#something CRAZY is happening in this photo

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[batsplat]

CRAZY THINGS ARE HAPPENING https://www.tumblr.com/kwisatzworld/767503662882914304/sete-came-to-the-vr46-garage-what-year-even-is-it

(photo of sete in the vr46 garage) been thinkinggggg about this.... I'm actually quite ambivalent on the topic of like. sete + valentino reconciliation because I'm also a big believer in some wounds remaining open, like I actually think there's something cute and fun and compelling about valentino being So Fucking Weird about sete and doing his weird erasing him from the narrative gig... and I've been a very sete-sympathetic mood recently where he's really been triggering my sports underdog-love brain and what valentino did to him was SO MEAN and SO FUCKED UP - low key kinda the worst he's done to any rival lbr!! - and obviously valentino will NEVER apologise for that... so a part of me kinda wants sete to pull himself together and be a bit more bitter in his own right y'know. but I suppose the bit of sete that folds is kind of key characterisation too... idk. it's also not going to prompt anyone to take his career + rivalry with valentino more seriously because valentino's already basically done the damage there. and if you're going to be such a cunt you might as well go all the way, like if valentino were any less evil about it I would find the whole thing considerably harder to stomach. as a sports fan my heart is very much attuned to sete's plight!! sete, don't talk to him. don't go to his bloody ranch

anyway that's the normative analysis about what I'd LIKE to happen. as for the positive analysis... weird weird vibes. I recently remembered some uccio/vale/sete lore that didn't make it to the toxic yuri post and it does kinda make me very. curious. about what that three-way dynamic looks like, if you will. real likelihood that sete is the valentino rival who uccio had by far the most of an actual... direct rapport with... like it's not unreasonable to suggest them and valentino hung out socially on several occasions... they also knew each other when valentino went all *gestures* y'know. on sete. idk where I'm going with this!! I just think it's interesting... I don't really feel like this is a photo I could imagine happening with any of valentino's other rivals, which does Tell You Something idk. curious if this all leads somewhere or if uccio went back home to valentino to call sete a bitch

[mandymarryme]

What's going on here?

[caramelmochacrow]

Day 7: Free Day (Proposal)

My Proposal To You (17.7k words)

Three years have passed since Yuka and Esora graduated and started to date. They, in addition, have started to live together. The problems from that night three years ago were resolved in a way, yet the public hasn't moved on. The idea of proposing enter the couple's minds, opening old wounds and lingering worries in the process. Yuka has thought of proposing for months, while Esora has kept that idea at the back of her mind until now. Her past with marriage doesn't exactly help. However, Yuka and that man are different, far different. She truly loves Yuka. And Esora knew Yuka was the same with her.

(no writing version under the cut)

awww theyre proposed :3c

[icewindandboringhorror]

recent things

[chelseasdagger]

i won’t keep talking about it but let me just say that car rides on the backroads of the city in a convertible is some of the most fun i’ve ever had

[bright-and-burning]

omg i’m actually going to be so busy this weekend and then straight exhausted for all of the work week lmfao. anyways PLEASE send me big things up my alley if i miss them… or idk put my url in the tags. didn’t that used to be a thing or am i misremembering.. getting sidetracked . goodnight

[makedamnsvre]

there are things abt me that i dont talk about not because im being secretive i either just forget to mention it or think no one wants to hear about it but i think it gives like important context to whats wrong with me 💖

[deerdeardarling]

Me trying to explain & make sense of all the made up pokemon lore/aus/headcanons I have in my head to. Litteraly anyone.

[obstinaterixatrix]

man. wise guys is so good. I should listen to it again

[kerosene-saint]

fun fact: I forgot my hair is curly

another fun fact: I'm trying to grow out my undercut

save me

[5sospenguinqueen]

Taste - Max Verstappen x Singer! Reader

Summary: She’ll just have to taste you when he’s kissing her. When Max and Kelly break up, the pair of you start something sweet. But, it only lasts a short while when your conflicting schedules drive him back into her arms. 

Warnings: Kelly Piquet slander. 

Requested: No, I’m just obsessed with making up fantasies whilst I drive home from work with my music on

Faceclaim: Sabrina Carpenter (yes, I know she’s used a lot but I stole her song and her occupation so why not steal her face) 

F1 Masterlist

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f1wags just posted

liked by user1, redbullracing and others

f1wags max verstappen and kelly piquet both confirmed they have seperated, posting a short statement on their instagram stories. the news comes after months of speculation after explosive arguments were caught on camera

3,306 comments

user1 omg did anyone see that red bull admin liked this and then unliked it

user2 thank god! i’ve been waiting for this day for ever

user3 can we see him date someone his own age now that didn’t go after him when he was a teen? 

user4 finally! turns out manifesting works 

user5 he always looked so upset after they argued. hopefully he finds someone good for him

user6 hear me out, but how hot would he look with yn ln

→ user7 like they’d ever cross paths. he’s an athlete and she’s a pop star 

→ user6 yes but my point is that they would look hot together 

→ user8 he did have one of her songs playing in the background of a stream once?

user9 i love how she’s really laying it on thick in hers and he’s just like “yeah, it’s over” 

→ user10 we love an unbothered king

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mclaren just posted

liked by maxverstappen1, landonorris and others

mclaren we have a special guest in the garage this weekend. thank you @/yn_ln for joining us

6,098 comments

yn_ln thank you so much for having me! i had an amazing weekend but i don’t think i’ll be in a rush to do hot laps again

→ landonorris don’t be like that. i know you had fun! 

→ yn_ln idk who trusted you with a licence but they should be fired

→ landonorris idk why they call you short and sweet :( 

user1 she looks soooo good wtf  liked by maxverstappen1

oscarpiastri it was really fun having you in the garage. thank you for making lando seem tall. now he’ll be in a good mood for the rest of the weekend

→ yn_ln f1 girlies, can you tell me if he’s dating the curly haired one?

→ oscarpiastri well played. i apologise for bringing your height into this

→ user2 yes, yes they are, yn

user3 chat, is this real? my fave singer in my fave team’s garage! two worlds colliding 

charles_leclerc omg please stop by ferrari. my girlfriend, alex, absolutely loves you

→ yn_ln come pick me up! (‘cause i don’t know my way around the paddock) and i’d love to meet her

user4 omg somebody tell max. i hope she gets lost and stumbles into red bull

→ user5 my delusions might come true if that happens

→ user6 he saw her when charles was walking her over to ferrari

→ user4 and?! 

→ user6 nothing. he turned around and went back into the garage

→ user7 yeah after he went bright red! 

f1wags just posted

liked by user8, shortnsweet and others

f1wags only two months since his split from model, kelly piquet, max verstappen has been linked to singer, yn ln. the pair have been spotted numerous times on dates and caught in moments of affection

2,999 comments

user8 yn’s clothing brand liked this! 

→ user9 that doesn’t mean anything?

→ user8 well, considering that is her own brand, and they’re a part of her image, i’d say it means something 

user10 anyone else notice that they’re wearing different outfits in every photo, which means they’re all from different days/dates

user11 i’m going feral

user12 okay but you can’t even deny that this is them because it very clearly is 

user13 people said i was crazy when i talked about these two being together! 

user14 they’re so hot together. i might actually combust 

user15 i’m (s)creaming

user16 the hand holding 🥹 they’re not just fucking

user17 my new otp 

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kellypiquet just posted

liked by maxverstappen1, piquetjr and others

kellypiquet my 🩷

2,987 comments 

maxverstappen1 ❤️

→ user1 aha this is such a dry response lmao 

user2 wtf? i thought he was with yn

→ user3 that was just a rumour 

user4 he looks much better with yn 

→ user5 yeah but she can’t give him the stable relationship he needs so no wonder he went back to kelly. she’s always there lmao 

→ user6 yeah because she never lets that man go. she’s possessive and it’s not healthy

user7 max is so cute with p 

user8 my favourite thing about this post is that all of these pics are old because max is currently in a press conference with his long hair, not these short strands

user9 how could he leave yn like this? they were so cute together 

(comments on this post have been disabled)

yn_ln just posted

liked by landonorris, kellypiquet and others

yn_ln in honour of my tour starting, please enjoy my new single taste! 💋

14,033 comments

user1 omg a new album, a new tour and an additional song?

alexandrasaintmleux got this on repeat 

→ charles_leclerc this is true. it’s all we’ve had in the car

→ alexandrasaintmleux don’t act like you don’t know all the words 

user2 this was 100% written because of the max situation

jennaortega but how hot do we look 

user3 not kelly liking this! 

→ user4 i like to think the middle picture is aimed at her for stealing yn’s man

redbullracing blue is definitely your colour

→ mclaren she looks better in orange 

→ scuderiaferrari we think she should try red next 

→ yn_ln i’ll wear whatever colour invites me to watch rich men drive around in circles next

→ alpinef1team pink it is! 

landonorris i liked the parts where you died

oscarpiastri oh so you’re allowed to make height comments but i wasn’t?

→ yn_ln please refer to the middle picture

user5 chat, i can’t stop thinking about “he pins you down on the carpet, makes paintings with his tongue” 

→ user6 max verstappen, i was not familiar 

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yn_ln just posted

liked by redbullracing, oscarpiastri and others

yn_ln i heard there’s some sort of race on so i thought i would show some support. let’s play spot the team

10,001 comments 

user7 omg did you see that charles and alex were there! 

→ user8 and pierre and kika

→ user9 well, we know who got charles in the divorce 

user10 we all know who red bull wants in max’s garage 👀

→ user11 the fact that they liked a gossip post of him dumping kelly and are now all over yn’s insta 

user12 okay but the placement of the bulls has me weak in the knees

user13 who’s your favourite driver? 

→ yn_ln daniel ricciardo

→ danielricciardo showing this to everyone i know

→ user14 does that include max? liked by danielricciardo 

user15 we love a petty queen because you can’t tell me the writing isn’t aimed at kelly and max 

→ user16 and the bull instead of the kiss

mclaren we’re hurt. truly hurt that you didn’t post a pic with our logo 

→ yn_ln you have a whole insta post dedicated to you! 

alexandrasaintmleux the hottest concert i’ve ever been to

→ charles_leclerc still can’t believe she arrested you when i was right there

landonorris does this mean you can come to the race? like you’re practically already there??

→ oscarpiastri i second this

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requests open. i'm just slow haha

coming soon; lewis hamilton baby angst

this wasn’t due out until next week but MAX WON!!! And so I’m posting this in honour of that. I’m just sorry this was planned as angst 😬😂

tag list

@peachiicherries @rosecentury @c-losur3 @heavy-vettel @evie-119 @raizelchrysanderoctavius @lilorose25

[hoshifighting]

Two words. Dilf Cheol. (I am on the brink of insanity thank yewww)

dilf!seungcheol

WARNINGS: smut, fluff, crying, marriage, his kid loves u, shy dilf!seungcheol at the beginning.

oh man, dilf!seungcheol though? i think about it every single day, i swear. and yeah, it all starts with that awkward-ass moment at the café. he’s standing there all buff and shy, trying to work up the nerve to ask for your number, his daughter hanging onto his leg like she’s his bodyguard. her big, curious eyes peeking out at you while he stumbles over his words. “uh… I just… I thought maybe you’d… uh,” seungcheol scratches the back of his neck, all nervous—like he isn’t the size of a tank. “you know, if you’re not busy… you could give me your insta?” he’s waiting for you to laugh at him, probably thinks he’s gonna get rejected because, you know, he’s got a kid and all. like that makes him less attractive or something. but you’re all heart-eyes the second his little girl pipes up with, “daddy thinks you’re pretty.”

dude nearly dies on the spot. he’s so red, you could probably cook an egg on his cheeks. but you just crouch down to her level, giving her the same sweet smile you flashed at the waitress earlier, and say, “well, I think your dad’s really handsome, too.”

game over. you’ve got him hooked, right there.

from then on, you’re texting nonstop. it’s almost like a high school crush thing, except the guy’s a full-grown dad who still somehow makes your stomach flip like you’re sixteen again. his insta’s basically a whole love letter to his daughter, like, every other post is her: her in some princess costume, her making pancakes (or trying to), her at the park with him, her with his dog. sometimes, you’ll scroll through his feed just to see him smile because, damn, it’s so rare he smiles like that anywhere else.

but then there’s the gym photos. god, those gym photos. all sweaty and pumped up, and you swear he’s showing off just a bit for you now that he knows you’re watching. his arms look like they could crush you, but the way he talks? it’s like he’s this big ol’ teddy bear wrapped in all that muscle.

“you eat today?” he texts you at like, 2 p.m., no greeting or anything.

you text back, “noo :(( too busy.”

not even a minute later, you get a notification from some food delivery app—he’s already sent something to your place. he’s like that. doesn’t even ask, just takes care of it. if it’s cold out, he’s dropping off a coat. if it rains, a brand new umbrella’s somehow at your work's door.

one night, you're scrolling through insta, and there’s this photo of him at some fancy work event, all dressed up in a suit and tie. goddamn, you think, biting your lip, because who knew seungcheol could clean up like that? the suit hugs every muscle, and it’s wild how he can look that good in anything from sweats to formalwear. you double-tap, and not two minutes later, he’s texting you.

“you like that one?”

you don’t even bother playing coy. “nah, I loved that one.”

there’s a pause, and you can almost picture him blushing on the other end, even though you’re the one getting all flustered.

“well, maybe you’ll get to see it in person soon,” he shoots back, and there’s a teasing edge to it, the same one that’s been driving you absolutely crazy since you started talking.

you roll your eyes, but your heart’s doing that dumb fluttery thing again. “maybe,” you reply, playing along.

and it’s like, you’re not even sure how this all happened so fast, but seungcheol? he’s always making sure you’re good, like his whole day revolves around making you smile, checking in, making sure you're eating, keeping warm. it’s low-key intense but in the best way possible.

and somehow, between all the little text convos and the insta stalking, you’ve found yourself seriously catching feelings for this dad with the cutest kid, the sweetest heart, and a whole-ass gym routine that’s absolutely unfair.

and you wonder: how the hell did you get this lucky?

seungcheol's always been like that—taking care of you like it’s second nature, probably because he’s used to being in dad-mode 24/7. you kinda feel spoiled, in the best way possible. he’s always looking out for you. it’s not that he’s overbearing; it’s just that this is how he shows he cares. but you know it goes both ways.

so one day, you decide to return the favor. you find this pink polo, something that screams him but in the softest, most endearing way. you know his daughter will love it too, ‘cause she’s all about pink and matching with her dad. you send it to him without saying much, just a little note saying, “thought this would look good on you.” the next time you see him, he's wearing it, and yeah, the shirt hugs his body perfectly. he’s acting like it’s no big deal, but you catch the way he blushes when you compliment him. “didn’t have to do all that,” he mutters, rubbing the back of his neck, but his eyes are softer than usual, that little glint of he’s falling harder than he planned.

but what really seals the deal is how u handle his daughter. every time you two try to plan a date, something comes up—his mom’s busy, or the babysitter falls through, and suddenly, the whole night’s flipped. instead of a fancy dinner, you’re headed to the park or some kid-friendly café, making sure his little girl has fun. and somehow, you end up having more fun on those “ruined” dates, watching seungcheol let loose, running around with his kid while you cheer them on. it’s like you get him, get his life, and he’s not used to that.

and then, finally, one night, the stars align. his mom takes the kid for the weekend, and it’s just you and him. alone.

and oh god, does he reward you.

he’s been holding back for weeks—months even. all that pent-up frustration, that tension from constantly having to play the responsible dad while trying to not let himself get too attached to you, it all comes crashing down.

he’s rough, no question about it. but it’s the kind of rough that makes your whole body sing. his hands are everywhere, grabbing, holding, pressing you up against walls and furniture like he’s desperate to feel every inch of you at once. he’s strong, and he knows it, lifting you like you weigh nothing, carrying you from one spot to the next without breaking a sweat.

the first time, it’s almost frantic. he’s pounding into you like he’s afraid the moment’s gonna slip through his fingers, grunting into your ear, his breath hot and uneven against your skin. your legs wrap around him, but you can hardly hold on—he’s relentless, hitting that spot over and over until you’re crying out, body shaking violently.

you don’t even realize your legs are spasming until hours later, when you try to stand and nearly collapse from how shaky you are. but seungcheol’s not done. oh no. he’s far from done.

before you can even catch your breath, he’s down between your legs, eating you out like a man famished. this time, it’s slower his tongue doing things that make you arch off the bed, hands fisting in his hair as he drags you to the edge again, then pulls you back just to do it all over. every time you think you’re about to lose it, he eases up, grinning against your skin like he knows exactly what he’s doing.

and yeah, maybe it’s been ages for him, but fuck, the man knows how to destroy you. by the time he’s done, you’re a complete mess, legs trembling, heart flying from your chest, your body so sensitive that even the thought of him touching you again makes you shudder.

seungcheol though, he’s the type to take his time. slow and unshakable, like he’s gotta be absolutely sure before he makes any big moves. but with you? he’s struggling. there’s this itch under his skin, this need to lock it down, put a ring on your finger, make it official. and yeah, he’d never say it out loud, not yet. he’s got too much pride to come off that desperate. but every time he watches you with his daughter, every time she calls you her “best friend” or shows you the drawing she made of you three as a family, he’s fighting the urge to drop down on one knee and ask you to make it real.

he hides it well, though, keeps up the usual routine. he keeps taking you out on dates, some with his little girl tagging along, others just the two of you. and he’s always scolding you whenever you show up with yet another gift for her.

“y/n, you’ve gotta stop,” he groans, shaking his head as you hand his daughter a set of pink hair clips that match her favorite doll. “she’s gonna expect something every week at this point.”

but there’s that soft look in his eyes, the one that betrays how much he loves seeing you spoil his kid. he’ll roll his eyes, but you notice how he always says “my girls” now, so casually like it’s the most natural thing in the world.

you and her. his girls.

one day, he takes you to her father’s day presentation at school. you’re not sure who’s more nervous, seungcheol or his daughter. but when she walks on stage in her tiny tutu, all giggles and shy smiles, it’s seungcheol who completely loses it. you’re sitting beside him, watching him tear up before she’s even started dancing. by the time the performance is over, he’s full-on crying, holding his face in his hands as you rub his back, trying to calm him down.

“it’s just… she’s growing up so fast,” he sniffs, looking up at you with watery eyes, completely unashamed of the tears streaming down his face. and you can’t help but love him more for it, for how much he loves his daughter, for how raw and real he is when it comes to her.

your intimate life? that’s been steady too, despite how busy things get. with a kid around, it’s not always easy to find the time, but seungcheol makes sure you’re never left wanting. there are the quickies, yeah, when his daughter’s asleep and you’ve got the living room to yourselves, stealing a heated make-out session that somehow ends up with your back pressed against the couch cushions, his hands roaming under your clothes while he kisses you senseless.

but if things get too feral, you two will sneak off to the laundry room or the closet, anywhere you can get a little privacy. he’s fast, efficient, but still so thorough, making sure you’re fully satisfied every single time. it’s like, no matter how quick things have to be, he’s always got this laser focus on making you feel good.

but even with all the passion, he’s still got that soft side. sometimes, it’s just enough to make out on the couch, your lips swollen from kissing, the weight of him pressed against you. and in those moments, there’s this quiet comprehension between you two. you don’t need the sex to feel connected—sometimes, just being close is enough.

but it’s getting harder for him to hold back. every time he sees you playing with his daughter, every time she asks if you’re coming over for dinner, he feels it. that pull. that urge to make you his. and one night, after his daughter’s fallen asleep and the two of you are tangled up on the couch, catching your breath after another one of those wild, stolen moments, he looks at you, really looks at you, and the words just fall out of his mouth.

“marry me.”

it’s not planned, not rehearsed. hell, he hadn’t even thought about it until the moment the words slipped out. but once they’re out there, he realizes he’s never been more sure of anything in his life. his hand tightens around yours, and he’s staring at you like you’re the only thing in the world that matters, like he’s already bracing himself for the answer.

and all you can think is, finally.

[verstappenverse]

Revved Up

Pairing: Max Verstappen x Reader

Summary: Max grows jealous after your Instagram post attracts unwanted attention, including from an ex.

Authors Note: Do I actually believe Max posts on his own instagram these days... let alone would post with a 'scandalous' caption...no? but this is fiction so it's all good 😂

1.4k words / Masterlist

Max was sitting on the plush leather couch in your shared Monaco apartment, flipping through TV channels with all the enthusiasm of a man waiting for a commercial break. He glanced at the large floor-to-ceiling windows overlooking the stunning Mediterranean view, but even that wasn’t enough to distract him. It wasn’t the usual race strategy or upcoming practice sessions that had him restless—it was something far more personal.

You.

More specifically the photo you had posted on Instagram earlier that day, a simple mirror selfie, a little scandalous but nothing crazy. You looked radiant, sure, but that was normal for you. You were always beautiful to him. What had caught his eye was the flood of comments, the notifications popping up every few seconds as he scrolled through your post.

He kept scrolling eyes narrowing as the likes kept ticking upwards. Then he saw it.

Your ex.

The guy who clearly hadn’t gotten the memo that you were Max Verstappen’s girlfriend, because clearly he didn't see an issue with leaving a flirty comment that set Max’s nerves on edge.

'Looking gorgeous as always' it read, with an obnoxious little winking emoji at the end.

Max’s fingers tightened around the remote as the thought of some guy—especially your ex—thinking he had any right to compliment you in that way made his blood boil. You were his. The world knew it, but apparently some people needed reminding.

He didn’t say anything when you had walked into the living room earlier, cheerfully oblivious to his growing annoyance. Instead he had kept quiet, but now it was simmering just under the surface. Jealousy wasn’t a feeling Max was used to; on the track he was calm, confident, but when it came to you, his cool, collected exterior faltered. Especially when some idiot tried to act like he still had a chance.

You entered the room now wearing a loose sweatshirt and leggings, a casual look that contrasted with the glamorous image you had posted earlier. Max glanced at you his jaw tightening, you could sense something was off.

“Max, is everything okay?” you asked, tilting your head as you grabbed your phone from the counter. You didn’t even have to unlock it before he spoke.

“That picture,” he said abruptly, his Dutch accent thicker than usual, which tended to only happen when his emotions were running high. His fingers tapped on the arm of the couch in an impatient rhythm.

You furrowed your brow. “What about it?”

He leaned back, crossing his arms over his chest and you could see the tension in his posture. “Your ex commented on it.”

“Oh,” you said, blinking in surprise. You hadn’t noticed.“I didn’t even see that.”

Max didn’t like the idea of you looking at that idiot’s comment again, but you opened the app and scrolled down anyway finding the offending message almost immediately.

You rolled your eyes and let out a light laugh. “Seriously? He’s such a loser. I haven’t talked to him in forever.”

Max didn’t seem to find it as amusing as you did. His frown deepened. “Yeah, well, he still thinks he can leave comments like that. Like I’m not here.”

You couldn’t help but smirk at his grumpy tone. “What, are you jealous?”

His reaction was immediate. “Jealous? Me? No...” He paused. “I mean... you know how many people liked that picture?”

You raised an eyebrow, amused by how serious he looked. “Max, it’s just Instagram, I think the point is to like pictures," you laughed, but his expression didn't change,"Max come on it’s not a big deal.”

“Not a big deal?” he repeated, his voice rising slightly, though he still sounded more irritated than actually angry. “Everyone’s drooling over you in the comments. And then there’s him.”

You couldn't help chuckling again and slid onto the couch next to him, pressing your hand against his knee. “Are you worried someone’s going to steal me away?”

He gave you a look, his lips twitching upwards at the edges, betraying the smallest hint of a smile. “You’re impossible.”

“And you’re being ridiculous.” You leaned closer, brushing your lips against his cheek.

Max sighed dramatically throwing his head back against the cushions. “Maybe I should just post a picture with you, remind people who you belong to.”

“Oh, who I belong to?” you teased, poking him playfully in the ribs. “That sounds a little possessive.”

There was a teasing glint in his eye now, but you could still feel the underlying jealousy. “Can you blame me?”

You bit your lip to keep from laughing, enjoying how worked up he was getting over something so trivial. Seeing him this riled up over some stupid comment was kind of… adorable. You kind of loved when he got all possessive, even if he wouldn’t admit it outright.

“No, I guess I can’t blame you,” you sighed, leaning your head on his shoulder. “But you know I don’t care about those comments, right? Especially not from my ex. I didn’t even notice it.”

“Maybe you should block him,” Max muttered back to sounding grumpy.

You laughed again, unable to stop yourself. “Max, it’s fine, if it’ll make you feel better of course I’ll block him. But I need you to know I never think about him.”

He softened a little at that, his arm instinctively wrapping around your shoulders. “You better not.”

You smiled, nuzzling into him the warmth of his body calming. “Besides, none of those guys commenting are Max Verstappen now are they?”

“Exactly,” Max said, and there was that cocky smile you loved so much. The mood lightened as his fingers brushed through your hair. “None of them stand a chance.”

You grinned up at him. “And neither does my ex, so you can relax.”

He seemed to settle after that, his hand lazily stroking your arm as the tension eased out of his shoulders. “Good. But still…”

“Still what?”

“I think I should post a picture with you. Just to make sure everyone knows.”

You snorted. “You just want an excuse to show off.”

“Can you blame me?” he repeated, his eyes glinting with mischief as he reached for his phone. “Come on, one picture. Let me remind everyone you’re mine.”

You rolled your eyes, but a smile tugged at your lips. “Fine. Just one.”

Max scrolled through his phone finding the perfect shot of you two together arms wrapped around each other, he quickly typed out a caption and hit ‘post.’ Not long after, your phone buzzed with notifications. His fans were quick, already liking and commenting on the post.

You glanced at it over his shoulder, chuckling at the caption: Just a reminder—she’s mine.

“Oh my God Max,” you groaned playfully. “You’re ridiculous.”

He shrugged, completely unbothered. “What? It’s true.”

You laughed and shook your head, leaning into him once more. “You really are something.”

“I know,” he said, pressing a kiss to the top of your head. “And don’t you forget it.”

The rest of the evening passed in a much lighter mood. The TV hummed in the background, but neither of you paid much attention to it. Instead, you spent the time teasing Max about his jealous streak, much to his dismay.

“You know, I never thought I’d see the day when Max Verstappen got jealous over a social media comment,” you teased, curling up beside him on the couch.

He rolled his eyes, a playful smirk on his lips. “I’m not jealous. I’m just… protective.”

“Sure, that’s what we’ll call it.”

“Okay, fine. Maybe I was a little jealous,” he admitted, pulling you closer. “You’re kind of amazing.”

You beamed up at him, feeling a rush of warmth at his words. “Well, good thing I’m all yours, huh?”

“Good thing,” he agreed, leaning down to kiss you, slow and sweet. When he pulled away, he added kiddingly “What about, no more selfies without me in them.”

You laughed and nudged him playfully. “We’ll see about that.”

But deep down, you didn’t mind the way Max was with you. The way he got protective, a little possessive, and sometimes even a little jealous. Max was known as a fierce competitor on the track, but when it came to you, his heart felt just as fierce. And you wouldn’t have it any other way.

[multific]

His Wife

At'Roh x Reader

Summary: Nothing is scarier than a Yautja who's protecting their mate. And At'Roh is no different, he is worse.

A/N: Another Yautja I made up for all of your pleasure. The above photo is not mine! Credit goes to its owner. Enjoy.

You looked up at him. 

You were smiling as you walked by his side, proud. 

The wedding ceremony was held yesterday, now you are officially his.

His mate.

You have come a long way, from running away from home, getting picked up by an alien and now being a part of their tribe.

You were proud of the long journey you had.

Now, it was time for a different one.

Marriage.

It has been almost 10 years since they took you from Earth. You understood their language, their traditions and their behaviour.

You fell in love with the new tribe leader almost immediately.

He was still young, losing his father to old age, and At'Roh became a young leader.

Young yet fierce.

Many claimed that he was crazy, even with Yautja standards.

One proof of this was the way he got you.

He wanted you, a little human, At'Roh craved something different, something exotic, taking a human as a wife was just that.

But as time passed, and you two grew closer and closer, he couldn't deny the facts.

The facts were that he not only wanted you as a wife due to you being a human.

A fierce human who kept him on his toes, who was not afraid to say no to him.

You rejected his marriage proposal at least five times.

You hoped At'Roh would give up, but he didn't.

Your little play of cat and mouse ended in a way no one expected. 

Everyone thought you two would bring a war within the tribe.

Instead, you two fell in love.

---

It was late at night, you were sleeping in his arms, and everything was perfect until it wasn't.

It all happened so fast.

You knew your mate would immediately go and fight to protect his tribe.

All you need to do is find the other females and go with them.

You have done this before when your tribe was attacked by a group of bad-blood yautja.

At'Roh looked at you one last time before heading out, you gave him a nod. 

You knew what you needed to do.

But it wasn't so easy this time.

The bad-bloods this time had a plan, and you played right into their hand.

They got you way too easy, but they didn't kill you.

Instead, they dragged you to their leader. 

No matter what you tried, you couldn't escape. 

"He's going to get me, you know!" you told him as soon as they tossed you to his legs. "And he will kill you all!!!" you knew they understood, even if they didn't speak your language. 

"At'Roh is dead." the leader replied before they chained you. Your face fell.

He wasn't dead. He couldn't be.

"Liar." was the last thing you said before the collar clicked around your neck.

The long chain connecting to your neck was given to their leader and you were dragged along as they all ran.

They had no ships. 

It was good, there was a chance At'Roh could find you before they got you to a ship and flew away.

You just needed to hold out and slow them down somehow.

---

At'Roh's heavy breathing was the only thing in the house.

He couldn't even see due to his anger.

You were gone.

His wife was gone.

He knew the way this attack played out was too easy. They had a plan. And the plan wasn't to kill him, the plan was to take you.

At'Roh took a deep breath before putting all of his gear on.

If these bad bloods wanted to play, he was going to destroy them.

Hunting was his speciality. At'Roh loved to hunt maybe a bit too much. While other Yautja excelled at it, he became a monster. A crazed hunter who knew nothing else.

Finding you will be a simple task. His blood was boiling because you were taken.

He wanted to save his tribe only to play right into their hands and help them take you.

It was all a trap to kidnap you. It was a level of disrespect he could not forgive.

At'Roh received information that a female saw a group taking you into the forest, they saw no ships.

At'Roh figured they were taking you to a ship to take you away.

And so, the hunt was on.

---

You have not stopped walking since they got you.

A group of four soldiers and a leader.

They have been dragging you along for hours.

You were beginning to get tired.

You felt like you needed to sit down, but they refused. No matter how you begged.

Looks like their perfect plan had a huge flaw.

They didn't take your refusal and unwillingness to cooperate into much consideration.

They honestly thought they could just drag you along and leave with you.

And this gives time for At'Roh to find you.

You managed to find a sharp stone and cut your hand, hoping to give a trail to At'Roh so he could find you more easily.

You hoped it was enough.

---

At'Roh's anger didn't lessen as he continued his hunt. 

It only grew as he noticed blood on the ground.

He only needed the smallest whiff to tell that it was indeed your blood.

He rubbed the wet material on his finger, watching as it almost coated his fingertip.

He hated that.

He didn't want to see you hurt.

It only fueled his anger and he marched forward, angrier than ever.

He will definitely make sure to kill every last one of them.

It was now morning when he finally caught up with the bad bloods. 

Now he just needed a plan to save you from them.

Thankfully his mind was on autopilot almost since the moment he realized you were taken. 

He moved with such ease, killing everyone that came his way.

At'Roh left no survivors.

Due to the chaos, your scent started to mix with others but he managed to find you.

With a knife to your neck as the leader of the bad bloods had you in front of him.

"Let her go." At'Roh demanded with a dangerously low voice. "If you hurt her, I will kill you."

"You will kill me either way. Why not give you some trouble in the meantime?" you understood everything they were saying and you understood what was happening, what you needed to do. You prepared yourself.

"At'Roh," you said his name, hoping to survive this mess.

His eyes moved to you only for a second, the Yautja behind you took this as an opportunity but you also moved. Moving back towards the alien behind you, using all of your body weight, causing his knife only to gaze at your skin, minimalizing the damage. 

Your movement caused the Yautja behind you to fall giving At'Roh enough time to catch up and move you behind himself before he pounced on the bad blood.

You didn't move, watching your mate defending you as he killed the bad blood.

With a loud scream, he killed the other and stood victorious.

But soon, he turned to you and hugged you.

You didn't even care for the bright green blood on his hands or body. You knew it wasn't his.

Soon, he pulled back and looked at your neck, leaning down to lick along the small cut, helping it heal.

"Take me home," you said, and he understood.

Picking you up with one hand he carried you back towards your tribe.

You were so exhausted, that you fell asleep in his arms as he carried you.

You slept almost the entire day away, exhausted from the way you were dragged along, you only woke up when it was almost night again.

At'Roh was, of course, by your side.

You didn't know but you could guess that he never left your side not once.

You looked into his eyes and you felt safe. You felt at home.

"I will not let this happen ever again."

"It's okay, you killed them and saved me." you placed your forehead against his.

You felt his finger trace your neck, where your cut used to be.

At'Roh will make sure this won't happen ever again, you were way too important for him.

You were his wife after all.

Taglist: 

@castellandiangelo @imagines-by-a-typical-fangirl @manduse @jacalineiscomingforyou @mandoloriancookie @deliciousfestsalad @lilliumrorum @asgards-princess-of-mischief @fallout-girl219 @dracaryxzs @darlingmira @stygianoir @snowtargaryen

~Masterlist~

ˇAO3ˇ

/YOU DO NOT HAVE PERMISSION TO TRANSLATE, OR TO STEAL ANY OF MY WORKS TO THIS OR OTHER PLATFORMS/

[darnell-la]

Wolverine forcing you to squirt for the first time?? Pretty please?

note: if you’d like an older Wolverine, you can request again. we wrote this one too fast and made it the younger Wolverine. it’s still hot!

follow our Instagram @ darnell.la so we can start posting random videos, photos, edits, and memes of the people we write about!

———

“Can’t tell me you’ve never squirted before and expect me to move on with life,” Logan said after placing you on the bathroom counter he had dragged you to during a drinking game.

The party was loud and you could still hear people playing Truth or Shot. After one of the girls asked if a man had made you squirt, and you answered that you hadn’t even done such a thing, Logan knew he had to do something about it.

He had made an excuse, asking if you could come fill up his cup with him. Of course, you came with him. He was a good friend, but you didn’t know he’d throw his cup away and drag you to the nearest bathroom.

“L-Logan -- Calm down,” Y/n gasped as his teeth sunk into her neck. “Ah uh,” he crowled, needing to give her what she deserved. “Can smell you, baby -- Can’t just leave you like this,” the man’s hands ripped at her panties after he pulled her dress up.

The young girl let out a low and shaky moan as his finger pushed inside of her. His eyes glued right on her face, watching her fall apart on his fingers in an instant.

“C’mon, baby, give it to me,” he growled, as he turned and twisted his finger in and out of her. “Too much,” she said whined as her hands fell on his shoulder. “Fuck, there’s no way,”

Logan couldn’t believe it, It seemed like she was a virgin. There’s no way one finger would make her get like this.

“Don’t lie to me, baby — Just tell me another man’s made you cum,” Logan wanted to know, but he knew the answer already. His eyes still locked onto hers, as her eyes drifted away every few seconds. She felt high, but she hadn’t smoked or drank tonight.

“N-No one has, Logan,” y/n took a while to admit, but thankfully for him, she got it out. The young girl's mind was going crazy. Logan hadn't ever shown a lick of affection towards her, yet now he was worried about whether a man had touched her?

She was confused, but he wasn’t. The thought of another man making her squirt first was unacceptable to him. He couldn’t let that happen.

Logan let his ego get the best of him, but so what? He was going to make her squirt tonight, tomorrow, the day after, and then the days after that. He was going to be the first and then last.

“I know you can take another,” the man said as he pulled out, instantly pushing two in next. “Logan!” The girl moaned at the burning feeling of her walls stretching. She was wet, but she still had to get used to the new and unfamiliar feeling.

“Fuck, yes, baby,” Logan couldn’t get over her. She looked so damn pretty. He wished he had done this months ago. He’ll gain those days back. He’ll spend every day licking at her cunt until she drowns him.

“P-P-Please,” y/n stuttered hard, trying to close her legs, but the man used his free hand to push them back open. He gripped her tightly. She wasn't going to stop him. He needed this.

“Keep your fuckin’ legs open, or I’ll fuck this cunt dumb,” the man threatened, wanting nothing to get in the way of feeling her drench his fingers. She has already coated them with slightly white and clear liquid. She never knew a man would like how much she leaked.

“Logan,” the girl gripped his shoulders tighter with a sob, feeling the knot in her stomach getting harder to control. She was embarrassed, but he wanted all over her whether she wanted to give it to him or not.

“Be a good girl — Make a mess, and I’ll clean that shit right up,” the man told no lie as his two fingers curled. Within seconds, y/n’s mouth parted as her head leaned back. Her eyes crossed as she felt her legs go stiff and her toes curled.

“Augh,” she let out a choked cry as she released on the man’s fingers. “Oh, that’s it, baby — That’s it!” The man finger fucked her cunt a bit harder to get every last drop out of her.

“P-Please,” the girl pushed at his wrists, needing a break, but he wouldn't stop. She gave up after a while and decided to pull the man into a tight hug as she struggled to breathe.

Y/n was still leaking down his hand. She couldn’t stop. He had made the girl go on for almost an hour until she passed out on his chest. breathing lightly from the exhaustion.

Logan couldn’t help but chuckle, knowing he had the girl dumb and cute, all for him. She was his. She marked him, and later when he sweet talks her into taking him as hers, he'll mark her.