#some of them have romance

[sclappin]

Man whose definition of "monster" is extremely flexible.

[dykepaldi]

homestuck was so perfect for autistic teenagers bc it took characters being sorted into categories and having Attributes to its absolute extreme. forget four hogwarts houses, every character has their associated colour their zodiac sign their associated animal their dream planet their god tier class and aspect their typing quirk their pesterchum handle their weapon their planet of x and y, as well as each of them having a handful of other very quantifiable Personality Traits and Interests (e.g. this one is a clown this one is angry this one likes fashion this one is just rufio from hook for some reason) and THEN they all also have their respective ancestors and dancestors(?)(plucked that word from my memory) who have all of those things as WELL

and god not to mention the fucking quadrant system

as a 13-15 year old autistic kid i didnt even need homestuck to have a plot i just happily made a big big spreadsheet of character attributes in my brain

[poorly-drawn-mdzs]

The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.

(for @frummpets)

[nhura]

QUICK NO ONE'S LOOKING

(See readmore for thoughts, cope, bonus, etc.)

Anyone else up thinking about Ratio's big, strong, secure arms and how warm and all-consuming they could be in a hug or embrace. :/ Anyway

I just wanted to draw them being cute and seizing a sliver of a moment where they could have some PDA silly time without actually having any eyes on them. They're public figures and working adults with very clear boundaries between public persona and private life (to varying degrees of "in a sad way"), so while it may be in Aventurine's nature to constantly blur lines for various agendas and self-preservation (read: play "the flirt" without an aligned goal), I believe that in an actual relationship they'd be fairly private.

It's kind of fun to break your own rules, though! Ratio would be more upset about the consequences, though. He's a little bit of a hypocrite, which is devastating for someone of such discipline, but nobody's perfect.

I'm of the mentality of, "If you're tired of working on it, then just post it!", so here are some fun peripherals that I didn't feel like adding:

Some staff in the background sweeping up to evoke a blended sense of fragile privacy and liminal time.

A laptop on the aquarium/bar/counter because there's something fascinating about seeing people on their work laptops in public.

The rest of their clothes (casual friday)

[hauntingsofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[dollypopup]

I guess what I find most funny about the 'She should call off the wedding because of Colin's entrapement line!' crowd is like. . .y'all really don't get Penelope at all, do you?

She has loved this man for YEARS. She's loved him through his engagement to someone else, she's loved him through him saying he wouldn't court her, she's loved him through multiple countries, through her family mocking their closeness, through a potential marriage to a Lord. She loved him so much she couldn't even DENY having feelings for him to save what she thought was her only chance of getting married. Do you know how easy it would have been for her to go 'No, we're just friends, I don't like him like that, you're proposing to me and that's what matters'? She couldn't denounce her feelings for him even THEN. Even when she doesn't think he reciprocates them and she's made peace with a life with Debling and is expecting his proposal. Colin was *always* first in her heart, through all those hurdles.

Because Colin has been kind in a cruel world, and he's made her laugh, and he encourages her confidence and he's warm and he's gorgeous and he centers her and he values her and he listens and makes her feel desired and beautiful. He's a good man, and her love for him makes her feel good, she treasures it. Even in the books she says it feels good to love a good person, whether he loved her back or not. And now she knows that he does and you think one line that Colin says in obvious hurt after finding out she's been hiding a secret persona for him is enough to shake that love? She spent what? Half a decade looking out her window pining for him and now on the eve of getting to live a life with him as husband and wife, she's going to chuck that away because of one sentence? How lowly do you think of her? How *stupid* do you think she is? To throw away the love of her life over what? Her pride? This fandom's OOC Fanon Pen is a disservice to Penelope's actual character.

Her love for Colin is steadfast. It's made of tougher stuff than all that. It has survived everything that has been thrown at it. Distance, other people, Portia. And y'all really, truly believe that a singular statement will make her go 'Naw, I don't want it anymore!' PUHLEASE. Even when she offers him that annulment, you KNOW she knows it's not on the table.

Stop playing. OF COURSE she didn't call off the wedding. Of COURSE she chose to understand where he was coming from and went 'I didn't mean to trap you, Colin, I love you'. Of course she asks what the marriage will be and is comforted by the fact that he still wants to go through with it.

Penelope Featherington has loved Colin most of her life. It has been one of the few constants in her existence. He has been good to her in said existence, consistently. He's listened, he's cared, he's apologized to her, he's taken ownership of his actions, he's invited her to be more open, he's joked with her, he's supported her, he saw her when she was invisible. She. Loves. Him. And for good reason.

It's not going away because of one line. Or two. Or three. Come back next time when you actually understand her.

[pokimoko]

haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by

[im-totally-not-an-alien-2]

Danny covered his nose with his hand. Where ever he landed smelled absolutely foul, like rotten fruit and burning tires mixed with chem lab.

"Remind me to bring a face mask the next time I explore the Infinite Realms." He muttered, before kicking a soda can down the alley he was in and being repulsed by the squelch sound it made when it came into contact with a very questionable looking puddle, "Better yet, a gas mask." He glanced at the puddle again, "Or I could go full Hazmat." Clockwork had told him this world was full of superheros and villians and to steer clear of it, but once he learned there were aliens in this world he couldn't help himself. Danny had always been weak to his curiosity, but he liked to believe he was cautious, and chose to stay in his Phantom for for added protection.

Turning on his heel he exited onto a deserted street lined on one side by a chain-link fence. The sky above him was filled with clouds so ominous and dark that Danny honestly couldn't tell you if it was night or day, all he knew was that it was going to rain soon and hopefully these awful smells would be drowned out by the downpour.

Danny got his wish only minutes later. Thankfully Phantom was unbothered by the cold and could just bask in the rain as it fell apon him. A lesser known fact about ghosts is that thier clothes are made from thier ectoplasm and are part of thier bodies, much like a second layer of skin, so one would be able to feel things on thier clothes as easily as they would with thier bare skin. The level of sensitivity varies with the type of clothing however. All this to say Danny loved the feeling of the rivulets of rainwater traveling down his ghostly hazmat suit.

He was so preoccupied with enjoying the sensation that he didn't notice anything was wrong until he was jolted forward from the weight of someone landing on his back. The person was quick and precise, taking no time at all to have his wrists pinned behind his back and- weirdly enough- thier teeth digging into the material around his neck.

His parents designed the Hazmat suit Danny was wearing not only to deal with dangerous chemicals, but to fight supernatural foes. The area around the neck was reinforced with the intention of protecting against fatal gunshots and decapitations so naturally someone's jaw wasn't going to be enough to break through to his neck.

Danny let out a laugh as the person kept chewing on his neck like a confused puppy. Oh, Danny thought, they've gone feral. It was odd for someone to go feral but it could occur when a person has gone through something traumatic recently or through extreme stress. It made sense since the person ridding piggy back on him was dressed like a superhero. Danny wondered if that was why the person didn't have a scent. Danny learns facepalmed when he remembered that scentblockers existed and not everyone's scent dramatically changed whenever they went out as a hero. The scent change was probably one of the few things that have kept him alive up to this point to be honest.

"So, I guess you're not going to tell me why you're chewing on my neck like the worlds most pathetic vampire, are you?" No one deserves that title more than the fruitloop to be honest. He made a mental note to use that one against Vlad the next time he saw him.

Chewy whined at this, seeming to slump a bit from the apparent failure to bite him. What was that about? Was this actually a vampire? How would a vampire even react to Dannys ecto-blood combo meal anyway? Would it be like food poisoning? Or would it taste amazing from one undead to another. "I'm not exactly human, are you sure you wanna bite me? I might not taste so good." Danny warned, but the moment he mentioned letting the person bite him they were eager again.

Danny chuckled and unzipped the material only a bit before it was loose enough to move out of the way. The vampires bite came with a sharp pain like he expected but there was no suction. No drinking of blood. Just some weirdo biting Danny on the neck. Huh.

Danny hoped he didn't get rabies from this.

He must have accidentally said that out loud as there was a small laugh from the rooftops above them. There stood another person in a superhero outfit with some really tall dude dressed as a giant bat, and that was when Danny decided to bail. It was one thing to let a maybe vampire bite you in a random street in the middle of the night but more of them? And ones a big scary furry? Hard pass.

Phantom did as Phantoms do and went invisible and intangible, escaping from Biteys jaws and startling the heros. He ignored the distressed whine Munchy let out after loosing their spookyest chew toy and quickly rubbed the scent gland near dannys jaw on the top of thier head as an act of comfort before bolting.

----

Danny poked at the bite mark on his neck. Screw rabies, he better not get turned into a werewolf. He didn't need that on top of his ghostly crap. Sam seemed fascinated by the mark, after all, it wasn't every day that Danny got a scar, especially one so obvious. Most injuries heal quickly and leave no trace of him ever being injured in the first place which helped a lot in keeping his secret identity.

Luckily Danny hadn't needed to lie to mom and dad. He truthfully told them about some wierdo jumping off of a nearby rooftop and plunging thier teeth into his neck and that two other people had tried to corner him during this. He assured his mom that he had gotten away quickly but was a little shaken by it and his dad praised him for being brave and managing to escape.

That was nice. But he still had to figure out what was up with this bite...and why he felt so compelled to go back to that city.

Back to that hero.

-----

Aka an A/B/O au where in Danny's universe all the Alphas are extinct and the betas followed soon after and the DC universe all the Omegas went extinct and betas followed after . Not like a "they finally went extinct in the 1700s after centuries of thier numbers dwindling" thing and became a myth/fairytale (tho I like that too) but a "this might be the missing link between cave men and modern humans" kinda thing.

Its up to you which bat bit Danny and exactly what that means. I love abo aus without smut cause there's so much potential for chaos and I am very much ace.

[miredball]

HOTD’s rhaenyra and alicent can act and talk like (ex) lovers, can have the tension and chemistry of two romantically involved people, can follow romantic themes and have an established romantic dynamic despite being two women in a pseudo-medieval setting because they can’t truly be lovers in the eyes of the general audience.

the text (as in the show), showrunners, and actors can insist all they want on the purposeful nature of the romantic codes that inform rhaenyra and alicent’s relationship (knight and lady, star-crossed, disrupted connection, love triangles, paralleled lives, etc.) but the pseudo-medieval setting comes with certain expectations for mainstream Western audiences to buy and the depiction of an explicit, sensitive, tragic female homosexuality has not yet married with this genre.

the show has a fascinating freedom with their interpretation of this adapted relationship. it’s queer because it can’t be queer, not really! rhaenyra and alicent will never kiss or confess love or even touch lest they betray the perceived rules of this pseudo-medieval period and the narrative that literally revolves around succession and birth and reproduction. It’s easy to brush off the intensity of their bond as oh they are literally just like that.

a thorough exploration of queerness in HOTD is seemingly hampered by the setting and the established source material, not to mention the conservative fans. but at the same time the show is afforded the freedom to play around with these queer limitations because:

1. the source material is literally a history book

2. the GA on autopilot will blink and miss the subtle-not-so-subtle implications

3. the narrative is filled to the brim with men to distract from the very explicit lesbian divorce at the center.

anyways. rhaenicent romantic dynamic is trail-blazingly real and purposeful in a show so popular and expensive but only because general audiences can cajole themselves into thinking that this romance is in fact not real nor purposeful. I mean, there’s a war!

[eternalnat]

I rarely make tumblr posts, but I am so infuriated by this situation I need to say something about it.

Five Hargreeves, who spent 45 years alone in a post-apocalyptic world, and every single moment of his life since was spent trying to get back to his family. The Five who ran himself dry for 2 weeks straight trying to stop the end of the world, and reunite his family. The Five who slaughtered an entire board of directors just to ensure him family's safety. Who turned back time himself, while bleeding out on the floor, just to save his siblings. You're telling me, that the Five whose entire motivation for living was once saving his family, is the same Five, who in s4 has entirely given up, and in the Subway is the one trying to convince Lila to stop looking after 6 and a half years? The Five who never once stopped trying to return to his family in all 45 years of surviving alone, decides to settle down in a greenhouse and live out a cottagecore life?

Furthermore, the same Five who told Lila that Diego loved her, who reassured his brother that his wife wasn't cheating on him and loved him dearly, the same Five who got on with Lila only due to the fact that they both cared for and loved Diego, the person they had in common, is the same Five who stole his brother's wife, whom he had three children with, just because the writers were excited that Aidan Gallagher was finally legal?

Five who hated authority, who despised when people gave him commands, who wanted nothing more than to retire in s3, is now working for the CIA and willingly calling his boss, 'sir'?

Five who used to be so paranoid and suspicious of everyone and everything, who used to solve problems alone and came to epiphanies that saved the world, who didn't even trust a past version of himself, also didn't realise that his boss of many years had an umbrella tattooed on his wrist?

Everything that once stood out about his character is now gone, as if the writers themselves entirely forgot about his existence until the last moment, and added him in as an afterthought, without thinking of the effect he would have on the story.

[rinbylin]

圣人有情而无累

dihua + 情 | 莲花楼 mysterious lotus casebook

[elnathsstar]

Listen, I am aromantic, but it's getting cold and dark and I so desperately want somebody who I can cuddle under my covers with, somebody I can teach to dance, somebody I can drag outside at night when we're supposed to be inside, and it's so cold that it could start snowing any minute, or maybe already be snowing, and then we would go and sit in the dark at the lake with the lights while listening to Taylor Swift and sharing my headphones, and then dancing around outside to mirrorball and not caring who sees us because we are so madly platonically in love with each other that we only care about the other. I want somebody to drag around charity shops while I plan my Halloween costume, and my birthday outfit, and the outfit for the various Christmas parties I will take them too- even the one hosted by the church that I usually end up just sitting in a side room watching whatever Nativity movie they put on for the entire time. The kids would ask if we were dating, and we'd just look at each other and giggle, while my parents and grandparents who are watching us bicker over an Uno game are thinking about how pure our love is. Kisses are always an option, but never pushed for, and even if the other person liked me romantically they would be okay with and understand how I don't feel the exact same way, but I still love them so so much. Like a platonic soulmate. We would share clothes, and I'd save them a piece of my birthday cake, if they weren't already there for it. We would go on walks together, and they would be one of the first people I call when the cold weather is affecting my mood or my health, and then they would come over unprompted with something sweet and a hoodie. We would both chill on my bed, not caring about how cramped it is or the fact that my bed is a high rise so we can't sit up straight, because we don't have any trouble with being close to the other, and on days where it may be hard to be physically close to someone, they would sit back patiently and read me a chapter of whatever book we had picked up, pausing to add their own witty comments and applauding me when I guess what will happen next accurately. We wouldn't even necessarily be 'dating'- and we wouldn't label what we had as romantic, despite the dates and the kisses and the cuddles, and we'd both be fine with it. We would just exist together, in the same space, comfortably.

I want to be wanted.

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

[First] Prev <–-> Next

[alexisnotstraight]

i love working on multiple projects at the same time even tho im supposed to work at things on my real work and not doing digital drawings of gerard way

hopefully ill finish these soon

[apollos-boyfriend]

the jaiden-roier-cellbit dynamic is so important to me because like. cellbit treats jaiden and roier's relationship with the same level of respect and importance that jaiden treats roier and cellbit's marriage. which may not seem like that big of a thing but like. platonic relationships are often seen as "lesser" than romantic ones, and that your romantic partner should come first before all other bonds in your life. and seeing cellbit treat jaiden and roier's bond and relationship with the same respect that jaiden treats his marriage. as an arospec person it genuinely makes me want to sob

[lemony-snickers]

"you are the only one who's ever broken me open."

"do not scream god's name, scream mine."

"please don't make me say it if you aren't going to say it back."

"your heart is beating so fast." "because i'm happy."

"i want to draw a map of your scars so i can always find my way back to your heart."

"i don't believe in such nonsense." "i'm not asking you to. i'm simply asking that you believe in me."

"is that good? that's all i want, to make you feel good."

"it reminded me of you. but then, sometimes i think everything reminds me of you."

"what a fragile thing, that love can so easily turn to violence."

"why are you doing this?" "because i love you."

"it didn’t feel right when I was always thinking of you."

"i would have felt like the luckiest person on the planet."

"are you gonna take that off or should i keep guessing?"

"i wanted this to be special."

"i can't believe... after all this time... i should have known it would be you."

"i want to be wildly, deliriously happy.  wildly, deliriously loved."

"i try always to be too much for you."

"the sooner i leave, the sooner i will return and we can begin again."

"i didn't die." "you were dead to me."

"i don't care if other people see us together, you do."

"and you say i'm the one who should be resting."

"i'm sorry." "for what?" "that you got stuck with me."

"what makes you happy?" "lots of things." "and what makes you unhappy?" "lots of other things and some of the same ones."

"i wish i could give you the world." "the world is not enough. but you are."

"i have never needed anything so much as i need you. and i hate you for it."