What Starstruck Dee theory have people made that is your favourite?
there have been quite a lot, and i genuinely love them all!
early on i think the most popular theory was that she was possessed or had been possessed at some point, most likely by dark matter. she actually debunked this theory personally, but i think people just assumed she was lying! 😂
my favourite part is not any one theory, but watching a shift in thoughts over time as more things are revealed, and seeing people share theories/work together in comments and reblogs. i like the "OOHHH WWWWHAT...!?!" moments a lot; whether they are a reaction to my storytelling or to other folks' detective work!
early theories revolved around how she was weird for a waddle dee, or at least a native of popstar. despite my never explicitly confirming anything to the contrary, theories have now broadly shifted to assuming she is not from popstar at all, and most people do now generally agree she's not really a waddle dee.
i don't recall exactly who first came up with each theory (though some big players are @the-void-is-a-disappointment who did a huge amount of early deetective work and encouraged me to build it as a story for solving, @shibuya-toasted-with-extra-cream, @graycoin and @jojo-schmo) and i'm not sure which of these theories are still held by anyone
but here a few of my favourites, roughly in order that they started appearing...
♻️ she's a total mimic species like kirby or void, copying things around her either by intent or by accident
🗑️ similar to above, but she's an incorrect copy or a "beta" mock-up type of a waddle dee
🧚 that she was just born different, like a fae changeling, and might have been hidden away when young as a result
🕰️ she is something totally inorganic and/or mechanical, created by or like the clockwork stars or stardream, perhaps wish contingent
🥇 sometimes attached to the above, she was created to serve some sort of Greater Purpose. she might have failed at it or been flawed, and was subsequently discarded on popstar
🌠 a dozen and one wildly different things connected to the "falling star that hit her". alien life form on the meteor transferred into her on impact. infection by intergalactic bacteria/dark matter. simply massive concussive trauma that fucked up her signature (back when we thought that was the only thing wrong with her). the star was magic and fused with her. she hatched from it and is literally a star herself. probably missing some here.
🪐 waddle dee from a different place/planet. this one is quite a sensible theory, given that we do see many quite different dees!
🤍 she is a fragmented piece of void/void termina. this one in particular i know is @shibuya-toasted-with-extra-cream 's ongoing theory and she's put in a lot of really cool work towards it!
⚔️ she's somehow connected to the heroes of yore. this theory i think has only started popping up since galacta knight has become a reoccurring visitor in her storyline and we've started asking questions about her familiar looking magic spears, but you can certainly 1hko @moonverc3x with this one
🧿 she's connected to the matters. sometimes soul, because it's sometimes star themed and lacks a token representative. where as a connection to dream might link her to fecto forgo/fecto elfilis in some way (a creature also well known for a catastrophic meteor attack). i've also seen folks confident that she's connected to heart matter as well, probably again due to everyone's favourite grumpy swan showing up
this is all i can think of or locate right now, but there's been a pretty wide range of things. i feel there has been a rather interesting transition over time from "she's a messed up waddle dee" to "she's probably connected to a universal superpower of some kind" which i am genuinely really really thrilled about?! 😂 what a glow up for a pathetic little wawa!!!
i'm also personally really fond of seeing how people's existing biases influence what they can find and draw connections in. for instance: i know @jojo-schmo loves the forgotten land and elfilis, and digs into those connections and draws out some really cool stuff because her knowledge is already so specialised! i think this is the true highlight of working on this story for me, people theorising and engaging in the lore, and laser pin-pointing things that tie into our personal faves-- the way we tend to do with kirby lore as a whole-- is such uninhibited delight
i sincerely hope people will enjoy where starstruck's story does go, in the end!!
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(( It's been such a hot minute since it's happened, that I forget that most people who follow this blog don't know what happens when Miranda sincerely catches a crush and knows it, for once!
In short: if Miranda ever does manage to genuinely fall for someone and wants them, then, firstly, she's going to panic. Miranda is someone who, yes, is very confident in herself and believes that she has a right to every good thing in life, but that definition of "good thing" has been severely biased by the Merkingdom. The only things she really indulges in actively wanting and pursuing are things that the Merkingdom tells her she is supposed to want and pursue in the first place, things that are acceptable for a royal to want and things which are "normal" for them to want. This is why she doesn't actually mind dating, so long as she gets to treat the other party as a disposable toy for her to do what she pleases with — because it is common for royals to seek relationships like this, and because it helps to reinforce their place as royals.
Sincerely, very sincerely, wanting and caring for someone and actually feeling something for them, does not help reinforce this system. It leaves her vulnerable, either by other royals catching onto this, or through the other party not being well-equipped to handle the entire situation (in all the ways that it can go wrong). It is treating someone as an equal who the Merkingdom does not agree is an equal, and, even worse, it is giving Miranda a priority above the Merkingdom itself which she might hold greater loyalty to. That in particular is especially bad, given how much of Merkingdom politics is a reflection of their social dynamics to begin with.
This is why it takes so long for Miranda to admit it to herself. To do so is to admit she's not doing what she's supposed to do, that she's being bad, that she's failed in some fundamental level to be what the Throne demands her to be, and that's a lot of heavy stakes working against ever realizing when she likes someone. It has to get so bad and so intense that Miranda effectively has to admit to herself that she has done something that, in her mind, is severely wrong, and there's no way to avoid it or forget about it.
Thus, she tends to panic fairly bad. She is scared, she wants something and she was not supposed to do that, and every last moment of her life as Crown Princess is telling her that she very well might die because of this and that she will very much deserve it if it happens. It's very hard for her to connect this as anything other than a bad thing, and this is even harder to deny because Miranda liking someone also endangers them as well.
The Merkingdom will not tolerate such risks and threats, especially not to their Crown Princess, and other royals will innately view anyone who has Miranda's attention as a threat to themselves and their livelihoods. And if Miranda sincerely cares about someone, then she doesn't want them to get hurt because of her, which is made even worse by how convinced she is that she might be the one to hurt them too. Miranda's as much a royal as any of the others too, and all of Miranda's prior history of dating begins to work against her, reminding her of how easy it would be to dispose of them or harm them.
Secondly, this does present in a heightened and extreme want to bite her person of interest.
Contrary to what's above, this isn't actually a royal thing. It's a merfolk thing. They have many different ways to bite each other with many different connotations, and one way that they bite each other is both notoriously intimate, and tends to leave a recognizable bite mark on the other party, thus physically indicating that the two of them are close.
It's just a quirk of how merfolk attraction works then, that they focus so much on wanting to bite someone else when they're especially into them. It goes back to their social bonds, reinforcing them and helping to establish a new and closely tied bond, and helps secure it by gesturing to all other merfolk as a part of the social landscape that they all have to navigate. A merfolk who is especially down bad for another merfolk translates this idea as a need to bite them and be bitten back in return, to claim them as "theirs" and to be considered "mine" in turn. It's not really possessiveness nor territorial behavior, not in the way we'd understand it, but a deep and intense need to belong to someone, and a desire for that belonging. It's as much a physical thing as having a house that they live inside of, and is one of the fundamental desires behind merfolk building their miivt'ia and other relationship hierarchies.
This is intense for merfolk to begin with, being hypersocial and needing near-constant contact and interaction with each other. It is especially intense for Miranda, who is deeply repressed and cannot easily confront these desires and emotions in herself, and who perceives this sensation as being nearly painful in its intensity.
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Thinking about Mountains of Mourning got me rereading it again for the millionth time. Every time I think, 'surely by now it has no hold of me? I know every turn it takes, can damn near recite parts of it.' And here I am, sobbing.
The story itself is beautiful, the language is gorgeous, but there is also something in the setting that speaks to me personally.
Our family farm is in a community smaller than silvy vale, and has been in the family for at least a couple of centuries. It's in the least populated and most backwater part of the country. And my country itself is small and insignificant, sparsely populated, mostly wilderness. In the eyes of some we may be backwater forest folk, tough as our land and just as stuck in our ways.
And I am a very tied-to-the-earth person. I am at home barefoot in the forest, fishing in the lakes, foraging in the swamps, working with animals, chopping wood. These forests are my forests, this land is my land. I was born on it and if I have to be buried, I want to be buried in it. I've never wanted to leave for better pastures. I've wished I could hold my home and my people up.
So though I cry for the beauty of the language and the message, and the grief of the plot, I also cry for the happy ending that Silvy Vale receives.
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