#some games aren't made for me

[tench]

*seeing Barcus post in the wild* maybe I should go back to finish Baldur's Gate..

[hinamie]

bunch of portraits

[gazkamurocho]

"They are finally back home"

Some soft post-Y8 Kazumaji for @kazumaji_ on Twitter, who won my 1500 followers giveaway ❤

[dragonpropaganda]

you should talk about your thoughts on rw fanon (looking with huge eyes)

Oh god, there's a lot of major misconceptions have concreted into fanon, mostly around ancient society and ascension.

First things first! Ascension is not death! They are entirely separate things treated entirely separately by the text of the game. I can see where the interpretation is coming from, but it doesn't really align with how the text treats either subject. Five Pebbles may want to remove the self destruction taboo, but from his reaction to the rot it's clear that he doesn't want to die. Conflation of ascension and death only comes up as an offhand possibility that pebbs makes on iterator 4chan, when he's going into the possibilities of scenarios that even the other sliverists are doubtful of! (let me make clear that I am not a sliverist by any means)

Ascension is more of talked about as a form of transcendence, yeah? A Bell, Eighteen Amber Beads talks about their sitution as being "To have grasped at the boundless infinites of the cosmic void…", not as them seeking an end to life.

The beta dialogue goes into more detail, mentioning the "infinities of time and space" and the "boundless fractal planes of spirit and reality...", though this dialogue was cut and it's hard to tell how much it reflects the concept as in the released game.

As for the cultural misconceptions... there's A Lot to talk about, but the first that comes to mind is the common conflation of the five natural urges and the christian concept of sin.

It is true that the negation of urges is mentioned by moon as an alternative method of ascension, but much of what we know about the culture of the people who the fandom calls the ancients (which makes discussion of the depths a mess but that's something for another post entirely) points towards the urges not being seen as shameful.

Even the first urge does not seem to be particularly scorned! Being a warrior is presented as a cause for bragging in the Shaded Citadel pearl, being comparable with being an artist and a fashion legend. The second urge, also does not seem to be suppressed. Multiple sources attribute some level of honour to parenthood! The aforementioned pearl also mentions Seventeen Axes, Fifteen Spoked Wheel as being a "Mother, Father and Spouse" without any hint of shamefulness. Nineteen Spades, Endless Reflections expresses pride about having progeny, mentioning it alongside their owned land and esteem among their peers.

After some peer review, an esteemed friend has told me to add a section on purposed organisms as well! This is not so much my area, so I might be a bit off on some things.

As moon says, the majority of purposed organisms were tubes in boxes, and that the primal fauna of the world are almost entirely extinct. A lot of the fandom seems to ignore the first part, and i can't say I blame them, but the evolution of the creatures is so much weirder than people think.

Concept art for the creatures has this interesting quality to it, where the organic parts of the creatures have an almost... melty quality to them.

In the concept art, the flesh appears as if it's almost defying the machinery to form an animal shape. It's as if it's conquering its own artificiality the way the foliage grows over the (stone, brick and concrete, not mostly metal as some think!) ruins.

Of course, it's hard to really tell how much of this reflects the finalised concept, most of the integration is much smoother in the game, in line with a seamless kind of biomechanical design. There was always an intention of biomechanical strangeness, as shown in this screenshot of the devlog before the term "slugcat" even existed!

That said, the melty nature of the concept art shows a level of wild change inherent the biomechanical nature of the creatures, as if they truly are the result of these "tubes in boxes" almost revolting against their own boxes.

and considering centipedes... some tubes may not have had boxes in the first place!

[sketchy-saram]

Not to be that guy, but I've seen some people acting like the entire team from DAO, everyone who worked on Origins, was completely absent from making Veilguard...and that is just not true. Maybe it makes you feel better, to think that the people who made the original game would have nothing to do with this? But that's just false. Certainly it is not the exact same team, but that's not really how games work.

So you have to work into your brain somehow that maybe, just maybe, the vision of this game fits the artistic and storytelling vision of some of the people who have been making them since the start...even if it doesn't fit yours.

The entitlement of fans to thinking they own a story or characters they didn't create is kind of getting on my nerves. Sure, if you don't like what an IP has done, you have the right not to pay money to interact with it! But stop trying to force them to do what you want with it. Either take things as they were made, say thank you to the people and artists who worked hard on it, and maybe write some fanfiction to help it meet your head canon as god intended, or just go away. Make your own game, so that people can then tell you you did it wrong and that you don't know your own characters or setting or artistic vision and see how it feels. I'm sure the members of the team who have been around since Origins LOVE hearing that none of them could have possibly worked on this franchise, or it would meet your PERSONAL expectations.

[starscreamingg]

Detroit Become Human and why does this game decide that the problem in society is individual people treating androids poorly because those androids are choking them out of the workforce and NOT the corporations and governments who deliberately designed the androids to do this

[sysig]

A very normal scientist doing very normal gene splicing experiments (Patreon)

[yellowocaballero]

Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?

Hope you have a wonderful day!! So happy I found your fics again!!

I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.

I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.

I am going to talk about the prologue.

The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.

Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.

But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.

They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.

I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?

Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.

Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.

At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.

What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.

It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.

But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.

ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?

When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.

[moreespressoformydepresso]

What if the "weird" district names in the Hunger Games only sound like actual things because the Capitol mispronounces them? So "Mizzen" is a part of a ship, sure, but the name Mizzen is actually pronounced in a different way than the word mizzen. Maybe the i is more of an ai or ie sound and the e is more of an a sound. Coral could have emphasis on "ral" with a longer sounding a or the Cor sounds more like cure and stuff like that. Bobbin and Wovey could have emphasis at the end of their names with a vaguely French tilt to the pronunctiation, whereas Velvereen could be pronounced more like Velvyrean? Facet could be ay instead of a maybe? And the one that started this all: Treech, pronounced with a rolling r and an ey sound. There are so many possibilities and I'm having so much fun.

[humanmorph]

"They found each other in the wreckage of optimism, and it took them a decade to decide that hope was not enough to save the Golden Branch from itself. It was in a library, not an armoury, where the Apostolosian became the sword and shield of Integrity, a Divine who’d lost its Candidate. Some climb into their Divines, others deploy them across the battlefield, or fight under the blanket of their shadows. But Integrity demands intimacy. It digs into the flesh of the willing, all metal and promises and penetralia, desperate to create an unbreakable unity. It is afraid, and wounded, and it cannot know the power it gives without seeing it first in the reflection of a Candidate's eyes: the loft, the velocity, the violence. And for the first time in centuries, Integrity doesn’t fear its Candidate. It moves with confidence, in muscle and ambition. It believes in Sokrates Nikon Artemisios." (COUNTER/Weight 22: A Broken Branch)

Great episode to get to after recent palisade happenings. I obviously remember the "Integrity demands intimacy" but there's so much other great stuff here.... "They found each other in the wreckage of optimism" is just incredible.

Edit: Noting the wording of " [...] the Apostolosian became the sword and shield of Integrity" because Integrity literally is both those things - they are the armor Sokrates wears and the weapon they wield - but it positions them here both as a protector of Integrity and someone Integrity acts through (divines & candidates!).

And I love that this gives Integrity pre-Sokrates interiority I had honestly completely forgotten about. "For the first time in centuries, Integrity doesn't fear it's candidate" A divine afraid(!) of what it can do together with it's candidate, the power it gives. And then what Austin describes in pal29 comes to mind, which is like, "if there was a time when Integrity was like, you know, 'Finally someone has come to help me get out of this situation.' That is not what's happening here." It's interesting because that phrasing of if not the current but a past state("that time has come and gone ")... it still sounds like fear a little bit. And that obviously isn't the case anymore (I don't feel like typing out this Austin quote but he said something about the notion of immortality & change that made me real happy. I love that shit) & I'm curious to learn more about this hopefully.

I love Integrity & while I don't think of it as "the good one", it's fate is important to me because is still one of the sickest divines (which is really saying a lot with like, Perennial and Motion et al. around).

[m0e-ru]

lets think of everyone who had persona blogs and obliterated them off the face of the earth instead of just archiving and keep them in our thoughts tonight. everyone else who directly caused them into doing that go and fucking behave

[valiantvillain]

While yes, it is disappointing that we won't get to import the hundreds of personal choices we made across three previous games into Veilguard, the reality is that this was bound to happen at some point simply for the sake of telling some form of consistent story. Up to a point, there's no way to feasibly account for even all the major choices made, let alone when the next game in the series takes place in an entirely different geographical region that up till now in the story has faced very little impact from actions taken in the previous games.

Would I love a thousand little kinda insignificant in the grand scheme of things flavor text referencing my Warden or my Champion from years and years ago or the outcome of the Winter Palace? Sure, but practically speaking I understand the choice made bc the sad reality of RPGs that allow for big player choices is that eventually some, if not most of those choices, will have to be disregarded or at the very least curtailed for the sake of a coherent narrative. And it's kinda something I realized a long time ago was bound to happen with Dragon Age not out of lack of care for player decisions but simply because trying to accommodate for three games' worth of several major decisions is not exactly sustainable in the long run.

I certainly understand long-standing DA fans being disappointed. So long as it doesn't pull a Baldur's Gate 3 "Abdel Adrian is the Bhaalspawn" and allows me to headcanon away the lives of my previous heroes, I'll be content and realistic with what I get. Especially if it means a tighter story and greater reactivity for my Rook's personal story.

[kjzx]

I've been playing slitherio these past few days, and after some time messing around with nicknames and my own experience with the stuff, I've realized anger is something very easy to weaponize. On my second attempt of having "trans rights" as a nickname I killed a huge ~5k point worm as a teenie tiny 200 point worm simply because it was so desperate to kill me specifically. Anger makes your life harder, but it also makes people really unwise. I fucking bet this is in "the art of war", even though I haven't read it.

[sysig]

The brainworms are winning, clearly (Patreon)

[tankgotstuckinthecircusgate]

i know that when carlo suddenly decided that he needs to marry guy made a whole list in his head n like had a deadlines n shit. like it was some kind of a task he needed to do

[self-shipper-snowdrop]

I am in the airport heading back from vacation why do I see notifs for comments asking me to DM them