#so yeah if you actually read the tags

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[egophiliac]

Your first initial impressions of any Twst character vs your current feelings about them?

honestly, my perception of pretty much every character went through some metamorphosis of "this guy looks like a jerk" to "oh, he's a stupid jerk? now hold on." it's all about that balancing act between a dark brooding asshole and a dark brooding asshole who is also totally ridiculous, and it really does make ALL the difference.

perhaps most ironically, I've mentioned before that I was absolutely not into the Diasomnias at first, because the impression the website gave pre-release was somehow even less favorable than for everyone else and I was mad at Lilia for getting my hopes up for a token girl). and then we got their stories and, well, I kind of just haven't stopped thinking about them since. 🤷

also, I went in thinking that Crowley was going to be. y'know. competent at his job. a helpful guide. a mysterious yet caring mentor figure, a fitting leader for this band of delicate young magic waifs with their fancy little magic outfits and their perfect, perfect hair. I've never been so glad to be wrong.

[xxplastic-cubexx]

just wanted to make a color ref for Brain Therapist Magneto from 309 but i needed lights too for some reason

bonus The Flats Only Version

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[sunnibits]

potentially hot take but this is a pet peeve of mine

[egberts]

ALSO if prisoners could get educated then prisons could run themselves more reliably and function like communities which is conducive to a growing/healing/learning/absolving mindset

[ashenberry]

[ID in ALT]

mgs doodle dump + 2 shitposts i shoould like. organize these somehow. i wont but i should

thank you @counterfeitubiquity for helping me ID and also letting me steal one of ur memes

[daisychainsandbowties]

any avatrice recs :)))) have already read all your fics and now i am depression (genuinely daydream abt ur star wars au daily)

i could hype each of these fics individually but basically if it’s here i think it’s incredible and you have to read it 💖💖🥰

///

the sweetest taboo// 1930s au &

i know now what no angel knows// fallen angel au by @dumpsterfireofsubtext

indy au part 1 & part 2// or, ava peels an orange & makes me feel insane 🫠🫠🫠 by @estherthenormal

lemon drop boy// t boy ava au

lazarus woke with a kiss// scp/ lab rat ava au &

how to stitch holes in the sky// dragon age au, all by @the-darkness-does-not-bargain

teach me to love (as you have loved me)// this is. yeah. this is beautiful. newbea au by @birgittesilverbae (💖💖 ily)

beyond our space and starlight// eldritch au by @thistleation

escape attempt number whatever thousand, some hundred and four, probably// hades au by @foulbearobservation

do a flip// aikido gfs au by @sunsafewriting

if saints and angels spoke of love// (bea is a math teacher & ava’s basically the guy from dead poets society) by @mermaidandthedrunks

choose the devil i know (over the heaven i don’t)// firefighter au by @sapphicstacks

leave the light on (i’ll find my way home)// lighthouse au by @snowandwolves

on the run from a losing game// chef au by @fiddleabout

this must be the place// lumberjack au by @littledata

love thy neighbour// my fav roommates au. pokemon strap-on fic 😌🙏

turning sun into sugar, spinning straw into gold// pnw au by @gohandinhand

the world is just an illusion (trying to change you)// roadtrip au, &

a lover, or something of mine// reincarnation au by @smokestarrules

who needs comfortable love// sentient halo au by @the-ominous-owl

this celestial glow is blinding// firewatch au

the thought of high windows// 60s au

pull back the curtains for venus// alien bea au &

of greater marvels yet to be// fleabag au, all by @seabiscuits-us

[dukeofthomas]

I can't find it now but there's a post about suspension of disbelief and how it's broken when the story starts trying to excuse it. "character gets knocked unconscious for hours but there's no further issues from this" okay 👍 "and actually this makes perfect sense because of this and that" um no it doesn't why are you lying to me. like i am willing to ignore the holes and the discrepancies!! all you need to do is let me and not bring unnecessary attention to it!!!

and all that is my issue with the whole robin child soldier argument. like i am willing to ignore it i am willing to engage with the fantasy literally all you need to do is NOT try to convince me that Actually It's Fine Because They Want To Do It or whatever. like literally just shut up about it and i can engage with the fantasy!!

[arttsuka]

Jedediah and Octavius

Some wips (but I forgot to take pictures of most of the steps) + the 'clean' version (basically without the hearts because I posted this on Instagram too and people I know irl follow me there 🥲)

[protect-namine]

yingdu episode 5 spoilers

ohhh my god this is everything I want from cheng xiaoshi. yes. perfect. sorry, but I'm a cheng xiaoshi whump liker and link click always brings out the best of them in episode 5 of each season.

there's just something cathartic about how when cheng xiaoshi becomes an emotional mess, it's also when he's most disconnected with the people he knows (physically, as he's diving in a photo and his only link to his home timeframe is a disembodied lu guang in his head) but it's also when he's most connected with strangers (when their own personal trauma lines up with his). to me, it's a showcase of empathy and a strange manifestation of his own agency. something about how the disconnect gives him the space to blow up, and the connection heightens it and grants him permission, almost, to express his anger more freely for his own sake and for another person's behalf.

like. listen, okay, I'm gonna ramble now because cheng xiaoshi is my favorite character in this entire show, but listen. sometimes some fans will conflate adjectives to his character that are usually associated with his character archetype, but they aren't necessarily true about him as a character. and I don't mean it in a, "he's not like that because he grows out of those traits" kind of way. I mean it in a, "he was never like that" kind of way.

one of those adjectives, for me, is when people call him immature. he isn't! to me! imo! he's got big emotions, yes, but I personally don't think the presence of big emotions indicates anything about maturity. because you know what? as long as his primary trauma (feelings of abandonment) isn't touched, he is very good at handling interpersonal conflicts, and that's what's interesting to me.

qiao ling hides relevant information from him? he removes himself from the situation to give himself space and sort out his feelings. he tells her he's fine and that he'll be back.

post-earthquake arc? I'll just copy paste what I already said in a previous ask:

what initially got me was when I was first watching S1, I thought the earthquake arc would have devastating effects on [shiguang's] relationship. listen, I didn’t know what I was getting into with link click, but I thought that was expected. it’s ripe for drama! but how do they handle the fight? they put their side business on hold but they still keep being roommates. they still do their day job. they still talk. they’re still upset but they give each other space but not to the point where they can’t stand existing in each other’s spaces. that’s when I realized that oh, they really trust each other. they have a very solid foundation for their relationship that not even the earthquake arc can break. they’re pretty level-headed about this, actually, all things considered? all the doomed yaoi stuff came later, but that’s just the cherry on top. it’s the way they handled conflict and disappointment in S1 that got me.

okay, protect-namine, why go through that whole tangent? BECAUSE! circling back to yingdu episode 5, we finally, finally get to see cheng xiaoshi let out some of his anger. and it's precisely because his primary trauma point was on the table. he can forgive a friend lying, and he can forgive being told not to change the past. because at the end of the day, qiao ling and lu guang stayed. they never left him.

but he cannot handle abandonment. he cannot understand why people leave. he cannot understand why he's been clinging on to false hope this entire time. and more importantly, he cannot understand how someone can be such a hypocrite about it. "a man who'd rather be kind to strangers than face his own son" like fuck man. cheng weimin you fucked up so bad.

it's the disconnect/connect thing again too. thematically, it makes sense. when does cheng xiaoshi blow up? when he's alone, far away from the people that ground him. alone, the feeling he hates the most. he's not even in his own body. he blows up when he's inhabiting a stranger's. he doesn't even get to be angry as cheng xiaoshi.

how fucked up is that. man. I love him so much.

also I'm going crazyyyy over the family themes going on in link click. much to say about the show itself across all seasons (the twins, qiao ling and cheng xiaoshi, even the liu siblings), but for this episode... god. okay this is slight speculation territory now and I'll try to keep this very short, because this is only tangential to the post. but. imagine xia fei getting the good parent figure in cheng weimin that cheng xiaoshi never had. and he doesn't know!! he's bitter inside about his dad and he's having hotpot with xia fei and he doesn't know he was in that school!! fuck that's so good. that's so juicy.

okay, sorry, I have a lot of feelings about cheng xiaoshi. he's my link click blorbo of all time, and I love when he experiences The Horrors™ because it's also when other sides of him gets to shine.

on a brighter note:

VEIN AND CHENG XIAOSHI MEETING AGAIN!!! their greeting was so cute. also omg does xia fei know? that his boss is maybe possibly a cannibal? actually, wait, I don't think I'd be surprised if he does know.

ah and finally. finally:

I've been having many thoughts on how yingdu approaches "friendships" and their transactional nature (mostly with regards to liu xiao) but I mostly thought they're headcanon stuff. but now. I'm so so happy that episode 5 is bringing out more of the quid pro quo theme. liu xiao with the gift giving. wang qing's "friends" (bullies) demanding her to cheat on the exam for them. and now, vein and cheng xiaoshi having a friendly greeting but also exchanging favors. so good. so good. it goes along with how there's so much handshakes and handholding this season (not just with lu guang and cheng xiaoshi, but with cheng xiaoshi and the the antagonist trio too, who have all met him by "helping" him in some way). something something trust and favors. probably something that deserves its own post though, but I wanted to point this out because I am soooo here for that. it's goes hand in hand (ha!) with the whole fraud/lies vs innocence/honesty theme this season, and deals/contracts being an equalizer to the two. very good. very tasty.

edit: ooh they also point to this in the YE6 trailer too. nice, nice. if you knew someone's true colors, would you still be their friend?

man, I love episode 5. it just hits all the stuff I personally wanted to see. the only flaw is that we still haven't seen the older version of wang qing, but yeah I kinda expected that they'll hide her until episode 6. they're giving her the liu xiao treatment from season 2. sigh. really wish she'd keep showing up in S3, we need more female characters in this show 🙏

[ghostofsnails]

so did you guys know theres this character called tristan vik disventure camp and

[momentomori24]

This may just be me, but I think if you ship a canonically very abusive, manipulative and toxic relationship, you don't get to judge or call anyone degenerates for their own fucked up ships, actually.

[babychosen]

save a horse (ride a cowboy)

8pm, Friday. Red dress. Booth near the end of the bar, by the dart board.

She forgot how demanding the text felt, but it had only encouraged her to want to show up even more.

[moeblob]

follow up to this