers. They were implying that we "bullied" Larian into "changing the narrative they created". (which is a whole other rant post on its own lol). And some others agreed.

Is... is this really how they see us? lmao

I am just baffled because so many loud Anti-AA people are:

constantly going on and on about how it's supposed to be an abusive relationship

constantly reminding AA fans of all the abuse AA supposedly does

writing fanfiction and drawing comics showcasing AA as an abusive partner to Tav/Durge

making absolute statements that AA is locked out of healing and only able to treat Tav abusively

making absolute statements that everything good AA says is narcissistic lovebombing and only everything bad he says (after Tav insults him) is to be taken as truth

only ascending him to get AA romance scene screenshots (with an "I hate AA but..." disclaimer usually attached).

thirsting after AA's romance scenes in general while condemning actually playing/enjoying the ending as a whole because... *drum roll* abuse.

brigading Larian on their Discord with messages to "protect their narrative" to drown out AA fans just asking for rp-friendly animations.

AND YET....AA fans--who actively avoid and reject the abuse narrative headcanon and enjoy AA as a whole and not just for the sexiness--are apparently the sex pests, obsessed with abusive relationships. Out of all the AA stories, comics, and things I've consumed from AA fans, none of it ever seems to include the abuse narrative or glorifing him solely for sexual reasons.

Huh...

[lafaiette]

Also, can we talk about magic? i suppose they wanted to make the game more luring to new players, but magic used to be rare, closed under the lock and feared. Mages were feared and cosidered dangerous. Tevinter was an execption, not a general rule. How come people forgot only ten years ealier there was a regular war between mages and chantry, the very reason Inquisition was formed? Why is there magic, anciet elven magic behin every corner? It feels like reboot.

"It feels like reboot"

Because it is a reboot 💀 Or at least, it's the first step towards one.

Explaining how magic is seen in Thedas, all the different opinions and fears and hopes people have about it, would have been impossible in a single game clearly aimed at luring new players in. They put all the major pieces of explanation in the codex (one part of it is filled and complete since from the start of the game, because it's basically a catalogue detailing everything about Thedas), and let you play as a mage to your heart's content, with no strings, no responsibilities attached.

They tried to preserve some logic in Minrathous - there's mention of how Tevinter's families try to breed the perfect mages to rise in power and influence, so that's good. But you also see a "Noble" mingling with a "Civilian" among the fishermen, and telling her she shouldn't waste time and money on making things better for the poor people. What the hell is she doing there, then? Why isn't she in Minrathous proper, drinking wine and looking down on the poor districts?

Just around every corner, a few feet away from the closest tavern, Venatori are constantly putting up blood magic barriers. The same in the Necropolis, with the Venatori making camp just one door behind the main hub where the Mourn Watch is stationed. Everyone performs rituals, the Circles are barely mentioned, a Forbidden One is hiding behind a door in the Necropolis' main hall and no one ever noticed it before, not even Emmrich.

Statues of Fen'Harel and the Evanuris, elven relics and elven contraptions are hidden everywhere - everywhere. To show how vast and influential the elven empire was? That was probably the devs' intent. Does it always make sense? No. Is it for gameplay purposes, to fill the map with puzzles and stuff to find like in the 2000s? Obviously.

In Inquisition, there was an entire area of the Hinterlands ravaged by the Templars and rebel mages. The refugees were scared of walking the roads to find food because there was wild magic flying around. Rabid templars crazy on lyrium roamed the woods, and the Chantry was powerless.

Elven ruins were scattered around with sense, with a purpose, barely visible among the vegetation, forgotten and avoided, or almost forced to fuse with Chantry's buildings (just look at the Emerald Graves). There was a logic behind the NPCs' and props' locations in the world.

Here, there is simply no logic or consequence to anything ever. The Black Divine is never addressed, as far as I remember. Dalish clans have lost any distinction - the only elven faction you meet is that of the Veil Jumpers, which is a weird cocktail of elves who all know how bad the Evanuris are and random humans and Qunari. Yes, there are humans being allowed to guard ancient elven artifacts in a Dragon Age game. No, they are not called shem. Yes, they all get along swimmingly.

The Crows are not slavers and dangerous figures anymore - they're actually the heroes of Treviso! They treat their fledgling Crows with care and respect, no torture involved. Where did you hear such a preposterous idea? Zevran? Who's Zevran?

Taash says the Qun isn't a prison. How is that possible? They sent assassins after Bull when he defected. They hunt Vashoth and Tal-Vashoth if they dare leave, and if a sten loses his sword, he cannot return home, because his brethren would kill him, as "to a Qunari warrior, the sword is the soul."

So yeah, this was definitely supposed to be a reboot for Dragon Age, just like Andromeda was supposed to be one for Mass Effect. That's why everything falls flat.

[hinasho]

I'll tell you what people's problem with The Crow 2024 is — I'm a longtime fan by the way, I own the comics, I watched all the movies, so on.

The Crow 1994 managed to get the soul of the source material (comics). The Crow is a story about overcoming grief and acceptance of death — the author wrote Eric's story during his darkest periods of grief after his girlfriend was killed. So the story of Eric and Shelley have meaning, they are meaningful characters to a lot of people. Brandon's movie, while with some differences from the original story, still carried the same themes beautifully and the tragedy that happened during the filming made people (me included) turn protective over the memory of The Crow and it’s meaning.

There were three other movies after The Crow 1994 but they never dared to touch on Eric's character, instead they created new ones like Ashe Corven, Jimmy Cuervo and Alex Corvis. And those movies suck, don’t get me wrong, but people don’t have a problem with them because they didn't touch on Brandon's Lee legacy and di their best to stay on theme — grief and acceptance. They are their own thing, and that's that.

So did the comics. Eric story is the first main one, but no one took him and tried to continue it, he's pretty much untouchable, he has his beginning and his end. Instead, they created new Crows for their stories: Joshua, Iris Shaw, Mark Leung...There's a long list of existing Crows with their own stories.

The problem with 2024 The Crow is mostly that they called it a remake and took Eric's names to a character that doesn’t even resembles the original Eric — and I'm not saying in physical appearance, I'm saying his essence because the original Eric is a killer of bad guys, but he's also pretty charismatic; he loved life, he was gentle with the little girl Sarah he was friends with, he was kind, he was thoughtful, he even jokes around! Which, to many people, Bill's Eric does not resembles even a little bit of Eric's other than his name and neither does his story matches the themes and soul behind The Crow franchise.

The main gripe The Crow community has with the 2024 version is them taking Eric's and Shelley story, then changing it so much and losing it's soul when the easiest thing to avoid all this controversy and review bombing would've been just be like "Hey, we're making a new Crow movie, but we have created our own original protagonists for it!" just like people have been doing for years, because that's what 2024 Shelley and Eric feel like to people — original characters who just happen to share the names of the OG's.

Anyway, I watched the 2024 version and while Bill did a phenomenal job as always with what he was given and he looks so damn good, the story just...Didn't get me at all. There's not one bit of The Crow essence in there for me.

Hello, thank you for sharing your thoughts! 💞 I finally watched The Crow 1994 and City of Angels today (still need to watch Salvation & Wicked Prayer) so fortunately I now have a bit more context.

The problem with 2024 The Crow is mostly that they called it a remake

So to begin my breakdown: The 2024 isn't a remake of the 1994 movie. This seems to be a widespread misconception. But in all of the clips and trailers Lionsgate has released, they clarify that it's a "modern re-imagining of the original graphic novel". The movie never claims to be a remake of the 1994 film.

Now a fair debate could be how closely tied (or not) the '24 movie is to the graphic novel, which the two are remarkably different, but based on the reviews and comments I've seen, fans seem more inclined to keep comparing it to the 1994 adaptation despite Lionsgate never claiming they were trying to remake that specific film.

So basically, comparisons between '94 Eric and '24 Eric don't really hold up as valid criticisms in my opinion, because the director had no intention of adapting the '24 film from the '94 movie in the first place.

the original Eric is a killer of bad guys, but he's also pretty charismatic; he loved life, he was gentle with the little girl Sarah he was friends with, he was kind, he was thoughtful, he even jokes around! Which, to many people, Bill's Eric does not resembles even a little bit

'24 Eric is still a killer of killers. He only kills those that attack him first or had something to do with his and Shelly's deaths. He never kills needlessly.

In regards to him loving life, 2024 Eric does in droves! He actively hates having to kill so many people and takes no enjoyment out of it. The opera scene, while fantastic, wasn't a fun moment for him. Since her death, you can tangibly feel that all he wants to do is get back to his simple life with Shelly. He loves her and he loves the life they had.

As for him being charismatic, I can see your point there. In the graphic novels (from summaries I've read), GN Eric does have a morbid sense of humor and at times played around with his kills before finishing the job. His relationship with Sherri was brief but sweet and he gets a cute cat!! He continues to form relationships even after Shelly's death because of his charisma and kindness.

From a writing perspective, I believe all of these moments are intended to humanize Eric given the GN begins with him as The Crow pretty much immediately. We are introduced to him already in the throes of his grief and seeking vengeance.

In contrast, the '24 film paces the transition MUCH slower with the first act being about how Shelly and Eric meet, and the growth of their romance. I believe Director Rupert Sanders used those scenes to humanize the characters instead, which he accomplishes as both Eric and Shelly feel like they're just normal people dealt a shitty hand who only want to live their lives together. You can see the love they shared and how pure it was.

Basically, the core of the characters remain the same, just told in different ways throughout the story. In the graphic novel, James O'Barr humanizes Eric & adds levity in the midst of the carnage, while Rupert Sanders adds it before the carnage. Despite the timeline differences, both succeed in showing that Eric isn't a mindless murdering machine, and is just a regular guy who's been driven to the point of madness.

(It still would've been a nice touch for '24 Eric to adopt a cat for Shelly in the movie though.)

Bill's Eric does not resembles even a little bit of Eric's other than his name and neither does his story matches the themes and soul behind The Crow franchise.

From my understanding, the main themes behind the franchise are grief, the difficulty to move past it, and divine justice.

All three Erics suffer from visions of Shelly, who's memory plays on a feedback loop as they go about their spree. Something both the '94 and '24 films don't do, however, is touch on GN Eric's self harm tendencies. Which isn't a criticism! I'm merely discussing the different ways they show Eric's state of mourning.

The inability to move on is also still prevalent in the '24 movie. It's an active choice Eric makes when Kronos gives him the option to get his life back, and instead Eric submerges deeper and signs away his soul. He steps into it with his eyes wide open knowing he's damning himself forever.

Meanwhile in the graphic novel, Eric is already submerged. He is already a walking corpse, the embodiment of a heart so broken the only way to put himself back together is to weaponize the shards of his loss. I believe this is who '24 Eric develops into after the second act when he signs away his soul.

In the first act, he is human. In the second act, he is transitioning, and in the third act, he has truly become The Crow. Too deep in grief to escape it. The main difference between the '24 version and the GN version is that we see '24 Eric's journey to reach that final stage. It's the difference between character-focused narratives vs parable-like storytelling. Neither is inherently better than the other, just different.

And when it comes to divine justice, hmmm.....

In the GN, Eric and Shelly are killed and brutalized due to a completely random act of evil. The gang that killed them and assaulted Shelly had zero connections to the couple and were just some cruel, awful randos off the street. Based on what I've read, Eric nearly kills all of them without difficulty. Most of his hardship comes from his own bouts of depression and misery.

(By the way, by having the villains all be mediocre average goons, and majority of Eric's troubles be psychological, the GN focuses more on the danger of all-consuming grief, highly likely because of the trauma James O'Barr was experiencing when he wrote it. Meanwhile both the '94 and '24 films have Eric struggle a lot more during his fight scenes, elevating the danger of his physical opponents. But this is a tangent, back to what I was talking about!)

By all of them being average goons, the story gets across that: yes normal everyday people can and are capable of atrocious acts of evil, and yes they deserve to face the brunt of their crimes and divine punishment.

However in both the '94 and '24 movies, Eric and Shelly's deaths are not random and are planned crimes to silence Shelly. And both come up with a "big bad" for Eric to face off against. In the '94 movie, it was Top Dollar, a criminal kingpin, and in the '24 movie it's Vincent Roeg, a rich executive who's also a crimelord.

BUT what the '24 film does differently is that Roeg is also a supernatural being himself, who's made a pact with the devil to trade innocent souls for immortality.

This is probably the only area in which I agree with OG fans on that a central theme was changed. Because by making the main antagonist "unnatural", it's no longer about everyday, normal people committing horrible evils. It's about a supernatural entity on par with The Crow.

I think Rupert Sanders wanted to focus more on the supernatural aspect of The Crow universe. Which isn't necessarily a bad thing and definitely made for a fun movie, but I do agree with OG fans that the "grounded" nature of casual human cruelty was lost in that regard.

By implementing this change, the weight of Eric's vengeance is also changed. Because now it's no longer just personal. As the character of Kronos says in the movie, they need Eric to kill Roeg because he and all the deaths he's caused are unnatural and they essentially need Eric to tip the scales back into balance. While Eric's primary motive is still about doing right by Shelly, there's now an element of saving the world from an unnaturally superpowered tyrant, rather than the everyday cruelties of man.

So in this aspect, I do agree that a core theme was changed between the graphic novel and the 2024 movie. This still doesn't necessarily mean it's a bad story, just that Rupert Sanders had different intentions.

Because this still connects to the previous theme, the inability to move on and cope with death. Except now it's portrayed in the antagonist as well. His power is completely about his refusal to accept his own mortality. However, this does, like I said, detract from the normality of evil theme. So it's basically a gain and a loss 😅

(Plus, as I was writing this, I thought about how Eric's motivation is changed as well. In the '24 movie, Eric's goal is still to do right by Shelly, but it's to save her. Because if he succeeds, Shelly will be resurrected. This adds a noble spin to his killing spree, whereas the GN and the '94 film are solely about overwhelming rage at the loss of a loved one. There is no resurrecting Shelly. It's about enacting divine justice against their killers before traveling to the afterlife together. They're already dead and there's nothing GN Eric can do to change that, unlike 2024 Eric.

On the flip side, while this "nobler" take may feel like a negative change, I think it's countered by the fact that Eric succeeds in saving her, but is still dissatisfied because he's unable to actually be with her. GN and '94 Eric were able to find peace and reunite with their loves. '24 Eric only gets about 5 minutes before she's resurrected and he's stuck in purgatory forever.

At the end of the '24 film, both Eric and Shelly are dissatisfied as they can no longer be together. It's a bittersweet ending that feels more bitter than sweet. So while there is a "nobler" cause behind Eric's actions, the tone of the story is still very grim.

This is also why I believe the way the 2024 movie ended was with the intentions of a sequel where Eric does achieve his own peace. But that's a different conversation!)

...the easiest thing to avoid all this controversy and review bombing would've been just be like "Hey, we're making a new Crow movie, but we have created our own original protagonists for it!" just like people have been doing for years, because that's what 2024 Shelley and Eric feel like to people — original characters who just happen to share the names of the OG's.

Sure! I don't disagree. Well, I don't really think anything deserves to be review bombed unless it's content that's actively harmful. But I don't disagree with the original protagonists angle. Changing the names couldn't have hurt.

That said though, and I say this as gently as I can, Eric's character existed before '94 Eric and does not need to end with the '94 movie. I think it'd be one thing if the 1994 movie created the story of The Crow and that was the first iteration of Eric's character. But... it's not.

Multiple re-imaginings and adaptations of books / comics have been around since forever. The show Smallville and Man of Steel both adapt Superman in wildly different ways. Shakespeare's Taming of the Shrew has had five different adaptations, and yet no one shits on 10 Things I Hate About You (1999) or Deliver Us From Eva (2003) for being modern re-imaginings. Awhile ago, me and my friend were discussing our favorite adaptations of the Little Women novel. Her favorite is the 1994 film while my favorite is the 2022 modern Kdrama!

I bring up all of these examples to say that there is REALLY nothing wrong with doing modern re-imaginings of older works, and tweaking characters and plotlines to reflect the changed style of the story and time period.

What's most important is that the heart of the story is kept. At the end of the day, The Crow is about an innocent man who enacts divine justice against he and his lover's murderers, while struggling to cope with her loss. Based on the graphic novel and what I've seen of the 1994 movie and the City of Angels sequel, the world of The Crow says that life can be fair and that no matter how high, or low, or cruel, or spineless, someone is, that karma is a bitch and it IS possible for them to reap what they sow.

I truly think the 2024 adaptation captured that feeling, even if it may look different than what people might be used to or expected.

Instead of being upset about how unexpected it is, try going in with an open mind and seeing the story Rupert, Bill, and FKA Twigs wanted to tell. I've read and seen a few interviews by now, and these three were genuinely passionate about the characters & story, and you can feel that in the movie.

And even if you still have no interest, the other parts of the franchise you do enjoy aren't going anywhere. The 2024 adaptation doesn't effect them in any capacity. The stories you love still exist and the new addition can't harm or take them away from you.

[hailsatanacab]

@the-ghost-trader - ooooh, i love this! it has the potential to be so incredibly sad, too, like poor Damian just trying to carve out something normal for himself only for it blow up in his face

BUT, shockingly, i'm not about the angst today! not yet anyway 😇

---

“So, how was your day?”

Despite his answering groan, Damian likes this. This. This whole… thing he has with Danielle. With Ellie. 

And, yeah, he’s not exactly told any of the others yet, but can you blame him? For wanting to keep something, anything, to himself. Wanting to keep this small little slice of goodness he’s managed to carve out, untouched and unmarred by his family, by their other lives, by the rogues, the vigilantes, the assassins, everyone.

“That bad, huh?”

Being with Ellie is freeing. That’s the best way to describe it.

She knows. Damian surprised even himself when he told her—not about the others, mind, but he supposes it’s not hard to put two and two together and Dani has always been smarter than most—but it’s the best decision he’s ever made, and no matter what the niggling little voice in the back of his head says (the one that sounds suspiciously like Father), he can’t bring himself to regret it.

He won’t. Because having Ellie know gives him freedom.

She’s a safe place, a hand to hold, a warm, welcoming presence when things inevitably turn ugly. It’s the freedom to just be normal when everything else in his life spirals into stranger and more stressful missions.

“Richard is being insufferable again. I do not understand his incessant need to know everything about my life.”

“Oh? What’s he done now?” 

“I was subjected to an hour long interrogation about my love life, like it’s any of his business. It’s infuriating!”

“Ugh, tell me about it. I get the same thing from Jazz, constantly. It can be suffocating.” Ellie says as she curls herself tighter into his side. “But it’s just how they show they care.”

“Yes, well, sometimes I wish he wouldn’t—”

“Hey!” Ellie pushes herself up to glare at him, punctuating her shout with a soft whack to his arm for good measure. “What have I said about using that word?”

“Yes, yes,” he placates with a roll of his eyes, “‘Be careful what you wish for.’ I apologise, it won't happen again.”

“Damn straight it won't.”

She maintains eye contact with him for a second longer before tucking herself back into his side, squirming around with a long, contented hum that Damian can feel rumble through him. He smiles and doesn’t complain even when he has to shift to give her more room after a particularly strong elbow jabs him in the ribs. It means leaving the warm patch on the couch, but he’s rewarded with another long, happy moan as she settles and Damian can’t bring himself to mind.

Ellie constantly makes noises. Little mews and hums and laughs and songs known only to her. It reminds him of a cat, sometimes. He likes it. It calms him down; it means she’s happy, so he's happy.

They settle back into the cushions and Damian lets the subject drop, not wanting to spoil the moment. Outside, the wind changes direction and from where he’s laying he can watch as the snow starts to come down thick and heavy. Hopefully it’ll mean a quiet night's patrol.

“Is that why you haven’t introduced me yet?”

“What?” He can't help it, he stiffens at the thought of losing his secret, of the scrutiny he'll be inviting if he lets anyone know.

“Are you worried I’ll embarrass you?”

Damian’s eyes snap down quick to reassure her, only to see her light, teasing grin. He lets out a breath of relief. It figures she wouldn't worry about that.

“Of course not, don’t be absurd. You could never embarrass me.”

“I don’t know,” she muses, her voice taking on a dangerous lilt, “that sounds like a challenge.”

“Believe me, having been subjected to Father’s Brucie persona at every gala I’ve been to, it would take a lot to embarrass me.”

“Alright, bet. I’ll get you, just you wait.”

“You’ve already got me.”

She flicks him on the nose. “You’re such a sap.”

He hums his agreement, enjoying the tinkling sound of her laughter. And then, before he can think otherwise, he asks, “Is that why you haven’t introduced me?”

“That’s different,” she scowls. “You know how hard it is to get there, there’s no signal, and Danny only gets a break like—oh, Ancients!”

Damian gets another elbow to the ribs as she bolts upright, a manic grin on her face that has him laughing.

“What is it?”

“It’s the holidays! It’s nearly Truce Day! You know I said I had a family thing around Christmas?”

“Yes?” 

“Well, do you want to come to it? I can introduce you then! I mean, it’s going to be a bit formal and you’ll have to meet everyone, not just family. There’s going to be some banquets, you’ll have to sit through some long speeches and you have to be on your best behaviour at all times, okay? Absolutely no fighting, it’s called Truce Day for a reason!”

“What?”

“Yeah, it’ll be perfect! I think Jazz is going in a couple days earlier to help with the preparations, so I’ll get her to let Danny know—and fair warning, he will try to give you the shovel talk, but this is great! It’s Truce Day, so he can’t actually do anything about it!”

“I’m sorry, but you're going to have to explain a bit.”

“Yeah, I know, it’s a bit much—but that’s family, right? Danny can get pretty protective over me, which is why going on Truce Day is the best time to do it! He can’t even command the Fright Knight to stab you! It’s genius!”

“Ellie, what?”

“Like, yeah, sure, he’s the king, but even he has to obey the rules of Truce Day—and then once you’ve spent all day with him, he’ll see that you’re a fantastic, wonderful, kind, brilliant, smart, strong, capable person and he’ll get over himself and everything will be good!"

Damian collapses down onto the couch, the wind knocked out of him. This is… He had not expected anything like this at all. For all that Ellie talked about her family, she had never mentioned this.

“Did you… did you say your brother is a king?”

“Yeah! High King Phantom, have I…” The manic grin slips off her face as she turns round and notices Damian. “Have I not mentioned that before?”

“No. No, you have not.”

“Ah. Sorry. Probably should clarify that I’m also a princess.”

“Right. Yes, that follows.”

“And I’m not really his sister, I’m his clone.”

“What?”

Damian blinks and tries to say more, but he has no idea what he’s meant to do with… any of this information. 

Normal. He thought she was meant to be his normal. Nothing could have prepared him for this.

Not that it changed anything, of course, of that he was certain. It’s just… a lot to take in. Overwhelming. But it's okay! He takes a deep breath, and another, and a sense of calm washes over him. Ellie makes one of her little hums as she cocks her head to the side to consider him and he can't help but relax at the normalcy of the sound. It'll be okay, he's dealt with stranger and he can deal with this.

“I’ve, uh… I’ve told you that we’re half ghosts, though, right?”

“What?”

[clerichs-xi]

klaus when he trolls the guy he's protecting/crushing on only to realize his crush really is that out of his depth

[shroomlightruins]

Hermits as waterfowl:

Etho: Emperor goose

Bdubs: Brazilian teal

Cleo: Chestnut teal

Grian: Wandering whistling duck

Scar: Common merganser

Pearl: Bernier's teal

Joel: Falcated duck

Gem: Black bellied whistling duck

Cub: Common eider

Skizz: Canada goose

[hoshiina]

pairing: akatsuki hyoga x gn!reader (no prns)

request: i wanted to request something of hyoga with a s/o that's reserved just like him, and that even though they were always together, everyone assumed that they were just close friends and nothing more. however it turns out they're married! and everyone is surprised by this; especially moz and homura who thought they knew hyoga to an extent at least lol

warnings: hyoga is very sweet, that's truly about it he's just insanely sweet.

wc: 1100

The two of you were deeply in love. You knew he loved you and he knew you loved him back— and that was enough for both of you. After all these years, there was of course still lots to talk about, but hardly a need to talk about anything. As long as you were together, you couldn’t ask for any more. You had originally met each other at the same dojo, so often people found you training together and naturally as you did things together, you were close to similar people.

The two of you did share a living space and sleep together so while originally you assumed people would catch on that you were a couple rather quickly, considering the lack of affection you display in public the two of you soon realized they probably thought you were just roommates. However, there wasn’t a true need to bring it up all of a sudden, not to mention it would be slightly awkward after all this time— so you figured you’d just wait until someone asked.

Now, behind closed doors he would kiss you first thing in the morning and you would tell him you loved him before you slept each night and there was no doubt that the two of you were terribly in love. And that was perfectly fine.

Yet, if there was one thing that saddened you from time to time, it would be the missing ring on your left hand. 

Hyoga wasn’t one to wear his ring often, all the way back from 3700 years ago, but you were. You had it on all the time— to the point where you could hardly get it off your finger. Although you loved that it showed you were his and he was yours, you truly just loved the way it made you feel safe. It was nothing extravagant, and you asked for it that way. You wanted something that you could keep on while training, that wouldn’t get in the way, so it was just a band with a small diamond engraved in it. To many it truly wasn’t much, but to you, it meant absolutely the world. To you, that little ring made you feel like Hyoga was with you wherever you went and in danger, he would come flying. You absolutely trusted he still would, but your hand did feel empty without the ring.

It was as if he read your mind. It was early in the morning when the two of you were taking a break while training alone. He carefully took off his gloves and took your left hand and the gentle touch made your heart flutter.

“What’s wrong?” you asked.

He didn’t reply, but he took out a ring and slipped it right onto your ring finger. It was just a band, no diamond, no gem. Just a band that was exactly the size of your left-hand ring finger.

“Sorry it’s nothing more,” Hyoga said softly, then laughed a little. The look on his face was soft and gentle, one that he would only show you. “Perhaps this is worse than it was without.”

You were in love with him, you had always been and yet you had fallen all over again. He was the one for you and he will always be.

“No, I absolutely adore it!” you said, immediately pulling your hand back just in case he took it away. He chuckled again and you slowly brought your hand back out to look at it on your hand. You loved it so much you couldn’t have the words to express it. The largest diamond in the world couldn’t possibly compare to this simple hoop of metal on your ring finger. “How… did you?”

“I asked Senkuu and Kaseki helped make it,” he said. “It was a slight hassle trying to get your ring size again.”

“When did you get it? While I was asleep?” you asked, absolutely impressed.

“Yes,” he said. “I was afraid to wake you up a couple of times. Also it didn’t help that you sleep on your side a lot.”

“Okay, but aren’t you going to tell?” Senkuu suddenly said.

“Tell what?” you asked, ignoring the fact that you didn’t know he was listening in.

“No.” Hyoga said firmly, purely out of embarrassment.

“He made the ring himself,” Senkuu said. “Late at night, after you were asleep, for multiple nights he was working on it.”

Your head spun back to look at him. “No way,” you said.

In all of your years of being married, you had not seen him look so flustered ever.

“He got it perfect in a few tries though. Considering the tools we have to work with that itself was an insane feat,” Senkuu said, and started walking away. “Okay, sorry to bother, I’ll leave you be.”

“I love you so much,” you said to Hyoga, looking directly into his eyes.

“It’s just a piece of metal really, so I thought it’d make me feel a little more part of it if I made it,” he said, avoiding eye contact.

“Why weren’t you going to tell me?” you asked.

“It’s embarrassing,” he said. “Also, it was just for my self-satisfaction… it doesn’t change the fact that it’s just a band.”

You didn’t even bother to reply because you knew that he knew you didn’t think that for a second. You knew that he knew that made you love the ring a million times more now. Perhaps that was why— perhaps he felt bad if that made you feel like you had to keep it on. How terribly silly— he could have found it on the ground some random day and you would still have it on for the rest of your life if he had given it to you.

“Thank you,” you said, giving him a kiss. “I’ll protect it with my life.”

“Please do not,” he said, returning the kiss. “It’s supposed to protect you.”

BONUS

From that moment on, you realized you did want people to know you were married to him after all. You were so insanely proud to have him as your husband, not to mention you didn’t need anyone else falling for him either. He was in love with you, he would spend nights making a ring for you— not anyone else.

So later that day when you were having a meal with Homura and Moz, you made sure to flaunt your brand new ring, surprising them both.

Hyoga stayed silent, but it was obvious he was your partner.

Today, it was absolutely obvious that the two of you were in love.

[alicornze7]

-EMERGENCY INTERRUPTION POST/hj-

idc if it’s 4 days late have this April Fools special!!

this took longer than it should but it’s more of a treat for myself so win-win

I don't actually have an official persona so have this lil’ guy I made in 6th grade instead (he's gonna represent me until I design my actual sona)

Close-ups :

this drawing single-handedly destroyed my workflow

-we will return to our regular posting schedule shortly-

[little-pup-pip]

ok. This one might be OUT THERE. BUT.

MARBLED NEWT. marbled newts are my current hyperfixation please please please please please I LOVE THESE GUYS.

Decorated paci please? green shiny things!

🏴‍☠️🏴‍☠️🏴‍☠️

Sure!!

[nellasbookplanet]

Having finally read the Nimona comic (it’s very good, everyone please go read it) I can’t help but find describing it as being about the power of incredible violence to defeat an authoritarian state, as I've seen done, to be both kind of misleading and ultimately reductive to the story as a whole.

Yes there is incredible violence in the comic and it was in the end what tore down the corrupt system, but it was also Nimona's downfall, destroyed her relationship with her only friend (and led to her (temporary) death by his very hand as he could no longer stand by her and her actions, even as he never judged her, recognized her role as a victim and tried to save her until the end), put countless civilians in danger, and ultimately did little to nothing to address how to actually fix the problems of the system to keep them from returning. In fact, Nimona as a character shows little interest in fixing anything. She suggests killing the king and having Ballister take his place, despite Ballister neither wanting this nor having the experience to pull it off (and would, in fact, only result in replacing one king with another rather than lead to an entirely new system, as is often the case with bloody uprisings). When people start dying from the illness they spread, Ballister wants to immediately stop it; Nimona suggests they let more people die to further rile up hatred and anger against the institution. Nimona isn't a good guy looking to save people; she's an angry, hurt girl looking to hurt those who hurt her and those who have the potential to hurt her in the future (even when Ballister is one of those people). She is the villain the state turned her into.

And that is kind of the point I see the story making. Not 'you need incredible violence to tear down an authoritarian state' as something good and celebratory, but rather 'an authoritarian state will ultimately lead to its own downfall by creating monsters of its own making, and while said downfall is needed the fact that it has to happen at all is deeply tragic because there are no winners here'. Nimona isn't a villain-villain (the true antagonist is obviously still the Institution), but she isn't a hero either. She's a tragic figure with a tragic end that the state brought upon itself by mistreating its people. She doesn't stick around to help rebuild and heal, and she doesn't (to our knowledge) get to see her home become a better place. It's a bittersweet end where the very person who tore down the oppressors is too broken to enjoy the end result. It isn't a story about rebellion, it's a story about the inherent and justified self-destruction of authoritarian systems.

(Writing it out like this, I realize that, thematically, it’s very similar to n.k. jemisin's broken earth trilogy, which you should all also read because it is incredible and not very friendly to authoritarian states.)