#solve it 2

[sleuthofsiliconvalley]

solve it x astro poets

[ladysophiebeckett]

remember in solve it 2 when the mc was having sex with jd and then called him 'logan' in the middle of it? still the most iconic thing ive seen an mc see do.

[afterthelambs]

🚨Crack theory🚨 but at first I was confused how Vi's death led to an alternate universe where everything is a utopia. Even if Hextech was never invented it doesnt explain how all the class disparity was solved. And then I realized it was probably this:

Vander and Silco are the only ones who really had a plan for a unified and independent Zaun. My theory: after the accident, Vander went into grief over the death of his daughter and stumbled pathetically into the arms of his ex-twink, finally apologized for trying to kill him that one time, they get back together and solve all poverty with the power of old man yaoi. (Also Silco stops making drugs at some point)

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[wizard-loving-wizard]

i really appreciate aabria giving K some people to ship just for fun. probably not plot relevant. just cause it would make erika happy :) delivering some enrichment directly to our enclosure

[lemon-wedges]

Behold thou art fair, my beloved, behold thou art fair..let me see thy face, let me hear thy voice. For thy voice is harmonious and thy face enchanting, thou has ravished my heart...thy lips drop as the honeycomb....thy palate a heady wine that goes straight to my love and flows over my lips and teeth....

Umberto Eco - The Name of the Rose

--

Monk x Shinto Priest Au

[inkske]

Quick Dolmen sketches. For morale. See him face.

[artbyblastweave]

I’ve been vaguely following TF2 comics (I’ve read 6 and 7 and know a few plot beats and the general storyline) and from the outside it seems like Engineer and Pyro have gotten way less “screen time” than anyone else

Pyro makes sense, there’s only so much you can do with them but Engineer feels way to engaging to be left out like that

so am i wrong or is Engie just not shown to much, and if so why?

Engineer is noticeably out of focus in the comics, and there are two important throughlines in his characterization contributing to this.

The first is that out of the nine mercenaries he's always been the most plugged in to the backstory- the comic where we learned his real name is the one that introduced the backstory, he's the only one of the mercenaries to have actually canonically met one the Mann brothers, the only one who for sure knows what the gravel wars are ostensibly being fought over- and that level of involvement with the background plot, coupled with his genius, level-headedness and comparatively high empathy, makes him difficult to position front-and-center as a protagonist without breaking a bunch of things.

The second thing setting him apart from the rest of the mercenaries is that while he's enough of an eccentric to rise to the challenge of the setting's gonzo insanity, he's almost never the instigator of any of it. His Meet the Team video consists of him sitting and relaxing while his sentry guns mow down waves of assailants, monologuing about the measured practicality of his escalating response. His response to the teleporter tumor problem in Expiration Date is a grounded and practical approach to a ridiculous situation (that's exacerbated by Soldier.) He's minding his own business when a rocket full of space guns lands on his back acre on Christmas Eve, he spends the entirety of Loose Canon flummoxed by Blutarch's amoral insanity (though importantly, he's nonetheless willing to take the man's money for services rendered.) He's a fantastic straight man when the narrative needs such a figure, but his isn't a flashy insanity. He's not Soldier, he's not Medic, he's not even Heavy as far as out-of-pocket gag behavior goes. Almost all humor involving the Engineer has to do with his reaction (or lack thereof) to the bizarre carnage around him.

These factors are reflected in the role he ends up playing in TF comics 6 and 7. He's kept in the background of the plot in a reactive role, doing his professional best as an Engineer to maintain the Administrator's life extender- a frustated care-provider to a deeply unwell patient who doesn't always take his advice, a grounded, practical facilitator of what ultimately turns out to be the most deranged behavior of the entire story, seeing his contract out to the bitter end. And this is the way in which his apparent groundedness wraps back around into a distinct brand of crazy, no better than anyone else. The Administrator's real plan is something he's a reasonable enough person to disapprove of in the abstract. He's clearly aware something is rotten at the core of all this- he describes Miss Pauling actually managing to recover more Australium as her having created a problem rather than having solved one, he was on some level relieved to realize this was all drawing to a close. But none of this was something he was willing to break his professional obligations over and thus something he (and two generations of his family before him) deliberately kept themselves in the dark about so that they wouldn't have to reckon with it or make that call.

This passivity and level-headedness allow him to play an extremely important narrative role once everything is out in the open- he's the only member of the main cast who can present Miss Pauling with her Road-to-Damascus moment over what to do with the remaining Australium with any credible gravity. He's the only character left in the main cast besides Pauling herself who's plugged in enough that his analysis of her situation carries any weight. He's the only one of the Mercenaries from whom "If you keep it, I won't help you" means anything at all or is even a believable ultimatum- the rest of the mercs might have been freaked out by The Administrator specifically, but do you really think they wouldn't have just kept following their friend Miss Pauling if she kept signing their checks? He does what he's always done- he examines the situation, lays out the available options, and leaves the final call up to others. The only thing that changes- and, to some extent, a sign of his off-screen character development- is this time is that he finally draws a line in the sand as to what course of action he'll lend his expertise to. He threatens to finally, finally remove himself from the situation unless Pauling decides that she wants him to help her finally, finally solve the problem once and for all.

[currentlyonstandbi]

marvel's spider man 2 as headlines from the onion

[fandommothfreak]

Imagining a shamelessly self-indulgent fanfic where Vi gets transported to the Everything's Happy Universe, somehow finds out she died there and that her family survived, assumes she's the cause of everything bad ever, and goes rogue.

Like she doesn't think she can go back home because she's scared that her presence will fuck things over for everyone. And she also can't risk interacting with the alternate versions of her family that she has here (despite how much she wants to), because what if that screws up their timeline and everything goes to shit for them too? She has nothing and no one, and she's not going to kill herself, so she ends up just -- doing what she was doing in her home dimension. Gets a crap apartment, joins an illegal fighting ring, and wallows in her misery.

It's like that for a few weeks, months maybe, before Vander finds her passed out in an alleyway. A black-haired girl that resembles his dead daughter so strongly it feels like his heart gets ripped open all over again, and she's hurt and she's not waking up, and he needs to help her. So he takes her inside, dresses her wounds, and cleans her face (the black paint covering her VI tattoo holds strong). Maybe he tells Silco, gets him to help. Maybe Vi wakes up to the monster that hurt her family, like, checking her temperature or something.

So she punches him in the face, obviously, and Vander comes barging in at the commotion, and Vi freaks the fuck out. She's trapped; tiny room, no windows; Vander -- Vander, her dead father -- is blocking the door; Silco is three fucking feet away from her in the same goddamn room and was just doing who-knows-what to her unconscious body; and Vi? Vi is mid-panic attack, searching for escape, not listening to a fucking word coming out of Vander's mouth. She needs to get out. She needs to get the fuck away before she fucks everything up for everyone and she needs these people to stop looking at her.

Vander and Silco, of course, both see that she's terrified. Silco backs up, gives her space, and Vander holds his hands up, palms out, trying to signal that he's not a threat. He tries to explain what's going on, that no one here is going to hurt her, but that's not what she's worried about, and as soon she spots an opening -- as soon as Vander takes that small step towards her, leaving space between him and the door behind him -- Vi books it. Shoves right past him, up the stairs, and out of The Last Drop, ignoring the startled shouts behind her. (Maybe Powder sees her go. Maybe she, too, is torn up inside by the striking resemblance to her older sister.)

She gets back to her place. She gets back to the shitty little life she's built in this world. And she prays that's the end of it.

It's not.

Vander has imprinted on this girl. She's a stray, like Mylo and Claggor were strays before he took them in. And she's hurting, like (his) Vi and Powder were hurting before he dropped his gauntlets and carried them away from the battlefield. He wants to help her, if he can. Not only that, but she was beat to absolute hell, and he needs to know who did it and why, just in case it's the symptom of a larger problem that needs to be addressed.

So Vander asks around. Silco helps. And Vi may be trying to keep a low profile, but she's still Vi. She wins nearly every fight she's thrown into in the pits, and when she sees someone in real trouble, she steps in. She's hardly invisible, and she ends up kind of making a name for herself, unintentionally. It's not incredibly difficult to find her -- not for them, and not for this universe's Powder, Ekko, Mylo, and Claggor, who find out one-by-one about this random runaway emo chick that broke Silco's nose and kicks ass in a very illegal underground fighting ring.

But here's the thing: the fighting ring Vi's a part of is kind of... inhumane. But Vi doesn't fully realize it because she spent a large portion of her formative years in Stillwater, which was significantly worse. She's fine with being mistreated -- low-key feels like she deserves it, even. The issue comes in when she breaks out of her depressive haze enough to notice the younger, decidedly less deserving recruits getting the same treatment she is. I don't know any of the specifics of the situation, but I do know that I want Vi stepping up and putting herself in the line of fire to protect the people around her. She's a protector at heart, and she's found a tiny piece of herself again.

And what ends up happening is Vi gets progressively more frustrated as her undead dad, his not-husband, and a terrifyingly well-adjusted version of her estranged sister keep trying to track her down and succeeding. And then Ekko joins in on the efforts, and then Claggor, and Mylo, and even Benzo, until she's desperately trying to dodge her entire, irritatingly persistent not-family while also keeping the people she's unwittingly grown to care about safe from the Unspecified Bad Guys controlling the Unspecified Bad Situation in the fighting pits.

I don't have any concrete plot for this or dialogue or anything. It's just vibes. The kiddos thinking Vi is cool as fuck and the dads trying to adopt this feral not-really-a-kid-anymore-but-when-you're-that-old-everyone-looks-like-a-baby child and Vi being unwillingly absorbed into this new found family that hurts to look at because this is what her own family could have been if she hadn't fucked it all up.

tl;dr Vi is a skittish, battered stray cat, and AU!Vander and co. are trying to lure her to safety with treats and affection.

[n1ckelpistol]

end of the shift

[crow-posting]

"Bungie needs to kill off The Guardian and start over with D3." "The Guardian needs to retire so we can start with a new character in Frontiers." "The Guardian is too overpowered, they need a story where they lose everything or get nerfed."

Bungie needs to stop stifling/firing their writers and find a better format than seasonal content. The issue isn't the story, it is the constraints on the narrative team. Yes, part of it is unavoidable due to Destiny's existence as an online FPS but they could be doing so much better.

And before you say, "You just don't want to lose your overpowered OC!": I'm actually basing this on feedback I heard during my Bungie tour. So.

[blazethecheeto]

what the toxic throuple's scenes used to look like

what it looks like now

[arthursfuckinghat]

The way Abigail begged for John not to go after Micah, she begged and pleaded and she cried and cried after he left.

The way that she finally had a place to call home, finally was married to the love of her life, finally safe with her family, only to be told that none of it was real until Micah was dead.

The way her husband was prepared to sacrifice everything they had built so far, to sacrifice himself for revenge, to go knowing that he might not come home, and Abigail was just left with that.

"How many times do I need to bury you, John Marston?"

[kaiserouo]

should've done this since day 1

very significant fuck

[ganondoodle]

(wip? possibly?)

this is a part of the painting that made me cry yesterday bc nothing worked, its not like i had it in mind, but maybe not all is lost yet

(OCs, at the bottom there, Zaphira she/her, and big lad, Shargon he/they)