#something has ended

[white-wolf-soul]

Louise Glück: "October", from Averno

[druid-for-hire]

[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[missholoska]

happy super late 9th anniversary, undertale 💖

[chloesimaginationthings]

Is Michael Afton gay or European in FNAF?…

[waterflowing-under-ground]

"when a poet has nothing to say... that's how you know it's bad. dandelion NOT saying anything could in fact say more about his character than anything he could have possibly said in this scene."

I think this comment explains it well! And thank you for this post, OP! It inspired me to examine a lot. This is why this saga is so special to me.

I have been sitting on this draft for awhile wondering if it would be strange to reblog (with commentary) your post from over a year ago (which I happened upon browsing your tags bc I really appreciate your reflections about this work).

But I decided to go ahead. It's an important set of topics in the Witcher world and our own (of which fictional worlds like the Witcher are meant to be a mirror) and I wanted to talk about it.

There's so much about grief in this saga, and so much about the of paying debts, and I tend to think about the idea that grief is sort of the price we pay for being able to love.

And I have personal experience with the grief of losing a close friend which makes Geralt's death and Dandelion's reaction to losing him so relatable and heartbreaking. And believable.

I agree that Dandelion's reaction seems a bit... anticlimactic at first, especially given how long him and Geralt's relationship spans, what they've been through together, and how much they mean to each other.

But also we have this reaction to the news of the deaths of the other hansa members, people he'd also grown close to.

"Dandelion held out for a very long time. He didn't ask any questions. But he finally had to be told everything. And be accompanied in his silence. In the dreadful, pregnant silence that fell after the telling, and festered like a sore."

I'm a big fan of Sapkowski's tendency to lean on "less is more" for these powerful and emotional scenes.

Actually, I want to give a chef's kiss for this passage specifically, I just love it so much. It says so much in so few words. It's an emotional punch in the gut, it makes me so sad, and it's so effective at conveying the emotional intimacy between these characters.

I can easily visualize Geralt just sitting with Dandelion as he processes what Geralt has had more time to process, and they just sit and quietly grieve together. There's a lot to be said for the intimacy of just sitting with someone and hurting together. It speaks to a deep level of comfort and emotional intimacy, and a comfort with a lack of words when there simply aren't any which could fully or respectfully convey the gravity of the situation.

Also grief is so unpredictable and quite frankly, weird. One never knows how they'll react to a death until it happens. Years ago when I lost a close friend, my screaming in horror and crying uncontrollably came weeks after any post-death events had taken place and I was alone when it happened. Which is why I find his immediate reaction so believable.

I also think about the fact that Dandelion may have thought he'd be prepared for this eventuality given the inherent risks baked into Geralt's being a witcher and the danger baked into their quest to rescue Ciri.

But then found himself unable to fully acknowledge that it had finally happened, after all the times Geralt had successfully evaded death when it was right on his heels, when in all likelihood he shouldn't have.

Maybe on one hand he thought he'd be prepared for it (and was reminded the hard way that one can never be prepared for it even if they've experienced it before like he had with Essi), and simultaneously had mistakenly deluded himself into thinking after getting so far, Geralt would continue to evade death, and was in shock that this time, he really hadn't.

I know it's naive of me to hope that the new Witcher book is a Dandelion POV where we get to hear more of his experience with his grief after the immediacy of it had passed and he's left alone to cope, getting to see how he grew around his grief (one does not get past grief, one simply grows around it), and was able to heal (and perhaps how his rewrite of Half a Century of Poetry would have been instrumental in his healing process). I feel silly even wishing for it, but I want it terribly.

But one thing about Dandelion that breaks my heart so much is that aside from the hansa and Geralt, we don't see him having such an intimate friendship with anyone else besides Essi, who he'd also already lost. And nobody knew his heart quite the way Geralt did, and that's terribly tragic. But Dandelion is still young and has a lot of life left! It would be so interesting to get to see that.

one thing i do dislike about the ending of lady of the lake is how forgotten geralt and dandelion’s relationship feels at the very, very end. because although i accept, i even like, geralt’s despondence and emotional distance in ch. 11 and 12, which is not only warranted but realistic and flavorful…

i have a hard time believing dandelion’s numb response as geralt is dying. he says so very little. he sniffs, holds triss up, but otherwise says nothing. he muffles an exclamation of shock when ihuarraquax appears, and groans in awe. he is the first to move and place yennefer in the boat.

and his only words, last words he ever says in the series? “something has ended.” … dandelion, our eternally-blithe optimist, says the pessimistic part of the litany.

though, perhaps it’s like this: when a poet has nothing to say… that’s how you know it’s bad. dandelion NOT saying anything could in fact say more about his character than anything he could have possibly said in this scene.

[trashy-raccoonz]

kimharry getting groceries tgt but instead they melt because of the heat, send post

also i might have gotten carried away and did a lil follow up comic....

[sanzundertale]

babygirl i will invent stages of grief you have never seen before

[hinamie]

a tribute to celebrate the finale of the manga that has meant so much to me these past few years

[sunderwight]

Bingqiu AU where Luo Binghe's the chosen village sacrifice to the evil deity who lives up the mountain.

Normally the village sends maidens, but they've more or less run out of expendable girls of the right age and, ahem, "virtues". So of course Luo Binghe's early life bad luck kicks in. In the wake of his mother's death there's no one to really care about what happens to him, he's fairly pretty, and the village leaders decide that if they dress him up like a girl the teenaged homeless kid should pass well enough. And hey, y'know, he's probably got a hard life ahead for him anyway -- dying in a brothel of some venereal disease or on the streets of exposure or starvation. At least as a sacrifice, everyone else gets to benefit from his loss! And the kid will get added to a shrine and be remembered as a hero! If anything, he should be happy about this!

Binghe is not happy about this.

But he's also a skinny underfed nobody who is easily overpowered, dressed up like a bride, and tied to a post. So. Not much he can do but wait for the evil deity to come and do whatever horrible thing he's gonna do to him.

Meanwhile, Shen Yuan is pretty sure he's been isekai'd into the over-powered hero of some kind of supernatural adventure story? He's not totally sure because he doesn't recognize the setting, but the signs are there. He's got a shrine-like base of operations (though it seems to have become corrupted/ruined, probably he has to restore it somehow), he has a very resilient and handsome new body with spiritual energy of some kind flowing through him, and a very clearly magical sword. Plus lots of neat starter powers! Though it feels like he has other abilities that have been blocked somehow? Probably he has to level up in order to access them.

When he treks out of his "base" and finds what seems to be a distressed maiden, he takes it for his beginner hero mission. The girl claims that she's been doomed to be sacrificed to an evil god. That sounds a little above Shen Yuan's pay grade for dealing with, so he unties her and decides that they had better just get out of the whole region altogether. He already packed up anything useful from his base, anticipating he might get caught up in an adventure once he left, so they follow the river away from the settlement until they reach another one.

While they travel, Luo Binghe tells Shen Yuan about the cursed deity, Shen Qingqiu, who was cast out of the heavens for slaughtering one of his brethren and has apparently being do-who-knows what to maidens from the local village in exchange for his "protection" ever since. Sounds like a real asshole! And also mid-level boss type bad guy at least. Shen Yuan hopes he doesn't have to fight him, but he probably will.

Thank goodness he found Binghe, though! Clearly the helpful little sister type! He's definitely going to require her assistance if he's going to figure out how to navigate this world and level up his skills enough to take on a god.

[boykingscourt]

supernatural writers after season 5

[delicourse]

i miss them a little if im gonna be honest

[helloilikepurple]

DC X DP - Mirrors

Did Danny want to live in Gotham? No, of course not. Did he have a choice? Nope. When does he ever?

Now, he may be technically homeless, but he's also technically dead, so human laws technically don't apply to him. So, naturally, he pics out an empty mansion so big even if the owners were to come home, the chances they'd run into each other would be really low, and settles in.

This 'mansion' happens to be Drake Manor. Look, Danny lived in nowhere Illinois and kinda had his hands full dealing with ghosts, a double life, bullies, and being actively hunted. He doesn’t know much about celebrities. If you tell him the name of someone super famous, it might sound vaguely familiar, but that's about it. What he knew was superheroes and vigilantes (some of them, okay, give him a break). That's about it.

So the name Drake in connection with Gotham didn't ring any alarm bells. He did some surface level research: the Drakes are dead, survived by their only child, Timothy Drake-Wayne, who now owns their house but was adopted by some other super rich guy called Bruce Wayne and doesn't live in it, leaving it empty for the foreseeable future.

It was the perfect place!

Danny didn't explore much, partly because he didn't care to and partly because he was too tired to from healing. He cleaned up after himself, used only his bedroom (chosen for being tucked way back and out of the way), the attached bathroom, and the theatre occasionally as a treat. He lived off of the provisions packed for him, ectoplasm and water from the sink.

Cut to, few weeks in.

Danny's got a new routine, he's taken his stitches out, and is still super fucked up, but a lot better than when he arrived. He hasn't been outside since he arrived, but ghosts don't need Vitamin D anyway. Is he slightly depressed? Maybe. But he's also dead, so, bigger priorities.

Tim is looking through his stuff for something or other, and it occurs to him he probably left it next door. He hasn't been to Drake Manor in months, but he sort of really needs this thing, so he sucks it up and borrows a car because like hell is he walking the several miles from this front door to that one.

He goes to his old bedroom, opens the door, and comes face-to-face with himself.

And Danny doesn't know what he's supposed to do in this situation.

Listen, Danny doesn't always make the best decision in the moment. It's a very normal flaw to have! So he tells who can only be Timothy Drake-Wayne himself when asked, that his name is Timothy Drake, and this is his house, and, actually, who are you and how did you get in?

This causes Tim to assume Danny is himself from another dimension who he accidentally dragged to his dimension by messing with the Time Stream to get Bruce back. Danny continues to accidently fuel this misunderstanding without meaning to.

(This is not helped by the fact that a DNA test doesn't disprove this. Danny's DNA is corrupted, but what Tim does get is identical to himself. This is how Danny finds out he was adopted, and how Tim, much later when misunderstandings are cleared, meets the identical twin brother he never knew he had.)

[poorly-drawn-mdzs]

MDZS x Brazil (1985)

(Yes. Real movie dialogue)

[floweroflaurelin]

BigB is making me lose my mind.

—

My buddy @salemoleander made a post going over all the weird stuff with BigB’s unusual Secret and it got my mind racing. The red icon... The isolating, grindy, antisocial task... The strange phrasing… Makes you think 👀

(Even if it turns out to be nothing I WILL be headcanoning lore about it hehehe)

[acid-ixx]

mild spoilers for chapter six for my series again &. again, but i really feel the need to ramble about this, and i'd love to hear anybody's opinion on this hehe.

as i write outline chapter six (and write for chapter five), i'd like to say i couldn't wait to write the reader's face reveal in bruce's perspective. and it's not just angst, for me, this plays a very pivotal turn for the series— because bruce will spiral to insanity.

to never once see a single portrait of your second youngest child, whose presence has long been erased from the manor, not a single image, nor trace of you is sickening to the heart, even if he scours through the internet day and night for a single memoir of you, nothing— but to find your portrait in alfred's living quarters and seeing you for the first time in forever? graduating a milestone no less?

god, he's in for a ride just analyzing every aspect of your physical appearance.

the color of your eyes, the shape of your nose, the quip of your mouth, the fat in your cheeks; even the length of your lashes! god, does he brand it into the deepest parts of his mind to never forget you anymore. his pearl, his treasure.

the longer he stares, the more he notices and gazes even more, obsessive as he stands lonesome in the room with every bone in his body locking up, his eyes unable to look away from the portrait that showcases his baby child.

and there, there it is that he concludes a detail so small it's unrecognizable for someone who's seen it for his entire life; yet it's all the same triggered deranged emotions deep within him.

— you don't just share him and your mother's traits, no, your smile is also reminiscent of his mother's.

martha wayne, who'd died in his arms, laying in a pool of her blood with a bullet grazed deep inside her body. his loving mother, who caressed his face whenever he'd cry from his nightmares, who'd shown him motherly love that until now he still craves.

she died with her pearl necklace that once decorated her porcelain neck spilling to the ground and stained with crimson.

you wore pearl earrings on your graduation.

the thought alone is enough for him to just snap.

this? this is the child that he's been neglecting far too long? who shares the same, loving expression of his mother's? his child? not even a single memory could be conjured with you but fantasies now do. if your happiest moments were within the picture frame that he holds with shivering fingers at present; could your smile be any wider if you'd be with him?

how come he never once noticed? why is bruce always destined to fail left and right? why, just why is he brimming with jealousy for all the people who must've seen your smile before him, and contempt for himself that he was never there to pick you up from the police station beforehand?

bruce isn't a heckler for favoritism, but a darker part of him is motivated to take you away from wherever you are, and to never let anybody else witness his beautiful, little treasure.

he's gotham's knight, first and foremost. but he's a father, too, with goals to protect his children just like a father should.

and the things he'd do for you, his child, now? anything.

if it means he has to see that smile, then he'll turn the world upside-down.

he has to protect your smile.