#sorry for the shorter length!

[carnivalcarriondiscarded]

its here Babey!!! and its Shorter than the first one!!!

[st4rstudent]

people seemed to like the last design so here's another drawing. this time featuring a surprise guest. haha wow whos that guy...

no dialogue ver

[necrotic-nephilim]

i recently remembered DickTim Week 2024 is happening very soon and i looked at the prompts again to see if i could get anything out for it and. the Hades & Persephone AU prompt for day 1 has got me really thinking so here's a vague concept i plan to write.

i've been pretty burnt out on modern Hades & Persephone retellings because of how they always seem to fall into the same generic "innocent wide-eyed girl runs from her evil mean mother into the arms of a dark mysterious man because actually she went willingly and chose to marry him" which has gotten repetitive for my tastes. (for clarity i don't care if this retelling is your cup of tea personally, so long as you're not actively trying to rewrite the original myth and claim untrue things about it, if this is your favorite flavor i sincerely hope you enjoy the buffet i just have little interest in it since it feels overdone for me and exhausted of it's supposed commentary atp)

but? but. biblically accurate Hades & Persephone AU has me all kinds of interested. because wait listen so hear me out right. Hades!Dick and Persephone!Tim, obviously. i feel it'd be more loosely inspired by with themes and imagery (though playing with death and nature powers could be interesting, i haven't decided) rather than explicitly making them gods and all. but. something dark and fucked up where Dick and Bruce are especially estranged. maybe to do with Jason's return, maybe to do with them just clashing and having their usual explosive arguments. and Bruce knows the peace needs to be kept, if he and Dick are at odds then everyone starts to pick sides and things just fracture so he needs a peace offering.

and the peace offering is Tim.

Bruce (the stand-in for Zeus) offers up Tim. agrees to have Tim move to Bludhaven and be Dick's... whatever Dick wants him to be. knowing that with the implication comes the likelihood of Dick grooming Tim. and Tim has no real say and is hesitant to put up a real fight. he doesn't want this, he knows what this is going to imply Dick will do to him, but he also knows if he says no things have the possibility to just... fall apart. so he's the unwilling bride, dragged off to the metaphorical underworld (Bludhaven) with Dick, away from his family, his friends, the life he built.

and on the flip side, i think weirdly enough, your best pick for the Demeter stand-in is *Jason*. just, hear me out on that. not necessarily on the side of it being motherly, but on Jason being just estranged enough from the Batfamily to be the one willing to call it out for being bad and wrong and raising bloody hell to get Tim back. maybe it's because Jason wants Tim for himself, maybe it's truly out of a concern for Tim to have autonomy, i'm toying with the idea of it primarily being Tim's POV and him genuinely not knowing which of these is true. (and the truth possibly ends up being a complicated middle ground) and because i like Helena, i think you can use her as the Hekate stand in, the one who strikes a tentative alliance with Jason and tries to go find Tim and bring him back. Tim stuck with Dick, getting groomed and hyperaware of it, possibly even getting fucked the whole time as well, knowing he can't go back without causing massive issues for Dick and Bruce because well, Bruce did promise him to Dick. so he has to adjust his whole life, try to figure out being a vigilante in this new city with Dick breathing down his neck the whole time.

and then much like the ending of the myth, a sort of compromise is struck that's a shaky deal for everyone involved. Tim is put on an essential timeshare, going back and forth between Gotham, where he has friends and family and a support system, then getting dragged right back to Bludhaven with Dick in this brutal cycle that he slowly gets used to and stockholm'd into even liking it. Dick isn't so bad, once he gets used to the quirks of their unbalanced 'relationship'. the sex is even something he can adjust to as well. not quite a happy ending but one that sits in this realistic grey area that becomes Tim's life.

i will write this, eventually, but i don't know if i'll get to it before DickTim Week ends so by posting the idea i'm essentially putting it out into the world so the peer pressure holds me accountable. i just. really like the potential of making Hades/Persephone AUs as fucked up as they can be simply by adhering to the source material and making it a raw story of being stolen away and forced to like this new home you didn't ask for.

also a less fleshed-out aspect of this idea i have ties into Persephone becoming the Queen of the Underworld when she's taken and how the transition from Kore to Persephone could be reflected in Tim. how he makes the best of the worst situation and becomes something far more dangerous and dark when he's in Bludhaven, possibly takes on a new vigilante name/identity and leans into the worst quirks of his personality he tries to tamper because there's no point in not going full tilt Obsessively Weird if he has no choice anyway and it being one small way he takes back his autonomy, and that inevitably making Dick *more* into him, because he gets to see Tim finally just. let loose.

[fandom-zoomer]

I think I may have come up with the best worst tma time travel “fix-it” au (imho)

Inspired by Ketakoshka's 'dread spawn' idea in their dread child jon series, Dribbledscribbles' origin story for the dread powers and extinction entity interpretation in their extinction!jon fic (and some more of the latter in their post-eyepocalypse fic too), as well as my own love for making unholy (aka fun) fusions of things and sandboxing eldritch interactions with the 'mundane' . . .

. . . I have created a post-canon, Somewhere Else, time travel ""fix-it"" story that I think might be unique (at least I've never seen any fics like it– but if I'm wrong then please please share the link!! or dm me if it's your own work hehe but no pressure!!)

(mag 160+ spoilers after this point!)

(i'm about to wax poetics here (hopefully coherently)—so you can read the story-ramble OR you can scroll to the TL;DR at the bottom to skip it & spoilers to read the nutshell & see if you're interested :3)

so get this...

The big Change happens right? But this time the Extinction is a bigger player in the game than canon, and ultimately deeply marks Jon throughout the eyepocalypse.

So when the finale happens, since Jon is now connected to the epicenter of the whole show, his 'death' and the panopticon's destruction has the simultaneous effect of baiting the Dread Powers into the Hole (via his voice in the spools of tape)– and also killing everyone trapped by the Dread Powers in the world via Jon the walking detonator thanks to being entrenched in the Extinction's influence. —Combining both his best and worst plans and realizing his worst nightmare: killing everyone and spreading the Powers to an unknown number of worlds to wreak even more havoc.

How did this happen?

Simple—but first some backstory for context.

The Extinction was more of a 'lurker', much less "outgoing" than its 'siblings'. And when it was "grandiose", well. . . it tended to leave no survivors. Thus its unrecognition by those like Robert Smirke or Jürgen Leitner.

To go back even further, the Dread entities were originally one cohesive entity with many faces and limbs. Its faces reflected the same developmental complexity as the sources of their manifestation. So those with the most diverse species feeding them held the widest capacities. Namely: the Hunt, End, and Extinction. But being a singular entity, it didn't mean much.

But as human species' family lines develop and grow more complex cognitive ability, more esoteric Dreads developed, and more faces become more complex. And the Extinction was right there from the beginning as more species died out one by one. Quietly. (...maybe? 👀)

Over time humans discovered the Powers and bonded with them, then started to classify them. From here, the Dread entity fragmented into Dread entities.

They developed their own 'consciousnesses' distinct from the hive 'mind' they once were. And, eventually, sapience. Self-awareness. Desires. Personalities. But they were still connected, part of the 'system'.

The Extinction and the Web (newer, but always sapient) are a quirky pair, the Web seeking control over everything and the Extinction seeking ultimate entropy and change upon its catastrophe.

It's hard to distinguish the Extinction exactly, its work misidentified for others with few under its own unique umbrella. Things 'unique' to it get missed due to being a misnomer and not getting clocked. (But that is the nature of the Dread Powers after all.. being a fragmentation of their original singular mass.)

...

The Extinction represents the fear of disaster that will bring about the end of everything—everything you know, love, need to survive. Everything you built, worked for, hoped for. The destruction of stories and of life, of the very history written by your land—your home.

Your community. Your society. Your species.

You.

Annihilated in totality.

The Extinction represents the fear of those that come after you to replace you—worse than you, different from you. Leaving you and your history and stories (the driver of your continued existence) forgotten forever. The fear of life moving on after you, ignorant and apathetic. Your story meaningless, irrelevant.

Your community's story. Your society's story. Your species' story.

Your story.

Erased and written over.

The Web represents the fear of being controlled, fate being out of your hands—by malevolent authorities out of reach, by abusive companions or relatives, by invisible forces far beyond the human comprehension. Spinning, winding, twisting, pulling each decision in your life made for you. Until destruction of the self by your own hand.

Your struggle for change futile. Your feet following the same path. Your fate determined for you.

You forfeit control—your feet march you to your bitter demise.

The Web represents the fear of being conspired against. Scheming, plotting, planning your downfall. The loss of everything you hold dear, worked for, bled for. Spinning, twisting, scripting lies about you. Your credibility falls to pieces, your world shatters, and your story distorts.

You are kept alive by the spreading of your story. And the people have decided to trust the manufactured tale.

You are forgotten—twisted into an image of something wrong.

...

Sometimes they're at odds. Where one seeks to manipulate the threads of everything endlessly, the other seeks to destroy it all so thoroughly, with such finality, as to mutate it– the schemes, the pawns, the gameboard itself.

Sometimes they're complementary. Where you watch as you lose everyone you cared for one by one, spiraling down a path darker into entropy, the irreversible nightmare, and wondering if you ever really had free will in the first place– if anyone did.

What if the end for you really was just another game to them? What if this wasn't their first round? What if you're just the next step in the grand scheme, larger than even your own universe?

Alright, now with that out of the way, let's bring back the question.

How did the Extinction change Jon, and how did this cause the altered result of the finale?

The Web has been there since the near beginning, pulling Jon along and guiding him to his next milestone in the plot. She had known the world would come to an end one way or another, and wanted to bring it about on her own terms so that she—they all—could escape it.

So when the Web saw what the Eye was doing, she had an idea. So she aided their acolytes, seeing her sibling as the perfect way to bring all of them together for the final step. And the Web set her own card onto the board: Jon.

Jon had a natural disposition for the Eye; from stubborn curiosity to the reckless pursuit for answers to even the coldest cases. Whether he knows it or not, his mind is a gaping maw for horrible knowledge—chasing after experiences disguised as answers to his burning questions so dreadful they leave scars on him like sigils of a looming doom.

While he has no affinity for the Web's machinations, he is still hers. She has no issue with guiding agents from across the court, she knows how to share. Especially when it benefits her. Jon archives each event, every little detail, with such care and readiness that he makes the perfect vessel to pull them in—to guide them out. He'd flourish best as her tool in the Watcher's sphere.

After the Watcher's Crown and the Dread Powers came into the world, the Extinction started to make its presence known. It seeped into other Domains and fed on the people's dread for permanent catastrophic change, on their fear of ruin and total desctruction. And as Jon traversed them and lived through their fear, so was he marked by the Extinction.

It seeped into his skin like oil and burned through his veins like acid. It tainted his trails with the radioactivity of human hubris and greed, twisting and mutating both the mundane and Dreadful as he passed. It closed its grasp on him with the tightness plastic rings and infected his Perceived routes with the stench of mountainous landfill and the thickness of city smog.

The Web and the Extinction had a complex relationship, but in this moment they guided the Archivist in synchronous song like a soldier being led to his final mission: dropping the nuclear bomb.

Did Jon know?

...

No.

The twines of manipulation layer labyrinthine over everything, above and below and through every angle and dimension. Even the Nigh-Omniscient Antichrist and his All-Knowing God will never fathom its depths.

He might never know that he helped start the Extinction's ritual: Raze the Earth.

Or that both the Web and the Eye knew and did nothing. (honestly, the latter's only there for the show)

So when Martin stabbed Jon and Melanie lit the gas mainline, the threads around the world snapped and the glowing light of humanity's greatest sins exploded over everything—

—and they prayed—

—and they wept—

—and the Dreads rushed out torrentially. (pulling a few strays with them)

Now for the part you were all waiting for (well I was)—the Heart of this AU

The Dread Powers and the ones who were dragged with them were transported Somewhere Else– a parallel world in a parallel universe. But they were. . . Changed from their previous/original selves.

The tag-alongs—Martin & Jon of course, but also Annabelle Cane, Oliver Banks, Simon Fairchild, and Arthur Nolan—replaced their parallels at birth, and gained partial or full amnesia to their past lives. But their personalities are altered, reflecting some aspects of their pre-finale personalities.

Except for Jon. Jon, the Pupil of the Eye, the Warhead of the Extinction, the Spools of the Web, the Archive of the Dreads and linchpin to their escape. . . was significantly destroyed in the center of the storm. He got it and so much worse—a stick so short its existence was inverted.

While they did get reach the new universe, they had to reconstruct their linchpin/Archive that they're still connected to so that his total destruction doesn't tear them apart as well (being an Extinction avatar that's now deeply connected with them, he's capable of "taking them down with him").

When Jon was reborn, he was literally thrown into the world like a meteorite, landing with an explosive blast that rendered the surrounding area a lifeless wasteland in moments. High radioactivity and a deathly curse left few flora or fauna returning before wasting away soon after. Those that 'survived' did so by being infected by the Extinction or Corruption.

It would permanently remain uninhabitable, and it would take months before the withered stillborn spawn of the sapient eldritch Dread Entities would crawl out of the jagged crater on its own, none the wiser to its tragedies.

TL;DR

The Web manipulated Jon's attempt to put a stop to the Entities' reign, utilizing the Eye's easy influence to help the Dreads escape the world and into a fresh new one before they were also destroyed in the Extinction's "Raze the Earth" ritual (set up by using Jon to weave toxic-filled veins throughout the world he was traversing that'll explode at once 'grand finale' style).

Jon, now deeply binded to the Entities' purest forms and still an Extinction time-bomb, was mostly destroyed during the trip to Somewhere Else and the Entities had to reconstruct him so his death wouldn't destroy them too. This led to Jon being reborn a near completely different being (with some of him preserved) as functionally the direct spawn of the Dread Powers, replacing his parallel counterpart from the new world.

[astrobei]

last chapter of a body in motion out……. Soon…. (i broke 20k on this chapter last night) (send help)

[silverfoxstole]

This 1880s Emile Pingat dress from the Met Museum is a perfect example of how velvet can completely change colour depending on the lighting. Now, what does that remind me of? Oh, yes…

I do still wonder why they chose green given brown would fit better with the rest of the costume. Maybe they thought it was brown? Which begs the question: is it green velvet that looks brown, or brown velvet that looks green?

Hmm….

[stormy-nights-are-best]

Hey WHAT if I made your turtles [shiny emoji] slightly more scientifically accurate [shiny emoji]?

I'll start with the Disaster Twins.

Alright, so Leo is a red-eared slider turtle. At first I was skeptical about his blue shell and horizontal marks, but then with some research, I found red-eared sliders aren't always just the most gorgeous green - I found this lil blue gal in the pic! - AND their stripes CAN have some wiggles that make horizontal lines (first pic tart has one on its shoulder). So I didn't have to change those!

I did give him some actual stripes and plastron marks (there is no red-eared slider without those, plus they can be blue too so it suits him) though.

And a long thin tail because I'm okay with Trans Leo (male slider have short thick tails like in pic 2)

It was hard to figure out which type of spiny softshell Donnie was at first, but I was being dumb. It's obviously the Northern.

I started this whole project to fix Leo and Donnie's markings and DANG IT THEY'RE NOT INACCURATE- Spiny softshell turtles can have purple marks just fine (I'm pissed) so I let him keep his cool tech markings and just fixed his plastron. Picture one is a softshell's plastron, in case you hadn't realized. I know I took a while.

And!! Spiny softshell turtles have U-shaped nostrils. That's very important.

The hands and feet I gave Donnie are a little different from all the others' because so are spiny softshell turtles'.

But I think it'd be comical if the guys still couldn't tell the difference between the twins without their color coDING

OH, YOU MUST HAVE NOTICED LEO'S PERFECTLY FINE AND RAPH DOESN'T HAVE A HOLE IN HIS SHELL! That's because those are gonna be all in that time gap between the end of S2 and the movie.

If you WANt scientifically accurate post-movie wounds though.... Here's Leo's.

[no1ryomafan]

I know that every genre to ever exist is really just a ever growing evolution process, every single thing within a genre is influenced by each other somehow just each thing retools things to make it its own identity, so seeing overlap between things isn’t shocking but I gotta say: Mecha’s influencing each other will always fascinate me because the tiniest detail will be used in something that was ripped from another show. What do I mean by that? Well it’s only DAWNED ON ME that Roger’s watch in Big O is CLEARLY inspired off of Daisakus in Giant Robo!

This is such a obvious detail given Giant Robo is the mecha influence Big O takes-it wasn’t just “Batman but mecha”, it pulled a lot from this-and the robot itself feels inspired by Robo, but I hadn’t noticed the watch detail because of how it’s retooled in Big O.

In Giant Robo, the watch is used to command the robot, but in Big O, since Roger pilots the robot, he uses it just to call his robot, so it’s way more minor in that show but it’s still so clearly inspired off of Daisaku commanding Robo in battle.

It’s not only a homage but it’s making something new, for potentially maybe another mecha to pull from, and more to come after. This genre is so fucking COOL.

[roboyomo]

don't you think that there is someone missing? someone important?

partially a reference to one of my whiteboard azranix drawings

[armenelols]

By the way. Buying jeans in stores is impossible if you are shorter than average and they are gonna drag behind you like a veil. Have fun tripping on them (It's me. I am short)

[void-occupation]

The O'Carrick Curse

I just talked about a headcanon in the comment section of a fic that I just read, and realized that maybe I should post it here too.

In the fic ("who you are" by mipmaps on A03) Will ends up offering the surname 'Treaty' to Halt, who accepts, which I am absolutely in love with because of the headcanon that I am about to share with you guys.

I feel like Halt sees the surname "O'Carrick" as a curse, especially when he considers how miserably and/or tragically every O'Carrick (that we know of) has lived and died.

~ Halt mentioned that his parents argued all the time and were pretty much straight-up neglectful to everyone but Ferris. (I also headcanon that they were abusive, but I'll go more in-depth about that another time).

~ Ferris was so blinded by greed that he tried to kill his twin brother multiple times over a throne, and did so terribly at being king that he was most beloved by the people when that same twin was pretending to be him - not to mention that when he finally started to do better, he was instantly murdered for it.

~ Caitlyn spent her childhood being neglected and forced to grieve as the one person who truly cared for her apparently died, and she was the only one who really knew who was behind it. She also spent her whole life being sickly, and it was eventually what killed her, leaving her son (who I'm sure Halt was grateful didn't carry the same name) alone with her snake of a brother.

~ And Halt. He was also neglected his whole childhood to the point of being so afraid of hurting his parents' relationship that he would rather run away and leave everything he had ever known and loved behind then tell his parents that his brother was trying to kill him. Speaking of, his twin brother - with whom he spent his entire childhood, and loved in a way that only twins can - tried to murder him on three separate occasions for a throne he didn't even want in the first place. Shortly after this, Halt lost the man who he had come to see as a father, and had to deal with the survivor's guilt brought on by being saved by Will's parents, and leaving Will himself orphaned. He also didn't tell a soul about who he really was until literal decades later. He had to give up a second home in order to save his son apprentice that he felt responsible for losing in the first place (whom he has almost lost multiple times - the majority of which he felt responsible for). Then, he lost the man that he considered a brother (or perhaps a lover????). Not to mention the fact that by book 8 - aside from Sean - his whole family was dead.

I feel like Halt was bittersweet about his standing as the last of the O'Carricks. One reason, is he's glad no one else has to carry the burden of the (in his mind) cursed name. A part of him however, wonders if perhaps Halt was the curse all along. That was another reason that Halt didn't offer Will the O'Carrick name at his graduation, he was afraid that sharing a surname with Will would leave his former apprentice vulnerable to his curse.

When Will first offered his surname to Halt, the older ranger teared up, and Will was startled when Halt seemed to be on the verge of breaking down.

Before Will could start apologizing, Halt found himself pouring out all of his thoughts about the curse that he had feared his whole life, and his fear of inflicting it on Will and causing him the same misery. Will was completely stunned, because the only other times Halt had been this vulnerable were when he was telling Will about his mother, and when he spoke about his own childhood, and even then, those times were nothing like this. He had never heard this self-loathing from his teacher before but as he processed the words, he realized that it must have been hidden deep within Halt all this time.

Will took Halt's hands in his own, cutting off the older ranger's uncharacteristic rambling, and looked deep into his stricken eyes. "Halt," his quiet voice cut through Halt's mind like an arrow, "You are many things, but a curse is not one of them." Halt's eyes misted over, and it was all he could do to maintain eye contact. Will had never seen this level of vulnerability and hurt in his teacher's gaze, and he would do anything to take his pain away.

"You are not a curse, or a burden, or a monster, and it is not your fault that things with your family turned out the way that they did. You were as much of a victim as they were, if not more so." Here, Will took a deep breath, and bent slightly to maintain eye contact with the Hibernian whose dark gaze had drifted downwards to hide his shame. "Do you know what you are?" The soft question was rhetorical, for Will needed no one to give him answers besides his own heart and memories, "You are a protector, a kind soul, and the greatest man I have ever known. And I am proud beyond belief to call you my friend, mentor, and father."

At this, Halt's gaze snapped back up in shock. How could Will still say that after seeing him like this? After all the broken promises, and the hurt and heartache cause by simply being associated with the former prince? However, before he could speak his thoughts, Will plowed on. "I offer you my surname, not out of a sense of debt or obligation, but because I love you, and I wish for the world to know that we are family, and nothing - no self-believed curse, no painful pasts, and certainly no self doubt - will ever stop me from seeing you as my father. I offer my name because I see how much pain your own brings you, and if I can do even one thing to show you the same care you have always showed for me, then I will gladly do so."

By this time, tears had begun to flow freely down Halt's face, and Will's own eyes burned as well. Slowly, Halt nodded and whispered his acceptance which Will had to strain to hear. The younger ranger pulled his father into a strong yet warm embrace that he could only hope expressed the love he had for the slight man before him.

As Halt melted into the embrace, he felt as though a weight had been lifted from his shoulders, and though it would never truly leave him, the pain of his curse finally melted away as accepted the family he had feared for so long.

[burningcomputerpersona]

ahhhhhhhh guess who made the mistake of getting a haircut

[perilegs]

i cut several inchess of my hair off (it reached past my shoulders now its back at like. chin/neck length) and no one at work has said anything bc it still looks the exact same

[townofcadence]

Starter for @ama-tcra-su!

Hm. Where next?

The detective had asked for a few days on their last excursion, and he was more than happy to oblige. They needed time to go through all the information they had anyways, and to wait for new leads. This artifact Opal had requested his help with was turning out to be...trickier, than he hoped.

Still, at least he didn't have to worry much about anything. She'd financed the trip through her boss, setting him up as some kind of 'consultant'. Home was literally a hop, skip, and a jump away too, should he need to return for anything. His bag had most of his supplies, but there were a few things he could see himself going back for, should he need to, and as long as he was near a ley-line, he could easily find his way back and forth.

For now, he focused on the task at hand; he needed to check out at least a few places to at least narrow things down (and not put the detective in such needless danger again). Rural Japan was a bit harder to navigate since they didn't accommodate as much for English-speaking visitors on the signage, but he had maps and translators saved on his phone so he wouldn't need the internet to find them, and plenty of battery. It would be serviceable until he saw the detective next.

The next place he wanted to check was near the mountains-- it was a small spring near the base. It'd be a long walk though, without any roads for vehicles. He didn't mind, though the isolation of being so far from quick transport did leave him on edge, given last time. But still, he went.

The spring itself was beautiful, as was the town built around it. There was an unsettling feeling in the air the closer he got to the base of the mountain and the source of the waters themself, but there was nothing truly malignant about the place, either. As far as his senses seemed able to pick up, it was a tranquil place, but one laced in power. A held breath-- that was the best way to describe it.

Still, no sign of that special amulet artifact thing. He wasn't surprised; given the impulsive decision to venture here, if it had been a success he would've been floored. His luck just didn't work that way.

But at least he'd get to enjoy one thing from the trip. It was the perfect place for a break, before the long trek back to heavier civilization. It was serene, and there was a sweet scent in the air. The running water too, was a comforting sound, in a place that was-- kind of overwhelmingly not like home.

He found a space in the grass, and took out a water bottle from his bag. The sun was warm and the breeze was soft. He allowed himself a soft hum as he soaked it in. He'd head out in a few, then check another place. But just for a moment, it was nice to breathe and-- be a person, almost.

[sorrymcm]

truth be told, sujin's been busy the past week. he hadn't meant to be, but a surprise visit from one park joonwoo had left him uncharacertistically occupied. it's not often he can see his friend in person now that he's moved abroad, and it was dangerously easy to get caught up in the thrill of seeing an old friend. still, it'd left him with little time for anything else until he'd driven joonwoo to the airport ... anything or, really, anyone. namely, kit. who, really, sujin shouldn't even be worried about seeing — it's casual. they're casual and this whole thing could end at any time, so sujin shouldn't be feeling bad that he'd only exchanged a few messages with kit while joonwoo was visiting because realistically, kit probably doesn't care. and yet, here sujin is at his door directly from the airport. they'd come straight here without thinking, a strange sense of guilt and something else urging him to see kit as soon as possible. he doesn't want to think about whatever he's feeling right now.

"hey," he says as soon as the door opens, feigning casualness. "i just dropped joonie off at the airport, wanted to come see a pretty boy before i head home." did he almost say my pretty boy? maybe. / @weedzkiller.

[zoophagist]

not asking in a rude way! reading the full backstory is not necessary as long as you read the smaller "about" stats-style page) i'm just very curious to know how many have done it. i'm pondering if it's getting enough use and if i could/should change anything to get more folks reading it, so thoughts would be appreciated! i am opening my virtual door to you and asking you to come sit by the fire with me, have some tea, and tell me your opinions on the bio pages.