#some people have ocs

[illdragyoudownwithme]

red

[chalkrub]

smorkin

[katiekatdragon27]

Sup gang, I have more doodles to shaaaaare~~

So, I recently got Glisten, and he is so fun to play as. So fun to play as in fact that I constantly play distractor on accident! It's so fun (lying)!! Both images are based on a run my friend and I had together with a few randoms in a public server. It was the farthest I've ever gotten and a blast.

You ain't never seen a distractor like meee✌️✌️✌️✌️✌️

On the topic of running, here are some doodles of Shrimpo and Pebble getting into conflict. Peb protects his owner, and if that means attacking the only dude who could pummel him in hand-to-hand combat, so be it lol.

Luckily Shrimpo doesn't like getting bit, so Dandy and Pebble get to live another day.

Below are a toooooon of shinyshrimp doodles (and a slightly suggestive joke so tread with caution lol):

Mmmmm gay men.

Glisten: "I couldn't imagine you getting any redder but you surprise me~" Shrimpo: "AAAAAAAAAA-"

What's gayer? Being gay? Or what these two have going on?

Domestic slice-of-life stuff. I think Shimpo has insomnia but tends to find comfort and sleep in human contact. Toodles has nightmares on occasion and appreciates snuggling when they occur. Glisten isn't the cuddly type, but when the people in his life need comfort, he's willing to put up with the cuddles lol. Also Glisten sleeps with an ungodly number of pillows.

Also, a funny idea I had about how short Shrimpo is compared to Glisten. That's how Glisten sees him lol.

And also..

I caved.

Here.

Shinyshrimp child upon ye🫳🫳🫳🫳

Dandy: "How the F*CK did this happen?!"

Her name is Shimmer, and she's based on an Asian Glass Shrimp (for hopefully obvious reasons). She's a sweet girl who is really really nosy lol. Just imagine Gwen from the movie Migration lol.

Also, no toons have ever created a toon themselves (it's only done if the humans working there made one by using the ichor machines), so Dandy is kinda flabbergasted about the whole thing. Ima leave it up to interpretation how they did it (cuz I have my personal hc that I'll share if people show interest lol) but it's not sexual lol.

Anyways pookies, have a good one!!

[blackkatdraws2]

[Toon x Mobster] Decisions, decisions...

The toon doubts himself. He knows well the lurking dangers of loving such a man as Gavriel Huffman, the mobster himself told him so.

But letting go of something so dearly beloved and precious will be hard, won't it?

This was drawn on Magma! Real fun website to draw with friends, check it out.

[fraycreations]

uhh...he's right behind me, isn't he?

(tried to pull this joke in cosplay with @ingo-ingoing-ingone at ALA as they were handing out missing posters, but nobody really got it dfhsgdhs)

[crtastrophe]

Kidpix commission for @incrediblysincere!

[squinkoblinko]

Heavy commission I finally finished up!

[choccy-milky]

people-watching and gossiping 💅

(more older seblora brainrot bc of my oneshot)

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

[airinn]

when you come home

[bunnieswithknives]

Gore, Violence and Blood under the cut

What a mess

[lucabyte]

I don't know how everyone isn't also always constantly thinking about how burial rites seem to be potentially one of the few things Siffrin instinctively remembers about their culture. But rest assured. I am in fact always thinking about it.

Textless version where they're just hanging out. It's fine!

[ask-the-pioneer]

Out of curiosity why do you bow before eating?

"It's a sign of respect."

"When I kill to eat, I know I am taking a life. I do it out of necessity. The creature's life moves to me so that I can survive and prosper. With this gesture, I pay tribute to its sacrifice."

"The bow is also to acknowledge the work of a person who brought the food, to feed me and the others. You're not pressured to do that, but even if the meal isn't to your liking, you would still recognize the effort. Our colony was small, with Hunter as the only adult, so any food brought back was celebrated."

"In my later cycles, the ability to craft explosive spears became incredibly useful for hunting and self-defense. I had a natural advantage, but it was to be exercised with caution."

"Truth is, I can do a lot of damage with my «powers». It's a big, alienating responsibility. And it was an issue in my younger cycles when I couldn't control it well - sometimes people around me would get hurt, but despite that, I was shown kindness and given guidance by my mentor. My adoptive family did not treat me like a freak, and it mattered a lot to me. It still does."

"I feel no need for bloodlust. I am content with my life… for the most part. Whatever grievances I may have, I know it's bad to take it out on others. For the temporary relief it gives, you realize it really is not worth it. To kill for sport, it makes my stomach turn - a sad waste of life. Just because I can, doesn't mean I should. Cruel thoughts are the domain of a scared animal. I don't want to live in suffering because of such fear, and most of all I don't want my family to think less of me. Does that make sense? I wouldn’t want to disappoint them, or lose their trust…"

"When I hunt for food, I often think of what my mentor would say. Those thoughts guide my spears, the memories remind me to be kind in the face of the vast, indifferent world. Most of the creatures out there have it considerably worse than me, trying to survive nature day by day. I've been blessed with a mark, I know things that a typical slugcat would never need in their life. I don't think I can ever go back - knowledge, like my «powers», are both a blessing and a curse. And, dare I say, I think it is better that I have those powers… for I know, at the very least, that I trust myself to use them wisely."

"The bow is a sign of respect, and a gentle reminder of the things that I stand for."

[hoofpeet]

This girl has so much problems

[kazehita]

Another journey

[14dayswithyou]

Hi, Howdy! Hey! I really love your novel!! I got a little confused by the 4 day, may maybe you help me please? who is it? why we got the bad end staying the night in Ren’s apartment and he disappear of the home screen? I can’t understand “unset memory” game, sorry if I wrote smth wrong or smth sounds rude, I swear that I didn’t mean it if happened, I’m really a fan of the novel, I’ve been playing the game since day 1 or 2 I guess, probably day 1, english isn’t my first language, but I tried lol

⌞♥⌝ I hope you don't mind me answering these as bullet points!! ^^

"It" will be revealed later in the game! So I won't reveal too much right now.

You can only get the Dead End in Day 4 by staying at Ren's apartment — the rest of your choices before that don't matter. I'd also pay closer attention to the black smoke and Ren's reaction towards it!

Ren disappears from the home screen because he promised to help the player out (and stop them from getting the Dead End again). Try replaying the game again from the beginning for a surprise!

"Unsent Memories" was another visual novel (initially being written by @10chimes / @unsentmemory, though the project has since been dropped and handed back to me /pos) and is set in the same universe as 14 Days With You. Its storyline and characters are completely separate from 14DWY, so you don't have to worry about them while playing 14DWY.