#some people have too much main character energy

[calware]

Do you have any advice on how to write Dirk and Hal or know of anyone I could get tips from :0?

okay so first of all i want to say that i don't think that i'm really an 'authority' on the subject, or that anyone else really can be aside from andrew herself. but i do have some thoughts and opinions that i'm willing to share

#1 piece of advice is to reread the comic once in a while. or at least reread bits and pieces if that's too daunting or not feasible. the POV cam extension is really helpful for that because you can specifically reread just the parts where dirk is there (does not work for hal though iirc which is where the dialogue directory is the next best thing) anyway i suggest doing this because it's always better to have their canon depictions fresh in your mind so you aren't accidentally working off of purely fanon ones

i think this is more of just a writing tip in general but try to think about how much you intend to transform the character. and by that i mean how much you want to stick to canon characterization. no matter how far you go with it, your depiction should always be informed by canon, but you can go as far with it as you want as long as it's intentional. so for example, if you want to stay really close to canon characterization, go for it. but if you want to stick them in an AU, ask yourself how that will change their behavior, personalities, etc. and it you specifically want them to act differently than they do in canon, that's okay too as long as you justify it and make it believable to your reader. you don't have to be afraid of changing them as long as something happened to cause that change

i feel like these are the two biggest pitfalls people fall into, usually a combination of the two. either they just don't understand the character well enough to give a believable portrayal of them, they don't give the audience enough reason to believe their portrayal of them, or both. for example there are a lot of hal fics out there where he is evil and kills people for fun, which to me just tells me that the author didn't really get him. but the takeaway isn't that you should never make hal evil and kill people, just that you need to provide basis for the audience to believe that he would be evil and kill people while still feeling in-character for doing so. that's what i mean by intentionality, you need to understand why you make the artistic choices that you are making

i wrote down some common tropes (?) of hal writing i tend to see that are along the lines of "i see these a lot and they wouldn't be bad if the author just made them feel believable" if that's at all helpful. i can do some for dirk as well if anyone wants me to

3. avoid being reactionary. the homestuck fandom is so reactionary with its portrayal of characters, meaning that one mischaracterization will get popular, and people will complain about it and swing the complete opposite direction, leading to a different mischaracterization becoming popular. an example of this is everyone thinking dirk is the coolest ever, and then switching to think he's the lamest ever. just try to focus on your own perceptions of the characters based on what you read from the comic and what you agree with others on, don't form perceptions based on trying to break away from something else

4. this goes more for dirk than hal because hal isn't as popular, but just keep in mind that dirk isn't the main character. i think a lot of people attribute main character energy to him when they don't really have to. obviously if you write a fic about dirk, he's literally going to be the main character, or if he's your favorite character you're going to care about him more than the others. but that doesn't mean he's any more important, more special, more traumatized, more mentally ill, or what have you, than any other character. going back to the example from above, the people who treat him as both the coolest OR the saddest character are both portraying him as the Special Boy. when the reality is that they are all pretty special and he's not an exception

i hope that all made sense... if not feel free to ask and i can explain further if needed

[kikyoupdates]

Tears of a Villainess ⭑˚🗡️⭑ 𝑓𝑎𝑟 𝑡𝑜𝑜 𝑑𝑒𝑠𝑖𝑟𝑎𝑏𝑙𝑒

yandere!ocs x reader

yandere, reverse harem, isekai, original characters x fem!reader, slowburn, slowburn yandere

Reincarnation isn't as great as it sounds, especially when you've been reborn as none other than the villainess. Fated to die if you stand in the heroine's way, you immediately resolve to distance yourself from the plot. As long as you have nothing to do with any of the relevant characters, surely, you'll be able to avoid an untimely death. But in a horrible turn of events, the heroine ends up wanting to get close to you. Are you really doomed to meet the villainess' tragic end? Or is there an even more sinister fate that awaits you?

previous | story masterlist | next

You’re straight up not having a good time. 

Normally, these kinds of events are meant to be fun. Back in your original world, people would get together to kick back and relax, seeking respite from their busy day-to-day lives. Parties and social gatherings are supposed to be things to look forward to. 

In this world, however, that’s not the case. 

Living among the nobility is a staggering difference from what you once knew. Very few people are actually here to enjoy themselves. It’s all about maintaining appearances, and everything you say or do will likely be held against you at some point. Everyone hides their true intentions between fabricated smiles and thinly-veiled threats. It’s a dizzying, confusing affair, and since everyone thinks you’re the villainess, there’s no end to the unwanted attention you receive. 

But that’s not even the biggest problem. It’s one thing to have to try and navigate through this new environment you’ve suddenly been dropped into. 

It’s another thing to have to convince the villainess’ best friend that you’re actually who you say you are. 

“[Name], where are you going?” 

Flynn keeps following you. Rather foolishly, you’d hoped that he would leave you alone after you wandered off. But no, he insists on sticking to your side like glue, and he doesn’t bother to hide how suspicious he is. 

“Is everything okay?” he frowns. “You seem… agitated.” 

You nibble on your bottom lip.

Of fucking course I’m agitated! You’ve been grilling me nonstop from the very start! I only know a few facts about the villainess based on the game! I don’t know the inner workings of her entire goddamn life!

“I’m just bored,” you try to dismiss. “There’s nothing to do here.” 

“Couldn’t we find someplace to talk instead of you walking around in circles like this? It would help the time pass faster.” 

As if. Not only do you want to avoid him for the sake of preventing a potentially gruesome death, but above all else, he knows way too much about the villainess. He’s already asking a ton of questions, and you’ve barely spoken two words to him. He’s simply too perceptive for his own good. 

You strain a smile. “I’d rather not stand still right now.” 

“Hm,” Flynn frowns. “Like I said, you seem agitated. But why?” 

“I don’t know. Maybe they laced that wine with something,” you shrug, chuckling a bit.

He doesn’t seem amused in the slightest, and you desperately try to remember whether the villainess had a sense of humor that extended past bullying others for fun. 

Honestly, probably not. 

“Okay, well… gotta go!” 

You high-tail it out of there, but unfortunately, you’ve come to realize that running in heels is a giant pain in the ass. It’s the main reason you haven’t been able to give Flynn the slip yet. All he has to do is speed-walk a bit, and he’s able to keep up with relative ease. 

However, Lady Luck decides to shine down upon you, and in the few seconds that you stumble clumsily and manage to place a bit of distance between yourself and Flynn, you happen to run into your parents.

Your mother is quick to frown. “[Name]? What’s the matter with you, girl? Why are you running around like that? It’s improper.” 

“I feel sick,” you immediately blurt, with the same energy as a young child walking into their parents’ room to tell them they threw up. 

She takes a few moments to look you over, and fortunately, the nervous beads of sweat on your brow and overall frantic expression must be rather convincing. Your father was engaged in a conversation with some other nobleman until just a second ago, but he too turns to look at you, visibly concerned. 

“I’d like to go home,” you state. You add, with a shaky breath, “Please.” 

Right at that moment, Flynn walks up from behind, having just caught up to you once again. 

“[Name],” he sighs. “Seriously, what’s going on with you today? You’re acting—oh. Apologies. I didn’t see you two there.” 

Flynn politely greets your parents, but they don’t pay him much attention, because they’re far too preoccupied with fussing over you. 

“Hello, Flynn,” your father mumbles in a hurry. He presses a hand to your forehead, which is undoubtedly clammy, because you’re a nervous wreck right now. “Oh dear. Forgive me for not being able to stick around for a chat. [Name] seems to be feeling ill. We had better take her home so she can rest.” 

You watch as Flynn’s brows lift. “What?” he frowns, turning towards you. “Is that true? I thought you were just agitated. Do you really think they put something in the wine?” 

“Who put what in the wine?” your father gapes. 

“I-It’s not like that,” you chuckle awkwardly. The last thing you want to do is unintentionally frame someone for drugging you. “I was just kidding. Um… but I really don’t feel well. It’s possible I might have caught a cold. Or maybe I just haven’t gotten enough sleep lately. I’m worried I might collapse.” 

What follows is quite possibly the biggest freakout you’ve ever seen, and honestly, it’s kind of fucking embarrassing. 

“Collapse?!” your father exclaims. “Good heavens! Then we must get you out of here as soon as possible! Everyone, move! Give my daughter some space!” 

He proceeds to pick you up into his arms, despite the flustered squeal you let out, and your mother isn’t any less dramatic, with all her nonstop desperate wailing. 

You squeeze your eyes shut, mortified beyond belief.

Please, just kill me now.

There goes your plan of trying not to draw too much attention to yourself. All of the guests clear the way and let you pass through, but you catch them whispering amongst themselves, and you’re willing to bet they’re not saying nice things about you. 

Oh, well. The villainess already had a bad reputation. You’d be a fool to expect that you could overwrite it so quickly. It’s just going to take some time. 

You really wish your parents would calm down, though. 

“Move, move, move! This is an emergency, goddammit! My daughter is barely clinging to consciousness!” 

“Uh, I’m still fine,” you protest. 

“She’s passing out quite literally as we speak!” 

You roll your eyes and let your body sag, utterly defeated. Seriously, what a family of drama queens. You can’t even blame the villainess for turning out the way she did. 

The only silver lining is that the evening is being cut short, and you don’t have to spend any more time with Flynn. You never imagined how stressful it would be to have someone scrutinizing your every move. 

“Is she going to be alright?” Flynn asks worriedly. Your father is in the process of hoisting your body up and lifting you into the carriage. “Would it be okay if I come along as well, Count [Last Name]? She’s given me a fright. I’d like to stay by her side, if possible.” 

Fuck no! Don’t do that! 

You’re just about to protest, but thankfully, your father interjects before you have to. 

“She is very ill, Flynn,” he mutters somberly. Which, again, is kind of ridiculous. All you said was that you were worried you might collapse, yet here he is, acting like you’ve just been diagnosed with a terminal disease. “Right now, she needs as much rest as possible, and time to recover. Our family physician will look after her. I’ll ask that you please give her space so she can properly regain her strength.” 

Flynn isn’t able to hide his disappointment, but nevertheless, he nods. 

“I understand, sir. In that case, I’ll keep her in my thoughts and wish her a swift recovery. Please let me know when she’s feeling better.” 

I know I jokingly asked to be killed earlier, but can people please stop acting like I’m going to die? 

You slump back into the cushioned seats inside the carriage and sigh heavily. This evening has been sufficiently exhausting, and in more ways than one. You wonder how you’ll be able to break off your friendship with Flynn. He seems rather attached to you, based on how worried he is, and you remember from the game that he vehemently defended the villainess’ actions at first, since they were such close friends.

Clearly, getting rid of him won’t be an easy feat, but in the interest of ensuring your safety, you’re going to have to make it happen. 

“Goodnight, [Name],” Flynn says. He smiles encouragingly. “You’ll be alright. Be sure to get as much rest as possible, and I’ll come visit you soon.” 

Unlike his smile, which appears genuine, yours is tight-lipped and forced. 

I would much rather you didn’t. 

“Mommy, can I have more apple juice?” 

You hug the blankets closer to your chest and make puppy eyes at your mother, who leans down to affectionately pat your head. 

“Of course you can, sweetie,” she beams. “I’ll have one of the servants fetch some for you right away.” 

Well, it’s the morning after your parents frantically brought you home, and spoiler alert: you didn’t die. 

You did, however, discover that your parents are even more whipped for you than you could ever have imagined. Which was kind of embarrassing last night, but in the grand scheme of things, you’re thankful. 

If something goes wrong and you desperately need help, you have a good feeling that they’ll stand by your side. 

Also, since they were so terrified last night, they’re pretty much giving you the princess treatment right now. You even got to eat breakfast in bed earlier. 

Your mother has been more suspicious of your strange behavior compared to your father, who takes it all in stride, but she seems to have mollified a bit. It’s probably because you’re acting like a spoiled baby right now, which is much more in line with the villainess’ demeanor. You make a mental note to be a bit more bratty from time to time. 

Flynn promised to visit you, but you told your parents that you still want to focus on your recovery, so he thankfully hasn’t stopped by yet. You’re going to try and keep him away for as long as possible, at least until you can figure out how to deal with him. 

Anyways, you’ve got the whole day to yourself. You don’t even have to do any more math problems for a while, since you’re supposedly so sick. Haha. 

You may not be a villainess, but you’re no saint, and you’ll take just about any opportunity to goof off. 

“Fiona, come along with me to the garden,” you gesture. “I want to stuff my face with pastries and drink yummy juice under the sun.” 

“My lady, shouldn’t you stay in bed?” she frets. “Your father made it very clear how ill you were… he said it was a miracle that you even made it through the night.” 

Bro. 

You roll your eyes and sip on your glass of apple juice. “He’s just exaggerating. I feel much better now. I’m just taking advantage of how much they’re spoiling me. Don’t tell them I said that, though.” 

“Oh,” she blinks, realization dawning on her. After a few moments, she smiles. “I see. In that case, I’ll accompany you and ensure that I see to your every need.”

You grin widely. 

“Thanks!” 

And so, you spend the better portion of your morning doing nothing in particular. Honestly, waking up in another person’s body out of nowhere is a much bigger deal than you’re making it out to be. Anyone else in your position would probably have had a mental breakdown at the start. 

But apart from the fear of the bad endings that the villainess faces in the games, you’d like to say you’re rather enjoying this new life of yours. Seriously, compared to being a struggling university student, drowning in homework and hefty loans, getting to eat delicious pastries while sitting comfortably in an extravagant garden really isn’t that bad. In many ways, it’s a massive improvement. 

It’s a grim thought, but you realize there’s very little about your old life that you actually liked. It felt like you were just going through the motions every day, devoid of any real passion or longing. Ever since your parents died, you fell into a bout of depression and pretty much shut everyone out. 

Being able to start over was surely a blessing in disguise, and all the more reason why you’re hellbent on protecting this new life. 

“[Name],” you mumble in a daze, the taste of sugar lingering on your tongue. You stare up at the clear blue sky and smile. It isn’t the same name you grew up with, but from now on, it is your name, and you’re going to wear it proudly. 

You hum, popping another pastry into your mouth. You could probably afford to hold back a bit, otherwise you really will get sick this time, but whatever. It’s a beautiful day, and you’re feeling great, and it’s so nice and peaceful right now—

Hm? 

A carriage has just pulled up to the manor. You watched it roll in from your vantage point in the garden, so naturally, your curiosity got the better of you and you started walking over.

Fiona scrunches up her brows. “My, who could it be? I didn’t think we were expecting any visitors today.” 

You shrug. “Don’t look at me. I’m usually the last to hear about these things.” 

Both of you stare at each other, visibly perplexed, but it turns out that your questions are soon answered, because the carriage door opens, and a man disembarks. 

And of course, that man is…

…actually, who is he supposed to be? 

You don’t have the slightest clue. He has black hair and rather piercing blue eyes, which you can make out even from a good distance away. He’s dressed in elegant clothes, so he’s clearly a noble. You suppose he must be one of your parents’ acquaintances or something. They probably know a whole bunch of people.

For some reason, though, it feels like you should know who this man is. There’s this weird sense of déjà vu you’re getting, and it’s like an itch in your brain that you just can’t seem to scratch. 

It isn’t until you’re staring him face to face that it finally clicks. 

“Ah!” 

Rowan Calderwood. That’s what his name is. He made a few very brief appearances in the game, only in about two or three scenes, but you remember now that he’s supposed to be Alistair’s cousin. 

Also, if you recall correctly, they’re not on especially good terms, but aren’t too familiar with all the details.

But that’s beside the point. What is he even doing here? 

Rowan tilts his head. “Pardon me. Is there something on my face? You looked rather shocked for a moment, and even exclaimed quite loudly.” 

You clamp your lips shut. Right. As far as you know, the villainess and Rowan never actually met in the game, which means he’s probably just seeing you for the very first time. It’d be better to pretend like you don’t know who he is. 

“No reason in particular,” you shrug. “I just thought you were a trespasser for a moment, that’s all.” 

Rowan’s eyes widen, but rather than looking offended, he just looks amused. He’s not technically trespassing, but if what Fiona said is true, then he must have showed up without an invitation, which is considered to be quite rude.

“Please forgive me if I gave you a fright,” Rowan says, then he bows deeply, only to lift his head after a few moments and smile. “I take it you must be [Name]. You’re even more beautiful than I had imagined. My name is Rowan Calderwood. It’s a pleasure to finally be meeting you.” 

You wish you could say the feeling was mutual, but he interrupted your pastry-eating session, and you didn’t even get to finish the fresh glass of apple juice Fiona had just poured you.

Plus, he’s related to Alistair. Is he here to try and convince you to restore the engagement? Because no way in hell is that happening. 

“I have no intention of taking Alistair back,” you state matter-of-factly, crossing your arms at him. “You share the same last name, so I presume you’re related to him in some capacity. I thought I should make my feelings clear from the start, so that you don’t waste any more of your time.” 

Rowan’s eyes widen for the second time, and once again, he doesn’t look offended, or even appalled. 

If anything, he looks delighted. 

“How amusing,” he chuckles. “It seems you’re even better than I had hoped for.” 

Uh…? 

Rowan shakes his head. “Rest assured, my lady, that isn’t what I came here to say. Admittedly, I’d heard that your engagement with my cousin fell through, but I haven’t made the trip here on his behalf. I came for purely selfish purposes, I must admit.” 

“Oh.” Your shoulders sag, and relief fills your chest. “Well, that’s good. I meant the part about you not trying to convince me to take Alistair back, not the part about you being selfish, just to be clear.” 

“Right,” he muses. “I had a feeling that’s what you meant.”

This bastard just keeps smiling for some reason. What’s so funny? Granted, you know you can be hilarious at times, but you’ve been nothing but stoic thus far. Yet he acts like he’s having the time of his goddamn life. 

Wait a second… 

There’s a theory forming in your mind, and honestly, you’re not sure you like the thought of it all that much. 

Fortunately, Fiona has your back. 

“P-Pardon me, Lord Calderwood,” she nervously pipes in. “Might I ask if you have an appointment? Count [Last Name] made it very clear that there were to be no visitors today. My lady fell ill last night, and she’s been taking the day to recover all her strength.” 

“I was super sick,” you nod. “My father said it’s a miracle I even made it through the night.” 

Rowan frowns, which isn’t too surprising, considering you look healthy as a horse and you were stuffing your face with pastries up until a few moments ago. 

He clears his throat. “Oh my. Apologies. I wasn’t aware that you weren’t feeling well last night. You look so stunning and radiant that I couldn’t possibly imagine you’d been battling sickness as of late.”

“Yes, well, I just so happen to be gorgeous, but it’s true that I’m taking the day off to recover. Also, please make an appointment if you plan to visit again in the future. No one was expecting you to show up,” you say, sternly enough that you hope he takes the hint. 

Honestly, he probably realizes he’s being rude, but it seems like he just doesn’t care. 

“I had hoped for it to be a surprise,” he smiles. “I was so excited to meet you that I must have forgotten my manners. I also wasn’t sure when your parents would accept my request to meet, given that things are rather strained between our families right now. Well, Alistair’s side of the family, at least.” 

You arch a brow. “So, you thought it would be better to show up without warning and take it from there?” 

“I’m guilty of being a touch eccentric at times. Especially when someone as beautiful and charming as yourself is involved,” he adds flirtatiously. 

“How did you know I was beautiful? We literally just met.” 

“I had heard the rumors, of course. You’re hailed far and wide as the most breathtaking, desirable lady in all the land.” 

Desirable? Are we talking about the same rotten villainess with the personality of a stinky tomato? Now I know this is all BS. 

Still, it’s getting clearer by the second where he’s headed with this. You’ve long since connected the dots.

Rowan’s smile has yet to disappear, and he crosses a hand over his chest before bowing once more. 

“It shames me to admit this, but… ever since I heard that you and Alistair were no longer engaged, I simply couldn’t hold back any longer.” 

Oh, boy. This is actually happening.

“I was hoping to speak to your father first and foremost and make my intentions clear, but I happened to stumble upon you, and now, I’d like to say what’s on my mind.” 

“Uh, you really don’t have to,” you insist. “Like, seriously—” 

“[Name],” Rowan breathes, and you watch, horrified, as he gets down on one knee and takes your hand in his. “Would you… grant me the honor of marrying you?” 

More chapters are available on Quotev!

⊱.⋅follow + post notifications on for story update announcements or join the author's discord!⋅.⊰

🗡️ main masterlist! ♡ character appearances

[highfantasy-soul]

So I read Bloodmarked and feel the strong urge to write a 'fix it' fic for a certain love story.

spoilers, obviously

the insane desire to fix the Sel/Bree dynamic - starting in book 1 - is strong

Sel should have remained combative to Bree in book one, not suddenly turn and fall madly in love with her by the end of the book. He should have only stayed with her for duty because she's Arthur's Scion and it should have been made clear in the story that it was killing him staying with Bree because he's bonded to Nick.

He should have still been combative as she doesn't want to stay hidden, but it should have been 100% duty as to why he was staying with her and protecting her.

BREE should have actually done things to change his mind, not just be the main character. She should have studied past Order dangers they faced and how they overcame them, she should have kept training with weapons and her aether, she should have actually DONE things to try to get Nick back (giving updates after her bloodwalks), and should have worked tirelessly to help others and learn enough to really help in this war.

AND she should have shown how she's different from just any other Scion - she should have pushed for a different perspective, sought out others to help in the battle since she does know about others who use magic. She should have pushed for inclusion and bringing everyone into this fight in the ways they can instead of just leaving it to the Order. She should have researched more about Merlins through this study of magic and perhaps pointed out inconsistencies in the official records, she should have gotten empathy after seeing how much is expected of Merlins and the standards they have to keep and the punishments if they don't - giving her understanding for Sel's position and why he behaved the way he did in book 1. She should have kept in touch with the Lieges who are part of this war, but have different perspectives too.

They should have SEEN each other DOING things to protect people and fight demons SEPARATELY rather than Sel only existing to protect Bree when she's done something stupid or someone is after her. Bree should have DONE something other than run around helpless and complaining about being helpless until she explodes with power.

They should have learned to RESPECT each other for their own actions and histories and seeing how hard each other are trying to do the right thing - and always butting heads because their methods are so different. KEEP the arguments! KEEP the conflicting perspectives - but have them argue with RESPECT for each other, pleading their own cases, but never devolving to petty shit since, you know, they should be focused on protecting people from Camlann.

---

THEN.

THEN! When Bree is attacked and is bleeding out and Sel gives all his energy to keep her alive, THAT'S when he realizes that he's not just saving her because she's the Crown Scion, he's saving her because she's Bree. He can't stop thinking about what would be taken from the world if BREE is dead (her desire to bring together the different communities, her desire to help others even when she can't access her power, her questioning of long-held beliefs and push back on how Merlins are treated and how enslaved all the Legendborn are to the Order's rules down to who they're allowed to marry and her desire to change that) and that he didn't think once about the cost to the Order or the Lines. THEN we can have his change and the slow burn enemies-to-lovers become apparent.

Nix all this 'you're the most strongest, beautifulest, bravest, phenomenal person I've ever met' bullshit - since he can't give examples of her ever being those things! If you think you can come up with reasons, give me some that don't revolve around her power or her attempting to claim her authority - give me some examples of her ACTUALLY HELPING people. As it stands, the narrative only gives us 'Bree is super powerful and pretty and that's enough to make her brave' - no actual action on her part, just how she was born.

Idk, all the tension was just like......we GET IT! She and Sel LIKE EACH OTHER!!! The narrative just has to have arbitrary reasons they can't be together even though they're very clearly attracted to each other! Sel was super concerned about her being out to hurt Nick in book 1, then 180 and he's in love with her now. It's ok for him to be annoyed that she's in the middle of this and she has no idea what she's doing! It's ok that he's annoyed she has such little frame of reference as to how to fight this war and lead the Order! It's ok if he's still annoyed at her in book 1 because he thinks Nick deserves a bodyguard who actually knows what they're doing!

It really pissed me off that Sel started out as a cool, very hard and sharp character, then once he decided he didn't want to kill Bree anymore, he became a completely soft butterball of a person. LET GRAY CHARACTERS KEEP THEIR EDGES!! Stop smoothing their rough parts once we're on the 'to lovers' path!!

Their whole contention could be that she's studied the Order and sees all the ways it needs to change and offer solutions - maybe specifically how the Merlins are treated - and Sel could push back because of all his self-loathing and fear of himself that the Order pushed in him and so he's always playing 'devil's advocate' for the Order and all their methods of control. Stay in line and you stay safe - they've kept Onceborn safe all these years, why fix what isn't broke and risk the chaos that would bring - chaos demons feed on. Bree could push back on him arguing 'WHO' is being helped, WHO has been kept safe? Rootcrafters hunted down by the Order? Onceborn POC who are subjugated under Vassal power given to them by the Order but wielded in the Onceborn world? The Legendborn who have no control over their lives? The Lieges who will die early because of their curse?

Have Sel and Bree actually bring up real and nuanced themes to explore in the story instead of petty shit like it was. Make their arguments MEAN something more than just 'I'm worried for your safety/You're smothering me'.

Make their rivalry real, make Bree's character DO something, and make Sel begin to question his fear of himself and the control the Order brings him. THEN they can start to have feelings for each other based on concrete actions and who each other are, not just 'oh no, he's hot'.

[lauronk]

the absolute lack of awareness and consideration some people have continues to astound me. (personal life rant under the cut)

i live in an apartment complex with a neighbor across the breezeway who regularly plays music so loud i can make out THE WORDS in my own living room

and a downstairs neighbor with a sound system up against the wall so when they watch a movie it vibrates our floors despite us repeatedly going down to ask them to do something about it, be it adjust the bass or move the sound system or just simply turn it down a little (and every time they’re snippy with us about it)

and people who like to gather at the pool right across from our building and play loud music until past midnight ON WEEKNIGHTS

i’m all for people having fun in their homes and enjoying life and music and parties and whatever. but also it takes just a minute to consider that there are other people existing around you and be considerate of them

[yourqueenb]

THE TITLE 💀😭 (not a lie in the slightest, I was just caught off guard lmao)

No but in all seriousness, I think I have a bit of a complicated view of Kiara. Imo the issues with her have less to do with her interactions with the other characters as an individual and more to do with how she was treated by said characters, the writers, and fans vs. how the white women of the court were treated — which is why I understand why you often compare her to them and agree that that is pretty much essential to comprehending just how bad the writing for her is.

In an instance where someone is playing chapters with a week in between each one, hiatuses of several months, and give or take a year between each book PLUS all of the retconning throughout, Kiara disappearing for significant periods of time or having minor cameos, and an MC who is not romancing Drake, I think her poor treatment is very easy to miss and it’s equally as easy to take misinterpretations as fact. *I would even say that there is some basis for people to have a less than positive opinion of her if the conversation from book 2 chapter 1 about her and MC’s alliance is one of the factors.

*From what I understand about the fandom at the time of the series’ release, people definitely took the ‘Kiara is a snob’/‘Kiara is so fake’ thing too far. But I think it would be a bit disingenuous to say that she does not come off as rude and snobby in that scene, especially given everything else we know about her. Kiara is intelligent, observant, and calculated. As a diplomat and noblewoman, she values etiquette and propriety. And as a polyglot/linguaphile, she not only has a deep understanding of language but also tends to choose her words and when she participates in conversation overall very carefully. So with all of that in mind, her saying things like “even if MC were someone we deigned to associate with”, ordering Penelope not to “start up on those dogs again”, and pointing out her and Penelope’s high position of honor in response to a disgraced MC asking if they’ll be joining her in the back (which could’ve been meant matter of factly but looks bad within context)…. definitely cuts deep and feels unnecessarily snooty (and patronizing in Penelope’s case). Not to mention the whole “she’s beneath us” comment in response to MC being a bit sarcastic after everything just mentioned.

However, the absolute vitriol many fans had for her along with how eager they were to paint and view her only in a negative light no matter what makes no sense considering all of Penelope, Madeleine, and Olivia’s wrongdoings. Like Kiara doesn’t even come close to being as hateful and malicious as the last two and isn’t fake at all like Penelope. So why do the other three get excessive amounts of grace that they aren’t even deserving of while Kiara gets none and is either actively hated or largely forgotten instead?

If the writers valued and cared for their Black characters as much as they do their white ones and focused on consistency instead of favoritism, then some of the writing for and dynamics between the TRR cast wouldn’t have been as bad. But even then, that would still require entire scenes and chapters to be completely different. And that still doesn’t cover the fans’ eagerness to purposely misinterpret things and project their biases onto Black characters or the writers’ willingness to pander to those fans regardless.

Thankfully, PB didn’t reflect the fans’ view of Kiara as a Jezebel in the writing (which is honestly a bit surprising considering how much they catered to Drake stans and the fact that they have used the stereotype before in other stories as you pointed out). But given this essay and what I remember of this series myself, I just want to briefly point out and comment on some of the other stereotypes and real world experiences I noticed PB perpetuating and reflecting within TRR.

The first is the scene where Drake and MC can prank Kiara by dumping out her hair products. I haven’t read the scene or romanced Drake myself, but I think the inclusion of that at all is… let’s say interesting… considering the fact that attacking Black women’s physical appearance and beauty is often one of the first things non-Black people do when they feel threatened in any way. And of course, the prank seems fairly harmless in the grand scheme of things and is nowhere near equivalent to real life policing of Black hair. However that particular option appearing after the overall rage/jealousy of Drake stans toward Kiara isn’t really something that can be ignored.

The next is all of the questioning, mocking, and challenging of Kiara’s skills and capability. This one especially rubs me the wrong way because it’s such a common microaggression, but I feel like most people didn’t even notice it in the story and definitely don’t irl. Like Olivia is lauded as some sort of badass super spy who Cordonia couldn’t survive without even though she does nothing with any of the intel she manages to get…. But sure, Kiara is the one with delusions of grandeur who needs to prove that she’s as capable as she says she is 🤨

And coming off of that, I think it’s very telling how a lot of the fans take issue with Kiara’s perceived “snobbishness”, but ignore it or find it amusing when Olivia, Madeleine, or anyone else at court acts the same way if not worse. If it were an issue with classism and arrogance in general, then surely Olivia, Madeleine, etc. wouldn’t be exempt from criticism/backlash, right? But they usually are and are even seen as people who deserve to be cocky… so then what could possibly be the issue now??

And once again, I feel compelled to point out how a lot of the time Black people can’t escape the ugly realities of the world that we live in even in fiction. We can’t be too beautiful, too smart, too aware of our accomplishments, or too comfortable in prestigious spaces lest we threaten the inherent superiority of everyone else. Society holds us to a higher standard yet expects so little of us at the same time. And unfortunately, Kiara and many of PB’s other Black characters are indicative of all of this

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

--

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

[harmoonix]

💃🏼 𝐕 𝐄 𝐆 𝐀 𝐒 💃🏼

Astrology Observations

💃🏼 If you have Capricorn or Aquarius Placements and you suddenly start to feel like your life turns more chaotic than ever is probably Saturn telling you that you need to change something, maybe your routine, maybe your sleep schedule, maybe your self - worth etc (Capricorn/Aqua Sun/Moon/Rising)

💃🏼 Sagittarius Sun/Moon//Rising/Venus/Lilith people easily get attached by them for their outgoing nature and spontaneous energy

💃🏼 Leo Lilith/Leo Placements they are very attractive at the first sight, they are remarkable at making good first impressions

💃🏼 Aries Sun/Venus/Rising/Mars > People always make good boundings with them, they are these main characters who always unite people

💃🏼 Pluto aspecting Mercury > These natives are always so intuitive, they can tell when someone lies to them or when they're being fooled by someone

💃🏼South Node aspecting Sun natives probably didn't focused much on themselves in a past life, you have the chance now! Same for Leo South Node

💃🏼 Mars in fire signs feels so excited, their energy grows over night, extremely passionate, everything they do is with passion and love

💃🏼 Jupiter/Sagittarius in your 11H helps you to manifest things fast, if you actually use methods of manifestation...it can be very helpful

💃🏼 Libra Mars/Mars in the 7H. These natives have one hard challenge and that is to find peace among their relationships, sometimes you tend to argue with your partners and chaos comes rapidly after

💃🏼 Aquarius Placements/11H Stellium creates beautiful friendships, their communities are so unique from a person to another

💃🏼 Moon/Sun or Mercury in the 8H are those people who stay in the shadow yet they know everything about anyone like their some detectives or spies

💃🏼 Lilith aspecting Sun, people can dislike/hate you for who you are, they secretly envy the person you are inside and cannot help it but to hate it instead

💃🏼 Lilith aspecting Mars natives can find themselves around with misogynistic/selfish/arrogant people quite too often, cut these people off from your life

💃🏼 Chiron aspecting Venus natives, people don't understand what they are going through romantically, they usually don't like to talk about their love lives if they're not feeling comfortable

💃🏼 Capricorn Chiron natives, that person who is hurt but doesn't wanna talk about it, they can get exhausted way faster than other people, pretends everything is fine when is not

💃🏼 Scorpio Lilith/Venus/Moon easily attract people who want to use them for their power or for their own benefits, your intuition can tell you the most of it

💃🏼 Venus/Lilith/Juno/Mars in the 12H can dream about their future spouses/future partners, you can aslo have a feeling of "deja-vu" when you'll met them

💃🏼 Gemini Venus/Venus in the 3rd house, their voices are so catchy!! Venus rules over your voice here and it gives you beautiful artistical talents

💃🏼 Moon in the 9th house can indicate your spouse's family can get along with you quite easily. Like not a very attached relationship but you have common respect for eachother

💃🏼 Lilith aspecting the Midheaven can be very liked by people but disliked in the same time because in way people wish to be like you

💃🏼 Lilith in Gemini/Lilith in the 3rd house gets crazyyyy, Lilith here is more communicative than ever if she doesn't like something she'll say it right

💃🏼 Jupiter aspecting Sun natives can easily be liked for their personality and aura, they have a sense of generosity in them

💃🏼 Aries Saturn and lesson with needing to have patience for the things you really want is very real, things may come for you but you need patience for that

💃🏼 I start to realize that Cancer Saturn's natives karma is not always about their family but about creating their own type of karma as well, about nurturing the family you gonna have (when you grow and have kids or a spouse)

💃🏼 Pluto in the 7H natives are literally those type of people who go through a major changing in a relationship, but be careful because a relationship can change into a good thing but also in a bad thing (If is a toxic relationship is time to say byebye)

💃🏼 I adore 10th and 11th house Venuses for standing their ground when they're in a toxic relationship. They won't stay with someone who drains their life and they know their own standards

💃🏼 If Mercury is in a fire sign or fire house the native can be brutally honest when they're talking. Like that type of honesty is rare

💃🏼 Mercury Retrograde is actually a hidden blessing because is represent "Find your voice" at the right moment you'll need it (Ofc Mercury Retrograde in a natal chart not a transitioning one)

💃🏼 Pluto aspecting Juno can get into really toxic/posesive relationships if they don't take care, actually you can be approached by people who share those traits

💃🏼 The ruler of your 9H can help you to embrace your faith way easier:

Sun - You can embrace your faith by being yourself

Venus - You can embrace your faith by loving yourself

Jupiter - You can embrace your faith by believing in yourself

Mars - You can embrace your faith if you follow your ideas/desires

Saturn - You can embrace your faith by using teaching technics

Moon - You can embrace your faith by trusting your guts and intuition

💃🏼 1st house ruler in the 11th can make you to focus more on your friends/friendships more than anything else something like "Friends over anything"

💃🏼 11th house ruler in the 10th house can indicate most of your friends working in the same job/career as you, also you can influence your friends about work and jobs

💃🏼 2 jewelry tips about your Venus!!

Venus in Air/Water Signs can wear more silver/white gemstones

Fire and Earth Signs can wear more gold/red or yellow gemstones

💃🏼 Heavy Sagittarius in your chart can indicate you have a very spontaneous personality, good jokes, good charm and catchy appearance

💃🏼 Cancer/Libra/Pisces/Virgo Moons can have watery eyes in general, their eyes play a big role in their appearance

💃🏼 Heavy Aries or Taurus in someone's chart can indicate someone who is more grounded with a leader spirit, they can just be everyone's type

💃🏼 Talking about types, men with earth Venus or Mars make sure to treat their partners with respect and love, I love that common respect they have

💃🏼 Sun in your 7H makes you to attract partners who have the same hobbies/passions as you, same goes for if you have Leo in the 7H

💃🏼 Uranus in your 5th/7th house can have unexpected relationships, like you met someone new, then someone between you 2 starts to fall in love and y'all end up in a marriage overnight

🏜️ Is Friday today so we have to party 🏜️

H a r m o o n i x

[staryuee]

are you able to make some head canons of scaramouche, kazuha, xiao, (BASICALLY ANEMO BOYS), neuvi, kinich on how they react to reader being nonchalant like lwk i think itd be funny

NONCHALANT S/O

꒰warnings꒱ N/A

⠀꒲ ` characters . . . xiao, kazuha, scaramouche, neuvillette, kinich

⠀꒲ ` notes . . . happy new year ♡ still on hiatus but i didn’t want to leave you guys completely high and dry d(^_^o) + also kinich is most definitely out of character just bc i refuse to play the new update so i know nothing about him

XIAO

ʚ it doesn’t bother him, if anything he likes the fact you’re able to brush things off easily (makes it easier for him to stop crouching on nearby trees to assure you’re safe, but lord do you sometimes hurt his ego)

ʚ xiao isn’t confident in romantic gestures, even something as small as a compliment or pinky holding has him wanting to disappear and recover…so when you so easily act indifferent to it while he’s practically drunk on flush straight up makes him die a little

ʚ aside from the slight jabs to his pride, you aren’t uncaring and dumb enough to let his love go unnoticed (thankfully) so he can fully appreciate that you protect your peace

ʚ haunted by memories of war, death and the stench of metal, it’s nice to find some solace in the cool air you exude

ʚ from the outer perspective, two people who have nonchalant energy wouldn’t seem to work too well (but lord do people drool when you two are duoed for a fight), but you and xiao just click!

ʚ he’s quiet, protective but sweet and ready to take the first step to love you, while you’re chilled, confident and allow him to take comfort in someone who’s stable (and sometimes snarky lol)

KAZUHA

ʚ he takes your nonchalant energy as you being ditzy or levelheaded if anything - in other words - it’s really endearing!

ʚ you sort of match his personality to the T, except he’s just the slightest bit more reciprocal with other people’s energy meanwhile you just stand back with your hands either tucked in your pockets or fiddling with the edge of his scarf

ʚ he actually kinda just enjoys teasing you if anything to see if anything can make you crack, most attempts end in failure but it is a rather cute bonding exercise to whoosh you with anemo energy out of the blue to then help you reorganise your hair and straighten your clothes

ʚ he does worry for you on the occasion when you seem to show a lack of interest in him, he’s a pure romantic at heart! he thrives off the attention from his beloved partner! but once in a while you do show him just how much you love him

ʚ did he immediately brighten when you once placed your head on his lap really quietly when he was humming a melody to you? yes, and he has no shame about that

SCARAMOUCHE

ʚ oh you PISS him off

ʚ if ignorance and arrogance were ever personified it would be you and him respectfully

ʚ obviously you both love each other on deeper levels than just: “even though i’m above you i’ll still let you hold my hand, — “okay.” - but your relationship is just…humorous at best from an outsider’s view

ʚ the akademiya’s student body is currently conflicted between the idea that your relationship is either ideal or highly toxic

ʚ on one hand, it’s really adorable to see the mysterious, snarky student of vahumana that rarely ever comes to class be so oddly…chatty in your presence, as you so lovingly listened to every word (if the people close enough to actually hear can be bothered to ignore the fact he’s badmouthing the entire school while you shrugged at every word)

ʚ aside from the yapper x listener duo, he’d also…a little more physically affectionate? he rests his head on your lap quite frequently because you say nothing and therefore don’t bother teasing him

ʚ that’s also the main thing he hates: how nonchalant you are about everything makes his indifference seem futile and oddly more vulnerable. you don’t care about anything, and it’s incredibly infuriating! the first time he said “i love you” you replied with “huh?” and that was the first time he’s ever felt so scornful

ʚ he loves you most days, so he will deal with your frustrating silence - it’s nice to see him become the person he wanted to be with someone who rarely intervenes

NEUVILLETTE

ʚ he’s worried, intrigued and a little jealous all at once.

ʚ worried because he fears that your indifference is a direct consequence of his own inadequacy. are you perhaps not satisfied?? do you not like it when he cups the side of your face when he kisses you? or do you hate the purring noises he makes when you curl your hands in his hair? …it’s raining in fontaine again

ʚ he’s intrigued mostly because you don’t seem to care or even be fazed by the fact you’re not only dating a dragon - but a primordial, godly being that precedes the creation of the modern teyvat. he didn’t think the information would be useful to you in the first place, but when you asked so nicely about the two blue steaks in his hair, he felt obliged to tell you - and yet you replied with “oh, cool.”

ʚ a little jealous just because this attitude is rather perfect in court. you can’t show bias and any emotion whether for defence or prosecution can skew your perspective on a trial - it’s difficult. he’s grown to love the little beings that run around fontaine carelessly, passing judgement has become something so much more colourful than black and white. but with you? it’s like you either have no opinion, or just to not engage - slightly admirable, if a little scary

ʚ at the end of the day, it doesn’t worry him too badly. nonchalance doesn’t necessarily mean emotionally unavailable - and believe me he spends enough time next to you to love the little quirks and habits you do when no one is looking at that façade of yours

KINICH

ʚ you 🤝 kinich - two peas in a pod

ʚ you don’t give a shit about anything? neither does he! do you wanna kiss?

ʚ ajaw lowkey hates you both (said with affection) and does NOT hesitate to let his opinion be known, though kinich is of course quick to shut him down

ʚ he kind of enjoys peering his head at you during conversations to see what you’re like - if your face scrunches when people say something weird, if your brows pitifully furrow at the mention of loss, or even if you smile at laughter — and he sees quite literally nothing, which was honestly like looking in a mirror

ʚ no one actually knows how two people with nearly the exact same level of charisma (none) got together, but you two are happy with each other, so really - who else needs to comprehend your relationship?

ʚ you have a really similar approach to life: do what you must to get what you want. but to him that means dangerous commissions that no one would probably want, and to you that means lounge around graffitiing a wall with some symbols you thought of on the spot

ʚ it’s genuinely infuriating to have a conversation with either of you though when the person speaking isn’t looking for particular help (or is speaking too slowly for either of your likings), you either brush the person off and walk away, or kinich talks back rather abruptly

ʚ mualani made it a non negotiable rule to have someone, hopefully the traveler, around either one of you like some sort of support dog to ensure you guys actually socialise and don’t sit there like owls waiting to bite

©STARYUEE do not copy, steal or repost ♡ ᴜsᴇᴅ ᴛᴏ ʙᴇ ɪʜᴇᴀʀᴛɢᴀɴʏᴜ

[tarotwithdanise]

WHAT MAKES YOU THE MAIN CHARACTER IN THE CROWD?

꒰⠀from left to right ; intuitively choose the pile your mind, heart and soul desire for. if you are having trouble choosing the right pile for you, here’s some tips you can do ; (1) take a deep breath (2) close your eyes (3) ask guidance from your guides (4) finally open your eyes and you can choose the right pile for you by the guidance you ask from your guides. if you are still having trouble by choosing the right pile for you let me know because i am willing to help and guide you.

send your donations here

PILE ONE

AoW, Temperance, 6oW.

you are the protagonist when you inspire people. when you become someone who lives actively and someone who became an inspiration to people with it's loving nature and unique ideas. you are the type of person who works for what you want instead of just waiting around the corner. you are the main character if you speak with some body movements or in short when you use have a body languages.

when you put much effort into your appearance for example to be well neat looking. you know what you are doing, you know your damn thing and you how to hype and warm yourself up. when you remain silent and calm when there's an argument, downfall or chaotic moment you are experiencing perhaps it can also determine as a reading for as you are someone who is quite influence people. well, maybe you have a sigma aura within you that's why.

when you talk, or if you put everything into how you look or look to people, and you can also know how to take care of yourself or when to warm up for you. others. if you stay calm even in such chaotic moments of life and if you are patient about something you want to achieve. It can also mean that you influence people's lives quietly or speak too quietly. You make yourself. you seem to enlighten them in a simple but calm way. and you can also be the kind of person who reminds someone not to judge others when they determine their future, like reminding them that just because a certain person has less education doesn't mean they can't achieve high goals in life . you can also be someone who is balanced in his life, someone who treats people with balance, like not rich or poor, but equally. it was also your mindset that makes you the main character. you are a person who achieves a lot in certain areas or wherever; you are talented and people may envy you for it. you are a protagonist when you show how you can communicate well or how you respond to people and their negative opinions about you like you simply know how to burn them without actually hurting them.

PILE TWO

6oC rx, 9oC, Judgement.

shocks, you got an alluring aura that may remain a lifetime for people. you are powerful, anyone you pass by turns their heads. you are hard to let go, it's not simple for people for you to forget even though you interact with them for only once. you were also matured and grew up that fast in such a very young age due to your past mostly childhood issues perhaps you are learning and openly willing to resolve this issues. you also know how to pleasure yourself in this world, you know what you deserve like you know how to spoil yourself in small and huge things.

you are aware in your dreams and are about to attain them, you are content from what you already have and you know to yourself that you are born lucky despite these past issues ruining you inside. people perceive you as someone who often changes their physical appearance, someone who puts a lot of effort in their outlook. you also know how to defend yourself in the crowd, you fear no one.

PILE THREE

High Priestess, Death, KoW.

you got a psychic ability and you were aware about that. most people may find you as mysterious and well kept, you are mindful about people who can do bad and harm things to you. you are the protagonist as well because due to your high energy, you are easily able to get comfortable with new people and places perhaps maybe sometimes it can take your energy but overall you enjoy new beginnings. you also love to learn and learn and learn a lot, learning new is a part of your everyday life and you may call them new experiences or lessons that you can use on your near future.

i also see here that many people may have crushes or you may be secret admirers, after all, many people perceive you as an attractive and charming individual. you are also focused and serious when we talk about studies and work, you don't want to disappoint yourself because you know you are the best. people view as light and dark, some may have good opinions about while others don't.

you are a knowledgeable person but you prefer to share this knowledge with those people who are worthy of receiving for you. you are quite picky about that because you know that not all this information can be shared to anyone that easily. you are an observant individual, you rather sit back and observe what is happening in your surroundings rather than be a center of attention but as i said you enjoy meeting new people and visiting new places. i describe you as someone who is naturally introvert but selectively extrovert as a protagonist here.

[thethingsiwouldvedone]

I love isekai stories with Reader inserts but 👀👀👀

Readers who the main characters only find interesting because they've completely flipped as a person and just give top energy 24-7 so hard they've lk began to become somewhat of an icon in the kingdom.

Villainous character (isekai'd Reader) who instead of plotting, opts to get drunk with their advisor and knights in the slums. Instead of attending the ball that the main character ends up stealing the spot light Reader is on the other side of the city telling people that they'll give a gold piece for each rotation someone can complete while upside down on their head. (They've got the civilians break dancing in the street while the main characters are lk awkward and bored having no villain to push them all together.) They don't have time to make others' lives messy while trying to balance the shit they end up getting themselves into. Cue scene of black out drunk Reader falling asleep in some random cart (it ended up being up a box), and shipped to a foreign country. Cue traveling crew to panic about the fact they've kidnapped an important figure. Cue Reader slowly putting the lid back on the box much too hungover to deal with anything at the moment.

Shy Meak Prince/ess character(honestly a non royal character would go so hard) (isekai'd Reader) who suddenly begins to go missing every now and again and one day disappears altogether. The kingdom thinks they've been captured or worse but in reality they have a hard time falling asleep and opt to fall asleep next to a creek not knowing that venturing into the forest meant attracting the attention of beasts and monsters that lurked. Is Reader scared, fuck no? This is they're fucking moment, bitch grew up on how to train your dragon, this is their fucking moment. Enter Reader returning after a week. Mostly fine, a few nips, and bruises. Hair a mess and dirt caked but what really shocked people were the not one but two mystical beasts following closely behind them. (Or they just reappear. Nobody knows anything about the beasts as Reader tries to hide their newly made friends from the other characters).

Tailor/Seamstress/or? (Isekai'd Reader) who's blunt as hell and with horrible brain rot from their own world and just opts to not speak in the presence of others. Others think of them as just a wise and mysterious character with an excellent set of skills for design and fashion. Enter the mind reading character who's just absolutely shook about the absolute unfiltered filth that is coming from the reader as they get fitted for an upcoming ball.

[fateandloveentwined]

wuxia, xianxia, and cultivation differences meta

translations: wuxia 武俠, xianxia 仙俠, and cultivation 修真/修仙 (xīuzhēn/xīuxiān)

think i've seen posts on this eons ago, and i'm pretty sure there are tons of these online, but since this has been written up already let's just have another one.

wuxia 武俠

wuxia and xianxia sound similar, but basically for wuxia it is about the pugilistic world (江湖 jiānghú). It is relatively more down-to-earth, and people practice martial arts ("kungfu") in their current life -- they do not do it to become xians (仙) and gods (神) however.

Like Thousand Autumns and Faraway Wanderers/Word of Honor, it has more historical background and ties to the current court and kingdoms, because people are living in the moment and concern themselves with worldly issues.

Martial arts may seem unrealistic, but in view of chinese fantasy it would be considered "real". It consists of fighting moves and internal energy, which they call qi or nèigōng (內功), and at times you see people flying around, climbing hills and jumping across rooftops which is qīnggōng (輕功).

xianxia 仙俠

A level up would be xianxia, where characters in the story cultivate to become xians (and gods, like in the heaven official's blessing). They don't really care about earthly issues here now, because their ambitions lie beyond the current world, and cultivation, getting stronger, and an immortal life are majorly all their goals.

You may not always see them working towards that purpose, such as in mdzs they are considered a lower-xianxia society (低魔), meaning people don't go through all the steps of cultivation and only stay at the stage before the "golden core" stage.

In xianxia, characters still learn basic fighting moves aka. martial arts, but to direct the internal energy they use línglì (灵力), zhēnqì (真气), and fǎlì (法力), all xianxia terms you commonly see. "neigong" is practically nonexistent in this genre. That's why people building up their "neigong" instead of "lingli" are likely never going to be able to cultivate.

cultivation 修真/修仙

A subgenre in the xianxia category would be cultivation. Characters actively go through the stages of cultivation, and likely for the MC, because they are the main character, they successfully become a xian and exit the world at the end of the novel.

There are many stages of cultivation, usually defined at the beginning of the novel in the synopsis, and a typical example of the different levels would be this:

练气，筑基，金丹，元婴，化神，炼虚，合体，大乘，渡劫

And with a cursory search, an English translation would be something like this, albeit not with all the cultivation ranks identified.

Qi condensation (练气), Foundation establishment (筑基), Core Formation (金丹), Nascent Soul (元婴), and the names after that vary too greatly with translation and fandom so I'll jump straight to Immortal Ascension

extra info: getting into the philosophy of it all

It'd be interesting to note that the word "xiá" (俠) permeates all these genres. This is something akin to the concept of "hero", but not at all also, and I'd love to speak more on this but this post has already gone way longer than I hoped it would be, so perhaps another day.

Regardless, it is interesting to note that wuxia has a greater emphasis on "xia" than xianxia. (some joke that cultivation doesn't have the word "xia" in it, and much of that is because characters have foregone heroism and focused on gaining powers and working towards ascension instead). As a result, wuxia is more confucianism-oriented, though not without its taoism and buddhism influences.

xianxia, on the other hand, is mainly derived from "dào" (道), from taoism, which is another lengthy concept if I ever get to it.

And some may have heard of the "farming" genre, 种田 (zhòngtián). This has to do with golden fingers (mary sues) in imperialistic china, earning a wealth of money, and all that. It has nothing to do with cultivation, alike they sound in english.

that's it for now, hmu if you wish to ask/discuss!

(and apologies for the pinyin translations, hope it's understandable still! formally writing pinyin they are supposed to be two separate words not one.)

[cyberclouddream]

Expert Energy, "Good" or "Bad"

Your Sun and Leo placement can represent what you inherently come off as an expert in, or at least draw attention by seeming very wise or knowledgeable in this area.

Note: aspects or other planets can change how these placements manifest. These can also apply to places where you have stelliums or even Ketu, Jupiter, or Saturn. Especially for heavy 1st house/10th house placements)

How Other Placements Can Manifest According to The Insights Below:

Jupiter: you may come off too much in how the insights manifest, like you're good but it's forced or overwhelming in some way (also 9th house)

Saturn: you may still be learning these insights and come off as if you should've already mastered this area, or you may push boundaries too much here (also 6th house and 12th house)

Mercury: (how you communicate your emotional reactions) you're good at finding ways to bring these ideas or behaviors into any situation or topic

Moon: (your actual mind, because the brain operates on and remembers emotional responses to situations; your nervous system is about how things make you feel) your emotions tend to revolve around these insights, like getting triggered (positively/negatively) when these behaviors/ideas are acknowledged (also 4th house)

Venus: may come off as if you're more attracted to the idea of these insights, or make it too transactional (also Libra or 7th house/5th house)

Mars/Pluto: may come off as if you're trying to force these behaviors or insights onto others, very assertive or adamant, even if unintentional; especially with Pluto, it may seem like you're always trying to transform/evolve these aspects about yourself or others

Ketu/South Node: you may come off too attached to the insights or behaviors, like it's a comfort zone, like you're an elder who's stuck/stubborn in their outdated ways (also Cancer/Taurus)

Rahu/North Node: you may have good insights but executing/committing to them may be difficult or unreliable, as if you're a excitable child learning (also Aries or Gemini, or 3rd house)

Sun/Leo in the 1st House/Aries

knowing exactly who you are and not apologizing for it

making confidence look easy, even when you're faking it

being the one who always starts things, whether it's a project, party, or an argument

owning you personal style like you invented it (like having a signature look)

teaching people how to walk into a room and actually own it

calling the shots and looking like you've got it all figured out

turning yourself into the main character in literally every situation

making bold moves while everyone else is still thinking about it

leading the way, even if no one asked you to

being unapologetically yourself, no matter how unconventional it may seem

rallying people behind you with your passion and enthusiasm

starting things from scratch and making them happen fast

making a bold statement or taking action without overthinking it

being the first to try something nw, and making it look exciting and easy

Sun/Leo in the 2nd House/Taurus

knowing how to make money, spend it, and look good doing it

treating yourself without guilt because you know your worth

finding ways to get paid for just being yourself

spotting quality, whether it's in people, things, or ideas

being the person everyone goes to for advice on how to "level up"

making people think you've got a secret guide to wealth and security

building a life that screams "stability", even if you're winging it

teaching people how to value themselves without settling for less

staying loyal and steadfast, even when others don't appreciate it

knowing how to take care of yourself and enjoy life on your own terms

working hard and making it look easy

making everything around you feel luxurious ad comfortable

Sun/Leo in the 3rd House/Gemini

taking your way into (our out of) literally anything

knowing a little something about everything, and making it sound interesting

turning random observations into deep, meaningful insights

explaining complicated stuff in a way that actually makes sense

keeping everyone connected, whether it's through gossip, memes, or group chats

sounding like you've read five books, listened to three podcasts, and watched a documentary before breakfast

making small talk feel like an art form, lol

asking questions that make people go, "Wow, I've never thought of that before."

being the walking, talking human version of "Let me Google that for you."

striking up a conversation with literally anyone, anywhere

changing your mind, and making it look like you just had an epiphany every time, and making it make sense

Sun/Leo in the 4th House/Cancer

creating a sens of home, no matter where you are

knowing exactly what people need to feel safe and grounded

being the person everyone turns to for emotional support (even when you're tired of it)

protecting your privacy while somehow knowing everyone else's business

navigating family drama without losing your cool

being the emotional foundation of your friend group

teaching others how to reconnect with their roots or heritage

reminding people that sometimes, all you need is a cozy spot and a little peace

keeping traditions and memories alive and making them feel even more special

making everyone feel like family, even if they're not

nurturing others in ways that make them feel understood and loved

Sun/Leo in the 5th House/Leo

being the life of the party/center of attention without even trying, or being that person who makes every group hangout 10x more interest

turning everyday moments into something fun and unforgettable

expressing yourself so boldly it makes others wish they could do the same

making creativity look like second nature, especially in ways that leave everyone in awe

romance, flirting, and knowing how to keep things exciting

taking risks that somehow pay off in ways no one expects

living like your life is a movie and you're the star

teaching others how to stop taking life so seriously

showing people how to channel their inner child without being embarrassed

creating drama and excitement that everyone wants to be part of

making even your flaws look charismatic and endearing

being the leader that inspire others just by being yourself

turning anything into a celebration, even the smallest victories

Sun/Leo in the 6thHouse/Virgo

having your life together (or at 9least faking it convincingly)

getting things done efficiently, like it's a superpower

organizing chaos and making it look easy

spotting the details everyone else misses

working hard without needing constant applause or recognition

showing people how to find meaning in the little, everyday things

balancing productivity with self-care like a pro

keeping systems running smoothly, whether it's at work, home, or in a friend group

staying grounded while everyone else is losing their mind

making things look polished and put together

spotting flaws that no one else notices and fixing them without making a scene

Sun/Leo in the 7th House/Libra

understanding relationships like you wrote the manual

making people feel seen, heard, or like they matter, because you really listen or care

knowing how to be your best self in a partnership, without losing who you are

playing the role of the ultimate mediator in any drama

knowing exactly how to balance independence and intimacy without losing yourself

getting people to open up to you without them even realizing it

turning awkward situations into smooth connections with just a few words

making compromises look like a "win-win", even if no one knows who's actually winning

knowing how to make any space feel welcoming, comfortable, and stylish

being the voice of reason when things get too complicated or messy

Sun/Leo in the 8th House/Scorpio

reading between the lines and catching what others are hiding

making uncomfortable, taboo subjects feel like no big deal

embracing change and transformation like it comes second nature

seeing people's true motives without them saying a word

turning pain or loss into something stronger, like you're constantly rebuilding yourself

handling deep, dark emotions without freaking out

turning risk and uncertainty into something thrilling and inevitable

making people face their fears or desires without them realizing it

knowing how to get to the core of any issue, no matter how messy

holding secrets that make you seem like a mystery no one can crack

being a magnet for intense connections that leave people wanting more

handling drama with that cold, unbothered energy that makes everyone stop and watch

Sun/Leo in the 9th House/Sagittarius

seeing the bigger picture and getting others to do the same

talking about travel, philosophy, and the meaning of life like it's your full-time job

opening people's minds to new ideas and different ways of thinking

challenging everyone's beliefs (in the most inspiring way possible)

making complex concepts sound simple and inspiring

getting people to question everything they thought they knew

living with a sense of adventure, whether it's physical, intellectual, or spiritual

being the person everyone goes to when they need a new perspective on life, or when they crave adventure or growth

making every trip, now matter how small, feel like an epic journey

making people see the world as a place full of possibilities

always having a story that blows people's mind

being brutally honest, but somehow making it sound like wisdom

Sun/Leo in the 10th House/Capricorn

building a reputation that people can't help but notice (and respect)

projecting success like it's your default setting

knowing how to present yourself in a way that makes others respect you instantly

making your career or public life seem like your true calling

turning ambition into results that speak for themselves

showing people what hard work, determination, and success really looks like

navigating power dynamics without breaking a sweat

being the person who looks like they've made it, even if they're still climbing

leading the way with quiet confidence that others can't help but follow

keeping your cool and staying grounded while everyone else panics

knowing exactly how to climb the ladder, no shortcuts

mastering self-control and turning it into your greatest strength

Sun/Leo in the 11th House/Aquarius

making everyone feel like they can be themselves around you, no judgment

rallying people around a cause or goal like it's the most natural thing in the world

being the person who always knows what's next before anyone else does

showing others how to break free from the norms and embrace their quirks

dreaming big and making people believe their wildest ideas can happen, and knowing how turn your idealistic vision into reality, even when others doubt it

knowing exactly how to find your tribe and making it thrive

being ahead of trends and getting people to follow your lead without even trying

making independence look like the only option

making friends with anyone, no matter how different they are

finding creative solutions to problems that no one else can

Sun/Leo in the 12th House/Pisces

understanding the deeper, hidden parts of people that no one else can see, like you can read the unspoken

living in the background but somehow the one that everyone goes to for advice

embracing solitude in a way that makes others want to experience it too

helping people heal in ways they didn't even know they needed

being mysterious without even trying, like you're always one step ahead of everyone else

showing people how to embrace their shadows and still come out stronger

knowing how to find peace in the madness of life

living in a dream world and making it look magical

disappearing when life gets too real

being a human sponge for everyone's emotions

[uyuforu]

Boda Persona Chart Analysis I

Boda (1487) is an asteroid discovered in 1938 by Karl Willhelm Reinmuth in Germany. It was named this way after Karl Boda. Boda in Spanish means "wedding", so it was natural for this asteroid to represent that. Boda is an asteroid we look at when we want to know more about what kind of wedding one will have. The Boda Persona Chart also means the same thing, and it gives more details about one's special day.

One of my loved one is getting married soon, and I thought it would be nice to make predictions about her wedding. So this post will be based on her Boda PC. Another Boda PC Analysis will come soon :)

All pictures were found on Pinterest

Other posts you could like:

જ⁀➴ Boda in Signs, Houses, Degrees

જ⁀➴ Boda Aspects

Book a private reading: menus ; Q&A ; rules ; instagram

Buy me a Kofi •ᴗ•

₊˚⊹♡ Sun 1H: the wedding will be focused on you, you'll feel like the main character. You will feel beautiful, even more if it is in Libra or if there is a libra degree to it (7°, 19°). It could also mean the wedding look exactly how you wanted it to be, and with those degrees, very beautiful and aesthetically pleasing.

₊˚⊹♡ Sun 1H could also mean the wedding takes place where you live or where you were born. Where you grew up too but you see what I mean.

₊˚⊹♡ Sun conjunct Mars could mean the energy of the wedding is very strong, and there is a lot of movement, a lot of things going on. It can also mean fights could more happen since Mars is a planet about arguments, strong and heavy energy. The wedding will be sure a day to remember.

₊˚⊹♡ Sun conjunct Pluto means the wedding will transform you. You could realize something during the wedding.

₊˚⊹♡ Moon 10H: colleagues could be invited to your wedding, they could be proud of you. Could also mean a lot of people will get invited to the wedding, and many people will be proud. Depending on the sign and degree, this placement doesn't make people highly emotional.

₊˚⊹♡ Natal Sun conjunct Boda PC Chiron: you will have a deep wound by the weeding, something will hurt you, and it can also mean you will not have a good time as much as other people.

₊˚⊹♡ Moon conjunct Jupiter could mean you feel like it's a lucky day, and it's a good wedding.

₊˚⊹♡ Moon squares Mars mean arguments will def happen.

₊˚⊹♡ Moon Virgo: you could be very stressed because of the wedding.

₊˚⊹♡ 2H Stellium could mean you will spend A LOT of money on your wedding.

₊˚⊹♡ Moon squares Mercury means you could cry a lot during the wedding and there could be many disagreements or misunderstandings.

₊˚⊹♡ Mercury 2H: People could comment a lot about how much money you spent on the wedding or how much it looks expensive. People could talk about how it looks and how you decorated it. People could also comment the food often.

₊˚⊹♡ Sun conjunct Mercury: many people will talk to you during the wedding. You will not feel lonely for sure!

₊˚⊹♡ Mercury conjunct Mars: A lot of chatting in the wedding! People will keep talking and talking, it will not be boring. Yet, you could also have some disagreements during the wedding.

₊˚⊹♡ Mercury Sagittarius could mean you could invite foreigners and they could speak in another language than you. People could also talk about a lot of different subjects, and probably also talk about life, their experiences, and share their opinions very freely.

₊˚⊹♡ Mercury conjunct Briede could mean people could talk a lot about you (if you are the bride). If it conjuncts Groom, then they talk much about the groom.

₊˚⊹♡ Scorpio Rising could mean you will act shy or reserved, you will not talk much, and if you happen to have arguments with people, you will hold grudges and prefer to stay in your corner.

₊˚⊹♡ Venus 11H could mean the wedding will feel very friendly, it will be a good vibe and it will feel very welcoming. It could be unique, and very avant-garde too. You could received friendly gifts or very unique gifts too. Gifts could be related to traveling too. Best part of the wedding will be about your friends and how fun it is.

₊˚⊹♡ Venus sextile Mars could mean the wedding is very fun and people are putting a lot of energy in it. It means pretty much everyone will dance and have fun.

₊˚⊹♡ Jupiter 10H is another sign the wedding will be expensive, but it will be worth it. The wedding could bring you a lot of opportunities. It can mean a lot of foreigners or people from different religions, social classes could be invited too. Popular wedding.

₊˚⊹♡ Groom 8H: Groom could be shy and reserved, Groom could also hide something, or not tell something. Groom could prepare a surprise or could also hide some secrets. Groom's energy could be heavy.

₊˚⊹♡ Groom conjunct Vertex in 8H: Groom could reveal a secret during the wedding. Something about the Groom could be revealed during the wedding.

₊˚⊹♡ Boda Capricorn means a wedding which is very expensive looking, and a lot of money will be spent on it. A wedding that was planned carefully and meant to look perfect. Parents could be very involved in the wedding.

₊˚⊹♡ Briede opposite Groom: Groom and Bride might not spend a lot of time together during the wedding, they could also not be in good terms.

₊˚⊹♡ Neptune 2H means the fact that the wedding looks good and expensive will hide the real feelings of people. You could have the illusions that as long as the wedding is big and expensive, it will be a good wedding. Materialistic wedding.

₊˚⊹♡ Uranus conjunct Neptune: truth about your illusions will happen during your wedding. Something sudden will happen which will make you face your illusions.

₊˚⊹♡ Part of Fortune 29°: A very popular wedding. Will be remembered for sure!

₊˚⊹♡ Mercury conjunct Briede could also mean the Bride will be one talking more during the wedding.

₊˚⊹♡ Briede 2H: Bride controls the wedding and could make most of the decisions.

₊˚⊹♡ DSC Taurus makes the spouse being laid back, chill and just enjoy the party as it is. Probably will eat a lot lol. Spouse could also be romantic and sensual.

₊˚⊹♡ Sun quincunx DSC: Spouse will not feel very involved in the wedding.

₊˚⊹♡ Pisces IC: your parents will cry, be very emotional about the wedding. They could feel hopeless romantic about it.

₊˚⊹♡ Saturn 3H means arguments will happen during the wedding. It can also be communication problems.

₊˚⊹♡ Capricorn 3H means people could see your wedding as a well organized and perfect even. They could see the money you spent on it.

₊˚⊹♡ Aries 5H means the wedding party will be wild, people will dance a lot, there will be a lot of energy and movement. But it can mean fights and confrontations could happen too.

₊˚⊹♡ Taurus 7H can also make your guests chill, enjoying the party, some could flirt a lot, and they could enjoy the food too.

₊˚⊹♡ Cancer 9H makes your In-Laws emotional too, and the Mother-In-Law could be very emotional. They could also nurture you a lot.

₊˚⊹♡ Chiron 9H could mean In-Laws could also see some problems with the wedding, they could also be the cause of arguments too.

₊˚⊹♡ Capricorn 3H means the wedding will happen on the ground, surrounding by nature. No water will be in the surroundings.

₊˚⊹♡ Chiron 9H could also mean there is a spiritual lesson to learn about the wedding.

₊˚⊹♡ Libra 11H could mean the guests will be lovely and have a good time. There could be a lot of flirting too, much more if Venus is also there. You could create a lot of new couples because of your wedding. Love is in the air!

₊˚⊹♡ Juno 3H: A lot of flirting could happen at the wedding. Someone could propose at the wedding.

₊˚⊹♡ Saturn conjunct Juno: You could feel like there are no much romance in your wedding related to your relationship with your spouse.

₊˚⊹♡ Juno opposite Chiron: lack of romance, this could also mean you could heal something related to your relationship during the wedding.

₊˚⊹♡ Venus trines Juno: Romance will be there at the wedding. And depending on the other aspects, this could be in your relationship, but also between the guests.

Thank you for reading!

back to index ; ask ; request ; rules ; instagram

[helenofsparta2]

Percy did nothing wrong in Battle of the Labyrinth

Buckle up, this is going to be a very, very long post.

I’ve already made two posts about Percy getting blamed for things he had little to no control over, or some criticism just being extremely unfair towards him, but I’ve never really talked about battle of the labyrinth.

Especially on sides like tiktok, people really drag Percy for how he acted in this book, and I have never really understood why, so since Percy is my favourite RR character, I’ve finally decided to make a post trying to untangle this whole mess.

Generally I’ve seen three main criticisms against him in this book. If you know of others, please let me know.

Him & Calypso

His relationship with Annabeth

The situation with Rachel

Calypso

The criticism I’ve seen here is mostly based on these three topics:  

He didn’t immediately go back to Camp Half-blood

He forgot about Annabeth and his friends while spending time being happy with Calypso

He hesitated when Hephaestus told him he could go back & called Calypso his biggest what if

Let’s tackle these one by one.

He didn’t immediately go back to Camp Half-blood after waking up

Well, he … couldn’t.

Shortly before arriving on Ogygia, Percy had gotten burned alive with lava. A feeling he described as a pain “worse than anything he’d ever felt” (194) .  And He’d blown up a volcano, an action so powerful, the mortal authorities were forced to evacuate almost half a million people, which made ash fall as far as Lake Tahoe in Vancouver and closed off the Mount st. Helens area within a hundred-mile radius.  

Just a quick reminder of Percy’s physical state after all of that:

“I was really weak. I couldn’t stay on my feet more than a few hours. Whatever I’d done in Mount St. Helens had drained me like nothing else I’d ever experienced.” (203)

I woke up feeling like I was still on fire. My skin stung. My throat felt as dry as sand. (196)

I tried to sit up. My muscles felt like they were melting. (196)

I looked as if I’d lost ten kilos I couldn’t afford to lose.” (198)

My knees buckled, and I would’ve landed face-first in the grovel if Calypso hadn’t caught me. (200)

Maybe I was just really weak and thin (200)

Even after a few days/ weeks his legs were still stiff, and he was still getting dizzy from standing up for too long (203)

I hadn’t been in control of myself in that mountain. I’d released so much energy I’d almost vaporized myself, drained all the life out of me.

So, he was not able to physically leave, despite very much wanting to.

2. He forgot about Annabeth and his friends, while enjoying his time with Calypso

Also pretty easy to defend, because, again, he didn’t.

He never stopped thinking about Annabeth, and his other friends. Not once.

Even before waking up, Percy said their names in his sleep so often that Calypso knew them when he woke up (p. 199)

His first reaction to Calypso telling him that he could heal in safety was:  

“But my friends-“

“Annabeth”, she said. “And Grover and Tyson.”

“Yes!” I said. “I have to get back to them. They’re in danger.” (199)

He tried to use his empathy link with Grover several times on Ogygia to find out if he, Tyson and Annabeth were okay, but couldn’t make any contact (P. 203)

“I thought about Annabeth, Grover and Tyson constantly.” (P. 204)

The first thing he does after Hephaestus arrives on Ogygia is asking him about Annabeth’s well-being (207)

3. He hesitated when Hephaestut told him he could go back

This is the first time, the sentiment is somehow connected to the text, because Percy did hesitate for a little bit:

“I wanted to say yes. Of course I would. But the words were stuck in my throat. I found myself looking out at the lake, and suddenly the idea of leaving seemed very hard. (209)

Afterwards, he walked along the beach for several hours, thinking of what to do next (210)

But if you actually read the chapter, you very easily understand that Percy never really, seriously considered staying:

When Hephaestus insinuated, he might not return to camp half-blood he immediately said: “What do you mean? Of course I’m coming back.”

The first thing he says, after Calypso offered him to stay forever on Ogygia was: “But… my friends.” (211)

His immediate verbal response after Calypso admitted she was in love with him was to say: “I can’t. I would never do anything to hurt you, but my friends need me. I know how to help them now. I have to get back.” (212)

We also need to consider his reasons for hesitating in the first place. He did not hesitate because he was in love with Calypso. Yes, he thought she was cute when she laughed, thought she was more beautiful than Aphrodite, and didn’t want to make her feel sad, but she is not the reason he hesitated. His biggest what if is not Calypso herself. His biggest what if is what she represents: Peace, Happiness, and a way to avoid the responsibility of the prophecy.

Through Stolen Chariot, we know that Percy’s biggest fear is making the wrong decision and dooming everyone he cares about:  

“I stood paralyzed. This was the moment I had always dreaded: the prophecy that was supposed to come about when I was sixteen. I would make a choice that would either save or destroy Olympus. Now the moment was here, and I had no idea what to do. The camp was burning. My friends looked at me, begging for help. My heart pounded. I couldn’t move. What if I did the wrong thing? (The Stolen Chariot)

The first thing Calypso says to convince him to stay is: “You could leave the fight to others, Percy Jackson. You could escape your prophecy.”(211)

He also considered the possibility that it might be best for his friends if they believed him to be dead:

“Now I found out I’d nearly destroyed the Northwest US and almost woken the most horrible monster ever imprisoned by the gods. Maybe I was too dangerous. Maybe it was safer for my friends to think I was dead. (208)” She was cute when she laughed.

 

And even if he did develop a little crush on her, which I don’t even believe, I just think he really liked her and felt bad for her, how would that be his fault or something we could blame him for????  Since when can people control who they have or don’t have a crush on???

And the most important thing is: he left. As soon as he knew how to, as soon as he was healthy enough, he left. He went back to his friends, missing out on a peaceful and probably very happy life, shouldered the prophecy once again, and left.

His relationship with Annabeth

I can not say enough how much Percy actually supported Annabeth during the course of battle of the labyrinth

He reassured her constantly, that she would do a good job in leading this quest, when she doubted herself: (“You’re doing great. Besides, we never know what we’re doing. It always works out. Remember Circe’s Island?” She snorted. (P. 120))

He hugged her when she needed a hug: Then she did something that really surprised me. She blinked back tears and put out her arms. I stepped forward and hugged her. (Chapter 4, P. 76)

He trusted her; despite knowing she didn’t tell him the entirety of her prophecy

There are only three points in which they have some kind of conflict in. One of them is the whole thing with Calypso, but I’ve already dealt with that. The other two are the scene after Kronos overtook Luke’s body and then the whole situation with Rachel.

The scene after Kronos overtook Luke’s body

One of the main criticisms people have of Percy here is that he didn’t comfort Annabeth immediately after that scene. While that criticism is somewhat true, it's important to note that he didn’t act out of any malicious intent. After Annabeth collapsed, sobbing with her head between her knees, he didn’t rush to her side—but this was not because he meant to hurt her.

Percy himself was shocked and traumatized by the experience

After she asked him what happened, Percy was as gentle as he could be when he told her: “He gave himself over to Kronos,” I said. “I’m sorry Annabeth, but Luke is gone.” (291)

He only snaps at her, when she continues to defend Luke and accuses Percy of wanting him to be evil: “You want him to be evil, is that it?” Annabeth yelled. “You didn’t know him before, Percy. I did!”  “What is it with you?” I snapped. “Why do you keep defending him?” (292)

If we’re being honest, there is nothing Percy could have said to her, which would have helped her, and with the history he has with Luke, I personally can’t blame him for not being able to comfort her about his death or being annoyed that she still defends him after everything

As a reminder, at this point in time, Luke had tried to kill Percy multiple times, told him that he should have died in Tartarus, tortured Annabeth and was completely okay with killing every single kid in camp half-blood

He still wanted to comfort her after that, but he simply didn’t know how to: I wanted to comfort her, but I didn’t know how. I still felt stunned, like Kronos’s time-slowing effect had affected my brain. I just couldn’t comprehend what I’d seen. Kronos was alive. He was armed. And the end of the world was probably close at hand. (292)

Avoiding an argument might have actually been the smartest thing he could have done after that

When it was time to continue on their way, he still treated Annabeth gently “I knelt next to Annabeth. “Hey, I’m sorry. We need to move.” (292)

Did Annabeth need someone to talk to? Yes, obviously. Was Percy snapping back at her unnecessary and the last thing she needed in the moment? Also yes. This girl has suffered an unimaginable lot in this book and all the previous ones, especially because of Luke.  I’m not blaming her here for the way she acted. She loved Luke, and this might be one of the worst fates imaginable for a loved one. Everyone would have cracked in one way or another.

But is it also insane to criticize a 14-year-old boy, because he did not properly comfort his friend, who grieved the death of a guy, who tried to kill that 14-year old boy for the last two years? Also, yes.

They were two traumatized teenagers with the weight of the world on their shoulders, in a very shitty situation, and I think blaming either of them for how they reacted in this moment is entirely unfair.

Overtaking her quest, by asking Rachel for help

So, I hope we all realize, that this is a stupid argument, and I don’t need to elaborate on why, right? Like, they needed Rachel’s help. Obviously, it’s shitty for Annabeth that she had to rely on a mortal girl, especially a girl with a crush on Percy, but that doesn’t change the fact that they didn’t have another choice. Rachel was vital for the success of their quest,

Percy also sometimes told Annabeth to lay off Rachel, but, like, Annabeth was acting mean towards her, and Percy is a nice person, who knows that Rachel didn’t deserve this treatment.

I think these are all of the criticisms I have seen, and as a really huge fan of Percy, I’m getting so tired of seeing all of them. Please inform me if I have overlooked any!!!

[house-of-evenmoor]

la danse macabre

Hello everyone! I am Meg (she/her) and I am the author of The House of Evenmoor.

The House of Evenmoor is a work-in-progress interactive CYOA novel with mystery, horror, and psychological thriller/horror themes.

It is inspired greatly by the "classic" gothic literature of Edgar Allan Poe, Mary Shelley, Bram Stoker, and H.P. Lovecraft, among others, as well as media such as Crimson Peak.

Please note that this story may contain certain elements, storylines, events, and topics that may be triggering to some readers. Reader discretion is advised. A full list will be available before reading.

Rated 18+ for language, death, murder, gore, etc.

You play an amnesiac who wakes up to find themselves locked in an 18th century manor belonging to the mysterious Evenmoor family. You find that there are 11 other people who are in the same situation you find yourself in. You remember nothing about yourself, except for a name, which you take on as your own.

With little to no memory between all of you and an excruciating headache that occurs when you try to remember, you all try to search around the house to find an exit. The doors and windows are all bolted shut and the glass panes are unbreakable. Outside is a thick wall of dense fog. You're not even able to tell if it's night or day, much less where you are.

As you investigate around the house, you start to uncover clues that reveal the real secrets behind the house and the Evenmoors. But it's not that simple as you and your companions are being actively hunted by a strange supernatural force and entity. As members of your group are picked off, more of the manor is slowly revealed and, while being investigated, more pieces of lost memories come back to you and others, as well as the knowledge of how to potentially leave the manor.

Will you be able to escape with your group unscathed and with your memories or will you become yet another permanent member of the House of Evenmoor?

Play as a male or female. Choose to be straight, gay, bisexual, or even asexual.

Customize your character including your name, appearance, and personality.

Romance 1 of 6 options or none at all.

Bond with the 11 other people trapped in the house with you and find out their stories.

Investigate the mysterious Evenmoor House. Uncover long lost clues and dark secrets.

Discover your long-lost memories and who you are.

Avoid catching the attention of the mysterious supernatural force or the strange entities that reside within the house.

Figure out the truth behind the Evermoors and their strange house.

Main Character - The Amnesiac Truthseeker (he/him) or (she/her)

This is you. You are 25 years old. You remember the least amount of your life before this. You are determined to uncover the truth of the manor and escape. You awake in and are staying in Room Number 6.

Jasper - The Reflective Guardian (he/him)

Jasper is the stoic and brooding person of the group. He is independent and has the tendency to go off and investigate on his own or go into something before everyone else. He often breaks up arguments in the house and seems to have combat experience. He is 27 years old. He is staying in Room Number 1. Romance Option

Vina - The Sensitive Overseer (she/her)

Vina is the caring and motherly person of the group. She doesn't like discord in the group and will leave the room if arguments start. She appears to have experience with medicine and patching up injuries. She is also particularly sensitive to different energies. She is 28 years old. She is staying in Room Number 2.

Edmund - The Aspiring Detective (he/him)

Edmund is the sometimes-bumbling but eager-to-help person of the group. He likes to think himself as a detective and is a bit too excited to search for clues. Despite his conflicting personality, he is actually rather observant and is an adept investigator. He is 26 years old. He is staying in Room Number 3. Romance Option

Beatrice - The Lovelorn Poet (she/her)

Beatrice is the melancholic and pessimistic person of the group. She has the tendency to view things through rose-colored glasses. She spends most of her time in the library or conservatory, composing her poems about heartbreak. She is 27 years old. She is staying in Room Number 4. Romance Option

Hugo - The Obstinate Maverick (he/him)

Hugo is the irritable and instigating person of the group. He is a realist and often picks fights due to his negative views. He prefers to be alone and generally always has a bad attitude. He isn't very helpful either. He appears to be pretty decent with fixing things, though. He is 25 years old. He is staying in Room Number 5.

Laurel - The Enigmatic Huntress (she/her)

Laurel is the surprisingly cheerful and bubbly person in the group. She is very open about what she remembers and what she doesn't. She's also a very friendly person, in general. She appears to have a decent amount of general knowledge. She is 24 years old. She is staying in Room Number 7. Romance Option

Alden - The Fateful Author (they/them)

Alden is the quiet but quick-witted person of the group. They don't speak much, but are happy to assist. They have a journal that they use to take notes in while they're researching. They're also usually found in the library. They are 29 years old. They are staying in Room Number 8.

Ian - The Expert Weaver (he/him)

Ian is the unspoken but de facto leader of the group. He is calm and level-headed. He does his best to keep everyone alive and well. He tends to spend his time near Vina. He appears to have decent experience with textiles and related subjects. He is 30 years old. He is staying in Room Number 9.

Willa - The Skeptic Historian (she/her)

Willa is the resident skeptic of the group. She is very book smart and has a pretty hard time believing in the stranger experiences in the group. She is very honest and is perhaps a bit too blunt. She tends to get into arguments too. She is 25 years old. She is staying in Room Number 10. Romance Option.

Pearl - The Romantic Heiress (she/her)

Pearl is the youngest person in the group and it shows. She's very idealistic and hopeful. She doesn't have many relevant skills or experience and is rather impulsive. She's also very open with what she remembers from before. She is 21 years old. She is staying in Room Number 11.

Cecill - The Tortured Artist (they/them)

Cecill is the prickly and cold person in the group. They're dramatic and aren't very helpful around the house. They spend a surprising amount of time with Beatrice. They also seem to have some kind of connection to the supernatural energies. They are 24 years old. They are staying in Room Number 12. Romance Option

[austinsastrology8991]

> Ascendant Aspects < How you Appear to be, and how your treated based off your appearances > why you look like a clown without makeup

Ascendant aspecting Sun - I like your smile. Did you put it on for me, or for yourself? yes your charismatic, yes we noticed why your so confident, yes your literally the greatest person do you really need us to shower you in affection all the fkn time? your extra but too many toppings ruin a good pizza. your the embodiment of the cheesy smile from that cat in alice in wonderland. main character energy for sure you get the attention and you know how to use it Ascendant Aspecting moon - 🌚 < dont they look like that.? idk but you guys look like someone you want to grab the cheeks of and treat like a baby, your like a sugar glider. but we know your emotional so we have to be careful with how we grab your cheeks 👀 please stop crying its just a joke > also; big ass eyes. you are so sweet that everyone just wants to take you home and feed you till you become so obese you cant leave Ascendant Aspecting Mercury - the most devilish and cheeky smile all at once. they look like a kid about to do something bad, or have just been caught doing something bad and are now trying to explain why they had to do that dumbassery. but no matter how much you explain yourself, we will still question you because its funny watching you come up with explanations. you give me the vibe of any character from cartoon network or nickledoen - timmy turner, southpark, phineas and ferb, ed edd and eddy, or fkn bart simpson, you act like a cartoon yes.

Ascendant Aspecting Venus - I dont normally do this but whats ur number? is what your used to hearing presumably. and its not necessarily because your attractive... okay you are, you can stop pouting now. but its because you know how to get attention and you clearly love getting it. but they act so superficial, and oblivious sometimes... like they purposrfully look away just so its easier for you to look at them, 💀 then they look back playfully and it gets you in the feels. remind me of doctor who's bitches (any of them) they all act the same idc what you say

Ascendant Aspecting Mars - so pissed off lol but its hot. they are fierce > if they want something they are going to get it, and even the mere consideration of negotiating what they want will just get them more mad. which makes them more attractive? idk people love their ferocity, and as much as people say they don't like aggressive types, they don't ever get in their way when they pissed off (ik because im hot head) your basically a hornet > and no one gonna fight a hornet without the proper precautions Ascendant aspecting Jupiter - Yall are excellent at impressions and being impressionable, idk how you do it so well. You just act normal but then pull off this funny shit and return back to normal like its nothing. you guys perfected just being, and this energy makes people want to be around you. Your like a firework, the explosion is awesome, but when it goes away your like damn that was awesome wish it stayed; but thats what makes it so good, because we never know when its coming, and when its gone we want it back lol Ascendant Aspecting Saturn - batman without the mask sucks. thats you. batman without the mask.... why so serious???? > "because life shouldnt be taking for granted and fuckery aint apart of my Repertoire" - is some whack ass shit yall would say. you have great dignity, but people get insecure around you because your on top of your shit. oh and you tell people to get on top of their shit all the fkn time lol. > your like a crow, you look like one and act like one. - Side note- one time i had a stand off with a crow: I was chilling at home and i was on top of these tile blocks, then this crow came along. I tried to scare him, by like staunching him just a bit. but he responded by gripping the tree branch he was perched on, by twisting his claw foot; and he did it with so much ferocity it made this bone cracking noise (from the strength of his grip gripping the tree) and suddenly i was intimated.... by a fkn crow. okay moving on

Ascendant Aspecting Uranus - how did you even become like that. no one really understands why you act the way you do, you do some really eccentric things which are eye grabbing but also disturbing the more you think about it. your like a sword fish. theres probably more effective ways to kill fish, but i mean a sword works, we are just wondering how you attached a sword to your face. also try to calm down, you doing so much and acting so bizarre that im actually more worried about you, even though im laughing my ass off. Ascendant Aspecting Neptune - your like a mirror of all that i ever could want in a person, and this mysterious allure you so easily pull off is truly enchanting. its like being around you makes it feel as if reality can so easily be readjusted into what i would like it to be. but this quality of urs is addicting, and no wonder people project onto you. but you cant even blame them, you literally shapeshift into whatever you want, and typically you like to show it off. your like a chameleon. or a axolotl Ascendant Aspecting Pluto - you scare people easily lol. your a spider. but spiders are sexy.... look at the BUNDA. okay but those teeth yeesh, have you ever seen a spider like lick its lips, bro its fkn scary. theres a reason arachnophobia is the most popular phobia and its because spiders are fucked. and yall are fucked. you move like a spider, and i swear to god you smile like one too lol. but people low key wanna be eaten by a spider..... so go ahead choose yo prey you fkn creepy crawler

[thankskenpenders]

Sonic Prime Season 3: Final episodes, final thoughts

Well, here we are. The final seven episodes of Sonic Prime are out on Netflix, concluding the story of Sonic's adventures in the Shatterverse. I've previously shared my thoughts on the first and second seasons, which I was pretty mixed on, but there were still glimmers of hope. The fluid animation, Shadow being fun in all his appearances, Nine being fairly interesting as a jaded alternate version of Tails, etc. There was enough to make me believe that after some highs and lows there was still the possibility that this show could end on a high note - or at least a decent note.

This did not happen.

Sonic Prime's final season sucks. The ending sucks, and the road to get there sucks. It's left me wondering what the point of all this even was. There are still moments I like that I'll try to highlight, and the animators and voice cast are still clearly giving it their all, but these efforts sadly don't outweigh the overwhelming mediocrity of the story. I would barely even recommend other Sonic fans who are on the fence go out of their way to finish it. I won't begrudge people who got more out of this show than I did, but I think overall I just really, really dislike Sonic Prime.

...The problem, of course, is that all other discussion of the show has been overshadowed by needlessly hostile arguments over its place in Sonic's canon. So we've gotta talk about that, too.

(This post will contain full spoilers for Sonic Prime.)

The show's out of ideas but they've gotta stretch that shit out to hit the 23 episode mark somehow

Season 2 ended with the big twist that Nine decided to betray Sonic and Shadow, taking the Paradox Prism for himself so that he could go turn the empty world of the Grim into his own little paradise, since he doesn't believe he'll fit anywhere else. Nine has made himself the true big bad of the show.

The main impact this has is that now, instead of fighting endless identical Eggforcer bots and members of the Chaos Council over and over, the good guys and the Chaos Council have to fight endless Chaos Sonic-style robots sent by Nine while he goes "grrrrr I need Sonic's energy to stabilize the Paradox Prism." This continues for six whole episodes until the series finale, when the show decides it's time for Sonic and Nine to quickly make amends, fix everything, and send Sonic and Shadow home.

That's pretty much the whole season.

I cannot emphasize enough just how much of this final season is just fight after fight after fight against Nine's bots, and how fucking boring that gets. The season feels like one long, drawn out final battle that did not need to be nearly this long, but Nine had his big heel turn 2/3 of the way through the show and we've gotta fill up the rest of the time somehow. The novelty of the bots being based off of Sonic's friends (including the Chocobo-sized Birdie from the jungle world) really wears off quickly when they're just used as generic, silent mooks that the good guys have to fight by the dozen like it's the climax of an MCU movie. The first episode of the season with Sonic and Shadow fighting the new bots is pretty good, especially because Sonic and Shadow's dynamic is one of the few redeeming aspects of this show's writing, but after that it just gets boring. Three full episodes in a row are spent showing all the characters fighting robots in an empty wasteland while Nine scowls next to a big beam of energy. I found myself missing the in-your-face attitude of Chaos Sonic so much. He truly was one of the best parts of this show.

While the cast is busy fighting all these robots for what feels like an eternity, various things of varying levels of interest happen. There's a halfhearted attempt to have some kind of rivalry between Shadow and the main Grim Sonic throughout the final battle, but it completely falls flat because Grim Sonic has no personality whatsoever. It's like Shadow beefing with an above-average Egg Pawn. (Actually, no, that would be funny.) There's also a death fakeout with the two other versions of Tails, where they make a makeshift bomb and throw it a little too close to themselves on the battlefield and seem to get vaporized. If they had actually died there they would have had the funniest, most pointless deaths in the entire franchise.

I also realized at one point that they were trying to do the Avengers girl power fight thing with the three versions of Amy fighting a bunch of Rouge bots. This was very funny to me. Actually, so much of this is just following the tired MCU formula to the letter. Fighting over a macguffin, two armies just kind of running at each other and clashing in a big empty field, constant one-liner quips instead of actual jokes, the need to take out key targets to make the whole enemy army disappear, a villain who has a point but has to randomly hurt people so that there's an excuse for the heroes to fight him. When combined with how shit the multiverse stuff is, this whole show really is just Man of Action tackling some of the most played out storytelling tropes in modern pop culture in the most bland way possible. What a bunch of hacks.

By far, the one truly fun thing that happens in this protracted final battle is when a giant robot based on Big appears. It doesn't have arms or legs, but it can swing itself around to use its tail like a giant mace, and it can also shoot Froggy-shaped missiles out of its mouth. I wish the rest of the show was even half as fun as this. Again, Sonic Prime has just enough good moments to make you mad that the rest of the show isn't better.

The thing is, all this repetitive (but well-animated) action and the thin excuse plot would be totally serviceable if I just gave a shit about the characters involved. But I don't. I don't care what happens to the pirate version of Amy who goes "arrr." I don't care about what happens to Hipster Eggman. And unfortunately, by the end, I didn't really care about Nine, either.

Nine as a villain

It's hard to criticize the story here without it coming off as a broad condemnation of the tropes at play. The thing is, I like many stories that try to do similar things. I love clashes between heroes and villains that are really just fantastical exaggerations of more personal conflicts. I love stories where a tragic, sympathetic villain lashes out at the world as an expression of the pain they feel, and a compassionate hero just has to get through to them. I eat that shit right up. Undertale is my favorite game ever made. Shit, I love other Sonic stories that do these exact things. And Sonic having to fight an alternate timeline version of Tails also has so much potential for drama!

So I can very easily imagine a version of the show where all this works for me. That just isn't the version we got.

Like I said last time, Nine's motivation is just too sympathetic and understandable for his sudden turn to supervillainy to make any sense. He just wanted to start over somewhere where he can be happy after a childhood filled with bullying and loneliness. Nine betraying Sonic and stealing the Paradox Prism to go make his own world? That tracks! Especially since we don't even know if Nine will still exist if Sonic goes through with his plan to restore his original world! But trying to kill everyone in New Yolk City by tilting the world 90 degrees, intentionally targeting the civilian population because it'll get to Sonic? Nope! Sorry, that's a bridge too far. I don't buy it. He's jaded and antisocial, but he doesn't strike me as cruel. Writing in an excuse about him needing Sonic's energy to fix the Prism does not make this make more sense.

This was really just one of those conflicts where it felt like everyone should stop and talk it out. Instead we got six episodes of fighting before one of Sonic's many, MANY attempts at reasoning with Nine throughout the season finally works. This isn't me pulling some Cinema Sins bullshit where I complain about characters in a work of fiction not always behaving rationally - the real problem is that it's just so damn repetitive waiting for this conflict to resolve. This could have been wrapped up in two or three episodes and instead it takes seven.

A brief aside about that weird Dorkly-ass Sonic Advance 3 flashback scene hacked together with mismatched sprites where Gemerl happens to be present, presumably just because he's a part of the sprite for the Sunset Hill boss, and seeing him briefly makes me remember the extended cast from the games and how much I wish they had just made a cartoon about them instead of a bunch of stock characters wearing the skin of Sonic's friends, but then Gemerl just explodes with the boss machine at the end while Eggman is shown to get away so I guess Gemerl just dies in this flashback

Yeah that sure happened huh

The ending

Despite having a final battle that felt like an eternity, Sonic Prime is a show that just kind of... ends. And that ending is weird and haphazard.

The understanding I had was that Sonic's normal world had "shattered" when the Paradox Prism was destroyed, and from those remnants these new worlds were created. This is why they use terms like "Shatterverse" and "Shatterspaces" and why there's shattered glass/crystal/whatever imagery everywhere. This is a broken, fragmented version of the real universe. Right? Right?? Isn't that the entire premise of the show? And therefore, if the universe has been shattered, then fixing it means putting all the shattered pieces back together. Which I would assume means that the Shatterspaces cease to exist.

So, in the ending... Sonic's world seems to just exist as another Shatterspace. Restoring the Paradox Prism doesn't seem to combine the worlds or anything, it just fixes the broken portal to Sonic's world that exists alongside all the others. So... what exactly was the point of all the shattered glass symbolism?

Things only get more confusing as the ending progresses. Shadow brings Sonic through the portal before the draining of Sonic's whatever energy makes him disappear, and they're transported back in time to right before Sonic broke the Paradox Prism. Only Sonic seems to remember what happened (Shadow might remember, but he doesn't say anything), and with the Paradox Prism never shattered, it's unclear if the Shatterspaces exist now.

I'm not particularly hung up on the time loop ending. It's very much in line with all sorts of classic morality tales like A Christmas Carol or It's a Wonderful Life, where the flawed protagonist goes through some kind of magical experience and then returns home with a new appreciation for the people in their life. It's always been pretty obvious that was the type of story they were telling. I'm more bothered by the fact that there's no time whatsoever spent on whether or not the other worlds and the characters in them continue to exist. Sonic seems to act like the worlds will go on without him before he leaves, but it's not like we get an ending scene that shows how the other worlds are doing, so they really truly might as well not exist anymore. Sonic just wraps up the adventure from the first episode when he gets home, and before he can explain what happened from his perspective he's interrupted by a mysterious energy wave from off-screen and it's off to the next adventure.

(Despite this odd cliffhanger ending, the show is extremely over and not coming back. I have to imagine this is just a "the adventures never end" type ending and not a hint that more shit is going on with the Paradox Prism.)

This ending is also a terrible resolution to Nine's whole arc, despite him being the driving force of so much of the show. The way I see it, there are are three possible fates for him:

The Shatterspaces continue existing, and things go as Sonic expects them to go. Nine is allowed to make the Grim into his own little utopia, and everyone else leaves him alone instead of punishing him for all the trouble he caused. Instead of finding love and acceptance so he can heal from a lifetime of bullying and loneliness, Nine is allowed to run away, isolating himself from every other living being in the multiverse, and live alone as the god of an empty world with only his own creations as company. Sonic was his only friend, and he's gone forever now.

The Shatterspaces continue existing, but because of the time travel ending, most of the events of the show never happened. Sonic never helped defeat the Chaos Council, so they still control New Yolk City. Nine is back to living in this dystopian city with no friends. He never met Sonic.

The Shatterspaces have been erased. After fighting so hard for his right to exist as his own person and not just a "wrong" version of Tails, when the timeline is altered, he just... stops existing. Along with almost every other character in the show.

Do I even need to explain why these are all unsatisfying?

Misc. thoughts

I skimmed over this, but a lot of the final season is just spent seeing Sonic's friends bicker with the Chaos Council and then Sonic has to beg them to get along to save the universe. It gets old.

We also never really got an explanation for why the Chaos Council exists. They can't have come from other Shatterspaces because there ARE no other Shatterspaces. If the original Eggman was just split into five guys or time travel was involved or whatever, it never comes up. I can live with this, but it seems like an odd omission for a children's show that's constantly bogged down in technobabble explaining the mechanics of its extremely small and finite multiverse.

I have no idea where Shadow was for the first part of the final battle. I figured Nine must have captured him off-screen after Sonic first left the Grim, but Shadow was just... hanging around until his cue in the script, I guess?

Sonic saying "help a brother up" to Shadow was funny

Hipster Eggman pointing to one of the few nameless extras who tagged along for the final battle and going "Who are you? Seriously, does anyone know who this is?" was the only funny thing he did in the entire show

Mangy Tails randomly pressing buttons on the Chaos Council's generator like a curious animal and managing to improve its output was cute

Rusty Rose randomly realizes that the Birdie in her chest actually isn't being used as a power source, and that the Chaos Council was just... using that to manipulate her, somehow? I don't really know how that works but whatever

The Sonic Advance 3 flashback uses the actual boss music from the game, but they can't use the real Sunset Hill theme because they didn't wanna pay Masato Nakamura for using the Green Hill motif, I guess

To my fellow fans of bad games: did you know that Man of Action wrote the story for the bizarre Square Enix game The Quiet Man? The one where the lengthy FMV cutscenes play out with muffled audio and no subtitles because the protagonist is deaf, so you can't tell what's going on? And you had to do a New Game+ playthrough to actually hear the audio and understand what's going on? The worst-reviewed game of 2018? That one? I only learned that recently and it blew me away

So yeah, that's the end of the show. I didn't like it, and I don't think I liked the show much as a whole. I am far from alone in this sentiment, but the reasons why people dislike the show... those vary a bit.

The canon conundrum

More than anything else, it seems like most other discourse surrounding this show has been consumed by one talking point:

How can this be canon? Why is it canon?

I want to state very clearly up front that I, too, am a person who's noticed and complained about the inconsistencies with the games in Sonic Prime. Some of the characters are a bit off - or, you know, completely unrecognizable when discussing the writing of some of the AU counterparts. I think it's lame to say Sonic and friends all live in Green Hill and act like that's the entirety of their world. That sort of thing. But if Sega says it's canon to everything else? Sure. Fine. There's weirder shit in the canon.

Really, most of this can be explained away pretty easily. The show was written at a time when Sega was still figuring shit out and there were looser restrictions. Why does Sonic act a little more immature? Probably just because Prime is aiming for a slightly younger audience than the games or the IDW comics. (And also it's, y'know, written by Man of Action, who people have accused of only knowing how to write one kind of protagonist for years.) Why do Sonic and friends live in Green Hill? Because that's the most recognizable location from the games, and the game world doesn't get enough screentime to justify modeling multiple different environments, so they just focus on Green Hill. Why is this considered canon to the games? Because this is the first Sonic cartoon that outright references events from the games as things that have happened to Sonic in the past.

But announcing early on that Prime would be canon certainly let fans' imaginations wander. It was one of the few things we knew about the show before it premiered. People wondered if characters from the games and comics who had never made any appearances in Sonic cartoons might get their time in the spotlight. We wondered if it would tie into the lore or any existing storylines in interesting ways, like the IDW comics do. But above all else, we hoped that its canon status would mean that Sonic Prime would finally be the Sonic cartoon that was faithful to the source material with no catches. We've literally never seen the actual world of the games brought to life in a TV show. Sonic X came the closest, but that still took its liberties. And so hype built for this Canon Sonic Cartoon.

And then it actually came out, and after a brief intro in Green Hill based loosely on the games, it spent most of its running time focusing on things like "what if there was a version of Eggman who was a bratty teen who just wanted to play video games?" The disappointment among fans is understandable. I am disappointed. Look at how much I've bitched about this aggressively mid cartoon.

Some fans, however, came up with an elaborate theory about the series. You see, when asked about the show's place in the game timeline during a live Q&A, Ian Flynn (who only served as a consultant on Sonic Prime and did not write any of it) said this:

"I cannot answer because I know the answer, and you haven't finished watching the show yet."

A couple days later, when answering another question about Prime's place in the timeline and also about a writing discrepancy, he said this:

"As to where it fits on the timeline, I can't speak to it because that would spoil the show to a degree. So you're just gonna have to wait 'til it's done. Towards the other point, I don't know how much I can say, so it's probably better that I not comment. That's a really dissatisfying answer, I know, I'm sorry, but my hands are kinda tied on that one."

I feel the need to quote Ian directly here, because these very basic statements about how he can't talk about behind the scenes shit or anything from unreleased episodes was GREATLY misinterpreted by the fandom. People clung onto Ian's claim that we had to keep watching like a life preserver. Some took it as Ian saying that the ending would explain everything. Finally, we'd have a definitive answer for every little discrepancy and the apparent differences in worldbuilding. An explanation for why Sega and the producers repeatedly insist this show HAS to be canon.

And to these fans, the only explanation that made any sense... would be if the ending of Sonic Prime pulled a Flashpoint.

As this theory explained, the Sonic we were following in Sonic Prime wasn't the Sonic we know from the games and the IDW comics, and likewise the world he comes from isn't really the game world. This is a different Sonic who fights a different Eggman in a world that's literally just Green Hill. It was a hint that something was off all along! But in the end of the series, this Sonic would sacrifice himself to merge all of the Shatter Spaces together and form a brand new world, and that would be the more visually diverse world of the games and comics. According to this theory, Sonic Prime was canon because it was a new origin story for the entire franchise.

I want you to really stop and think about how asinine of an origin story this would be. Really drink this in. The idea that there was another, slightly different version of Sonic who went on a kinda shitty multiverse adventure and then sacrificed himself to create the real Sonic that we've known since 1991. People convinced themselves this made more sense than the simple explanation that a different team of writers got some stuff wrong and Sega didn't make them change it. Interviews where producers talked about drawing on Sonic's "mythology" (ie: they reference the games in the show) were taken very literally - they must be saying that Prime's story is mythological in nature, and that this show would be integral to the games' mythology. Why bother making a show that's canon if it's not going to be crucial to that canon, after all?

The final episodes dropped, and none of this happened. Because of course it didn't. It was all Sherlock fandom-level copium. But fans were left confused by the lack of a grand reveal of where Sonic Prime fits in the timeline, believing they had been promised this, and they turned to Ian for an explanation. Ian's answer:

It doesn't matter, b/c Prime wipes itself out. It's sometime after Advance 3*, but otherwise, it's moot. I didn't want to sour anyone's expectations or investment by spoiling how Prime resolves, that's all. If you enjoyed it, awesome. Savor it. If you didn't, then you can safely ignore it. Simple as that.

* About a trillion people have um, actually'd Ian to point out Orbot and Cubot briefly appear in the show, but if we're really being pedantic here we don't actually know how long before Colors Eggman built Orbot and Cubot, so it wouldn't be fully accurate to say a story featuring Orbot and Cubot couldn't be set before Colors. Either way, a story set anywhere around Colors, or at any point later than that, could still be described as "sometime after Advance 3." Advance 3 is just the most recent game that has specific in-game events referenced in the show. Yes I can feel myself morphing into the nerd emoji before your very eyes

Anyway, this is the latest reason Ian is getting death threats on Twitter. This time it's over a show he barely even had any input on!

I'll cut to the chase. It is truly wild to me that people are getting this heated over canonical inconsistencies in a series as historically inconsistent as Sonic, to the point that they think threatening Ian is justified. The aesthetics of the entire world Sonic inhabits change every other game. Sonic Chronicles may no longer be canon due to the Penders lawsuits, but it was canon at one point, and it took huge liberties with Sonic's world, moving Green Hill off of South Island and reinterpreting Station Square as a tiny outpost in a snowy alpine forest region. Characters' personalities change from writer to writer and based on what Sega wants at the time, with some being WILDLY different across different games. One game Sonic will be stoic and cool, the next he thinks "Baldy McNosehair" is the funniest thing ever. Sega's STILL trying to figure out what Amy's personality is supposed to be. We still don't have the explanation for how the two seemingly contradictory backstories for Blaze can fit together. There have been multiple huge, sweeping retcons, and retcons to those retcons. Sonic Forces claims that Classic Sonic is from an entirely different universe than Modern Sonic, and the plot only makes any sense if that's true - otherwise, Modern Sonic would have already known Eggman was going to beat him and take over the world when he did, because his younger self had already lived through that war. All of that makes no sense in the newly reunified timeline, but Forces is very much still canon.

For fuck's sake, we're talking about the series where Eggman blew up half the moon and then it looked completely normal in every other game after, explained away as "the moon just rotated so we can't see the destroyed side from Earth." This has never, ever, ever been a franchise where everything lines up perfectly with no issues. It's not that serious.

The real core problem with Prime isn't that things don't line up 100% with our current understanding of canon, or that Sonic's characterization means this can't be the real Sonic, or anything like that. The problem, as I've been saying this whole time, is that the story is bad. None of these discrepancies would truly matter if the story was better. They'd just be nitpicks. The fact that Sonic and friends live in Green Hill would be the farthest thing from my mind if the drama was more engaging, if the villains were better, if the jokes were actually funny, if more of the alternate universe counterparts of Sonic's friends had more than one generic character trait each, if the multiverse was more creative and varied, if the final seven episodes of this show didn't devolve into the third act of an MCU movie and then just arbitrarily end, if Nine's character arc actually had a satisfying conclusion instead of ending with either isolation or nonexistence. Maybe we'd be seeing people talk about more than just whether or not it should be considered canon if the writing was any good.

"Canon" is not real, and it sure as hell isn't worth sending people death threats over. It's a storytelling tool. Real human beings decide what does and doesn't go into that canon, or how much they do or don't want to draw on past stories, when creating a new story. Serving that canon is secondary to creating a story where the emotional truth resonates with the audience. And Sonic Prime failed to do that. That is its true failing.

And finally, to close out...

Since people will ask, here are my current ranking of the Sonic TV shows, now that Prime is finished.

Sonic Boom

Sonic SatAM

Sonic X

The Adventures of Sonic the Hedgehog

Sonic Prime

Sonic Underground

Yes, I'd say Boom is my favorite. It's far from my ideal Sonic cartoon, but it gets a lot of points for being as funny as it is. But the top four are all shows I'd say I like, more or less. They all have their pros and cons.

So now, uh... I guess let's hope the live action Knuckles show coming to Paramount+ is better than the underwhelming synopsis of "Knuckles helps deputy sheriff Wade train in the ways of the echidna warrior" would imply? Maybe we'll get lucky?