#some of these may contradict as I have a LOT of different interpretations of them

[unnamed-proxy]

HAHA here it is! The Berry dca head-cannon masterlist!

Looong post ahead beware.

Sun:

-They can actually draw really, really well but is limited by the fact they can only use crayons, if provided with the right materials their art style would be very watercolor dominant and look like something out of a classic children’s book. (Think the ‘promotional artwork/merchandise’ from welcome home or the in-game art of rain-world)

-Gender-fluid but often male presenting

-Asexual, even if they had lips they would not enjoy kissing or anything stronger than that, however they do adore hugs and cuddling!

-They find it a lot easier to express louder emotions, anger, happiness, annoyance, excitement, etc. they’re an ugly cryer as well.

-Due to their lack of facial movement, they’ve adopted a constant flow of physical expression/movement, even when they’re going to sleep they’re still moving! Usually including (but not limited to) swaying from side to side, fidgeting with their hands, or in-place dancing like they do in game!

-They have very intense anxiety, but they were good at covering it up until Moon got the virus, becoming inconsolable whenever things got to their head afterwards.

-Adding onto that last one, they’re an overthinker.

-They have a love for makeup and sometimes hang out with Chica to play around with face paint. They’re the reason they and Moon have the starry eyeliner I give them in drawings.

-They keep a Moon plushie in their ‘room’ that they’d project him onto while in control, and they never sleep without it. (Even with the virus)

-They’re a huge theater nerd, being a particularly big fan of Hamilton and the Jekyll and Hyde musical +basically anything Disney, though they don’t get to quote/see those as often. (Their fav is a tie between Princess And The Frog and Tangled)

-They get VERY jealous very easily.

-When they’re having a bad day and Moon isn’t available they usually have a gossip party with Roxy and chica where they bitch about the incompetency of the workers or a particularly bad Karen over imaginary tea.

-Continuing from the last one, Sun also enjoys doing Roxanne’s hair when she lets them.

-Their eyes were white while having the virus since they scratched the paint off clawing at their face whenever Moon took control (or tried to).

-They love the children’s drawings and are very quick to praise them! Adults on the other hand are when they get sassy, ‘if a robot programmed to act like a child on all levels but intelligence can drawn better than you then you don’t deserve any respect anyway’ type mindset.

-If you’re over the age of 13 it’ll be a lot harder to get on their good side, but usually if you’re nice to them they’re nice to you. Unless you’re staff, they’d explode any and all staff members with their mind if they were capable of it.

-Favorite color is green.

———-

Moon:

-Goes by he/him, it/its, and they/them on occasion

-Hat functions as a tail/third arm. Its rim is attached to his head by a Velcro like material or a magnet once placed on.

-The nightcap is stored inside his stomach hatch, which is shot out by the second button on his chest.

-The upper/first button on his chest activates a musical function, the music is generated through a music box attached to the throat of his endoskeleton. Sun can use it to, but they can’t pick the song like Moon can.

-It was the one who confessed first (See)

-Moon was originally a generic fruity Disney villain character in the theater and would act out on its emotions through a theatrical, more cruel lens than they were at heart. Though he underwent massive restrictions being added to his code alongside heavy reprogramming when being relocated to the daycare.

-He is demisexual and/or Asexual, he is open to kissing but nothing more intimate than that. Otherwise, he has the same boundaries as Sun.

-Moon acts like a cat in as many ways as you can think of. Enjoying the sensation of petting/rubbing or scratching on his head, purring when happy, hissing and growling when angry or threatened, and his nightcap flicks and sways near constantly when he moves, straightening and shooting upwards when he’s annoyed and doing said hissing, and curling around his torso when he’s afraid.

-He’s also just as physically expressive as Sun! Though in different ways. Constantly shifting from foot to foot, bouncing on his feet (as shown in game), tilting his head to express what his eyes can’t, and fidgeting with his fingers like Sun. Moon is also no stranger to stimming, though he tries not to around anyone besides Sun.

-He is autistic.

-If he had a functioning mouth, its go-to stim would be chewing and biting, Sun would have no issue with this and sometimes offer to be the subject of it instead of himself.

-He has anger issues as a result of his past programming, though has long since found techniques to calm himself down for the sake of Sun, pre-virus anyway.

-Moon is a huge victim of masking, most of the inhabitants of the plex still believe him to be a maniacal monster because of this.

-He desperately wishes to go outside and see the world, hanging out infront of the glass doors of the ‘Plex’s entrance after hours to look at the stars and occasionally asking Sun to paint what they think it looks like out there.

-He keeps children’s drawings and various nicknacks inside his hat. Magnets, plushies, shirts, paint sets, severed animatronic heads, you name it and it’s probably hoarding it in there.

-He’s extremely self-conscious and overcompensates to either get people to stay with or away from him.

-He’s a wonderful singer and enjoys doing duets with Sun in his spare time!

-It sleeps with a Sun plushie and often keeps it with him in his hat at all times.

-During the virus, Moon and Vanny were besties and were near constantly in communication. He looked up to her quite a lot.

-He is very much aware of their actions during the Vanny virus and sees them as proof that he’s a horrible person.

-Moon is the reason the daycare was closed down, being responsible for a child going missing 3 different times times with the help of Vanny, until being fully taken over by the virus. (While under the virus’s effects Sun did not shy away from holding this against them.)

-He loves Sun dearly, though is extremely envious of them, he would never admit it though.

-Favorite color is purple

———-

General/both:

-GR!Foxy was Sun & Moons best friend and trusted them with her life, as did they with theirs. This persists through their relationship with Roxy though they’ve gotten significantly more distant since she became part of the band

-Their theater backstory is Sun being a rouge court-jester that joined Foxy after he visited their kingdom. They were then cursed to have their deepest, darkest thoughts and desires manifest in the form of Moon.

-Adding onto previous, Moon is the in-universe reason for Foxy missing a hand.

-The skirt was a gift from Sun! It wasn’t/isn’t a part of their original costume and they both wear it as a symbol of their love, which is why it doesn’t change during their transformation.

-Moon and Sun were the patient zero of the Vanny virus, both being different prototypes. Sun was given a version where it heightened the flaws of the animatronics programming and personality, I.e their anxiety and jealousy. While Moon was given a removal of rules and restrictions, affectively turning the infected into a wild animal or a zombie. Both types were installed 3 months before the rest of the cast and both were modified/reworked due to being ineffective, the first being too unpredictable and generally useless while the second made the victim too tough to control. Though they were basically considered failures and Vanny never bothered to put the updated version into their systems, deciding it wouldn’t be too important

-They’re a tag team! If one doesn’t feel like they could deal with a specific person they’ll send the other one out to defend them (‘Soooo bad, I should turn off the lights myself.’), or they’ll just feed the one in control insults from the head-space. Sun specializes in more personal, action based insults that cut deep while Moon makes judgments on character and rapid fires.

-Moon wants to be friends with Vanessa again, Sun does not. She avoids both of them.

-Freddy sees both of them as a singular identity and is, put simply, a massive jerk to them, but he has a particular sore spot for Moon.

-The broken staff bots in their room were taken from multiple different places, Moon would sometimes clean up after Monty so he wouldn’t be caught or they’d find an already malfunctioning one and put it out of its misery. They’d then take it back and try to learn how to repair them so they don’t have to rely on parts and services anymore to sustain themselves.

-They’re both really into playing pretend and crossdressing!

-Eclipse goes by they/them and is omnisexual & polyamorous

-Eclipse doesn’t have a favorite color, if you asked they’d just answer with ‘rainbow’ or ‘I can’t decide!’

-Eclipse was a backup ai in-case Moon went rogue that failed to activate. Sun commandeered it into a way for them to both be in sync again post-Ruin as they were extremely basic and non-sentient.

-Balloon world Eclipse is what Vanny would use to infect the boys and communicate with Moon.

-Even if they were put in separate bodies they wouldn’t leave each other alone, Moon would latch onto Sun’s neck and let them drag him along while they do their job and whisper little comments to make them laugh into their ear just like they used to in their headspace, Sun would follow him around during naptime and try to keep contact, usually holding hands or, on bad days, riding on his shoulders.

-adding onto the above, if they were upset at each other they still wouldn’t be more than a room away and make sure the other is in view at all times. DO. NOT. SEPARATE, no matter how bad the argument is, there is nothing worse to them than being alone with their own head.

Aaaand that is all! TYSM for reading <3

[sharpth1ng]

Since the photo of the pope on Stu’s fridge has been discovered I’ve seen a lot of takes about how Stu would definitely have religious guilt and would have more issues with his feelings for Billy. I want to be clear I don’t think there’s anything wrong with that take, it’s definitely something to explore if it interests you but it also flattens the breadth of responses to a religious upbringing and religious trauma. There are so many ways a person might respond to that kind of experience and it doesn’t just stop with internalized guilt.

What about the people who just kind of never fall in line? They’re punished for it over and over but it doesn’t make the religion make sense to them. And maybe they learn over time hide their disbelief, they learn to be quiet at church and hide their same sex partners but the moment they’re 18 they are gone.

What about the people who believed when they were young and have had an experience to change that? Maybe they saw religion used to justify the mistreatment of a sibling or a friend, and they thought “if there is a god, they wouldn’t think this is right”.

What about the ones that swing hard in the opposite direction? The ones so angry with the beliefs instilled in them that they do almost anything they can to enrage their religious family? They may not even be doing this intentionally, but teenage rebellion is teenage rebellion, and if your family is catholic then Catholicism might be what you rebel against. What better way to rebel against the anti gay religion than to kiss another boy? Do you know how many queer pagans and Satanists I know who have a history of religious trauma?

Have you ever felt so mistreated by someone or something, so deeply wronged, that almost anything they disapprove of becomes enticing? I definitely have.

And here’s the thing with Stu, he might have a religious family but he sure does talk about sex a lot. Unabashedly too. He spends the night at his girlfriends house, and she confirms that they have sex. He fills his house with people, feeds them booze, and kills a bunch of them. This isn’t giving me the picture of a fearful catholic son.

Before I saw the pope picture I had already been writing Stu’s family as conservative and religious. He definitely grew up with the idea that sex is a sin and gay sex is even worse. But he’s not a guy that likes authority. He likes sensory pleasure and chaos, and at least some of that is a rejection of his upbringing. Dude watches slasher movies and raunchy comedies like clerks. He fucks and he talks openly about it. He gets drunk and he directs his best friend to go take his girlfriends virginity in his parents bed.

He’s rebelling.

To me? Yeah he might have been the kind of kid who had religious fears and guilts when he was younger. He’s definitely been baptized and his family probably still makes him go to church sometimes. But he’s not isolated. It’s the mid 90s and he has access to more media than kids did ever before. He’s had access to alternative view points, narratives that contradict the ones instilled in him when he was young.

And the 90s are a time characterized by a loud rejection of convention. Grunge rocker Kurt Cobain wears dresses, the riot grrl movement is in full swing, and people are getting really into modern forms of paganism. It’s popular to reject your parents beliefs.

There’s an interview with Neve Campbell where she talks about how she thinks Billy and Stu were partly motivated by the rage of being unable to be themselves in Woodsboro and I think that works really well here. What better what to say a fuck you to your religious parents than to have buttsex with a pretty dude and kill a bunch of people?

Again, this is just the way I see the character. There’s nothing wrong with different interpretations and fandom would be boring if we all saw these characters in the exact same way. But yeah just an alternative way to look at it.

[lintubintu]

Kot Kot Review

I like Kot Kot a lot.

Despite the almost harsh difference between the intro and how the song progresses, it´s not too out there.

The music seems chaotic and structured, is melodic, nostalgic and two-faced more out of necessity than provocation, and it´s ongoing. It spirals.

There is a lovely moodiness to it that seems mature and balanced, deliberately using the intro as a bridge again and repurposing the funky "kot kot" into something that softens into the lighter part of the song. The change of pace is noticeable but not alarming and almost hopeful.

Kot Kot is not a big song nor does it exist to troll. It enjoys being silly with the chicken theme and builds a narrative that can be purposely misunderstood by people who don´t like him.

During my first listen I was a little confused but intrigued by the seemingly contradicting parts that adapt well by the second listen. Pop and Rap evolve from clashing into shaking hands.

It feels a bit like a song nobody would put on an album anymore because it is deemed barely good enough to keep up with its fellow, more popular tunes. It stands on its own where others see a filler track.

Overall, it makes me have more hope for the album now; for it to be an album and not just a compilation of Singles.

I wouldn´t be surprised if this song was the opening number, nor would I be shocked to not find an Intro at all – Kot Kot is an introduction in itself.

From what I understand of the lyrics, it also is the first song of his that makes me want to know more about him as a lyricist.

To start the song of with MAYDAY is a deliberate choice because the song is not what it seems.

It´s soft spoken and not a shrill cry for help but knows of something that already affects the narrator enough that reaching out soon is imminent. It´s a literal stress signal.

The teaser made me think the protagonist in this song was simply sick of being treated like someone doomed to continue staging a party for others.

Relying on translations and interpretations of this song, the protagonist seems to realise that their lifestyle will rather leave them with very little time spent having fun with friends – because even the party-goers have gone to bed earlier than them.

Those that tried to keep up with them may have lost their step and had to give in to their own different schedules, or are worse off for keeping them company. So their company diminishes further.

There might be little life beyond the lifestyle, the sobering thought that solitude is too close within reach for comfort – the time left after work cannot always be shared nor of quality due to their schedule.

A double blow. Real life and bonding has to be spent in time confetti. Throughout it all, the silliness persists.

Rather laughable is the Explicit rating of this song. Was it the Perhana!?

The ending is a jumpscare, them finally being silly, breaking the cycle. But at the same time, it´s a rooster greeting the morning – the protagonist worked the night away.

For a moment, you are relieved the song is over. And then you play it again.

I would love for the upcoming album to be a concept album.

This song seems to divide people in a different way than songs before it did.

Some of you seem puzzled, others more neutral than hateful, none of the dislike so far is really loud.

The timing might be a bit unfortunate – song releases at this hour have the same problems as the protagonist in Kot Kot.

And even if you really don´t like this song, I fell that there will be something on the album that you will like.

It´s ok to not like things and it doesn´t have to be justified.

Still, I am interested to hear what you don´t like about this song because I think it makes for a worthwhile conversation and I like interacting with you.

Let´s do that while we have the time.

[thankssteveditko]

An overly-simplified introduction to the "Marvel Method"

As I begin to cover Amazing Spider-Man, it's probably worth explaining the basics of this up front for anyone who isn't aware. Over on Thanks Ken Penders, I talk about comics generally made the "traditional" way. A writer writes a detailed script, and then it's handed off to the art team to draw what the script says, with perhaps a bit of interpretive wiggle room. That's what you'd expect, right? But back in the '60s, Marvel developed their own creative method that came to be known as... well, the Marvel Method.

It varied from team to team, but the steps of the Marvel Method (or the "plot script" method) are basically this:

The "writer" comes up with a basic synopsis of the story - not a full script

The "penciller" takes that synopsis and draws up the full story, determining the specifics of what actually happens

Finally, the art is handed back to the writer, who comes up with the dialogue based on what the artist has decided to draw

The argument for this process is that a comic artist should be a strong storyteller as well, and that the artist may know how to break the action down panel-by-panel better than a writer would. In reality, the actual explanation is that Stan Lee was working on way too many comics at once in the '60s, and so he offloaded some of the burden of storytelling to artists Jack Kirby and Steve Ditko because... well, they were Jack Kirby and Steve Ditko.

It should probably not be surprising that the Marvel Method created a lot of problems.

For one, before long, Kirby and Ditko were basically just plotting whatever they wanted for Fantastic Four and Spider-Man, then letting Stan fill in the dialogue... but Stan was still getting full credit as writer, making it seem like the stories were all his doing. (He would eventually start giving them credit for plotting.) Even when Stan did give them plots like he was supposed to, sometimes they'd go do something wildly different anyway. Stan intended to make the Green Goblin an ancient Egyptian demon found in a sarcophagus by a film crew, but Steve basically went "I'm not fucking doing that" and made him a human villain instead. Can you imagine a comic artist going completely rogue like that in this day and age? It's nuts! (But also, Ditko made the right call there.)

Because Stan had the final say when it came to dialogue, this also meant he could directly contradict the intent of the artists. Hilariously, I've found anecdotes about Stan both watering down Ditko's later attempts at giving Peter increasingly Objectivist views and also removing references to the ideology from a Kirby story seemingly intended to make fun of Objectivism. But while these examples are funny when juxtaposed like that, on the whole it's easy to understand how frustrating it is to have Stan Lee swooping in at the last second and completely changing the meaning of your story, then taking the credit for writing it.

Is it any wonder that Kirby and Ditko both felt they weren't being given their proper due at Marvel and left for other companies? Is it any wonder that the Marvel Method isn't used much in the modern age? But, basically, this method and this history of improper crediting are why it's difficult to determine exactly who did what for a lot of these early Spider-Man comics.

[absolutely-rad-boy-number-one]

What is Aesthetics? A Study of the New Art Movement that Art History is Looking Over

It started on tumblr [citation needed], we've all seen the "a e s t h e t i c" tags and all the blogs dedicated to the many many different types of aesthetics. I have spent the better part of 4 years collecting, studying, and categorizing theses aesthetics. I do have a formal education in art and architecture so I sort of know what I'm talking about. I'd like to share with you what I've found. I've also made a chart (link) of my findings. This chart is very rough and not meant to be taken as fact. It is how I've categorized almost 700 different aesthetics but that is not even close to how many there are. I do plan on expanding it more. If I get some attention, maybe I'll make more posts that dive deeper into defining this new art movement.

In short, today's use of the word "Aesthetic" is a noun that refers to a title/word given to a specific atmosphere, emotion, feeling, or vibe that a collection of images evokes when viewed together. A comparable approximation would be a "mood board".

Anything can belong to a particular Aesthetic; an art piece, a song, an entire show, an outfit, etc. In my opinion however, its very rare that a singular work can express an entire aesthetic. As stated, an aesthetic is a very specific emotion. Thus, in most cases, a singular work (work here referring to any form of expression) is likely to be interpreted in a multitude of different ways. The only exception to this is if a particular aesthetic is based on a very specific motif found in a particular work that is unique to only that work and from there new pieces can be made that also carry that motif or relate to the original work that the aesthetic was built upon. This will be discussed later. Not every genre of art can express an aesthetic, for example, some aesthetics may not translate very well to fashion, imagery, music, etc. That is to say that it may not be possible to express the emotion evoked by the aesthetic through other mediums other than the original medium the aesthetic was created in.

In summary, an aesthetic is a collection of images that evokes a specific emotion. Most often, this emotion is evoked through the combination of particular motifs found in each work that contribute to an overall "vibe" or atmosphere. These motifs can then be used to create new original works that belong to this aesthetic.

There are a multitude of categories of Aesthetics that I have identified and some of them may seemingly contradict this definition. We will discuss these later. There is also much overlap between specific aesthetics, it is extremely common to find that an art piece may belong to multiple different aesthetics.

This is a very brief definition of the movement. But to fully grasp the depths of this new art movement, we will need to discuss a lot of art history and definitions.

[abyssal-werewolf]

I tried to tag the commenter but the blog doesn't show up, so I can't. TW: this post does contain what could be interpreted as reality checking and although I don't mean any harm, this could potentially be triggering!

But anyway, this requieres a longer answer - I'm gonna give them the benefit of the doubt and just assume they just don't know better, which is fine, we're all here to learn. So please don't read an attack into this! I also do not experience delusions myself and certaimly don't want to speak over those who do. I am doing my best to be respectful and not accidentally spread misinformation, but if I mess up, please let me know!

Firstly, "delusion" is not a bad word. a delusion isn't "somethign stupid someone believes in, what the fuck is wromg with them", it's a (symptom of) a serious mental illness, often seen in schizophrenia and psychosis. it's an unshakable belief that contradicts Reality (= in this post, Reality with a capital R refers to the reality that is generally shared by all people and can be seen and experinced by everyone - aside from those who may have delusions). "touching grass" won't do anything to help that, it is reality for them and absolutely nothing and nobody can change that. at worst, telling them they're wrong and should just "touch grass" will make them suffer even more.

so, yes, you could say that all p-shifters experince delusions, because nobody but them can see their transformations. at least, there hasn't been any proof at all until today and their beliefs absolutely clash with science and Reality. but here's the thing: there is a condition called clinical lycanthropy or clinical zoanthropy, which describes exactly the experience of believing you can, have turned or will turn into an animal. there are quite a few of them here on tumblr, having their own community which also often kinda overlaps with alterhuman spaces. those people are not p-shifters! p-shifter is not a medical term or anything, instead it is a term that has evolved here on the internet and has a history of cult-like behaviour, lots of manipulation, malicious people, etc. the "original" p-shifters also oftentimes had a lot of ableistic opinions, openly shitting on clinical zoanthropes, using delusional as an insult, etc. the term p-shifter was never ever meant to describe the experience of clinical zoanthropy. it was invented to create the feeling of belonging to an elite group, to put yourself over others. it's even questionable if the majority of p-shifters actually believes they could transform or if they just wanted power over others, promising them to teach them how to turn, knowing all to well it can't work.

nowadays, some clinical zoanthropes try to "reclaim" the term p-shifter - which is a problem, because you can't just take a term that was NEVER meant to describe your experinces and also never used as a slur against you. a different example in alterhuman context would e the word kinnie - originally made by trolls and to shit on otherkin, it always directly addressed otherkin, even if in a deregatory way. it was meant to be used for otherkin. p-shifter was never meant to be used for delusional people. p-shifter will always have its ties to manipulation and cults, it will always be a harmful term.

I don't and will never allow people who call themselves p-shifters on my blog, because of the terms roots.

there is nothing wrong with truly believing you can transforn into an animal, even tho it contrdicts Reality. there is absolutely nothing wrong with being delusional (as in, it doesn't make you a bad person, of course it almost always comes with suffering). there however IS something wrong with proudly using a term that was NEVER meant for you, never described your experiences and instead has a history of manipulation and online-cults. if you proudly call yourself p-shifter and just basically decide to ignore that history, I don't trust you.

THIS is what my post was about, not about the fact that some people are delusional.

[trekkiedean]

while I'm being earnest: the thing is, this show is not consistent about most things. I've talked in the past about how, for instance, there are arcs that just don't make sense when viewed through a purely watsonian lens, or episodes that are a lot more effective out of context. the writers' room was not particularly cohesive. continuity is a joke. characterization changes from one episode to the next. (I've heard that they didn't have a writers' bible, and I have no idea whether that's true, but frankly I think I'd be more surprised if it wasn't true.) and that's before we get into how actors' and directors' choices can bring new layers to the episodes as written, or even seem to say something completely different from the episodes as written!

I think that's a big reason why this fandom is so huge and rich and has lasted so long: there's room for so many interpretations. not only is it possible to pick and choose which parts of canon to keep, I'd argue that to some extent it's actually necessary to do so; there are so many inconsistencies and continuity errors and internal contradictions that you'll just never be able to come up with a grand unified theory of supernatural. fandom lives in the inconsistencies and the continuity errors and the internal contradictions! and with spn, there are so many of them, and so much of the show, that there are very few theories and headcanons and interpretations that can't be justified in some way. yes, there are some I like more than others, and yes, there are some I think are better justified than others! but in general, even if I completely disagree with someone's take, I can also see where they're getting it from. I may think, and point out, that there are things that contradict their take, but they'll have some examples of things that support it. which one of us is right? both of us! neither of us! two supernatural fans, three opinions, baby!

but the downside of the fact that there are very few interpretations that can't be justified is that…there are very few interpretations that can't be justified. like, I'm sorry to break this to everyone, but no voice is ever going to ring out from the heavens and declare conclusively that one of us is the winner of fandom. (and even if it did, my people don't generally put much stock in that kind of thing.) someone's interpretation being different from yours, even wildly different, even different in a way you don't like, is not necessarily a sign that they haven't watched the show, or that they don't enjoy it, or that they're stupid, or that you're coming from a place of cool logic and rationality and they're just making shit up and projecting, or that they want to spite you personally. I think all of us (and I totally include myself in this) could stand to get a little more comfortable with that. because at the end of the day what matters a lot more than whether you think someone is right or not is how the two of you treat each other. publicly mocking and belittling someone because you don't like their take on a fictional character is just not the way to keep a fandom going.

[tsukiiro]

Final Fantasy VII Rebirth: Gold Saucer date spoilers below

Something I noticed after watching the following part of the scene.

After Cloud asks Tifa about her talking to Aerith, she replies with "Not yet". Then, the camera changes position instead of staying in the same place which I thought was kind of weird. Watching Japanese version of the scene made me think there's more to Cloud's question than meets the eye!

Of course I do think there were multiple reasons why he asked, e.g.:

they're finally alone so he can ask Tifa without anyone interferring and he probably remembers Tifa wanted to keep this between them, as she asked in Nibelheim)

he wanted to break the silence and since he's not the best conversionalist he chose a this topic

But I believe he might have also used the topic to investigate Tifa's feelings. It seems like he wanted to say something since when they got onto the gondola and now he can try to steer the subject towards their bond/relationship.

In English version he says:

Notice how the camera changes position so that when Cloud starts talking about feelings, it shows Tifa in the foreground.

[It can mean lots of different things e.g. us not seeing Tifa's face might be a visual metaphor of "she doesn't want to tell him the real reason for not speaking with Aerith because it'd hurt him and his mental state would get worse". So this camera angle might be a way of telling the audience that there are still some issues between Cloud and Tifa which need to be resolved but it's not the right time to do it now as they can't be 100% honest with each other - Tifa can't share her memories which contradict with those of Cloud's and he can't access his true memories because of what's happening to him due to Sephiroth's control (among other things). But I digress.]

Now, let's take a look at Japanese version.

He says "I wonder if [she] still likes [him]." but since pronouns are not necessary in Japanese language, unless given context, we don't know who's the subject and object of the sentence. If this sentence was taken out of the context and asked out of the blue, you could interpret it as "I wonder if you still like me".

Only after a short moment he adds another sentence to explain what he meant by liking. To translate it literally he says: "Aerith, about Zack". So he provides information about sentence subject (Aerith) and sentence object (Zack).

I know that it's how Japanese people talk and they sometimes add more context after the sentence is formed as if they remembered what they wanted to say. I know there's nothing special about Cloud's way of speaking, but camera work here draws your attention to it, as if it wanted you to think about Cloud's intention behind his words. It also seems like he's expecting some kind of reply and what Tifa replies with doesn't seem to go according to his plan. He looks confused and you could tell there might be plenty other reasons behind it (and I do believe there are like e.g. Cloud who doesn't understand what other reason, beside it being a touchy subject, Tifa might have to not talk with Aerith), but the flow of conversation tells me Cloud wanted to be "subtle" by starting a topic related to love/feelings and it backfired.

I'm not saying he didn't want to know if Tifa told Aerith about his memories related to Zack. Of course he did. But we need to also look at the romantic undertones of the gondola date, especially since Cloud acted as if he wanted to say something to Tifa, which is a nice twist to Tifa's GS date from the original game, where she was the one who tried to confess.

I may be wrong but it's interesting how camera and spoken lines relate to each other and create an opening for various interpretations. It's definitely worth taking a closer look at this scene as it presents Cloud and Tifa's dynamic in different shades and forms.

[lixxen]

Danny Phantom Headcanons/World Building (Masterpost)

So I rewatched Danny Phantom within the last week (of the time of creating this) and forgot how much I love it. I'm falling back down the rabbit hole and have started to collect my own HC/world building. This is just a collection of me putting ideas together that my brain was rattling off while watching and a few wiki deep dives. This will probably change as I get more into things and read more fanon. But like. This isn't canon stuff at all and is meant more as a base of operations for any fics I'm gonna write for AO3/drabbles for Tumblr.

Content warnings: mentioned of childhood trauma, minor graphic descriptions, talk about death

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I was into DP as a kid but was never into the fanbase and online spaces. So some of this is from me as a kid/teenager interpreting the show on my own. And sorry if it contradicts canon or is similar to what other people have said before. Genuinely most of this is from me as a kid or just me rewatching the show. I've noticed some of the things I already was thinking about in fics or in a few posts I've seen floating around.

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Danny specific

Danny did die in The Accident, but was practically zapped back to life at the same time due to the Ghost Zone choosing him. It rewrote his DNA, so he was still a functioning human but with Ghost DNA. Unlike Vlad, whose DNA was just rewritten since he was hit with a pure blast of eco-energy. So think of it as like dying in the hospital but automatically being resuscitated but the resuscitation alters your DNA.

Danny doesn't need to sleep or eat a lot of human food often if he doesn't exhaust his human form. Human functions only apply to his human half, so if he stays in his Ghost half then he will not get tired or hungry in that form. But when he transforms back, he will feel it and need to eat or sleep off what he's done as a human.

He needs to consume/absorb ectoplasm just as much as he needs to eat food. It is more of a balance in his system between Ghost and human. So he will eat ectoplasm (normally while in ghost form but he will do it in his human form since it doesn't matter which form, unlike human food).

Danny's Haunt is Amity Park (see Ghost Haunts)

He is the Ghost Zone's core, as he was chosen by the Ghost Zone (see Ghost Cores).

His own core is an ice core.

Jazz and Danny are very close from a young age since their parents are more or less absent. She raises Danny practically, and once he gets into high school and The Accident happens he drifts because of the secret. This is why Jazz throws herself into psychology.

Danny gained Jazz's music taste over the years from exposure, so he likes different genres and doesn't really have a favorite. Jazz recently has an emo phase before The Accident, so he currently enjoys rock, alt rock, and general alt music ATM. He likes pop because that's the genre his peers are into (like Ember). He's never really had a big opinion about music, so he just listens to what is around him

Out of some of the alt rock bands, he listens to what's popular. Jazz showed him Fall Out Boy and Set It Off first to ease him into it, and he likes them.

Danny's ghostly tied item is a small rocket ship toy his parents bought him (see Ghostly tied items. Also called Ghost objects)

Danny is a trans man, but in Reality Trip he may have changed this. I might expand on this, but as a trans person I automatically saw the opportunity and after that we see him without a shirt so I made jokes about how he changed himself to be cis.

I also see him as bisexual, female preference. But he doesn't really think it's important to label his sexuality and has only really had three crushes and he's 14 when he realizes it because he gets a crush on a random guy for two seconds then moves on. He's 14 he doesn't need to have it figured out, y'know? I didn't when I was his age so it doesn't actually matter to him. He just knows he's fruity

Danny has nightmares. Bad nightmares. Nightmares of being dissected by his parents, Amity Park mobbing him for a witch hunt, his friends dying, of Dan (TUE evil Danny will be referred to as Dan) coming back. Stuff like that.

Danny is touch starved from an absent parent childhood. Don't get him wrong, they were there and showed him love and they're so proud of him. But they weren't... there. Y'know? They would give him hugs here and there but he doesn't have positive physical contact memories. So whenever his friends hug him he loves it. When they hold hands he loves it.

Danny and Tucker are close. In the way that when they were younger they'd take naps next to each other. They're platonic and people thought they were dating in middle school before Sam joined them. Sam wasn't always goth and was more opened up in middle school. But 8th grade hit and she saw Jazz go into her emo phase and she found goth and that scene understood how she felt inside (insert Sam's trauma from being in a picture perfect family and the pressure coupled up with her parents controlling her every move. And she just doesn't like pink and light colored stuff y'know). Sam also enjoys the contact, but only from her friends and mom. She loves her mom. I got off topic, but she would never actually use the photo against them. Besides, she partook in the sleep pile and still does. They just never talk about it.

He's called Daniel (aka full named) by Vlad and Lancer because it's them genuinely respecting his identity. Lancer did it to reinforce the name. The town is actually very pro-trans and accepted Danny with ease. But some people still messed up, y'know. So Lancer does his best (he cares deeply about his students)

Talking about Lancer; he noticed Danny's changes in behavior. After Danny spent a few days in the hospital for The Accident, Danny changed. He is constantly worried for Danny.

Dash and the popular kids also noticed and let up for a bit and did feel bad for him. On days he's visibly not feeling good, they don't bully him. They're not heartless. Just bullies.

The class knows he was in an ecto based accident, so they think that's why he's a bit weird and the ghosts are attracted to him. Even if others don't believe it, they just go along with it for the sake of Danny

Danny is also the Ghost King. After defeating Pariah Dark, the recrowning process starts and months later he ends up being King. Clockwork hints that this was planned from before he was born since he knows how time will go. Clockwork had made sure he got to this point.

Danny begrudgingly became king and is actually quite happy with it. The ghosts treat him slightly better and they've come to a mutual understanding with Danny.

Danny really likes space and he has a collection of space books and rocket ship models. He's been to Cape Canaveral multiple times with his family and he used to spend nights on his roof with Jazz looking at constellations. That's why when they went to camp that Sam made them watch the stars. She knew that he wanted to be an astronaut and admired the stars

Danny's ghostly obsession is protection (see Ghostly obsessions). Since he is half ghost, he isn't always having to obey his ghostly obsession. But he doesn't have a say in it. Some days he is strongly attached to it, when something triggers it or it's just one of those days. Then sometimes he has almost no connection to it. It's why sometimes he would rather not deal with everything and wants to give up his powers (or doesn't care) then turns around and is over protective. But in the end, it's protection because his subconscious recognizes he should have been protected from the accident and that no one looked after him to stop it.

Danny also never gets sick. If something's up, it's ghost related.

Being Ghost King means that he is one of the most powerful ghosts. He just is too young and inexperienced to understand and be able to use his power. We already know Dan was the most powerful, so its possible.

Have I mentioned that he is begrudgingly King, so whenever he is interrupted in his daily life for King duties, he is openly annoyed.

The ghosts fetching him will overshadow his classmates to talk to him, or Sam and Tucker, since he made it clear his human life cannot cross paths. They respect their king so after the first time of him enforcing it they just stuck to overshadowing.

Danny is 100% repelled by blood blossoms as a ghost and is only allergic as human. He will sneeze if he smells them, get rashes and hives if he touches them. If he ingests small amounts he will just get sick and poisoned, throat will swell slightly and tongue goes numb. He may have bad stomach problems. But if he eats a lot it can possibly send him into anaphylactic shock. (I have more on blood blossoms later)

Danny does have gnarly scarring on his chest and back from the Accident. It disappears into his skin as a ghost, since ghosts seem to not show injuries or death related scars on them. But as a human they're raised; some parts pink and some white. They spiderweb across his chest and back, blossoming out of his right (our left) side. He has some on the back of his neck and there's a few underneath his hair (which is thick enough to cover). There's a few scarring on his arms and hands, but they're small enough to not be noticed.

His eyes used to be fully blue, like an icey lighter blue with dark blue edges, but around the edges are little spikes of green that you can't see unless you're close and looking into them. Dash noticed it one day when he pushed Danny against a wall and commented on it. Danny called him a weirdo for looking into his eyes enough to notice.

He will get phantom pains randomly in his chest. They're from his organs being damaged from the Accident and his core sits near where his heart is when he's a ghost, so if his core is hurt then his heart aches. Vice versa.

Danny's death was horrible and every once in a while he gets flashes of it. His ghost and human half will try to fully take over and he will have the feeling shoot through him and he kinda jolts. His eyes will change slightly, just a moment of flickering.

Danny always has a pull or need to go into the Ghost Zone. It's like his DNA is calling to go home and absorb the natural energy. It is also because he is the core of the Ghost Zone (will be explained later)

I feel like Danny would have trust issues and PTSD. He'd hate sudden loud noises and sudden blinding light. It will shake him to the core because of the accident. He doesn't like thunder and lightning (the type that lights up the room and is really close and blinding. Not the distant little line in the sky ones)

I feel like he would also not have a good sense of self identity. He would feel alienated from humans AND ghosts because of how Ghosts don't treat him like normal, and how humans just aren't the same anymore and the ones who know treat him differently. Even if the ones who don't know, he just can't fully relate anymore. He also can't be close to the only two (technically) who can relate since Dani isn't around and he doesn't trust Vlad. Makes him uneasy and feel like shit constantly. (Also the fact that he doesn't feel like a guy fully and can't relate to girls anymore but has the lingering connection. Y'know, trans stuff).

Human world

A lot of this is set Post-S2 and Pre-Phanton Planet and most of S3, so Vlad is mayor but no one besides Sam, Tucker, and Jazz know for (canon) humans. Thought I'd give a timeline.

The town LOVES Phantom. After a year or two of him openly saving people, they treat him differently. The Fentons still don't like him but barely tolerate him. They'll try to capture him still and want to dissect him.

The town as a whole think the Fentons are crackjobs that shouldn't have the funding they do, but if they're managing ghost levels with Phantom then they're okay to stay. They also acknowledge that as destructive as the two parents are, they do actually help and know what they're doing

There's different types of ghost hunters in the world; theology based and science based. It depends what region you're from and your roots.

There are people like the Fentons, Men in White, and the various others we see who are science based and somewhat understand very basic ghost biology and rules because they studied it and went to school for it (or have scientist families).

Then there's theology based hunters (who would best be compared to the Winchesters in SPN) who come from lines of old school hunters. The theology hunters are just as valid because their system works (salt and iron work, holy water depends on the type). But the scientific world laughs at them because they're seen as archaic and outdated.

Blood blossoms were bred centuries ago by the original theology hunters. The legend states that a hunter received seeds from their god and was told to burry it in salt and iron inside of a graveyard. The flowers grew into blood red flowers and kept ghosts away. They were bred with a few other flowers to have them in different regions. There are no cases of allergies or being harmful to humans, even for ones that were centuries ago crossbred with flowers that are known to not be good for consumption. They seem to always be edible to humans and are grown in churches and graveyards specifically. They taste like rose and sweet, according to people who have access to them.

The town didn't believe in ghosts at first, but did halfway through S1.

Wes exists in this. I know enough about Wes to say that he just happens to be a ginger look alike to Danny and they were friends in middle school. His parents told him to stop being friends with Danny, especially post-accident. He is one of the first to realize Danny is Phantom and isn't fixed in Reality Trip since Danny thinks it's HILARIOUS. And nobody believes Wes.

Word travels quickly in this small town, like normal. So there's a giant gossip mill; being anywhere near the popular kids will give you a chance to hear just about anything and you can get about anything in there if you talk loud about. Tucker and Sam use this to their advantage sometimes. So do other students. It's great

The town loves Vlad, but think he's weird as hell. They can tell he beefs with Danny but doesn't know why.

Talking bout Vlad, his ghostly obsession is being loved. That's why he is so obsessed with Maddie Fenton. When he found out Danny was half ghost like him, he was added to the need for love. He wants Danny to love him like a father just as much as Maddie to love him as a husband. But as Maddie rejects him, he starts to shift his focus more on Danny becoming his son. He acknowledges that Danny will never want to be his kid, so that's why he creates the clones. He's a really lonely dude and his obsession is what basically corrupted him and turned him evil, from being unchecked and never balanced. If he was regulated like Danny, he would be just like Danny and less effected by it.

For the clones, Dani was actually the perfect clone because she was the only female clone. Vlad just didn't like that and so he wanted to have a perfect male one to be respectful to Danny. But he realized it later on and that's why he wanted Dani to come back and stabilize her after he lost the Perfect Clone.

The other clones weren't perfect, which led to them being barely sentient. They were ghost alive. But... they were practically hive minded.

Anyways, Dani is just out in the world stabilized now. She came back and got Dani to use his cool King powers to fix her. She still met Valerie and D-Stabalized events kinda happened but not at that time and exact. So Valerie knows about Dani and likes her. Y'know? You do.

Valerie figures out Vlad isn't a great dude, but she's gonna use his resources and just go along with his shit and kinda comes to an agreement with Vlad. Vlad does slightly care about her through proxy because of Danny.

Vlad doesn't personally care about people in Danny's life, but goddamn is he gonna by proxy care because he wants Danny to be happy. Vlad also does care about Jazz. Just not as much sadly.

Jazz is liked by the popular kids by the way. She's a bit weird, she's a Fenton. But they think she's very pretty and Jazz helps them pass classes. So who cares if she's related to the loser kid? She's older and cool in their eyes.

Jazz knows this. She's very smart. But she takes any friendship she can get.

I think I genuinely need to talk about Jack and Maddie for a second. They're not bad parents... they're just... they're not good parents. They genuinely love their kids. Jazz and Danny are the highlights of their life and they'd do anything to protect them. They just get carried away and are just too focused on their work so they became very absent and just not good parents. They never meant to be like this and they just never realized how badly it has gone. They don't realize the implications of growing up around aggressive environments are. They're not aggressive to the children, but seeing parents be aggressive in that degree to the point of making weapons will do something to kids. Even if the kids are just annoyed at this point. Jazz recognizes this and that's why she spent so much time trying to support Danny in the way she never got.

Also, the world does view Amity Park as one of the most haunted places. But they think it's more gimmick like. And since they don't have any hotels or Airbnb, no one really visits. The town made sure to not let hotels build in their town for this reason. The only thing you'll get is an Inn fifteen miles outside town limits. People do visit for ghosts. But it's not like people do for Salem or Point Pleasant.

His class over time realizes Danny is actually important to the ghosts because of small occurrences. But they don't know who he is. Eventually, they will find out one by one and be relatively chill about it in front of Danny. Only in front of Danny. Behind his back they're like oh my god he's phantom, king of ghosts. Guys what the fuc-

Ghost Zone/Ghosts

To start it off, there are different levels of ghosts. There's a hierarchy based off of power and respect. The more powerful you are, the higher you are and respected. There can be higher ghosts who aren't powerful due to respect.

There's the regular ones that we see, the Ancient ones that are canon, then there's the ghoul looking ones that are just generic and their obsession/items are fairly simple so they aren't too out there and can be controlled by others, then blob ones that are barely sentient. The blobs are usually animal souls that don't end up like Wulf or the other animal ones we've had episodes around.

Ghosts are created by extreme emotion and are fueled by human emotion and ectoplasm. Either they died with a ton of emotion or someone had too much emotion surrounding their death (that's why blobs tend to be pets that died. Or ghoul like ones had enough people shocked and upset over their death).

Their bodies run off of ectoplasm and ecto energy, which holds them together and fuels them. It allows them to conjure themselves and exist because the Ghost Zone gives it to them.

They are drawn to people who have been exposed to major ecto energy (which would be why they're drawn to Amity Park. So much exposure everywhere. So much) or heavy emotions. Which is why a lot of them feed off of them too

Ghost Cores are the metaphorical hearts and souls of ghosts. It hold their emotion and energy together. It fuels them and keeps them pulled together. If you get rid of the core/destroy it, the Ghost is completely gone. It cannot move on. It cannot reform. It's deader than dead. If you harm the core simply, they can barely keep form. They kinda become goopy and become extremely tangible. It causes their being to not keep.

There are different types of cores, as such in canon. You can have mixed cores or normal cores. Depends on your powers and your color is based off of your alignment and core.

Ghostly obsessions is what raw emotion effected the ghost. They could have had this obsession all their life, like Box Ghost loving boxes, or having to surround their death, like Danny's being protection. They are compelled by their obsession. They must follow it and are obsessed. They can be normal sometimes, but it's only when their obsession is not being challenged. That is your very being because it fuels your core with that very emotion and can give you powers.

Your ghostly tied item/ghost item is what you are tied to in the real world and you are tethered to. If it is destroyed, you are forced to move on. It isn't like the core, as that is the heart/soul. This is more like a leash that allows them to be connected to the human world and not just the Ghost Zone. Some ghosts don't know what it is or where it is. But Johnny 13 has his bike, Pandora's is her box. Danny's is a rocket replica because his parents gave it to him and he protects it. But some of them simply don't know where it is and don't care. Some have things that were buried with them or clothing they loved. They're still around because someone just hasn't destroyed or found it yet.

A blob's ghost item could be a collar or favorite toy if it was a pet. Things that are kept as memories.

A ghost haunt applies to a ghost that mainly resides in the human world, like Danny. They own that area and it is theirs. They usually do not have a lair in the Ghost Zone because they're the same thing, but on the human plane. But ghosts tend to get aggressive towards other ghosts who enter their haunt, so that's why Danny is a bit aggressive. Especially as he gets older and more in tune with being half ghost.

A ghost lair is simply just the ghost's claimed area in the Ghost Zone. Most have them and blobs and more ghoul looking ones will freely roam since they aren't powerful or "important"/high enough. They will tho, if they have a master to serve, stay with them. Laira are usually guarded and keep territorial ties to their owner, but not as strong as a haunt.

Ghosts with haunts will routinely go back into the Ghost Zone. This is for health, survival instincts, or for other reasons. Portals tend to appear more often in haunts because of this.

Ghosts need ectoplasm to survive. Simple. That's why they go in and out of the Ghost Zone a lot of they're in the human realm

The ecto weapons use ectoplasm and reverse engineers it to harm them. Reverse polarity and all. And the reason why salt/iron/holy water works on them is because it purifies and can control the energy. Plus, since they're based off of emotion, if enough people will it to work it will.

Blood blossoms effect them so well because of this. The salt and iron in the breeding mixed with the pure belief. And at some point someone started to soak the seeds in the reversed ectoplasm. But humans don't know that. They're just hardcore believers.

The Ghost zone is partially sentient. That's how it opens up portals and controls ectoplasmic levels. It is a realm made of ecto energy and ectoplasm in the end, so it makes sense. It was crated because human souls needed a limbo between reincarnation (hell/heaven doesn't actually exist in my version. Just a limbo and a few other realms that will be mentioned later). The Ghost Zone needs a core to keep it all together, and it tends to choose a ghost to be it's core. But it chooses very carefully and can move the core to a new ghost if it senses danger. Self preservation.

The Zone chose Danny because it knew it could trust Danny. Which is why Danny is destined to be inherently the most powerful. And the Ghost Zone can loosely be understood by the ancient ones, like Clockwork and Observers. And now Danny.

Every Ghost can speak Ghost Speak. It is an old language that Latin is based off of loosely. Humans cannot understand it. Some have loosely learned it and have trained to understand it. But it's very difficult since they don't have the right vocal chords. Or... have them. Ghosts don't actually have them.

Ghosts can switch freely between whatever human language they speak and then ghost. While speaking to other ghosts, especially in the Ghost zone, they speak in ghost speak. That's how they all understand each other and not have to learn a new human language. It's quite literally in their brain hardwired. It's the ectoplasm and ghost zone doing it. Plus the Ghost zone likes to slightly give mind them so it needs them to know it.

Death day is when they died. It's normally not that pleasant of a day because they can feel how they died throughout the day. Some relive it as a death echo if they're on the human plane, then some just have flashbacks. Some just relive the pain. Normally they like to be alone. But some will be with others. They are literally reliving their deaths because their energy is all jazzed and upset. It's a horrible reminder.

Death days are treated like sad birthdays. So it'll be a truce for that specific ghost and normally the others will give them things to make them feel better. Like... small gifts or words of encouragement. Or if they know their obsession, something to do with it.

Death echoes are not fun. There are a few ghosts who are always trapped in them and have to be released, those are normally weaker ghosts who don't have enough energy to move to the zone so they're trapped. But the stronger ones will leave an echo of energy at their death; which means that if they're on the human plane when death day comes they will reunite with the echo and be stuck in it until the time of death. They will not be themselves, but the fragment of the bit leading up to their death. A literal ghost of themselves being forced in a loop of their death. Think about yelling down a large tunnel and it echoes forever, except when you go back a year later you're forced to keep doing it until the original one is due at the same time.

The final echo will actually physically effect them as they're let go of the echo (for that year). The effects will disappear. (So for example, Danny for the whole day if he's in Amity Park will be stuck as a translucent almost non sentient, not knowing what's going on around him, replay of the Accident. Whoever is there will watch it happen again and again, but only him and not the others, until it comes time for his death and he comes out looking burn and electrocuted. Then it'll disappear and he'll be normal. No memory of the day besides the pain of the last one)

The Ghost zone can't really stop the echo unless they're inside the ghost zone. It contains them and protects them, so that's why they will leave their haunts or just go back for the day.

There is actual royalty, which is the Ghost King and and his court. The king can marry and have a queen. There can be ghost queen as rulers if a girl wings the crown. It just so happens the last two/three have been guys. Whoever rule's full title is king/queen ruler then their partner is king/queen consort. There can be two kings or two queens this way, and it's even gender wise. Yippee. Princes/princesses are children and do not actually hold any right to the thrown unless their ruler turns it over or they overthrow. It's a formality and political status out of respect. It barely happens.

The Ghost King is earned by right of conquest. So Danny challenging Pariah Dark and winning meant that he stripped Pariah of his crown and title. Everyone involved could lay claim if Danny does not take the crown and challenge Danny. And if someone does challenge Danny, then the ghosts will be able to access whether or not they actually do have the right or should be allowed.

Vlad actually challenged the right, but most of the ghosts knew Vlad was a bad option and vetoed him before Danny even knew what was going on. Vlad knew exactly what was happening and that's why he wanted to awaken him. He just... didn't plan out the events that unfolded.

But how normally the crowning works is that the crown would return to the Ghost Zone, and the Zone would present it to one of the Ancients. Whoever defeated the previous king will automatically receive title of Prince (which Danny didn't know but the others knew). The Ancient will then send out lesser ghosts or allies of the newly titled Prince to announce their new right. They will be brought to a coronation ceremony where they will accept or decline.

If they accept, they will be bound to the title and they will gain new powers literally and metaphorically. They will gain the King's Keep as a new lair. And they will be diplomatically/politically responsible for the new era

The King's court is mostly appointed with the exception of the higher ranking ghosts. They have a right to be on there.

The Ghost King is what people precieve as Satan/Lucifer/the Devil actually. But in the sake of continuity, they're just summoning the Ghost King by that name. Y'know. Only the religious folk call him by religious titles. Same dude.

This ties into the fact that the Ghost King and other ghosts can be summoned. Anything having to do with king/Satan/devil summonings the Ghost Zone will literally route to the Ghost King. Most "powerful ghost/demon" ones will more than likely be a powerful ghost, but the ghost zone will put the king in there also. If someone isn't specific in the summoning, they'll get someone with a related obsession to their goal or just a lower level generic ghost (probably a ghoul like one).

Which means Danny will be summoned from time to time. He can easily get back since it's a portal that can't be seen besides the summoned. Silly stuff tbh. People don't do it too much, but it's often enough to make him have a system for it.

Half Ghosts only have two natural cases and one unnatural. Dani isn't considered a true half ghost by the ghosts since she is a clone. They don't see her as anything other than a clone of Danny who is now her own person. They treat Danny and Vlad the same.

The term Halfa is the term for being half ghost, and most ghosts don't necessarily mean it in a mean way since it's just their slang term for half ghost. But some do use it in a mean way (the ones who don't like humans and hate the idea that two powerful ghosts are half human. Some ghosts are just dicks and use the term blob in the same way)

Since Danny doesn't talk about half ghosts to other ghosts a lot, he doesn't use the term. Sam and Tucker were confused when he first said it and looked a bit concerned. He explained what it means and they just nodded slowly. His friends personally don't like it, but just don't use it unless talking to ghosts.

A lot of the more powerful ghosts don't like it when the humans call them anything besides ghost or ectos, especially when they're called ghoulies. When they're called ghoulies they see it as being deemed the same as lower powered and they get offended.

Don't ask a ghost how they died. You don't need to ask exactly what their obsession is; if you can figure it out you can be like "oh this is it." But asking directly is a bit weird and rude. And don't ask them directly what their ghostly tied item is. Usually it's personal. C'mon guys. You wouldn't ask someone their deepest personal trauma. Why would you do that to them??

Also, it should be obvious that not all ghosts are evil. But a lot of them are just mean spirited or the emotions that made them aren't nice so they just... yeah. They can be good and nice people obviously. They just don't tend to be all the time

Also, Christmas truce came from three kings ago. Pariah Dark's full reign when he wasn't locked up caused a pause, but when he was locked up it continued.

Other

There's other realms, like the dream realm and the area outside of time that Clockwork lives in.

The Observers also live in the area outside of time, but do follow the main continuity of time. They do not care about the other continuities or timelines. The timelines exist but aren't the main one, so they don't really matter. Just branches that fizzle out after a bit. The Observers' job, along with Clockwork, is to protect the main one. Think kinda like TVA except like... you obey a realm and not some man playing god. And they don't just cut off the timelines. They just redirect the main one and let the others naturally fizzle out

There are Ghosts of __, like how we have the ghost of time and dreams. They're powerful and are important for the Infinite Realms to exist. Clockwork knows where to find them if needed, as he is one. Nocturn is kinda just an asshole and Clockwork keeps him in check. He knew Nocturn wouldn't win so he let the guy have his fun and then kinda reprimanded him on the side

Dan also exists outside of time now. Clockwork lets him outside the thermos sometimes and has put a blocker on his powers so he can't use them. Dan says it's inhumane and Clockwork hits him with a "maybe don't kill a ton of people and ruin the timeline. Ever thought of that?" (Obviously not exact words). It works. Dan is just glad to be out of that thermos.

Dan also really wants to meet Dani. Clockwork shows her story to him, and even though Dan doesn't have his human side he is interested in her and want to know more.

I just really want Dan to eventually get some humanity back and Clockwork is a manipulative ass, so he would use Dani as a tactic.

[dedmasya]

HN's lore and fandom are literally broken atm

Every time when something shitty happens with this poor franchise I had the feeling that I should write something about it. And the last AS teaser was like a spit into my face, so here you go. HN has problems, the fandom, the franchise itself. And these problems are huge. We all know that it's a some kind of a milking cow at the moment, it's already a very sad situation. People around me (with whom I hang out and they are/were in HN fandom) liked the way how story went when Nikita was around. It's obvious, that he wasn't involved in modern HN2 and projects that were created after. It may sound stupid to those people, who don't have this feeling, but you just know that he hasn't participated in development. It's like a style, handwriting. You can try to copy it, but it still will be a copy. And his style, his handwriting is nowhere. The last time I felt that HN is HN was when HN2 alpha 2 teasers were seen. I was excited, had high hopes. Felt that special vibe. But later? Nothing. Lore problems. SIGH. Every fucking interpretation of this poor game fails, contradicting each other and original canon. We have the game. The first and original resource of information, everything else should be based on it, not the opposite(!). These books are a cash grab, I have almost all of them, I've read them, but they're a cash grab literally. I can say it as a person who is writing too and who can point out that everyone is freaking OOC in them, including Theodore. And no matter how TB wants to be "an animation studio" or smth, they're GAME PUBLISHERS hiii hellooo hi??? You're supposed to publish games, they spent money on absolutely unnecessary product that can't even give them these money back, as I suppose. You all do know that Ted never freaking ever had a brother. Even the book one had SISTER, but it was just a random fact even and her existence in the lore was... Not important. Lore keeps being overwritten over and over again, it's nowhere HN already. The legacy was destroyed or smth. I won't even say anything about poor HG that had amusing potential! Are u guys really okay with this? Cuz I'm not. It feels at least disrespectful to Nikita, imho. I would be so depressed if my creation was turned into a milking cow for someone else. HN1 had a meaning, morality. It wasn't just a game for fun and giggles, it was a message, it was an art. Like a good movie, like a good book. But a good game. Maybe with bugs, yes. Maybe it wasn't 100% perfect in different aspects, but it had soul. And imho HN could be a russian gamedev savior at some point, cuz russian gamedev is half alive. And old fandom... People who are new to this franchise probably doesn't know a lot of facts, some don't even understand what was HN1 about, even if it's obvious as hell. People are not friendly to each other for some reason, despite they're a part of one community. Stop stabbing the same boat where we all in, you will drown not us, but yourself too. So we should be respectful to each other, we're the one community, no matter if we want it or not. I miss old HN. No fucking mystic, just metaphors and messages. No random flat characters, no 100 boring and unnecessary spin-offs, including a freaking cartoon. And as a conclusion HN = Nikita (and Dynamic Pixels ppl) No Nikita = No HN Text is not systematized as it should, maybe there are even grammar mistakes. But it's an emotional vent.

[inversionimpulse]

not to make everything about a personal pet peeve, but I can't help but feel like a lot of the backlash against the full announcement of Emio: The Smiling Man is another example of people becoming overly attached to their favoured outcome to such a degree that the only metric they can use to judge the actual outcome is merely how similar it is to what they wanted.

Like, take a step back. What did the initial teaser promise?

Something creepy, atmospheric, and M-rated about a fucked-up dude in a paper bag mask. And no more.

I, naturally, can't tell how you feel, but I think Nintendo delivered on this promise.

But some people concluded that the evidence pointed towards a survival horror game. Which was a fair interpretation at the time! But it was not the only one - as evidenced by the fact that there was at least one person who correctly called that it would be a new Famicom Detective Club - and, as it turned out, it was not the correct one.

"I was wrong" can be a mark against a thing. I fully believe that. All value judgements like that are based in large part on such irrational things as how the thing made you feel, and that's right and good and impossible to divorce from the human experience anyway. Being wrong can lead to a negative emotional reaction. While it may be more healthy to work on not having that reaction, it may also not be my place to judge. But it may not be the sort of mark you shout out to the world with your whole chest, you know?

I think you ought to learn to love the mystery itself. I think being contradicted is good for you, unpleasant as it is and as difficult as it is for me and my RSD. I think presuming an answer and getting so attached to it that the real answer makes you angry can be foolhardy.

(The other consideration is that the people who were in a position to be disappointed by it turning out to be a visual novel are generally the type of people who would not have looked twice at a visual novel no matter how it was revealed, and are thus essentially irrelevant. Emio could only have disappointed them, the only difference is that this way they were briefly "tricked" into caring... and a seemingly significant number of other people, who can care about VNs, had their interest piqued in a way it might not have otherwise)

[corellianhounds]

Curious to know your thoughts on Din’s separation from Ran’s Crew… (you said you wanted a discussion topic 😉)

I meant for this to be a two paragraph response and then when I looked up three hours had passed and my back was stiff from sitting at the keyboard for so long. I wrote ninety-five percent of this in one go, then made a gyro and literally went to go rewatch the episode to double check my quotes and notes before coming back 😆

~ 3.1k words

This ended up being a LOT more context because I don’t feel like I can give a solid answer without laying the groundwork for how I come to the conclusions that I do. I’m nothing if not able to justify my reasons/interpretations, but I also try not to lock into anything unchangeable when it comes to more nebulous parts of a character’s history because I can see how things can go several different ways, all of them interesting and plausible.

One of the things I’ve always loved about Mando from a mechanical/storytelling technique perspective is that he’s one of those characters with a mysterious past we only get in relevant bits and pieces, leaving so much open to speculation and interpretation. (I think that does contribute to how many wildly different takes we see in fan spaces about his character, but I digress.) He’s like Wolverine or Snake Eyes in that, when he’s being written well, his entire past and backstory isn’t spelled out in concrete detail which frees up storytellers to add things in later as they become relevant without contradicting themselves or having to refer back to/be confined by too much rigidly established history or canon.

(Personally I think more authors should do that when it comes to how characters are used in a story (meaning, the character should serve whatever story you’re writing first and you shouldn’t get too precious about elaborate backstories and irrelevant details if they end up blocking you from making stronger narrative decisions). I like only getting bits and pieces because we as the audience fill in the gaps for ourselves and stay intrigued by the remaining sense of mystery)

Because of that, I don’t have a concrete idea in mind for how Din got involved with or left Malk’s crew, and I hope it never gets spelled out unless the writers have a specific story in mind where that comes up.

As much as I like writing Din as a genuinely good man with a strong moral compass and personal code, that does also mean that I think there were times he wasn’t a good man. People are a lot of things in life, and it’s only through genuine trial and error, making mistakes and actively bad decisions and learning hard lessons from bad experiences that people grow into being good people (keeping in mind that everybody is capable of making good and bad choices in life at every step of the way. ‘Being good’ takes active work and it takes even more work to maintain that consistently).

Characters are more compelling and dynamic when they’ve actually done things that are contrary to how they behave in the present (provided the audience is shown the meaningful progression of that change). To that end, I think Din Djarin has done some things in his life he deeply regrets. Some of those decisions may have been forced out of him by virtue of circumstance, and some of them may have been on purpose (or the lesser of two evils).

Sometimes making the right choice will end up costing you something important, up to and including your life. Survivors of any kind have done a lot of things to ensure that survival. Everybody is capable of change, but change can go in a lot of different directions.

I think erasing a character’s flaws or implications of a flawed past does those characters and stories a disservice by uncomplicating the people and world within which the story is taking place. It truncates what decisions those characters are able to get away with as a story progresses if you insist they’ve only ever been morally upstanding up to the present. It closes off opportunities and directions for writers to take regarding the character’s future. That’s not a hard and fast rule, but if you start off with Steve Rogers being a good guy, you can’t have him do a complete 180 in a story unless that’s going to be given the time and focus it would take to make that arc believable and satisfying, and sometimes you just don’t have the time to dedicate to that if that isn’t the main story.

All of that to say, Din has probably done some bad things. You don’t end up working with criminals for (it’s implied) an extended period of time without having to make moral compromises, and though I believe Din’s faith as a Mandalorian has been steadfast since childhood, there are probably aspects of the more honorable teachings that he’s lapsed in at different points of time. (He did, at one point in time, turn over the life of a child to known enemies for payment.) He probably had to not ask questions about targets they were sent sabotage or steal from because if he doesn’t know for a fact that they were innocent people, he can tell himself that he’s not at fault for senselessly hurting people or robbing them of their livelihood (even if his guilt, intuition, and conscience tell him otherwise when he tries to sleep at night).

You know what you’re getting into going into mercenary work, so you can’t get tied up into moral quandaries every time you see the person on the other side of it. The more impersonal you can make it, the more you can do the job swiftly and mitigate as much suffering and collateral damage as possible.

I say all of this because Mando doesn’t exactly refute most of the things the crew says about him during the planning and travel phase of the mission, and I don’t think he has a problem correcting people when they’re objectively wrong about him (even if he’s at a disadvantage here being outnumbered, desperate, and coming to them for work). When Ran says they did a lot of crazy stuff back in the day, Din says “That was a long time ago,” which does admit to at least some of it being true, it’s just something Din makes a point to say he’s distanced himself from. He’s saying that he’s a different person than what he was like back then, which means there had to have been things he did that he’s not proud of.

Sometimes the more you protest though, the more people will pile on the jabs and mockery, especially if said jabs come from elements of truth you as the target can’t completely deny. If you don’t give people the response they want, oftentimes they’ll get bored and move on to something else, or at least won’t linger on that particular insult.

It’s also worth pointing out that anything the other members of the crew say about him could have been false or taken out of context or were perceived entirely different than what the reality was, them not knowing what Mando’s motives were at the time because he’s not exactly forthcoming. Anything they say that implies he did some shady things could have also been things Mando did in those moments that were actually cover for something else. Him letting them think the worst of him so they don’t notice how he’s freeing hostages remotely as they work, or sabotaging their demolition-heavy escape that would have hurt bystanders, or hailing the law to show up and interfere before things go too far and people end up dead when they could be saved. The quieter you are, the more people will reveal themselves and overlook you as part of the background, leaving you free to do what you need to.

Some of the things the mercenaries say about him could also be their skewed interpretations of events. Mando could have been quick, heavy-hitting, and ruthless, but ruthlessness doesn’t always equate bloodthirsty— Ruthlessness just means the most efficient route or means from point A to point B. If he went in on a mission and had to incapacitate people quickly and cleanly, they might have interpreted that to mean Mando was a violent person who liked killing or beating people up for the fun or glory or pleasure of it if he was volunteering to be the first one going in. The reality could have been Din not wanting people to suffer or be killed at the hands of mercenaries he knew would be harsher/more careless if they went ahead of him on a job.

Maybe the mercenaries all thought he was trigger happy because he would shoot first without asking questions, but Din was, in reality, six steps ahead of everybody else and had already analyzed the situation and come to the conclusion that that was the necessary thing to do at that juncture. Maybe the fact that he was brutal and quick to fight back when people on the crew antagonized him in their downtime or tried to take his things made them think he had a short temper and was always raring for a fight, when the reality is you have a much better chance of winning if you hit hard and hit fast, and he wasn’t going to put up with anybody’s disrespect or antagonism by rolling over and letting them think they could get away with pushing him around. As soon as you give people an inch they’ll take a mile.

Even if he was doing some shady jobs, there are still things he’s not going to do even if he had the skill sets for it. Din’s not going to torture people and wouldn’t have stood for it from others of the crew. He’s not a murderer and even when he’s had to kill people in the show it’s always done quickly and efficiently. (One reason why I can’t definitively say Mando would be entirely against hurting someone for information is that he did leave Gor Koresh to be torn apart by dogs at the beginning of Season 2, so he obviously thinks there are some people who have it coming. “You won’t die by my hand, but I don’t have to save you.” He gave Koresh a clear and concise opportunity in the arena to back off and give him the info he came for without killing him though and Gor Koresh didn’t take the chance Mando gave him, so Mando’s not going to lose sleep over what he did in leaving the don hanging there in the street. It’s probable there were similar instances like that while working for Ran.)

Though there are a lot of other immoral actions that come with the kinds of jobs it’s implied that they did, Mando wasn’t killing people left and right, especially since these guys are lower level criminals and thugs, not organized crime members or assassins, and murder gets you a lot more attention than you want if your primary jobs are stealth-based. Mando retained a sense of honor while working for Ran’s crew because Qin wouldn’t have used “You need me alive to get paid; isn’t that your code? Aren’t you a man of honor?” as a guilt trip/bargaining chip at the end of the episode otherwise. Qin’s (mockingly, but probably accurately) quoting back to him what Din had said to them in the past (same as what Xi’an did in transit regarding what he says about the helmet rule). It’s both possible and likely that Din was the one reining other people in when he could, mediating or diverting the crew from killing targets, security, or civilians who ended up in the way.

The reason I think Mando only killed people back then in self defense is that he left the merc crew alive at the end of “The Prisoner” when he obviously could have killed them. To me, what we’ve seen of his sense of justice in the present shows that, had they all proven to be merciless murderers to other people, he would have dealt out equal punishment in return by the end of it has retroactive retribution. Xi’an was the only one he’d worked with before (aside from Qin) and I don’t doubt that she enjoys killing people, and she did kill Davin so she was the most deserving if he had killed her there, but Mando still gave all of them the same last chance he gave Qin years ago; left behind and captured, but alive, despite the fact they all tried to kill him.

(A possible out-of-universe explanation for why he left them alive is that the writers may have had more planned for them in Season 2; there’s concept art in the second season’s Art of The Mandalorian that has Mayfeld, Xi’an, and Burrg on Boba Fett’s ship going into “The Believer.”)

We haven’t seen any evidence of Mando taking active enjoyment in killing people. Needless murder goes against the Mandalorian code, and violence typically isn’t (or is taught that it shouldn’t be) the first resort. Mandalorians are diplomatic enough to have a conversation first, but if you instigate a fight, they’re more than ready and able to finish it. Strike fast and get it over with, don’t drag it out. If you’re going to fight, do it out in the open and be willing to consider a genuine surrender when it’s asked for.

Mando’s not a bad guy. He’s just the best at what he does, and what he does isn’t very nice.

—

So now we’ve established some plausible parameters and the atmosphere for what it was like working with Ran’s crew in the past. There’s a lot of ways Mando could have ended up on the crew, and there’s a lot of reasons why he might have stayed there. He could have been ambitious and arrogant and setting out to make a name for himself, but I’m more inclined to think it was a matter of taking whatever jobs he could that would pay a lot of money and allow him to continue forward. Poor people without resources or connections are often driven to make decisions and find crummy or unethical work that goes against their personal code or preferences, especially when there are people relying on them as a source of income.

The importance of community and family among the Mandalorians is something that’s been made abundantly clear about Din from the beginning so that was probably a driving factor in how he conducted his life and work once he became an adult, and if he was one of the few people who was able to travel to find work and bring money and resources back to the tribe, then of course he was going to do it. There are mouths to feed, children to care for, armor to be built for others. You do what you can to survive.

Now say the more jobs he does with them, the worse they get, but he makes more money that can be brought home to the tribe. Say there are circumstances with bad timing that compel him to keep working for Malk as opposed to finding somebody else (potentially just as bad) to work for; working for the devil you know is better than the devil you don’t. Maybe he’s saving up for a ship. Maybe he somehow ended up indebted to Malk and was forced to work off that debt for longer than he obviously wanted.

Maybe he was desperate for any work and theirs seemed promising, especially since he had the exact skillset that would guarantee he’d succeed. Maybe the jobs they used to do were just legal enough to pass as legitimate (if difficult) work and it wasn’t until he’d been there a while that they started to become more dubiously ethical, or Ran used the fact that they had a Mandalorian with them to bargain for better paying jobs from clients (those jobs paying more because they were dirty work).

Say that he knew it would be hard to leave the merc crew because if he didn’t do it right, he knew they’d all be suspicious about what secrets and details he’d be taking with him. Who knows who he might talk to? If that were the case, they may have come after him once he departed just to make sure he couldn’t betray them and give them up.

Say Mando had other outside obligations that kept him working with Malk despite the fact he could see the red flags, and the slow, creeping decline in honest work took place over a longer length of time. It’s a lot easier to get somebody involved with criminal activity if it starts small, starts gradual, and can be reasonably justified, especially if you don’t have all the facts surrounding the circumstances under which the job is taking place. No questions asked, that’s the policy.

I think whatever job they took where Qin was left behind was close to if not the end of Mando’s time with them. I don’t get the impression they had a great relationship to begin with, and Qin also seems like he could have held his own against Mando for a good amount of time before either of them had to back down or their fights were broken up. Almost every episode involves somebody picking a fight with Din over the armor or the helmet (or just… anything really), and it’s clear he’s had a lifetime of similar treatment and he’s able to fight back every time, so it’s not a stretch to say he was probably on the receiving end of similar scuffles while working with the crew, including those instigated by Qin.

So if Mando already had reasons why he wouldn’t have risked his hide to go back for Qin, it’s possible something specific happened that was the last straw and Mando decided he would no longer go out of his way to help or protect him, meaning when whatever mission they were on went pear-shaped, Mando left him. A kind of “Those who fall behind get left behind,” mentality, considering he knew Qin could hold his own and would end up alive if he was smart enough to know what was good for him and back down when he was caught. That was Mando’s measure of grace extended Qin’s way. Mando could have killed him on the way out, but he didn’t. He considered that Qin’s last chance.

I don’t think Qin was necessarily caught by the law on that mission, but regardless of how it shook out that crew ended up back at home base with at least one less member among them and everybody having a hunch that it could have been done on purpose, even if Mando had viable justification for why he couldn’t have gone back for him without risking the rest of the mission. Mando was able to make a clean break and walk away from the encounter (because Malk wouldn’t have let him back on the crew in “The Prisoner” otherwise), but not without everybody’s suspicions cast on him as he went, and the longer time passes between people who part ways on a sour note, the more those accusatory thoughts fester and build.

Mando may have made the objectively right call in leaving Qin and had the evidence to back him up, but people’s feelings are finicky things and tend to overrule all better judgment regardless of the facts of a situation, so the fact that he’d been with that crew for a while and had a history there— one that likely included a well-known animosity between himself and Qin— meant that it didn’t matter how justified Din was. If he’d stayed and continued to take jobs with them nobody else would have trusted him to have their backs going forward, which meant there would be no way for Mando to trust that they would have his. For all he knew, their next mission would end with him being left behind, metaphorically or literally stabbed in the back for his trouble in thinking they could work together again.

[apenitentialprayer]

is judaism more similar to christianity or to islam

Well, this is one of those questions that won't have a clear, indisputable answer.

For example, Judaism and Islam are both alike in that they are anti-Incarnational, anti-Trinitarian faiths. They are both more similar to each other than Christianity in that they affirm the absolute Oneness of the transcendental God. (As a historical footnote, this may be why when faced with forced conversion, there are more high-profile cases of Jewish people picking martyrdom over conversion in Christian lands than in Islamic ones).

If we look at Scripture, on the other hand, Christians and Jews are much more similar. While they disagree on the interpretation of their shared texts, up to 77.4% of Christian Scripture (depending on your flavor of Christian) is also Jewish. This is strikingly different from Islam, which has its own canonical Scripture and a very ambivalent relationship with Judeo-Christian texts. Historically speaking, some Islamic scholars have been amenable to using Jewish and Christian material to better understand their own Scripture. Others have been very cautious about the so-called Isra'iliyyat, narratives from other Abrahamic traditions, seeing them as corrupt.

Judaism and Islam are also more similar in that they both focus on orthopraxy more than orthodoxy. Gershom Scholem, a leading scholar in the academic study of Kabbalah, once said that Kabbalah is the closest thing to a theology that Judaism has. At the end of the day, though, Jewish individuals have a lot of freedom in terms of what can be believed. Islam likewise has a few articles of faith, but that's also less importance. What separates different Jewish groups is more religious practice, and what separates Muslim schools of religiosity is more jurisprudence, than what separates Christians.

Or consider the doctrine of the imago Dei, which is very important to Christianity and Judaism, but is either non-existent or only occasionally acknowledged in Islam, depending on your flavor of Islam. Whereas Judaism and Christianity both affirm a likeness to God in human beings, which explains their unique status in His creation, Muslims are much more likely to emphasize God's inability to be compared to anything.

This question also ignores how Islam and Christianity are more similar to each other than they are to Judaism. Along some similarities, both are evangelical religions, seeking converts and at least in theory aiming for a world where everyone belongs to their respective religions. Both emphasize the afterlife much more than Judaism does. And while both Islam and Christianity get inculturated into specific ethnic groups, neither are ethno-religions to the extent that Judaism is (One definition of Judaism? "The -ism of the Jewish people").

One concept that really emphasizes how complex the answer to this question is? Take a look at how all three tackle this question of the Messiah. Christians and Muslims both affirm Jesus of Nazareth is the Messiah, while Jews do not. Jews and Muslims both view the Messiah as an establisher of an eschatological kingdom, albeit of a worldly kind; Christians focus on the eschatological aspect, and affirm that in some sense the Kingdom of Heaven is already at hand. Both Christians and Jews heavily associate the Messiah with Israel and the House of David, whereas Muslims do not. And in Islam, the Messiah isn't the sole or even most prominent champion of the cause for God — that would be the Mahdi.

Keep in mind that even with these cautious generalities, you will find contradictions to what I am saying. Each of these religious systems are incredibly diverse, and you may find other resonances and dissonances depending on which particular groups you are comparing.

[pavel-chekov-appreciator]

I love seeing everyone’s different ways of interpreting and presenting Pon Farr based on the limited canon info we have, and tbh I usually just go with whatever is best in service of the story I’m wanting to tell whenever I write about it (I have multiple Pon Farr fics that pretty readily contradict each other lol), but my favorite sort of interpretation is that the plak-tow itself is the peak of the whole thing, the real fuck-or-die moment, and that only lasts a few hours at most if fulfilled properly. But there’s a whole lead up to that and then a taper off from that which can last days or weeks, and that whole chunk of time is considered the Pon Farr.

Under ideal circumstances, that whole time, or at least most of it, would be spent with one’s mate. And there would be lots of cuddling and lots of sex and lots of weird animalistic licking and sniffing and scenting in the lead up to the plak-tow.

A Vulcan who’s mate enters Pon Farr would usually enter their own sympathetic cycle, triggered both telepathically by the bond, and physically by their mate’s pheromones, so they’d be very receptive to all the sex and snuggles. A non-Vulcan mate may experience sympathetic symptoms as well, but much milder ones, since they’d only have the telepathic trigger, and they don’t have their own set of baked in Pon Farr instincts.

Following the plak-tow, the instinct to fuck is gone, but it’s replaced with an instinct to take care of one’s mate-more snuggles, and some tongue-bathing (or actual bathing if their head is clear enough to remember that showers exist) and hand-feeding. Instinctive aftercare!

This is also the time it’s most important to leave your Vulcan buddies alone, though they’d want isolation through the whole Pon Farr-at this point, their instincts are thoroughly convinced that this mating will result in pregnancy, regardless of how true or even possible this may actually be. If the afflicted Vulcan is the one who’d be doing the impregnating, they’re liable to be massively defensive and protective of their mate, to the point of violence. If the afflicted Vulcan is the one who’d be getting impregnated, then their mate’s sympathetic symptoms would make them nearly just as defensive, and it would also just be massively stressful for the poor Vulcan recovering from their plak-tow to have a visitor. Don’t stress out your buddy. Give them a few days.

[alpaca-clouds]

Isaac and Religion

Please Note: No, I am not a Muslim myself. But I talked quite a bit about this with a friend who is a Muslim scholar.

Something that I have spent maybe too much time thinking about, is Isaac's relation to religion (and in general religion within the castlevania series - though that might be a discussion for another day).

We know that Isaac is Sufi. To those who have never heard about Sufism: It is Islam, but with Mysticism mixed into it. And during the high medieval period it was for a time the most widely spread version of Islam, especially in Northern Africa and the Ottoman Empire. Though at the time the series takes place it was already in decline.

Sufism did originate with Sunni Islam. Though I do have to wonder how much difference it makes to Isaac, as one of the core parts of the entire struggle is about who gets to interpret the Qur'an - and it really does not seem to matter much for Isaac given that he seems to be mostly on his own with his religion, hence having to do the interpreting himself.

But it brings with it quite a few interesting observations about how his relation to his religion is. He is clearly religious, yes. But he does obviously do quite a lot of sinning.

The self-flagellation is something that Islam as a whole frowns upon, because technically self-harm is explicitly forbidden by the Qur'an. But... still there are fractions of Islam that to this day practice self-flagellation, partly as a religious practice, partly as an act of mourning.

Sufism usually does involve meditative practices, which might at times also involve forms of self-flagellation. Which makes me think it is linked to that. Especially based on the dialogue with the captain. Though than again it does contradict his dialogue with Godbrand, where he reasons it has to do with purging his body of sickness (= sin). Ironically this makes me wonder, if he actually has gotten that stuff from the templars/monks, because that reasoning for self-flagellation is a very catholic one. And given he was a kid when he was taken, there is a good chance he might have picked up some catholic dogma as well, maybe even unconsciously. Especially given he uses the same belt for the beating, he had taken from his former owner.

And, of course, there is the practice of sorcery, especially necromacy. Something that again is very much a sin and forbidden in Islam. While Sufi practice some mysticism and maybe even magic, those are usually linked to learning the names of God and are quite different from what Isaac is doing.

Of course, Isaac does have a reasoning behind it and behind his killing of so many. Because Muslim endtime prophecies do in fact involve the souls of the dead being lifted out of hell and reunited with their dead bodies, so that they may be judged by God. (He even quotes from this when talking to the shopkeepere.)

So, in Isaac's mind he is basically just what Christians would call a rider of the apocalypse. He brings upon the endtimes, so that people may be judged again and the wicked might go to hell, while the good people might go to paradise.

As I said, there is obviously the fact that he probably has learned a lot about Islam by himself. He was taken by templars as a child. So while he might have been educated in the faith as a child before that, he was not after it. And given that he was keeping to himself after it, after experiencing a lot of violence, I do not assume he ever went into a mosque to pray or have many talks with scholars. So there is a good chance that a lot of his knowledge on Islam has come from he himself reading the Qur'an and maybe the Hadith and interpreting them himself.

Something that kinda irks me in some fics, is when I read about him drinking alcohol (something he canonically does not do) or eating pork or other haram foods. It is just one of those things with fanfics, where I do wonder how hard it is to be a bit more thoughtful when writing about characters from other religions.

A thing that I personally have thought about a lot is his relation to sexuality. I read him as gay for so many little reasons in canon (though obviously interpretations might vary). Now, medieval Islam had a different view on the topic of homosexuality than modern Islam. Homoromanticism was usually permitted. Homosexuality at least somewhat accepted. Usually Sufi were a bit more accepting in that regard, because of their unique understanding of gender.

But... The Qur'an and especially the Hadith have a strong and clear opinion on one thing, that the bible does not have any opinion about: Anal sex. While the bible refers to homosexual acts in very vague terms, the Qur'an explicitly talks about anal sex and it says: "No go. Not even with women."

Which actually gives me an interesting hook for conflict when I write his relationship with Hector. And it is something that I find kinda sad for it being barely brought up in fics. Just a thought.

[eresia-catara]

Let's say we get a proper movie or series about Dante, like a thoroughly researched and well-written adaptation of his life by people who actually give a fuck. How would you want them to portray his relationship with Guido? Beatrice? How would you like them to portray Dante as a whole? I feel like a lot of adaptations fail to make him human-like, with flaws and strengths.

Oh interesting question...

The main problem with movies about Dante is that it seems the writers and directors sort of get a 'performance anxiety', in the sense that they so desperately want to go over the top and shock and amaze everyone that they end up with total disasters; and this is partly because Dante is the most important intellectual we have in italian literature so it would be tragic to let down the public (and yet it's what they do) and partly because it's just modern culture to want to produce extravagant movies.

My opinion is that we need to briefly take a step back from all these dreams of grandeur and look at things inside their context once more, because it seems people don't really know where Dante's greatness lies, they just know that he was great. At the same time, everybody knows Dante was human, he was an ordinary man with his flaws and virtues, but does that mean we have to show the public that Dante had sex and ate and whatnot? No, because that's a lowly interpretation of humanity, that's actually portraying a generic living animal (cough cough looking ad Dante 2022). Then do we have to show a hallucinating outcasted genius who's above everybody else? No because that's a kind of mystification that actually ends up belittling his greatness. The fact is that Dante was great exactly because he achieved what he did as a human. He struggled a lot, he had his contradictions and moments of weakness and yet what he ended up gifting to posterity is a message of unconditional love and a new look of wonder onto the world. If there is something that needs to be central in a portrayal of Dante then it has to be his love for humanity. Not Beatrice (as in an actual woman), not a crazy love delirium for Jesus. It is through catholicism that Dante manages to accept all the bitter events of his life and thus find beauty in life in itself. I think this is the fundamental thing one has to keep in mind.

So Dante has to be shown — like in any biographical movie — in his different moments of joy and struggle. You can't just skip his youth years in Florence during which he meets some of the (if not the) most important people of his life (Beatrice and Guido), but you can't even skip his travels across Italy during his exile, because it is then that he actually faces life and the difficulties through which his very capacity to love changes and evolves. We need to show Dante as an evolving, dynamic character whose thoughts and opinions change through time, not a static genius who had One thought and pursued it for all his life from start to finish. Is it complex to portray? Yes. But can you make a 2-3h movie? Yes, if you do it well (looking at Dante 2022 once more).

In relation to these considerations, I think the interpretation of Beatrice and Guido also needs to radically shift from what we're used to.

The way I see it is that Beatrice Portinari may have interested Dante in his youth, but after her death, when Dante started to elaborate new ideas and thoughts he chose her as the right figure to embody them, not because his was a desperate love for this woman but it was for his ideals and as a good little medieval man he needed to materialize it through allegories. So Dante's relationship to Beatrice was mainly intellectual, she was the vessel of his creativity and should be represented as such. No salivating after her, no hallucinating about her during sex (do I still need to mention Dante 2022?) because it wouldn't make sense. The thing is that he idealized her because he never knew her that well as a person (because of the customs Dante rarely saw her, speaking to her was even more difficult), and this should be reflected in the movie. You cannot, in fact, intellectualize and abstract a relationship this much if you truly know someone. So the abstraction of Beatrice needs to become the embodyment of the voice of his conscience, of his perfectionism.

With Guido it's more complicated simply because unlike Beatrice he was actually present in Dante's life, he was his actual friend, so he has played both the role of human and of Idea; as such, we cannot think of a black or white relationship like we did with Beatrice. I think that first of all we need to understand their friendship. Dante saw a great man in Guido because the two shared a lot of qualities and passions. They were both poets, inclined to pensiveness and speculation but most importantly both were free thinkers: neither could ever be satisfied by common sense or common ideas, both always looked to find truth by themselves regardless of any convention. This, I think, was the core of such a tight bond. I think the two could truly share all thoughts with each other and such cases can truly create a dynamic that can border on what today we percieve as a romantic bond. It is therefore understandable how disagreements could then be felt more intensely compared to those with other more casual friendships. So Words are the key to their relationship. Guido shapes Dante as an intellectual, we can't marginalize him to the typical two shots of their first correspondence and of his exile. Everything that happened in between is what truly matters. I believe that through Guido Dante saw Man at the apex of his glory and misery because Guido was also heretic and, I believe, self-destructive. So he was an exemplum of both the good and bad. We need to show this. If I were to make a movie I would treat the story of Guido as a tragedy within a biography whose finale gets dragged beyond his death up until the end of the movie, because after all that's what Dante did. So we need to see the human and the ideal mixing.