#some things are intentionally there

[mai-komagata]

re: sexy stabbings

im writing this very long meta on how galadriel x sauron and silvergifting dynamics help an audience recognize different forms of seduction in a relatable way (including queer forms of seduction, which audiences are normally blind to), and how recognizing these ships isn't about "crack shipping" but about the text using the language of sexuality/eroticism/seduction to convey concepts that would otherwise be vague and not-understandable like temptation to a metal object or wounds that cannot heal or possession by an alien being as well as concept of "men in a fantasy/magical/superhero setting are not just power levels" -- ie. the strongest man should always win. Galadriel is *integral* to this because most characters in tolkien are male and audiences are pre-disposed to ignoring emotional dynamics in men other than anger and violence -- the contrast with a female romance lets an audience be like "these people, adar, galadriel, celebrimbor are more alike than distinct". (wow maybe i don't need to write it, anymore!). But since that is taking me very long to write and i keep running into queer-erasure every day i'll just say this: the reason we don't see Sauron torture Galadriel in the same way she tortures Celebrimbor is not because his relationship with them is cosmically different (obviously its different bc they are different people). Galadriel is not more "pure" or "loved" than Celebrimbor. Neither is blameless (i.e. both were ambitious) and neither is deserving of torture (nobody deserves that, even Sauron). It's because there is different symbolism to the way they are being hurt. Arrows being used as martyrdom is a millennia old way of showing homosexuality. Stabbing is metaphorical of penetration. He intended to kill both of them for denying them the Nine. Because Sauron is bad at impulse control, he takes and believes he is wiser than he is. If he wants something he will take it and then regret that he broke his favorite thing. (note he doesn't regret killing other people he doesn't twistedly love, like mirdania, or the orcs).

Galadriel had Nenya (i.e. Celebrimbor's magic, untouched by sauron) and Elrond was able to save her (love and light win the day). Celebrimbor died as symbolic for what happened to Eregion (he was alone and eregion fell).

This doesn't mean BOTH scenes aren't meant to be erotic. The stabbing is hot and the caressing of the arrows are hot. But they are hot in a BDSM/noncon way. "Do you understand what it's like to be tortured by a god?" sorta way.

Pragmatically, though, the reason we don't see more graphic galadriel is because it would make audiences uncomfortable. You can be way more graphic with gay shit and people won't be squicked than if you are graphic with m/f abuse. As i said, a good 50-70% of the audience won't even NOTICE the gay shit and think its just standard fantasy violence. The closer you make it to outright rape, the less compelling it is, because Sauron needs to both be APPEALING and EVIL in order to understand why people are drawn to the rings of power and why it is essential to oppose it.

[disclaimer: this is not anti galadriel x sauron, it is just in favor of seeing the ship in a dark way as part of the larger narrative. When I talk about shipping them in a dark way i don't mean simply its my kink, i mean this is a dark seduction story at heart. The actors are very hot, their acting is very sexy, but the function in the larger story is to display the different ways sauron tempts and corrupts people, including galadriel, celebrimbor, adar, and how sauron himself was corrupted by melkor].

[groovyfrog420]

So do you ever think about how in the current event you need to be in a team of 3 cookies to participate, and we've met exactly 3 beasts in the story?

yknow what would be funny.

(random story bits bellow the cut)

This is more of just a silly skin idea, but I still couldn't help but overthink of how they'd end up in this situation.

I imagine the Beasts joining the Grand Cookie Games for fun, bc unrestricted public violence, and they get to make a show out of it on a big stage?? It's like a relaxing holiday for them! 🥰

The ancients were on an *actual* holiday break but got roped into the chaos when they noticed the Beasts were present.

my idea is that Pure Vanilla, Dark Cacao and Golden Cheese (or Hollyberry bc I really want to see her in the arena) weren't planning to sign up for the tournament at all, but they went to check out the commotion caused by the Beasts, happened to be at the right place when the competition started, and decided it's too late to back out at this point - after all, someone had to put a stop to the Beasts were planning, and the general public doesn't even know of their existence, so they can't publicly reveal their identities in fear of causing mass panic. The only choice is to eliminate them in they competition and take care of them safely, away from bystanders (cartoon logic don't think too much about it)

It would be a funny role reversal to see "the good guys" try maybe a little bit of sabotage, and the beast team dance around the rules so that what they're doing is juuuust on the verge of being allowed.

[hurtingbuck]

7x04

[ari-continues-to-exist]

Get love and hate confused

Can’t separate the two

Oh, my love, how I’ve hated you

[seventeendeer]

this isn't at all meant to be condescending or finger-waggy because 100% we all have blind spots like this, but I'm really, really hoping that the people who never found Gaiman's approach to his own fandom concerning in any way will take this all as a learning moment.

he was an older, hyper-famous author engaging directly and frequently with an online audience of largely vulnerable young marginalized people. he presented himself as cultured and worldly, and made himself approachable as someone to go to for advice, encouragement and "wisdom." his manner of speech was extremely pathos-heavy and clearly intended to be comforting and encouraging in exactly the way his target demographic needed it to be to swallow every word. the way he spoke about stories and creativity was designed to make young creative hopefuls feel special and important, while sweeping real analytical techniques under the rug - in hindsight, likely so no one would think too critically about the disturbing amount of patriarchal abuse played for cheap shock value and voyerism in his own body of works.

Gaiman saw a target demographic that was desperate for an older creative role model to tell them they were worth something, and he exploited that pain to twist a narrative around himself where he was king and any critique leveled at him or his works were the enemy.

to be clear, he could have been innocent. he could totally have been just an out-of-touch old man saying nice things to people because he wanted to be kind and he thought he was a lot smarter than he really was. red flags are warning signs, not a surefire way to tell if someone is actually "secretly shitty."

but if you used to look up to him, PLEASE take this moment to revisit the ideas you absorbed from him. did you take his words to heart because they seemed to have objective merit? or did you take them to heart because it felt good to believe what he said? do you still hold these values? does knowing he was intentionally manipulating his online audience make you less certain? do you need more information from a different source before deciding one way or another?

again, I'm just really, really hoping people on here will take a moment to reevaluate the ideas and opinions he's injected into tumblr fandom culture, because his reach is immense and he has absolutely been manipulating popular perception of relevant topics to gain further influence and control the narrative around both his own and Pratchett's legacy. please, please take this moment to notice what he's been doing - and next time someone tries to pull the same shit, hopefully we'll be able to apply what we've learned from experience.

[a-dragons-journal]

How exactly is being otherkin any different than being transracial by idea? I’m not pro-transracial, but I can’t really formulate an argument on where the difference is and why one is okay while the other isn’t

The difference, in my opinion at least, basically comes down to the fact that race and ethnicity are things other real people deal with and which have big cultural impact for a lot of people; species is not. You can't hurt theriform wolves by identifying as a wolf because wolves are not people and are not aware of any of this. Dragons may be people depending on the dragon, but they don't exist physically in this world to have an opinion. You can, however, hurt people of color by identifying as transethnicity and approaching it in a disrespectful way.

And I say it that way because if I'm honest, transethnicity is one of those transIDs where I'm... a little torn on it. I can understand the feelings and experiences they're describing, but I struggle to find a way to engage with the idea of being transethnicity that isn't going to wind up being racist in one way or another. And while I haven't exactly spent a ton of time in radqueer/transID spaces, when I've gone into their tags and such to do a little research on them, I have overwhelmingly seen transethnicity people being kind of if not extremely racist about it. The experiences are not inherently harmful, but it's really easy to slide into engaging with those experiences in a way that's harmful.

And yet... in this community we have, for example, fictionkin whose fictotypes are a different race than them all the time, and sometimes that's very important to who their fictotype is and how they view the world. And that works out fine. I think the primary difference is that fictionkin are generally expected to acknowledge that they're not a part of that group in the present and can't speak on the group's issues or experiences as if they were, whereas the minute you put a trans- label onto the word, the expectation is that you should be treating a trans[x] person as if they're [x]. (And if it's not, then... why are you calling it trans- anything to begin with when that's what trans- means in an identity context?)

So, I do genuinely believe that they're having these experiences, but... idk, there has to be a better way to frame and engage with those experiences. I don't know what that is, but it's got to be out there somewhere, though it may not be a one-size-fits-all answer. (And maybe there's a transID community out there that's found it, I don't know.)

Anyway, open invitation for POC to give their thoughts on this, since they've probably got better-constructed ones than me; if I'm honest, I haven't spent all that much time thinking about this issue. I think about it on and off here and there when it comes up and then it gives me a headache so I move on.

[lizzybeeee]

DATV is overly reliant on Supplemental Media - especially if you are a returning player

TL;DR: Supplemental material should not be required reading in order to understand what's going on in the main game -> it's additional material that enhances what we were given. If what we were given is lacking and unable to coherently tell us a story, then the writers and those in charge did not prioritize what was important.

Not a take that's unique to Dragon Age, but one that is very relevant when talking about DATV. I've made a few posts about plot/story points that either make no sense or have been dropped entirely in the lead up from DAI to DATV. Every now and then I get a few comments or messages about how certain points I made were addressed in supplemental material released in the lead up to this games release.

This isn't a call out post, by the way! But it's frustrating, to me, that this games writing is so lacking that my understanding is being inhibited because I can't remember details from a book I read two years ago - not to mention various podcasts, comics, and short stories. My understanding of a video game in a video game series should not be reliant on additional/optional content.

DATV is a weird game in that it is absolutely a 'soft/scorched earth' reboot while also marketing itself as a continuation to what was set up in Inquisition and Trespasser. Personally, I think that if you are up to number 4 in a game series, one with a continuous story-line, it should be expected that new players won't be able to catch up to everything -> it's the game developers job to make the world and story intriguing enough that the new players will go back to previous games in the series and fill in the blanks themselves.

Veilguard, as a sequel, is overly reliant on content that comes from outside the games themselves (including DLC's) if you want to make sense of the world and story. Trespasser left us with an epilogue that set up some plot points for the next game: Solas & the Veil, the Elven Rebellion, and War with the Qun - plot points that have been built up since the time of Origins. But when we get into DATV two of these points have been dropped and resolved, off-screen.

There are more questions, but these are the ones that bothered me the most while playing the game:

What happened to the Agents of Fen'harel/ Elven Rebellion? -> answered in a cursed reddit AMA.

What happened to the Qunari following Trespasser -> addressed in Tevinter Nights, and a codex entry you can pick up (optional).

Why is Skyhold infested with demons? -> mentioned in Tevinter Nights.

How did the Dalish go from worshiping their own pantheon to knowing they are false gods? (specifically those we meet in the Veil Jumpers) -> mentioned in the Missing comic series.

What's up with Nevarra's Royals? -> Tevinter Nights addresses that there is a power struggle in the Pentaghast family and the role of the Mortalitasi in making it worse - though it does not address the whole 'mage puppeting a corpse' issue and all the implications it has.

This is a video game series -> the bulk of the information required for me to understand the story and its relation to previous entries needs to be included in the final game version. I am playing a video game and not attending a uni class - I should not need to have a required reading list in order to understand what the fuck is going on. I should definitely not need to go onto a reddit AMA to understand what happened in-game, either.

What makes this stand out the most is that DAI was very successful in tying in previous games, DLC's, movies, and books! Inquisition did a great job in getting you up to speed on the events of the previous games early on, providing personalization if you played those games, and giving the player the opportunity to inquire into these events.

Hiding away the answers in additional material or a codex entry that may be missed is not good game design or good writing. DAI didn't assume that you had bought and played the Legacy DLC -> it made certain you experienced the conversation with Varric and Hawke if you wanted to proceed in the game. It didn't hide away imperative information in codex entries - it had characters talk about it in scripted scenes and encourage the player to ask more. You would actively need to avoid interacting with characters for you to not experience this information in DAI.

Leliana talks about her role during the Blight, her calling by the Maker, and her relationship with Dorothea/Justinia -> DAO and Leliana's Song DLC.

Cullen talks about his time as a templar at Kinloch & Kirkwall -> DAO and DA2.

Cassandra speaks about her history, investigation into Hawke, and the Seekers -> Dawn of the Seeker movie, DA2, & Asunder novel.

Varric talks about Hawke, Kirkwall, and Corypheous -> DA2 and Legacy DLC.

Cole talks about how he discovered he was a 'demon' - it leads to further conversations about Rhys, Evangeline, and Lord-Seeker Lambert -> Asunder novel.

Wicked Eyes and Wicked Hearts -> the game literally continues what the Masked Empire novel sets up, the Orlesian Civil War. The game does a decent job of telling us about the players (Celene, Gaspard, Briala etc...) and the reasoning behind the conflict through dialogue, the ability to explore the battlefields, quests, ambient dialogue, etc... The book is not required reading - though it greatly adds to the complexity of the characters, motivations, and political intrigue!

I never once, playing DA2 or DAI, felt penalized or like my experience was lacking because I had not engaged with supplemental material or DLC's. I got into Dragon Age when I was in high school, it wasn't until I graduated and began working after that I had the disposable income available for experiencing the extra material. I cannot say that for DATV - If you have played Inquisition and go into DATV straight from that you will, absolutely, be confused about how we got from A to B.

Which is especially strange to me!? Why is it that new players will be less confused than those that are returning players? It's like the game is actively punishing you for playing and caring about previous games in the series.

Supplemental media is bought because the main product has earned your investment, love, or interest. Not everyone has the income available to buy it with their own money - especially if you live outside the US and have to pay additional shipping costs. Not everyone has the ability to buy or 'obtain' the digital versions either. My understanding of the main story of a video game in a video game series should not require additional monetary investment into other mediums.

The game itself should be enough and DATV is not enough.

[revvethasmythh]

you know, i think sam does often just throw out chaotic comments he thought up on the fly while he's playing, especially when he's revisiting veth in her post-canon appearances, but i also think sam is very much the kind of player to roll with what he says and make concrete character beats out of them afterward. he did this during the main campaign with veth's fear of water--that was just a bit played for jokes initially that he decided had some meat to it and asked to incorporate it into her backstory, which he did very well and to great effect. so i think when he says something lowkey insane in the post-canon oneshots etc., i always have that in mind. like yeah, there's a high likelihood that he just thought this insane thing up in the moment with no pre-planning, but it also does not mean that it can't be a significant thing he may focus on in the future. absolute crap shot with this guy (affectionate). leaves a lot of character possibilities open, though

[horror-aesthete]

Twin Peaks, 1990, dir. Tina Rathborne

SE01E04 Rest in Pain

[teaboot]

I haven't done art professionally in years but there's this fancy gallery down the street that often has the worst art I've ever seen on display for thousands of dollars and it makes me so angry that I wanna create better but then I get home and I. Don't

[kelocitta]

There is currently a rather large discussion ongoing about the RW fandom behavior, drama, etc. I am not going to talk about the specifics of whats happened for a number of reasons. But what I do want to say is that if at any point you've harassed people over it, whether that be through anon asks or public posts- you did nothing but damage the ability for people to correctly process what is happening. You contributed nothing but harm to an already delicate situation. It does not matter what "side" you were on and I will not tolerate further interaction with me or my work if I found out you did such. If you let your personal hate for anyone boil over into threats, wishes for long term harm and petty comments meant to contribute nothing but slander or mental distress for the individuals involved who were already distressed (or acting irrationally) you did nothing but make it harder for people to process their emotions, thoughts and behaviors constructively. Regardless of who you think was in the right, who fucked up, whatever. It doesn't matter if they deserved it, or earned it, or if its an eye for an eye. Its difficult enough as it is to think clearly when presented with any kind of stressful situation and heckling people does nothing but make it worse and harder for them to explain themself in any capacity. I don't want you anywhere near me if you think that is an acceptable way to act.

[serpentface]

may i have the 10 wholly unasked for paragraphs of semen retention belief lore please 🙏

Ok

MEDICAL MODEL:

The philosophical core of Wardi medical model revolves around the universe’s primal dualism- it exists in between the extremes of Sea (cold wet dark female) and Sky (hot dry bright male). These forces are sterile and stagnant when separate, God emerged at their interacting boundaries as their synthesis, capable of creation. Life itself required God’s sacrifice of Its living spirit and the shedding of Its blood, which rendered sterile earth fertile and inhabitable and kicked of the perpetual death-rebirth flow of living spirit that maintains all life. The body is a reflection of this primordial state- it is maintained by the flow of living spirit (contained in the blood), and its core matter is an interactive mixture of primordial Hot Sky and Cold Sea, Warm in balance, with male and female physically differentiated by the presence of primordial extremes- the male has Hot testes, the female has Cold womb, the interaction of these extremes allow for creation.

(I promise this will have to do with semen retention eventually.)

Blood is understood as carrying the body’s living spirit, the animating force whose proper flow maintains life and health by balancing the body’s primordial extremes. Semen is a type of blood, given Hot nature by its isolation in the testes, and also carries the living spirit. It functions as the active seed of the living spirit. It is the Hot element planted in the Cold of the womb, the mingling of these forces allow for creation, and insemination with living spirit creates a living body that can host an immortal soul. (Wardi belief describes two souls- a living spirit that animates and maintains the body and an immortal soul that houses the mind).

Male gender designation revolves almost entirely around the testes, the Hot extreme of the body where semen is (assumed to be) produced and stored. In addition to its procreative functions, the testes are an organ whose function is to masculinize and strengthen the rest of the body. Each organ requires the proper flow of healthy blood/living spirit to function properly, and thus loss of this living spirit must be performed with great care- bloodletting in offering is highly controlled, bloodletting in medicine is carefully selected and done in accordance with balancing procedure. Since testes are regulated specifically by the living spirit in semen, semen should not be discharged with reckless abandon.

SOCIAL SEXUAL NORMS:

Cultural ideals for sexual behavior revolve around moderation and self-restraint. Sexuality itself is not demonized. There is nothing wrong with nonprocreative/nonmaritial sex in of itself (unless it is adultery on the part of a woman (male adultery is ostensibly bad too but is rarely treated as gravely), or a girl losing virginity prior to marriage, or it violates a litany of gender-sexual norms), but sexual RESTRAINT is an expectation.

Having an active but controlled libido is idealized, particularly in men. A man who is an absolute paragon of ideal masculinity has a libido, but is not ruled by it. He does not masturbate and rather seeks a partner for sexual release. He usually has a wife for this, and otherwise is capable of the patience and restraint to attain a quality sexual partner rather than finding the easiest release out of desperation. His partners are suitable to proper male interest, being good looking women or pretty beardless youths (going for 'unseemly' women or older, masculine men (so long as one performs the penetrative role) is not wholly unacceptable but suggests desperation and a weak control of libido).

This is an IDEAL and not strictly enforced- very few people will think you’re a weak failure of a man for jerking off sometimes or bragging about fucking some random tail, and hiring sex workers is entirely normalized (and will only be condemned if deemed notably ‘excessive’ and disruptive to a normal patriarchal role, or truly symptomatic of being unable to get laid without paying for it). Rather, if someone is already identified as a weak or effeminate man, ‘excessive libido’ may be cited as a cause or symptom, or rhetoric to criticize them.

THE SEMEN RETENTION:

Encouragement of semen retention/regulation stems out of both of these forces. Proper masculine social/sexual behavior encourages a limitation to discharge of semen, and medical thought deems it necessary for physical masculinization. A man who does not 'excessively' lose semen via an uncontrolled libido is thought to be physically more masculine- it is assumed to directly make the testes larger since they are Storing More Cum, but also to deepen the voice, assist in the growth and maintenance of the beard, and generally enhance strength, mental acuity, and vitality. Men are regarded as innately physically and mentally stronger than women, with the medical model slapped on as one of the means of explaining patriarchal norms (in addition to spiritual concerns of pollution and metaphysical vulnerability). Regulating semen is one of many behaviors that allows a man to stay this way.

This is also an element in why 'effeminacy' in men is linked to hypersexualization- there is an assumption that men who are physically or behaviorally non-masculine have exaggerated, uncontrolled libidos. Effeminancy or ‘softness’ in men is a failure to perform a wide set of behaviors and not strictly an accusation of receiving penetrative sex, but this is often an element- a man who receives is presumed so desperate and out of control of his libido that he will submit to debasement and shame for fulfillment (an un-masculine man who cannot be a penetrative partner could at least retain his dignity by having enough self-control to abstain entirely).

Some scholars, high ranking warriors, and politicians will (at least claim to) be functionally celibate and refrain from all discharge of semen in order to function at peak performance. This total abstinence is rare and NOT culturally mandated, and is often looked on with a little snide derision as a tryhard performance. More commonly, men will attempt to live a life with a controlled libido, and may temporarily abstain from sexual activity leading up to situations that require physical and mental acuity (combat, debate, sport, etc).

Of most concern to the average day to day person is accidental loss through nocturnal emission. While this is harmless every once in a while, it is cause for concern if it occurs frequently- your body is discharging part of its living spirit completely outside of your control, you are directly weakened by this and you don’t want this happening on a regular basis. Recurrent, frequent episodes may indicate polluted blood, or outright inhabitation by evil spirits.

The only level on which semen retention tends to be actively, directly enforced is with children. Teenage boys are typically discouraged from masturbating (especially during the early stages of puberty)- retention of semen masculinizes the body, therefore will contribute to a healthy and normative puberty and should be preserved at this vulnerable time. It is considered normal to chastise and punish a pubescent boy for masturbation. This is seen as preventing him from harming his health, and to teach him to regulate desire and exercise self control, one of many facets of shaping a boy into a proper man during this critical time. This norm does not contribute to children developing lingering psychological issues AT ALL.

Wardi traditional medicine is a holistic methodology of spiritual/physical treatment, using a base system of items (foods, animal parts, herbs, metals, stones) with Hot or Cold properties and individual Essences to manage imbalances in the body and it's blood/spirit flow and dispel evil spirits. This medical system (and related subdivisions of folk medicine) is commonly used to treat nocturnal emissions, and may also be used to lower libido and/or discourage teenage masturbation. These are largely medicines with Cold properties and noted anaphrodisiac Essence. Eels are a big one- given that eels, obviously, are sexless and emerge from river mud, their bodies are anaphrodisiacs and consumption of eel meat/eel based tinctures can lower libido (this should be done with caution, as it also lowers fertility in humans and animals). Medicines may be directly applied to the penis, this does not interfere with the intended function of the testes but subdues excess lust. Phallic amulets are worn regardless of gender and have holistic nonsexual protective properties, but may also help defend against nocturnal emission. Other medicines are worn in sachets that are tied around the hips during sleep, often weighted with lead. In very severe cases (mostly associated with other dysfunction), the penis or testes may be infected with polluted blood and should be bled.

---

Tangent: If the Wardi community had reddit you would occasionally see threads like "DAE eat their semen after masturbating so you don't actually lose any?" and most responses would be "no wtf" but there would be a decent number of people going "omg yes I thought I was the only one" "I mean that's kind of weird but I guess it makes sense if you really think about it" and then one very angry commenter ranting about how, No, eating your semen DOES NOT suffice as mitigation of the loss, this is why so many boys are SOFT AND EFFEMINATE these days, the men of old NEVER jacked off and NEVER ate their own cum and had MUCH FULLER BEARDS AND LARGER TESTICLES.

[katabay]

JACK THE GIANT KILLER

originally this was a kind of personal visual vibe test: I'm still turning some thoughts around about jack in my head (altho I have finished assembling the skeleton of a story and I'm looking forward to seeing what happens when I start to press at it) but I really liked how it turned out so I'm posting it as it's own illustration :)

the first post about this idea is over here, but I've fine tuned it down a bit so that the story begins with jack finding the body of a giant while he's out in the woods one day, and the story spirals out of hand before he can stop it.

it's been interesting to read up on jack tales from a literary analysis point of view while I figure this story out!! and through the power of more coffee, I think. I'm close to pinning down an underlying theme I'd really like to bite into. I just need to condense it down to a couple of sentences instead of several paragraphs.

and to close this post out, here's another excerpt from the j.g. ballard's the drowned giant that haunts me!

[kabra-malvada]

Mabel Pines did not deserve the hate.

[uncanny-tranny]

"haha, are you an art gay, a science gay, or a math gay"

Actually, I find the division between art, science, and math to be a very nebulous idea and useless when you actually interact with the universe. The more you learn about the world, the more you surround yourself with art and science and math, and you'll never be able to see it any other way and it will be beautiful. When I take your hand, it won't be the science of our atoms closing the distance between us that we will experience, but the math of our fingers interlocking and the art of our bodies that we will experience. You are math and you are science and you are art, and nothing will make you any lesser💛

[ladyofthenoodle]

so after seeing marinette install a 5 foot long two way mirror without breaking a sweat, whose gonna write the au where marinette is the handyman in the shitty apartment adrien rents when he first gets out of gabe’s house