#someone write that story ok

[what-even-is-sleep]

thinking about Bodkin again bc I mean,,, ALL THE SYMBOLISM OHHHHHGH. i NEED some tumblr film analysis hobbyists to watch this show and tell me all the themes n such

[lilac-multifandom-multishipper]

transfem vil: broke

gender-fluid vil: woke

transmasc vil: bespoke

[jacarandaaaas]

I’m going to need people to STOP comparing the badly written king from wish to alma😭

[simcardiac-arrested]

no actually I’d like to hear your thoughts on the isat ending

Like i said it felt really tropey and by that i meant that it’s just Everything Good Happens forever and…..that’s it ? like idk we were building up to this huge catharsis sort of thing and then we got to it and it was so sudden and not a good payoff and just kind of nothingburger of an ending . the fact that everyone just forgives siffrin bothers me, or at least the fact that they don’t confront them about the shit they’ve said and done. call me a mental illness villainizer but i think if you’re a fucking asshole and doing the most insensitive things to the people you care about then hey, i think those ppl have a right to fucking tell you off for it. likeeee idk being at your lowest point …… not an excuse …. not feeling it chief ……. like sure the message is to move past your mistakes or whatever but ? that doesn’t mean just getting away with it ??? and i just really don’t understand Why everyone forgives him. honestly at the end of the day the ending is just one problem, the root of which are the characters. everyone feels like trope cardboard cutouts. oh, this is the smart one. this is the smol bean. this is the himbo. and they all care for each other btw. Did u hear that? they all care for each other. we’re not really going to explain to you why these people are so close or what they went through together but just trust me man they’re sooo found famy. like …. okay. i’ve played 30 hours of this game and not once did i buy that any of the characters really cared about each other. like??? why???? You’re telling me everyone super cares about siffrin even though they barely know them?? you’re telling me siffrin cares about everyone sooo much even though he never even bothered to find out their problems before ? Wat ? and this just breaks the ending more because literally whyyy do these people care about him so bad. and then it’s just whyyy does siffrin Have to tell them anything he doesn’t even seem to know them that well. everyone feels like colleagues and Just Friends at best. and so the ending just seems really forced. like it was written by that type of tumblr user who’s always talking about aww why does the found family have to break up after the end of the journey :( which is like fiiiiine. i guess. but u guys know that u have to build up to it right?? you can’t just tell me they’re Family Members(tm) 102829 times and that they super care about each other source: trust. you can’t just do that and then expect me to believe it ….. It feels unearned. the ending feels unearned and i don’ttttt understand what i’m supposed to take away from it . that it’s ok to fuck people up because you’re traumatized and insecure?? that you have to talk about your deepest problems with people you barely know??? i just dont know. Like i said if im being honest the problems with this game’s writing are more than just the ending, it just stands out so much because there’s a lot of build up and then just …… That

[laniemae]

Not gonna get into danganronpa another spoilers because this whole scene is something else that I’m still processing but I absolutely love this line. Like to bring up milgram I think this is an idea which can reflect on lots of the characters as well. The idea of basing your entire existence off of a certain thing/person/ideology and then for something to happen that completely destroys that. Your entire person has been stripped away and just what’s left? You can’t comprehend your own existence or meaning without that specific attachment and you start to question all of your actions based off that…

I can only really think of John, Kotoko, and Es here (and possibly Amane and Mikoto to an extent). And John bases his life off of Mikoto, Kotoko upholding justice, and Es being the warden.

John’s idea of his whole existence and reason for being is Mikoto. It’s the only reason he believes he exists and if he were to fulfill his role he’d “disappear” as he would be completely worthless without him. John tries to repress and ignore his humanity and reduce himself as a tool to protect Mikoto and that’s all he can see himself as. But now Mikoto’s starting to not deny his existence and feels pure hatred for everything about him. And what will happen to John, when the person he’s dedicated his entire life to and desperately wants praise from, denies his existence? What will he be but some worthless existence that is only a burden, to him.

Kotoko. An ideology of upholding justice and punishing evil that has completely overtaken her. She has pushed herself into a role of a “fang” for justice, protecting the weak and persecuting evil. But even so matter how much she tries, she knows her goals are unreachable. She denies relationships and attachments to other people based on this ideology. Kotoko admits that she does feel attachment to the prisoners, but has to deny them in order to fulfill the role as a tool. And believes that pain and violence is necessary to achieving a greater good. Trying to deny any regret because wouldn’t it be easier to believe you’re entirely in the right? She latched onto Es, believing them to be similar as the warden who carries out judgement on wether the prisoners are forgivable or not. But now, Es has denied her whole ideology, her whole existence due to the pain she’s caused. Kotoko wants to believe that what she did was right and that Es, another enforcer of justice would accept her, because that’s how it is.

And Es… they’re the warden of the prison. There’s nothing more to them than that they believe. Es has no memories of their identity or past before Milgram and immediately latched onto the identity given to them, of being the guard. Es took this role as their entire identity, an extension of the milgram system in order to interrogate and judge prisoners. I think Muu put this best.

“Warden-san, we call you "warden" because that's what you are, right? And I was assigned the role of prisoner, but that doesn't mean I'm now nothing but a prisoner at heart, too. After all, I'm still me.”

Es has an unstable sense of identity, to the point they latched on to the first thing they were given in order to give themselves a purpose and a meaning for existence. And Kotoko calling them “imperfect caused them to question their identity. But as the story progresses Es will probably begin to learn about the audiences control and the truth behind what they assumed to be their verdicts. That their will never was 100% their own. Who knows what Es’ past was, but eventually they’ll likely have to tackle it and their whole identity, the warden, the arms of milgram, is gone.

gonna think about Mikoto and Amane here as well. Mikoto, although may not seem to be as first, focuses his entire identity around other people. He’s the friendly sociable guy who’s easy to chat with. But that’s all he believes he should be, I guess. As perhaps this mindset is upheld by an inherent fear of other people rejecting him, so he focuses all his attention and identity on being a social person. He’s never truly friends with people, as perhaps that would be “too close” and open up the possibility for danger. He doesn’t completely deny his identity like the others, but he molds and shapes it in a way that is acceptable to others. He likes what everyone else likes and does what everyone else does so the fear of being rejected for being different won’t hurt him. But now he’s stopped denying John’s existence and his DID, believing himself to be crazy, and to be completely rejected from other people, his entire sense of identity to an extent. And especially with John scaring other people off with the mindset that will help Mikoto, he has now been completely distanced from everyone else and now has to come to terms with himself, but not the ideal persona he put on to be acceptable to other people.

Amane is a more different case as she in a way has rejected that idea, but not completely. Growing up in a cult it’s very likely that she was always conditioned that she was just a servant for god. That all the good things she did were actually god blessing her and all the bad things a fault of her humanity, herself as a person. She is in a unstable relationship with the whole submitting her personhood to her religion, as she sacrificed her ideologies in order to help a cat. But at the core, that wasn’t about herself and her identity, rather a focus on the cat’s life. Amane’s murder was her will. Rejecting everything and fighting for her life in direct opposition to what she has been taught her entire life and how her identity should be, a rejection of that and a glance into “herself”. But once again, this murder wasn’t entirely self motivated. She’s still broken enough that she can’t fully grasp herself as a person besides god and religion. And a large cause of her murder was out of the death of the cat, rather than simply protecting herself. Amane still slips back into the belief that her personhood is entirely dedicated to god. As she tried to convince herself and Es that the only reason she killed is because they deserved religious punishment and she is in the right for carrying out god’s will, once again denying her personal reason for doing so. Reducing herself to “we” on behalf of her religion, that this isn’t herself anymore. Amane is in a limbo between rejecting her personhood for god, but at the same time rejecting the suffering she’s been through in order to save “herself”. Amane’s case is so interesting, as there’s no clear answer of what she believes in here, and it is truly fascinating.

[popponn]

i'm this close to opening discussion whether (is it possible that) kaiser is a playboy or not

[finalgirlsamwinchester]

assorted quotes from the introduction of Monstrous Children and Childish Monsters: Essays on Cinema’s Holy Terrors

[todayisafridaynight]

everyday i constantly think of masato's wheelchair and if that's his only one/main one no wonder he's so pissed at everyone

[mymarifae]

have you ever considered that jade's hot

all of the hsr women are hot, man. this is a hoyoverse game. of course they are. what does this have to do with a discussion about her character

[xiaq]

Are you ok with fanfiction being written in your LRPD universe?

I've gotten similar asks a few times and I'm baffled. Yes, of course! You don't need an author's permission to write a fic of their work (and can you imagine if I, a person publishing scrubbed fic, had an issue with it?? The audacity). But yes. Write LRPD fic. Write actual fiction. Publish a book about Rustin Hatthews who looks and appears to have the same backstory as Justin Matthews. Do whatever makes you happy. I'm of the (probably unpopular) opinion that notions of intellectual property destroyed a lot of creative influence (and, uh, fun) that oral storytelling tradition encouraged for far longer than the concept of copyright ever existed.

[rowanisawriter]

.

[lyriumrain]

I'm kinda jealous of people who've said that being on T hasn't changed their voices much. I'm unemployed so the stuff i do keep myself from going insane is really important to me...one of those things being singing.

And like, before anyone says anything, i knew about voice changes on T. But it's different for everyone, and I wouldnt know exactly how it would affect my voice till I started.

And well, I seem to have completely lost my mid to high range 🙁. It's not even just out of tune or something, nothing comes out except crackly squeaky noises and almost every song I love to sing to is in that mid range.

So while i love the deeper talking voice, i am pretty depressed right now about losing my regular singing voice :(

[nyxofdemons]

four years for this show...

[13eyond13]

I have no idea what possessed Anne Rice to write Interview With the Vampire literally as an interview and taking place entirely as a conversation between two people in a room complete with dialogue quotation marks around the entire thing, but it's both so funny and also oddly charming to me hahaha

[kurozu501]

anyone else sad we aren't currently in the middle of gwitch season 3.

[manta-rays-on-gallifrey]

Btw, while I’m out here actually talking on tumblr again- the reason for all the planting/payoff flubs in GO2 (specifically the minisodes) is that (in my opinion) those minisodes were supposed to tie in with the main story ~thematically~ rather than literally. Some of the stuff Neil’s said makes me think John was given basically free reign to write those parts and then Neil tied them loosely back to the main plot but they’re ultimately supposed to just be fun one-shot adventures for Crowley and Azi, not integral parts of the main story. Each one has a pretty obvious point that informs us about our main character’s world view and relationship to each other:

Job- the dichotomy between heaven and hell is not the same as between good and evil. Crowley knows and accepts this, Aziraphale is still learning

Resurrectionist- good and evil aren’t black and white. Crowley knows and accepts this, Aziraphale is still learning

Nazi Zombies- Crowley and Aziraphale are each other’s most trusted confidant

IMO GO2 is more so a loose character study of Crowley and Aziraphale and their relationship than it is a traditional narrative which is why it feels so fanfic-y. And I think it’s understandably jarring coming from GO 1, which is a more traditional long-form story. Personally, I still enjoy both!