#someone help me think of plots to these!

[moeblob]

So does he, Gallagher.

[fromtheseventhhell]

I want to make a longer post about this someday but: I think Arya's TWOW arc is going to include her coming to terms with her identity as a Lady. This has been an ongoing conflict with her since her first chapter and I think her flowering in winds is going to mark a turning point. The theory of her having an apprenticeship with the courtesans holds a lot of weight and the idea of Arya going through puberty among a group of unconventional women she's fostered a positive relationship with is just too perfect. It would really have an impact on Arya reconciling her personal idea of what a Lady should be. There's also a lot that she could learn from them in terms of courtesies, communication, appearances, body-language, etc. that would elevate her current skill-set and ways her relationship with them could push the plot.

Not to mention she will undoubtedly reclaim her identity as Arya Stark, and her being a Lady is inseparable from that. Arya Stark is a Lady Stark and being a Lady is a social position, not a measure of how well someone preforms feminine tasks. She shouldn't have to relinquish her position because she doesn't fit patriarchal standards. That's not to say that she's ever going to be the perfect example of a traditional Lady but what I think will happen is that she becomes capable of playing the part. She plays several identities throughout the series but she's always been Arya underneath, so I think it's appropriate that she learns to adopt a "persona" that's part of her. Her remembering Ned putting on his "Lord's face" (+ the various examples of other characters being separate from their ruling persona) makes me think that Arya will be donning her "Lady's face" when she makes a return to Westeros.

[puhpandas]

hi mutuals im just curious.

[skunkes]

decrepit hag let out into the doodle page for a few minutes of recreational Once a Year Smile time

[spacedlexi]

i just think a "friended/romanced + saved + trust aj" violet does such a good job rounding out the plot and characters of S4 and i dont say that lightly

she walls people off out of fear just like S3 clem did and learned to grow out of through the compassion of others. feeling like she could have done more to save minnie being what initially makes her step up to lead, but her accepting her love for clem (and clem choosing to save her) is what leads to her Truly accepting the school and everyone inside it as her Home and gives her something to fight for ("i tried my damnedest not to care about either of you. and i still couldnt tell you why." "i know where youre coming from. after losing so many people, sometimes its easier to keep everyone at arms length." "and then you wonder why you fight so hard to stay alive. i dont wonder anymore."). this being the reasoning behind violets detachment from the school, as well as a negative home life impacting her idea of what a home even was. but together they turn ericson from a prison into the home theyve BOTH been looking for, renaming it together, and envisioning it for the future together. the two of them understand each other deeply, from what theyve lost to how its affected them and the poor ways theyve decided to react to it. but through their support of the other, they BOTH get to evolve into more relaxed and confident versions of themselves, who know Exactly what theyre fighting for

her troubled relationship with brody and getting to learn more about what happened with the twins/violets reaction to it and how she ultimately blames herself/brodys guilt about her part in it and how she misses violet. getting the chance to mend that relationship before its too late. the 3 of them becoming closer because of it. and getting to develop clems friendship with brody leads to a more impactful moment later in the basement

her relationship with tenn reflecting clems relationship with aj, in the way they both made the decision to look after their respective boys after their primary guardians died (ajs parents, tenns sisters). both of them can understand the responsibilities they have taken upon themselves, and how hard it can be to do right. the 4 of them become a tight knit group quickly. especially in EP2 as vi supports clem while tenn supports aj through the marlon fiasco

her confused relationship with minerva introducing interesting conflict both within her relationship with clem (who has her own personal conflict with minerva, which vi still ties into through her relationship with both minnie and tenn) and the over arching plot, which has themes of learning when to let someone go because they are no longer who they once were (clem and lilly "we were family once", mitch about ms martin "you get all caught up in who people used to be, and you cant deal with whats in front of you", violet about minnie "the real minnie? shes been gone this whole time and i have to stop mourning her")

having a saved violet on the boat expanding the conversation with minerva about her motivations with the delta. violet apologizing for never looking for her, minnie saying she knows she would have but that its too late now, so sure this is just the way things have to be. getting to hear minnie say "you can be rewarded, just like i am", giving us insight into her character. and clem getting the last word before she rams the door down, her and violet fighting minnie Together. and violet saves clems life, making the Choice to shoot minerva, which in and of itself is a huge moment for violets character in regards to her relationship with both minnie And clem

and aj shooting tenn on the bridge brings things full circle, by putting violet in the same position louis was in EP2, where aj has killed the most important person to her, in an effort to save her life, and now she must reckon with those feelings the same way louis had to about marlon. not so easy now is it violet? ("so youre mad, but sad" "can i be that for a while?" "yeah, its ok")

just... ough... violets whole character just fits into Everything so well, but in a way that elevates the characters and plots around her, while also developing her into her own

[throwawayasoiafaccount]

god tywin lannister deserved worse

just remembering elias death and i wanna puke and the way tywin talks about elia and what happened is so damn gross

but rip tommen and myrcella we all know what’s about to happen in the next book :/

the cycle of violence just keeps spinning and damn you tywin for beginning it

(i got a bit crazy in the tags 💀)

[yipfrey]

WE NEED JUMANJI SVSSS CROSSOVER HEAR ME OUT

[divorcingjimmatthews]

every time i get notifications on this post it's someone calling the show bad writing because "there would be no story if the characters just talked to each other" and i want to respectfully disagree. i believe the show goes to great lengths to explain why the characters don't always share all that they know with each other. so much character conflict in the show is literally about this. it would not make any sense for boyd to share all that he knows with jade of all people

boyd has military training and it is well established that he treats the town residents as civilians to protect while only sharing important information with his trusted circle (khatri, kenny, kristi), with sara when necessary and with donna. not only is this in line with him being a military officer but is also reinforced by what he has experienced so far in the town, given that everyone was completely helpless until he arrived and found the talismans. also, it is well established that acting on said information can bring terrible consequences and boyd knows this better than anyone. of course he is careful with what he shares

what i am getting at is that jade will have to earn boyd's trust if he wants to be told about the worms and the lighthouse and the dead monster and the spider and the boy in white and everything else. which makes perfect sense! i'm sure boyd is already surprised to see jade acting so normal given how hard he clowned when they first met. i am looking forward to see how their dynamic continues to develop ‼️

[sskk-manifesto]

Ep 5!!!

[bylertruther]

kind of crazy how mike said in a moment of vulnerability and weakness that he wants to be needed and to be of use and good at something, and then a large chunk of the fandom just decided to validate all of his worst thoughts & fears and suddenly reduce him to a weak, incapable, mindless, unloved wastoid wimp that's everything his low self-esteem tells him he is and nothing like how the people in his life see him (or what the narrative itself has shown us since the very first episode). even crazier when the people that do that call themselves mike fans lol but i'm 😴😴😴

[moeblob]

What Deacon thinks: what did that mean? did he want me to wear a collar too? why else would he mention my neck? i mean, if he /asked/ me i would wear one but he didn't so would wearing one be weird?

What Ymber meant: It's nice to be near someone who isn't tethered to this world to serve it with a physical reminder for all to see.

[richardgrimes]

i do have a way the zombie infection happens in my fic, but i need the fringe girlies opinions. if this were to happen on the actual show, what would cause it? how do you think they'd do it? fringe & the dead had a genius way of causing it but i'm obviously not going to copy their idea lol.

[pennpenn]

I keep dreaming up Limbus Company sinner gets isekaid into Genshin Impact AUs

I sadly don't have the full set of 12 plotted yet, but I've started designing the ones I'm invested in.

Everyone having locations and then casually dropping that Outis is in the Arataki Gang. Give the old woman a gun again. She deserves it. ❤️

I also think she would get along with Shinobu.

It would be an entire lore dump on their general isekai'd lifestyle, their new social circle, if they share their history, and the possibility of them using specific weapons or visions. (Some characters have notes on skill/burst/idle animations)

Currently I am drawing each character with a basic weapon that is either tied any WAW egos a character has or an item that is related to their backstory.

[thedevotionaltour]

even for period typical ableism it still drives me nuts for karen to go oh poor matt how can he deal and get around as if he hasn't been blind most of his life at this point and living on his own by himself as an adult for his entire adult life after college and has also lived in the city his whole life like girl use your damn brain he can get around by himself just fine. good god. like take five seconds to use your brain. literally adult man who lives by himself if nothing else that should tell you he is fine and when he needs assistance has the knowledge and ability to go get it you act as if he can't even walk on the sidewalk by himself. he literally shows up to work by himself. it drives me up the wall sometimes how she sees proof of him functioning fine independently literally witnesses it on the daily and still thinks these things. like again foggy isn't great either bc again the period typical ableism (and just general ableism in the world outside of this period as this is a common attitude of viewing disabled people as helpless and unable to function even if they are people who do live independently (and im not touching on people who do need extra support and caretaking in this context. as this post is about these characters in the context of a story. so im talking about what we see there instead of any truly meaningful nuanced way) but the writing here is like. Particularly this way due to the time) he has a modicum more of understanding that matt is literally a capable grown adult man. literally told karen matt is a big boy who can handle himself and then karen went b-b-but you forget he's blind as if foggy hasn't known him for years of his life and is his best friend like PLEASE SEE HIM AS AN ADULT. I AM GOING TO GO INSANE. PLEASE RESPECT HIM IF YOU LOVE HIM SO DEARLY. AND EVEN IF YOU DIDN'T. JUST RESPECT HIM AS A PERSON!!!!!!

[sysig]

One better (Patreon)

[sqlmn]

Ananza is the wind deity, though she's not the first with that honor. Originally the elder gods selected a man as their wind deity but after he witnessed Oh and Fulj being punished he requested to relinquish his role. Basically asking them for a mortal death rather than immortality. They obliged since the deities exist to help humans and a miserable deity won't do the job properly so no need to keep a deity bound to a task they don't want to do.

So Ananza was selected as a replacement. Fulj has no recollection of the first wind deity and Ananza has already been told by the fire deities that it wasn't Fulj's fault but she was the final straw for the former wind deity. So, Ananza doesn't hold any dislike towards Fulj and actually really likes listening to her talk. Ananza loves to dance and wander around her city so when Fulj stops by to visit, she listens to Fulj's adventures while they roam the city.

Because there are two fire deities and one can stay in their city while the other wanders and because Fulj no longer has a city to be focused on, the three like to visit the other cities to check in. Ohime and Ohiwe really like to visit Ananza while Fulj prefers to visit Ymber. While Ananza likes Ohiwe, Ohime, and Fulj, she really isn't fond of the ice deity or Ymber. She doesn't like to scramble for topics and ice/Ymber don't start conversations enough so it's a bother to Ananza to try forcing friendliness. She loves light hearted stories though and Fulj and the fire deities excel at that type of story.

(Ohime and Ohiwe sometimes call her Nana and on that note it's lore in the tags time)