#sorry for the ramble about the writing

[sarcasticsciencefictionwriter]

Ask meme: 🍓, 🍄 and ❄️

Hi!! Thanks so much! :)

🍓⇢ how did you get into writing fanfiction? 

Hmm. I actually don't remember exactly. I've always loved writing.

I started writing original stories when I was pretty young and when I was around eleven? twelve? I started writing about OCs for Warrior Cats, but abandoned it after a few months.

I didn't even know fanfiction was a thing until I was about thirteen, when I stumbled across it for the first time, but latched on to the idea once I had.

I didn't pick up fic writing again until I was about nineteen/twenty. I wrote some Fantastic Beasts fics, only one of which I actually finished during that period. I dropped out of that fandom and dropped my fics (I did go back and finish two and publish them last year, but that was solely for the sake of my writing growth and the fact I had poured so much effort into them, not because I wanted to return to the fandom).

This time around, what got me into it was I was watched Sanctuary and just absolutely fell in love, which spurred me into imagining all sorts of different things for it. I figured I had the skills and the time to try and write for it, so I jumped and never looked back.

🍄 ⇢ share a head canon for one of your favourite ships or pairings

Oooh. This is for Helen/John. It leans strongly towards John, but it directly impacts their relationships.

My headcanon here is that when John started having murderous thoughts, he threw himself more into the relationship with Helen. Trying to distract himself, trying to prove that he could still be the man that he was, for her.

Helen, of course, noticed something was up, but didn't really put much thought into it, because John was hiding his real emotions from her and so what if he was a little more attentive than usual?

But then John started to get the urge to kill Helen herself, so he did end up turning to the prostitutes. And then the reverse happened. He threw everything in reverse and broke off the engagement (not Helen) without explanation, basically abandoning Helen and, by proxy, the rest of the Five.

So, John was the one that broke off the engagement and that was the final push Helen (and James) needed to dig a little deeper and realize that he was the Ripper.

I headcanon John being the one that broke it off hard, because in my mind it's the only thing that really works with the short timeline of Ashley's conception -> breaking up -> discovering he was the Ripper -> Helen shooting John when he killed Molly.

❄️ ⇢ what's your dream theme/plot for a fic, and who would write it best?

Hell if I know. 😂

Oh, wait, there is one that I looked for when I got into the Sanctuary fandom, but could never find.

I would love to see a multi-chapter story covering Helen's pregnancy with Ashley, starting at the reimplantation and ending with her birth. Along the way we would see her relationships with those closest to her at the time (James, Biggie, and Henry) effected and possibly changed as she goes through this huge emotional time that she's waited for for so long. Of course, along with her feelings about Ashley and John too.

I....I have no idea who would write this best. It's such a rare theme in the fandom (especially a fandom so heavily devoted to Teslen), let alone doing it to the length I'd love to see.

Maybe me, because if I can't find a fic I want, I usually write it.

[bizarrelittlemew]

i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us

[jonnywaistcoat]

When writing, did you ever suffer from a fear or underdelivering or misrepresenting a topic? If you did, how did you overcome it? I enjoy writing but rarely bring it to the public out of fear that I am either not doing good enough or badly portraying the themes or aspects of what I write.

Absolutely, and on the one hand it's a very healthy fear - it prompts you to do your research and be thoughtful in how you write. On the other hand you've just got to accept that occasionally it will happen. Inculturation is a hell of a thing, and leaves us all with a thousand kneejerk preconceptions and perceptions of the world, some benign and some downright awful. And sometimes they crop up no matter how thoughtful you try to be. And you gotta understand that when it happens and people call you on it, you just have to take your lumps and learn what you can from it.

It doesn't help, of course, that the words you write are only ever half of what your audience reads: five people reading the same book are reading five different books, each filtering the text through a lifetime of psychology and experience. And they will find themes and problems in there you never even considered, and they will also find resonances and beauty in your work that you could never have foreseen.

At the end of the day, writing stuff thats meaningful to you (hell, writing anything at all) is a messy, bruising business, and anybody who tells you there are simple solutions or clear rules to follow is either lying to you or to themselves.

But you can't let it paralyse you. Its like if you're playing football and you're worried about falling over. It's a reasonable fear and you should do your best to avoid it, but occasionally it's gonna happen, and unless you want to spend the whole game just standing still in a field, you've kinda just got to get on with it. Just try not to be one of those writers who's always taking dives and... screaming for the ref to get a free kick? Hm. That analogy may have gotten away from me. I don't actually know much about football.

Point is, I'm aware that this isn't the most reassuring writing advice I've ever given, but yeah, its a messy, scary business. Just do your best. Be thoughtful. Be kind. And always do your research.

[catscidr]

// taking care of your dogboy (hsr edition!) //

i. note — sry i havent been posting yall i got a job + ive been working on three cosplays at the same time bc my local con is coming up lmao (´ཀ`」 ∠) however the brainrot never stops. it only takes a break. a little break of approximatively. a month. ish. ......... anyways dog hybrid hsr boys brainrot !!! lmk if we want more of this with more boys •ᴗ• comments and asks are appreciated hehe ii. includes — blade, gepard, boothill and gn!reader iii. cw — slice of life stuff turning into smut, possessive behaviour, overstim, slight dom/sub dynamics, real messy stuff, manhandling. use of the word "hole" to keep reader gender neutral iv. wc — 1,9k

blade is a mutt riddled in scars and dirty bandages from living on the streets and fighting to survive.

you think he might be some german shepherd mix, but he refuses to let you swab his teeth n gums for a dna test (last time you tried you narrowly avoided a punch to the face. he apologized in his own way afterwards), so whenever people ask, just say he’s a rescue to avoid revealing that you actually just… don’t really know what breed he is. they usually drop the subject and simply go on their merry way, seeing as he wasn’t the type of pup to appreciate affection from strangers anyways– it’s rare for you to leave the house in the first place, though.

you had to switch to a remote job because blade is just so persistent when it comes to you. although possessive is a much better descriptor, because he doesn’t let anyone near you. whenever you leave to get groceries he ends up practically breathing down your neck from how close he gets— acting as if he were your literal shadow— glaring at everyone that gets too close to you. you’ve made it a habit to always go to self-checkout lane so blade doesn’t scare off the cashiers.

the second you get home he’s all over you, determined to rid you of that outside stench and replace it with his own. you started packing your grocery bags in a way that nothing will break if (read: when) you suddenly drop them on the floor, all because you’re so familiar with blade’s impatience.

he holds you still by engulfing your body with his, knees caging your hips as he grinds into you, shallow and deep. blade’s growls and huffs fill your ears just as much as his cock fills your hole, his knot kissing your tightness from the outside.

“do you like this? like how i have to fuck you every time you decide to go outside again when you could stay here,” with me blade omits, his tail swishing back and forth on the bedsheets behind him, the sound just barely grounding you to reality.

your grocery bags were long forgotten on the foor (as they usually are), your mind too foggy to function. clawing at the sheets, you try to crawl away from blade’s grip— to no avail.

he tuts, craning his head to bite down onto the skin where your shoulder meets your neck. “i might just need to mark you for extra precaution,” he bucks into you, knocking the air out of your lungs. you hear squelching, the constant plap! plap! plap! from his thighs smacking against your ass and whine, broken babbles leaving your kiss-bruised lips.

“b-blade, y’can’t- ah,” he shushes you by plugging you full of his lengthy cock, his knot almost threatening to press inside of you. you whimper, feeling lightheaded from a mix of both nervousness and arousal.

he soothes the hickey he left on your neck, licking it languidly as he stills to bask into the way your hole throbs around him. warm and tight and oh so tempting.

“shit, wanna fill you. wanna… have everyone know they can’t have you. you’re mine, mine to love ‘n mine to fuck,” you’re not lucid enough to process his thinly veiled confession, too busy writhing your ass back against him in a feeble attempt to get him to continue moving.

you might want to invest into some good concealer or into those skin coloured tattoo patches to cover the bruises and bite marks blade’ll leave on you if you want to continue being a functioning member of society. you can’t really be walking around in public as if a dog had just mauled you right before you left the house, can you?

gepard is a golden retriever because of COURSE he is. similarly to blade, he likes to invade your personal space a lot— not because he’s possessive, but because he’s extremely protective of you.

the random bruises you used to randomly notice on your body faded as soon as he came into your life. gepard’s soft, lingering touches healed them; gently placing a hand on your hip before you bump into sharp furniture so it doesn’t hit you, redirecting your head to his shoulder as you nod-off in the train before you bang your head, and so on.

it’s a full-time job and he’s working 24/7, always on the lookout for anything that could possibly hurt you as you saunter off… wherever, without a care in the world— because he took care of everything!

he would clean the apartment for you, cook (though you usually insist you do the cooking; a human doesn’t have the same taste in food as a hybrid), and even act as your own personal alarm clock. gone were the days of being woken up by loud, blaring beeping. gepard woke you up with forehead kisses instead, making your mornings much more pleasant.

but poor geppie, he’s always taking care of you; so take care of him, won’t you?

every so often you’ll sit in his lap to help him get rid of whatever stress he held in his body. your hands will knead at the muscles in his broad shoulders, all while you simultaneously kiss away the strain in his face. his brows are furrowed as you do your best to soothe his muscles; you never forget to smooch his cheek, nose and the corner of his lips.

though the attention and gentle acts of affection always ends with your hands lower than they should be.

“ah ah, no touching, remember?” you murmur in his ear playfully. you had been at it for what felt like hours; gepard’s cock and abdomen was smeared with the remnants of his cum, skin tacky from his previous loads. your hand shows no sign of stopping, not even when he begged oh so sweetly.

“c-come onn. just… jus’ wanna kiss…” and who were you to deny your sweet boy? your lips find his in a heartbeat, his tongue swiping over your own sloppily as he breathes you in like a depraved man.

the only condition you had when you did this was for him to keep his hands to himself— at least until you both decide to move on to something else. until then, his fists clench the sheets beneath the both of you, and his ears stay flat on his fluffy head.

“i’m… i’m close again, g- aah, please, please…!” he begs, cock weeping precum as you continuously jerk him off. you smile, absentmindedly rocking your hips to the rhythm you held him prisoner to— gepard was too engulfed in the warmth of your hand to notice, anyways. “cum whenever you want sweet boy,” you purr, and he keens as he buries his face in your neck, his hips lifting off the bed ever so slightly as they meet your hand and he thrusts, riding the high of his orgasm.

sticky cum coats your hand for the nth time; you relent your grip on his cock for his sake, instead choosing to shower him with chaste kisses all over his face. gepard whines, taking ahold of your waist weakly as he breathes into the crook of your neck.

“geppie, your han-“ he cuts you off, swiftly switching positions so you’re now laying on your back as he hovers over you, chest rising and falling quickly, catching his breath from the intensity of his orgasm. gepard’s tail wags slowly behind him as his hands creep up from your waist to your chest just as slowly- you feel his cock harden against your pelvis, precum spilling from his pinky tip.

“‘ts my turn now,” he huffs, leaning down to nip at your neck.

boothill is the most obnoxious dalmatian hybrid you’ve ever seen (not that you’ve seen many, or at all). but he’s made your life so fun so you can’t be too mad at him

he’s always dragging you out of bed to go do something— could be going to the park nearby or sit in the living room playing video games on your dusty console, it doesn’t matter because he’ll MAKE you step out of your cozy nest!!

you’re glad he’s friendly, because you’re not sure how you would handle such an excited hybrid when you left the house. people come up to the both of you to chat and he indulges their questions, essentially leading the conversation (while you stand there awkwardly, not knowing what to say).

boothill is also great with kids, unexpectedly. 9 times out of 10 when you go to the park he ends up playing with someone’s child, bright smile on his face as he messes up their hair with a rough hand. they’ll throw a frisbee for him to go catch and he’ll do it happily, or he’ll even… teach them how to beat people up.

(you stare mortified as he teaches a little girl how to throw a proper punch only for her to then punch her parent when she leaves boothill’s side. you go up to them and apologize profusely, forcing boothill to bow with you.)

he also loves to help you out, even though he’s not the greatest at household chores— but he definitely tries! though he is a stellar cook, which never fails to surprise you whenever he’s on dinner duty. he just… really sucks at everything else.

it’s… mostly because he just has so much energy. he sweeps the floor? nope, he’s picking off the pieces of the broom off of the floor because he accidentally broke it. he’s fixing your bed? nuh uh, you’re throwing out the ruined bedsheets because he accidentally tore them to shreds somehow.

so, with all of these accidents happening because he’s just brimming with energy 24/7, you started purposely exhausting him. or, rather, gave him the green light to exhaust you until he tires himself out.

“booth-aah, w-wait, you’re being too…!” you fall over on top of his hard chest, keening at the new angle his cock reached inside of you. he repeated his assault on the spot that made you see stars as your jaw gaped, broken moans leaving your lips.

“don’t tell me y’re tapping out.. haa, already!” boothill grunts, his grip on your hips tightening. he throws his head back with a loud moan, abs tensing as he nears yet another climax— the 5th one of the night. maybe, maybe not. you lost count after the third one.

you bury your face into the crook of his neck, focusing on the feeling of his cock plugging you full instead of the soreness, the burn in your muscles that came from your knees holding you up on his lap.

watching you riding him will always be his favourite thing in the world, even if he always ends up fucking up into you and taking back control at the end of the night.

“gonna cu-uum…” you whine, clenching around his length almost painfully tightly, hearing his breathing hitch as an orgasm is ripped out of him in consequence to yours. boothill’s fingers dig into your ass, his hips lifting off the bed as he cums deep inside of your sloppy hole again, sticky fluid building up beneath the sheets.

you collapse on top of him fully, chest heaving against his own as you come back to your senses, slowly but surely. boothill’s ears perk up, hearing how your breathing had evening out.

“so… got another round in ya?”

[miitopia-cake]

I wish some aces would stop excluding other aces with complex sexual experiences. like I get why but you have to realize that being ace does not mean they don't enjoy sexual experiences and it's weird when you complain about allo people and boil it down to "people who have sexual experiences" and also shame people for their sex life and kinks as if your own community doesnt INCLUDE those people. because there are other aces out there who still masturbate, who feel sexually attracted to their own body, who barely experiences sexual attraction but still enjoys sex, who like consuming sexual media, who like sfw kink. being ace is so so much more complex than just "disliking sex". and also aromantic exclusionism in the same genre of posts is something i see a lot. especially aro allos. I hate hate hate seeing a community that SHOULD be inclusive boil down sexuality and exclude people.

[800db-cloud]

i’ve been wanting to do this since day one

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

[xxplastic-cubexx]

Chat have we discussed drunk chess with cherik cause i just think. That would be the darnedest silliest thing they could do

[chronicowboy]

something id really like to talk about is christopher's role in this episode. like we knew there was going to be jealousy about eddie and tommy but ive been wondering since the synopsis dropped if there was going to be any mention of christopher. and not only was there mention, but there was so much and it was so rich? buck worrying about tommy meeting chris and being replaced in that aspect of the diaz's life, "i don't think you should lie just to ingratiate yourself with a child", christopher's star wars rankings that buck clearly knows by heart, eddie asking buck to watch chris on karoake trivia wednesday, tommy bringing chris up in their conversation and making it clear that buck could never disappear from the diaz's lives in any way because of how much chris loves him and how obvious that is even to a relative outsider. like yes i'm obviously incredibly focused on bi buck and so fucking emotional about that. but the fact that they made christopher such a big deal in such a big deal of an episode for buck speaks volumes. and i'm just so fucking grateful to the writers for that because it would have been so easy to leave that out to fit more in.

[deimosatellite]

like idk it just seems actually nefarious to take one of the very few widely known instances of queerness in older history being a symbol to show queer people that we've always existed and aren't alone for CENTURIES and taking away the queerness from it. like. i know some people say that ''the queerness isnt important in the book" which i mean in my opinion i could go off for 10k words in an essay as to how basil's love for dorian is integral to the story BUT EVEN APART from that its really just. having a real explicitly queer character in such an old and widely regarded classic novel is HUGE for queer history and this is just. literally like. its 2024. why are you doing queer erasure to DORIAN GRAY

[ywuji]

BABE! wake up!! new yuuji character description dropped! (link incl. spoilers for shibuya arc events)

yuuji lives to fulfill his roles, and this doesn’t change when he becomes your boyfriend. (f!reader & nsfw under the cut!!!)

he’s the sweetest, you think. always updating you on what he’s doing. even though he goes to the heavens and back on days that he’s busy, he’ll always make time to send even a little ‘i miss u ;(((((😭😭🙁❤️’

when he’s finally free, it goes without saying that he tells you about everything that kept him away, even the tiny little things. one week in particular, this included a daily update on a tiny rash on the underside of his buttcheek.

he’s also never shy with his praise and words of reassurance. also with soft, gentle touches, and actions that let you know he cares. he loves you and he makes sure you know it.

it’s not just you he lets know either, it’s his friends, his “brothers”, his teachers, and maybe even random strangers he happens to meet during the day. he takes all the opportunities he can to bring you up in conversation.

”oh that’s my girlfriend’s favourite flavour too...!!”

“oh yeahh...!!! my girlfriend told me about that the other day,”

“oh sorry, i’m busy. ‘m seeing my girl later tonight n i wanna look nice for her so i’m getting ready. tomorrow...? noo, sorry. she’s staying the night tonight so we can spend tomorrow together. …next week? ahh i’m sorry, i—”

even when he’s out with other people, he’s got you on his mind, taking random pics and selfies of things he’s doing, sending them to you accompanied by silly little captions. ‘kugisaki doing choso’s makeup! they miss u baby!!”

very specific hc but also whenever he does a live on whatever app, he’s always talking about you to the people watching too.

“guys i just miss her so much :(“

‘ji i’m watching ??’

“hi, babe. yeah i know, but i still miss you ;(“

he’s the cutest!

nsfw under the cut!

naturally, this also translates to the bedroom.

as your boyfriend, his sole goal during sex is to satisfy you, and god does he do that and more. your moans, your sounds, your body. he loves it all and has to show you.

yuuji’s into overstim—for you and consequently himself too. he genuinely cannot get enough of you. he needs to give you all his big, heavy balls can give. whenever you have sex, it’s always at least two orgasms for you, though it’s usually more than that—you both 'have the time', he tells you. his fingers, his tongue, his cock, and toys even, he’ll use anything and everything to make sure you’re cumming.

“y’look so good, baby, feel so warm… mhm, can feel you squeezin’ on my fingers… so cute.”

“a-ah…! my pretty girl.. my pretty fucking girl.. please cum, baby… just one more... please…”

“please, baby, i love you, please, please, can i cum inside, baby? inside..? please?”

his fav position is missionary. the mere idea of you laying there, all pretty n spread out for him will never fail to get him hard. he loves it’s so easy for him to lean over you and shove his mouth onto yours, as he mercilessly fucks his hips into you. he’s gentle but unrelenting with it—he doesn’t mean to be this intense, genuinely, it just happens that way. he just loves your so pussy much.

being able to see your face is probably his favourite part of the position though, watching your changing expression as he switches from a fast to slow pace and back to fast is something he wishes he could witness time and time again, so he makes it happen time and time again. (highest sex drive in the franchise if i may say)

he loves going face to face with you when you’re both about to cum. it’s hard for him to not fall onto your face when his orgasm hits, he can’t help it when your pussy feels ‘too good’ clenching so tight on him like that. he makes sure it doesn’t happen though, he would never want to hurt you.

when you manage to pry yourselves off of each other, he’s quick to tend to you. moments ago he was making you shake and cry from pleasure, and now he’s stroking your hair, massaging your chest, and talking about some random food craving he’s getting.

his aftercare is so lovely n he’s goofy with it too. so many side pokes, and dick, and butt, and pussy jokes, but you don’t mind. it’s him and you love him.

[forlorn-crows]

thinking about the precious few guitars copia probably has for casual playing & songwriting. an old acoustic. a bass and an electric. maybe one of them he's had for years, even before all this cardinal business came about. maybe one of them is shiny, brand new. a personal reward for himself in place of all those lost awards.

he doesn't play religiously. but he's good enough to transfer his thoughts to sound.

him in his room at all hours of the night with a pad of paper next to him, strumming out tunes as he figures out his next song. alternating between holding the pen in his mouth or the pick.

maybe he had enlisted the help of the 'older' ghouls who trusted him enough to work with him at the beginning, seeking their guidance for how the previous papas did it before him.

and slowly but surely, he finds his own style, bringing his own pack together for brainstorming sessions. it's his vision, sure, but he would never turn down an idea for a lyric or a baseline or a drum fill from his ghouls.

he looks at those guitars now, still in their stands in his office. twirling his new grucifix between his fingers nervously, knowing he may not ever get to pick those up again.

[mibkid]

Can i just say as both an artist and cosplayer i am so greatful and amazed over Jojo's amazing linked universe comic and just how much time and effort she puts into it.

i mean i am floored over 10 pages a month fully colored with detailed backgrounds and good story, believe me it's crazy amount of work. ...and speech bubbles. eurgh typography...(u can guess which part of comic making i enjoy the least)

Not only that but i am eternally greatfull for just how many angles we get to see the characters in the comic, the varied poses and expressions are not only amazing to look at and great way to show personalities, but also just such great reference points when either drawing the characters or trying to figure out how the hell a costume is built up.

AND jojo has drawn them in various stages of their clothes on during the comic, so you KNOW HOW THE LAYERING WORKS.

How is Time's armor built up? Boom right there in multiple angles and sometimes off.

Ah how does Hyrule's layering work? BOOM right there with an interesting maybe leather based under-armor??

How large is Twilight's chainmail and how is it built up? BAM right there.

Jojo literally drew a whole page of how Sky's clothes are built up, layer by layer.

It's truly a blessing!

AND IT IS CRAZY that jojo added so much beautiful embroidery to the characters' clothes.

(my brain is like "oh but me like to know every detail of the embroidery of every character", and i end up looking at the pictures and say "sush brain don't be a spoilsport they're already detailed just use your imagination of what jojo has drawn and what could fit the specifics", because that is fun too! like Sky's embroidery on his over-undershirt could very much be berries of some sort on twig together with some sort of classic skyloftian forms, like lingon berries though it isn't,( i know that lingon berries don't exist in hyrule...) but it would be a fun idea!)

As you can see by my... detailed oriented nature i am very interested in their designs. But again the whole comic is a true wonder, i mean, so many angles not just the characters but the surroundings. So many different zoom-outs and zoom-ins utilized, the comic knows when to change from one character to another to more than one. So it's great on a technical standpoint too. And it's SO cool to see how Jojo's art has changed through time. (that is not a pun)

Anyway, i felt like i had a lot to say, and this was me saying it. I guess it's a Appreciation post for jojo, for showing other artists and creatives so much different and amazing artwork. (and giving us amazing references)

But also it's that i want other people to see(though i think they do already) how much time and effort and love has been put into it, not that it matters much coming from me as a random person who happens to enjoy her work.

But i think it's fun to show appreciation for artists and writers anyway.

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[idontcaboose]

Haunted Car Au Part 12

Previous. Masterpost

Danny wasn't completely sure what all of the sound files Duke uploaded into the radio storage. Granted, the fact that there was apparently a 10 Terabyte hard drive just for the radio seemed a bit much, although it was over half full before Duke gave him a metric butt load of sound bytes, so maybe Batman was onto something. Now it was about three-quarters full…. How many files were there?

Either way, whoever named these files are the MvP of this entire situation. Either they were just the name of the saying, or we're named something like ‘exasperated 4’ and they were On Point!

Unfortunately there weren't any defined names other than movie references. Why were there three different versions of the “Hey, Becky, look at her butt” Danny didn't know, but he might use them for reasons.

Duke had left him alone with a disgruntled “Good Luck” after Danny started playing the ‘mood’ files to see exactly what they were. He figured Duke would come back in a few hours to have a “conversation” about his predicament. Until then……

DID THEY SOUND BYTE BATMAN HIMSELF?!?!?!

Next

@kizzer55555 @sebas-nights @candeartist422 @trappednyourheart @fandom-life-corrupted-me @tkiesai @2lbballpeenhammer @admiralwidow @rewrittenwrongs @whotfevenknowsanymore @symmetricalastigmatism @thespacedragons @atinygracie @okami-love @lesbian-spider-drone @1n0sss @forgetmenot-bluepurple

[sophsicle]

OKAY question

i wanna reread choices and edit it but i can never make myself do it cause im like "ugh wow so long i simply cannot"

but also, every time i do reread parts of it i have like *thoughts* like SO many thoughts about it and about what i was thinking at the time and how that has or hasn't changed and what i was trying to do and what i love and what i hate and blah blah blah

SO the question: if i did like a lil read-a-long with soph thing, would anyone be interested? like maybe in the form of small podcast episodes where i discuss the chapters as i edit them and you guys can like tell me the different stuff you want me to talk about etc etc and then i will have the motivation to actually do this and also somewhere to dump all of my *thoughts*

or is that like, a stupid idea that no one asked for? i cannot decide whether this is leaning more on the fun cute side or the annoying keep this to yourself side, Y'KNOW????? so i ask