#something unreachable
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satellitesunset · 5 months ago
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wdym my bday is in 3 days.
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vaguely-concerned · 2 months ago
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on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.
all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)
in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.
#dragon age#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#lucanis dellamorte#rook x lucanis#rookanis#dragon age meta#rook is his first brush with actual safe attachment. and to me and because of who I am as a person#nothing could be more romantically devastating or impactful fhdsjkfhs that's literally the unreachable wistful dream the pie in the sky#the garrus romance echoes too. some of the same stuff going on under the hood here#you know who else he's sneakily like too actually? iron bull. the 'no matter where I turn I'll hurt someone I love' and dissociation stuff#there's that whole line about 'walking close to the edge or whatever'#which is masterful as a diversion b/c what this romance is really about is feeling truly safe with someone#in a sort of weirdly realistic way that makes it struggle with the conventions of video game romance but sure is Doing something!#and I unwittingly made a rook who also is on that specific arc so it's working out just devastating for me thanks for asking#the part in andrea gibson's 'prism' that's like. there is no shelter in the womb it's where you learn the cord that feeds you#could at any moment wrap around your neck. I think that's the initial understanding of love here. which is not good. if you think about it.#I don't think I really write these kinds of posts btw I just black out for a while and when I wake up from the trance I too#get to read what the fuck I've been thinking about finally. corralling that raging electric storm#that keeps overtaking my neurons at regular intervals and translating it into if not sense then certainly words. lots of words#no one is ever more surprised than me to find out what i'm thinking and feeling
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poorly-drawn-mdzs · 9 months ago
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I want it back / I drag its dead weight forward.
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ddlcbrainrot · 1 month ago
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okay i just keep thinking about monika's relationship with the player and how much it leaves a mark on monika's character i have a lot of thoughts on this
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pixelatedquarter · 1 year ago
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How it started:
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How it's going:
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glasswaters · 2 years ago
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oh, but i love her.
teeth and guts and roaring waves, she crashes against me where i stand. when the wind picks up and she buckles underneath me, it is the world she turns upside down. the ache in my lungs grows sharper, these days.
as though each rocking motion drags my chest across a whetstone, uneven pressure and ever changing angle, until I am worn to metal dust. until the lines in my palms are deep enough to hold her, and my walk wavers when I leave her.
some days, she is quiet, see. she lies, still and unmoving underneath me, and when I look into her, it is into the eyes of a fanged thing that has long since had its last meal. the thing lays still.
the thing smiles. and she is, all at once-
there is a whale carcass rotting somewhere deep within her, sinking ever deeper, still. there is salt on my lips and the smell of seaweed in my nose. in my hand, the rope is fraying. upon my chest, my shirt is wet with longing.
oh, but i love her.
- take your two good hands, and cup with them your heart. it will not be the last offering you make her. she will swallow it, and leave in its place a thing with teeth.
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supernova351 · 5 months ago
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I’m thinking about the Vash and Legato parallels again
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otrtbs · 2 years ago
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the way some of y'all talk about certain fanfics because you think their "popularity" gives you free rein to say whatever you want about them is so strange to me
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red-moon-at-night · 2 months ago
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Excerpt from Epithalamy of Helen/Idyll XVIII by Theocritus (translation by Neil Hopkinson)
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george228732 · 9 months ago
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I bet my art and writings would be more appreciated if people cared more about it, it's not a painting, nor digital art not something flashy and it'll never be that, people like that stuff and that's why the people that do that get attention
Is that what I have to do then?
People are selfish.
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mc-critical · 3 months ago
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1.10 / 1.09
#something to be said not just about how Ibrahim aims to replace his past family with his present bond with Süleiman (and Musti and Mahi#branch off of that bond) but also how Hatice fits in all of this - the one Ibrahim leans on everytime he's likely to lose SS is *her*#she isn't just the future he wants to secure in the castle but also the past he yearns for outside of it especially in that initial period#of their relationship; and not just any past but a very particular fragment of it - the next most valuable person of his past other than#his brother: his *mother*. it's no wonder him playing *his mother's* melodies with the violin marks the beginning of their story and stays#an important motif throughout. just like Ibrahim's mother Hatice is so familiar yet so out of reach (and this unreachability accumulates in#E13 - Ibrahim leaves for Parga thus returning to his past but leaving Hatice behind but *then* finding out his mother is gone too.#*both* people he wants to be close to soo much are *gone* in that moment. there's a link between them because of this. also Hatice tieing#lbrahim's mother to “heaven” as well and her “looking at their happiness from above” Ibro responds with in E14.) Hatice will distance#more and more from that role later on until lbrahim starts to outright abandon this whole 'return to the past' idea with Hatice and#search for it through Nigar instead. but yeah anyway I feel these two scenes are the perfect encapsulation of how complicated#the past is for lbrahim; he avoids remembering it because it *hurts* to remember both because why would he remember it when he already has#an established future and because deep down he resents what he's become and established as that isn't ever permanent and he's lost all else#*himself* most of all as who is a person without his roots? he wants to forget them but can't ever do it so what's left is replacing them#*all of them*; when he finds Hatice too he wants to have *both* her and Süleiman and SS marrying Hatice off directly challanges that want#up to that point he believed in the possibility of their love more than Hatice did; now? he seems as lost as she is not knowing what to do#the only way not to lose either of them is accepting Süleiman's order convincing himself that this is how it should be no matter how much#that hurts and would bury him even deeper; he can't bear it so he searches for a solution - and when he sees Rhodes sea? it hits him#it hits him how low he's actually sunk through the losses and if he can't “fully* replace the past he'll *fully* return to the past letting#*everything else* once hidden out as well. not to mention how right before he left to Parga he was brought to fear for his literal death#and then he is given more power that also brings some uncertainty with it and that likely scared him cementing his departure for Parga#directly following Piri Pasha's advice to let power go as it won't let *you* go#(btw a big contrast between S01 and S03 Ibrahim can be drawn in his relationship with Piri Pasha and his relationship with Ebusuud)#magnificent century#muhteşem yüzyıl#muhtesem yuzyil#ibrahim pasha#(sorry for the disorganized tags but if I kept it like it was I would've exceeded the limit before I even finished 😅)#(just Ibrahim and Hatice in general are people who latch onto each other to get over their losses and ache for peace amidst their turbulent#lives and positions and that's what keeps them close and will later too)
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khaire-traveler · 8 months ago
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Apologies for asking outright, but I would appreciate some kind asks from y'all. It's been a rough few days. I hope y'all take care and are having a wonderful time. 🧡
I'm just feeling pretty alone right now, you know?
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moe-broey · 3 months ago
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Conflict test..? Moe fucks up Badly test.
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lanternlightss · 3 months ago
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Do you ever think about how Bard is constantly depicted with Open eyes and Barbatos is constantly depicted with Closed Eyes
NO YEAH. YEAH
something to be said abt it all …. like ,, the way bard was pushing towards an impossible, constantly reaching out for better days, a whirling inferno. and venti, with how the winds reach nearly almost every corner and crevice of teyvat, can recall every song of past, present, future, “let’s wait, wait, for a windier day..”
something about eyes being the window to the soul.
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thefabelmans2022 · 4 months ago
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rip cousin greg you would've thought saltburn was "like.....kinda weird, right?" but if you had paid actual attention you would've loved it.
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guzhufuren · 5 months ago
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as someone whose two favourite cinematic genres are romcom and toxic queer romance, and whose favourite qls are chinese wuxia ones, i fear i will never have a bigger event in my life now
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