#sorry if this one isnt good

[heartorbit]

figure skating set right now please. thanks

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[lesbianyosano]

oh also another thing that bugs me about how kunikida gets characterized is how often poeple describe him as someone super polite who never swears lmao. he has one of the most vulgar speech patterns in the series, the most of the ada for sure. he only uses honorifics for fukuzawa, ranpo and yosano, being direct and unofficial with the others, regularly calls atsushi "brat" and uses familiar/rude pronouns (like ore/omae/kisama) and people think he'd tell someone off for saying fuck

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[premamelody]

like theyre like siblings part 2 for me

explaination or smth

[tubbytarchia]

@mcyt-yuri-week day 1 Sun/Moon awooga awooga (Aiko - Star/ス���ー) (Lyrics TL)

(Yeah you're only gonna see GemPearl from me)

[ego-meliorem-esse]

July 13th, 1917

Be it from a sense of paternal concern or simply patriotic duty, Arthur made sure to leave his soldiers in the charge of an older Corporal and made his way to the quite pathetic excuse of a medical section where his son was left to rot.

Arthur had heard about the attack. He had been informed the day prior.

He had seen war and famine and sickness, but never like this. Arthur wasn't young, in any sense, and what wonders and strong political oppinions young men had, had left him a long time ago like a ship leaving the harbour in a hury to claim new land. This though, had left shock echoing within his tired, millenia old frame. He wasn't used to this.

Arthur made his way through the trenches with soldiers from every corner of the globe instantly stopping whatever they were doing prior and saluting him as if etiquette and rank mattered in hell. As if it was more importaint to greet the Higher ups than to survive long enough to even write a letter back to family. Arthur did understand that though. Routine and rules were the only thing keeping these poor and wretched souls from being consumed by thoughts of an imminent death.

The path to the section where Matthew was held was quite straightforward and quite familiar. He had marched to and from it hundreds of times and had a sort of automatic rithm in his step. Arthur made his way to the small and damp room with a fast pace indicative of familiarity, only to stop in his tracks in the shabbily built doorframe at the sight that awaited him in the corner.

Matthew sat in the corner of the sad makeshift medical section of the trenches, his back firm against the cold, damp wall.

His once-piercing blue-grey eyes were now clouded over with milky white cataracts, rendering him completely blind. The newly used gas had stolen his sight. His skin, once tanned and healthy, now bore the sickly pallor of a much older man who had endured unimaginable suffering.

Matthew's uniform, discarded in favour of his worn down undershirt, was now a tattered and stained relic of his time in the trenches. The not-white-anymore shirt clung to his emaciated frame as if decency still mattered in hell. The physical toll of the war was clear on his body. Not that Matthew would have to worry about seeing that any time soon. His hands, which had once held a rifle with resolve, now trembled even while resting on his thighs.

Despite his physical and emotional anguish, Matthew remained seated upright, his back pressed against the unforgiving, stained wall. A testament to his resilience if there was any left, a silent protest against the horrors that had taken his sight and left him broken in body and spirit.

As he sat there, his spirit reduced to a hollow shell, Matthew's face bore a mixed expression of utter defeat and complete indifference. His lips were drawn into a thin, lifeless line, and his cheeks were gaunt from the weight of his suffering. His blank, unseeing eyes stared into the abyss, as if waiting for answers and also hoping they'd never arrive.

In that moment, Matthew was not a representation of Canada; he was a young man who had been scarred and broken by the senseless brutality of war. The trenches around him buzzed with activity, but he remained isolated in his silent world of darkness and despair. The young medics job was done. He had patched Matthew up and left him to his own misery. Matthew was grateful.

Arthur stood there silently under the doorframe for what seemed like hours, but was probably only a few seconds. A strange and unfamiliar twinge of emotion plucked and pulled on his conscience. He hadn't felt guilt in quite some time. This feeling was reserved for drunken nights spent in solitude with the doors to the room he resided in firmly locked so that his sliver of self-deprecating emotion wasn't witnessed by any but himself, while he drunk himself to unconsciousness.

He preferred the emotional solitude to this.

Arthur had believed himself to be capable of most things. Especially conversation and confrontation. He was quite good at those as centuries of existence had proved. He believed himself quite skilful with words. Most of the time he knew what to say and when to say it without it resulting in unwanted and unforeseen consequences, while still making sure his opinion was heard.

Arthur had no words forming as he stood in that doorframe. If Arthur was a good man, his reasoning would be that he felt such strong empathy and sadness that words wouldn't be enough to express the sorrow he felt at that moment. If Arthur was a good man he'd run to his son, assure him that this wouldn't happen ever again and that he was safe. If Arthur was a good man he would fall on his knees in front of his oldest son and beg for forgiveness.

Arthur wasn't a good man.

He could admit to his shortcomings, but to act on them was not in his nature.

So he stood there for another 5 or 6 minutes watching his son shallowly breathe in and out, hearing the boys lungs struggle to keep up with his muscles contraction and need for air.

He must have made a noise, as Matthew's head tilted slightly to the left, almost looking at Arthur but definitely not seeing him. Arthur looked back at him.

The room was quiet, save for the desperate plea of Matthews lungs to be put out of their misery.

Sensing nothing after a few moments, Matthew turned his head back towards the blank wall ahead.

Arthur silently turned his frame around and slowly started walking the path he had taken to get here. As he took a few steps, he released the breath he didn't know he was holding.

How he longed for that whiskey bottle and that dark room where he could lock himself in and slowly drift out of consciousness instead of facing his own mistakes.

Arthur definitely was not a good man.

[starscream-is-my-wife]

Ok I understand why sparkling ocs are so popular designing one is addicting

Alt forms/ adult designs under the cut

So when he's littler he can be a Nissan atla, they're pretty cute, but reaching adulthood he'd be a Nissan big thumb, and getting a mod to have a trailer too.

Optimus only has a flat bed so Im doing the old reliable transformer design of putting stuff u don't know how to fit into the back. If he diddnt have a trailer, the bed sides could just be a part of his legs but he modded to have wings so he can get used to the weight distribution easier.

Big thumbs are 12 feet tall, G1 Optimus is a Freightliner making him also 12 feet, and G1 Ratchet is a Nissan cherry vanette, which are almost 6 feet (5"10 to be exact)

I thought that the big thumb would be a bit smaller then Optimus but damn, Ratchet is gonna have to deal with 2 giant trucks.

[constance4ya]

Another Abby redraw

(Og picture)

[an1muuarts]

dungeon meshi x sucker for love au

dunmeshi spoilers below:

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[locusfandomtime]

you can really tell the different audience demographics of Lifesteal vs Hermitcraft by the comment sections because the average spokeishere or whatever comment is like “LIKE THIS if you are a real Spoke fan!!! ❤️👊😎 if this comment gets 100 LIKES ill tell my mom to subscribe 🤪 who else is watching in 2028❓❓😂” whilst the average ethoslab comment is like “my wife is giving birth but this is more important”

[oifaaa]

Hey just a quick reminder every member of the batfamily is a detective it's one of the few things they all have in common, that and that theres a chimp from Florida who is canonically a better detective then all of them

[beatcroc]

what kind of frivolity would you engage in, mecha?

<

---

[mbat]

jews: this thing in fiction feels jew coded to me, this character/group has several parallels to jewish people and i see myself here :)

non-jews: nah, that aint right, its clearly coded to be this other thing/youre stretching so hard to find a connection that isnt there

jews: this thing in fiction falls into antisemitic tropes, this character/group has several common antisemitic tropes that have a long history of being used against my people, and i think we should really consider not using these tropes anymore/consider if theres a better way to go about making the same point without doing it in this specific way

non-jews: nah, that aint right, its clearly coded to be this other thing/youre stretching so hard to find a connection that isnt there

just something ive noticed

[frobby]

this came to me in a vision