#song: kill em with kindness

[lisanamjoon]

💿 song of the day! (each day i’ll hit shuffle on my unbelievably large playlist and post the first song it chooses. because sharing music is fun <3)

🎤 selena gomez ~ kill em with kindness

💭 great song with a great message.

[arthur-lesters-right-arm]

Indirect manslaughter of his daughter aside this boy really knows how to bang out a fire tune

[murtheringstake]

having the most vivid hannibal flashbacks listening to the book of right-on by joanna newsom. it’s reminding me of them tooooooooo much

[isacksteban]

had a dream about how it would be like to kiss lance. think i need to experience it irl bc i feel like screaming, crying, throwing up, splitting the earth in two if i don’t.

im half asleep right now so this is funnier than it should be.

fernando get out of my asks smh

[graysondays]

— ✿ TAG DUMP. › LENNY GRAYSON.

These are going to be under a read more, because this got very long.

— ✿ i stumbled over all my words i made it weird i made it worse. › default verse.

— ✿ no time to lose we’ve got to move steady your hand. › naruto verse.

— ✿ you’re a virgin who can’t drive. › high school verse.

— ✿ you’re like a sunshine only giving good vibes anytime that you roll in. › yugioh gx verse.

— ✿ from underneath the trees we watch the sky confusing stars for satellites. › yugioh 5ds verse.

— ✿ kiss kiss fall in love. › ohshc verse.

— ✿ is this what it feels like to really cry. › noragami verse.

— ✿ you wouldn’t find a riceball in a fruits basket. › fruits basket verse.

— ✿ everybody’s trying to be famous and i’m just trying to find a place to hide. › swac verse.

— ✿ i’ll choose you over and over again. › lenny’s pokemon verse.

— ✿ put down the weapons you fight with and kill em with kindness. › kingdom hearts verse.

— ✿ darling don’t you ever grow up just stay this little. › single mom verse.

— ✿ in ancient egypt when the pyramids were still young. › ancient egypt verse.

— ✿ i could be your sunshine girl or the company for your misery. › supernatural verse.

— ✿ let me be the one to light a fire inside those eyes. › headcanons.

— ✿ she wears flower crowns and knitted sweaters. › appearance.

— ✿ the more boys i meet the more i love my cat. › aesthetic.

— ✿ and we danced all night to the best song ever. › playlist.

— ✿ but i know this crush ain’t going away. › ryou and lenny. › diverse-hearts.

— ✿ let me love you until you learn to love yourself. › saeran and lenny. › diverse-hearts.

[moonsidesong]

family went to see live action little mermaid and i ended up tagging along out of curiosity. better than i expected honestly! a far cry from perfect, but, yknow, i didn't leave angry, and that's more than i expected. halle bailey honestly totally knocked it out of the park as ariel (and also out of the three new songs hers was the only one i liked...)

[yumenosakiacademy]

v much incomplete but! Buttercup Trio playl!st: Started.

[actuallyprobablyafaerie]

list of things that made me scream in pjo episode 3

Percy picking grover because he trusts him not to betray him!!! THEY ARE BEST FRIENDS OK

Luke still comes off as so likable and inconspicuous that whole convo he had with percy and the shoes i just

GROVER AND THE CONSENSUS SONG I CANT

annabeth staring at the different flavors of candy in the gas station and not being able to pick and just buying all of them. Thats the annabeth we deserve

ANNABETHS KNIFE APPEARANCE ALERT and a fury is IMMEDIATELY killed

uncle ferdinand foreshadowing……………

When annabeth and percy start arguing in the woods and grover tries to change the subject by talking about his uncle and they both completely ignore him. I LOVE GROVER SO MUCH

the bickering in this episode is ON POINT by the way

like the stuff theyre arguing about makes sense. Yes i would be concerned about those things too

ESPECIALLY since theres such a focus put on trust (esp after percy learns that someone is going to betray him) and percy and annabeth are arguing about stuff theyve lied or havent told each other about???? Sorry that might be skipping ahead a bit but GOD is that the good stuff

i love that they changed how the three of them ended up going into auntie em’s because before it was a little concerning that none of them figured out it was medusa. Plus having a fury outside just adds to the tension a perfect amount i think, because it really traps them in there

all the discussion about the gods and what medusa talks to percy about in the kitchen - YES MAKE ME HATE THEM!! All of this is adding up to lukes motivations making so much sense in the end

ALSO!! Them harkening back to sallys line in the first episode when she tells percy that not all heroes look like heroes and not all monsters look like monsters - they brought it back so perfectly. Percy wanting to trust medusa because of what his mom said, medusa calling Poseidon a monster, ALL OF IT is so good

When theyre down in the basement and grover puts on the shoes and then just fucking. Flies away and disappears into the darkness yelling a little. and annabeth and percy just kind of helplessly watch him go before being like - welp i guess that plans not working. That was peak comedy

them using annabeths hat on medusa and then using it to kill alecto THEY WERE SO SMART FOR THAT!!! Also percy just the invisible severed head was a hilarious concept to me

when percy suggests burying the hat in the ground with the hat on to make sure no one bad finds it and annabeth just!!! Agrees!!! And then grover has to be like no that hats important to her its a gift from her mother!!! And then percys like well we’ll find another solution then. That whole scene was good yes i liked that

also annabeth revealing that grover was her protector too and percy asks about it and grover just changes the subject and doesnt answer. He is the KING of avoidance

also grover finally interrupting annabeth and percy when they start fighting and giving his whole speech about getting along. That wouldve felt a little cheesy and preachy and out of place from anyone else but considering grover tried to get them to sing the consensus song a few hours earlier i fully believe that he would say that

I AM IMPERTINENT

Why the fuck wasnt there a lin manuel maranda jumpscare warning. I couldve used one of those

but actually all the jokes in this episode were so on point. Like percy calling drachmas chuckie cheese tokens. And him arguing about voting on the bus. Anyways

10/10 episode i will be rewatching like eight times before next tuesday.

[itsa-me-lily]

Aight fine, I didn't get you with that one? Then how about Simon being forced on leave due to having too much saved up or injury, so now he's just always sat at home, looking like the world's most unamused housecat.

Reader leaving for work and coming back and this man is sat in the same exact spot, with the same furrowed brows and crossed arms, definitely pouting because he's being forced to not go out and kill bad guys.

More Simon & Thimble playlist

The MPS AU masterlist

I just wanted you to know I got your other ask but I am hoarding it because, to quote River Song, spoilers.

This isn't replacing the idea of us trying to teach him one of our hobbies, but I do enjoy the idea of us having a shared hobby that we parallel play with.

Anyway whatever shall we do with our big ol' grumpy grumpy man?

You didn't know how many days constituted a problem, but you were pretty sure you were coming up on a problem. Simon was out on medical leave for two weeks. Why? He wouldn't tell you, simply said it was all bullshit and he was fine. You're pretty sure Johnny had tried to tell you, but going by the look of not-terror on his face, Simon had been behind you, probably making some non verbal threat like to eat his eyeballs or something if he said anything. John, at least, had been able to tell you that it wasn't anything life threatening. That Simon just needed a little R&R before coming back.

You were day three into a fourteen day stint of having your roommate husband...broski(?) back and well to say it was going poorly was probably an understatement. For the past two days you'd leave your home with Simon stationed on the couch, staring down the wall like it owed him money. Then you'd come home and he would still be sitting on the couch, still staring at the wall like it hadn't paid up. The only reason you even knew he hadn't gone into some catatonic state was because when you got home he'd at least respond to you in grunts and get up from the couch if you offered to share a meal with him. Outside of that you weren't entirely sure he moved. Which was concerning.

So now you were standing outside of your front door, almost positive you knew exactly where Simon was going to be. With a sigh you pushed open the door, took a step inside and....yup that man was still on the couch, looking like the wall still hadn't paid him.

"Simon?"

"Hn."

"Do you know what time it is?"

"Hn."

"Have you...moved from the couch? Like at all?"

"Hn."

Well still not catatonic. Though honestly you were pretty he was going to get there sooner or later. With a sigh you decided that fuck it, you were going to try one thing and if it didn't work well he could rot on the couch then, at least you tried to help. So without a word you turned and walked back out into the wilderness for a solution.

--

Med leave was bullshit. The incident that lead him to med leave was bullshit. The fact that Soap nearly told you about the incident was bullshit. So he was going to spend the two weeks of forced med leave showing that he was completely fine by sitting on his couch, protecting his god damn house. A man had to keep his fucking dignity sometimes damnit.

No he was not being dramatic, and no he was not pouting. He would even respond to you when you asked him questions. He was fine. He didn't know why you had decided to just leave and come back an hour later, dumping multiple boxes onto the couch beside him. A quick look answered that they were some kind of build kit?

"The 'ell are those?"

"Something for you to do."

Simon didn't need something to do. He already had something to do, showing that he didn't need to be on med leave.

"Don't need 'em. You're just wasting your money."

"A) Your money, and b) I'll do them if you wont. So how about you stop bitching and fucking try one okay?"

Wait-what did you mean, his money? When the hell did you get your hands on his wallet? Before Simon could decide if he was offended or impressed by your acts of theft and audacity, you seemed to decide to just plop yourself onto the floor by the couch with what appeared to be your own stash of kits.

You didn't seemed bothered by his demanding stare for answers, instead already getting into the contents of what seemed to be pieces of wooden flowers. After seven and a half minutes of silence, he counted, you looked up to see if he had started anything.

"You know you don't have to be so embarrassed to admit you can't do them."

Who the fuck said anything about him being embarrassed? Or that he couldn't put a fucking wooden toy together. Given the skeptical look on your face you were fucking saying. Simon Riley could put together a fucking toy. He still had his dignity damnit.

With a huff he inspected the kits you had gotten. If he wasn't so affronted he may have been able to appreciate that you had gotten what seemed like a good variety of things, from a puzzle box to a few cars, even a tommy gun that seemed to actually be able to shoot rubber bands. He was going to put all of it together and show you that he wasn't fucking embarrassed and he could do it.

By the end of the evening he only got the puzzle box together, having spent a long time making sure everything was sanded and waxed so it was opening and closing smoothly. Of course you had an entire vase of wooden flowers and some sort of music box together. The smug smile you gave him at the fact you had more completed didn't sit right with him.

So the next day he tackled the rest of the kits you had left him. He got his revenge that night when he shot a rubber band at your ass with his completed and functioning tommy gun. Maybe those kits weren't so terrible after all. Ignoring the way you were glaring daggers into the back of his head, he happily started yet another kit, some sort of space rover looking thing.

He didn't question that the pile of kits never seemed to get smaller, or that there were sizeable purchases coming up on his account. He'd let you enjoy the spoils of actually managing to get his card without him realizing.

And so by the end of his forced med leave, Simon had his own army of wooden creations, with a few extra kits left. If anything they were something to look forward to on his next mission. And even if he wasn't expecting the new shelves in his office when he got back, he could admit that his wooden army looked rather good on them.

Maybe he'd keep an eye out for more flower kits. For variety sake.

----------------

Edit; He's on med leave because he got shrapnel in the ass. Don't worry his bum is okay, we can still touch it...one day

[imaginesbymonika]

From the dining table | Pre-Finale

Pairing: Damon Albarn × Gallagher! Reader

Plot: Everyone's favorite topic during the '90s and 'OOs; Y/N Gallagher. The mysterious and beautiful younger sister of the two loud brothers rarely spoke during interviews but played the guitar like no one else. And even though she never said a word about her dating-life, the list of her rumored boyfriends kept growing longer with each passing year. Yet, there was one name in particular that just kept on popping up...

Previous part | Masterlist

A/N: pls ignore the messed up timeline, let’s just pretend oasis debuted in like ‘91

(1993)

“The people want to know: is it just a coincidence that the actress in the ‘For Tomorrow’ music video looks a lot like the bassist from Oasis?”

The small microphone nearly hits Damon in the face and he has to move his head back to avoid it making contact with his chin. He laughs:” The people, huh?” “Is that a no?”, the interviewer, a handsome guy (probably not older than 25) asks. The blonde shrugs.

“Well, we’ve never met Oasis.”, Graham unexpectedly speaks up, the softness of his voice hiding his friend’s new fixation. “I’ve never met Madonna either but I still think she’s fit.”, the man in front of them declares. Once again the microphone is being pushed into Damon’s face, and he lifts his left hand to gently shove it away again.

“That’s really close.”, he merely answers.

(1994)

“Have you guys seen the ‘For Tomorrow’ music video?”

Liam instantly lets out a groan and throws his head back in frustration. Noel quickly takes the cigarette out of his brother’s hand and places it between his lips. He nods. “Well, do you guys think that Damon fancies Y/N? Because it’s kind of-.”

“He probably does.”, Noel cuts the interviewer off:” Can’t blame him. She’s a stunner, isn’t she.”

Meanwhile, Y/N who is sitting next to him rolls her y/e/ced eyes, although she cannot prevent the blush from appearing on her cheeks. “Well, if that wanker does; I will kill him.”, Liam sits up straight again and points at the camera in a rather warlike manner:” He better keep his hands off me sister. If not I’ll break both of ‘em. See how he plays his stupid songs with that, you know what I mean?”

Y/N shakes her head at his words, a gesture that doesn’t go overlooked by the interviewer:“ What’s your opinion on Damon?“ But the young woman just stares at him while white smoke exits her lips.

(1995)

“We’ve seen you sneak glances at the youngest Gallagher at the Brits.”

Damon chuckles and leans back on the sofa:” Oh. Have you?” The interviewer giggles softly at his comeback before using her flashcards as a fan:” Hey, I’m the one who’s asking the questions.” Damon wipes his thumb over the corner of his lips and exhales deeply, almost as if he’s contemplating his next move.

“You guys could be the Romeo and Juliette of Britpop.”, the woman declares, which makes Damon laugh out loud. “You think so?”, he asks:” Sounds thrilling, doesn’t it?I mean Y/N is really gorgeous, that’s not like news or something. But we haven’t- we haven’t spoken at the Brits. I’m sorry to disappoint.”

“Well, maybe one day.” “Maybe one day, sure.”

[bunnypeew]

Hiya!

So I have this request thing for Alastor!

Alastor x Fem!(if that's ok) co-hostess and they like knew each other when they were alive and were co hosts!

Mon ange - Alastor x Fem!reader

That sounds so cute!! yes I can definitely give it a shot, I'm guessing she was the co-host to his radio show :3c

She has been looking for a job for a couple more days now since her last job didn't end up very well. She heard of this Hazbin Hotel was something about rehabilitation, so she thought that maybe she could find a job there as a hostess, the same job she had when she was alive back when. So that she did, it was quite some time till she found the way to it but when she did it was a pretty swell walk, arrived at the hotel she knocked on the door awaiting a reply. This blonde opened the door with an excited face

''Oh my god! hi! I'm Charlie welcome to the hazbin hotel!! How can I help you,,

she says in an eager voice grabbing Y/n hands to give them a shake, she then gives her time to reply to the question she posed

''Oh right. Em, I'm not sure if you are looking for employees but I kind of was looking for a job, if that's okay,,

this made Charlie even more excited, which Y/n thought was impossible but there it was. With a little gentle push, Charlie made her come inside the hotel to see the lobby where a bunch of other demons were hanging out. A spider demon was sitting at the bar with a cat demon, on the other side a girl with an x over her eye was holding up an angelic spear and looking at Y/n, and finally near them now there was another rather tall demon, his aesthetic being mostly composed of red and a little bit of white on his collar, Y/n eyes made their way up to the mans face seeing he had a rather sinister smile, something about that was quite familiar to her but she couldn't put a finger on it

Charlie started presenting every demon to her, Angel Dust, Husk and Vaggie, waiting for this creepy guy to get presented

''And this is our hotel Host Alastor!,,

hearing that Y/n froze giving him another look from head to toe to see if this person was actually her Alastor the one she had known her entire life and with whom she co-hosted the radio broadcast most of New Orleans was listening to at the time. She walked a little closer to him, her hand reaching for him a little bit

Memories started to flow in as she heard that name, memories from when she was still alive, 1930s New Orleans, Louisiana. She had been quite the charmer when she was alive, not exactly to attract men but in general she had a charming personality. She hadn't really found anyone she actually liked for years, not being one for relationships anyway but it was when she went to this speakeasy for a couple of drinks that she found her someone, at the time they were just talking to each other each and every night about all kinds of stuff, especially cooking, since Alastor was a real foodie and loved to talk about some of his mother recipes sometimes, But it was not until one night where she went to visit him at his home near the forest that she found out about his hobby of killing and eating people, at first she was quite scared about it but she knew that he wouldn't hurt her for the world, so she felt safe around him even for what he did. At that time, Alastor suggested she become his co-hostess for the radio show he put up, and since she was kind of head over heels for him she accepted. they would put up shows almost every night talking about all kinds of stuff and playing mostly jazz music, sometimes the occasional love song Y/n would put into giving a hint to him, It took a while for Alastor to realise what was going on in her mind, he could tell something was bothering her but he couldn't put a finger on it, it was not until you actually confessed to him one time before a broadcast that he understood what was going on

''Oh mon ange you should have told me sooner, you know I'm quite rusty when it comes to romance, but I do accept your heart as mine~,,

He said that the night before he would be found dead in the forest near his house, shot through the forehead by some hunter who mistook him for a deer, their relationship ending there and then leaving Y/n heartbroken and alone.

''Alastor?,,

she mutters out loud looking him in the eyes, his smile falters ever so slightly looking at the shorter woman, some sort of confusion in his eyes as this person seemed to know him, and then it finally clicked in his head

''mon chéri? Y/n is that you?,,

he speaks in a soft but firm voice, reaching out for her hand, taking it in his looking her up and down once before realising it was in fact her, the co-hostess he had on his radio show, not to mention, his chéri.

''Oh my stars Alastor it's actually you, I thought I'd never find you again!,,

she says going for an embrace, and surprisingly to everyone Alastor accept it right away, putting his arms around her shoulders and squeezing

''so you two know each other?,,

Charlie says out of nowhere looking at them with a 'You guys were an item at some point and I know it' look on her face

''yeah, we both hosted his radio show when we were alive! I was the co-hostess, it was such a pleasurable time for us both, and yes we were kind of a thing.. which I hope we could still do...,,

she says turning her attention fully to the deer demon before her. with a soft smile on her lips and a gentle touch on his hand. Alastor looked her softly in the eyes, himself wanting to be closer to her once again in another lifetime, or deathtime. He wanted nothing more at that right moment.

''Of course mon chéri, I would love nothing more, hell you said you were looking for a job, how about getting your old one back! my dearest you are fit to be my co-hostess once again ha!,,

he says with a power-filled voice, his gaze still soft on her, taking her hand now and placing a kiss on it.

''Mon ange,,

A/n: here it is!!! I actually loved writing this one Im so soft for Alastor speaking french istg, hope you enjoyed this one shot :3c

[proud-cloud]

Three Cheers for sweet revenge plot song by song according to me

My credentials are that uhmm ive listened to this album like weekly since i was like 12 and uhm im taking english A-Level (crime and tragedy) sooooo

Full disclaimer i could do a line by line analysis on pretty much all of these songs but then this would be stupidly long so im just touching on the points or lyrics i think are most important for the plot! Oh and i cant spell and im trieddd of writing academic essays so im kinda yapping ngl

HELENA

honestly i barely have anything to say here but i imagine its the demo woman’s funeral (yes ik its abt Gerard ways grandma but let me cook) kind of setting the tone and exploring his grief, creating the circumstances for his deal with the devil - especially in the bridge.

GIVE EM HELL KID

Ok so here!! Is where i start to have more to say!! So in my head the man (im just gonna call them tje man and the woman or like he/she from here on) has accepted the deal with satan to kill 1000 evil men and is basically on a killing spree? So from my immense medical knowledge of watching house im preity sure epidrene is a steroid, which like gives him energy (interestingly ive been on them a few times for asthma and they have a long list of mental side effects such as uhhh mania (fall out boy whooo) anxiety and depression which maybe foreshadows his sorta insanity towards the end as his guilt haunts him) acting as a symbol of his immense motivation to see his wife again, so verse one especially is before his downfall where hes like yippee killing people to see my wife again!! The chorus i imagine is sang by both him and the woman in heaven as they both long for each other uhm and later on in the song it does seem as if hes begining to kind of loose it a bit due to his grief? kind of foreshadowing his well everything later on in the album. In the bridge i imagine hes kind of mocking their teenage selves (linking to im not okay later on) especially in the line “we are young and we dont care” criticicing their hopefullness by comparing it to their current circumstance - ironic as it only gets worse from here.

TO THE END

Now i know this is based on a rose for emily (i tried to read it and there were a LOT of slurs from what i remeber so that was yeah) but for the sake of my silly little narrative were kinda just not gonna touch on that. So here i believe the man has been set to kill this couple, just to find the wife has killed her husband (with the “cyanide you drank” i assume) which drives him into a sort of crisis, questioning if this was what would have happened to him and his wife if she had lived and they had stayed married for this long (fueling his sexuality crisis in prison). I could go so much further into this, especially language wise but for the sake of everyones sanity ill leave it here :)

YOU KNOW WHAT THEY DO TO GUYS LIKE US IN PRISION

so hes literally in the middle of a gunfight in the centre of a resturant and the police come and theyre like come with ur arms raised high and ok so!!! Theres many people who could explain this better than me but the man gets arrested for killing all these people and gets sent to jailllll. Ive heard some people talk about it as an allegory for SA in prison and others who talk abt it as him realising his gay/bi ect and honestly i can see both. I really like the line “too much to late or just not enough of this, pain in my heart for your dying wish, i kiss your lips again!” Which, running with the latter intrepretation, suggests hes feeling regret for all the murdering hes done and is questioning if he ever did love his wife this much, and if he should move on and fix his mistakes. So to make a long story short he has a sexuality crisis in prision! Toward the end, he escapes prision and with his “friends” from jail, lilely from setting it on “fire” (i got the friends bit from the lyric “but ill go down with my friends”) escaping jail but at the cost of further loosing his sanity and grasp on morality.

IM NOT OKAY (I PROMISE)

for conveniences sake he either gets knocked out (the giggles at the end of prision i guess beinf from a concussion or something?) or just like goes to sleep somehwhere after the prison break with the other ex inmates and has a flashback to his time in high school, when he fell in love with his wife. As an audienve were kinds like dude she did not like you back then calm down which makes us question the morality of his mission, but for him it reminds him of what hes fighting for and erases the doubt he had in their love in to the end and prison. I will say im kinda pidgenholing this in with the flashback but uhm yeah!

THE GHOST OF YOU

This song acts as a continuation of his grief, back in the present day after im not okay made him remember what he was doing this all for. This basically confirms his belief that killing all these people is right because he needs to see her again. He battles with his morality knowing that she should be “never coming home” cause shes dead but then considering the deal with satan and its morality asking himself “could i? Should i?”. Towards the end, it seems like he decides killing the men to bring her back is the right thing to do. the line “If i fall, down” seems to show his commitment to her regardless of morality, hes willing to ‘fall down’ to hell if it means he gets more time with her which is ironic as he later does go to hell, but never gets to see her again.

THE JETSET LIFE IS GONNA KILL YOU

and hes back to killing again!! I think “her killing jar” is a metaphor for his fixation on his wife and the things its driving him to do. Hes trapped as if he was in a jar by the deal he made with satan for her. Its kind of difficult to explain but essentially hes assuring himself that hes doing it all for her and its all worth it as his sanity slowly dissipates, which i believe is demonstrated through the lyric “pull the plug” kinda symbolising hes giving up on himself and dedicating everything to her. Now this is obviously unhealthily obsessive and is the point where we definately start to question if what hes doing is right - is he not essentially playing god now? Should one man act as judge, jury and executioner?

INTERLUDE

ok its literally just the interlude but here i beleive he is praying for god, the “saints”, to “protect” his wife in heaven further showing his like motive? For all of his murders - his love for her however dangerously codependant.

THANK YOU FOR THE VENOM

HE KILLS MORE PEOPLE 🔥🔥 its almost like he has to kill 1000 evil men damn. BUT now hes starting to loose his grip on reality and is killing innocent people. I like to think he goes to the church he married his wife in and starts killing people - hence the line “sister im not much a poet but a criminal” - hes changed completely from the man he once was. They try to convince him to like stop saying its not what his wife would have wanted but he does not listen - in the lyric “preach all you want but whos gonna save me” - and continues to spiral into a life of crime and implied addiction (when in the chorus he says “give me all your posion and give me all your pills”)

HANG EM HIGH

THIS!! This is the one i can never fully figure out despite it being so good 🙏🙏 it feels like a cop out to say he suddenly becomes a cowboy or idk has to kill a cowboy but any other way i can interpret it is just the same old back to mourning his wife and dedicating his life to her so uhm yeah take any of those 3 or your own and run with it (please tell me if you know how to make this fit better than me)

ITS NOT A FASHION STATEMENT ITS A FUCKING DEATHWISH

Hes now so deep into his mission he cant quit despite the regret he feels. This kind of links back to his mocking of their younger selves in give em hell through the lyric “do you remeber back there when we met you told me this gets harder, well it did!”. Hes kind of pondering how his life got this bad wishing it didnt have to be this way. however he believes they will soon be reunited - evidenced through lines such as “im coming back from the dead” and the repeated references to resserection and him finding his wife, “your running out of places, to hide from me”. At the end, he says “i lost my fear of falling, i will be with you”, further showing he thinks he will soon see his wife again and simmilarly to the ghost of you shows hes willing to sacrafice his soul just to see her again

CEMETERY DRIVE

trust me the fake music video in my head for this goes HARD. So he visits the cemetary where his wife is buried to kinda tell her in a way? That hes almost finished and he’ll see her soon. And in my like the cool cinemetic imaganary music video he dances with her ghost but uhm plot wise hes kinda lamenting how much he misses here as the chorus goes “i miss you, so far”. Now theres some confusion as to how she died as here it says “and they found you on the bathroom floor” but in i never told you it says “they gave us two shots to the back of the head” so i imagine he got caught up in some like bad stuff and they killed her in their home - the bathroom - which does add some depth to his grief as he feels responsable for her death hence why he wants to bring her back so bad. His dedication to her is reinforced through the lyric “so i wont stop lying wont stop dying” which as ive said a lottt shows his like questionably large levels of motivation in this mission from satan. The repetition of “way down” at the end foreshadows the twist in the next song - that he's going to hell - and this idea has been building up throughout the narrative but its reaching its peak now and we begin to see it as a serious possibility considering the innocent people he has killed alongside the guilty ones.

I NEVER TOLD YOU WHAT I DO FOR A LIVING

Aaaaand im realising ive made it all the way through this without even having to check the tracklist which shows that i lack a life! But anyways this song communicates the concept so well and i genuienly could line by line delve into it but for the sake of conciceness as i have been i will just cover the basic concept

OK SO! Hes metholodically getting through this list (im inferring he has a list from the line “i keep a book of the names”) kind of rushing through them, seen through the fast pace of the first verse, in my head it resembles a video montage of the murder of multiple people off of the list. This is further evidenced through the lyric “another knife in my hands” showing this has somehow become his everyday life as hes become so detached from normalicy in his grief. NOW NOW NOW the lyric “a stain that never comes off the sheets” is an allusion to lady Macbeth (I FREAKING LOVE SHAKESPEARE) (im a hamlet girl tho honestly) where she couldnt wash the blood off of her hands which is a common literary symbol for guilt showing his mission has taken a massive toll on him mentally if we did not already realise this. “It aint the money and it sure as hell aint just for the fame” implies he does not enjoy killing these people despite the fact hes killed probably over a thousand people which againnnn shows his dedication to his wife. Now i know ive said that about a billion times but thats important to consider when we take into account that he does not get to see her again - everything he did was essentially worthless, in fact if anything everything he did just sealed his fate. Therefore, if we view him as a tragic hero (i can go so much more into this but thats for another day) then his hamartia is his love for her, his loyalty which kinda gave him tunnel vision meaning he could not see the flaws his plan and the way he was being exploited by satan.

now theres so much symbolism in the lyrics i could discuss (I LOVE THIS SONG) but i will refrain and kinda skip forward to the bridge/the end. I like to think he turns the last page in his book of names to just see his own name and then begins to spiral - this is where the song goes “and we all fall down”. Im preitty sure gerard ways like screams say “i tried” which like furthers this breakdown as he comes to understand all the wrong he has done and his inevatatable damnation. After a large moral debate he thinks it would have been better if they were both killed together originally “never again / they gave us two shots to the back of the head” and he shoots himself in the hope he will eventually be with her in the afterlife, and if not then a life without her is not a life worth living anyways. It ends with the lyric “were all dead now” (which they are) which reminds me of the rhyme/ game from when i was a kid ring a rosies (which i swear is about the plauge) and how that ends by saying “we all fall down” kinda showing the corruption he brought into the world and that everything must come to an end. This is typical of a tragic hero - his anagorisis (realisation of his flaw / mistake) and then his death - which is why i personally do veiw this album as mostly conforming to troupes of traditional greek tragedy :).

aaaaand thats it!! I dont count bury me in black or desert song as part of the album plot uhhh if anyone else does id love to hear how that sounds so cool but yeah!!! Oh and sorry again for any typos and spelling errors i cannot spell for the life of me uhmm this could be so incoherent for all i know (if so sorry!!) but i hope not 😛

lmk if you’d actualy wanna hear the full yap poetry annotation style for a song cause i love nothing more if not talking i might do the same for danger days if i feel like it so watch out 🔥🔥

[emberunderscore]

guys im going crazy with the edits over here (im sure this has been done with this song before but idc i wanted to)

also guys im going to include the rambling in the actual edit post this time because i actually cannot contain myself . (i went on and on for this one i had a lot of thoughts )

OK BIG ONE COOL ONE WHEN IT SAYS "I'm a worthless human being" there is an overlay during the word "worthless" of the prison scene and the word worthless is layed over sherbert's forehead, think of it like the word worthless and failure going hand in hand because icarus doesn't belive they are worth anything if they are not useful and they cannot be useful if theyre a failure which they wholeheartedly believe they are THATS IT THATS MY FAVORITE PART OF THIS EDIT (not really but shshshshs)

ok back to being in order

"I had left you" and "I forgave you" being right next to each other is SO PERFECT because that part is referencing the cave obviously and immediately after centross dies icarus is like 'get the fuck away from me why did you do that, holy shit you were gonna kill me' and then he tells them he can bring centross back and they immediately forgive him (and its not rlly great editing wise cause obviously theres not much contrast between the clips but the sacrifices we make are very small)

"I forgot you" this line is kinda hard to understand how ive coded it cause centross is on the screen so it kinda makes it seems like im saying they forgot centross but NO! they forgot about fable, they were so focused on bringing centross back that they completely lost sight of fable and his actions and how that hurt everyone around them

then the "said you loved me" I LOVE PUTTING VOICELINES IN EDITS CHAT. I LOVE IT SO MUCH AHHHH. i love when the words and they go together and theyre similar and i go crazy . im knawing at the bars of my enclosure

(i was going to put a voicline of fable's 'you will not survive' from cathedral of war in this part, but only chose not too cause it made the audio too chaotic but its still the clip from when he said that so just KNOW) i really love the "said you'd kill me" part. it just looks really cool to me, please appreciate my work thank you goodnight <3

THE WHOLE NEXT PART. THE BEAT DROP IF YOU WILL.

the text is all shaky, the way ive always imagined this part of the song in my brain is like full mental breakdown, hands pulling at hair hitting at your head . theres something inside of you and you want it OUT and you will hurt yourself to makes that happen . so thats kind of the vibe i wanted to portray, however . im not that skilled and capcut only has so many free text effects so . we make do. i also couldn't put that effect on all the text because for it to look right i couldn't use an 'in' animation for the text so having all of it just appear looked kind of weird so i had to comprimise a little

also the font is called "honest" which . if you know me i love putting subliminal messaging in my font usage when i can which i managed to do a couple times in this edit actually. the font is very jagged which fits for the idea of someone who's reaching their breaking point and all the rotation and bold and italics are all just thrown around there. making em all look interesting . for *flavour*

the other font that's got a cool title and this one i actually only picked because of the title and that's "innocent" its used in a lot of frames like "you possessed me", "you controlled me" and "or he'll hurt me" all times, the word 'me' uses the innocent font, because with the song it sounds like icarus is trying to remove any of the blame from themself, it was fable's fault because he manipulated me i didn't do anything wrong. so they see themself as 'innocent' which is also why that text is yellow cause its about icarus. i wouldn't have used that font if not for the title icl. but it also makes the times when that font isn't used all the more interesting, this can be seen most notably in "said you'd kill me", and both of the times in the "he's still speaking, speaking for me" parts , and i will let you cook on that cause not everything needs to be explained in great detail as much as id like to do that

most of the fonts at this one were just me throwing shit at a wall and seeing what fit the vibe ill be so fr, i knew i wanted a lot of variation cause its a chaotic sounding song and the colours also have very little thought when it comes to the difference between white/yellow/red for the most part . green is for fable and purple is just whatever the fuck i felt like .

final thing i'm going to say when it goes "i'm a [worthless human being" there is no text on that part and i just want it to be known on the record that it wasn't an accident and it was an aethetic choice and i can't come up with a bullshit important reason for why there's no text on the screen for that SINGLE PART and honestly it just looked so shit with text there but it also looks so out of place with it being the only part but im sure many of you didn't even notice there wasnt text there before i pointed it out so . i can also point out all the slightly off timings for you if you wanna see my creation through my critical self-loathing eyes /silly

[call-sign-shark]

Heaven In Your Eyes || Arthur Shelby x Reader!OC

Summary:  Beaten with guilt and shame after losing his temper again, Arthur's aimless wandering leads him to church. There she is and, after diving into her heavenly eyes, he is convinced God has sent him His sweetest angel to save his bastard soul.

Words: 2.6k

TW: Blood, a bit of angst, slight blasphemy and bad use of holy water, reckless x caretaker Inspired by the prompt "Where does it hurt? - Everywhere" by @the-three-whumpeteers

Notes:

✞ Timeline: between seasons 2 and 3

✞ Heaven is OP's original character but written with the use of « you » (Moodboard here). Heaven’s voice and song is linked, all you have to do is click on the lyrics.

NEXT CHAPTER || Masterlist

The stumbling tall silhouette of Arthur Shelby was crossing through the thick haunting mist of Birmingham. As unwelcoming the town was during the day, it was nothing compared to night time. When sun faded behind the horizon, chased by the pale glowing face of the moon, the whole city turned into a cut-throat area. Arthur brought the neck of the bottle he was holding to his chapped lips and gulped down a mouthful of pure Irish whisky. The fire trail the beverage left behind it as it went down his throat reminded him he was alive — he could still feel something, even though it was the alcohol’s burning. An animal growl escaped from his lips when the bottle left them only for him to lean his back against one of the church’s gigantic concrete walls. A loud raven’s croak torn the silent veil of the night, making him swears. The gravel in his voice answered to the dull bird, which was watching him from a tree with his tiny and beady eyes.

« Fooking bird, laughing at me like the rest of ‘em eh? »

The raven — which was rather large for a bird — tilted its head to the side and kept staring at the drunk man with a cunning interest. Its black eyes, shining under the moonlight, seemed filled with both a wise glare and a mocking sparkle. Soon, Arthur’s curiosity for the raven’s unusual behavior turned into a senseless anger when he understood why the bird was focusing on him, his explosive rage strengthened by the incredible amount of alcohol he had drunk a bit earlier.

« It’s the damn blood is it? Stop lookin’ at me like I’m — I’m some kind of monster, or a beast or I don’t fookin’ know what else! Go to Hell! »

The bottle flew towards the raven but it did not flicker, as if it knew Arthur was not in the shape of being quick nor particularly precise with aiming. As the glass smashed into the ground, Arthur hit the wall behind him with the back of his head and let out a frustrated scream. No more cocaine, no more auto destructive behavior nor suicide attempts for two years straight, and tonight he fucked it all up. He was convinced he could get better, and God knows he tried his best to do so. Got sober from every poison he used to take, got a religious wife that was trying to turn the wolf in him into a sheep… Hell, he even brought her flowers every damn day. But then came troubles, taking the shape of his little brother, Thomas Shelby.

He asked him to do the dirty job — again.

With his calloused hands, he took another man’s life. At first Arthur thought he would not be that disturbed at the idea of killing someone, after all he had done that almost his entire life. Just one last time, he told himself, just one last time and I’ll go back to my little peaceful life with me wife.

Yet, the guilt and the shame that struck him after bashing the lad’s head against the edge of a sink until his face became a pile of squishy flesh soon became too much to handle.

As the last spurt of blood spattered his face, Arthur’s clouded mind became suddenly crystal clear: it would never stop. After that epiphany, the older Shelby brother contemplated how everyone he deeply loved tended to use him. For Thomas and the rest of the family he was a mad dog, the combat brute whose only times he could enjoy life without a muzzle were when he had to rip someone’s throat apart. For his father, he had been nothing else than a poor naive hound that would have done anything to receive his respect. As for Linda, her love was a cruel mirage he wanted to believe with all his heart — but the illusion had vanished in smoke. Whether she considered him as her personal test subject for Christian brainwashing or as a tool to get what she wants, Arthur could not tell. What he could tell though was that he knew she did not really loved him. She wanted to mould him at her will, but he was no lamb. He was a wolf, a beaten and lonely wolf, but still one. And there was no love for rabid wolves, only a bullet through the brain to cure the madness.

As his skull buzzed with macabre thoughts, whose unpleasant noise reminded him of a furious beehive, a bewitching voice pulled him out of his auto-destructive spiraling. Standing at attention and listening carefully, he came to realize that someone was singing inside the church. Arthur’s eyelids fell on his steel blue eyes and the back of his head gently rested against the cold wall behind him, the same wall he had been previously smashing it with. A sighed escaped from his liquored lips as the angelic and hypnotizing voice, slightly muffled by the church’s heavy wooden doors, plunged him into a soft but oh-so-warm haze.

My heart is pierced by Cupid

I disdain all glittering gold…

Lulled by the sad melody carried away with Birmingham’s cold night breeze, the swarm of raging hornets in Arthur’s brain stopped crashing against the bony walls of his skull. Another sigh — one of relief this time, for the unbearable noisy thoughts and violent buzzing had vanished. His trembling fingers, numbed by the blows he had hit his target with one hour ago and still covered with half-dried blood, slid along his temples and slicked his hair back. The utter and feral anger he had felt was reduced to void, for even his old heart had slowed its pace down in his ribcage.

There is nothing can console me

But my jolly sailor bold…

The tune, embedded with melancholy, soothed his troubled mind and to be honest, he could barely believe it. When that switch in his brain flipped, God knew he was not in control anymore - even dear Linda, who still managed to hush down some of his tantrums, could not tame the beast inside when it broke free a bit more fiercely than usual. Yet, this voice did so. This stranger, faceless and nameless ghost of the night, brought him back to sanity with the sole power of her voice. The words she was singing, with her a juvenile and enchanting tone, were wrapping his heart. Arthur sniffed and fought hard against the dawning tears that were forming delicate crystal beads at the corner of his closed eyes.

If he had been the jolly sailor bold, he would have thrown himself out of the boat to join the siren that was singing.

My heart is pierced by Cupid

I disdain all glittering gold.

There is nothing can console me

But my jolly sailor bold…

She repeated, sadder than she previously sang.

Her song sipped through his heart and filled the cracks with molten gold. Arthur’s lips stretched in an almost invisible grin without even realizing it — By her voice, he was convinced she could repair the damaged creatures like him and make them even more beautiful than they were before they had been dragged through the trenches’ mud and shit. He had barely came to his senses, almost miraculously sobered up, when silent fell again in the church. Arthur reopened his eyes, and shook his head - Had he dreamt? Had it been the whiskey singing to him? No, he could not be that crazy right? Not quite sure if he was starting to hear voices and see things, Shelby decided that he had to found out who had been singing to his very own soul. He wanted to see her, the girl who soothed his foul heart and his twisted mind. He wanted to know, no, he HAD to know, even though his whole being was fragile like a flickering candle flame caught in a hurricane and would probably shatter in million of pieces if she turned out to be an illusion.

Gathering all his remaining strength, Arthur grabbed the handle and opened the church’s door.

[…]

A shiver ran down your delicate spine at the loud silence that floated in the gigantic and empty church. The peculiar sweet yet strong scent of myrrh, wood and frankincense filled your lungs with its holy fragrance. The vibrations of the last word you sang was still echoing in the room, swirling to the high and sculpted ceiling, from which marble angels were watching over you. If someone would have told you two years ago that the only place you would find comfort would be a church, you would not have believe it. You had never been particularly fervent about religion, but you did believe in higher forces whether they were good or bad. More than a matter of faith, the church itself was an old friend of yours. A gargantuan friend of stone, holy titan always welcoming you even in the darkest moments of your life. What you liked the most were these lonely moments at night, during which you could light up dozen of candles and sing your sorrow to the status and colorful stained-glass windows. No gossip from the parish, no believers swarming like ants within these mighty walls. There were just you, the candle lights and the soothing silence. For a few hours, you could finally find peace.

Brushing the varnished wood of the altar with your thin fingers and painted-red nails, you let your mind drift and, suddenly, the world around you vanished. You sunk so deep in the abyss of your thoughts that you did not hear the creaking sound of the heavy door opening, nor the footsteps that followed. All you could heard were the « Burn witch, burn! » that hundred of villagers screamed at you in the woeful remembrance of your past. And in spite of your immaculate porcelain skin, you bore the scars of their words deep in your soul.

[…]

Arthur made a few steps before freezing, his body refusing to come closer as if the aura around the creature that was standing back to him , right in front of the altar lightened up with dozen and dozen of small dancing flames, was too sanctified to be violated. Bathed in the soft and warm orange hue of candles, the long white hair of the woman fell down the small of her back like an ivory waterfall. Right above her the pale glow of the full moon coming through the stained-glass window formed a luminous halo around her head.

His breathing stopped, choking in his throat at such a divine vision. The gangster opened his mouth to speak but no words managed to come out. He had never been good with words anyway. Instead he moistened his lips and swallowed, his mouth dry. The white-haired girl had started to hum the same song she had been singing a bit earlier, not aware of his presence — and he did not dare to disturbing her as if he feared God’s punishment. He took another step, the wooden floor creaking under his sole.

This time the angel — because he was convinced it was one — jumped and turned around, an expression of utter surprise veiling her sweet face. Her fox eyes, adorned with two iris so fair it reminded him of aquamarine stones, scrutinized his slightest movements. She remained petrified for what felt eternity for her but, regarding him, time had stopped for good. Arthur finally inhaled sharply, coming back to life.

All those endless nights of crying, all those endless nights of praying in vain for something or someone to save him, and here you were… His salvation.

He had asked God to send him, the most desperate sinner of all, His most beautiful Angel and He had done so.

She was not just pretty. She was otherworldly and vaguely threatening. Almost ethereal in her short white dress whose cut let her naked back for the world to see.

« I waited for ya. » He whispered.

She blinked, her full and juicy lips opening with surprise.

He stuttered, looking down and decided it was better for you if he stopped talking. The gravel in his hoarse voice, as strong as it was, sounded indescribably frail. As if this tall and slightly threatening man could shatter at your single touch. Now he felt stupid, clumsy with words contrary to Tommy and his naturally eloquent and charismatic speech. In addition to the unpleasant impression of being a fool, Arthur’s own whisky-scented breath and the strong metallic smell of blood reminded him of his horrific appearance. Overcoming the awe you infused in him, panic started to kick.

You frowned, and all of sudden he did not look that impressive anymore. Swept away by the wind, your face relaxed and wrapped itself with a calm, almost placid expression. You exhaled through your nose and walked towards the gangster, who had brought his bloody hands to each side of his head and was now pulling his own hair in a desperate attempt to not lose track.

« Where does it hurt? » You asked with a quiet and soothing tone, for you were concerned about all the blood he was covered with.

Arthur raised his gaze toward the petite white-haired doll who had just pressed one of her cold little hands on his. Your ice against his fire made his legs weak and his heart missed a beat. How his breathing calmed down at your touch was a mystery, but it did. Not quite comprehending why you did not seem scared of him, he stuttered again, all flustered.

« Shhh, shhhh. Everything’s okay, take a deep breath and answer with all the time you need. » Your hand gently tightened its grip, willing to show him you were there and you were not going anywhere until he feels better.

« Where does it hurt? »

« Ev-Everywhere love. It hurts everywhere. »

His hands, his face, his body, his brain, his soul, his damn tortured soul… It all ached too much, and too constantly for him to bear anymore. E-ve-ry-where, that was all he could say because pain was all he could feel.

Without answering, you pulled him to the altar and invited him to sit on the marble stairs. The strong and fierce gangster followed you without the single physical resistance and gave in between your hands, as a rag doll. All he did was looking at you with his charming but oh-so-exhausted blue eyes as you tore the fabric of your dress near your thighs and soaked it in holy water.

« Let me wash away the blood. » Your voice echoed in the vastness of the church, enticing and haunting at the same time — enough to send a pleasant shiver down his spine. You had barely finished your sentence when you started rubbing the wet cloth against his hollow cheek to clean his pale skin from the dark red blood. Once again, he could not help watching you during the whole ordeal all the while enjoying the fresh sensation of the holy water cleansing the dirt of his soul. Not minding his stare filled with fascination, you focused on your task, brows slightly furrowed and fingers blessing him with the softest and most caring touch someone had given him.

« Yer an Angel. I swear you are eh. »

You quickly glanced at him, a sparkle of amusement shining in your cunning celeste blue eyes, before looking back at what you were doing. The weight of his gaze brought fire to your cheeks, for he looked at you like he had just realized what love was.

He looked at you, and to his greatest surprise, found Heaven in your eyes.

I'm super new in the Peaky Blinders fandom, so please bear with me... Especially since English is not my native language. To be honest I am kind of scared to post it so any comment, review, reblog or constructive criticism is welcome. Also, I'll be more than happy to meet people in the Peaky Blinders fandom! In the meantime, I hope you enjoyed some Arthur and Heaven. Still don’t know if I’ll write a full series or snipets of these two love birds.

Tags: @areyenotfondofmelobster

[schizoprophet]

It is not a secret about me that one of the things I like to do is read stories in the Bible and get sad about it. That's like, that's been a pastime of mine since I was a child. Let me find the story that really makes me feel sad for the person in the story who I can't help because one, they've been dead for years if they ever existed in the first place. And two, if you're reading a story to try and help the people in the story, then you have approached the whole thing from the wrong end. Because you can't, that's the thing you cannot really do except to choose your own adventure books. And the Bible is not one of those. So one of the best stories to read if you like to read the Bible and make yourself feel sad for the people in it is the story of The Last Supper. Jesus Christ gets a bunch of his friends together, right? And then let's take the Jesus part off just as a person. You get a bunch of your friends together, right? And you have dinner, this big old dinner, you know, some bread and whatever, some wine and it's cool to be with your friends. It's fun, it's a good feeling, you know. And then you just get a vibe, there's a very, very, very specific vibe that you get. Right. And these are your friends so you can speak your mind around them. You can tell them how you feel and you say, you know, one of you is gonna sell me out. I just know it. You've - you've had some wine at this point. So you know, you can say that. Your friends will not judge you for speaking what's in your heart at this moment, and some of them are also, they've had a couple of glasses of wine themselves. They immediately go God, no, you are my friend. I would never, I would never, man. I want you to know person to person tonight. I will never sell you out. You, we've meant a lot to each other over the past couple of years and I will not sell you out man. And Jesus is like, OK, it's all good, you know, and they all do this. And one of 'em doesn't say shit. And he knows and he knows they both know and the one who's gonna do it feels worse than the one who's gonna suffer for it. Because he sort of knows I'm gonna do this thing. I guess I am. I don't want to. These are my friends, they're all gonna hate me. And in one version of the four gospels, Judas, uh, having sold Christ out, who normally then gets arrested and murdered by the state. Right? Um, in one version of the gospel Judas immediately goes and hangs himself. I've always - when I was a child I was like, oh, man. I mean, I understand that it'd probably be a tough one to live down in Jerusalem if you're the guy who killed Jesus. But, I mean, you know, that seems like kind of an extreme. This song is called cry for Judas.

-- John Darnielle about Cry for Judas, Tivoli de Helling on 2019-11-14

[in-death-we-fall]

Murderdolls: Turning The Corner

By Tom Lindgren Photo: Frank White

Hit Parader 462 — March 2003 (drive link)

They say that lightning rarely strikes twice in the same place. But these days you’d have a hard time convincing Joey Jordison about the validity of such a claim. With the immediate, out-of-the-box success of the Murderdolls, Jordison has now played a vital role in helping two bands reach the apex of New Metal acclaim. And while the ‘Dolls have yet to attain the level of fame and fortune enjoyed by Jordison’s “other” band, Slipknot, this trash-’em, bash-’em glam metal unit seems well on their way to grabbing hold of rock and roll’s proverbial gold ring. On their debut disc, Beyond the Valley of the Murderdolls, Jordison and his bandmates— vocalist Wednesday 13, guitarist Acey Slade, bassist Erik Griffin and drummer Ben Graves— have proven that they’ve got what it takes to deliver the kind of high-impact, action-packed sound that a fast-growing legion of today’s fans crave to hear. With all this good stuff goin’ on, we figured what could be better than having a heart-to-heart chat with Jordison and Wednesday about all the positive things happening within their musical lives.

Hit Parader: How satisfied have you been by the kind of reaction that your first album has generated?

Joey Jordison: It’s been great. But one of the first things I learned with Slipknot is that you can’t let any sort of commercial expectations get in the way of what you’re doing. You’ve got to make the music you want to make and then let things just take their course. But since the music of the Murderdolls does have a very broad-based appeal, I would hope that a lot of people would get into it. This isn’t just another one of those records with the kind of depressing lyrics that you hear out there. This music is the polar opposite of that— in fact it’s the polar opposite of just about everything that I’ve heard played in the last decade.

HP: Do you include Slipknot in that assessment?

JJ: Absolutely! I’m not criticizing what we’ve done in that band in any way. But this band was designed to be different, and it is. If I wanted to make the kind of music we make in Slipknot, I just would have waited until we all went back into the studio. But I wanted to do something different. I play guitar here— not drums. There are no masks, and the music is about as fun and exciting as it can be. I’m not saying it’s better… only that it’s different.

HP: The band has received some criticism because of your lyrics. Was that something you anticipated?

JJ: It wasn’t something that surprised me because a lot of people take things on a very superficial basis. They don’t want to delve one inch under the surface because they might end up revealing the truth. Anyone who’s listened to our songs knows that on songs like Graverobbing U.S.A. and Kill Miss America we’re just having fun. That’s the main thing— this is great rock and roll music that is fun to play and fun to listen to. Don’t try to analyze it much more than that.

Wednesday 13: I’m one of those people who is a definite product of his environment. I grew up in North Carolina, which is a conservative place where there really isn’t that much to do. So I was forced to listen to a lot of music and watch a lot of horror movies. That’s the real inspiration for most of my lyrics. I loved movies like Night of the Living Dead and Friday the 13th, and some of the stuff we do plays off of that same kind of mentality. You just can’t take it too seriously.

HP: You’re (sic) sound is an amalgam of old and new. How would you describe the essence of what the Murderdolls are doing?

JJ: It’s rock and roll, that’s the best way that I can describe it. Rock music has lost so much of its edge over the last ten years. What was once this great outlet for rebellion and fun has become this sad-mouthed excuse for bemoaning everything. Our goal was to get rock and roll back on the right path. I like to say that the world needs us right now— that this is the right time for the Murderdolls to make their mark.

13: We’re taking all of our influences, everyone from Motley Crue and Twisted Sister to Alice Cooper and the Sex Pistols and just mixing them all together, shaking them up, and seeing what comes out. It’s just a blast. There’s an edge of craziness and danger to everything that spices it all up and makes it very exciting.

HP: Do you believe that it’s time for so-called “hair metal” to make a comeback?

13: I’ve never trusted any musician that looked too normal. I want my rock and roll heroes to be larger-than-life. Maybe today’s kids don’t know any better because that’s all they’ve been exposed to, but we’re here to show ‘em that you can look cool and sound cool too. It’s really sad that an entire generation of kids have grown up without seeing bands really lay it on the line on stage. I remember seeing the Plasmatics, and watching them destroy everything in their path. That was incredible… that was rock and roll!

JJ: We’re trying to avoid being labeled in any way, but we know that’s asking for the impossible. We’d like everyone to just enjoy what we’re doing, but we know that a lot of people are gonna look at us, listen to the music and call us “glam”, “trash metal”, “hair metal”, whatever. It’s no big deal. We knew from the day we came up with all this, that the Murderdolls were going to shake things up. That’s all that matters. By now, we’ve heard it all, and it’s all okay. We’re presenting something that’s very aggressive, that’s got a definite attitude. We’re not trying to reinvent the wheel here. We’re just trying to make sure that the wheel runs as fast, as loud and as far as it possibly can. This is the kind of rock that I love— the kind of stuff I grew up listening to. The problem is that nobody is playing that kind of music these days. That’s why I keep saying that the Murderdolls are needed now more than ever before.