#someone else has probably already done this

[clown-bimbo]

Sugar Daddy Leona

Definitely a gender neutral reader because he is rood in this and we already know Leona is canonically more respectful to women, so you are yuugender in this

You’re down on your luck and need cash. Maybe you’re even in debt to azul, who knows. But you need money.

Fortunately for you, a certain royal lion who throws money at problems he’s too lazy to deal with (which is most of them) currently has a problem that you can solve.

Leona needs a date.

Some stupid ball thing he has to attend. And for most of his life he’s been able to get away going alone, but this year his family is really pestering him to bring someone. He doesn’t think much of it, he’ll just find someone not too annoying to drag along with him. He’ll even pay them for their time. Win win. (He ends up offering you a stupid amount of money but you take the Ruggie route and just accept it from him)

And that’s how the transactional relationship between you and Leona starts. Innocent enough, right?

but then you and Leona get tipsy. Then you and Leona get handsy. And then you and Leona get in bed.

You wake up the next morning with the usual headache, but also a sleepy lion clinging onto you like a pillow.

Also you’re both naked.

And bruised.

And DAMN did you fuck up Leona’s back—

Tho it was probably deserved, especially now that you can really process how fucking sore you are down there.

Leona stirs, complaining about his headache. If he's surprised to see you in bed with him, you'll never know, because his face remains passive. He mumbles something about upping your pay, then falls back to sleep.

You don't even know where your underwear is.

You eventually do find it, you clean up and get dressed. At some point Leona finally gets up, pulling his boxers on but nothing else. His tail waves lazily behind him.

You try to bring up last night, but he starts digging through his pile of clothes and tosses a wallet at you.

"There'd be trouble if word got out, so I'm counting you to keep your mouth shut, got it, Herbivore?"

You just nod and try to leave as subtly as possible.

Below the cut is 18+ content. Tread with caution.

For my afab readers out there, the extra money is also for you to find last minute contraceptives. He wouldn't know the first thing about buying them himself, but figures you should, right? All he knows is that he came in you. A lot. And he definitely can't afford the consequences, and he doesn't want you to either.

You both expect to brush it all off, put it all behind you.

But uh

Leona finds him thinking about you more. Specifically when he's horny. And it's fucking annoying. So, once again, he decides to go about his tried and true method of throwing money at someone to deal with it.

He contacts you again and says (in the blunt Leona way) that he will pay you to keep going to events with him and also fuck him.

So now you've got the lil sugar daddy transaction going on. You join him to socials and events with his family, then he takes you to bed and fucks all his frustrations out on you.

Typically has you on all fours or bouncing on his cock. Man's has two modes: pillow princess or beast mode. Typically one followed by the other.

He'll be lounging on bed while you ride him. You'll get yourself off on his cock. And while your panting, he's shifting to grab you. He'll whisper in your ear I'm not done yet, herbivore, and suddenly he's pounding into you like a jackhammer.

Or it'll be a session of relentless pounding, but one of you wants more, so he'll lay back and have you ride him.

There are times where you'll both be exhausted (or in his case, where he doesn't want to exert as much effort) but he still insists that you keep going. Really, he just likes being inside you. Don't be surprised when you wake up sleeping on his chest, dick still inside you.

And he refuses to use condoms, he wants to cum inside you, and he fucking will. And he fucking does. A lot.

And if you're afab he absolutely makes sure you're on the best contraceptive plan possible.

He may tear any condoms he sees to pieces, but he still tries to be a safe sex king. Just don't make him wear the fucking rubber, unless you really wanna get fUCKED up that night. They make him so irrationally angry.

Or maybe there is some rationality to it. Maybe it's an instinct thing.

Over the course of the transactional relationship you really become his herbivore. He actively seeks you out for company. Like to the point Ruggie has not only noticed it, but become accustomed to it. Which also means he has teased Leona about it, though not often and a lot, because Leona seems oddly touchy about it...

Speaking of touchy, mans is so handsy with you, always has to be holding you in some way. Later on in the relationship, he started getting cheeky with it, and there have been a few times where you'd swat him and he'd just shoot you that wry smile. He will always move his hand, though, when you express discomfort or discontent. He only does it because he can tell you don't really hate it. You're mostly just embarrassed. And he likes the way you blush.

Will prob do a part 2 because I have more ideas but they're not nsfw and I want to make them available. Sooooooo... yeah.

[postracehair]

say again

george russell x reader | 3.9k

three times george curses. or, a beginning, a middle, and a future.

cw: george cursing. a few scrapes and a little bit of blood, some kissing, and a love confession to boot.

a/n: this kind of ran away from me, especially in the middle but every time george russell says fuck an angel gets its wings. written ages ago but posting in honor of Las Vegas.

---

YOU'VE GOT TO BE FUCKING KIDDING ME

The door buzzes and you let yourself into the building.

You've only been here a few times, but a match day spent with your coworker and some of her friends is better than sitting on your couch alone, right? Wine and cookies in hand, you trudge up two flights of stairs to her flat. By the time you reach the landing, you can already hear the chatter and the TV.

No one seems to hear your knock so you push the door open and gingerly step in. The kitchen is on the other side of the flat, and you assume everyone is somewhere between there and the television.

But when you pass the living room where the TV actually is, there's just one guy on the couch. Leaning forward, elbows on his knees watching a penalty get called.

"You've got to be fucking kidding me," he says to no one.

You snicker. He whirls around. "Hello," you say.

"Sorry," he says, standing immedietly. Wow, he's tall. "Sorry, hello."

Oh, and he's familiar. You know him, kind of. He's -- god, he races cars, right? Shit, what is his name? Your coworker has social connections you barely understand so it's not really a surprise to find someone who is probably famous in her flat.

"It is just you, then?" you ask. He laughs and runs a hand through his hair. Dressed in jeans and a team jumper, his casual outfit is at odds with the severe cut of his jaw, his cheekbones. He just looks expensive.

"No," he says. "No, everyone is putting plates together. I'm afraid I might be the one most interested in watching the match."

"Not going well?" you say lightly.

He rounds the sofa, hand out. "Could be better," he says. "I'm George."

You readjust the items in your hands to shake his and tell him your name. He repeats it, and you smile.

"Let me go put these down," you say, "and then, um. Do you want some company, George?"

Honestly, you're not sure where that came from. But, though you came here to escape the smothering loneliness of your own flat, something about him makes you want to stay here rather than go into the kitchen with everyone else.

"'Course I do," he says. "I promise to tighten up my language. Won't do for that to be my first impression."

You wave him away though your cheeks feel a little hot and head for the kitchen.

Your coworker brightens at seeing you and takes your hostess gifts with ease.

"The match is on in the other room," she tells you, "but most of us are drinking in here."

"I saw," you say. "I met George."

She hears something in your tone that turns her expression something between amused and calculating. "You did, did you?"

You just nod, loading up a plate with the various nibbles. "How do you know him, anyway?"

She shrugs. "Oh, you know." No, you don't, but she plows on. "What did you think?"

"Taller than he seems on TV," you mutter. "But very polite. He shook my hand."

That gets her to laugh. "Oh, of course he did. Well, don't stand around in here with us. Go chat up a Formula 1 driver!"

George is back on the couch when you return, arm stretched over the back of it, brows furrowed.

"Has anything exciting happened?" you ask him, sitting down with a perfectly responsible distance between you.

He grimaces. "Nothing good. Wolverhampton, bless 'em, are quite bad."

That might explain why no one is watching this match with him, but you keep that to yourself.

"I see," you say, solemnly. "But loyalty is loyalty, I suppose, if they're your club."

"Exactly," George says. "It's suffering but it has to be done." Someone on the screen triggers a free kick and George leans in until it's over. He starts talking about one of the players being traded, or his contract being renegotiated, or something. You nibble on your plate and just watch. He's animated, this man. Fringe falling over his forehead the more he gestures, blue eyes wide and serious. It's all very endearing.

"Sorry," he says suddenly. "I'm being so rude. You don't want to hear about all of this, do you?"

You smile at him. "I don't mind. I came over for some company more than anything else."

He sinks back into the couch a little, hand running through his hair again. "Well, lucky for me that you did," he says.

Your face feels hot and you don't want to mistake this for flirting if it's not. He is a world-famous athlete, after all, but here you are on the couch next to him. "Lucky for you, indeed."

He laughs, delighted.

OH, SHIT!

This is not how you saw your life going, but maybe that's just the nature of it. Big moments happen just the same as small ones and we have to handle them regardless. The trajectory of your life shifted just a little bit when you sat down on someone else's couch to watch a football match with a stranger.

Because that stranger -- George -- is now much more than that. He asked for your number that day before he had to leave earlier than everyone else, and has been speaking to you ever since. Texts, phone calls, FaceTimes. And, when he's not driving hundreds of miles an hour halfway across the world, he likes to spend time with you.

They're dates, you know they are. But things are still casual, immensely so. Coffee, dinner, long walks through the park. It's probably past due that you ask him what he'd like out of this, but your friends tell you to just have fun for the time being. You've learned a lot about him in the last month or so, both from him directly and by doing your research.

You'd watched a few Grand Prix before meeting him but not with any kind of rapt attention. Now, obviously, you watch with purpose. See him zip around the track, read his radio messages, hope desperately that he'll be alright. He's a big mix of things, George Russell. Witty but determined, thorough but reactionary, polite but intense. You want to keep getting to know him on a personal level and measure that up to how he appears to the world.

Today, you're on one of those long walks. George is recounting the last race at your request. It's always more interesting to hear him talk about what happened than watching it, though you're really growing to love that part, too.

It's a bit chilly and he's got a scarf on in addition to a nondescript hat pulled down low over his eyes. You're used to this by now, though you wish you could see his face more fully.

"And then -- well, I'm sure you saw this bit -- he turned right into me like I wasn't even there!"

"But you avoided it," you remind him. "I saw that, too." A cold wind blows down the path and you shiver a bit.

"You alright?" he asks. "Nippy, huh?" He stops walking and turns to you, his huge hands coming to rest on your shoulders before he rubs them up and down your arms.

"A bit," you agree, a little breathless. God, you really need to talk to him about what this is. You're thinking about him all the time, which is a bit of a nuisance, as you're not sure he's feeling the same. But, a small voice in your head tells you, you can't be too far off in thinking that it might be based on the way he's looking at you right now.

Even under the cap, you can see the soft set of his brow, the way his eyes are shining. The gentle quirk up of his mouth. What would it be like to kiss him? Would he let you?

George stops his warming efforts, catching your hands in his. "Better?"

All you can do is nod. He grins, looking a bit too pleased, and starts walking again, you in tow. This is something else you've learned about him -- he really can be a cheeky bastard. He must have more than some idea as to how he affects you and enjoys it. It's somewhere between a game and a challenge.

You're thinking about ways you can get him back, ways you can flirt mercilessly. His hand is in yours and he's half a step ahead of you when suddenly your fingers are ripped from his and you find yourself on your hands and knees with a gasp.

George is immediately there with you.

"Oh, shit," he says. "Are you alright?"

"I--" You're a bit too stunned to say anything. George rarely curses, which is funny given how you met, but it unsettles you a little bit as much as it warms you. "I think I tripped?"

"Let me see your hands," he says, gently tugging at your wrists with his long fingers. He sucks on his teeth when he sees your palms. "Not too bad, but a little scratched."

You rearrange yourself so you're flat on your bum, legs in front of you. Your hands might be alright but your knees are another story. The fabric of your jeans isn't ripped but you can see the bloodstains already.

"Oh," you say. You look up at George, feeling a bit pathetic. "This is embarrassing."

He scoffs. "No, it's not," he says. "I do think we should get you cleaned up, though."

"We can go to my place," you suggest. The sting sets in a little more, but mingles with your chagrin and you just set your jaw. "Help me up?"

"Brave girl," George says. He presses his lips to the base of your wrist and stands, tugging you up as he goes. "Have you got first aid things at your flat?"

You nod, running through the contents of your bathroom in your mind. It occurs to you that George has not been to your place before, and you did not mentally prepare yourself to bring him there today.

George gently says your name. "Let's get a cab, shall we?"

It takes no time at all to flag one down. George removes his hat in what you can clearly see as an effort to get the cabbie to hurry along a bit, but it seems to work. He takes one look at you, one more at George, and steps on it.

"Let me get your belt," George mutters, making quick work of the buckle.

"I don't think I've ever worn a seatbelt in a cab in my life, George," you reply. He just pats your thigh.

"Think we've had enough injuries for one day, don't you?"

George and the cabbie chat about the race season, about how hot it really is in Singapore, about one of George's recent podiums. He keeps you tucked into his side the whole time -- he's ignored his own seatbelt, you notice -- hand on your thigh. You keep your palms turned up on your knees and wonder how on earth you got here.

The city flies by and you lean your head on his shoulder. You can feel something shifting between you, something clicking into place that wasn't entirely settled before. It's scary, it's exciting, it's big. It's something you're going to have to talk about.

George pays the driver in some large bills and helps you out of the cab and up the steps of your building.

"Where are your keys?" he asks.

"Front right pocket of my jeans."

"Pardon my reach," he jokes, and lightly rests on palm on your hip and slides the other into your pocket to find them. He tugs the keyring out and winks at you before unlocking the door. Up the stairs, into the flat. Shoes toed off, coats on the hook after George helps you out of yours.

"I'm not an invalid, you know," you tell him. He clicks his tongue.

"We don't want blood on this nice coat of yours, do we?"

You roll your eyes. George glances around your flat and smiles. "This is very you."

Dishes on the counter, the pillows a mess on the couch, your books and trinkets on every flat surface -- you suppose he's right.

"Thank you?" you say. He taps your chin with his knuckle.

"It feels like a home, I mean." Your cheeks feel warm and your heart sighs. God, the things he says.

"Oh," you breathe. "That's kind."

"And does this home have a first aid kit?" The reminder brings the dull sting of your scraped skin back to the forefront of your mind.

"Bathroom cabinet," you tell him. George nods.

"I'll get that. Why don't you change into something loose so I can get to your knees?"

In your room, you tug carefully tug on some sweatpants, mindful of your palms, and let yourself marvel at how today has gone. You expected to have George here someday, but certainly not like this. Will he want to see your bedroom? You shove some dirty laundry into the hamper and thank past you for making the bed this morning.

"I think you should sit on the counter," George calls. "Whenever you're ready."

You pad out to meet him in socked feet. It's quite the sight, him in your kitchen. He's bent over your sink, washing his hands. His sweater has been tossed over a chair and you can see the lines of his back under his t-shirt.

"Do you need help getting up?" he asks. You nod. Together, you get yourself on the counter, making you about eye level.

"Hello," you say. His hat is gone, too, so his fringe falls across his forehead in slightly curled strands. When you've cleaned yourself up, maybe you'll work up the courage to run your hand through them.

"Hello yourself. Right hand, please." You hold out your palm and George gets to work. He cleans it, getting all the bits from your skin, and then uses an alcohol wipe.

"Do you have a special interest in first aid, or something?" you ask to distract yourself from the sting. His thumb strokes your pulse point as he works.

"I guess you get beat up a bit in karting when you're young," he says. He wraps one palm in gauze and moves onto the other. "I suppose i just like knowing how to take care of people."

"God," you groan. "Is there anything wrong with you?"

He looks at you then, hair falling into his blue, blue eyes. "Oh," he smirks. "Plenty, darling." He finishes up on your other palm and holds it in his for a moment longer than you expect. Then he slowly brings your hand to his mouth and kisses the bandage.

You might gasp, You're not entirely sure, eyes glued to his lips like nothing else exists. Then he kisses the other palm. Your gaze flicks up and George is looking right at you.

"Knees," he says, voice a little hoarse. "Alright?"

"Alright," you breathe. You stick one leg out just to see what he'll do. You're learning that he rises to the occasion, and that's exactly what happens. He cups your ankle, places your foot on his thigh, and slides your sweatpants up above your joint.

"That's gnarly," he says, breaking the tension. You laugh and tap his leg with your other foot. "You ready?"

"I'm ready."

He makes quick work on it. One hand on your calf, the other gently cleaning and bandaging. The silence is comfortable, familiar, though you've not been in this situation before. It's not until George is almost done with your other knee that he speaks.

"You know," He says, lightly. "If you wanted me to touch you, all you had to do was ask. The tripping wasn't entirely necessary."

"George!" you gasp. He squeezes your calf.

"I'm just saying, darling."

He ties off the gauze and rolls down your pant leg. You widen your knees and he steps between them immediately, hands resting gently on your thighs. It's absolutely electric -- going from shy, appropriate touches to being in your flat together, his hands all over you. How are you going to go back?

Maybe you can't.

George's eyes rake over your face. You inhale his exhales, feeling them on your lips. His pupils dilate.

"What is this, George?" you whisper. His fingers press into your thighs a little harder.

"Well," he says, tongue darting out to wet his lips. "What would you like it to be?"

"I don't know," you say, honestly. He is not dissuaded, does not back away. He must know that this is hard for you -- his life is so different from yours. As it is, you avoid social media so you don't see pictures of you splashed across gossip accounts. It's impossible to totally stay away from it but you try, because you really like being with him.

"Shall I tell you what it is for me?" George says.

You nod.

He cups your face in his hands, thumbs stroking the delicate skin under your eyes.

"Every second I am not with you I am thinking about when I'll see you next," he says. "I store up things to tell you and take photos to show you and I have a bag full of things I've bought you but been too afraid to give you. Beautiful things, things that remind me of you."

"George--"

"I worry about fucking up your life," he continues, and you fall silent. "This is a lot. I am a lot. My life is not simple, and you've already seen that. But I want you in it. I want you in it however you want to be there, though I have my suggestions. I promise that if you let me, I'll treat you so well, because you deserve everything, and --"

Your heart is going to explode if he goes on any longer, so you close the gap between you and kiss him. Finally.

It's just the press of your lips against his for a few seconds, your eyes fluttering shut, before George catches up to what's happening and angles your faces a little bit to make it deeper. Your bandaged hands rest on his elbows and you swallow a sound from deep in his throat, something that lights a fire in your belly.

"Blimey," George says, leaning your foreheads together.

"What, no curse for me?"

His eyes sparkle and he wrinkles his nose at you. "Fuck," he says. "I've been thinking about that for weeks."

You press your lips to the corner of his mouth. "That's more like it."

BLOODY HELL

What the fuck was that? Is he serious? Keep focused, George. This is fucking ridiculous. Head down.

It's a bad day. Not as bad as it could be -- George does not end up in the wall. But he ends up way further down the pack than he should, barely scraping together a few points. It's the car and everyone knows it. The bouncing, the drag, the understeer. A showing far too poor for this late in the season.

And George is pissed. It's not often that you see him this way -- he's fairly levelheaded, even when things get tough. Something about him causes conflict to lull, things to fall into place, but even that can't fix the silver arrow.

You slip out of the garage during the last lap to sit in his driver's room and wait.

This isn't your first race. Far from it, by now. Things got official halfway through the season after that day in your flat, and you've been coming to as many as you can. It's a rush, really, to see him work. Scarier than anything, but when it's good? It's amazing. You love the energy of the garage and everyone seems to have taken to you, too.

So much so that they know to send George right to his room before the media pen so you can calm him down.

You sit on the bench and wait.

He comes in, closing the door firmly but never slamming it, and sighs. All the tension melts from his body and he looks defeated. Sweaty, annoyed, and defeated.

"Hello," you say, lightly.

He smiles wryly. "Shit day, huh?"

You love how George looks after a race. Hair a mess from his helmet, skin beaded with sweat. He unzips his race suit and lets it hang at his hips and you can see the outline of his muscles through his fireproofs. It's genuinely swoonworthy, even with his visibly bad mood.

"Are you alright?" you ask. He shrugs, rolls his shoulders, and winces.

"Bloody hell," he curses. "My back is killing me."

"What can I do?"

"Nothing," he says automatically. "You're perfect just as you are."

It's a reflex he has -- not to ask for things. You're still working it out, poking and prodding to find the cracks. Maybe, with time, he'll loosen this grip he has on his desire to make your life as comfortable and wonderful as possible without thinking of himself. There are moments when it's best to just let him fuss, but right now you think you can push back a little.

"George," you sigh. "Come on."

He hides his face behind a sweat towel for a breath, then tosses it aside. "Alright," he says. "Just sit with me for a bit."

You scoot over on the bench and he flops next to you, head back against the wall and eyes closed. His hand fumbles around for yours, pinching your thigh when he overshoots, which makes you laugh. He cracks a smile and opens one eye just enough to see your grin before settling back into his rest.

He breathes deeply, fingers entwined with yours. The line of his jaw is pronounced in the awful lighting of the room and the shadows under his eyes look worse than usual. A few more races and then he can rest. What will you do in the off season? Maybe a vacation. Hopefully a vacation. You imagine George in swim trunks on a beach somewhere, dozing in the sand. Rubbing sun tan lotion on his back and his shoulders and his nose, reading books for hours until he convinces you to run into the water. Lazy days on a balcony or in a bed with all the windows open, never being far from each other --

Someone knocks on the door.

"Christ," George mutters. "Let's ignore it."

"You need to go to the pen, darling," you whisper back. He squeezes your hand and presses your legs together.

"Just a few more minutes," he says. "Eventually they'll just come in."

"If you say so."

You press a kiss to his tacky cheek and lean your head on his shoulder, eyes fluttering shut.

George takes a deep breath. "I love you," he says.

The words stretch into the silence that comes after, the moments it takes for you to process it. They fill the small room, sneak their way into your bloodstream, your lungs, all the way to your heart.

Part of you is waiting for the follow-up. I know it's too early, I know it's a lot, You don't have you say it back. But George doesn't deal in excuses. He feels it, so he says it.

You lift your head to look at him and find him already staring at you. Not expectant, just looking to look.

"I love you, George," you say.

He grins bigger than you've ever seen, bigger than after your first kiss, than the days when he's on the podium.

Someone knocks on the door again.

"Oh, piss off," he mutters and leans in to kiss you.

[faithshouseofchaos]

Could you make a lando norris x male reader/oc (maybe its a oneshot or more you decide) where lando has been in love with his best friend since they were in dipers and lando is just obsessed over reader when their not there(ex. Their always what he talks about, always staring at pictures of him and getting supremely angry when anyone talk bad about male reader), and when male reader is there it's like he's high and he always has to be touching you (he could even secretly touching in areas hes not suppose to but male reader is just used to it because he's done it so many times in the past that he doesnt see anything wrong), the other drivers get concerned when lando that you have a crush on someone on the grid (not knowing its him because male reader is equally as obsessed as he is but just hides it way better) and as reader is mclarens media admin, actor and occasional song writer their both too infatuated with each other that the other drivers have to force them to tell each other so lando doesnt hurt anyone on the track.

This has sat in my inbox for a long time 💀 it’s not exactly what you want but I am writing something for male!reader and Lando getting high together 🤭🤭.

Also im definitely going to be writing blurbs for them.

I’ve always been yours — Lando Norris x male!reader

Word count— 990

Warnings — slight jealous Lando and possessive Lando slightly angsty

It had been a long day at the paddock, but that didn’t stop Lando from keeping you within arm’s reach at all times. He was more touchy than usual, his hand constantly finding your shoulder, his fingers brushing your arm or neck every few minutes. It was subtle—probably no one else noticed—but for you, it was impossible to ignore.

Lando had always been possessive, sure, but this was something else. The look in his eyes, the way he practically bristled whenever anyone else took your attention… you couldn’t quite put your finger on it.

“So, any plans tonight?” Carlos asked, nudging you as you finished up with a few media notes. “A group of us are heading to dinner if you’re interested.”

Before you could respond, Lando’s arm slid over your shoulders, pulling you just a bit closer than necessary. “Actually, he’s busy,” Lando said, not even bothering to look at Carlos.

You blinked, glancing up at him. “I am?”

Lando shot you a quick, sideways look, and you caught the almost imperceptible tightening of his jaw. “Yeah. We’re grabbing dinner together. Already planned it.” He said it with such confidence that you had to stop yourself from laughing. But his hand lingered on your shoulder, his fingers flexing slightly, and something in the way he held onto you made you decide not to argue.

Carlos raised an eyebrow, glancing between the two of you with a smirk. “Ohhh, alright then,” he said, winking before heading off.

The second Carlos was out of earshot, you turned to Lando, arching an eyebrow. “Did we actually have dinner plans?”

“We do now,” he replied simply, not loosening his grip on you. “Didn’t like the way he was looking at you.”

You rolled your eyes. “Carlos? He’s just being friendly. It’s not like that.”

Lando’s gaze darkened, his voice dropping to a murmur. “Don’t care. Don’t want him looking at you like that.”

You knew he could be intense sometimes, but this was new. You weren’t sure whether to laugh or ask him what was going on, but the fierce glint in his eyes made you hold your tongue. Besides, a small part of you didn’t mind—Lando’s possessiveness felt good, like he was claiming you in ways he hadn’t before.

Later, after the debrief, you ended up in his hotel room, sharing takeout on the bed as you usually did. Lando’s leg pressed against yours as he leaned in, close enough that you could feel the warmth radiating off him.

“Hey, uh…” He looked away, fidgeting slightly. “Have you… ever thought about someone on the grid? Like, actually thought about them that way?”

You paused mid-bite, caught off guard. “Someone on the grid? What’s with the random question?”

He shrugged, eyes fixed on his food. “Just… curious. I’ve heard people talk about you. Heard you might have a thing for someone.”

You narrowed your eyes, laughing a bit. “And you believed them? Please, Lando. You know how people talk around here. They just like to gossip.”

“Still. It’s not funny.” His tone was firm, more serious than you were used to. When he finally looked at you, his eyes were filled with something intense, a possessive glint that sent a shiver down your spine. “Don’t like the idea of someone else thinking they have a chance with you.”

You blinked, taken aback by the bluntness. “Lando, why do you care so much?”

For a moment, he seemed to consider backing off, but then he leaned in closer, his face inches from yours. “Because you’re mine.” The words were soft, barely more than a whisper, but they were filled with a raw, undeniable certainty that made your heart race.

Your breath caught, but you tried to keep your voice steady. “Yours?”

He nodded, his hand reaching out to cup your face, thumb brushing your cheek with a touch that was both gentle and possessive. “Always been mine. Don’t want anyone else even thinking about you that way. Can’t stand it.”

A part of you wanted to push back, to tease him for being so intense, but the way he was looking at you, the heat in his eyes, made any words die on your lips. Instead, you found yourself leaning into his touch, your heart pounding as you let yourself feel the full weight of his words.

“Lando… you’ve never said anything like this before,” you murmured.

His grip tightened, pulling you closer until your foreheads touched. “Because I thought you’d think I was crazy. But then today, hearing those rumors—” He shook his head, his jaw clenched. “I don’t want anyone else. Just you. Always been you.”

Your chest felt tight, your heart swelling with a mix of disbelief and relief. You’d known him forever, but hearing it out loud, feeling the intensity in his voice… it was almost too much.

“You could’ve said something sooner,” you whispered, barely able to keep the smile off your face. “Would’ve saved us both a lot of time.”

Lando’s face broke into a grin, his hand slipping to the back of your neck as he pulled you in for a kiss—deep, intense, filled with years of unspoken feelings. When he finally pulled back, he didn’t let go, his hand still tangled in your hair as he whispered, “Just so we’re clear—no one else gets to have you.”

You couldn’t help but laugh, your own possessiveness finally breaking free as you wrapped your arms around him. “Good. Because I don’t want anyone else either.”

The next day at the paddock, Lando was practically glued to your side, his arm around your shoulders, hand possessively gripping yours whenever you had a spare moment. The other drivers noticed, casting curious glances, but Lando didn’t seem to care. He was too busy keeping you close, his every glance and touch a reminder to anyone who looked that you were his.

And you didn’t mind one bit.

[antianakin]

Someone mentioned in the notes that Obi-Wan would have already done this with Anakin by taking Anakin on after Qui-Gon's death. The idea that he might have to attempt it TWICE is very depressing.

I do think that this would be an interesting dynamic in a lot of ways because Ahsoka I think would be FAR less receptive to Obi-Wan taking on thaat role than Anakin was, and than Obi-Wan would've been to Qui-Gon. Anakin barely spent all that much time with Qui-Gon before his death, so the switch from Qui-Gon to Obi-Wan isn't quite as difficult, and Obi-Wan would've likely spent quite a lot of time with BOTH Feemor and Qui-Gon before Feemor died and was still on good terms with Qui-Gon when Qui-Gon took over his training.

Ahsoka, by contrast, hasn't even fully decided she wants to become a Jedi by the time Order 66 happens and is on somewhat rocky ground in her relationship with Obi-Wan at the time (she's relatively friendly in their last conversation, but she's still distant and she was pretty quick to jump down his throat when he didn't immediately tell her what she wanted to hear earlier). There's also the issue of Obi-Wan knowing that he's taking over for Anakin because Anakin BETRAYED THEM ALL. Depending on when in the timeline Ahsoka actually met up with Obi-Wan, Obi-Wan may not know that Anakin survived (and also depending on which canon you ascribe to about when he discovers that information), but if it's after he DOES know that, then he's taking over for a master that ISN'T ACTUALLY DEAD.

And we all know how attached Ahsoka is to Anakin and how unwilling she is to accept the truth about what he did, her guilt surrounding what she believes to be her part in Anakin's ultimate fate and how that hinders her. I don't get the feeling that Ahsoka would take this information well, and I could EASILY see her turning on Obi-Wan and blaming him for not trying to give Anakin more of a chance and for either killing Anakin or leaving him to die.

The history that Ahsoka and Obi-Wan have together and their shared connection to Anakin COULD be helpful in allowing Ahsoka to face those feelings head-on and heal from them and return down the path of becoming a Jedi, but it could also go the exact opposite way. That history and their shared connection to Anakin could become a wall between them, something that just causes more pain and misunderstandings.

It would be the MESSIEST transition of them all since it involves having to heal individually from the pain that Order 66 encompassed on its own, as well as having to get over all of Ahsoka's issues stemming from the Wrong Jedi arc, and likely having to UNDO some of the bad training Ahsoka got from Anakin in the first place before Ahsoka is even willing to admit she wants to return to being a Jedi and even once she reaches that point, she and Obi-Wan might both feel like this isn't a particularly great match anymore and that Ahsoka would be better with literally anyone else. They MIGHT choose to stick it out together, but I think they'd have to be pretty careful around each other and couldn't necessarily fall into the more typical Master/Padawan dynamic. They can't just go back to who they were, they're both irrevocably changed by what's been done to them.

There's potentially some healing that could happen between them, but my instinct is to believe that even if they DID help each other heal from Anakin's betrayal, they still can't slot into a Master/Padawan relationship and would need to start fresh with other people in order to let go of that desire to cling to the past that just continues to cause them pain. (I also think Ahsoka would probably chafe at being stuck on Tatooine the way Obi-Wan has committed himself to and needs someone more willing to go out and be more active in the rebellion.)

One of the reasons that the headcanon that Qui-Gon "repudiated" Feemor post-Xanatos really bothers me is that the characterization we get of Qui-Gon really lends itself more to the idea that he might've CLUNG to Feemor rather than pushed him away. There's zero indication that Qui-Gon has cut off all contact with the people he had relationships with prior to Xanatos (Yoda, Mace, Tahl) and one of the reasons he's so disinclined to take a new apprentice is the fear that he'll make the same mistakes he did with Xanatos and cause their fall. But if he has a whole other apprentice that he WAS successful with, wouldn't he instead cling to that proof that he's not actually a failure? Even just as a comfort?

I propose an AU where Qui-Gon actually ends up partnering with Feemor post-Xanatos in order to always have that comfort nearby. Feemor wants Qui-Gon to get back into the saddle of teaching but knows Qui-Gon well enough to understand that throwing him into that saddle won't go well for anybody, so he decides on a trickier plan and takes a Padawan of his own (his first Padawan since he became a Knight) and ask for Qui-Gon's assistance. Since Qui-Gon is partnering with him, it's inevitable that they'd end up basically sharing the responsibility of teaching any Padawan that Feemor takes, but Feemor intentionally makes sure Qui-Gon knows that he's nervous about it and will want his Master's guidance.

So instead of becoming Qui-Gon's Padawan, Obi-Wan ends up becoming FEEMOR'S Padawan. Qui-Gon sees right through all of this of course, but he can't really do anything about it and he doesn't really mind helping Feemor with a Padawan the way he would if he had sole responsibility. He bonds with Obi-Wan relatively easily and the three of them become an incredible team.

And then you can get real angsty with it and say that Feemor died before the events of TPM, so Qui-Gon obviously took over Obi-Wan's apprenticeship on his own afterwards.

[johanna-swann]

Sorry if this feels vent-y but I am kinda done with the ppl that keep blaming Buck for the break up and absolving Tommy completely. I get so many saw him breaking up with Buck to be OOC but to go as far as to claim that it's Buck's fault for moving too fast when it's clearly about Tommy's insecurity is a bit fucked up. I have yet to see a person talking about how it was Tommy who fucked things up, if it was someone else acting out based on insecurity they would have been eviscerated and rightfully blamed but not Tommy ig he's a perfect angel who even if he hurt others it's not his fault for being fragile and insecure.

Well, personally I blame the writers for the break-up, but maybe that's just me.

Jokes aside, the simple answer is that everyone probably has their own personal opinion on this. Depending on your personal point of view, your own experiences with past relationships and so on, you will sympathise with one character more than the other or maybe with both of them equally. It's not a "Team Buck or Team Tommy" situation, we have two men here who both care about each other very much, but who also both bring issues to the table which the other one doesn't know about. It's not a cut and dried case, there's plenty of blame to go around. I have a lot more thoughts about this and I will take this as an excuse to rant, so settle in and buckle up.

The thing about Buck is that we see his thought process. We know which steps he went through, we know his train of thought, we know he's serious about Tommy. So it's easy for us to empathise and understand his journey up to the actual break-up. It's also easy for us to pick up familiar patterns though. Like Buck jumping all in all at once and putting his foot in his mouth a little in the process.

Because Buck definitely shouldn't have dropped "I want you to move in with me" on Tommy like that. As far as we know they've never talked about this topic before, they haven't exchanged "I love you"s yet, Buck doesn't even know if he loves Tommy. In my opinion he should've approached the subject very differently. He could've said: "I've been thinking about the future and I think we should talk about maybe living together in the not so far future." Have an open conversation about it instead of presenting Tommy with a fait accompli. At the very least he should've phrased it as a question, not as an "I want you to do x" statement. Not at this point in the relationship.

But all in all Buck's words and actions are somewhat relatable or at least comprehensible and show that he wants a future with Tommy.

On the other side of the break-up we have Tommy. The only piece of information about his dating history we have is Abby - a relationship that was never quite real, that he probably still feels ashamed about a little and that happened, what, 9 years earlier? At least 9 years. (The timeline is not lining the time as it should, somebody please check if Tim Minear knows how a calendar works.)

My point is: We don't know what Tommy is looking for in a relationship. We don't know if he's been hurt by a serious romantic relationship before. We don't know what he wants for his future in the long run. All the things that made us root for Buck and for this relationship to succeed - we know none of that about Tommy. But we do know that he thinks Buck has the power to break his heart. We know he already likes (loves?) Buck so much that he's terrified what this will do to him if he lets it continue. He'd rather turn tail and run than risk getting hurt by Buck. At least this way he's in control of the situation.

[This is very much the reason they broke up. Buck's mistake was a stupid mistake, but fixable. Tommy ended the relationship and ran. You can't fix something that's already over with someone who's no longer there. But I digress.]

A lot of what we get from their canon dialogue and overall relationship still doesn't add up. If Tommy thought he was just Buck's starter boyfriend, then why did he give Buck a second chance in the first place? If he thought this was never going to get serious, why did he agree to go to his sister's wedding with Buck after only one failed date? If he was afraid of liking Buck too much and getting his heart broken, why did he stick around for 6 months? 6 months is a very long time for a relationship you think will never go anywhere anyway.

It doesn't make sense and even throughout the scene where Tommy very abruptly dumps Buck they framed Tommy as a considerate guy with a big heart who truly cares about Buck. So we assume that there must be a reason. That something must've happened to Tommy at some point which makes him believe that this sort of relationship is not something he can have and that he can't trust this happiness.

If Tommy had a healthy sense of self-worth to go with his genuine feelings for Buck, he probably would've said something like: "Slow down, let's talk this through before we make any decisions." He wouldn't have run. And that absolutely was Tommy's mistake. Yes, Buck was a little over-eager upon discovering that he really can see a future with Tommy, but it was Tommy's responsibility to communicate his thoughts, feelings, needs and doubts. Instead he came up with some half-baked excuse and bailed.

TL;DR: They both made a mistake here. While Buck's mistake was relatively harmless in nature and not the one that put the final nail in the coffin, his mistake was definitely the more stupid one though. Buck fell back into an old pattern and thoughtlessly made a huge jump while just assuming Tommy would jump with him. His mistake was fixable and they could've probably talked this out, but Buck was a little reckless here and didn't really consider Tommy's side. He was too caught up in his own enthusiasm which, again, understandable. But still a little inconsiderate tbh.

Tommy's mistake came from a place of deep seated hurt. Yes, his mistake had the bigger impact, but it's the kind of mistake you empathise with instead of roll your eyes at. He was a coward, but he was a hurt coward.

We've all been there at some point, probably. Maybe not in the context of a relationship, but I've been a hurt coward almost every day of my life, self-sabotage is my second middle name. I feel for Tommy here. And I also feel for Buck of course, he barely even registered what was happening and then Tommy was already out the door. But when we break it down to the mistakes they made Buck's mistake gave me "not again you idiot" vibes and Tommy's mistake gave me "I'm so sorry, who hurt you?" vibes.

[dyns33]

The Best Friend part 2

Yes I made a lil 3 parts series for Homelander and his bestie.

If Y/N had to give John one good point, it was that he had been honest.

He could have said nothing, and she probably would have never known.

But at the same time, he wasn't completely stupid, and it wasn't a good idea to keep secrets like that.

Because he himself didn't like being lied to, promising that it would never happen between them, but also that he was giving Firecracker power over him, who could have threatened to tell her everything if he didn't do what she wanted.

Maybe she was blinded by admiration at the moment, claiming that she was at his beck and call and that she wouldn't ask for anything in return, but John knew people. He couldn't trust her.

"I'm not attracted to her at all, I told her that."

"… That reassures and consoles me enormously, John."

"Look, I understand that you're angry. But it was just once, just once ! A moment of weakness. I was exhausted, a lot of things had happened, you weren't there…"

"So it's my fault ?"

"No." He growled before sighing, trying to keep his cool. "I didn't say that. She was very persuasive. How does she know that I… Anyway, it was a mistake. I can fire her, she's no use to me. That idiot is loyal, I can ask her anything I want, but one word from you and she's gone. I can even kill her if you ask."

A lot of people wouldn't know how to react in this situation.

Normally it wasn't a good idea to upset the Homelander. You had to agree with him, not cry, not yell, not talk back. It was already an accomplishment that he admitted he had made a mistake.

Maybe he hadn't apologized, but Y/N was probably smart enough to know that he was sorry and that she should forgive him.

Anyone else would have eventually said sorry, taking the blame on them and making excuses for his cheating.

But besides the fact that she had been his only friend during his childhood, John loved Y/N because she wasn't afraid of him. And that meant she wasn't going to give in when he had hurt her.

"Your solution to a problem always has to be murder. Really, John, we're not eight years old anymore."

"Exactly, that's why we're talking like two adults."

"I'm waiting."

"What ?"

"For you to act like an adult."

Then John chuckled. He put on his eternal air of a guilty child who pretended not to understand what he had done wrong, disturbed that someone dared to corner him in this way, him, the great Homelander.

But seeing that Y/N was staring at him without saying anything, waiting, he quickly regained his seriousness, hiding his embarrassment behind a mask of annoyance.

"I just told you that I wouldn't do it again. She doesn't attract me at all, she's pathetic. I only love you. I've only ever loved you, since forever. The others were nothing, distractions, puppets. You're the only one who really knew me, who made me happy."

"I'm waiting."

"You don't want me to cut her in two, and I can't go back in time by flying around the Earth in the opposite direction of rotation contrary to what some idiots think, I don't see what I can do."

"Apologize."

"… Sorry." he mumbled, looking down, showing a pout.

"No. Better than that, John. Give me your most sincere apologies."

At this point, someone else would already be dead, or at least facing a furious and threatening supe, ready to use his lasers to silence her.

But Y/N was really not just anyone. Realizing that she would not change her mind, John mumbled, hands on his hips, before displaying his fake stage smile.

"I'm so sorry."

"I'm still waiting."

"… I should never have done that, it was pathetic of me. I love you more than anything and I shouldn't take it for granted, you deserve to be treated with respect. Forgive me."

"Hmm. Almost but not yet." she decided, holding back a smile.

She was still angry, but Y/N was ready to forgive him. After all these years, she knew how John was. She knew he would never have said the word "sorry" if he didn't mean it, and he wouldn't have confessed anything if he didn't really care about her.

But the moment was tasty and she wanted to make the most of it, so that he would learn his lesson well.

"What ? You want me to get on my knees ?"

"That would be a good start."

"… Fine."

Y/N had said that as a joke. In truth, she didn't really know what she was waiting for, only that she wanted it to last a little longer. It was impossible to tell whether or not she liked seeing John at her feet, staring at her with fear.

"I'm sorry. Don't leave me."

"Oh, John…"

"I know I can be difficult. You're always good and patient with me, even though I don't deserve it at all. I love you. If you left me, I would die, truly. The day they took you from me, I thought I was having a heart attack. I couldn't breathe. I would destroy everything if you disappeared again."

It wasn't exactly a reassuring statement. It could even have been taken as blackmail or a threat. But John would never hurt Y/N, she knew that.

He would kill everyone else, leaving only them, but he would tear off an arm rather than hurt her.

Tenderly, she stroked his hair, then his cheek, before leaning in to kiss him.

"I forgive you, John."

"Hmm."

"I love you too, I'm not going to leave you."

"Thanks."

"Get up now."

"Hmm. I don't know, I like the view." he said with a small smile. She followed his gaze, still leaning over, understanding that this way he had a full view of her chest and crotch.

The small pat he took on your head made him snicker, as did Y/N's falsely outraged look.

"I know another way to make it up to you."

"It wouldn't really be a punishment."

"I'll just be a little sad if I can't find any milk. But we could also do something to change that."

"Why are you never serious ?" she sighed, rolling her eyes.

The apology ended like that, because she received a call that caught her full attention. Y/N didn't look at John either, who never left her, dangerously serious, and fixed on her stomach.

[mrpenguinpants]

Me, rattling the bars of my enclosure, dying and in pain. I'M DONE. I usually try to get commissions done within 3 days but I got violently sick out of nowhere.

More writer's notes under the cut:

I feel like most of my single-character one-shots are quite different from my headcanon fics. But this one especially feels way out there. Magnolia (my previous Dottore-only fic) has a somewhat similar vibe, but this one feels like I doubled the existential crisis.

Honestly, I don’t know how to feel about it—which is bad since this is a commission. Thankfully, the commissioner liked it, so we’re safe. Or maybe they were just being really nice to me lol. Either way, I hope they did. I initially planned to use the Ayato fic as a guideline, and I kind of did since this fic follows the same structure. But somewhere in the middle, that plan went out the window.

I think I’m physically incapable of writing Dottore without the relationship dynamic feeling completely doomed. Quite literally, it’s an “I’d follow him into Hell, but I sure wish he’d stop going there” vibe. Plus, my interpretation of Dottore is so different from any other character that I was genuinely worried when the same commissioner came back to me. I was like—do you know what you’re asking for? Because I’m about to crack open a philosophy book for this guy. I even took a German word for the title just to satisfy the pretentious bullshit I associate with when writing Dottore. Even with 4,000 words, I feel like I didn’t explore the relationship dynamic enough to fully convey the serene yet doomed tone I was aiming for. But I’m glad most readers, being the smart people they are, picked up on it.

I think my downfall was the music I was listening to—real bittersweet tracks that probably seeped into the writing. I’ve also taken a lot of liberties with his characterization since we don’t know much about the original Dottore. Personally, I imagine he’d be calm and patient. In the Genshin manga, Dottore (Beta) comes off as much more unhinged, while in the Sumeru Archon quest, Omega seems calmer and more composed. So, I assume the original, technically the oldest, would be the most mellow yet hollow of them all.

Oh, and I have to mention this: the (possible) shade of Dottore’s hair is literally called Air Superiority Blue. That’s way too funny not to bring up. I was going to go with Light Blue Slumber (since I’m trying to build a theme around characters’ hair colors), but it felt a bit lame. So, I looked up Dottore’s hair color and found Air Superiority Blue, but that sounded lame too. Then I changed it to Bitter Blue Slumber, which I didn’t like either, so it became Bitter Slumber. Finally, while writing this, I went looking for a word that captures "bittersweet nostalgia," since that’s sort of the relationship dynamic I wanted to convey (not entirely, but close). And wow, Reddit came through. Someone had already asked the same question, and someone else suggested the word Torschlusspanik. I explained its meaning in the fic, but it’s such a perfect word. So yeah, that’s why the title ended up being what it is. Rip the slumber-title continuity.

Ttorschlusspanik [ Commissioned ]

[ Hcs for Dottore where the reader is very sleepy/sleep-deprived and is constantly falling asleep in battle, on dates, or maybe during research and experiments! ]

Word Count: 4k

Ayato Ver: Pale Blue Slumber Semi Part 1: Low Battery Warning [Masterlist]

Thank you so much for commissioning me! You’re so sweet, and I truly appreciate the tip, but I can’t accept this level of generosity. Please let me know if I went under the word count. Also, thank you for your patience—I got really sick this week and am still recovering.

Torshlosspanik. noun. 1. A desperate feeling that something desired is fading, missing, or being taken away. 2. A feeling of frustration when something one has is departing.

A slumbering figure, a nearly empty desk, and foreboding fabric are the greeting signs to the infamous lab. It’s ironic, really. The concept that the Doctor’s domain comes with a “receptionist” setup stationed in front of imposing steel doors, giving the illusion that this place is as normal—and as morally sound—as any other doctor’s office. At best, it’s laughable to think anyone would believe this place accepts patients willingly, let alone frequently enough to require check-ins. Yet, a shabby but sturdy wooden desk stands innocently in the corner of the entrance, its chipping edges lined with plastic chrysanthemums and white lilies. The artificial flowers are faded, their colors dull from years of neglect, as if mocking the very notion of hospitality. Behind the desk sits an equally worn-down office chair, large enough for someone to curl up in. Its fabric is stained and frayed from years of misuse, the cushion lumpy and barely holding its shape but still useable. All for a receptionist, if you can call them that, who spends more time asleep than actually working as an employee in this most unlikely place. Legs curled up on the seat, arms crisscrossed over the knees in a fetal position. A chin tucked towards the chest, hidden from the view of passersby. Back facing toward prying eyes, leaving only the pronounced slouch of their spine visible, an angle practically begging to develop scoliosis. But the most harrowing detail isn’t the position. It’s the unmistakable black-and-white fur coat draped over them like a blanket, the fabric’s presence carrying an air of authority and fear. A coat only gifted to the Eleven Fatui Harbingers. The desk itself is of no help either. There’s no clipboard, no pens, no paper-nothing that could even remotely resemble the tools of an actual receptionist. It’s an empty stage prop, barely held together by the weight of its own absurdity. And yet, for all its flaws, it stands as the gateway to a place no one in their right mind would willingly step into.

No one dares attempt to wake you. Successfully doing so is practically a death sentence, especially if you go whining to Dottore about the unprompted “alarm clock.” He has a reputation for ensuring the offender never makes a sound again. The only ones bold enough to try and emerge unscathed are his fellow Harbingers, though even they tread lightly when it comes to disturbing your slumber. It’s both impressive and deeply concerning how much of a deep sleeper you are. The bustling footsteps of agents pacing outside the lab, their sharp voices discussing assignments, don’t stir you. The deafening clangs of machinery, coupled with the revolting squelches of severed monster parts being dissected, fail to trigger even a flicker of awareness. Not even Tartaglia’s incessant yammering, loud enough to make glass shudder, elicits so much as an irritated swat from you. Instead, you remain in a state of unyielding sleep, utterly detached from the chaos around you. Your peculiar habit has become such a fixture in the lab that the staff barely remember you exist. You sit perched at their entrance and exit, as still and silent as a gargoyle guarding a forgotten ruin. To them, you are little more than part of the backdrop. A slumbering figure whose presence is a curious mix of ominous and benign.

While it's obvious that the answer to rousing you is to find Dottore himself, or one of his segments if he isn’t around, the interesting part is how you wake up. You're not immune to the initial dizziness that comes with awakening. When you finally open your eyes, blinking the sleep away from your eyelashes, you’re always disoriented. Your eyes feel glazed over, as though you’ve gone blind from keeping them closed too long. Yet, there’s always a common theme: you always reach out toward the nearest blue object. Whether it's an odd trinket or a test tube of acidic liquid, your hand automatically tries to grab it and pull it close to you. It’s part of the reason your desk is stationed outside the lab, away from anything potentially dangerous hidden behind heavy steel doors. Artificial blue has been on the rise lately. Luckily, in nature, blue is very rare. Less than one in ten plants has blue flowers, and even fewer animals are blue. Unfortunately, the biggest nuisance has blue eyes—dead as they are. Tartaglia may not like the doctor, but he does like you. Maybe it’s because your sleep demeanor can be categorized as cute, or maybe you remind him of the simple life in an organization that’s so uptight. Regardless, that little fox has been clawing at the wooden legs yapping for attention. It's only made worse you don't bother to dissuade him, only indulging in his playful antics. It's led to many, many, lectures from one particular segment.

It's fascinating watching how each segment interacts with your sleepy demeanor. While each segment has varying features and appearances, under the same clothes and mask, they would be indistinguishable if they stood still and never spoke. The only true way to discern them is through their actions and mental processes. Hence, it's easy to tell who is who by the way they go about holding you.

Omega is by far the least attentive or affectionate toward you. Perhaps it’s because he’s the most selfish of them all. There’s still an ongoing debate over whether his dislike for you stems from the fact that you stand in the way of fulfilling his desires or if his ambitions extend beyond simply overtaking the divine gaze. Or perhaps the divine gaze isn't actually his goal in the first place. Either way, it’s two sides of the same coin. When it’s Omega’s turn to fetch you, he does so as if you were any other patient. Completely beneath him. One arm rests behind his back, while the other holds a piece of paper clenched tightly in his hand. His mouth is set in a firm line as he gazes down at your slumped form. Although the air around him is calm and silent, it doesn’t take a genius to know that if he could get away with it, he’d drag you through the halls by your hair. Alas, that kind of act would get him permanently disassembled, so he settles for unceremoniously flipping you upright. The arm resting on the small of his back is removed and curls under your stomach. With one swift motion, you’re treated like one of Signora’s shopping bags. The sight of a limp body folded in half under an arm that surely digs into the stomach is the best way to know if it’s the Omega segment or not.

Beta, on the other hand. Beta. That maniacal and neurotic freak adores you but couldn’t care less about you. His research typically focuses on fusing humans with machinery to create “better versions” of themselves, and he fully believes in that philosophy. You would look so much better if he were allowed to be your sole care provider. If your drowsiness were caused by a medical condition like heart disease, asthma, pain, or a nerve condition, he could simply replace them, and you’d be perfect. If it were a mental issue, well, he’d love you no matter how unresponsive you might be. It wouldn’t be much different from you being asleep anyway. When it’s Beta’s turn to fetch you, he does so with a waltz. He walks purposefully toward your desk. Loud and firm, his hands fisted at his sides with unrestrained glee, swinging in time with each step. Even with a mask that obscures most of his face, it’s clear to see the overexcited grin stretching across his lips. It’s almost like there’s static buzzing in time with his artificial heart, fuzzy yet electrically sharp. There’s no fanfare, as soon as he’s within arm’s reach, he grabs the nearest piece of skin and hauls you out of the chair. By some miracle, you’re always still asleep from the rough handling, which is more than enough for Beta to wrap his other arm around your waist. Your chests press together, and he swings your body to and fro in his mad dance. The sight of a limp body dragged into a dancing plague that’s surely pulling your stiff joints out of place is the best way to know if it’s Beta or not. Beta has been recently banned from coming within a six-foot radius around you. 

The original Dottore, Zandik, is a unique case. All of the segments originated from him but at different points in time. However, they are still parts of his thoughts and mannerisms. There really is no order in which the segments are ranked, as they can’t compete with each other. What’s more pointless than trying to beat yourself? You’ll still lose in the end. Zandik is a strange mix of every segment yet none at all. When he wants to see you, he does so slowly, with all the time in the world. His methodical steps echo lightly on the concrete floors of the lab, his arms still at his sides yet loose enough that the slightest wind could blow them away. It’s as eerie as it is tranquil. Everything about the original whispers of restrained patience—that when he arrives at the front of your desk, he simply waits. Usually, it takes you hours or even days to wake up on your own, but when it’s Zandik standing at the edge of your daydream, your eyes slide open. Small ripples in the pond. You’re still lethargic, blindly feeling your way back into your body as your eyes ricochet off the walls until they land on blue. A weighted hand reaches out to grab that ashy blue, and another hand meets your fingertips.

It would be cute if it were anyone else. The sight of a man with curly light blue hair, carrying a bundled-up figure dressed in a white coat with a fluffy black collar, legs dangling from either side of his waist while his hands rest on the lump’s presumed back and thighs. It would be so cute indeed, if it were anyone else but Zandik. But for him, it only looks lonely, despite the two of you pressed together.

The moments when you're awake only happen on two occasions: either you just happened to wake up at that time, or it’s check-up day. What kind of doctor would Dottore be if he didn’t conduct physicals for his only patient who manages to live long enough each year? The check-ups happen twice a week, always two days apart. Never past two days of separation. Ever. Your exact relationship dynamic with Dottore remains as obscure as ever as to why he cares so much. Whether you’re old friends who knew each other before Dottore set foot in Snezhnaya or even when Dottore was called a different name. Or maybe a dead lover resurrected as a zombie in the pursuit of selfish greed and glorious progress; both are possible options. The zombie theory at least explains why you’re constantly drowsy. The staff have never seen you eat anything before, and with the abundance of... zombie food, it's not outlandish as much as it is disgusting. The old friend theory would explain why you can stomach being around someone who can fly off the handle at any moment. The most willing yet unwilling patient. No matter how often Dottore has to wrestle you upright, only for you to slump back asleep the next second, he never loses his temper. If he has to strap you into a straitjacket and hang you from the goddamn ceiling to keep you sitting with a straight back, he will. But by no means will he get anything more than slightly miffed. If he has to force-feed you your medicine because you’re too loopy to remember how to swallow, he’ll shove his fingers into the back of your throat with nothing but a blank smile. The only good thing about your sleep-deprived state is that you’re probably so out of it that you can’t feel discomfort. It saves on using the limited supply of anesthesia the lab carries.

Dottore, for lack of a better word, is displeased with your constant need for sleep. He is deeply frustrated with each check-in and the stagnation of your results. For him, bad results are no different from good ones—they’re still a means of moving forward. Something that will tell him which direction to take rather than wandering around aimlessly in the dark. But in your case, there are no significant changes, as if everything he’s done has been for nothing. He could have closed his eyes and spun a wheel for the same results. The day before your check-in is always the calm before the storm because the staff knows that when the next day comes, they’d better keep their heads down or risk losing them. No one is quite sure if your sleepiness stems from mutated genetics or if it’s a side effect of being around Dottore for too long. Stir-craziness and breakdowns are common in the lab, whether among "patients" or "employees." Everyone eventually goes mad, cooped up within the same cell-shaded walls and working under possibly the worst boss imaginable. Add to that the fact that the Fatui don’t believe in “mental health” days, and with no coping mechanisms in sight, it’s unfair to expect anyone to function effectively. Most people eventually devolve into screaming or manic episodes. Perhaps your escape is more literal. A peaceful retreat from reality through sleep. You’re not even sure why you’re constantly sleep-deprived, especially when you spend more time slumbering than awake. At first, you thought you might be narcoleptic or taking the wrong pills; a diagnosis from scratch must take a long time, right? That was until Dottore bluntly called you an idiot. He told you it’s a bad habit to self-diagnose every minor inconvenience. You should let him do all the thinking and simply listen to him. And truthfully, with the haze clouding your mind, it’s too difficult to think clearly anyway. So, you nod and do as you’re told. It’s easier that way.

It doesn’t happen often, but it occurs more than it should, considering who Dottore is and the reputation he holds. If you wish to cross him, you’d better make it count—because it’ll be your last. He’s in the middle of a meeting with Pantalone, arguing over the lab’s finances when a frantic knock interrupts. Apparently, there’s been a scuffle at the entrance of the lab. To Pantalone's knowledge, there aren't any guards or any agents stationed at the doors except for that sleepy receptionist. Perhaps the doctor's staff finally had enough and decided to take their anger on someone who couldn't fight back? Pantalone's not a good enough person to not find amusement in the situation, infinitely curious as to what Dottore's reaction will be to all of this. Whatever the banker decided to gamble on, his expression doesn't twitch as he follows behind his fellow Harbinger as they walk leisurely through the halls, as if the world has come to a standstill. It’s almost amusing that when your life is potentially on the line, he suddenly decides to take a midday stroll. The only indication of his amusement is the slight shake in his shoulders, hinting at a silent laugh. Dottore punches in the lock code and throws open the steel doors before the automatic switch can activate, slipping through as soon as the gap is wide enough. He stops at the shabby wooden desk that’s now gained a few new dents.

This time, you’re curled up on top of the table, your office chair thrown across the room. Broken. It’s no matter, he’s been meaning to replace it anyway. The chair is just another expense to add to his name. He collects you into his arms effortlessly, and you instinctively sink into the familiar hold. A quick scan from head to toe confirms that you’re unharmed, save for a few strands of hair out of place. Behind him, Pantalone lets out a noise of approval as he surveys the scene. In the center of the room stands a robot with a striking design. A star-shaped frame with six triangular segments forms a perfect symmetry. Glowing cyan cores illuminate the metallic structure, positioned at its center and edges. The intricate details combine sharp, crystalline elements with mechanical precision, radiating an aura of both elegance and menace. As expected of the Doctor. Pantalone can’t help but wonder where this machine was hiding when Signora ventured to Inazuma. Perhaps if it had been deployed then, she might have returned in one piece.

Although Dottore no longer needs to sleep to survive, there are times when, as he passes by your sleeping form, he’ll pause. He stands still, staring for what feels like an absurd amount of time, meticulously detailing and recording every breath you take within a single minute. It’s always 17. Sleep occupies about one-third of a person’s life, a significant portion of time that, in Dottore's mind, could be devoted to something useful. Something productive, instead of wasting it frolicking in dreams that neither matter nor will change anything. Yet, even he can’t deny that, occasionally, a break from reality can serve as a fragile bandage over a wound that refuses to heal. A fleeting comfort in an otherwise relentless existence.  

It’s as awkward as it is unnatural. Despite his title as "The Doctor", his hands weren’t designed for gentle touches of flesh and bone. Yet he tries. His fingers twitch involuntarily as he tilts your body to the side, just enough for him to slide in beside you. Carefully, he rests your body against his shoulder. He expects you to jolt awake, his shoulder is bony and hardly a suitable place to rest your head, even when compared to the flaky cushion of the office chair you’ve somehow grown fond of. But you don’t. Of course, you don’t. You simply lay there, your head nestled against his shoulder as if it were the most natural thing in the world. No protests, no shifting away, just stillness. The transfer of heat begins, as described by the laws of thermodynamics. Hotter, faster-moving molecules collide with cooler, slower ones, transferring energy in a quiet exchange. No fireworks, no blaring alarms, just the science of touch, as mundane and profound as ever. Zandik dares to lower his chin, letting it rest lightly against your head. His mask doesn’t obscure the quiet moment, though he can feel the unnatural curve of his lips twitching upward ever so slightly. Down here, in the deepest layers of the lab, not even the howling winds of Tsaritsa’s snowstorm can reach. It’s eerily quiet, save for the rhythmic sound of your breathing. For a moment, he wonders what it would be like if you woke up now. If your half-lidded eyes would squint at him in confusion, or if you’d simply close them again, surrendering to the haze of sleep. But you don’t stir. Instead, he lets himself linger, suspended between an unusual warmth and the cold detachment of his own thoughts

"Breaks" are not something you can indulge in down in the labs. The closest the staff ever got was when one of the Harbingers passed away, and even then, it lasted only half a day before they were right back to work. Still, if you ask nicely, Dottore will nod toward an empty seat, silently giving you permission to make yourself comfortable. You take the opportunity to describe the dreams you’ve had while Dottore tinkers away in the background. You talk about a train whose tracks stretch far into the stars, far beyond the snow-obscured sky you glimpse through the scarce, frosted windows scattered about the lab. Sometimes, you dream of a whimsical city filled with cute shops and tiny bunny-like robots waddling through fissures in space. You’re certain he isn’t really paying attention, his hands busy with instruments, and his focus locked on his latest project. Sometimes, you suspect he forgets you’re even in the room despite your rambling. A small part of you wants to stamp your feet and pout like a child. After all, you’re only awake for a few fleeting hours each week, and even then, all he can think about is his experiments. His endless, obsessive tinkering. The man’s only "hobby" is experimentation, and you wonder if he’s even capable of entertaining anything else. At least Omega and Beta would give you some attention. Omega might tell you to be quiet with that dismissive tone of his, while Beta would enthusiastically scribble down every word you say, his excitement unnerving yet oddly gratifying. Still… your gaze drifts toward Zandik’s back as he works, the muscles beneath his coat shifting subtly with each precise movement. You pull your knees up against your chest, wrapping your arms around them as you rest your cheek against your folded arms. For a moment, you simply watch him in silence, the quiet hum of the lab filling the space between you. Eventually, your eyes grow heavy, and you let them slip shut. A faint smile tugs at your lips as you wonder where your dreams will take you this time. You wonder if Zandik would come with you.

On the rare occasion that Dottore chooses to sleep of his own will, most likely due to substances that induce drowsiness and force his body into a state of rest, it’s always a remarkably uneventful night. He doesn’t dream anymore, nor does he wish to. Dreams, like the past, serve no purpose to him now. On certain days, if he concentrates hard enough, he can faintly discern whispers from the other segments he's created. However, they are nothing more than distractions, a cacophony that only aggravates his already meticulous mind. When he wakes, it’s as though he hasn’t truly slept at all. His eyelids parted smoothly, his pupils sharp and alert as if no time had passed. Yet there is an unusual sensation, warmth. Dottore does not run warm, and the lab, built for functionality rather than comfort, certainly doesn’t harbor it either. He turns his head, curiosity fleeting, and finds you huddled against his side. Your arms are wrapped around his waist in a loose embrace, and your face is pressed against his chest, seeking solace in his stillness. The white coat with its black feathered collar, the one you wear more often than he does, is draped across your body, serving as a makeshift blanket. His hands remain clasped on his stomach, and he realizes with mild irritation that he can’t move without risking the possibility of waking you. For a moment, he lingers. The seconds on, and his mind races ahead to the tasks awaiting him. The pursuit of progress waits for no one, not even himself. Every moment spent lying in this bed feels like a year’s worth of lost discovery. 

With calculated precision, he shifts. His movements are methodical, almost robotic, as he carefully bundles you in the coat, ensuring the hood doesn’t cover your face and obstruct your breathing. In a single fluid motion, he lifts you into his arms as he rises from the bed. He spares a brief glance at your sleeping form, red eyes devoid of emotion. Your breathing is steady at 17 breaths per minute—a rhythm he has memorized and measured countless times before. Still as serene as ever. But then, for just the faintest of moments, his gaze softens, almost imperceptibly, before he turns his attention back to the work that never ceases to call for him. What a peaceful way to escape the world, the thought as cold and clinical as his expression.

---

Hi, thank you for reading! I'll reblog this with further writer notes but I wanted to include the research bits in order of appearance. I can't guarantee the full accuracy but I hope I didn't get anything wrong.

Chrysanthemum & Lily

In many Asian cultures, especially in China and Japan, chrysanthemums are symbolic of death and mourning. In China, the flower is closely linked to the Day of the Dead, and in Japan, it is used in funeral rites. While in some contexts chrysanthemums can symbolize longevity or fidelity, their association with death makes them unlucky in certain circumstances, especially when given as gifts or during celebrations.

Lilies, especially white lilies, are often associated with death and mourning, particularly in Christian symbolism, where they are linked to funerals and burials. While lilies also symbolize purity and rebirth in other contexts, their frequent appearance in funeral arrangements.

Head-Down Position

The sleep position reader takes is a parody of the Head-Down position of babies in their third trimester. The head-down position (cephalic presentation) is the most common and ideal position for birth, where the baby’s head is facing downward, towards the birth canal. This allows the baby to navigate the birth process more easily.

Dancing Plague

Also called the Dancing Mania, this refers to a series of events in the 16th century where groups of people, primarily in Europe, suddenly and uncontrollably began dancing for extended periods, sometimes for days or weeks, often to the point of exhaustion, injury, or even death. The most infamous and well-documented outbreak of the Dancing Plague occurred in 1518 in Strasbourg, then part of the Holy Roman Empire (modern-day France).

Algorithm of Semi-Intransient Matrix of Overseer Network

The robot Pantalone sees is the early concept art for ^ but also known as the "Tomb Guard of the Desert King.".

17

The number 17 is considered unlucky in Italy because of its association with the Latin word for 17, which is "XVII". Rearranging these Roman numerals gives the word "VIXI", which means "I have lived" or "I am dead" in Latin. This gives the number an ominous connotation, as it can be seen as a symbol of death or misfortune.

Honkai Star Rail & Zenless Zone Zero

Yes, reader was describing these two games as their dreams lol.

[aveadore]

Tumblr, hear out my Arcane thoughts. Some of it is slander, though, so don’t read if it’ll bum you out. In the end, I decided to go with one topic mostly, because I had too much to say.

Spoilers, obviously

Tw: suicide

The way the show handles suicide is SO irresponsible. Call it heroic sacrifice, if you must, but I won’t. The same song that played before, during Jinx’s attempts, played again, during her sacrifice, so the intention is clear.

Do they not realize that so many people that relate to Jinx in some ways are watching it? It’s like they are trying to say: “yes, your intrusive thoughts are right, you are better off not being there. It’s best for your loved ones, if you disappear.” So weird. And, fine, she’s probably not dead. But why hide it? Why not make her end be, openly: “sometimes, you can only heal if you cut everyone off and start anew” Fine. That would be way better. I just can’t believe that such a high profile show, in year 2024, uses suicide in such an irresponsible way. Makes it “cool” looking, gives vulnerable people a playlist, actually. Says “wait a minute, not yet”, and later LETS HER FINISH IT? Wft. Like it’s okay? Like it’s a good end for her?

Isha’s story is also part of this problem. I can’t believe her earlier end was not mentioned later. What was the point of it? Was it a good thing for a seven year old to sacrifice herself? You would think so, they way the show sidesteps the whole thing. The way Jinx is repeating what Isha had done, with no reflection on it. I also have no idea WHY Isha has done it. Was it a consequence of something someone else did, or said? Didn’t seem so. Jinx didn’t really fuck that one up, I think. I thought Isha was jinx’s foil, but it ended up not meaning anything. Was it going to show Jinx her own actions as a child, so she could find some empathy towards Vi? But Isha was not mentioned, so who knows what they were trying to say.

Summary of my other opinions, with no details as it’s too long already:

-I liked Victor and Jayce’s ending. Their relationship had enough time/buildup throughout the whole series to pull of the weight of it. It was a little bit rushed at times, but not as much as the rest of S2.

-I absolutely hated how they handled Cait, and she definitely ended up as my most disliked character.

-Mel was one of my favourites, but her story was the most rushed one is S2. I also wasn’t crazy happy that she also ended up mostly fighting at the end. I have no idea what the Black Rose lady was talking about with the whole empathy thing.

-I really liked episode 7, it was the best one from S2. Because they focused only on Ekko and Jayce, the story had time to breathe. The whiplash between their parts was crazy, but in a good way.

-The way they introduced the third faction, just so all main characters could unite was such a cop-out. The systemic problems were much too big to just be fixed by that, and the show just brushes it all under the rug. And the end is just fighting. Ugh.

-Well, it was obviously very pretty. Every frame a perfect picture and all that. Weird complaint, but some designs were “too good”. Too polished. Too much like a high-end commercial for a new skin that costs 200$. It was so distracting for me :P Especially with some Victor “outfits”

-The biggest, most pervasive problem was the time. So much stuff, so little time. It should have been three seasons. There was no time to breathe, no time to understand what’s going on. Characters running from one massive scene to next, with no build-up in between. Just so everyone can end up similar enough to their LoL variant. A bit disappointing.

[dog-wood-tree]

i feel like this is the vibe

[official-lucifers-child]

mickey’s mac “recipe” incoming

ingredients:

about 1 lb of pasta, i use cavatappi

butter (i usually do like half a stick, so that’s 4 tbsp or 0.25 cup)

grated shallots, like maybe 2 of them?

spices!! uhhh smoked paprika, thyme, cayenne, garlic powder (sometimes), ground black pepper. you can add a fuckton of paprika, maybe half that of garlic, half that of thyme and black pepper, and your cayenne should not go above 1 tsp or else you get into Spicy Mac territory instead of just Tasty Mac. i like spicy mac and cheese, but someone who wants mac and cheese probably will not appreciate being whacked upside the head with cayenne. use your best judgement.

flour, the same amount as butter

1 or 2 cans of evaporated milk. this is like 1.25-2.5 cups bc cans come in 12 oz only so. whatever

mustard. like yellow or dijon or whatever. maybe like 2 tbsp?

an amount of milk. idk. i have never measured this i just pour until i decide to stop. maybe 1-2 cups?

cheese!! i use sharp cheddar, colby jack, gruyère, and fontina. usually it’s a 2:1:1:1 ratio, so if you have 1 lb of cheddar then it’s 0.5 lbs of each of the other cheeses.

instructions:

cook your pasta to al dente and then drain well and set aside.

melt butter. medium-low heat. add grated shallot and cook for maybe 2 minutes

add half of your spices and cook until fragrant, or about 1 minute

add flour. mix well and cook about 2-3 minutes.

add evaporated milk SLOWLY. whisk between each addition, and do not add more until the previous addition has been FULLY INCORPORATED.

bring back up to a medium-low heat, bc adding all the liquid lowers the temp.

add mustard. mix.

slowly add milk until you decide your done adding milk. whisk, same deal as the evaporated milk, don’t be too hasty.

if you want your mixture to be thicker, heat it for longer before adding your cheese. if you make it too thick, just add more milk. if it’s too thin, keep it cooking on that medium heat until it’s your desired consistency. i never look at the clock during this step so idk how long i usually cook mine.

lower the heat to low. THIS IS IMPORTANT.

add about half, or maybe two-thirds, of your grated cheese (which should already be pre-mixed so you’re not adding all the fontina and then all the colby jack one at a time. each handful should have an equal amount of each cheese.) one handful at a time. mix until it is fully melted and incorporated in between each handful. this may take a while. keep mixing. no shut up, just do it.

add your cooked pasta. mix well!! we don’t want any dry spots of pasta or pockets of boiling hot cheese.

in a large, deep baking dish like a casserole dish, add half your pasta mixture. sprinkle half of your remaining grated cheese over it. pour on the rest of the pasta, and then put the rest of the cheese on top. i sometimes pan-fry breadcrumbs and add those and a little fresh thyme on top. it’s whatever.

put the mac in a hot oven (like 350 or whatever i do not care) for an amount of time that makes sense. maybe broil it so the cheese gets all brown and toasty. who fucking cares, it’s your mac and cheese.

eat it.

this makes about 10 or so servings, depending on how much you’re eating per serving. it usually doesn’t last long at a potluck, and my family will finish it off in under a day. if you have leftovers, i’m sorry about your inability to cook (jk, refrigerate those and just heat them up in the microwave when you want mac and cheese, this reheats very well in my opinion)

note: more liquid means a runnier, wetter result. less liquid means a drier result. if i use 2 cans of evaporated milk and 2 cups of regular milk with my 2.5 lbs of cheese and 1 lb of pasta, it is a wet mac and cheese. 1 can and 1 cup of the milks makes a very dry pasta. if you’re scaling down, you HAVE to scale down your cheeses. honestly, you can scale down the cheeses and keep everything else the same, and you’ll still get a really really tasty mac and cheese. the cheeses i use are all strong flavours, so you aren’t really losing any of the “cheese” flavour if you go with 1.5 lbs of cheese instead of 2.5, or even less than that. again, your kitchen, your choices, your decisions.

“whatcha got there?”

2.5 lbs of cheese

[penelopesbridgerton]

BRIDGERTON “OLD FRIENDS” (3.04) | "TICK TOCK" (3.05)

[aparticularbandit]

[charybdic]

based off of [ this ]

[ducks-love-peas]

yeah, erm, spelling - not their strong point.

[add1ctedt0you]

Me, with the unpopular opinion that, in a wq lives au, where wq marries jc, novel canon wwx is not taking well the news about chengqing marriage

[uristmctungle]

she gideOn my fence til i lyctor