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#some sort of mermaid maybe
rosicheeks · 1 year
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26, 39, 44 for the asks?
-🌸
26 - do you believe in aliens?
Yeah
39 - is there wise words you live by?
Uhhhm yes
44 - do you collect anything?
Crowns/tiaras, cool rocks/stones
#idk if i technically believe in ‘aliens’#but I believe in something else out there#I just don’t think we are the only ones here ya know#like we are just a tiny little fucking ant on this entire galaxy#idk if that’s even the right word#like we can only study so much and so far#there are different worlds out there#also believe there is some funky stuff in the ocean#some sort of mermaid maybe#but not like Ariel#some fucking creepy looking thing#I just think it’s such an interesting thought that we are it#like if you think that I’m not saying you’re young or being judgey or anything#it’s just there’s so much we don’t know#who KNOWS what’s out there#there could be crap people living on a planet 2000009 billion light years away from us#ok as for wise words#I feel like I have so many#but I’m just coming up on a blank right now#I’m going to blame the weed#cause I just picked up some GOOD SHIT#but I also feel like maybe it’s cause I’ve been so down and depressed that I haven’t been ya know following those quotes and words#I used to have a full notebook of inspiring quotes and meaningful phrases#no clue where that went#even had a small one that I would carry around with me#so whenever I felt down I would read some#I need to go back to that tbh#wow there’s a few typos but I don’t feel like going back my bad lol *wrong not young and *crab people 🤦🏽‍♀️🤦🏽‍♀️🤦🏽‍♀️#not my best answer but fuck me im not going to redo all of these hahaha#🌸 anon
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g0nefischin · 3 months
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MERSKELES PART 3!
Definitely not mermay anymore but here's the last 3 sirens I wanted to do
and some explanation on why I choose what I did under the cut
(little warning for parasites on fresh's section)
So from left to right
Dream is a golden colored koi carp fish, I picked it because they are very pretty and they represent a lot of positive things like luck and fortune, some people even wish on them to make their dreams come true :> I also thought of the legend where a golden koi fish climbs a large waterfall to turn into a dragon, so they have some mythical legends as well. In terms of the actual fish, Koi are very sociable and sturdy, they also live for quite awhile.
Nightmare is a coelacanth, he should probably be an octopus considering he has tentacles, but I really wanted to make him a coelacanth because I think they are neat. Coelacanth's are very old with the latest fossils being over 400 million years old, they were thought to be extinct until one was found in 1938, grandpa nightmare. They are also nocturnal, sleeping in caves during the day, they live deep in the ocean as well. 
Fresh is actually a two in one, he is a rainbow parrotfish with a tongue-eating louse in his mouth. Out of alI the bright fish I did a parrotfish because I really like their gradients, and I think the magenta fins fit his jacket. He's a parasite inside of a Sans body, so I picked a fish parasite to go along with the fish half of his body. I chose the tongue-eating louse, a type of parasite that replaces a fish's tongue. It first severs the blood vessels to the tongue and once it falls off takes its place. feeding on nutrients and acting as a new tongue for the rest of the fish's life, very cool and terrifying.
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squigglyshroom · 2 months
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an unlikely encounter
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crimzoncrow · 2 years
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kon quotes from a handful of my wips
“Hey, nuh-uh, if you tell me I’m repressing shit again I’m gonna launch your DS into the sun.”
“You’re a very pretty bird—Hey, don’t you honk at me! I’ll honk back, asshole!”
“If you tell me that you still need more evidence after we literally just made out I am going to scream, I hope you know that.”
“It’s my [cuddle] pollen party, I get to choose the thinking.”
(In the Watchtower) “Why are you so confused? He’s my villain. I can bring ‘im here if I want, can’t I?”
“Boo, be more original! ‘Any last words?’ Boringgg.”
“Do you always do elementary school icebreakers with your soulmates, or am I just special?”
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cleocatrablossy · 1 year
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Mer-May day 1, we’ve got red-life Scott.
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quibbs126 · 2 years
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Remember how people did theorize on possible relations between Sea Fairy Cookie with Black Pearl Cookie or Frost Queen Cookie since they share similar elements of water and ice? It would be interesting to see Sea Fairy Cookie interact with other legendaries such as these two that isn't just Moonlight Cookie all the time
Oh really? Yeah I guess that makes sense
But it would be neat to see her with other Legendaries
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a-flux-uchiha · 2 years
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I’m working on a mermaid au! As happens of course. (Please click on the shadow tail one, all of him is there I swear, you just cant see it)
Some things to note on the boys, by order of boy
Vio: The clips are from Red, he does actually have long hair, it’s braided behind his back.
Green: I couldn’t decide what to do with his hair so he got the Four haircut. I’m pretty fond of his tailfin.
Red: a wonderful chubby boi, I just decided I wanted him chubby and so I got some help and made him chubby! He has the least white spotting on him
Blue: Okay he’s got a lot. His hair I suffered over for hours, it still looks like Gaara’s(the Naruto character) I’ve decided I’m not mad about that. Note the ragged fins, yes that’s just from him getting into fights with various things. I’m pretty sure he’s gotten in a fight with an orca. If you look at the scars he has, they include two seperate boat propeller scar sets(the two sets of parallel lines on his tail and arm) the time his arm almost got cut off by fishing line or rope before Dot managed to cut it off(his left arm’s round scar) and miscellaneous other scars. I am also fond of his kercheif. Has the most white on him.
Shadow: Please note his ears! He, unlike the others, doesn’t have a second point on his ears. Plus his inverted colors and slightly odd scale placement, he doesn’t look quite like the others! This is because he was human! Due to some shenanigans I can elaborate on if wanted, he’ll end up as a mermaid. He’s wearing a shirt because he’s used to wearing a shirt and is uncomfy when not wearing a shirt. The other pic is him without his hair turned purple, it’s naturally strawberry blond and I will not be stopped.
All of them: the clips are from Dot initially, but Red hoards them and makes the others wear them. Their bracelets are also from Dot and Red, and he has loads of them.
The stripes they have on their tails are actually the start of their adult coloring! As they’re only teenagers, they don’t have all of that coloring yet. They’ll get there eventually. Shadow, as another slight difference, won’t get any adult coloring.
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sedgwickpdf · 15 days
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just had a visceral memory of the time in like the ninth or tenth grade that my friend came over to hang out in my pool and we were pretending to be homestuck characters having a grand old time and my mom kept coming out to check on us and only later told me “well i was trying to get you to stop and her to go home but neither of you would get the hint and it was rude of her not to leave as the guest and inconsiderate of you not to think about how i wanted the guest to leave.” meanwhile i didn’t understand that my mom was dropping hints because i was too busy being like Karkat <3 or whatever. can i just take this story in for an autism assessment and not have to do the rest of it
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nomairuins · 17 days
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had a dream ehere the entire population of the earth was being tortured by the devil and he was like um teehee game ^_^ if at leastt half of you survive the next year ill leave u alone ^_^ and we were like . Fine but you have to give us 24 hours warning before you do anything. and he wa like okie. but this was insanely stressful for me bc i was trying to keep my family safe when my mom cant walk very fast and like. little man. yk. very stressful. idk how it concluded i woke up
#it was cool tho we were like#bc we were space travelling i suppose or something we were like on an alien planet#snd we were under the surface j guess.somrghing scary happened at the beginning idr but then we were under the surface and we hsd set up a#society there for some reasont here were already grocery stores#but then we were in a replica of our hodue n my mom was sick and my dad told me to get like. honey and broth#and for some reason it was tkaing me ages to do it like. i was in control but i couldnt make myself donit#and thej infinally put water on for the broth and water started pouring out of a vent#bc there were evil human hating mermaids on the other side. you see. and they saw me with xray vision and got mad#but that wasnt even the issue the issue was the big scaru dead cowplant freaking things#it was kind of cool they like. i guess debil activatef them or something i forget exactly how it went. something like that#but they just started creepjng towards our city (which was somehow ablve ground allofa sudden unless the plants were also underground)#they moved kinda like those things in rango it was that sortnof vibe rly awesome#but ya#so we were all running i was with my dad and lamp and then i looked back and saw weeman running towards my mom who was struggling and it#was very scary. but i got them i got annie we walked to amother supermarket and then my mom was like welll we have to shop and i was like !?#oh i forgot to mention i was like Whew. so long as he doesnt start any fires were golden. bc the big plants were so dry itd be very#flammable. and then fireballs 💀 jinxed it fr#umm and then some people were parachuting down to the surface of another planet? i woke up at this point#the like. shot when the mermaids were introduced was honestly rly good excellent cinematography. ny compliments to my subconcscious#it like. started kn a fish and rhen followed the fish as it wondered and then mermaids were fighting over it and then one chomped off its#head and the others fought for the rest of the body and then they noticed me#i thought it was cool and it established the mermaids as more like. animalistic sort of thing. i liked it .. my thought when i saw them.#bc like. I was in the dream as a character as me yk. and it was mostly from my.pov#but during that shot i wasnt like. Rhere seeing the mermaids. i was just watching. it was like that you see that part was like. me watching#a movie. this happens a lot in my dreams shifting perspectives#like frequently ill Be me but yhen ill also be able to see my reaction to things...#but ya. shame the mermaids didnt actually fo much i suppose maybe the mermaids activated the plant things? since perhaps they gave water#control. idk... it was an interesting concept definitely couldve benefited from a second draft and a lot of cuts but i see the idea#also my papaw was un the supermarket at the end. so yeah
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gremlingottoosilly · 3 months
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I NEED MORE SEA BUNNY USER 😭🙏
You're a sleepy, fragile thing. Konig doesn't understand how you weren't snatched by some stray predator merhybrid, but he is glad you're safe now, fully in his grasp. He lets you swim sometimes, watching you over you carefully as you would get out of the murky cave and into the clean waters of the upper ocean levels. He can't quite follow you here - too bright, too noisy for his liking, his body isn't adapted to the levels of pressure, and his mind is not ready to meet the chaotic brightness of normal hybrids - but he knows you're way too weak to escape him now. You're drowning in his scent, his brood growing in your belly, with every mermaid you once knew now terrified of a pretty thing being slowly consumed by the darkness of eldritch merfolks. Konig knows he is corrupting you - making you sleepy and drowsy in his arms, dragging you down with him, inside the cave again. You don't even miss the sun or the warm water all that much - you just cling to him, pushing your pretty face into his muscular chest and asking him to make you a nest of softer kelp you gathered near the surface. He can't resist his mate's wishes, even if the sweet scent and soft texture make him sick. He isn't used to this - he'd be afraid that the children are going to turn out weak if only he wasn't planning to eat the weaker part anyway. Makes it easier to get you nice and pregnant again, slowly stuffing your needy holes with his tentacles until you can't nap without being filled by him anymore. He brings you gifts - something he stole from other mermaids, probably after killing and consuming them. Poor things, they forgot how to respect his territory...and they paid the price tenfold, making him laugh every time it gets brought up. You like to sort out through your growing collection, your every waking moment filled with either sex, food or playing - and sometimes everything at the same time. It was harder to adjust to bringing you some plants to eat and only sometimes mixing in some shrimp, but Konig knew you had to eat more in order to be bred properly...and to raise adorable little hybrid children that he could allow you to raise. Maybe. You sleep together in the nest he built for you, his tentacles wrapping around you in a protective hold. He makes his skin warmer, acting as a heater in cold, dark water, and you nuzzle your pretty face and even prettier pseudo-fluffy features against his chest, searching for the warmness you crave. You can't even rest without his affection sometimes, too attached to his body heat.
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bananonbinary · 9 months
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i dont want to take away from the cursed tumblrness of that post but sincerely its such a pet peeve when people are like "this person wrote [pretty normal fiction that i think is weird]" as some sort of callout. maybe yall should read more books if you think things like "mermaid cannibalism" is at all out there. i read that trope when i was 12 in peter and the starcatchers. calm down.
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lilacs-stars · 2 months
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moon + tides
this is part 1, read part 2 here! pairing: james hook x fem!reader (requested) SUMMARY: you, ariel's daughter, find yourself in a strange relationship with the one and only infamous pirate captain, who's absolutely obsessed with you GENRE: yandere, a bit of angst, some comforting fluff here and there, especially at the end CW: a few mentions of violence, someone walking a plank, mentions of drowning, some suggestive material, nothing too graphic though WC: 4.2k
A/N: this req was really fun to write! I might have gotten a bit carried away, heh...this part includes the backstory of how you two got together and the first part of the req, and the second part will include the rest of it. hope you guys enjoy reading this cause I definitely put some hard work into it lol. also please give me feedback and suggestions, I'd really like to know your thoughts!
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If you could go back, would you change what happened?
This is something that you often ask yourself. 
You think about that fateful day frequently. It was the summer before your first year at Merlin Academy. You had finally convinced your parents, the famed mermaid Ariel and her Prince Eric, to let you go for a swim unsupervised. Being half-mermaid, half-human allowed you to transform back and forth at will. And although life on land was pretty good, your heart always ached to go back to the sea, to feel the cold, salty water as it engulfs you. To race along the reefs, tail swishing back and forth, allowing you to reach speeds far past what your human form can do. To leisurely swim amongst the many species of fish and plants that created the world of the ocean. To go back home.
Your parents had already gone over the rules with you hundreds of time, to the point where you could recite each one of them word for word: “Don’t go past the boundaries,” “Don’t approach any animals you don’t know,” “Don’t go so deep where you can’t see any light,” “Come out at the first sign of bad weather,” and, most importantly, “Do not, under any circumstances, interact with any humans.”
Your mother may be renowned for rescuing a stranger from the unrelenting grasps of the sea—if she hadn’t, you wouldn’t even be here right now—but that was a very rare case. Far more often than not, mermaid interactions with humans out on the waters ended up in the mermaid being tortured, held hostage, or even killed.
You knew the rules by heart, and yet, maybe it was because of your young age, you still broke them. You weren’t really aware of your actions in the moment; one second, you were swimming alongside a pod of dolphins, racing against the currents. The next, you heard loud voices and realized that almost directly above you, yet still a good few dozen meters away, was some sort of ship.
You had ducked down next to a big sponge, peering up apprehensively. It was at that moment you realized that you were far outside of the boundaries set for you by your parents. You should have turned back, should have swam back home, but there was something about the ship, something that intrigued you so much it forced you to stay in place.
A few moments passed, and seeing as there was no commotion, you let your curiosity get the better of you. After all, that ship shouldn’t even have been out there. Slowly, you crept closer and closer to the surface, making sure to remain in the shadows. The noises were becoming clearer; you could make out people’s voices now. But they still weren’t sharp enough for you to understand what they were saying.
Finally, you took the risk and poked your head out of the water near the rear of the ship. The sight before you elicited a sharp gasp, and made you wish you had just gone back when you still had the chance. 
Extended from the side of the ship was a long, wooden plank. Standing on one side of it (the safe end), was a man, gagged, blindfolded, and bound. He looked to be no older than forty, with a scraggly beard and ripped clothes.
A pirate.
Another figure emerged, walking to the edge of the deck. Your reflexes caused you to duck down quickly, so only your eyes were barely above the water. This figure was much younger, with dark brown hair parted neatly and angular features twisted into a wicked smile. He donned a maroon blazer that covered a white shirt with an upturned collar. Something in his left hand shined brilliantly under the sun’s bright rays.
The younger figure laughed, but not in the way one would laugh at a funny joke. He unsheathed a cutlass from his side, using it to poke the back of the man on the plank. 
“You see, Mr. Jones? This is what happens when you cross the most feared pirate captain in all the lands!” the young figure roared as he yanked off the older man’s blindfold, revealing to him his fate. The fear and panic that spread across the man’s face has been forever etched into your mind, even to this day.
You heard the man beg and plea for mercy, watched as every move he made caused the plank to sway even more violently. The pirate captain simply laughed, his crew along with him. Finally, when you suppose he tired of hearing the man grovel, you watched in terror as the captain gave the man a good kick in the back, finally sending him over the edge.
Suddenly, it was like the world was spinning in slow motion. The man plummeting off the wooden platform, falling, falling, falling. His screams muffled by the cloth around his mouth. Then, all too soon, he made contact with the water with a loud splash. 
He sank quickly, devoured by the ocean’s waters within the blink of an eye. Your young, distraught face watched as a few bubbles rose to the surface. Then nothing. All that remained of the man’s existence, all there was to give proof that he had ever even been there, were a few ripples in the water.
That was it.
You were frozen in shock. How–what–why? Your brain could barely string together a comprehensive sentence. All you were sure of was the feeling inside you. You couldn’t quite put it into words, could barely even understand it. But it made your tail ache to move, made you feel as if you simply couldn’t stay in one place any longer.
You dove beneath the surface, frantically swimming towards the direction where you saw the man go under. You kept looking around, searching, but to no avail. You decided to dive deeper, swimming lower and lower until the water around you was near pitch-black. You were growing more and more panicked by the second, because every second you wasted was another second the man grew closer to death.
Finally, you caught a glimpse of movement out of the corner of your eye. Hope flaring, you darted towards it, the figure becoming clearer the closer you got.
It was him.
You reached out and grabbed him by the collar of his shirt to prevent him from sinking farther. His eyes were shut and he wasn’t breathing, but you could still hear a heartbeat. There was still time left.
Wrapping your arms around him, you started the difficult journey back to land. Thankfully, you knew of a small island not too far from here. Swimming with the added weight of a fully grown man was incredibly difficult, especially for a young mermaid, but you persisted. After all, this was his life on the line.
You swam as hard as fast as you could, and thankfully, by some blessing from the heavens, found a warm water current going the direction you were. You let it carry you, the rushing stream multiplying your efforts. Finally, after what seemed like hours but must have only been a couple of minutes, you reached the island.
Letting the wave wash you up on shore, you settled the man down on the soft sand the first chance you got. You rolled him to his front, which was quite the endeavor itself. His heartbeat had grown more shallow, but it was still there. There was still hope.
Using the skills your mother had taught you, you started to nurse the man back to health using your melodic voice. Ever since you were young, she had explained to you the gift bestowed upon mermaids, the power of healing through song. She taught you to sing before you could walk, and it was the one thing that you were sure you could do right.
As you sang your strange and melodious tune, it finally occurred to you that you were breaking the most sacred of rules. Not only were you interacting with a stranger, you were coaxing him back to life. Like mother, like daughter, you thought. I suppose healing strangers who were drowning at sea runs in my blood.
The only caveat to your healing powers is that it takes quite some time to have its full effects. You don’t know how long you sat on the beach, but it had been quite some time. You probably would have been there for much longer had it not been for the boom voice that sounded behind you, waking you from your trance of song.
“Well, I’ll be. If it isn’t a mermaid.”
You practically jumped out of your fins as you turned around, startled beyond words. There, towering above you, was the evil pirate captain you saw earlier. He was even younger than you had previously thought. In fact, he couldn’t be much older than you. You wondered for a fleeting moment how a kid like that could command an entire ship full of grown—and scary-looking—men, but decided you have bigger matters at hand to worry about.
A few members of his crew lurked behind the captain, and you could see a small lifeboat docked to the ground near the coastline. Further beyond that, his ship swayed in the ocean waves, dark against the bright horizon.
You followed the pirate’s gaze down to your tail, which was still out. You silently cursed yourself for forgetting to transform back into your human form, being too distracted by saving the man to pay attention to your own safety.
You wanted to yell at the cruel pirate for trying to kill this man. No matter who he was, what he had done, he didn’t deserve to die. At least not like that. But the words got caught in your throat, so while a war raged inside your mind, you were completely quiet on the outside, simply staring up at the man with wide doe eyes.
“You have a lovely voice,” the man said, with a tone that you wouldn’t quite imagine a killer using. He must have overheard me sing earlier, you thought to yourself. “Tell me, little mermaid, who taught you to sing?”
“M-my mother,” you replied weakly, your voice far more meager and small than you wanted it to be. You were still staring up at him, afraid of what he’d do to you.
“Your mother? Well, that’s quite interesting.” The captain raised his left hand to scratch at his chin, which is when you realized that it wasn’t a hand at all. Instead of a hand was a curved metal hook, with a sharp point gleaming at the end. So that must be the shiny thing I saw earlier, you thought.
“Oh, where are my manners?” laughed the pirate abruptly. “My name is Captain James Hook, leader of the Jolly Roger. And you are?”
You blinked, almost forgetting your own name. If it were a less tense moment than this, you would have laughed at the fact that his name is rather befitting for him. “Y/N,” you respond.
“Y/N…Now, where have I heard that name before?” He tapped his chin with his hook again.
“Sir, that’s the name of Princess Ariel’s daughter,” one of the big, meaty pirates behind him answered in a gruff voice.
“That’s right!” Hook exclaimed. “You’re the mermaid’s daughter. You know, rumor has it you’ll be joining me at Merlin’s Academy in the fall, is that right?”
For some reason, your voice seemed to not work anymore, so you settled for nodding. Join him? you pondered. You didn’t know that he was also a student at the school you were planning to attend.
Hook started pacing along the beach, arms crossed with his hooked hand extended, deep in thought. You watched him, fear growing by the second. A sly smirk spread across his face, which only served to fuel the flames of your worry. 
“You know, you directly defied my command by saving that man,” he started. Slowly. Deliberately. Choosing every word precisely and carefully, like a shark circling its prey. “Do you even know why I made him walk the plank?” You shook your head no, the panic in you reaching record heights.
“That man”—he vaguely gestures towards the unconscious body laying on the beach with his hook—“stole an entire week’s worth of rations from my ship. An entire week’s worth of food and rum for an entire crew. Had he gotten away with it, we likely would have starved to death out at sea. Does he seem so innocent now, little mermaid? So worth saving?”
Again, you shook your head no. Although you agreed he definitely wasn’t an innocent man, you still didn’t see making him walk the plank a justifiable punishment. Despite your thoughts, you kept your mouth shut. Angering the captain further was not going to do you any good.
“Now, if anyone else had done something like this, I wouldn’t hesitate to cut their head right off,” Hook said menacingly, and with a swish, unsheathed his sword once again. You flinched—hard—and scrambled to back away from him. 
Hook took note of this, and, sheathing his sword, crouched down to get on the same level as you. “But don’t worry, little mermaid. I won’t hurt you. You see, you’ve piqued my interest. Plus, it would do me no favors to have a little girl’s blood on my hands.”
You let out a breath you hadn’t even realized you were holding. So he’s not going to kill me, right?
“But, alas, you can’t leave unpunished, now, can you?” he added. Your eyes grew impossibly wider, your entire body shaking in fear. This was it. He was going to kill you, or do something equally worse.
“I demand”—you already felt a tear slip down your cheek—“that you write to me for the remainder of the summer.”
Wait, what?
“W-write?” you asked in disbelief. “As in…”
“Letters,” Hook finished for you. “Write me letters. I’ll give you the mailing address of the Jolly Roger. Write me everyday, and I’ll promise I’ll write you back whenever we dock. How does that sound?”
“O-okay,” you reply, still taken aback by the peculiar, and far more lenient than you’d expected, request. That was all you had to do? Write letters? As punishment for saving the life of someone he’d ordered to die? You must be dreaming.
“Oh, and,” Hook said, voice lowered as he leaned in close to you, until he was just a hair’s breadth away from your ear. You could feel his warm breath on your skin, his alluring scent of salty winds and something richer, deeper, filling your lungs. “I look forward to seeing you in the fall. Don’t forget me, my little mermaid.”
With that, he stood up, smoothing out the lines on his pants. “You wouldn’t happen to need a ride back home, would you, love?”
You shook your head no, too terrified of him changing his mind to spend another moment in his presence. You glanced back at the man lying behind you, still unconscious. “W-what about him? What will you do with him?” you managed to choke out, somehow finding your voice again.
Hook pondered this for a long minute, before finally answering, “He can live.” You let out a shaky breath. “But only because of you, little mermaid. And only this time. You go against my wishes again, and trust me, your punishment will be far more severe.”
And with that, he went back to his ship and sailed away.
You still muse about that day, thinking how different things would have been if you had changed just one little thing.
You kept your promise of writing him letters, too afraid to know what would happen when you had to inevitably face him in the fall to break it. At first, they started out simple. Ordinary recounts of your day, your favorite things, what you liked to do. As the weeks passed, you started writing more personal letters. How you felt about certain things or certain people, including your parents. You never spoke a word of that fateful day to them, knowing that you’d be grounded for life and forbidden from swimming ever again if they caught even a whiff of the danger you had put yourself in. 
Hook kept his promise, too. He wrote you back, although it was far less frequent than your letters. Even though he kept his responses short and concise, you always ended up hearing his voice in your head as you read his notes. You soon found yourself checking your mailbox daily, even getting to know the mailman rather well. The rush of dopamine you got every time you opened it to find a letter awaiting you was unmatched; you would always run upstairs to your room, lock the door, and pour over the note. Reading every line, every word over and over again, committing them to memory. 
You don’t know why you enjoyed these little letters so much. Maybe it was the thrill of having a secret that no one else knew of, or the absence of your usual loneliness every time you were reminded that somewhere out there, across the seas, was someone awaiting your letters, reading them, and writing back to you. Whatever it was, your heart started to form an emotional attachment to him without you even realizing it. 
Unbeknownst to you, that had been his exact plan all along.
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It’s safe to say that once you started school at Merlin Academy, Hook’s—or James’s, as he insisted on you calling him—grip on you only grew. Things started out pretty normal: light conversations in class and stolen looks exchanged across the hall, mostly initiated by him. After the first few weeks passed, things between you two only grew. Secret meetings during lunch hours, rendezvous after school, and small gifts exchanged between the two of you. From there, it became brushing your hands together whenever you passed by each other, soft pecks on the cheek or forehead where there were prying eyes, and more passionate kisses when the two of you finally found time to be alone.
Truth be told, you don’t really know what you two are now. Normally, you would consider two people that partake in such actions to be courting, and you kind of assume you are. But James has never said anything about a relationship to you, and in all honesty, you’re too afraid to ask him. You feel terribly confused at his intentions towards you; on the one hand, he approaches you every day without fail, even if you try to ignore him or when your schedules don’t match up. Somehow, he always finds a way. On the other hand, he never asked you to be his lover, never even vaguely mentioned anything of the sorts. So, you decided, with a heavy heart, to not be too confident and consider yourself his partner. And unfortunately, that meant that he wasn’t yours, either.
Really, you never meant to grow so involved with the bastard pirate that threatened to kill you on the beach that day. But for some strange reason, instead of treating you coldly like he did everyone else, especially the other hero kids, he was softer with you. Considerate, even. You had half-expected him to want nothing to do with you after your first few interactions, but he kept seeking you out. You often opened your locker to a note inside, or entered your dorm to find a letter slipped beneath the door.
Today was one of those days. You had gotten a note telling you to wait for him in your usual place in the evening, after classes. So here you are, waiting, staring at the water fountain in the courtyard. You’ve always been transfixed by the way the water spurts out the center and splashes all around. It seems that whenever you’re alone with your thoughts, they always end up back to that fateful day you met James, and everything that’s happened since.
“Wait for me long, my little mermaid?” a deep voice whispers in your ear from behind. You jump only a little, far more used to James sneaking up on you now than you used to be. For some reason, it seems he loves to startle you by wrapping his arms around your waist and pulling you in close from behind, or speaking softly in your ear.
You twirl around, a delighted expression on your face, although you try to mask it with a feigned annoyance. “And if I say I did?”
“Well then, I’d have to find a way to make it up to you then, wouldn’t I, darling?” he purrs, using his hook to spin you around in his arms so you’re face-to-face. His lips make his way to yours, pulling you in for a slow, sensual kiss. You wrap your arms around his neck, bringing his head closer to yours, not able to get enough of his touch. 
The feeling of his skin against yours ignites something in you, and you find your mouth opening to give him more access as a soft whimper escapes your lips. One hand reaches into his hair, tugging at it gently from the base of his head, while the other one trails down the front of his shirt.
James leans into you even further, your bodies flush against each other now, as he deepens the kiss. You find yourself leaning against the edge of the water fountain, the cool sprinkles providing a welcomed contrast to your heating-up bodies.
Once you’ve completely lost your breath, you pull away just slightly, a love-drunk smile on your face. “You had a request for me?” you whisper, panting, eyes full of adoration for the man you were interlocked with. 
James breaks into a grin. A genuine one, not one of the smirks he flashes to uphold his patented suave demeanor. “Ah, yes, how could I forget, my love?”
He pulls further away to give you two enough room to breathe, yet keeping his good hand on the small of your back. “I was reminded today that it's been quite some time since I’ve heard your voice, my little mermaid.”
You give a little smile, deciding to mess with him a bit. “Whatever do you mean? You hear my voice every day. I mean, you’re even hearing it right now.”
James cocks his head to the side and raises a single eyebrow, clearly aware of your antics. “Your other voice, love.”
You giggle. “Fine, all right. Only for you,” you say, giving him a peck on the nose. 
You sit down on the ledge of the fountain, turning back to stare at the water again. Although it has been a long time since you stretched your tail and went for a swim, simply seeing the rushing water soothes you. It isn’t quite like being immersed in it, but it still gives you some semblance of comfort. 
You reach into the pool at the bottom, letting the cool water rush along your fingertips as you inhale a deep breath. Through your mermaid abilities, your voice twists into an otherworldly song, filling the space with a mellifluous sound. 
James takes a place on the ledge next to you, reaching into the water to hold your submerged hand. You don’t really feel it, too transfixed on the rushing waves. You don’t see the way James gazes at you, like you’re his entire world. The softness, the tenderness in his eyes, which he reserves for you only. He looks at you not as if you’re his sun, something too bright to ever stare directly at, something violent and explosive and harmful, but as if you’re his moon. 
As if you’re the figure he watches every night before he closes his eyes, and the one he wishes to see again when he wakes up. As if you’re the only thing he notices every time the darkness envelops him, your presence never falling off the pedestal he places it on in his mind. Never losing its worth. He looks at you, your soft glow and mesmerizing shimmer, as if you’re the only thing filling up the night sky. The stars and constellations pale in comparison to you, especially on your best nights, when you shine so magnificently. 
You are the moon, and he is the tide of the ocean, constantly being pulled in by you. Never being able to escape the grasp you have on him, the grasp you are so blissfully unaware of. He stares at you in awe and wonder, bathing in your gorgeous light, so close yet always so far away. Sitting all alone against the dark backdrop of the evening sky, waiting for him to come back to you. And without reason, you always disappear. Always leaving him wanting more, waiting till the moment he can bathe in your presence again. 
As you sing, the tide gets pulled in by the gravity of the moon. Your lyrical voice bounces off the stone walls, surrounding you both, just as the moonlight surrounds the waves on that mystical night. 
But the moonlight is only a reflection of the sun’s glow, is it not? When daylight comes, the moon will pull away from the waves, its absence in the sky all but forgotten in the sun’s presence. And as dawn breaks, so too will the pull between the moon and ocean. 
on to part 2! ->
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silkjade-archived · 1 year
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This js not a request or anything, I just wanted to tell someone about this😊
SLIGHT ARCHON QUEST SPOILERS!!
(i think, soryr☹️)
Fontaine would be SO good for mermaid aus
Like imagine a wrio x mermaid!reader where wrio saw the reader first from that window In his office or what💪
Even better if the reader gets sick or just fatigue from the primodial water
And the guy is like: 😱😭
And then boom he has a mermaid with him, In his own office🤯
⤀ cw: fem!reader, no pronouns mentioned ⤀ a/n: OMG OKAY I FINISHED THE AQ && UR SO RIGHT ! this gave me sm brainrot wah i had to write a litto smthg >.< but I can see him being pretty chill about it too… (sort of a spinoff to the alhaitham mermaid au I guess hehe)
perhaps every so often, wriothesley would get tiny glimpses of you in between those giant stalks of seagrass, but the moment passes by so quickly that he just brushes it off as nothing. probably just a bubbler seahorse that wandered into the area or something
‘eh whatever. as long as it doesn’t pose a threat—there are weirder things out there.’
when he has his first suspicions that primordial seawater might be leaking into the normal seawater, he takes it upon himself to personally check on the pipes and investigate. however, once he gets to the abandoned zone at the end, he finds... a washed up mermaid ?
hes honestly a little bit amused as to how you could've ended up here, and his initial instinct was to just toss you back into the sea. but it's not like you're some otter caught in a fisherman's net; you’re breathing so laboriously and feverish to the touch, on the verge of passing out… so he scoops you up and takes you to sigewinne. which is how when you finally come to, you find yourself in a tank in the duke of meropide's office
(some headcanons below the cut ! a little bit suggestive at the end ₍ᐢ. ̫.ᐢ₎ )
he introduces you to tea, but it’s so bitter ! perhaps mermaid tastes are more aligned with that of melusines because wriothesley basically short circuits when you tell him you prefer sigewinne’s milkshakes
in his attempts to sway you to his side, he’s scouring his collection left and right, brewing different teas that he hopes you might like
“alright, how about this one? it's light, with a hint of sweet flowers and bulle fruit."
"i still like sigewinne's milkshake better."
speaking of sigewinne, she definitely catches all the minuscule changes in wriothesley's facial expressions whenever he talks to you. and so of course she and her melusine friends start adding stickers of you onto his belongings too.
he takes them off to save face but stashes them away somewhere in his desk
once you've recovered enough, he'd help you out of the tank, and when your tail dries into human legs, he'd take you on a tour around the fortress as 'a friend from the overworld.'
however, you notice how everyone else addresses wriothesley with his title and you worry that maybe you've been too casual with someone so important?
so when you also start addressing him as 'your grace,' during afternoon tea in his office, he almost chokes on his own tea. you tilt your head in confusion because his cheeks are so flush and he can barely look you in the eye. it takes him a second to gather his composure
oh archons above it makes him want to do unspeakable things hearing you say that, so at least for now....
"please, just wriothesley is fine."
continuation
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oh-no-its-bird · 2 months
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Fic where, in practicing to get edo tensei right, Orochimaru uses Izuna as a test subject and tries to substitute DNA to make it work, using Suigetsu's bc like it's extra flexible or whatever bc shape change
Edo tensei mermaid Izuna locked in a tube somewhere in Oro's lab,,
He's SO mad about it and has literally no information ab what's going on at all bc hes locked in a fucking tube !!
Bonus points if Orochimaru doesn't even specifically know who he is
They unearthed him w the rest of the founders on a whim but bc no one really requested him specifically, the body just kinda sat there and eventually got mixed in w the rest of the Uchiha corpses, till Orochimaru requests an Uchiha corpse and they shrug and send him over
He still has Madara's eyes too (left alone either by oversight / or bc they decided not to pull them before he got mixed in w the other bodies, who had by then already gotten scooped of their eyes so they assumed he'd already been harvested)
Ok but like. No one even tells him what happened/where he is/that madara made the village. Why would anyone?? The only one Izuna sees regularly is Orochimaru, and he doesn't know those facts would matter??
Izuna doesn't even know what Konoha IS, he isn't gonna recognize the name
From Izuna's perspective, he died in his bed and then BOOM. Tank time.
Orochimaru might tell him it's been some years since his death (thinking he died in the massacre) and even if Izuna doesn't believe him bc like, enemy, enemy territory, he sure as fuck probably won't be thinking "Ah yes it's been decades since my death and my brother went against my dying wishes to make that village"
Tho he might get nervous and start picking up those cues when he sees the tech
Oro mentions offhand that the Uchiha were all killed and Izuna immediatley assumes the Senju won the war and loses it
He'd figure it out eventually obviously (probably after being set free, most likley by Sasuke w Suigetsu) But he'd also probably keep that to himself, bc like, enemy territory n stuff
Mermaid shapeshifter Izuna terrorizes the shinobi world,, Sasuke doesn't know what he just unleashed.
Ok actually but like. Suigetsu's shape-shifting but bc Izuna has a fire chalra nature, make it liquid fire shape-shifting. Fuckin, fire mermaid Izuna. He has an awful time retaining his form and actually for the first chunk of time, him being in that tube is genuinley just for the best. He keeps turning into liquid fire with no real solid body and can't put himself back together for hours.
Izuna hears his brother is still alive and running Akatsuki and is so down to clown till he realizes THATS NOT HIS FUCKING BROTHER HOW DARE YOU USE HIS NAME
Anyways oh my god Izuna on team Taka,,
He and Sasuke would be SUCH a dynamic actually, they look alike so much?? Sasuke doesn't recognize him but he's clearly a close relation, so there's some mystery there. Sasuke is like super shaken by finding a member of his clan and Izuna, by that point aware that apparently the rest of his clan is dead, is sticking to him like GLUE. Sasuke is bitchy little brother coded and Izuna understands this is probably karma bc he is also bitchy little brother coded
They probably clash a lot, especially bc both are expecting to be in charge here, but ultimately I think they'd get along better than Sasuke does most people, and there's also that bonus vulnerability of like. Izuna is an older Uchiha boy who's trying to brother him (with a noticeably different brother-ing style to Itachi too) and Sasuke has been alone for so, so long.
Sasuke accidentally calls him nii-san then promptly has several break downs about it
Suigetsu and Izuna either get along ALARMINGLY well or they hate eachother. I think I wanna go with the first bc it sounds more fun. They couldn't talk to eachother in the tanks but they could still see eachother, so maybe they kind of developed some sort of code to communicate?
They are "cause problems on purpose" friends. They're also "wdym I can't kill him???" *looks of genuine confusion* buddies. They're giving Sasuke the biggest headache actually, someone stop them. If you leave them to "take care" of a problem, there will be carnage.
Also, like, Izuna literally has Suigetsu's DNA in him. That's a thing.
Mmm maybe some complex thoughts ab how Izuna has effectively become a bloodline thief against his will (the ULTIMATE taboo for shinobi from his era) and he's like, actually fucked up about it.
Running joke where they refer to each other as cousins, could be funny. They argue over who's the bastard child (it's Izuna obviously but he won't just take that title lying down)
Izuna is like, in his 20s, and Karin is around 16 or 17 at this time I think?? She definatley has a bit of a crush on him (which helps take the edge off Sasuke) but like, he's not acknowledging that beyond patting her on the head. She'll get over it eventually. (Sasuke hides behind Izuna when Karin is trying to flirt w him and Izuna absoloutley laughs at them both)
Izuna is actually really impressed w Karin's sensing abilities specifically. I think he'd be a bit on edge around her at first, bc Uzumaki -> Senju ally. But he'd quickly assume she's a deserter (he has no idea the Uzumaki are pretty much wiped out rip) and becomes cautiously chill after a minute or two (also when he first escapes, he REALLY doesn't have the luxury to pick and choose his allies. He's instantly attached to Sasuke and cautiously fond of Suigetsu, and Karin seems to have Sasuke's trust at least, so he'll keep an eye on it but otherwise trust Sasuke's judgment)
Izuna and Karin besties arc where they paint eachothers nails is a must. I love the take that Izuna is really into fashion n stuff and he and Karin should like, trade hair tips or smthn. Karin knows modern soap brands where as Izuna bought his soaps from clan vendors who no longer fucking exist, so like, it's definatley helpful.
Karin is the only one of them to have any real hint of where tf Izuna came from (tho even she doesn't have the full details) it'd be cool if she was the one to figure out more details ab his general mystery— maybe something about her chakra sensing gives her a hint as to how old he really is?? Or she finds the paper trail that hints towards the bodies being mixed up???? Idk but she deserves to have an "aha!" moment
Also Izuna's medical knowledge/standards are NOT up to modern and Karin is so mad about it, she's giving him hella lessons on first aid n shit and he's very, very interested in all this free medical knowledge
I know the least about Jugo so bear with me on this one pls— I think Izuna would find Jugo to be pretty fascinating as a person actually. He enjoys tentatively poking him with sticks, and comes to genuinley like him as a person (when he's calm) pretty quickly
Also cats love Izuna so he gets bonus points from Jugo bc of that, they can bond while petting Izuna's contracted cats or smthn idk
Yeah I really don't know much ab Jugo so that's all I have to offer sorry
Ok let's backtrack a bit, back to Orochimaru ->
Fun scene towards the very start of the fic, where Izuna still has no fucking clue what's going on, but recognizes Orochimaru as a member of the Orochi clan. He says as much, and Orochimaru has to pause.
No one's mentioned his clan to him in years. They haven't been relevant in Konoha since Orochimaru was born— even before that, they were barley relevant. Izuna should not know who they are.
(The only reason he does know is bc they had a neutral to positive relationship w the Uchiha back in the warring era, and Izuna had visited them once before)
Immediatley, Orochimaru is squinting at this guy. He's giving Danzo a ring asking who exactly he got sent over, but Danzo doesn't actually have anything to offer him??? The paperwork is a mess and there were a LOT of Uchiha. He's not registered as a shinobi tho.
Hmmmm.... ok.
Orochimaru is suddenly aware there's some kind of mystery here now, which is dangerous for Izuna. Izuna is, again, in enemy territory, and he's able to pick up on the fact that Orochimaru doesn't actually know who he is. This ofc means that HE sure as hell won't be telling him.
Maybe he bares his teeth and sarcastically says he's the second coming of Uchiha Madara (not even that big of a lie when u think ab it)
Pivoting time ->
Izuna is listed in the data books as like, being equally as talented as Madara and I think we should talk ab that more actually
I love Tobirama but he really did get him by surprise
Izuna just got cocky and taken by surprise!!
HE DIDNT EVEN GET COCKY HE JUST LOGICALLY DIDNT EXPECT TOBIRAMA TO FUCKING INVENT TELEPORTATION
Then he went down in the history books both in canon and out of it as the weakest of the 4, that's so tragic
Izuna gets mermaid edo tenseid and (once people know who he is) everyone is like "Ok well at least he's uhh. The weakest of the 4 right?? I mean tobirama killed him when they were like only 19/20 so we'll probably be fine???"
Then he just fucking bodies them all bc hes a nightmare actually AND on whatever special test trial edo tensei steroids they gave him
Izuna is fueled on rage and spite and he's full up on both
Imagine he gets the full story of everything that happened while he was dead too, like.
Ok so Madara goes against his EXPRESS dying wishes and makes his village. (what the fuck!!) Then backs out (yay!!) but in an awful way that effectively fucks over the entire clan for years to come (nii-san what the FUCK)
Then gets literally backstabbed by Hashirama (HE FUCKING TOLD YOU!!! WHAT DID HE FUCKING SAY!!!!!)
Then the Uchiha seem to thrive and like. Ok. He's still mad about it, but at least something... kind of nice came out of it.
THEN BOTH THE VILLAGE AND MADARA'S(?????) SCHEMES KILL THEIR ENTIRE CLAN
Izuna is SO mad at literally everyone, holy shit. The only one safe from his rage is Hikaku, god rest his poor, poor soul
Actually, I think it'd be funny if Izuna was like, indescribably extra awful mad at everyone— but then is like. Normal mad amounts at Tobirama, who was a bitch but at least didn't seem to carry on a personal fucking vendetta against the Uchiha like EVERYONE ELSE INCLUDING FUCKING MADARA FOR SOME GODDAMN REASON
Izuna is going like, "FUCK you, FUCK you, OH, EXTRA FUCK YOU—" then squints at Tobirama and goes "...fuck you." Then goes back to screaming
To be clear, Tobirama absolutely contributed to the end of the Uchiha, but like. A) it'd be funny, and B) at least his seemed slightly less on purpose than literally everyone else
There's also I think a difference of like. Izuna never expected Tobirama to suddenly turn around and be pro Uchiha
Where as everyone else (again, including his brother!!) Was like. A genuine betrayal
Tobirama fucking over the clan was never a surprise
He never pretended to be on their side (like Hashirama lowkey did)
Tobirama vs Izuna but it's them getting to relive their rivalry where as Izuna vs literally anyone else is emotionally charged as hell and filled with demented screaming
Leaving it there for now, I might actually try to write this one but who tf knows
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1800titz · 7 months
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HI. HELLO. Here is my Valentine’s Day contribution. POTTERYINSTRUCTOR!HARRY!! POTTERY MAN! WOOO. Basically almost 7K of clay sexualization and sexually charged fluff (ish). Enjoy! :D
CONTENT/WARNINGS: ridiculous sexualization of clay (I think I’ve managed to fetishize clay in this one??? OOPS), overly suggestive usage of pottery terms, a red-hot, hands-on tutorial for wheel throwing, and embarassingly long descriptions of Harry’s fingers coated in wet clay.
WC: 6.6K
slip: small bits of dry clay mixed with water to create a thick, creamy consistency
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Clay is innately erotic. 
Wheel throwing is, arguably, the most pornographic art form, its only competing opponent being, maybe, literal body-painting. And that latter one still falls as a close second. Close, but second. 
Y/N decides that when she wanders into a little ceramics shop tucked away in a busy plaza downtown. There’s no method to her exploration, but the broad glass windows are adorned with dripping, colorful graffiti and its innards call to her. GLAZED, reads the large sign over the awning in blocky, white lettering, stippled with un-glowing light bulbs that she’s sure light alive in the night. 
It’s a cute shop. 
Upon entrance, the young woman discovers tables, as if set up for arts and crafts, crackling, clay covered wheels with shorter stools, and long, tall rows of shelving brimmed with colorless sculptures lining the walls. Despite its packed interior, the studio seems empty of people and quiet besides the soft notes of RÜFÜS DU SOL leaking from the overhead speakers. She roams beside the line of wheels over to a shelf by the door, admiring the myriad of statues there, some obviously crafted with expertise and elegant artistry, and others lopsided efforts that probably deserve a pitied gold star for effort. 
Her eyes are caught on an unpainted little ashtray that’s got a crooked sort of bee in the center when her gaze breaks away to the sound of footsteps. Maybe the shop isn’t as abandoned as she’d previously believed — a man appears from behind a row of white shelving stacked with more unfinished pottery. 
He’s a pretty man, that much she can decide from the downturned slope of his nose and his distracted lash line, focused on twisting the navy rag in his left hand over the tip of his right index finger. A dark baseball cap shrouds his hair, but little brunette tufts sneak out in curled bunches around his ears. That’s where Y/N finds a fun, little red-tinted pearl dangling from one lobe. He’s tatted in patchwork art — a mermaid with its tits out peeks at her from his forearm, soaked over and shining. She assumes he must have just been rinsing clay from that forearm, from his hands, no longer visible over his skin. However, streaks of dried gray stain over his white tee in crackling lines, like an old lamination on a well-loved t-shirt that’s been cycled through the washer one too many times. When he pulls the rag away, she discovers a shade of bright red that’s been painted over his nails.
Almost as if he can sense her presence without looking, his sneakers pause on the tile and he steals a peer up. Yes, he’s quite a pretty man, even when his features shape something caught off guard.
“Hello.”
His voice is rich — this smooth, bass-deep sort of sound driving a foreign lilt, and Y/N thinks that if it weren’t for his lengthy fingers and his cherry polished nails, if it weren’t for his handsomely sculpted face, if it weren’t for his seemingly innate effortless demeanor and style, that voice alone could make her fold.  
“Hello,” she returns, aware that a nervous note plucks at her cadence, unlike his own casual greeting. I promise I’m not shoplifting clay pots in silence, she nearly tells him. 
Thank fuck for the ability to physically bite your tongue. 
“What can I help you with?” the man asks, sauntering forward a bit. It’s probably sort of a polite manner to say what the fuck are you doing here, and the longer the young woman stands in the middle of the empty shop the more out of place she feels, almost like this a private, little haven and she shouldn’t be in here right now.
The song shifts into its choral bass drop of electric keys. That fills the void of the silence as she swallows and fixes a little smile onto her face, fingers tightening over the strap of her tote. 
“Oh, I’m just looking.” 
The man purses his mouth and walks over to the counter, where the register is littered with paperwork and an eclectic collection of faux plants. He sets the rag down beside a floppy one with its green tendrils dangling over the edge. 
“See anything you like?” his hand pinches over his nose, like he’s scratching an itch, before he sniffs and pivots to apparently decrease their proximity, “We’ve got loads — you can make something yourself, or,” another step, and Y/N’s eye bounce from his shorts to his tattooed knees to the hems of his white socks. “…If you know sculpting isn’t your craft, we’ve got ready-to-paint-one's on that shelf there.”
Her gaze follows the direction of his finger, where pasty ceramic bunnies, and angels, and cars line the shelving in multiples. 
“I think—“ the young woman’s tongue peeks out to swipe over her mouth, words growing drier the longer she captures his stare. She focuses back on a lopsided rendition of strawberry, its leaves cradling over as a disconnected lid and its stem a crooked handle. “I like these. They’ve got so much character.” 
She blinks back over to him and watches a soft smile shape over the cushiony pink of his mouth.
It only takes a moment — one where her sight draws back to the strawberry jar for a smidge of a second, before he’s so close that she can smell his cologne, spiced and clean. She ogles his arm, his hand, the way he reaches out between them to cull the piece, mildly appalled by the way he palms the sculpture and dwarfs it in his easy grasp. It’s such a casual maneuver, made almost as if he’s not fondling over something it’d take anyone else two hands to hold. Y/N imagines the dimpled form of clay coated over to match the color of his nails.
“They do, don’t they? I like this one, too. S’a little …ugly, but, s’in, like, a…” the man’s features twist into something silly and pinched, and the young woman rolls her lips into her mouth to avoid exposing her amusement at the brutal candor. His words catch in his throat and bubble as a short laugh, “I dunno. It’s art.” 
He sets it back onto the shelf with a light clink, and turns to face her, posturing against a post in the shelving where the tiers have a break. An exhale becomes paired with his nonchalant lean, arms crossing over his pecs, and Y/N tries intensely not to stare like a hawk at the muscle there. 
“I’m afraid people are coming back for these, though. This row came out of the kiln…” forest green skids to the assortment and then bounds up to the ceiling like he’s in thought, before he casts his gaze back onto her, “…yesterday. And there’s a month-and-a-half window for someone to come back and glaze before we toss or sell them to be painted.” 
He’s chewing gum. Y/N realizes it when she admires the soft stubble coating his jaw, his cheeks — that’s when she notices the work of his jawline over the minty piece. He tips his head. “Did you want to try sculpting something?” 
The edges of her lips break bashfully. “I don’t know if I’d be any good at it.” 
One corner of the man’s mouth curls up lopsidedly, and the beginnings of a dimple nudge into place. He blinks and chews a little slower, “Have you ever worked with clay before?” 
Her delayed, little no is met with the lopsided beam growing even. He nudges with his chin, deliciously bulging arms still tucked over his chest, his playfully raised eyebrows like a wordless notion of have more faith in yourself, “Then you may just be the next Magdalene Odundo. We’ll make a pro sculptor out of you, yet.” 
Magdalene Odundo. Somehow, the name isn’t familiar, but simultaneously, somehow, it feels like a compliment. 
Y/N inhales as his digits shift over his tri’s. “Okay.” 
“Okay,” plush pink shapes a handsome smile, bordering bright white teeth in straight lines. The man tips his head towards the curved berry vase, and then looks back at her, “Did you want to do something like this? All these over here were made on the wheel.” 
Y/N muzzles telling him that she’s no inkling of an idea how someone can morph a lump of clay into a vase, nevermind on a big, spinning platform that moves faster than her eyes can keep up with. The man seems to pick up on the hesitation in her silence. 
“S’easy, I promise. I’ll show you how to throw.” 
Show her. Okay. At least she’s not going to head into vase-sculpting or wheel-throwing or …whatever he’d called it blindly, fumbling over a block of clay on a twirling tray like a slapstick skit personified. At least it means she’s going to stay in his presence. After a moment of thought, though, (and the way she notes that his eyes make unwavering, relaxed contact with her face the entirety of the silent pause), Y/N decides she’s not sure whether that last bit is actually a good thing, considering she’s probably milliseconds away from, like, bracing a hand onto a the shelf to match his level of coolness, or something. And then subsequently sending ceramic pots spilling and shattering over the tile.
She blinks. Her shoulders rise on her nervous inhale, and he makes one of those playful faces, like he’s waiting for her to agree. The young woman’s eyes wander to the line of chairs pressed to its counterparts of wheels. 
“I don’t wanna, like, trouble you—“ 
“You’re not. S’my job,” he tells her, crimson fingertips drumming. She catches sight of his fabric-clad pectorals flexing when he leans forward a little to tack on, “…And to be honest, it’d give me something to do besides fucking around with clay, which is what I’ve been doing for the last hour.” 
Her mouth purses and then settles. “Okay.” 
“Okay,” he says again, and then winds around through a row of little tables that resemble the set up of an art classroom, like the kind she’d have in school. She’s ashamed that her gaze wanders down the back of his arm to ogle the rest of his ink. 
“You can have a seat at one of those wheels,” he tosses over his shoulder as he heads, she assumes, to wind back around the same shelf he’d surfaced from behind, “Just give me a mo’, and I’ll be right back with some clay.” 
It takes Y/N a moment — mostly because she admires the view of his stature from behind as he migrates to a back hallway, irises roaming down the projection of muscles in his back showcased through his tee. They skim down his legs, down the backs of his knees, rest on toned calves. He’s gone far too quickly for her viewing pleasure. The young woman takes another glance at the uneven strawberry-esque vase, and then she pivots to step around the crowded assortment of wheels to crouch into one of those little roll-y stools, feet crossing and uncrossing in the cramped space. 
He’s a sexy man, Y/N decides. That’s the word she’d been looking for all along, although pretty would match the descriptors of his long lashes and his pouty pink mouth. He’s sexy, though, in his baseball cap and his little six-inch-inseam shorts (which show off the sculpt of his tanned thighs and the ink over his kneecaps). He’s sexy when he comes out from the back over to her wheel, a gunmetal gray ball of clay cradled in his palm like it’s not the size of two of her own. He’s sexy in the green eye contact he makes when he settles into a stool similar to her own, right across, when his thighs splay because he doesn’t have enough room to sit otherwise, when he rests his elbows over his knees and stretches one arm out to pass off the clay. That’s when their digits brush, because it’s sort of unavoidable. He manages to make eye contact through that, too. Sexy. 
“Okay. Clay,” the chilled ball the man hands off weighs her hand down, and Y/N’s gaze flickers up to meet his own when he instructs, “Toss it onto the wheel. Aim for the center.” 
The young woman pauses like she’s calculating her aim, gearing up without visibly gearing up, and a little smile tugs at the instructor’s mouth as he waits. The clay lands with a thud onto the plate. 
“Great,” he tells her, monitoring the centering, and then jade bounces back up to her face as he coaxes, “Smack for good luck.” 
Y/N curbs the corners of her mouth out of mirth, hesitating for a moment before her palm lands over the smooth, gray lump in a halfhearted pat. She blinks up, hoping for assurance. The handsome man’s mouth purses like he’s restraining a grin. 
“Harder,” he encourages after a second, the corners of his muted raspberry mouth seeping up a smidge, more openly, “S’not gonna cry. You can go a little harder than that.” 
The young woman rolls her lips into her mouth, raises her hand, and follows his request, molding it flatter under the solid thud of her palm. Evidently, it’s a better attempt, because she earns a, “Very good,” in response from him.
She casts her gaze up to find him dipping his hands into the pot of murky water beside the wheel before a fist knocks lightly at the pedal-resembling lever on the opposite side, sending the wheel into a speeding twirl. And to add to her list of shame, the liquid that coats his fingers — that’s. 
Yeah. 
Y/N swallows and watches those wet hands cup over the clay, partly mesmerized by the way he coaxes the priorly deformed lump into a symmetrical cylinder, stroking up from the base up and back down, and partly mesmerized by the way the cherry polish becomes daubed with slicked clay. 
“I’m just gonna get it nice and easy for you, and then you can get to the fun bits,” the man tells her as if he isn’t currently awakening some deep, deviously sexual desires in her by fondling clay. Jade flickers up. “M’Harry, by the way.” 
“Y/N,” the young woman tells him in response, unsure whether to focus on his searing eye contact or the gentle press of his hands over … oddly erotic artistry in motion.
Harry unwittingly makes the decision for her by breaking the eye contact and glancing down at his work. 
“Y/N,” he says, as if testing the taste of her name on his tongue. 
Y/N takes a breath, smoothing her hands down her thighs. 
“Y/N,” his strawberry mouth parts a tad for a soft breath in, honey smooth cadence glazed in concentration as he presses a flat palm over the top of the clay, keeping his other hand cupped over the length. 
She watches the cylinder mold under his grip into something shorter, and then back up. She watches the way his arms flex, anchored to his body as he presses with the heels of his palms to sculpt. 
“This is called coning. Makes the clay centered so your grip stays nice and even when it spins. Otherwise, s’gonna wobble, and you’ll feel it when you’re trying to work with it.”
Sure enough, after a few moments, when the man takes his clay-sullied palms away, what’d priorly been a lopsided hunk twirling over the platform stands symmetrically, shining post his wet grip. When he balls his hand into a fist and punches over the lever a handful of times, the plate slows to a stop. He blows out a breath and the music shifts to the next track in the background.
“Take your bracelet off for me.” 
The comment is made totally innocuously. Its purpose is solely to preserve the condition of her jewelry — she knows that when his eyes go to meet hers again and he mentions, “Otherwise, it could get covered with clay, or break. Wouldn’t wanna ruin such a pretty piece.”
But it’s the way he says it, right? Two little words, so easy off his tongue. So nonchalant, so purely intended with no ulterior motive. For me. For me, for me, for me. 
It’s shameful — she’s ashamed. She’s no better than a man, Y/N decides, as she peers to the silver bangle with the sliver of warmth slithering through her chest and snaking to her tummy. She’s no better than a man, objectifying this poor, effortlessly sexy ceramics instructor and his casual commentary on a Wednesday. She swallows. 
“Right. Thanks— thank you,” the young woman tells him, her tone garbled with nervous enthusiasm as the fingers of her opposite hand wriggle under the clasp to pop the piece off. 
She’s still feeling dubious about the morality of her thoughts once she’s slipped the bracelet into her tote by her feet and sat back up. 
“Alright,” Harry starts again, elbows braced to his sturdy thighs, “We’re gonna go over what this little thing over here does, because it’s good to know. It sets your speed. We’ve got options—“
Y/N watches the way his arm stretches, she eyes the tail of the mermaid, the lines of scales etched into his skin. His eyes meet her own again. 
“…Fast,” Harry knocks over the lever again with the butt of a vertical fist, a couple more nudges rocketing the wheel into a motion that dissolves priorly visible remnants of clay rings into fast-moving swirls with no decipherable borders. 
Another few nudges has the wheel skidding to a full-stop, and then stuttering back up into a spin when he taps over the pad once more. 
“…Slow,” Harry fixes his gaze back onto her face and watches the curious concentration there. The man sits back up a tad, elbows bracing over his splayed thighs and fingers crooked and lax, coated with slippery wetness and clay. “Find what feels good for you. S’different for everyone.”
Despite the way the directions are made so innocently, so obviously stated as a tutorial that’s not intended to be taken as something suggestive, Y/N finds a heat teeming over her cheekbones. 
“But, I recommend—“ her teeth lodge into the inside of her cheek with subtlety as the instructor hunches a little again, just a tad, to rap over the lever in a pair. The wheel speeds. “—Sticking to something around this.”
The pace of the wheel settles into an easy spin — something that’s still too quick for her eyes to keep up with, but apparently not the fastest setting, judging by the higher speeds he’d displayed moments prior. 
“Alright. Here’s where you come in with your undiscovered ceramic talents,” the instructor tells her, the edges of his mouth so obviously restrained, like he’s amused with his own playful banter. His eyes glinting softly under the buttery light cast by the overhanging lanterns,”M’gonna show you how to drill, but you’ll need to get your hands wet first.”
Harry sits back, elbows still braced to his thighs, hands now coated with slippery clay as he waits for the young woman to douse her own into the bucket. The liquid greets her palms with a welcome chill, and when she lightly cups over the cylinder, it slips under her hands with ease. The man clears his throat, and their digits graze again when he touches over her fingers to guide her grasp. Y/N tries not to focus on the way his hands make her own look as if they belong to a child. 
“You’re gonna take your thumbs—” Harry coaxes, all concentrated seriousness now, and the pad of his own brushes against the knuckle of her left, “—and press over the top, here. Right in the middle, just like that.” 
He takes his hands away and the clay rolls under her fingertips, a divot forming from the pressure of her thumbs. 
“Good. Now what you’ve done is you’ve indicated where you’re going to make the opening. And to do that—“ his hands return, unintentionally persuading her own to fall away and sort of hover stagnantly mid-air, in sullied awe, as he dips the tip of his index into the cleft they’d created together. 
As if hungry for the finger, the clay parts to swallow the pad of the digit. It broadens its starving mouth, and Harry steadies the spread with his thumb, his pointer delving against the inside of the deepening wall. His opposite hand cups over the body as he molds the opening wider. 
Anyways, what Y/N manages to learn from the impressive showcase, before Harry steals a glance to make sure she’s been observing (which she has, very focused, actually), is that clay-working is a dirty, dirty, lustrous art form. Especially under his fingertips. This is all very educational stuff. Perhaps the most impressive step of his tutorial, thus far, is the way that, in mere moments, he cups and strokes and caresses over the clay, drawing the opening tighter. It shrinks until it disappears, and when he smooths his hands over the rounded edges a few more times, the vessel that’s left is an entirely clean slate. Almost as if she hadn’t just spent the last few seconds ogling a weirdly pornographic display of a clay cavern opening in response to the touch of his long finger. This was a horrible mistake, Y/N thinks pitifully — she’s getting aroused by clay working. If there was ever a blaring red indicator that she needed to get laid, this is it. 
“I want you to try now,” Harry directs, totally nonchalant. This is just a casual Wednesday for him, Y/N realizes. He casually fingers clay with his sexy, long fingers, and thinks nothing of it. Maybe she’s just a horribly wound-up pervert. 
Still sort of stunned, she reaches out and cups over the cylinder, clumsily positioning her thumbs in a replication of the manner he’d shown her, aiming for the center and driving a divot into the top. 
“Mm. That’s good. Keep your elbows closer to your body,” he prompts, eyes flickering from her posture to her hands. “Like this.” 
Following his body language, Y/N mimics, ducking a tad and tucking her arms to her torso. After a few moments, she lifts her thumbs to find a centered indent, one that’s similar to the one they’d created together. 
“Lovely. Now,” the chair makes a little rolling sound over the tile as Harry shifts forward, clay-slicked hands (warm, despite their cool coating) cradling over her own to position, “You’re gonna cup here, and then take this finger and push here. Yep. Jus’ like that.” 
The instructor takes his grip away and encourages, “If you need more water, get your hands wet. You can tell you need it if there’s friction — you want it a little wet.” 
She wants it a little wet. Y/N decides, as she dunks her hands into the bucket and returns to the clay, she in fact does not want anything wet right now. This is the last place she wants something wet. Her thoughts are disturbed by the way he grasps her at her hands again and repositions — twisted by the slippery feel of his own wet fingers. The clay over his palms has begun to dry now, morphing lighter and crackling, but the tips of his digits are still soaked and darker in shade. She’s awed when the cylinder gives under her touch, the same way it had for him to encompass her finger. It’s like magic, sort of. Very slippery, wet, weirdly erotically undertone-d magic. 
“There you go,” Harry tells her, baritone soft, “You’re a pro.” Then, after a moment, “You can go a little harder. Don’t be shy. Open it up.” 
She’s not blushing. She’s not blushing, because that would be silly. She presses harder, and the opening widens until it gapes. 
“How long have you worked here?” the young woman asks, naturally trying to change the subject from wet and hard things. Hopefully in an organic enough manner that doesn’t imply how affected she is by said wet and hard things. 
“I bought this place a few years ago,” Harry responds after a second, tone concentrating as he reaffixes the firmness of her grasp (she tries not to verbally apologize, glancing up), “…Both units. It was a smoke shop before, I think.” 
“Oh!” her hands stutter again in surprise, “Are you the owner?” 
He fixes them again, brows pinched, and when he glances up, his brow bone is smooth and there’s a soft smile playing over his mouth. “Indeed I am.” 
“It’s …beautiful in here,” Y/N tells him, gaze walloping from shelf to shelf for a moment, lantern lined ceilings to vine-coated crown molding, trusting that his hands will keep her own grounded to the piece. 
“Thanks. It’s a little crowded, but if you manage to get lost among the …phallic statues and the clay bongs,” he cocks his head, blatantly bridling a simper as he shrugs. At the response of her snort, jade flickers up and the plush of his mouth curls more obviously, “…You’ll find your way out of the maze soon enough.” 
As the walls of the clay grow thinner, the instructor takes his grip away, swiping at his forehead with the back of his hand. “Alright. What are we going for here? A mug? A vase? A bong masquerading as a vase?” 
Y/N takes the lack of his touch as an indication to lighten her own. She purses her lips thoughtfully. “A vase.” 
“A vase,” the instructor parrots, voice low, and then he hunches back over and cups the clay. The young woman returns her hands to meet his own. “I can work with that. We’re gonna build it up. You’re gonna squeeze and lift. Right—“
If his fingers keep brushing hers for the duration of the next …half hour? Hour? (How long does throwing take?), Y/N decides she’ll simply combust. His hands cup lightly over her own, two digits pressed to hers, and hers pinned to the inner wall of the clay in sin. 
“—Here. That’s it. You can be a little aggressive. We’ve gotta get it tall.”
Y/N swallows.
“You said you own both units?” she ponders aloud, “Is there …more?” 
“My place,” Harry tells her nonchalantly, as if it’s the most casual, normal, every day thing to live over a ceramics studio, “S’just over on the next floor.” 
“That’s—“ she realizes her grasp has lightened again, the integrity of the structure mostly only crawling up under the pressure of his own (steady, firm) grip over hers, “…so cool. To have, like, a whole studio right under you.” 
“Mm. I think right now…” Harry cranes his neck to peer up at the ceiling, “We’re under my kitchen.” 
A little breath of mirth tumbles from her when he grins and tacks on, “I think this is way cooler, though.” 
This is The Turning Point. 
And if it was a scene title in a play, Y/N thinks it would be capitalized to denote the importance. It’s important, because somewhere along the trail of her perversions, as Harry had guided her hands into the innards of the clay — fittingly describing it as the body — when he’d pressed his hands against her own to widen its base, when he’d shown her the sponge, things had clicked. It had clicked because she realized she wasn’t fucking crazy. Because Harry then said this thing — this one little thing that would have launched her into a frenzied, internal mess of dubious morality on the basis of her perversions—
But then it clicked. 
“Careful with the amount of water you’re using now, yeah?” he’d told her, maneuvering her grip over the sponge as they’d smoothed over the lip together, “S’all about balance. …If you go too hard, you’ll make a wet mess.” 
Y/N had glanced up. That’s when she’d noticed the way the instructor gnawed into his cheek, almost immediately, almost as if he was amused by some sort of devious inside joke. And then his blocky front teeth had dug lightly into the plush of his pink bottom lip. It was nearly unnoticeable — but she had noticed. Clay was innately erotic, and he was doing it on purpose. It was one, or the other, or both. 
For a little while from there, they work in blatantly charged silence. It’s a very short while, all things considered, and she’s willing to clam up altogether and daydream about his digits for the duration of the lesson, but the tone of his next words nearly gives her whiplash. 
“So what are you doing on this lovely Valentine’s day?” Harry breaks the silence, once again, his tone so even and nonchalant that Y/N can’t begin to fathom where his composure comes from. 
The young woman clears her throat, “Oh. Y’know. Trying my hand at ceramics. The yuzh.” 
Jade doesn’t immediately jolt up when he ponders aloud, “Dinner plans?” 
“Not any on the calendar …that I’m aware of.”
His touch doesn’t lighten, but he does glance up, mouth all (apparently) disbelieving mirth, “You’re telling me you’re not being wined and dined tonight?” 
Feigning offense, the young woman sets her mouth into a line and nudges with her chin in a nod, joking, “Thank you for the reminder.” 
Harry laughs softly, one of those little breaths expelled through his nostrils, and he looks back down to the vase-in-progress, gentle grin undeniable. Y/N matches his amusement, faux indignation crackling. 
“You’re too pretty not to have a Valentine,” the instructor tells her, then, decibel low, almost like it was meant to be under his breath but also entirely not, and all Y/N can do is sit there with instant heat seeping to her face. Because that’s flirting. That’s definitely flirting. Her sexy ceramics instructor is helping her craft a vase out of clay on a wheel with his sexy hands, and he’s openly flirting. 
Y/N stuffs down how initially stunned she is to chew into her bottom lip and volley, “I bet you say that to every girl that comes in here.” 
Harry shrugs. It’s still almost an enraging level of cucumber-cool and composed. 
“Just the pretty ones.” He tacks on, after a moment, “And only on Valentine’s day. Don’t think that line would fit well on a random Wednesday.” 
Y/N snorts. She’s still basking in the pleasant warmth of the flattery when the man peers up and tells her, “I do accept tips, by the way, so. Feel free to leave a tip for the friendly service.” 
“I will—“ she snorts, restraining her open amusement at the way his brows crinkle in concentration as he helps her grip, “—definitely do that.” 
“Sick,” his tongue peeks out to swipe over his lips, disappearing back into his mouth as quick as the pink had showcased. Jade flits up, the corners of his mouth curled up in a little pause of silence, almost he wants to make it crystal clear he does not actually want a tip for hitting on her. 
Anyways, this is all a flustered mess. All of it. Y/N, the pot she’s sure will grow off-center and wobble under her shaky grip, all of it. 
“What about you?” the young woman takes a deep breath, hoping some sort of breathing exercise will help slow the buzzy flutter of her heartbeat, “Any wining and dining? For Valentine’s day?” 
“Not on the calendar,” Harry responds, sliding her own words back to her, his gaze still honed on the work ahead of them, now impressively morphed from a lumpy, shapeless ball into the beginnings of a vase, “As for how I’m spending my Valentine’s day, I did just show this one pretty girl how to shape and smooth. And now, …m’gonna show her how to shape some more.”
Y/N bats her lashes, and then she observes the work of his clay caked fingers, the way they curl and press over the vase in different points of the body, some motions widening the rim and some drawing it more narrow. He bids their tutorial a pause shortly after, explaining, “I’m gonna give you some creative freedom now. Figure out what shape you like.” 
Despite the slight disappointment budding at the close of their conversation, for now, the daunting task of unsupervised throwing is what probably surfaces on her face, more. The instructor catches it when he rolls back in the stool and stands, ogling her for a moment, mirthy mouth caving up in a way that suggests she must look like a deer in headlights. 
“It’s intimidating, but I believe in you. I’ll just be in the back for a sec, give me a shout if you need me.”
Y/N shifts her legs, pressing her thighs together when he adds, “Play around with it.” 
All in all, they manage to end the wheel session with (Y/N thinks, impressively) only a couple of hiccups, both being opportunities presented with unsupervised sculpting. When she’d played around with it (his words) a little too much and had coaxed a priorly even shape into something lopsided and petrifying, it’d swung around on the wheel, each turn quickening its slow but sure collapse. She’d called out for the instructor with a frantic note to his name. Of course, both times, Harry had come out from the back and patiently squeezed over the clay, hands and forearms jolting and flexing deliciously as he’d encouraged it back into something centered (yet another opportunity to stare at slick clay glazing over his fingers all over again), reassuring her that it was normal to struggle, especially with her first time. 
Y/N wonders if he’s constantly full of innuendos, or whether a ceramics studio is just innately an opportunity for double entendres. 
She tries not to make it too obvious when she stands on wobbling legs, when she brushes past him and catches soft notes of his cologne, clean and musky. When he directs her to the bathroom where she rinses clay from her hands into one of those artsy, utility sinks. When she sits at one of the tables, waiting for him to bring the vase over to her, torched and ready for additions, when he gives her another colorless lump. She tries not to make it obvious when she ogles more of his arms, the peek of his nipples through the white, clay-stained fabric of his tee shamelessly. She fears it’s utterly obvious how affected he’s made her, though, when she blinks up at his face, when he shows her what the different little tools in the cup do for sculpting. Y/N doesn’t even look away from him at the introduction of the first tool. She thinks that’s the one that must cross-hatch, driving little lines into the clay. 
“This is called slip,” Harry explains, dipping the tips of his index and middle fingers into the cup near the brushes with no hesitation. The consistency over his fingers, when he pulls them out, is like a wetter, creamier, sloppier variation of the same clay she’d worked with. 
Christ. 
“You put it over the lines you’ve carved to make more clay stick,” the instructor expands. 
Y/N swallows when he smears the consistency coating his fingers onto the lines he’d drawn, his gaze bouncing from his touch to her face. 
“Like, if you wanted to add a handle to a mug, you’d use this method. Or, alternatively,” the young woman focuses on the way the pads of the digits rub over the lines. They fade away. “It’s like an eraser. Careful with erasing, though. …Wet mess.” 
The latter is tacked on as a reminder, and it wonderfully reminds her of the heat coiling in the pit of her tummy. Wonderfully. She swallows again. 
“You can probably use that brush to apply the slip, though, if you don’t want to get your hands dirty again.” 
Flowers. She sculpts flowers with a searing heat between her thighs, because his added little comment of, “I don’t mind,” as he glances to the slip still glazing his fingers, implying that he doesn’t mind to get his hands dirty, does that to her. Y/N sculpts flowers and they settle into a comfortable sort of silence. It’s one where the only sounds are the soft music playing over the speakers and the occasional noise of pages turning from behind the counter as he leans over it and works through some kind of paperwork. She draws lines into the vase, and brushes on the slip, and presses creased flowers to decorate the bulbous body, concentration etching her features. 
She doesn’t notice when she goes over the hours of operation, and Harry doesn’t disturb her, doesn’t tell her that the shop’s been closed for nearly half an hour by the time she peers up and declares, “I’m done.” 
“You’re done,” the man repeats and sets the paperwork down, making his way over to the table where she’d set up, “Let’s have a look.” 
Y/N sits back admiring her artistry. All things considered, it’s sort of an ugly vase. Despite this, a sense of accomplishment buds in her chest as she stares at her creation. 
“I like it,” Harry tells her, nodding like he’s proud of a promising protégé, “It’s quite sweet.” 
“Thank you. What now?” 
“Now—“ the instructor props one hand onto the countertop and the other against his hip, “You wash your hands, you take a picture, and you come back in three weeks to sand it and glaze it.” 
Simple. It’s a simple set of instructions. Y/N brushes crackling, dried clay off of her fingertips against the cloth laid over the table, instinctively reaching for her purse. 
She blinks up at him expectantly, “How much?” 
Dimples wink awake with his soft simper, and he shifts his stance before he asserts, “Don’t worry about it.” 
The young woman’s features shape into something crinkled, something bemused and unwilling of a discount. She shakes her head and glances back down to the tote, “No, I have to pay you. What about your tip?” 
Harry crosses his arms over his chest, pecs flexing with the motion. Flexing, flexing, flexing, when will his muscles stop rippling? He sighs, cushiony mouth still smiling, “I think I’ll live. My tip was that I’ve helped you discover a hidden talent—“
Y/N snorts, eyeing the sloppy attachments to the shapely base, fingers still tucked over her wallet. 
“—It’d defeat the satisfaction and all the pride I’ve got now,” the man declares, shrugging. 
The unconvinced look she gives him coaxes him into a good-natured roll of his eyes, and Harry tuts before he compromises, raising his eyebrows, “But if you must tip me, you can tip me when you come back in three weeks, yeah?” 
Begrudged, the young woman takes her hand from the edges of her wallet. “Fine. Okay.” 
“Okay. Three weeks,” the man reminds her, a little smile playing over the plush of his mouth.
The world of ceramics is oddly pornographic, Y/N decides. But maybe clay isn’t innately erotic. Maybe it’s the way the man’s fingertips mold its shape, the way his digits look soaked in slip, the way his hands cradle over it as a wheel spins under his ducked stature. Maybe it’s the way his jade irises flit to her face when he makes an educational comment that’s obviously suggestive, Maybe it doesn’t have to do with clay, at all. Maybe it’s Harry.  
Maybe it’s the way he tells her, “If I were you, I wouldn’t miss it. Glazing is my favorite part.”
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mydarlingclaudia · 1 month
Text
fish boy
note : divider is from @/cafekitsune. I also wrote this because I was inspired by this drawing by @sillydicejelly please go look at their art it’s very pretty! this is another summer fic because I’m not ready for summer to be over ugh. I liked writing this a lot but I did feel kinda silly towards the end
wc : 2.8k
tags : @lottiies
desc : he saves you from drowning and you come back each year, falling in love was easy. strangers to friends to lovers, fluff, I think angst (towards the end), not proofread, re2 and re4 Leon, gn!reader, au
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It started back in 1997 when you were nineteen. Your family went to the beach for a week in the summer, like you do every year. Your family had a beach house there that they’d had since before you were born, you’d been going there your whole life, you’ve never noticed anything strange. Most days were the same; go into town, window shop and buy as much ice cream you could stomach, go home and swim until you couldn’t feel your arms, roast your skin, play with your cousins, eat, sleep, repeat.
But nothing stays the same forever, sometimes that was a good thing, sometimes that was a bad thing. But this change was just… odd.
One night you were just having a hard time, you and your mom had gotten into a fight earlier in the afternoon and it had just thrown off the rest of your day. You went out that night, maybe around ten after everyone had gone to bed, the wind was harsh, the water was harsher. That didn’t stop you from jumping into the water to try and let the cold water ease your mind.
It didn’t work, though. One big, unexpected wave had toppled you over in the deep water, and before you knew it, you were gulping down salt water, unable to tell up from down.
Miraculously, you didn’t die, even though you should have. You had lost consciousness, though. You didn’t know where you were when you woke up, all you could make out was a small shore, surrounded by cliffs and overgrown weeds, no one else in sight.
Except for a boy.
He was blonde, pretty, pale, too. There was something a bit odd about his face, but you brushed it off as your bleary eyes adjusting. You don’t remember what you said to him, mostly because you didn’t even know what you were saying when you said it, but he had helped you sit up and you rested against his shoulder, one of his hands awkwardly patting your back. It felt comfy, you could ignore the ache in your body and how heavy your lungs felt and just focus on his wet skin pressed against yours.
This must have been what Eric felt like when he was saved by Ariel in The Little Mermaid.
When your eyes finally did adjust, and you got a good look at him, you realized that the oddity of his face was scales that lined his cheekbones back towards his ears, and that his ears weren’t even ears, but webbed ones, like some sort of deep sea creature. You had backed away from him, a confused expression painted on your face while a slightly pained one was etched onto his.
Your eyes hadn’t been able to focus on a single part of him, flicking between his tail, his webbed hands, the gills that lined his throat, his sea-matted hair, the blue tint that surrounded his fingers and gills, everything. You had to be dead, there was no other explanation, but his voice had been so soft when he spoke to you, that you almost wanted to scoot closer again.
“Listen I-I just- you’re- I think I hit my head.” You had sputtered out, one of your hands flying up to feel against your head for any bumps.
“I checked already, you didn’t.” The fish boy had reassured you, pushing himself closer to you.
“I-I didn’t?” Your eyes were glued to him the whole time he had moved himself closer to him, you didn’t back away this time.
“You didn’t, I promise.” You flinched when he reached up to peel your hand away from your head, making him stop for a second, those pretty blue eyes of his robed over your face for another second before he pulled your hand away.
“So-so what? What happened?” He let go of your wrist, placing both his hands down on the sand, his eyes were yet to leave yours.
“You were gonna drown.”
“A-And you saved me?” He nodded, you let out a shaky breath. “So I’m not imagining this?” He shook his head this time. “Jesus, where are we?”
“By the lighthouse,”
“The lighthouse?! That’s like, what, four miles away? Goddamn.” You groaned, that explained why no one was around.
“Are you okay?”
“Yeah, I-I guess.” You watched as his eyes trailed down to your bare legs.
“… I’ve never met a human before.” He mumbled.
“I’ve never met a mermaid- merman- uhm, fish boy, I dunno.” He looked you dead in the eye again for a few seconds, then let out a giggle and shook his head, you had smiled at him.
You had to admit that this strange creature was kinda cute, you didn’t doubt that he could probably overpower you, but he had been gentle with you so far. He stopped laughing as you stood up, watching the way the muscles in your legs flexed.
“Shit, my families gonna be wondering where I am.” You had told him, putting your hands behind your head and pacing around in a small circle.
“Don’t worry, I’m going to take you back.” You stopped your pacing, looking back down at him and the dumb smile he had on his face.
“You are?”
“I mean… yeah? Why would I save you just to leave you stranded?” He chuckled, you huffed.
“Well, thank you.”
He was a strong swimmer, that shouldn’t have surprised you, he had helped you swim along when you got too tired to do it. You had told him to just leave you at a spot along the beach that was secluded because it’s right where ships would dock and that you’d just walk the rest of the way back home. Before you had left, he had eagerly told you his name, you told him yours. The two of you had lingered for a few seconds longer than necessary, him in the water, you on land.
You felt like thanking Leon again wouldn’t be a good enough way to show your gratitude for saving you, you didn’t really know how to properly thank him yet, but you had suggested meeting in the same place the next day shortly after sunrise. Leon bit, eagerly.
You were surprised when Leon showed up the next day. And the day after that, the next day, too, and every day after. He’d bring you shells and sand dollars, you’d bring him human treasures (coins, candy, ice cream, anything).
Leon would let you look at him, because the more you looked, the more intrigued you became with him, and he liked that feeling. You found more blue scales littered across his arms, he let you touch them. You liked his tail a lot, all the pretty blue and tan scales that shimmered in the sunlight paired with strong fins that were rough to the touch.
You could spend hours talking to Leon, and you did, your family would ask you where you were running off to, you’d just say it was a boy in town, it wasn’t really a lie. He’d ask you about all the places you’ve been to on land, you’d ask him about the ocean.
Leaving was hard. You had promised him you’d come visit again, maybe even on your own a few times a year. But you had promised Leon that you would be back the same time next year. You’d never forget how he frowned and nodded his head, asking you for another keepsake. You gave him a bracelet you bought in town.
You had the whole year to look forward to seeing Leon again. When you arrived on the beach in 1998, you were almost certain he wouldn’t show. As far as you knew, mermaids didn’t have calendars, how would he know when a year passed? On the drive up you contemplated how long a year was to them, you almost gave yourself a nosebleed thinking about it. You would just have to ask Leon.
But Leon had shown, and he showed up with a grin on his face and the best shells he had gathered over the past year.
“What do you call those?” Leon had asked you, pointing a blue finger at the overgrown wildflowers sprouting out of the hill above you and him. You looked over your shoulder, sparing a glance to the purples and yellows of the flowers that gently swayed in the wind.
“Those? Those are flowers.” You said to him, taking another cookie from the ones you had baked and brought to him, still looking at the wildflowers. You quickly learned that if given the chance, Leon would eat just about anything, especially sweets.
“They’re pretty.”
“There are prettier ones.”
“There are?” You finally look back to him, he’s only a handful of feet away from you, the cookies and other treats you brought rested on top of a stool between the two of you. Leon was laying on his stomach, forearms keeping him propped up as his eyes locked onto you, gentle waves rolling over his tail and reaching your feet, the two of you hidden away at the part of the docks no one ventured to.
“Sure, sunflowers, snapdragons, lilacs, chrysanthemums, tulips… I could go on forever.”
“… Would you bring me some?”
“Of course.”
And you did, you brought Leon as many flowers as you could carry, he was worth a pretty penny for all of these flowers. You were no expert on plants, but the night before you brought him the flowers, you took out a book at the library on them, just to know each one’s meaning so that if he asked, you’d be prepared.
Leon asked about anything he could think of, he always did. You were the same, in a way. You’d never been all that curious about the ocean until Leon came into your life.
You watched Leon with a softness in your eyes you don’t think you’ve ever even looked at a boy with when he’d twirl the flower stem between his fingers and study each individual petal, you wanted him to look at you like that.
“I wish I could take these back with me.” Leon had mumbled to you, eyes still glued to a tulip.
“Maybe you can, I don’t know how well they’ll hold up in the water, though.”
“That’s what I’m worried about,” His eyes shifted from the flower in his hand up to your face, his smile dropping a tiny bit. “These are beautiful, I don’t want to just remember them.”
You didn’t know what to say. You wanted to tell him that you couldn’t keep everything you wanted, but you knew that you were keeping Leon as close as you could and that telling him that would be hypocritical.
“I’ll buy you as many flowers as you want.” You told him before you could even finish the thought, but you meant each word. Seeing his face light back up made your heart skip a few beats in your chest.
“You will?”
“If it’ll make you happy.”
“Yeah, it would.” Leon had smiled at you, you got out of your beach chair and scooted next to him in the sand, reaching a hand out to run over his wet back before you wrapped your arms around his shoulders in a hug. Leon had gone stiff for a few seconds, your grip loosened on him, he took that opportunity to move and wrap his arms around your waist. He didn’t let you go for a long time.
Years came and went, your visits with Leon stayed the same. You spent most of your summer at the beach now, talking with Leon, swimming with him, eating with him, any excuse you could find to be with him, you were there.
August of 2004 is nearing its end, it’s late right now, you don’t know whether it’s before or after midnight. You’re soaked through to the bone, salt water clings to your cold skin as you lay on a beach towel. Leon is next to you, he’s never not near you when you’re at the beach.
Leon gets more and more handsome each time you see him. You’re not sure what’s going on under the surface of the water, but something has hardened him. His eyes are a bit colder, he’s gotten a bit stronger, he’s more serious about things.
You don’t think you ever really knew Leon, you liked to think you did, but he’d never be able to come into your world and you’d never be able to go into his without an oxygen tank strapped to your back. You had to settle for this.
Leon’s never mean to you, though. He still asks questions, he still brings you shells, he still loves flowers. He’s gotten more touchy, he likes your legs, you continue to like his tail.
Leon shifts beside you, rolling onto his side to face you, you do the same.
“When are you leaving?” He asks.
“I’m not sure yet.” You couldn’t stay at the beach forever, you tried to work jobs that were more lenient, but you still need to eat and have a roof to sleep under. Your family notices how you keep returning to the beach for longer periods each year, they think you’ve fallen in love. You have.
“Just be sure to say goodbye.” Leon says this each time you have to leave, you always say goodbye, you’d never just leave him without telling him you wouldn’t be back for a while. You don’t say anything as Leon sits up, reaching for a tulip from the bouquet of flowers you brought, you grab one as well.
It’s silent between the two of you, you’re picking off the petals of your flower, reciting “he loves me, he loves me not” in your head repeatedly, you haven’t done this since middle school.
“If I had legs…” Leon starts, you stop what you’re doing, pausing on a he loves me petal. “Would you take me with you?”
“Take you where?”
“Just with you. I just… I just wanna be around you for more than a few weeks.” Leon’s words both warm your heart and make it clench at the same time, you turn your attention back to your flower, picking off more petals.
“Of course I would. I’d take you anywhere you wanted.” Your eyes flick to his face, catching his smile.
“I miss you, y’know.” You stop again, he loves me not.
“I’m right here.”
“I mean when you’re gone.” Leon huffs beside you, letting his hands fall down to his lap, still holding the tulip. “I don’t like when you leave. Every single day for the past six years I’ve swam up to shore waiting for you, even when I knew you weren’t going to be there. You’re the first human I’ve ever met, I’m pretty sure you’re the kindest one out there, too. You can go anywhere you want in the world and I’d never know it. I just want to see you.”
“And I want you to come with me,” You admit with a shaky breath. “Believe me, I think about you everyday, I try and find things that I can bring to you, I try to be here more than I probably should be. If- If we were able to be around each other every waking moment, I’d spend my life with you.”
“… I don’t want to be in the sea anymore.”
“Leon, you have no idea how easy I wish it was for us.” You can feel tears pricking at your eyes, you look away from Leon, the only petal left on your tulip is he loves me.
“Would you ever move here? To the beach?”
“I’ve been thinking about it a lot.”
“Then do it.” Leon meant it as a demand, but he said it so softly it sounded like he was begging. You toss your tulip to the side and look back at him, scooting closer, letting sand stick to your skin as you leave your towel.
Leon is still blonde, he’s still pretty, he’s still pale. His skin is still wet to the touch and you’ve come to love the scales plastered onto his skin, he’s not awkward when he holds you anymore, and there’s a different ache in your lungs when you’re around him that certainly isn’t you being waterlogged.
You bring a hand up to cup his face, his webbed hand closes around your wrist, leaning into your touch.
“I love you,” He murmurs against your palm, pressing a kiss to it.
“I love you, too.” You whisper to him. Leon doesn’t pull away from you, he never does until he absolutely has to. His hand slides up to latch onto yours, he holds it against his chest and leans in until his forehead is resting against yours.
“Please, say it again.”
“I love you.” You’re the one who leans in for the kiss. The summer you first met, you had found yourself laughing at the thought of kissing him because you thought he’d taste like fish. Instead, he tastes like salt water you’ve swallowed more than enough times, you’d drown in it knowing it tastes like him.
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