i haven't played minecraft in years, but with the armadillo winning the vote, i think about how wolves don't really have much going on in terms of their utility. like anytime i tame a wolf, i end up just kinda keeping them sitting at home.
i think if mojang really does feel like wolves are deserving of armour, with the addition of armadillos, they really need to update wolves to be more useful as companion mobs, because personally... i never feel the urge to bring a wolf with me when im going out to do things, especially if it involves combat.
like, what do dogs do best? fetching stuff and digging, right? like i wish that i could just mill about with a wolf and they track a scent or something and start digging into the dirt and then proceed to bring you that item. like it could range from rarely digging up iron nuggets to digging up vegetables or whatever, yknow. combine the fetching stuff with combat and you wouldn't have to manually pick up stray arrows or items from mobs your wolf kills.
the only other thing i wish you could do with wolves is automate their health in some way, like give more utility to the bowl item so you can place it down for them to eat from so you don't have to constantly manage their health by looking at their tail. just minor quality of life stuff i guess.
idk, that's just my thoughts. i do like wolves in minecraft, they just feel rather lacking with the way some new mobs have so much going on, like the sniffer and allay and so on.
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Favourite Photo Series
Part 3:
📍SCI 2017 FD Practice
What I love about this picture is it’s a snapshot of a really lovely moment in time, I.. surprise surprise (probably) have a very different take on then maybe most would. There’s a lot of emotion in this one still photo but I find it it’s entirety to be even more poignant.
To help explain this I’m gonna use some gifs and talk more generally about this whole moment because it’s all important in relating back to this one moment in the photo.
So during their run through of MR, they break just before where they would start their step sequence. S throws T’s arm and lets her skate away in place of the first step in the sequence. This is quite common-in other practices, whether they are breaking at this moment or others, to do a bit of a ‘flourish’ as they finish the section they have just practiced.
The camera angle then changes to the left side of the rink and they catch up to each other. Where they would usually hold hands and continue skating around, T holds out her hand thinking he is going to take it (either in dance hold or more likely their hand hold) but instead he grabs her wrist quite ‘aggressively’ - not hard or in a way that would hurt her- but.. and this is the important part for me, does it in character.
He then slides his hand round her back to her side in their little side-hug position and so gently caresses her in such a comforting and affectionate way. He drops his head and after the second one T looks to him, in a way I interpreted as her asking him, ‘hey, what’s the matter/you alright?’. He his stays dropped and he’s kinda slumped over as he pats her back (YES her back don’t make this into something it’s not) and his hand falls into hers and they continue stroking round holding hands.
As they reach the back of the rink to start their short diagonal, the music is becoming louder and more dramatic, they let go of hands and Scott quite obviously starts to get himself worked up emotionally, then gradually physically to go into the next moment of chore. He mimes burying his head in his hands and silently screams along with the vocals in the music before he, again, aggressively grabs T’s wrist and kicks furiously as she drops into her lunge.
This post is another shrine to Scott and his acting abilities. I’ve talked about it many times I think, and I certainly still have more to say.
I can’t say what others thought/ think of this moment- specifically the little hug moment. I assume many thoughts were it’s a very sweet moment and I’m sure there were some creeps who thought he took and opportunity to ‘feel her up’.
What my thoughts were the very first time and quite frankly still, is as they met up to hold hands again, Scott was still in his character and grabbed her as such. T wasn’t expecting it, but at the same time wasn’t phased at all. He often has ‘random moments’ that she is never phased by and knows it’s just him being so passionate and getting to *play - [*explore movement and their story] with her. What she maybe wasn’t expecting, after realising he is still somewhat in character, for him to then wrap his arm around her in a hug and caress her..
He’s kinda saying to her in that moment (physically) ‘I’m sorry I hurt you, I didn’t want to, I’m gonna hurt you again in a moment (the next bit of chore), but you’re gonna be ok, we’re gonna be ok’- apologising on behalf of his characters actions’. He’s mentally still within his character, as himself he is kinda making sure she’s ok. She looks to him as if to say, ‘what do you mean, of course I’m ok’, or as I said before, simply ‘what’s the matter?’.
It’s weird I know, I’ve re writing this so many times to try and make sense of my thoughts, but that’s what I got from this, that’s how I read it. Because he grabs her then immediately after that becomes this soft and gentle moment physically while still kinda refusing to look at her. I see it as like this split between just himself and his character. I talked about this recently and as I always stress I have no definitive confirmation of any of this other then jumping off what they themselves say about their process and the kind of people/athletes/artists they are both together and individually. It’s not necessarily method acting (it’s not, he’s said that) but I think he likes to, once he gave himself the permission to, and knowing T encouraged it, exist in and explore those characters on a deeper level- and not just strictly confined to doing chore, and not strictly together on the same level- they may be deeper in it then the other at times like this for example. The way I read it is that T just seems more relaxed and quietly strokes round to the next section, where as S, in one of his random moments, interacts with her more so in the physicality of his character, but because it’s him and it’s them, at the same time exists this beautiful moment of comfort and, kind of apology.. I don’t quite think it’s that , I just can’t find the right word for it. That little pat just had this feeling of.. it’s like they just had a whole conversation in those 3 seconds, silently, without words and it ends with this pat of ‘alright, that’s my girl’ coz he knows she’s ok, as they continue on just like normal, completely aware of everything and their understanding of where each other is- mentally, physically, what they are thinking about.
I hope this doesn’t sound like an over reaction or anything. OF course she’s ok, OF COURSE he isn’t hurting her. It’s just what this moment on such a subtle level screams to me, I immediately saw it and thought how beautiful it was that they were having one of these moments, that he was checking in with her but they were still staying so quiet and within their story, and his physically to her was maybe a little unexpected in that moment because she doesn’t need him to “apologise” for anything, but it was just so moving thinking that’s maybe what it was. Whatever prompted that little moment, then get ready for the next section and- specifically S, what I feel supports this whole rant is the way he gets himself worked up emotionally again- that gradual transition into then somewhat out of, then fully back into character again. I would give anything to be able to talk to them and get them to explain their process. It’s more fascinating then anything else and because of their trust and connection and history it’s amplified to such an intimate level of understanding.
It’s not showy, it’s not performative, it’s for them and their process in a deeply honest way of understanding their characters and their story. It’s not copy paste the same expressions from another program, it’s all so essential to the story they are telling in the moment.
This still picture seems like just another one of their supportive moment, but the moving picture behind it I think tells so much more.
When T posted this picture she had the caption ‘I’ve got your back’ on it. She loves her tongue-in-cheek captions and quite literally he was holding her round her back. But pairing this with what was happening either side of this picture, it has double meaning in that she has his back- she encourages him to feel comfortable in exploring his characters. I don’t say that to make S seem weaker than T in this respect, I only say it because it’s exactly what S said and that it gives him so much strength to know what she loves and wants from him. I’m sure he did the same for her at a time or twenty- what ever she needed encouragement with he gave it to her, he was there for her unquestionably.
So the result of all that is it creates a moment of visually, he has her back, but in so many other invisible way she has his. They have each other’s backs. That’s what makes this image so beautiful.
(I hope I’ve said enough times throughout this that this is purely my interpretation of the moment and without being there or hearing them I don’t know anything for sure and this is based off what evidence of that they have said previously and do both in this moment and many others and there’s a common thread of how I interpret their artistry and interactions in this respect. It is the very nature of what they do to interpret it in an artistic way removed from any larger presumptions. An inconsequential moment where it could’ve had any number of meanings for them or simply none at all).
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hi!! if you dont mind me asking, how did you manage to end up teaching in japan?? ive been researching but info online is so extense and overwhelming and i never have good answers....
hello!! first of all i wanna say i understand the stress - i applied to j/et first and was going to work on backups like int/erac and private hiring if that didn't work out and i'm always thankful that i didn't have to. honestly now that i'm here it feels funny that i stressed out so much during the application process bc i always find myself thinking "damn they'll let anyone in" (often about myself lmao). it can be really odd and unexplainable who j/et does and doesn't take but japan needs a lot of ALTs to keep the system going so if you've got the enthusiasm for it there's definitely a place for you!!
i would definitely recommend trying for j/et and int/erac first before worrying about the other options!! since j/et has the biggest reputation ofc there's the double-edged sword of it feeling the most prestigious and hard to get into but again they do hire a ton of candidates every year, plus it has the highest guaranteed pay and takes care of so much for you pre-departure. idk where you're at in life/when you'd plan on applying but if you wanna start the job as soon as possible, int/erac has pretty much a rolling application and their main recruiting cycle is for spring departures (while j/et won't start recruiting again til october, for departure in summer 2025). int/erac gives you a little less pay and a little less initial help, but it's still very reputable. int/erac ALTs also have a few more freedoms once you're in japan bc i believe int/erac has your school hire you directly intead of employing you to your city's board of education. so for example my BoO doesn't let ALTs commute by car, but int/erac ALTs and private hires don't have that restriction. knock on wood, if neither of those work out, there are lots of sites like gaijinpot posting private hire opportunities. i don't know about the competitiveness of those and they do often require you to sort out visa application or housing on your own, but opportunity is always out there! seriously though i wouldn't worry about that at first. that's the backup plan ace up your sleeve
in terms of what you can do to raise your chances of getting hired, again, i think the enthusiasm is the key!! people say the j/et interview is a glorified vibe check bc they've been known to reject people who sometimes seem overqualified for the position (maybe for good reason - the amount of responsibility you get and teaching you get to do is suuuuper variable and dependent on your school, and probably about ~1/3 of my work days every year i have no classes and little relevant work to do, if any). i don't have a background or certification in teaching but i did a lot of tutoring in college and minored in japanese so i had a lot to say about my passion for language education. i know j/et really loves the angle of "what will you get out of the position, and what will you give back" - i can tell you're excited about the idea of teaching in japan so i'm sure you already have your answers!! if you have hobbies related to japan it's good to explain how being in japan would help you continue them. or you can always research what you could do with your non-japan related hobbies in japan! i love cooking and i started taking classes at a chain studio that does a mix of japanese and worldwide cooking. again i know the hit-or-miss element of it is scary but really they just want friendly open-minded people who can share their culture, have enthusiasm about education and exchange, don't mind the hours/job restrictions, and are down to pack their bags and live in japan. if you have any other questions please ask!! i know this is random but i've helped a couple of friends with their applications so if you do want some extra eyes on a statement of purpose my inbox is always open!! cheering for you!! 🎉🎉
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