#sorry if i'm being dumb doing so

[freezingwhitefire]

Okay, I feel that this needs to be emphasized.

Yes you can write things you like or for yourself but things on Tumblr and Ao3? Those were shared. Those are meant for validation. As someone who consumes media I cannot begin to say how delightful it is to share something I enjoyed and get the author to share their thoughts or just to hear how my dumb little comment made their day a little better. Likewise as a writer myself getting those little comments always makes my day brighter and when they go on for a little bit about what exactly they liked? That is enough that I want to sit down and write more.

Yes Kudos and Likes are amazing and have their place but nothing compares to a comment even if it's just 'I like this.' or some emoji. If you flail like Kermit in the comments though I can guarantee that when the writer gets that they will also be flailing like Kermit but with pure delight. (Example of the flailing below.)

No one reblogs on tumblr anymore.

No one leaves comments on Ao3 anymore.

Seriously people the lack of fandom interaction these days makes me genuinely depressed, it never used to be like this, makes me wonder what's the point of coming online to do anything anymore.

Reblog a post so other people can see it.

Leave a comment so the author doesn't feel like giving up.

Fandom cannot live on Likes or Kudos alone.

[egophiliac]

Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious…i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)

oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ

I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.

(we're just lucky it wasn't a frog this time)

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[pseudophan]

i'm so extremely irrationally annoyed by people not knowing what various terms mean and using them incorrectly like i feel like that's such an asshole thing to care about but oh my god stop

[akqrus]

ML WRITING TEAM, IK U R HEARING ME. GIVE ME ADRIEN EARRINGS FOR THE LOVE OF GOD. YOU KNOW HE WOULD LOOK AMAZING IN THEM. STOP GATEKEEPING THAT FROM MEEEEEEEEEEEEEEEEEEEEEEEEE

Anyway, some examples of what I meant:

[leupagus]

I firmly believe Stannis is the Westerosi equivalent of the dad who hates cats, doesn't want to get a cat, makes a big deal about not liking the cat, and ends up being the cat's absolute favorite (except instead of a cat it's a huge fuckoff direwolf with boundary issues)

x

The door to the workroom opened and Ghost bounded inside, snuffling at Stannis's hands. Lady Stark, following behind, narrowed her eyes at him as she closed the door.

"You fed him something recently, didn't you?" she said. Ghost, finding nothing, gave a disapproving huff and flopped down by the fireplace.

He had, but that was besides the point. "What are the Knights of the Vale doing here?"

"Just don't give him chicken, we had a terrible problem with the henhouses when they were puppies," she said absently, and circled round to sit at her chair on the far side of the work table. "I brought them here for you."

Stannis, still standing, paused. "For me?"

"Yes, for you. I can't bend the knee, Your Grace. Not yet. But I'm not entirely useless."

"Of all the adjectives I've thought to describe you with, 'useless' has never been one of them."

She smiled at that and looked down at the papers strewn across the table. "Littlefinger — Lord Baelish," she corrected, "had plans for the North. Marrying my Aunt Lysa and becoming Lord Protector of the Vale wasn't enough for him; he wanted more."

"How much more?" Stannis asked as he took his seat again. He was already well able to guess the answer.

"Everything," she answered, a distant look in her eye that Stannis did not like. "He wanted to marry me off to the Boltons. I think the plan was for you you to come sweeping down from the Wall and either take Winterfell or kill out enough of the Bolton forces to weaken them. At which point Littlefinger could come riding to my rescue with the Knights of the Vale. He'd have a ward at the Vale who looked to him for approval, and a new Lady of Winterfell who'd be grateful to him for saving her from monsters twice over." She nodded at his moue of distaste. "Yes, well, he always did consider me one of his cyvasse pieces, to be moved around the board as needed."

Stannis had avoided Baelish at King's Landing, insofar as he could while both of them served on Robert's Small Council. But he well remembered how Baelish spoke of women, how effortlessly he used them and used them up. What damage had he inflicted on a young, friendless girl while he'd had her in his custody? No wonder Lady Stark had fled from him at the first chance of escape.

If that's what had truly happened. The story from the Riverlands was that Baelish had been killed by his own men, and there was no reason to doubt it — such a treacherous man would have succumbed to treachery sooner or later. But Lady Stark had proven herself capable of surprising things, these past months.

It didn't bear thinking of too closely. He cleared his throat. "The Vale, the North — if Baelish wanted the Iron Throne, he'd have needed more than two kingdoms at his command."

"The Riverlands probably would have been next," said Lady Stark with a frown. She pawed through the papers and pulled out a book. "I've been going through the maester accounts, such as they are, from the time my father left Winterfell until now," she said, flipping through it. "There are gaps, obviously, but Maester Wolkan's been keeping remarkably faithful records. Including copies of every raven scroll." She passed the book over to him, tapping at a particular passage. "This was sent to Roose Bolton from the Twins, only a few days before we began the siege."

"'The Blackfish traitor has stolen Riverrun from us. In the name of fellowship among the new Lord Paramounts and the victors over House Stark, we ask for your aid in catching this damned fish and roasting him on a spit.'" Stannis set the book back on the table with the peculiar urge to wipe his hands clean. "Walder Frey was always a craven. Wanting everyone else to fight his battles for him."

"He didn't even have the courage to murder my brother himself," said Lady Stark, taking back the book and closing it with a snap. "Though I've been told it was his son who murdered my mother. A great warrior family, clearly. Plus he doesn't know it's 'Lords Paramount' and not 'Lord Paramounts.'"

Stannis had seen flares of temper from Lady Stark before (on any number of occasions), but the icy rage in her voice gave him pause. Not for the first time, he considered how very merciful she had been with him, in the end. A man responsible for his own brother's murder, when she herself had lost her brother to the very basest of treachery — what might she have done to him, if he'd been anyone other than the rightful king?

Even as he wondered, he knew that his titles had not been what had stayed her hand in judgement. The Starks had never been particularly pragmatic, mostly to disastrous ends, and for all her intelligence Sansa seemed to have inherited a fair helping of the Tully pig-headedness on top of the Stark romanticism. King Stannis would have had no better luck against her judgement than Lord Stannis or Ser Stannis or even Goodman Stannis; it had been for some other reason she had spared him. He wondered when the bill would come due, and if it would ever be in his capacity to pay it.

Lady Stark had continued on. "I haven't found any record of a message sent back to the Twins, but I doubt the Boltons sent one. Lord Bolton were never much for rousing himself for anyone else's interests, even before he betrayed my family. I sent a raven to House Mallister of Seaguard; he sided with Robb during the war, and the Mallisters have always been loyal to House Tully." This time she handed over a scroll, flattened out but still curling slightly at each end.

It was only a bit longer than Walder Frey's, and about as useful. Blackfish holds fast; they have supplies within to last two years or more, and the siege set by the Freys will not last half a season. Brynden has not called the banners of the Riverlands, for Lord Tully is still hostage to the Freys. But if Lady Stark should call, Mallister will answer.

"'If Lady Stark should call,'" he repeated wryly.

"Lord Mallister bounced my mother on his knee when she was a babe, Your Grace," she said, equally wry. "All the oaths of fealty in the world can't replace the bonds of family and friendship between the northern Houses, even those not in the North itself."

"So I am beginning to understand," he said, handing the scroll back. "So the Twins are undefended at present."

"Most likely — Lord Frey is still there, but the bulk of his army will be at Riverrun." She leaned forward. "I've spoken with Lord Royce; he swears to me that Lord Arryn will bend the knee if you lead the Knights of the Vale and your own army and take the Twins. From there, you'll be able to break the Frey's siege at Riverrun — you'll have both the Vale and the Riverlands in a matter of months."

It was a fine strategy, but Stannis couldn't help but feel vaguely offended by it. "Do you mean to tell me that because you refuse to bend the knee, or promise any of your own army to my cause, you've delivered the Knights of the Vale and a promise of House Arryn's fealty as a...consolation prize?"

Lady Stark shrugged. "I suppose so," she admitted. "But a prize, nonetheless. I've only known Lord Royce since I was a guest at the Eyrie, but he seems an honorable man."

"He's an able commander, which is more to the point," Stannis contradicted absently, frowning down at the desk as he mulled it over. Two thousand men was no very great sum — but the Knights of the Vale were one of the best cavalry forces in the kingdoms, for all that they rarely strayed outside their mountains. With the Knights, Stannis's army could divide and take each half of the Twins in a pincer. It would be over nearly before it began.

"Of course, how foolish of me to consider such petty things as honor," grumbled Lady Stark.

Stannis ignored that. "Which leaves the Iron Islands to deal with. Has Lord Greyjoy sent any word?" Even the honorific stuck in his craw. Balon Greyjoy, the only other "king" to survive the war. Stannis had regretted the man's existence ever since the Greyjoy Rebellion.

Lady Stark shook her head. "Nothing. We've beaten back the last of the Ironborn holdouts, but I doubt they'll begrudge us that. My father always said the iron price never spent well. And they rightly blame the Boltons for whatever might have happened to Theon."

Which was still a mystery, so far as Stannis could tell. Theon Greyjoy had not been found among the dead at Winterfell, nor at the Dreadfort. If he'd escaped, there'd been no sightings reported. "No doubt you'll wish to execute him yourself, if he's found, but it would be better—"

"Execute Theon?" she said, her brow furrowing. "I — no. I don't wish that."

He leaned back in his seat. "You surprise me, my lady. I wouldn't have thought you squeamish after all this time." Perhaps that was his answer: she'd spared himself and Lady Brienne not out of principle but cowardice. In a way, it might be a relief: or at least it would be easier to understand.

She looked away. "Father did always say that whoever passes the sentence should swing the sword."

"That's not an answer. Your kindness does you credit, my lady, but if you show too much your people won't fear you. Which means they won't follow you, when the time comes." He'd said the same thing to her brother, more than a year ago when they'd argued over the fate of the wildlings and the drawbacks of mercy. The Lord Commander hadn't heeded the advice; was it a Stark family failing?

It must be, for Lady Stark sighed in frustration and said, "I don't want to be feared, Your Grace. And though you've failed to notice, I'm in no need of anyone following me anywhere. I'm staying—" She broke off and shook her head. "This always happens," she muttered, an odd smile tugging at her mouth.

He frowned. "What always happens?"

"This," she said, gesturing vaguely at the distance between them. "We can't go five minutes without arguing about something."

"That's not true." She sighed again and he reconsidered. "Perhaps if you didn't contradict everything I said."

"Perhaps if you had sisters, growing up," she countered. "My mother always said Arya and I were more trouble than all five of the boys put together." Her expression darkened and Stannis followed her thoughts — Theon had been one of those five boys. Raised alongside the rest of them, within these very walls.

"I thought you would want him dead," he admitted. "More than anyone else in the North."

She got to her feet and went over to the window, resting her arms on the sill as she looked out onto the courtyard. Stannis rose and joined her: down below were a dozen carts piled high with hay. All around them men and women were busy unloading the bales and stacking them up in a corner, where more workers took them away in a brisk line deeper into the Keep. Each cart was in the courtyard only a few minutes; when it was empty, the driver mounted up again and drove slowly out through the great gates, replaced by another cart yet more heavily laden. Supplies from the Northern Houses, to lay in for the oncoming winter.

"I don't want Theon dead," said Lady Stark after a long while observing in silence. He glanced over to her, but she was still looking down at the carts. "I don't want anyone dead, Stannis — there's been so much death. And more coming, if what Jon told you about the White Walkers is true."

She'd never called him by his name before; indeed she didn't seem aware she'd done it. "I believed him," he replied. "I still do. Your brother didn't seem the sort to make up stories."

"He always was honest to a fault," she said, turning to look at him at last. Her blue eyes were bright — tears, unshed. "I wish he'd come with you."

So did he, he realized. Not for his skill in battle or his perception or bravery: but only so his sister would not look so devastated at his loss. "He took an oath to the Night's Watch," he said, cursing at himself for his clumsy words even as he did so.

"I know that," she huffed. "Five minutes without arguing, is that really so difficult?"

"Evidently," he conceded, and she laughed. A watery sound, and she pressed the heels of her hand to her eyes quickly as she turned back toward the table, but laughter nonetheless.

[winepresswrath]

hi! i always love your MDZS/CQL takes; can i ask what are the questions you think CQL is asking, as compared to MDZS?

I haven't actually revisited either canon in ages, which is making me nervous. what questions the novel is interested in can be pretty contentious all on its own! @mikkeneko has an excellent answer in the notes here which I reccomend to everyone. My own thoughts are honestly pretty scattered- I keep on deleting things and going hm, that's not quite right.

So, for the obvious-to-me example, people reasonably zero in on the creation of innocent doctors/radish farmers who Wen Ruohan is holding hostage. In CQL it's easy to infer that Wen Qing and Wen Ning are maybe the only cultivators and almost certainly the only combatants among the Wen remnants, and their status is much more ambiguous in the novel, which I personally think is asking, essentially, "and so what? were they wrong to run, when they had a chance? Do they deserve what Jin Guangshan will do to them if they go back? Aren't they just people, actually?" Whereas the question that CQL is asking is more to the effect of "What does Wen Qing owe these people, when she is their only defence? What is she entitled to do to save them, at other people's expense? If she fucks up that moral calculus, what then? Does it matter if she's personally fond of some of the outsiders who are going to get hurt? If one of them saved her brother? Later, this question will flip to what Wei Wuxian and Jiang Cheng, and the parallel to Jiang Cheng's situation in particular is, I think, genuinely pretty fun. You're giving up the Wen as soldiers who've laid down their arms in exchange for Wen Qing also grappling with leadership and the question of how many horrors she can stand to look the other way on to protect her own people. one reason I keep deleting so much is that a lot cql's changes were motivated at least in part by censorship, which I think we mostly share a general and justified distaste for! but I also think that within the bounds of that censorship the creative team put a lot of work into actually doing something interesting with those changes. Or, for another example- nieyao! There's a much greater emphasis on the nmj-jgy relationship, it's unambiguously very close and they are clearly extremely important to one another, and I think that's because the cql team has a lot to say about love, trust, power, and the ways those things interact, and that reflects back on all of the other relationships in play, including Wangxian. Almost every time, when CQL chooses change a relationship they make the characters in question closer- that's true for Jiang Cheng and Lan Wangji, for Wen Qing and the Yunmeng contingent, for Zixuan and Mianmian, and Huaisang and Meng Yao. It's even true for Lan Wangji and Wei Wuxian, who have a close and trusting relationship in first life! CQL puts a much greater emphasis on "all right, so you care, what next?" How do you choose someone and then choose to be good to them? What if there's a massive power disparity between you? What if you seriously disagree about your priorities and morals? How do you trust someone who's betrayed you? When is it a stupid choice to trust at all? How do you have faith that you know someone well enough for that trust to be meaningful?

for legal reasons i would like to specify that it's not that mdzs isn't interested in these problems. i do remember wangxian's literal trust fall. cql is asking these questions all the time about everyone. also for legal purposes i'm not suggesting that cql lwj and jc love each other. but! they establish a three month wartime partnership looking for wwx and then jc immediately drops him on wwx's say-so despite apparently having a positive enough opinion of him to tell wwx he thinks they should make up twice. lan wangji will later tell wwx he thinks he should loop jc in on the second flautist! these are people trying to navigate some kind of relationship/shared interest/community, as opposed to a hateful void. cql wants to say hey, how do you go about this? while I'm here and rambling cql also puts a lot of emphasis on wwx's connection to yunmeng and changes things up so instead of feeling alienated right before he leaves our last glimpse of him there is happily picking lotuses and playing with a kid! in both stories the narrative is asking who do you protect? who do you leave behind? can you ever get it back? but the angles are very different.

[applestorms]

i was gonna write a more extensive post about this, but. fuck that i have too many points to write proper sentences rn, here's a bullet point list of my review of sonic 3. spoilers, obviously. tl;dr: i'm a hater

maria is fridged to hell and back, she is such a nothing character i have secondhand embarrassment for the writers every time she shows up. maria exists only to smile in flashbacks and lie in the flowers and go, "noooooooooooooooo, shadow :(( you can totally be whatever you want, dude," and then die on the floor. we don't even get to see her getting shot. fucking rip off.

to clarify-- maria absolutely does NOT have to be a fucking dead wife trope incarnate, imo. she can very easily be used that way, yes, but i think doing so also misses the core of her character and what she means for shadow. part of the appeal of the conversations that maria & shadow have on the arc in SA2 comes from the fact that they are characters coming from a very similar position, both being incredibly alienated from the rest of the world/humanity, daydreaming about it more than they are able to interact with it directly. like, come ON, they literally live on a fucking space station, the symbolism does not get that much more obvious?? it is the fact that maria CHOOSES to love humanity anyways, despite being unable to interact with it/live within it, that makes her words meaningful. jesus fucking christ.

anyways, speaking of. shadow has NO arc in this movie (literally and figuratively. did you seriously put the spaceship in Ohio) and it drives me up the wall. perhaps i'm just out of the loop on the Current Shit, but it feels like Nobody knows how to write that guy nowadays :((

not that i could fucking tell anyways in this particular movie from how little he shows up or SPEAKS. LET HIM SPEAAAAAK. i swear to GOD, he interacts w/ the main cast like three (3) fucking times in this entire movie and two of those interactions are fights. if you want those cute, quirky, somewhat cringe sonic/shadow interactions, you're better off watching the trailer plus whatever clips of the final fight inevitably end up on youtube, since that's basically their only real conversations in the entire movie.

the ending falls incredibly flat because of this. in the last movie, we at least had some decent character interactions between sonic & knux which made their fight and eventual team up at the end that much more satisfying. there was something to dig your teeth into, a back-and-forth that was entertaining (by sonic movie standards) but also established who they were, not only why they didn't like each other but how they could eventually bond. you had reason to care about knux, and reason to root for them to fight together!!

instead, here we got a whole lotta nothing. sonic and shadow fight, and it's cool, and it does all the Sick References and wowie yay clapping my hands live & learn blue/red lights cool. epic. yet i'm still left sitting here like WHO IS THIS BITCH??? WHO IS HE?????

fundamentally, the problem with this movie is that it Does Not Know what it's primary storyline is, or even who the main character is, and it falls flat on its fucking face because of it. there is no focus. sonic maybe barely kind of squeezes out an arc about teamwork and believing in your friends (a repetition of the last movie, i would argue, but whatever). eggman gets a much more hefty plotline about coming to terms with family, which i would be able to appreciate a whole lot more if it didn't feel like the only meaningful story arc in the entire fucking movie. robotnik bullshittery should be the B plot guys, come the fuck on. and shadow, of fucking course, gets NOTHING. he stands around looking grumpy and cool (and very cute, the animators did alright, i'll give them that), and emotes jack fucking shit. i know he's not a certified yapper like some people, but come the fuck on, he can still like. say words. right. RIGHT

is this review even comprehensible even more? i don't care, this is driving me insane. are you guys seeing this shit. are you.

this isn't even just me being a shipper and going wahh wahh no sonadow moments. you put those bitches on the poster why are they not talkinggg. even just an argument would be Great. it was like the one thing sonic prime figured out, why is it so empty here.

this also leads to the fundamental issue where i have NO fucking idea why either of them are so chill with each other by the ending. not only do i not know why shadow is so chill with sonic, considering he was just dead set on ending the fucking world to get revenge and one conversation is not enuf to convince me that he would get over it (even the lowkey suicidal tendencies fall somewhat flat for me since AGAIN. NOTHING), but i ALSO don't know why SONIC gives a shit about shadow!! or why he's so happy go lucky about all this!!! dawg he just killed the closest thing you have to a father. as much as i hate the humans in this series, even i have to sit for a minute and go uhh what? there is absolutely NOTHING to make their team up at the end of this emotionally meaningful other than the bland, surface level reaction of Yay Shadow And Sonic On Screen :) like the movie itself simply does not build up their rivalry in a meaningful enough way to make it feel worth it. one conversation can do a lot, but only if you have the build up to MAKE it mean a lot. aaaaaaaaaaaaaaaaaaaaaaaaaaaaaugh

the ending being almost exactly the same as the beginning thus doesn't surprise me in the slightest cuz like. what else do you do. sonic Does Not have any reason to care about that bitch and neither does anyone else. his actual enemy eggman is presumably dead, so. who cares. a couple good fights then nice knowin' ya man o7 thanks for sacrificing yourself to save the world or whatever

the scene where shadow stalks the individual team members through the remains of their old military base/Ohio Arc stand in or whatever is cool, yes. one single hand clap for that. i like them making him ominous as fuck. but i just-- i need everybody to shut the fuck up for like two seconds so sonic and shadow can talk directly and have a proper fucking conversation before the literal end of the movie, like please just argue or SOMETHING. DO. SOMETHING. MEANING. LIKE A CHARACTER THING. WHO R U

also the eggman/stone shit drives me up the wall. another set of bitch ass writers too scared to make their characters canonically queer, so they bury their gays instead. idfc that they're inevitably going to revive him again, it's still stupid as shit. stone also does nothing in this movie so his internal "conflict" is dumb anyways aaaaskjdflksdjfl smacking my head on the keyboard

there comes a point in this movie where it really does feel like Everything is just about eggman and gerald. tails and knux stop being meaningful characters with personalities outside of quips by approximately the chao garden. sonic's weird human parents aren't even given a meaningful storyline outside of the one time that shadow punches him when they try to set up some miscommunication bullshit or whatever at the end. sonic and shadow fight but even that gets interrupted by... whatever the hell they were doing??? again, all of this would be way less aggravating if those scenes were able to fulfill their actual purpose: side bullshit funnie stuff to break up the serious scenes of the main plotline. unfortunately, this movie thinks a flashback to the traveling wilburys is sufficient to make its main character a complex, nuanced person. face in hands

seriously. why is that scene of eggman & gerald telling stone & shads to get back in the crab a microcosm of this entire film. orz

also also, before someone bitches at me for not paying close enough attention to [x] specific detail or whatever-- anything that you can easily miss on a first watch through should Not be integral to the plot of a movie. istg, i write scripts, i know how this shit works. if your audience can't figure out the emotional arc of a character after one watch, you have fundamentally failed your job as a writer. a flashback is not sufficient character writing, jfc.

and really, that's what it all comes down to, isn't it? the writing. it's always the Fucking writing with these movies. the animation here is, for the most part, fantastic, the voice acting is decent at worst, even the awkwardness of a half-human cast is somewhat smoothed over. yet the writing for these movies never fucking improves-- the jokes are still cringe at best, the references are blunt and unnatural, and the characters. have. no. arc.

perhaps it was somewhat inevitable that we end up at this point. this movie series has already been building up an entire universe of Other Bullshit, and it is here that we feel a lot of that crashing back down. the shelf could only stand up for so long.

i suppose in conclusion, my main takeaway from this movie is that it is an adaptation that fails. it does not understand who its characters are or what they want, it does not know why people connected to the characters it attempts to introduce on an emotional level, and it does not know how to make its own confusing lore work with all of the new details.

[telesodalite]

Been thinking about idw1's outliers lately, and how sort of wild the whole concept is from a worldbuilding standpoint, and it struck me that most confirmed outlier abilities tend to be really useful, or flashy, or powerfully dangerous, and few to none tend to be like, really boring, or totally impractical, or even entirely useless? Which, doesn't really make sense when considering the fact that outlier abilities are seemingly random.

Surely not everyone who's born an outlier gets something useful?

And I don't mean like, "good" useful, but any sort of useful, even if that means you can kill people with your voice, or give a power boost by exploding yourself, those are still "useful".

But surely there had to be some with abilities that were totally impractical, or nonbeneficial, or at the very least just insignificant or purely aesthetic and pointless?

[hood-ex]

I have seen you talking about Dick & Dami's relationship and Dick & Tim as well,but what are your takes on Dick and Jason actually?

Like how you wish their relationship should be portrayed today and where are them missing when it comes to making those two acting like siblings?

Do you think in the past their dynamic was better?

How Dick views Jason and how Jason views Dick?

This is difficult to answer because there are like 8 different stages to Dick and Jason's relationship with various dynamics. They also view each other a bit differently depending on which stage we're talking about.

The way I would like their relationship to be portrayed today isn’t necessarily possible thanks to Jason’s integration into the family and acceptance of the no killing moral code. For me, their ideal dynamic is portrayed in Outsiders #44-46. And I know people are gonna find that regressive as hell but, tbh, that dynamic is far more interesting than the kinda awkward thing they have going on now.

Although, I don't mind that they acknowledge their brotherhood in a serious manner now. Like before they'd kinda be like, "Eh... I mean... we were adopted from the same guy but... brothers? Eh..." And now they're more firmly in the, "We're brothers," camp. So that development is interesting.

Character progression wise, it wouldn't feel right for for them to be super close in the way that, say, Dick and Tim are (unless we saw a lot of trust and relationship building between them), but at the same time, there is part of me that kind of wants them to have that older sibling bond (except Jason is closer in age to Tim than he is to Dick sooo actually let's just leave older sibling things to Dick and Cass... not that Cass is much older than Jason though so LOL this is why Dick has to lone the oldest sibling thing by himself... which is funny because Dick is technically no longer the oldest sibling, he's a baby brother now... except Dick and Melinda's relationship really hasn't progressed much sooo you could say they share blood but don't consider each other family yet, in which case, Dick is still the oldest... I mean, regardless, Dick is the oldest sibling of the Waynes... god why did they have to make all of this so difficult 😫).

[radiantaerynsvn]

this came to me in a vision

[stop-breaking-my-heart-telltale]

if dorian didn't show up, do you think louis would have shot minnie?

I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.

Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.

Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.

Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.

Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.

Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.

If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.

So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.

[yuseirra]

YEAH!! That does it!! I' m going to spam the hikkai tag till it dies!! I am so sorry for being annoying!! It's out of love though! For those of you are with me we need the luck. Bless you all. Also let's play persona 3 reload + episode Aigis together. I still haven't been able to play despite having bought it but I really want to get to it this weekend or so, it's my favorite game. I'm sure you'll all enjoy it! Have a nice day!!

[pa-pa-plasma]

i don't think i'll ever get over how people treat kids that aren't good in school as worthless no matter what. "oh it can't be that bad" my guy idk how to tell you this but the last time i went to a normal high school the principal called me into his office to brag about how he failed me in all of my classes before the semester was even finished & i should quit while i'm ahead cuz i'm too stupid ("officially" diagnosed as such by a school counselor & a psychiatrist!!) to succeed. & this is considered normal

[rouge-fauna]

I think you’re talking about these posts [here & here], I don’t know if there have been others.

I'm not gonna say what I did was right, you are correct I should probably just not respond to asks getting me to talk about other people. I will say for these two posts those people had already blocked me I’m pretty sure, so it’s kinda hard to talk directly to them in that case. And I was not doing so anonymously and had not blocked them so I wasn’t hiding what I was saying. I did not follow them, I am not part of the innitor community, and not that that makes it right but I do think it is kinda different. Though you make a good point, perhaps we should stop this pattern of responding to asks about other blogs and such.

Still, the biggest thing to me I realized, back in elementary school when I first dealt with this, was that honestly all the time we talk about people behind their back. Talking about people when they aren’t always in the room is kinda just inevitable and part of socializing, however I think the important part is how you are talking about other people. It’s when you are insulting them, talking negatively about them to people they know, spreading false information and so on that it becomes not okay. Hopefully that makes sense.

In these cases I merely focused on the lore. I didn’t insult them or talk shit about them, as a person, as a blog or say their takes were stupid or they are stupid or speculate about their trauma or mental history. I just talked about reasons why I disagreed, or saw things differently and why we might see things differently. They were also not the only ones I saw to say similar things so I think in my mind I was making more of a general discussion, not trying to target them specifically. I didn’t post beyond that about them. But you are right, regardless it was probably not the right way to go about things.

But just to be clear, if I am a hypocrite it is not my intention. I haven’t vague blogged anyone or meant to vague reblog anyone. I think this week is pretty much the first time I’ve ever been not naming, passive aggressively talking about blogs, and even then I’m not trying to insult them, trying to cancel them. I’m just expressing that before you go off about how I’m stupid and unable to have a discussion about it, the very least you could’ve done was give me an opportunity to try.

[godsworstson]

nah you're joking. surely you're joking