#social media coordinator posting

[trashworldblog]

Me and the employees

Figured out images... Beth

-S

WAIT IT'S GONE

Anonymous me can't send.the image

OOOooooOOOOOooohhhHHHHHhhhh nOOOOOoooooOOOOOoooo

guess youll have to reveal your mysterious identity and take off this cloak if you want me to see ur pretty pictures....

[thatrandombystander]

I've been at this office job for less than 2 weeks and I was already developing beef with the HR team, and now I've learnt that my whole team has beef with them

We had a team meeting and my boss gave me a task, my coworker went "isn't that something HR should do and should have already done?", to which my boss replied "Yes but I need it done well and soon so we're doing it ourselves"

Lmao get wrecked HR, the grad that's just started is better trusted to do good work than you are

[4phr0d17e]

help my job keeps signing me off on shit i absolutely do not know how to do

[stimmingandstruggling]

more good news from tiktok: they’ve started blocking celebrities.

they’re calling it block party 2024. just blocking and ignoring countless celebrities who havent said shit about palestine. influencers, actors, anyone who went to the met gala, whatever, they’re getting blocked. and people keep talking about how cathartic it is, how good it feels, how they never realized they could DO that. there was some kind of subconscious law against blocking famous people, but it’s broken, and people are LOVING it. and it’s WORKING. a social media/digital advertising coordinator was talking about how ad companies are PANICKING, because they can’t accurately target anymore. so many big influencers, including fucking LIZZO started talking about palestine the MOMENT their follower counts started going down. and the best part? no one is forgiving them. lizzo posted a tiktok asking people to donate to palestinian families, and all the comments just said you’re a multimillionaire. put your money where your mouth is. blocked.

i feel like i’m witnessing the downfall of celebrity culture, right here right now. people are waking up.

[daveinediting]

Okay so everything about the 48 Hour Film Project is time management. It's Tetris on a clock that's stuck on fast forward.

This year, however, with an asset-heavy post-production on our hands, Sunday is a crazy super time management day.

The object of Sunday is to finish our film and submit it online to the competition website before before before 730pm. With that in mind, the producer and director are in my suite a little after ten in the morning so we can make the changes we need to make in order to produce a "locked" cut for the sound designer.

By the time we wade into the process, my cut is :46 long. By 11:20, the cut's five-ish seconds light... but the director wants another thirty out of it. So we go again in an effort we refer to without an ounce of irony as the "Killing Our Darlings" cut.

And yeah. We do manage to pull another thirty from the film by 12:10pm. The film's seriously tight now with only one regret (for me) over a shot we had to trim and, in so doing, caused it to lose its muchness. 

No one will know, of course.

But I'll know. 🤨🤔😕

Yesterday I mentioned how editors of old might be gobsmacked by my experience. To be clear, that experience was a combination of, on Saturday, editing a first cut while engaging conversations by text, email, and Discord across the day with the composer, graphic designer, and sound designer as well as managing the assets sent my way on Google Drive and sending assets and review links on Dropbox. On Sunday, the experience became editing further cuts in collaboration and discussion with the producer and director in the room while continuing discussions and requests with the composer, graphic designer, and sound designer, sometimes redirecting a conversation or request to the producer or asking the producer to follow up or coordinate for me.

And then managing assets arriving on Google Drive.

Yeah.

Fortunately, my notification alarm is a low key twinkling sound... but both days involved a lot of twinkling while I edited and, in the most Pavlovian way I can imagine, I always attended to those notifications immediately lest I subsequently forget to respond to a question or request or some asset I'd need.

Everything was absolutely in real- time. Nothing delayed.

So I think that live experience involving interactions with up to five people at any given moment as well as managing assets on the fly would've filled editors of old with trepidation about their own futures where concentration is obviously and constantly challenged.

:-(

I don't know what to tell you. It's what we had to do to keep everyone in the loop, keep them informed, give 'em a heads-up of what was coming before we locked my cut. Up to twenty hours before we locked my cut. We engaged serious projecting, forecasting, as well as considering the shape of the film as it was taking shape. And, with the producer and director in the room, ideas could be inspired and tried out seamlessly.

Looking back on my texts, we engaged the graphic designer like that from 130 to 430, requesting, receiving, and placing their work into the film until the producer proclaimed their work complete.

Looking back on my Discord conversations with the sound designer, those interactions began a few minutes before 9AM with a sort of triaging request to help prioritize what I would inevitably be sending their way... ending a few minutes to five with a heads up of further elements that might prove useful to me as we were wrapping the finished, locked cut.

The space in between, especially mid-afternoon as we started receiving finished sound design assets was pretty magical, I won't lie. Four major scenes to complete that wouldn't, couldn't land without sound design. The first one he sent was the one that had no original sound at all... so it was all his work filling in that scene. And it.

Was.

Wonderful.

Then the scene immediately following in which our protagonist runs into a storage room and—

Yeah.

There's no coverage inside the storage room. We see her go in. We see her come out. And what happens in between those two actions is absolutely "written" by the sound design.

Genius!

They also sent the scene in least need of help (in my opinion), making good on my hope they might hear an opportunity where I didn't. And they did, by the way. Less an act of adding something as it was making good on the logic of what was happening in the scene. What would the sound be doing based on the actions of the protagonist?

The final scene they sent was tricky. It definitely involved a mood pivot. It absolutely involved timing. And the producer and director were still verbally processing what should happen sound wise. They were still figuring it out.

So the sound designer offered and I ultimately asked for him to send over the individual elements of his scene design so we could play with them on my end. Which he did. Which we did. And, ultimately, with a bit of discussion and experimentation, we figured it out.

We figured. It out.

In the end, we got our film across the finish line around five-thirty Sunday afternoon.

Then it's moving the mp4 file onto my SSD drive and the director's thumb drive. Then it's watching that file on the director's laptop where, even through the laptop speakers, we sounded fantastic. Then there's the upload process that never actually fully succeeds through our wifi network. The attempt, though, was validated through something called a checksum...

...and so the director and producer scooted out of my place, to their car, back down to Seattle where the upload completed around 715. Fifteen minutes before the drop-dead deadline. Closest, I think, we've ever crept up to the deadline although, truth be told, the checksum validation allows the final upload to occur after 730. Something like that. The producer and director, though, were still quite happy to be out in front of the deadline.

Rather than behind it.

And with that.

We were done.

Premieres in a week and a coupla days, Wednesday July 24, 9pm, at SIFF Cinema Uptown. The former Uptown Cinema right there on lower Queen Anne.

And tickets?

Glad you asked. 😉

You'll find 'em here. 

Remember: Wednesday, July 24, 9pm.

😁😁😁🤯😊❤️❤️❤️

[fishtank32]

instagram is wild bcs WHO ARE THESE PPL FOLLOWING ME. WHAT.

[fullhalalalchemist]

URGENT: 🚨🚨EARN IT ACT IS BACK IN THE SENATE 🚨🚨 TUMBLR’S NSFW BAN HITTING THE ENTIRE INTERNET THIS SUMMER 2023

April 28, 2023

I’m so sorry for the long post but please please please pay attention and spread this

What is the EARN IT Act?

The EARN IT Act (s. 1207) has been roundly condemned by nearly every major LGBTQ+ advocacy and human rights organization in the country.

This is the third time the Senate has been trying to force this through, and I talked about it last year. It is a bill that claims "protects children and victims against CSAM" by creating an unelected and politically appointed national commission of law enforcement specialists to dictate "best practices" that websites all across the nation will be forced to follow. (Keep in mind, most websites in the world are created in the US, so this has global ramifications). These "best practices" would include killing encryption so that any law enforcement can scan and see every single message, dm, photo, cloud storage, data, and any website you have every so much as glanced at. Contrary to popular belief, no they actually can't already do that. These "best practices" also create new laws for "removing CSAM" online, leading to mass censorship of non-CSAM content like what happened to tumblr. Keep in mind that groups like NCOSE, an anti-LGBT hate group, will be allowed on this commission. If websites don't follow these best practices, they lose their Section 230 protections, leading to mass censorship either way.

Section 230 is foundational to modern online communications. It's the entire reason social media exists. It grants legal protection to users and websites, and says that websites aren't responsible for what users upload online unless it's criminal. Without Section 230, websites are at the mercy of whatever bullshit regulatory laws any and every US state passes. Imagine if Texas and Florida were allowed to say what you can and can't publish and access online. That is what will happen if EARN IT passes. (For context, Trump wanted to get rid of Section 230 because he knew it would lead to mass govt surveillance and censorship of minorities online.)

This is really not a drill. Anyone who makes or consume anything “adult” and LGBT online has to be prepared to fight Sen. Blumenthal’s EARN IT Act, brought back from the grave by a bipartisan consensus to destroy Section 230. If this bill passes, we’re going to see most, if not all, adult content and accounts removed from mainstream platforms. This will include anything related to LGBT content, including SFW fanfiction, for example. Youtube, Twitter, Reddit, Tiktok, Tumblr, all of them will be completely gutted of anything related to LGBT content, abortion healthcare, resources for victims of any type of abuse, etc. It is a right-wing fascists wet dream, which is why NCOSE is behind this bill and why another name for this bill is named in reference to NCOSE.

NCOSE used to be named Morality in Media, and has rebranded into an "anti-trafficking" organization. They are a hate group that has made millions off of being "against trafficking" while helping almost no victims and pushing for homophobic laws globally. They have successfully pushing the idea that any form of sexual expression, including talking about HEALTH, leads to sex trafficking. That's how SESTA passed. Their goal is to eliminate all sex, anything gay, and everything that goes against their idea of ‘God’ from the internet and hyper disney-fy and sanitize it. This is a highly coordinated attack on multiple fronts.

The EARN IT Act will lead to mass online censorship and surveillance. Platforms will be forced to scan their users’ communications and censor all sex-related content, including sex education, literally anything lgbt, transgender or non-binary education and support systems, aything related to abortion, and sex worker communication according to the ACLU. All this in the name of “protecting kids” and “fighting CSAM”, both of which the bill does nothing of the sort. In fact it makes fighting CSEM even harder.

EARN IT will open the way for politicians to define the category of “pornography" as they — or the lobbies that fund them — please. The same way that right-wing groups have successfully banned books about race and LGBT, are banning trans people from existing, all under the guise of protecting children from "grooming and exploitation", is how they will successfully censor the internet.

As long as state legislatures can tie in "fighting CSAM" to their bullshit laws, they can use EARN IT to censor and surveill whatever they want.

This is already a nightmare enough. But the bill also DESTROYS ENCRYPTION, you know, the thing protecting literally anyone or any govt entity from going into your private messages and emails and anything on your devices and spying on you.

This bill is going to finish what FOSTA/SESTA started. And that should terrify you.

Senator Blumenthal (Same guy who said ‘Facebook should ban finsta’) pushed this bill all of 2020, literally every activist (There were more than half a million signatures on this site opposing this act!) pushed hard to stop this bill. Now he brings it back, doesn’t show the text of the bill until hours later, and it’s WORSE. Instead of fixing literally anything in the bill that might actually protect kids online, Bluemnthal is hoping to fast track this and shove it through, hoping to get little media attention other than propaganda of “protecting kids” to support this shitty legislation that will harm kids. Blumental doesn't care about protecting anyone, and only wants his name in headlines.

It will make CSAM much much worse.

One of the many reasons this bill is so dangerous: It totally misunderstands how Section 230 works, and in doing so (as with FOSTA) it is likely to make the very real problem of CSAM worse, not better. Section 230 gives companies the flexibility to try different approaches to dealing with various content moderation challenges. It allows for greater and greater experimentation and adjustments as they learn what works – without fear of liability for any “failure.” Removing Section 230 protections does the opposite. It says if you do anything, you may face crippling legal liability. This actually makes companies less willing to do anything that involves trying to seek out, take down, and report CSAM because of the greatly increased liability that comes with admitting that there is CSAM on your platform to search for and deal with. This liability would allow anyone for any reason to sue any platform they want, suing smaller ones out of existence. Look at what is happening right now with book bans across the nation with far right groups. This is going to happen to the internet if this bill passes.

(Remember, the state department released a report in December 2021 recommending that the government crack down on “obscenity” as hard the Reagan Administration did. If this bill passes, it could easily go way beyond shit red states are currently trying. It is a goldmine for the fascist right that is currently in the middle of banning every book that talks about race and sexuality across the US.)

The reason these bills keep showing up is because there is this false lie spread by organizations like NCOSE that platforms do nothing about CSEM online. However, platforms are already liable for child sexual exploitation under federal law. Tech companies sent more than 45 million+ instances of CSAM to the DOJ in 2019 alone, most of which they declined to investigate. This shows that platforms are actually doing everything in their power already to stop CSEM by following already existing laws. The Earn It Act includes zero resources for proven investigation or prevention programs. If Senator Bluementhal actually cared about protecting youth, why wouldn’t he include anything to actually protect them in his shitty horrible bill? EARN IT is actually likely to make prosecuting child molesters more difficult since evidence collected this way likely violates the Fourth Amendment and would be inadmissible in court.

I don’t know why so many Senators are eager to cosponsor the “make child pornography worse” bill, but here we are.

HOW TO FIGHT BACK

EARN IT Act was introduced just two weeks ago and is already being fast-tracked. It will be marked up the week of May 1st and head to the Senate floor immediately after. If there is no loud and consistent opposition, it will be law by JUNE! Most bills never go to markup, so this means they are putting pressure to move this through. There are already 20 co-sponsors, a fifth of the entire Senate. This is an uphill battle and it is very much all hands on deck.

CALL YOUR REPRESENTATIVES.

This website takes you to your Senator / House members contact info. EMAIL, MESSAGE, SEND LETTERS, CALL CALL CALL CALL CALL. Calling is the BEST way to get a message through. Get your family and friends to send calls too. This is literally the end of free speech online.

(202) 224-3121 connects you to the congressional hotline. Here is a call script if you don't know what to say. Call them every day. Even on the weekends, leaving voicemails are fine.

2. Sign these petitions!

Link to Petition 1

Link to Petition 2

3. SPREAD THE WORD ONLINE

If you have any social media, spread this online. One of the best ways we fought back against this last year was MASSIVE spread online. Tiktok, reddit, twitter, discord, whatever means you have at least mention it. We could see most social media die out by this fall if we don't fight back.

Here is a linktree with more information on this bill including a masterpost of articles, the links to petitions, and the call script.

DISCORD LINK IF YOU WANT TO HELP FIGHT IT

TLDR: The EARN IT Act will lead to online censorship of any and all adult & lgbt content across the entire internet, open the floodgates to mass surveillance the likes which we haven’t seen before, lead to much more CSEM being distributed online, and destroy encryption. Call 202-224-3121 to connect to your house and senate representative and tell them to VOTE NO on this bill that does not protect anyone and harms everyone.

[my-silly-poker]

gaza scam warning

I'm locking this post because it was about the original wave of gaza-scams and is now outdated when it comes to recent real fundraisers that have been appearing on Tumblr. Please don't pass up people in need because you're afraid of scams. Identifying scams from the real fundraisers is easy.

@el-shab-hussein does a lot of vetting on Tumblr. @nabulsi is another reliable user who has done vetting (but as of this time is not vetting new posts). @90-ghost is a real palestinian person but they don't do a lot of in-depth vetting.

el-shab-hussein and nabulsi have a vetted fundraiser google sheet. el-shab-hussein has a list of direct contacts in gaza/yemen who are certifiably real people. operation olive branch is a coordinated effort to gather certified crowdfunding campaigns both for families and humanitarian provisions.

When you receive an ask, check any of the above resources to see if they're there. Some also have pre-existing social media accounts, such as Instagram, that they certify as theirs and prove that they are a real person in Palestine. Scroll down their blog, look at the notes in their post, and look for confirmation that they are verified anywhere (do not trust their claims until you see the confirmation yourself).

Then if you see confirmation that they are a real person in Palestine who needs help, reblog their post and maybe donate $5.

Feel free to message me about anyone who sends you an ask that seems suspicious and I'll tell you if they resemble any scam archetypes I've seen.

Original post:

Hey gamers, recently there have been a number of scam blogs on tumblr claiming to be Gazan victims. They've been making a number of iterations of the exact same blog and story but with different names and sometimes different PayPal links.

Thus far, the content of these scams are being stolen from 2 real fundraisers. Please lend your aid to these people who need help instead of the disgusting scam farm

Help Haya Orouq's family escape Gaza

Help Rawan AbuMahady's family escape Gaza

These are examples within the past month which have been deleted.

Ma22ya

Khalilhan

jovialsuitdonutai

miniaturepostkingjaiur

Donation scams on tumblr are extremely common and anyone who has a tumblr account will encounter them at some point. You have likely encountered them before and not realized it. They throw together a brand new blog with a story of needing aid, then use bots to go through follow lists and post notes to send messages to random users. Scambusting blogs like kyra45 do a lot of work to track and call out these scams when they surface.

Scam Spotting Tips

They send an ask often accompanied with a follow despite having never interacted with you before. Ask yourself: How did you find your blog? These interactions usually come out of nowhere when you have no original posts or interests they could've found you through, because they're just going down the lists of random blogs.

They reblog just enough posts to make you think that their blog is in-use when it is actually only a day or a few old. Enable timestamps and try find the blog's oldest post; if a blog seems old but still seems suspicious, be wary of post backdating

They often disable or delete comments on their donation post to hide comments that call them out. Open the notes and see if it says "some replies have been hidden, blocked or removed." Blocked/hidden comments sometimes still appear in reblogs of a post but not the original, so open a random reblog and see if telling comments appear there.

It isn't unusual for the story and the ask to either be exact copy-pastes of each other, or otherwise have very telling suspicious details, such as: using different names, having different goal amounts, contrasting story details, etc. Pay attention to and trust the suspicion of details that stand out as odd.

Like many of the above examples, they often use an automatically generated username consisting of random words

Reverse image searching can be a helpful giveaway if it works, but don't trust it entirely - scammers often steal images from private Facebook groups/profiles or alter the images so that people don't find the source. An image not having a source should also be suspicious, as you should wonder why this person's social media presence is exclusively a 3 day old tumblr blog

When you receive an ask from a blog like this, reporting them for spam or phishing and reporting the PayPal account for fraudulent activity does help get these accounts taken down.

In name of the situation, here are great verified resources to support real people who need help:

Many organizations and gofundmes for Gaza

Verified fundraisers for individuals in Gaza put together by @palestineasdiqa on Instagram and Twitter

Click to donate for free using ad revenue

Participation and political resources for US, UK and Canada

USPCR's toolkit

[iww-gnv]

Production workers at Walt Disney Animation Studios have voted to unionize under the Animation Guild, the union announced Wednesday on X. Production coordinators, managers and supervisors at Disney Animation are poised to be represented by Local 839 IATSE, a branch of the International Alliance of Theatrical Stage Employees. Sixty-three of the 68 workers who participated in the election voted in favor of union representation, according to the National Labor Relations Board. “Congratulations to the production workers at Disney Feature Animation!” the Animation Guild posted on X, the social media platform formerly known as Twitter. “With 96% voter turnout, 93% voted yes!!! Let’s celebrate!”

[gootarts]

as of 8/3, the most recently updated version of this post is here (it's a reblog of this exact post with more info added)

as a lot of you know, limbus company recently fired its CG illustrator for being a feminist, at 11 pm, via phone call, after a bunch of misogynists walked into the office earlier that day and demanded she be fired. on top of this, as per korean fans, her firing went against labor laws---in korea, you must have your dismissal in writing.

the korean fandom on twitter is, understandably, going scorched earth on project moon due to this. there's a lot currently going on to protest the decision, so i'm posting a list here of what's going on for those who want to limit their time on elon musk's $44 billion midlife crisis impulse purchase website (if you are on twitter, domuk is a good person to follow, as they translate important updates to english). a lot of the links are in korean, but generally they play nicely with machine translators. this should be current as of 8/2.

Statements condemning the decision have been issued by The Gyeonggi Youth Union and IT Union.

A press conference at the Gyeonggido Assembly will occur on 8/3, with lawmakers of the Gyeonggi province (where Project Moon is based) in attendance. This appears driven by the leader of the Gyeonggi Youth Union.

The vice chairman of the IT union--who has a good amount of experience with labor negotiations like these--has expressed strong support for the artist and is working to get media coverage due to the ongoing feminist witch hunts in the gaming industry. Project Moon isn't union to my knowledge, but he's noted that he's taken on nonunion companies such as Netmarble (largest mobile game dev in South Korea) by getting the issue in front of the National Assembly (Korea's congress).

Articles on the incident published in The Daily Labor News, Korean Daily, multiple articles on Hankyoreh (one of which made it to the print edition), and other news outlets.

Segments about the termination on the MBN 7 o' clock news and MBC's morning news

Comments by Youth Union leaders about looking into a loan made to Project Moon via Devsisters Ventures, a venture capital firm. Tax money from Gyeonggi province was invested in Devsisters in 2017, and in 2021, Devsisters gave money to Project Moon. The Gyeonggi Youth Union is asking why hard-earned tax money was indirectly given to a company who violates ESG (environmental, social and governance) principles.

Almost nonstop signage truck protests outside Project Moon's physical office during business hours until 8/22 or the company makes a statement. This occurs alongside a coordinated hashtag campaign to get the issue trending on Twitter in Korea. The signage campaign was crowd-funded in about 3 hours.

A full boycott of the Limbus Company app, on both mobile and PC (steam) platforms. Overseas fans are highly encouraged to participate, regardless if whether they're F2P or not. Not opening the app at all is arguably the biggest thing any one person can do to protest the decision, as the app logs the number of accounts that log on daily. For a new gacha such as Limbus, a high number of F2P daily active users, but a small number of paying users is often preferable to having a smaller userbase but more paying users. If the company sees the number of daily users remain stable, they will likely decide to wait out any backlash rather than apologize.

Digging up verified reviews from previous employees regarding the company's poor management practices

Due to the firing, the Leviathan artist has posted about poor working conditions when making the story. As per a bilingual speaker, they were working on a storyboard revision, and thought 'if I ran into the street right now and got hit by a car and died, I wouldn't have to keep working.' They contacted Project Moon because they didn't want their work to be like that, and proposed changes to serialization/reduction in amount of work per picture/to build up a buffer of finished images (they did not have any buffer while working on Leviathan to my knowledge). They were shut out, and had to suck it up and accept the situation.

Hamhampangpang has a 'shrine' section of the restaurant for fans to leave fan-created merch and other items. They also allow the fans to take this merch back if they can prove it's theirs. Fans are now doing just that.

To boost all of the above, a large number of Korean fanartists with thousands of followers have deleted their works and/or converted their accounts from fanart accounts to accounts supporting the protests. Many of them are bilingual, and they're where I got the majority of this information.

[note 1: there's a targeted english-language disinformation campaign by the website that started the hate mob. i have read the artist's tweets with machine translation, and they're talked about in the second hankyoreh article linked above: nowhere does she express any transphobic or similarly awful beliefs. likewise, be wary of any claims that she supported anything whose description makes you raise eyebrows--those claims are likely in reference to megalia, a korean feminist movement. for information on that, i'd recommend the NPR/BBC articles below and this google drive link of english-language scholarly papers on them. for the love of god don't get your information about a feminist movement from guys going on witch hunts for feminists.]

[note 2: i've seen a couple people argue that the firing was for the physical safety of the employees, citing the kyoani incident in japan. as per this korean fan, most fans there strongly do not believe this was the case. we have english-translated transcripts of the meeting between the mob and project moon; the threats the mob was making were to......brand project moon as a feminist company online. yes, really. male korean gamers aren't normal about feminism, and there's been an ongoing witch hunt for feminists in the industry since about 2016, something you see noted in both the labor union statements. both NPR and the BBC this phenomenon to gamergate, and i'd say it's a pretty apt comparison.]

let me know if anything needs correction or if anything should be added.

[little-pondhead]

DP x DC idea:

Paulina Sanchez becomes the Wayne family's new PR manager. She works hand-in-hand with Alfred and Tim's secretary (maybe another Amity Parker?) to coordinate meetings with the press and keeps a lid on the family's more unique civilian adventures.

Everything is going well until she suddenly comes onto the comm system late at night, startling Nightwing so badly that he almost misses his next flip.

"Robin, don't forget to assist the civilian. They're recording the fight and will probably post it on their Instagram later."

"Batman, turn to the left a little bit. The street lamp is casting an ugly shadow; you need to seem more mysterious."

"Red Hood, don't forget to return the heads of the gang leaders in a canvas bag this time, not polyester. It'll add to the ambiance of the situation."

Little snippets like these filled their ears each and every night, despite all surveillance indicating that Miss Sanchez was home asleep in her bed. Was someone copying the manager's voice on purpose? Why couldn't they trace where the extra comm signal was coming from? Was Paulina Sanchez a spy sent to rattle their resolve? What was going on???

It was a lot more innocent than the paranoid-stricken Waynes thought. Paulina was simply doing her job according to Amity Park's logic.

Most people didn't have some weird lair in their basement, usually filled with world-ending secrets. But 9/10 Amity Parkers did, so it was a cinch to find the entrance to the Batcave on her first day. And when Paulina signed on as a manager, she didn't realize that the job did not extend to the family's nightlife. Nor did she realize that no one else knew who the Batfamily were since Amity Parkers could clock secret identities in an instant. (Thanks for that wish, Wes.)

So while the Waynes are freaking out about the breach in their system, Paulina is mentally patting herself on the back for being so good at her job. She even utilized her hard-earned sneaking-out and liminal skills to create a fake body double to confuse any aggressive intruders that crept into her apartment while she was gone. And honestly, the Bats have never had such a positive online reputation! Getting Tucker to encrypt her secondary social medias was the right call. Now she can post about her bosses without anything being traced back to her.

Paulina is a little peeved about her overtime pay not showing up on her paychecks, however. Maybe she'll bring that up to Mr. Wayne the next time she sees him.

[trashworldblog]

Thanks S for the offer but I mean i’m not really feeling the hell fire today and friends… allies? interesting proposition but i got to say I feel a tad threatened, maybe we could ally late, maybe on a saturday.

anyway, honey offer still open if you want the job!

i agree!! you know what? although i love wheezer... i hate birds more. i think theyve been stalking me. and i LOVE HONEY!! and NATURE!!! so excited to work with you to stop dehydration.

its a deal! im happy to work with you honey anon!! 🤝🤝🤝🤝🤝

[ayaahh00]

Social media has really shown me that men are the ones abusing the platform with mass reporting. They mass report more than anyone, always to silence women. Since I joined social media in 2012, I never had my accounts or comments reported or removed until I got into radical feminism online, especially on Twitter.

That's when I witnessed how men, with their egotistical, narcissistic nature and fragile egos, desire to live in a dictatorship. They believe they are entitled to mass report and silence women, getting our accounts suspended and our posts removed, even when we're simply stating facts supported by data. Men coordinate and work together to mass report women’s specifically feminists posts. Men are genuinely by far the most childish hypersensitive creatures, with egos more sensitive than a clitoris, which has 8,000 nerve endings.

[olderthannetfic]

hi, as someone who is tragically gen Z and only ever read AO3, can I ask: what was so great about LiveJournal? Like, I know that there were fics posted there (and I've even read about the "purge", so I get why it isn't used anymore) and that it was sort of a forum-type thing. But what I don't understand, wouldn't Tumblr fill in the latter function? How was that site any different? I see a lot of people reminiscing about it and I'm confused

--

A big factor in LJ's greatness is timing and nostalgia.

It was genuinely great, but it wasn't quite as great as all of the Lo, shall the Golden Age ne'er come again? posts suggest.

LJ arrived at a pivotal time in the development of the internet both in terms of technical stuff and how many people had access. Many fans who are now in their thirties to fifties first discovered fandom through LJ and many were at a time in their lives when they were feeling energetic and up to making lots of new friends—and to figuring out how to make a site work for them.

I got on LJ in 2002 when it required invites. Fandom arrived in droves in 2003, first via coordinated campaigns to get invites to key people and then when LJ opened up free account creation to everyone. Back then, LJ's features sucked. It was impossible to search properly, among other things. At its height (2005-7, let's say), there was a reasonable site search, and fans had developed all sorts of community resources for finding each other.

People often remember this phase but not the early days of suckitude.

This development parallels how Tumblr used to not have that private chat feature and how a lot of fuckyeah[whatever] type tumblrs have helped curate the site and make it much more usable for fans. Fandom draining away from LJ after strikethrough also parallels people draining away from Tumblr after the purge.

There are people who talk about Tumblr the way my cohort talks about LJ...

And to the shock of no one, they are people who came of age on Tumblr, who found fandom via Tumblr, who were on Tumblr during pivotal times in their lives and ones when they had energy to make friends and figure out how a site worked.

Those same Tumblrites are now making all the same geriatric-sounding posts we LJers do about how other sites lack the required features to be good for fandom while missing that 90% of tumblr's "features" at its height (2012-2016, let's say) were actually fan-created and were basically the same as any fandom newsletter or links page or all the versions of this kind of personal curation stretching back to long before the internet existed.

What life phase you hit a site at matters.

--

With all of that said, no, LJ was not a forum. It was a blogging site with threaded comments.

The key point to understand is that conversation was always happening in a specific person's space. Unlike on a true forum, people were in the comments on a particular post in a journal owned by another fan. (On a forum, there's the first post in a thread, but it's still more of a communal space with less of a hierarchy.)

Overall, the LJ format can have a feeling a bit like you're over at someone's house for tea. There's more of a sense of intimacy and also behaving yourself in front of community members.

Tumblr being obscure and impossible to find anything in does give it some of the same vibe relative to Twitter, but it's still part of modern social media that tries to shove every rando into the face of every other rando.

But it wasn't just vibes: LJ also had robust privacy features where you could lock a post to this or that group of friends. You could moderate your comments section properly. Tumblr has far fewer controls to force people to behave or leave on a technical level.

--

The biggest thing many people miss about LJ is the threaded comments. At least by late LJ and on Dreamwidth, you can expand and collapse threads, making it far easier to deal with a massive comments section. But more than that, things are properly threaded with multiple levels of hierarchy that are all easily visible in the same place.

On Tumblr, it used to be extremely difficult to find all of the actual commentary on a post. Nowadays, it's far easier, but you still have to scroll chronologically, and multiple versions of a post with a long chain of commentary may be much more divorced from each other than what would happen in a LJ comments section.

--

But could we use Tumblr pretty much how we used LJ?

We could.

I do.

--

The key things that people tend to miss about LJ, aside from the younger and more excited version of themselves or the friends they've lost since then, are:

Heavily text-based

It may sound odd on the modern internet, but there are a lot of people whose brains don't like or handle an image-heavy site well. They were everywhere in SF book fandom. They were everywhere on the early internet. Today, they're hanging out on Dreamwidth and still going to their SF cons. They're usually not on Tumblr.

You could follow the discussion

Threaded comments help, but a lot of it is about having some place you can check for updates. It wasn't actually that easy to follow big LJ discussions unless you were subscribed to comments and reading along as things were happening instead of coming along after the entire mass of comments had been left.

The tone of the discussion is intellectual and one's enemies are "idiots", not "problematic"

All this requires is a penchant for longwindedness and an itchy blocking finger to remove anyone slinging ad hominems from the comments section.

On tumblr, it's as simple as conversations happening in the replies on a popular account and that person not tolerating suibaiting and threats.

(And make no mistake, a lot of LJ discussion was in the comments on popular accounts, not spread equally between everyone's.)

It does require that multiple people like that tone and want to engage in that way, but lots of people do want to.

--

These days, I interact with tumblr by checking my askbox and reading my activity page. The vast, vast majority of my posts are ones where I'm the OP, so if I block someone, they're booted from the discussion entirely.

For me... yeah, Tumblr functions almost exactly like LJ.

Also like LJ, while I'm hosting the conversation, if you hang around, you'll see the same people again and again in the comments. They may or may not also host that kind of conversation in their space, and there's a larger pool of lurkers who have some notion of which people count as regulars. Other people are watching from the shadows, enjoying or deriding the takes of the usual crowd.

People presumably do like reading my lengthy commentary or they wouldn't be here, but my tumblr wouldn't be popular like this without a healthy pool of other people who chime in regularly. It's not just that there are more people: it's that you see the same people over time. There's a bit more sense of place and community than on some parts of the internet.

--

So, in my opinion, the failure to just recreate LJ fandom on Tumblr was a skill issue.

Threaded comments were great, but LJ culture came from mailing lists, and mailing lists had the same issue as tumblr with the diverging threads.

We solved that back then by clipping out only the parts we wanted to respond to (you'd write "snip" around the quotation to show it was incomplete). We solved the smaller LJ issue by linking to other posts we were referencing and doing discussion link roundups. We solve it on tumblr by, again, linking to what we're talking about and even quoting multiple reblog chains in our own reblog of just one chain.

--

Tumblr's technical features and even general crap-ness aren't really the problem. 90s and early 00s sites regularly went down for periods of time unthinkable today.

The missing piece is people.

When one is in an active fandom with others who curate or with friends who let one know what's up, a site with imperfect features is easy to figure out and retrofit for fandom's needs. When one already feels out of touch and is between fannish passions—or at least fannish passions anyone else cares about—seeing the potential in a new site is hard.

--

Threaded comments are different and better.

LJ's built-in way to see everyone's blog in your own style was better. The automatic timestamps and the ease of seeing a paginated archive of an entire blog was better than tumblr's endless scroll and lack of clear date labeling. But some of that can be fixed with xkit or knowing your way around tumblr well.

A lot of it is nostalgia for the lj era and a refusal to take the time to figure out how to use tumblr in an oldschool internet way.

--

So by all means, people, weigh in about what made LJ great or how the culture felt at the time...

But if I see one more god damn response going "You can't have a conversation on tumblr!" in reply to my tumblr, which contains nothing but conversation, I am coming for you.

[theetherealbloom]

CLOSE TO YOU

Summary: A commute crush turned meet cute with Pedro Pascal

Paring: Pedro Pascal x Fem!Reader

Warnings: strangers-to-friends-to-lovers, Commute Crush, TOOTH-ROTTING FLUFF, Slight Angst, Meet-Cute, Swearing, Anxiety, Surrounded by A-Listers, Cheesy Dialogue, Romance, Kissing, Alcohol, Club/Bar Setting

Word Count: 2.2k

A/N: Happy Close To You release day! I’ve waited for this song since 2018 LMAO. Usually, I don’t write about real-life people, but I really can’t help it since this song is SO Pedro Pascal-coded. Just know that this is fictional and if this isn’t for you, you don’t have to read it! Keep scrolling :> And for those who stay to read this delusion of a fic, hey girlieeee I see you <3 

P.S. I’ll be doing a bunch of fics related to Gracie’s new album that comes out next week!

Song: Close To You by Gracie Abrams

| Main Masterlist |

It all began as a harmless crush on your morning commute. The New York subway was your daily stage, a bustling backdrop as you headed to meet a client. As a social media coordinator, your days revolved around managing high-profile partnerships, coordinating with celebrities and Instagram influencers to craft campaigns that seamlessly blended their brands with consumer appeal. 

But today was different. And of course, you recognized him. 

You noticed him immediately – Pedro Pascal, seated right in front of you. Lost in his book, with a iced quad espresso in a venti cup with extra ice and six shots cradled in his hand, he exuded an effortless charm. His dark, curly hair framed those whisky eyes that glanced up and met yours. Just for a second, you were frozen in time, captivated by his gaze. You quickly looked away, not wanting to seem rude, yet feeling the familiar flutter of a crush brewing.

Did he smile? You swore he did, and your heart skipped a beat. The train doors opened, announcing your stop. Reluctantly, you stepped off, joining the throng of commuters spilling onto the platform. As you ascended the steps, the city's vibrant energy washed over you, but your mind was elsewhere.

Walking towards the restaurant for your client meeting, your thoughts kept drifting back to him. The way his presence ignited a spark within you, a longing that seemed almost irrational. Here you were, burning for a man who didn't even know your name. And yet, in the anonymity of the subway, a fleeting connection had stirred something deep inside you.

It had been a few weeks since that subway encounter, the memory of Pedro Pascal’s whisky eyes lingering in your mind. In the meantime, you had started managing social media for Sarah Paulson, whose busy schedule had her juggling multiple projects and interviews.

Sarah's latest project, a Broadway play titled Appropriate, was garnering critical acclaim and several award nominations. Your job was to promote her involvement, ensuring every post captured the essence of her talent and the play’s success. Though you hadn't been working with her long, you were pleasantly surprised when she invited you to watch one of her performances.

That night, you arrived early at the Belasco Theatre, adorned in your favorite long dress and practical flats, mindful of the commute back to your apartment. Ushered to a seat close to the front, you settled into the plush red velvet, feeling a mix of excitement and anticipation. As the audience trickled in, you busied yourself with casual texts to friends before putting your phone away, taking in the theatre's intricate architecture and the stage's grandeur.

Moments later, an usher guided someone to the seat next to you. Curiosity made you glance to your right, and there he was—Pedro Pascal, settling in beside you. Your eyes widened in recognition before you quickly looked away, a quiet panic bubbling in your stomach and tightening your chest. You fidgeted with your fingers, a nervous habit, trying to quell the flurry of emotions and resist the urge to stare.

As the house lights dimmed and the show began, you couldn’t help but steal occasional glances at him. The man who had unknowingly captured your heart was now mere inches away. The performance on stage was captivating, but you found yourself equally entranced by the man sitting next to you. In the soft glow of the theatre lights, you wondered if he remembered that brief moment on the subway, and if fate had just given you a second chance to connect.

When the show ended and the cast took their bows, the theatre erupted in applause. Pedro, sitting right next to you, cheered loudly when Sarah stood with the rest of the cast on stage. His genuine enthusiasm for his friend made you smile, and as you glanced at him, he looked down at you with a radiant grin. 

Your heart raced, and for a moment, you felt a concrete connection that was almost tangible. Both of you opened your mouths to speak, but just then, an usher cleared their throat, drawing your attention.

“Mr. Pascal, Sarah Paulson is asking for you backstage… if you would follow me, please,” the usher said, causing Pedro to hesitate, torn between staying with you and fulfilling his friend's request.

“Uh,” Pedro began, glancing between you and the usher. Seeing his dilemma, you made the decision for him. Gathering your things, you offered a polite smile to both Pedro and the starstruck usher.

As Pedro glanced back at the usher, you seized the moment to make your getaway. You might have heard him call out, "Wait!" but you didn't stop. Stepping out onto the bustling street, the city lights of Broadway twinkled around you, a stark contrast to the growing ache in your heart.

The possibility of what might have been gnawed at you, the fleeting connection slipping through your fingers. A voice in the back of your mind echoed doubts, whispering that you didn't quite belong in this world of beautiful, glamorous people. You tried to shake off the feeling, but the bittersweet sting lingered.

You begin to walk away from the theatre, weaving through the crowd lined up for autographs by the backstage door. Just as you're about to cross the street to catch your subway, your phone vibrates in your clutch. Stepping aside, you see Sarah Paulson’s name flashing on the screen.

Shit. 

You quickly answer, praying your voice doesn't betray your nerves. "Hello?"

"Hey!" Sarah's voice is warm and enthusiastic. "How are you? Did you enjoy the show?"

"Yeah, I did! You were absolutely incredible," you say, offering genuine praise and shifting your weight to your other leg.

"Thank you so much! Oh, where are you right now? Are you still nearby? I had told the usher to bring you backstage with Pedro, but it seems like they forgot."

"Oh, um, yeah, I'm near the backstage door," you reply, glancing at the crowd still waiting for autographs.

"Perfect! Some of us are going out for drinks later, and you are welcome to join us!" Sarah’s excitement is infectious.

You stammer, "Uh, I..."

"It'll be great! I promise. I'll introduce you to everyone. You're my best social media manager by far."

Taking a deep breath, you muster, "Okay, yeah, I'd love to come."

"Great! I'll send you the address of where we're headed. We'll meet you there!" Sarah says, her smile practically audible.

"Alright, see you soon." You end the call with a click, clutching your phone tightly as you take another deep breath to steady your nerves and keep the world from spinning.

A ping alerts you to a new message. Glancing at the notification, you read the address and know exactly where to go. With a mixture of excitement and anxiety, you put away your phone and head towards the bar, the city's lights guiding your way.

It took you a while to figure out how to get there, but eventually, you arrive at the bar. As you step inside, a warm hum fills your body, the lights and the pulse of music thrumming through the room. The smoky, dark atmosphere feels electric, bodies moving in a rhythm that seems to make the air itself burn. 

Under the soft pink light, everything seems slightly surreal, yet oddly perfect. You spot Sarah, who immediately pulls you into a warm hug, which you happily accept. As you exchange pleasantries near their table, you feel at ease, enjoying the camaraderie. 

Then, suddenly, you sense a shift. You glance up and see Pedro looking right back at you. Your heart skips a beat as your eyes meet, and in that instant, the crowded room seems to fade away. 

There he is, the man who had unknowingly captured your heart, his gaze steady and intense. As Sarah guides you over to introduce the rest of her friends, castmates, and of course, Pedro, you feel a pull between the two of you.

You muster the courage to speak, telling him your name, and even through the loud speakers and endless chatter, you hear him say your name with a breathless relief. Finally meeting the mystery girl he saw on the subway seems to have stirred something within him.

When you shake hands, there's a lingering touch, a silent acknowledgment of the connection between you. You can't help but duck your head a little, feeling shy under the intensity of his gaze. 

"Nice to finally meet you," Pedro says, his voice soft yet filled with warmth.

"Likewise," you reply, your own voice tinged with a hint of nervousness.

In that brief exchange, you both sense something unspoken, a silent understanding that this meeting is more than just chance. And as the night unfolds, amidst the laughter and music, you find yourself drawn to him, unable to resist the magnetic pull of fate.

As Sarah goes to mingle with the rest of the group, you both stand there, caught in a moment suspended in time. The air crackles with anticipation, and you can't shake the feeling that if you asked him to, he'd give up everything just to be close to you.

"You have a way of lighting up a room," he says, his voice low and full of sincerity as he leans in closer.

A blush creeps up your cheeks at his words, and you find yourself smiling despite yourself. "And you have a way of making me feel like I'm the only one in it," you reply, your voice barely above a whisper.

As the night wears on, you find yourself completely enchanted by Pedro. His easy charm and quick wit captivate you, and it's as if the two of you are in your own little world, separate from the chaos of the club.

He tells you stories about his acting career and his passion for music. You share your dreams and aspirations, feeling a sense of comfort in his presence that you've never experienced with anyone before.

Throughout the night, there are moments where your hands brush against each other or your eyes meet in a lingering gaze. Each time it happens, a spark of electricity shoots through your body, igniting a fire within you.

At one point, he leans in closer to whisper in your ear over the loud music. "I have a confession to make," he says, his warm breath tickling your skin.

You turn to face him, your heart racing with anticipation.

He chuckles softly, the sound sending a delightful shiver down your spine. "I can't deny that you've caught my attention since the moment I saw you on the subway."

The admission sends your heart racing, and you can't help but feel a surge of boldness. "Funny, because you've been on my mind ever since," you confess, meeting his gaze with newfound confidence.

His eyes light up with a mixture of surprise and delight, and you can't help but be drawn to the way his lips curl into a playful smirk. "Is that so?" he teases, his voice a low, husky whisper that sends a shiver down your spine.

You nod, feeling a rush of exhilaration coursing through your veins. "Absolutely," you reply, unable to tear your gaze away from his captivating stare.

Before you can say another word, he takes a step closer, his movements slow and deliberate, like a dance choreographed just for the two of you. Your breath catches in your throat as his hand brushes against your neck, sending tingles of anticipation racing across your skin.

And then, in a moment that feels like it's been plucked straight from a romance film, his lips meet yours in a soft, tender kiss. Time seems to stand still as you melt into his embrace, the world around you fading away until there's nothing left but the two of you.

As you pull away, breathless and exhilarated, a sense of euphoria washes over you, like a chemical override in ultraviolet. "I just wanna be close to you," he murmurs, his words sending a thrill through your entire being. A smile dances at the corners of your lips as you revel in the electric connection between you.

"And you could be mine tonight," you reply, your voice barely above a whisper, the words tinged with a hint of playful flirtation.

He chuckles softly, his eyes sparkling with affection as he leans in closer. "I think I could get used to being yours," he says, his voice filled with warmth and sincerity, melting away any lingering doubts or fears.

He can't wait to fall in love with you.

[sayruq]

Meta identifies networks pushing deceptive content likely generated by AI

Meta (META.O) said on Wednesday it had found "likely AI-generated" content used deceptively on its Facebook and Instagram platforms, including comments praising Israel's handling of the war in Gaza published below posts from global news organizations and U.S. lawmakers. The social media company, in a quarterly security report, said the accounts posed as Jewish students, African Americans and other concerned citizens, targeting audiences in the United States and Canada. It attributed the campaign to Tel Aviv-based political marketing firm STOIC. While Meta has found basic profile photos generated by artificial intelligence in influence operations since 2019, the report is the first to disclose the use of text-based generative AI technology since it emerged in late 2022. Researchers have fretted that generative AI, which can quickly and cheaply produce human-like text, imagery and audio, could lead to more effective disinformation campaigns and sway elections. In a press call, Meta security executives said they removed the Israeli campaign early and did not think novel AI technologies had impeded their ability to disrupt influence networks, which are coordinated attempts to push messages.