#so we can all live there whimsically

[thegoblinpit]

Me? Trust the government?

[mangled-by-disuse]

i just have to rant about the elf on a shelf for a sec

(why? i've never had one, i don't have kids and if i did that wee smug snitching fucker would still not feature in my life. AND YET so many of my parent friends are stressed out of their minds over the damn thing)

but like. I know the obvious (and correct) take is that the elf on the shelf is horrifying because it primes small children to accept constant surveillance as not only normal but positively benign, and the elf on the shelf is a fucking grass.

but I think there are more practical, sometimes more pernicious ways that it affects all aspects of the Christmas season, to whit:

Adding stress. like for fucking real do parents of small children not have enough to do in december must we also make it a social norm to move a doll into interesting places and keep it out of reach of pets and whatever the fuck else.

Making Santa less magical. like ok back in my day Santa did not need to send spies. Santa just knows shit. Santa does not require practical explanations. Santa is a jolly old elf who is slightly less omniscient than Jesus but only because he's seasonal. How does Santa know if you've been naughty or nice if the elves don't tell him? because he's fucking SANTA CLAUS that's it that's the whole reason. stop bringing your empiricism and logic into my childhood whimsy. Also, relatedly:

Giving children a loophole. The elf on a shelf is how Santa knows whether to bring you presents, yes? the elf on a shelf spies on children to feed back to Santa on whether they have been naughty or nice? Q.E.D. if I am sure that the elf is NOT in eyeline, I can be as naughty as I want and Santa will never know. is what I would absolutely have concluded as a child, thereby spoiling any positive behavioural effects of Santa mythos. or i would have attempted to bribe the elf. or... make him go away.

Preparing children for a lifetime of performance evaluations (derogatory). because I want to be clear that I do in fact have a problem with the underlying concept of "he knows if you've been bad or good" in the first place. shut up. another way in which santa is like jesus is that he doesn't actually need to care if you were Good. in my humble opinion Santa Claus doesn't give a fuck about your behaviour he just likes to give presents to children as many lonely old people do. (also binaries of good and bad are pretty harmful actually imo, where is the boundary for "naughty" and does it perhaps undermine the behavioural guidance if you are consistently told that Santa's love is conditional BUT that you have never once failed to pass the conditions? anyway we're getting off the topic at hand.)

Adding yet more plastic tat to the "necessary Christmas traditions" box. yes yes i am decades behind the times in complaining about the commercialisation of christmas. but i am also passionately frustrated by it. ooh we must have chocolate advent calendars (plastic trays)! we must have an elf on the shelf! we must go to a christmas market and buy more tat! let's have a christmas eve box and a (plastic) ugly christmas jumper and fucking. christmas earrings we'll wear one day a year and then lose. more! more christmas tat!!! MORE, I SAY!!!

Why he look like that?

it's such a punchable face. and yet, too small to punch. i see your unseemly enjoyment of your espionage, you perverted wee fucker. you delight in the suffering of overworked parents and overseen children alike. you disgust me.

anyway fuck elf on a shelf end broadcast

[malusokay]

5 Classics for girly girls 𝜗𝜚˚⋆

Emily of New Moon

The bittersweet process of growing up and finding where you truly belong... The perfect read for the start of a new school year. After her father’s death, Emily Starr is sent to live with her snobbish relatives at New Moon farm. Thrust into an unfamiliar and often cold environment, Emily faces numerous challenges. However, as time passes, she begins to adapt and discovers the beauty in her surroundings. With the support of her new friends—Teddy, Perry, and Ilse—Emily not only finds solace but also discovers her own creative talents, helping her carve out a place for herself in this new chapter of her life.

“If it's IN you to climb you must -- there are those who MUST lift their eyes to the hills -- they can't breathe properly in the valleys.”

Jane Eyre

A true classic for all my fellow gothic-lit enthusiasts, Jane Eyre, reminds us that everyone deserves a love that consumes, challenges, and transforms the very core of your being, offering both profound joy and deep heartache (we love a good situationsship). Following Jane Eyre, an orphaned and mistreated girl who endures a harsh upbringing but grows into a strong, independent woman. As she takes a position as a governess at Thornfield Hall, she encounters the enigmatic Mr. Rochester, sparking a profound and tumultuous romance. Their intense connection is marred by secrets and personal demons, revealing the complexities of their relationship.

“Jane, be still; don't struggle so like a wild, frantic bird, that is rending its own plumage in its desperation." "I am no bird, and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.”

The Secret Garden

Mary Lennox, a spoiled and neglected girl, is sent to live with her uncle after the death of her parents. Initially ill-tempered and withdrawn, Mary’s curiosity is sparked by rumours of a hidden, abandoned garden on the estate. As she explores and begins to restore this secret garden, she experiences a beautiful shift (glow-up era). The once gloomy and sickly Mary starts to bloom alongside the garden, rediscovering happiness, vibrancy, and a sense of belonging, making the story a heartwarming tale of growth and recovery.

“At first, people refuse to believe that a strange new thing can be done, then they begin to hope it can be done, then they see it can be done--then it is done, and all the world wonders why it was not done centuries ago.”

Pride and Prejudice

Truly a classic that has shaped my romantic expectations hahah... Elizabeth Bennet battles societal expectations and her own misjudgments in 19th-century England. When the aloof Mr Darcy (he'd totally be a ghoster in the 21st century just saying...) first crosses her path, their initial encounters are fraught with tension and misunderstanding. However, as Elizabeth delves deeper, she uncovers the complexities of Darcy’s character and her own heart.

“I could no longer help saying that I loved him. I loved him not only for his sake but for his own sake. I loved him because he was the only person who had ever really loved me for myself. I loved him because he had made me feel that I was worthy of being loved.”

The Little Prince

A young, otherworldly prince from a tiny planet travels across the universe, meeting various inhabitants and learning profound life lessons. His journey brings him to Earth, where he encounters a stranded pilot and shares his reflections on love, loss, and the essence of human connections. Through whimsical adventures and encounters, The Little Prince explores the importance of seeing with the heart rather than the eyes and reminds us of the value of friendship and innocence.

“It is only with the heart that one can see rightly; what is essential is invisible to the eye. The most beautiful things in the world cannot be seen or touched; they are felt with the heart.”

you guys asked for more academia/book stuff so I thought this might be a nice start, especially since I know that many of you are just getting into classics; these are all very much suitable for beginners!! <3

love ya ･:*₊‧✩

[dnpbeats]

I feel like dan and phil still kind of play up the dichotomies between them when actually they are soooo similar and I find it rly interesting. Or idk, maybe they don’t even play it up anymore but the vestiges of it are still there. They definitely don’t do it to the extent they used to, and like obviously there ARE differences in their personalities/interests/etc, but I feel like there are also so many examples of the phandom (myself included) assuming something was decided by one of them when actually it was the other

like okay, the song in tatinof. The whole joke within the show was that phil really wanted to sing this song and dan was like 🙄 and dragging his feet until eventually he’s like “okay fine we can sing.” Now obviously this was a bit for the show, but it definitely fit with the personas they presented at the time with phil being all fun and whimsical and dan being the more serious one. The bit felt like a reflection of real life/their personalities as we knew them… and then story of tatinof comes along and dan is like “yeah I was the one who insisted on there being a musical number.” Now idk, looking back i’m not shocked it was dan, but at the time it was definitely surprising yk! Something that had “phil” written all over it (which they KNEW, which is why Phil was the one who wanted to sing within tatinof) was actually dan

but I find myself still today sometimes being surprised by things like this. with the dapc slime video, I (like others) assumed phil was the one who came up with the concept/directed it because phil is the horror guy! And it was somewhat reminiscent of phil’s old school YouTube stuff. like you think of the basket and dapc slime coming from the same person, it checks out. But turns out nope, it was dan who came up with the idea and directed it. And then with the phouse, everyone felt like the style was very “dan” bc there was no color anywhere it and was so sleek and modern and then phil was like no this is my taste too 😭 I think he talked about it once in the context of the living room but he also specifically said the entryway was his idea, even though to me it's something that's very "dan"

of course at the end of the day dan and phil are separate ppl with different personalities and i’m not trying to say they like have no identity separate from each other. Just like. I feel like sometimes I get so caught up in the idea that they’re day/night dark/light grumpy/sunshine etc that I forget they’re also like. idk. two vines that have been growing together for so long and are so intertwined that you can't tell where one starts and the other begins

[blueorchid1707]

Ok I'm gonna rant about this new live action for a sec

How on earth is this even the same scene???

Why have they made the la version look all whimsical and magical??

Like in the original you have this creepy forest that really shows how Berk isn't this whole sunny happy place and it makes Hiccup seem isolated from anyone else, which is what makes him being pinned down by Toothless so much more unnerving and intimidating.

In the la it looks like a fairy or something is gonna show up any moment, it gets rid of that unnerving factor that made the original so good. Just from the atmosphere alone you can already tell that Toothless isn't gonna try and kill him and it already gives "I just wanna be friends 🥺" vibes and we haven't even had forbidden friendship yet?? And even that scene in itself (in the original) still makes Toothless seem somewhat untrustworthy to Hiccup.

I really hope in the full movie they're able to capture some of the small details that really emphasise the mood in that scene, like Hiccup's hands shaking while he's holding the knife and the camera moving down with him after he sees Toothless tied up for that split second, which really makes the audience feel the same way Hiccup does about finding this deadly dragon while alone in the woods.

Anyway that's my rant :)

(Idk if any of you are interested in talking about the la on here but I'm gonna tag you in case you want to idk) @tallestgrace @thereweredragonshere

[descendant-of-truth]

Anyone else find it fascinating that whenever we're shown Roxas's feelings through Sora, it's just kind of melancholic and wistful, but the reverse scenario always feels like you just walked into a psychological horror?

Seriously, the way it's presented, it's like we're meant to see Roxas as an old friend that we miss talking to, but Sora - our original "old friend" that we would have reasons to miss - is hardly even shown as a person. The contents of his memories feel less important than the effect they're having on Roxas, which is usually Extreme Distress and/or physical pain.

And it's insane to me because KH1 was so whimsical! The memories that Roxas and Xion are experiencing are literal Disney magic! But the way they're shown, with the fuzzy filters and the glitch effects, sort of removes the emotions you associate with them and makes them come across as eerie and unsettling.

Not to mention, Sora's memories rarely prompt any feelings of happiness, the way Roxas's might make Sora extra fond of the Twilight Town crew... which might say more about how KH1 affected Sora's mental health than anything.

(I personally stand by the idea that the story revisits it so much as an analogy for how repeating events in your head over and over can alter your perception of them)

But like. how wild is it that this series found a way to take its cheerful protagonist, and without changing anything about him, turned him into this constant, unnerving presence that haunts the lives of two other characters?

And I think another reason Roxas doesn't feel like he haunts Sora in the same way is because no one really... treats Sora like a person while he's asleep. He's either a tool or an object of affection, and regardless of which you pick, his feelings are seen as secondary to the goal of waking him up. As a result, the narrative focuses entirely on Roxas and Xion's personhood, and unlike Sora, they never stop being treated like people once they're made inaccessible due to the plot.

It's probably a bit late in the story to bring it up by now, but I still wonder if we'll ever see Sora be upset with Riku for sacrificing people in his name. Sure, it worked out in the end, and I'm not sure if Sora's even aware of what happened (how likely is it that he's properly sifted through all of Roxas's memories at this point?) but there's a list of things he could still conceivably be mad at Riku about that he hasn't processed, and I want this to be one of them

[kingofthewilderwest]

We need to start questioning the conflation of "maturity" with "increased stakes."

It's not to say higher stakes is always a bad choice. The first half of the How to Train Your Dragon book series has an endearingly whimsical, child-like feel. Hiccup's issues in the first half of book one are an obnoxious, cat-sized Toothless pooping in his helmet. The movie adaptation might have made the book and its counterpart distant cousins, but it was a thoughtful move to alter concepts to the appropriately theatrical: books and movies aren't the same medium. Hiccup riding alone on Toothless, exchanging fire blasts with a mountain-sized dragon, and losing his leg came off as well-done storytelling.

Hiccup staring at a prosthetic never happened in the book. He didn't lose his leg in his encounter with the Green Death. It was, as the creative powers behind the movie said, a result of the increased stakes. They didn't do this just to be more dramatic; they did it because it seemed that, based on how their narrative was going, this made sense. And this was a soft, quiet, shocking, breath-taking scene that instilled how good the movie handled its stakes. It gave us a reflective reaction to consequences that audiences might not have expected. This movie understood timing, pauses, quietness, narrative arc, poignance, reflection, emotion, love, and heart.

We know about the conflation of live action as "more mature" than animation. But a medium doesn't change maturity levels. We all know that's bogus, and many analyses have been given on that. Disney live actions add extraneous gunk, down to Gaston having a past relationship with war (so I've heard, from the people who actually watched the movie), and Disney giving us the sad scoop on why Belle's mom isn't around. Furthermore, lots of times, when I see the conversion of animation to live action, I notice creators feel a need to "raise the stakes" -- in line with the erroneous view of "giving maturity."

But "higher stakes" often means inserting action in place of mindful interaction. I feel today's Hollywood movies, in their treatment of "action," don't let movies pause and breathe anymore - ergo, they don't let us think. Isn't it more juvenile to actively avoid thought in favor of "hey look I made the building go boom"? There may be less "stakes" in introspection and mindful dialogue, but that's what gives it its maturity. That's how we went from Iron Man 1, with its grounded treatment of war and abuse, to the mindless high spectacle MCU is today.

Snappy one-liners or moments that clap at contemporary issues don't substitute for maturity. What can make a story mature is characters grappling with issues in a natural narrative through-line. A snappy one-liner is its own form of speedy spectacle.

We know about the conflation of "gore and sex" with "mature audiences." I believe they're right that graphic sex and gore is designed for adults. But that doesn't make it mature, and that doesn't make it the only way to target a medium for adults.

"Realisticness" isn't maturity. Per above regarding animation: realistic visuals are nothing. And if you think that putting more Debbie Downer material into your adaptation makes it more adult, you have to ask yourself why the themes that spoke to people's souls got muddled in its midst. We weren't mature enough to interact with the most subtle, nuanced, and impacting voice of the story. But hey! Look! There's more corpses, I guess!

It's not the visuals, it's not the events. It's not the "things." It's not the basic insertion of the external. Get past the superficial, get past the top layer of presentation. It's the mind. It's the ability to think. It's the ability to be still. It's the ability to be interested and attentive when something is slow or quotidian, because we can understand why that is important for narrative growth or arcs or themes or commentary on the human condition. It's the ability to know when and when not to include something. It's the ability to make resonant impact. It's the ability to be deep with your emotions or your themes. It's the ability to take what you have and grow it in a way by which we can derive something deeper.

Maturity is critical thought and well-conducted, appropriate responses to content of any kind.

As DeBlois tells Empire, the move to live-action brings a different emphasis to How To Train Your Dragon; a new heft, both physically and emotionally. “It’s so dialed-up in terms of stakes — having a fully credible, photo-real dragon stomping around trying to kill him,” the director says.

And maybe that DeBlois quote is taken out of context. Maybe there's more going on than that one sentence conveys. Maybe Empire is making their own erroneous assumptions. But "so dialed-up in terms of stakes," isn't, on its own, a good appeal. The animated movie already dialed things up - and knew when to include or not include something. A live-action that imitates the visuals of the animated movie exactly, as if no independent thought has been done to its unique adaptation, to the pros and cons of the medium, to what a independently-presented story needs and doesn't need... It has to make you wonder: how many conflations of "maturity" are going on?

How long are we going to keep making our own conflations?

[1920sladydectective]

Best Friend's Mother Ch.5 5.4K

This is the penultimate chapter everybody!

Love you all, thanks for reading my things! Scroll back on this account or check AO3 for the full story! Not proofread I am tired.

Enjoy Enjoy Enjoy

<3

Considering the events of the previous evening, you should have anticipated a ridiculous morning. 

Yawning, with bleary eyes, you left your room and were confronted with a wall of wrapping paper where the top of the stairs should be. A tap to the shoulder, an antler covered Kino. 

“Mystic doorway,” He mumbles, “When Mel gets here we can smash through it and Mum will be waiting in a Santa hat,” 

“You’re kidding,” 

“Nope,” Mel added, appearing with hazy eyes. You were feeling it too. Port was brutal. 

You were permitted to do the honours. Ruining the barrier, you were met with large white footprints going down the stairs towards the living room, and Ambessa Medarda wearing a Santa hat, wolf top and tartan trousers. The others smiled fondly, the novelty long since gone, but your heart was trapped in a whimsical vice. Muffled and shocked, a giggle tumbled out. You had never experienced this. Ever. 

In the living room the most ridiculous show of presents lay under and around the tree, ornately wrapped with bows and ribbons. Your eyes couldn’t stay fixed on one thing, darting around madly till they settled on the mantelpiece

Four stockings, hand knitted, hung from the aged wood. The first three initials were obvious, but the addition of your own made your throat close oddly. You were so included here and it felt wrong, all things considered. You felt a strong hand squeeze your shoulder, a warm look in older eyes. 

“Seems you’ve all been good,” 

“Overdone it a bit this year, Mum,” Kino snorted, taking what was clearly his spot on the floor. 

“Shut up, boy,” 

Her touch grounded you, body relaxing as you saw the nibbled goodies and drained port. The carrots however, were intact. 

“Guess Rudolph was just fine,” Sarcasm oozed, as you munched off the end of the carrot. 

Mel smiled, pulling you roughly down next to her as you were handed your stockings. Your offer of carrot was rudely rejected and you waited with bated breath to take a peek. It was heavy, and lumpy, with a toblerone resting at the top. It was all your favourites and some things far too expensive to be stocking fillers in your mind. Lipstick, chocolates and a bottle of Rum. At the very bottom, resting sadly, was a Clementine. Kino had coal. 

“Why?” It was outraged, cheeks full of chocolate coins. 

“Perhaps Father Christmas didn’t appreciate you refusing to help me with the Games room remodel,” It was quiet, muffled by coffee. 

He threw the coal at Mel, and a brawl began. You just nibbled a piece of fudge. 

It was a slow and easy start, despite the family violence, and you sat talking with Mel as you had breakfast. The order, though different to your own, had been explained. Stockings, breakfast, gifts and then a family stroll. 

A full english was slapped in front of you and you grunted. 

“We normally save ourselves for the Christmas dinner in my house,”

“Foolish,” Ambessa said, beheading a sausage, “That makes your stomach shrink and reduces your appetite,” 

Well. Fuck you I guess. Full English then. 

Back in the sitting room, each person was handed a present. 

Mel gave hers out first, swirling holly and ivy concealing presents that were so her it made you laugh. A spa holiday, for the both of you, in January. Ambessa received a collection of fancy cooking utensils and Kino received a book of mazes. 

“This seems like a gift to yourself, Babe,” You smiled, flicking through all the treatments she’d bought, “Will I have any body left after it's cleaned and dissolved?”

“It’ll cleanse you of all your impurities,” Her gaze darted to an obvious place. 

“Gee, Thanks,” 

There was lots to get through and it seemed that they had refined patience with it that you did not possess. You had never seen this many gifts at once and wanted to eviscerate them to find the treasures beneath. Kino chucked another couple things each person’s way, some from Father Christmas, some from him. 

He’d only gone and bought you a real tiara. Rich people are so fucking stupid. It sat proudly on your head all the same, swarovski crystals catching the light of the tree. 

“Regal, your highness,” He bowed his head, eyes crinkled with joy. 

“Twat,”

Father Christmas had been generous indeed, showering you with books and clothes and trinkets. You were a bit overwhelmed, dazed fingers stroking over jumpers and shoes as the Medardas continued to rip into the mountain. A sea of wrapping paper rested over your legs, warm and shiny as Ambessa drank an unholy amount of Brandy for 11am on a Wednesday. 

She chucked you a lumpy package, this one actually from her rather than her fat old man counterpart. It was a stuffed toy, a book character Tigger from Winnie the Pooh to be exact. 

“What?” You said, eyes gleaming, fingers buried in fuzziness. 

“You mentioned it was your favourite childhood book,” Her lips smacked together, “And if you’re any of them it’s the hyperactive orange thing with an individuality complex,” 

Wow. How sweet. Fuck.

“Your hat’s falling off,” You muttered to push the warmth away, passing her the gifts you’d begrudgingly bought, “These are yours,”

Ambessa took the pile, eyes murky as you watched intently for her reaction. You still needed her to like them, to like you. Mel couldn’t expect you to fall out of love that quickly. 

A rough tear, paper crumpling to reveal a blu-ray DVD. Trading Places, of course. The smile she wore changed, lips twisting as if to contain something you couldn’t see. 

“My favourite,” Her tone was far away, perhaps as trapped in the memory as you became every time you entered that room. 

“Still don’t know what it’s about,” A lie, you watched it repeatedly on your laptop in October, half drunk and sobbing, “Sure it’s good,”

“We’ll watch it together sometime,” Dear god you hoped not. 

“Okay!” It was dismissive, that was all you had, “Next one!” 

The next one in question was a Lucky cat figure who looked suspiciously like Mina, paw waving up and down rhythmically. Her laugh filled the space, hard and strong, as the lookalike summoned the feline herself. 

“It is you, Little Demon,” Ambessa whispered, “She has gifted me a VooDoo doll,”

Kino snorted, snatching Mina and peppering her with kisses, “Ignore the witch, Fluff,” 

The last gift from you she reacted to silently, a heavy gulp in her throat. A little, hand carved statue of three wolves snuggled in one another, babes and mother ornately preserved. Her smile winded you, watery for but a moment. 

The rest of the presents passed in a blur, your pile growing seemingly higher and higher until you’d forgotten half of the things. One thing that managed to stand out was Kino’s ridiculous gift to Ambessa; apparently her 9th wolf shirt, this one covered in a howling wolf with the word ‘Alpha' in icy block lettering. 

She seemed, confusingly, to favour this above all other gifts as if it were a priceless relic. Mel, bundled in a new dressing gown from Damson Madder, seemed totally unsurprised. 

Thankfully, that heralded the end of the gifts, and you were all given twenty minutes to get dressed and ready for the walk. As they shuffled out of the living room, a calloused hand gripped your arm to keep you in place. Ambessa, brown envelope in hand, looked down at you. 

“Everything alright?” 

“This is your last gift, Dear,” The rough paper slipped into your hand, the other hand still holding your arm. 

Panic. Curiosity. A fluttering, harsh pull in your stomach. “What is it?”

“Open it,” She was earnest, no teasing, eyes softer than you’d ever seen. 

Doing as instructed, you pulled out several pieces of paper. Trade invoices. Heating, Foundational, Pipe, Roof, and some stuff you didn’t even understand. 

“It’ll be completed by the 6th,” Honeyed words, caring, daggers to your heart, “You deserve to enjoy this holiday, and your studies, without the burden of such things,”

You were stammering, eyes cloudy with salt water, as trembling fingers moved through each document. She’d solved years of problems with the flick of an ornate wrist, a trump card of good will she was giving up wielding in favour of giving you privacy. This was no bribe, there was no motive here that you could see, she had done it just because it would help you. 

Ambessa was feeling a tad dizzy. Indulgence in brandy and emotional niceties leaving her reeling. You had been perfect all morning, a cocktail of wonder and sarcasm that swirled her mind harder than any drink could. Each reaction a glance or gasp to be cherished, her chest warm as you ended up in a tidal wave of wrapping. Each moment in your presence seemed more tenuous, but she could not fight the need for her next fix. It was a cruel trick, one she deserved, the way you had seemed to curl around her spine and crush it with a grin. Each attempt to slot into Mel’s rules felt like the loss of a limb. She had lost this fight, in more ways than one. 

“Ambessa,” It was a croak, the very light of the sun caught in your eyes, “Thank you!”

“No quip about presumptive rich people?” She said, thumb stroking along your forearm, “No class conscious rant?”

A giggle, more silly than you wished, as your damp eyes rolled, “You’ve just saved my life, my childhood home, that’s what you bastards should be doing,” 

“Seems I’m learning yet another thing from you then,” 

An embrace, rushed and harsh, to prevent the kiss dancing across your lips. She was awful and perfect and you hated her. “I’m going to go get dressed,” 

She wished you wouldn’t leave, perhaps ever, to allow her to linger in the aftermath of Christmas morning when it was just you and the fire and tender, crushed skin on skin. The moment ended all the same, and she sat on her armchair with a loud grunt. 

The walk was nicer than you’d anticipated, Kino and Ambessa smashing snow at each other as Mel quietly spoke in your direction. Today had felt lighter with her, some tension drained by the closeness of the night before. She’d gotten angry again, called you a few names, and nuzzled into your arms. Her grievances came in waves, as did most of her thought processes, and you didn’t mind the repetitiveness for each time you gained a small chunk back. 

Which is why, as she told you about Jayce and Viktor’s new idea, you did not notice the solid mass flying towards your face. Kino stood, eyes wild, gathering another bundle. 

There was war after that, plain and simple. 

At quarter to two you stumbled back through the French doors, hair damp and lip quivering from cold as Ambessa tugged a triumphant Mel through the door. 

“You can’t contain me just because you lost,” She growled, pulling against her mother’s hold. 

You avoided the conflict, darting upstairs and diving into the hot shower with such urgency you still had your koala socks on. Fancy shampoo and conditioner pushed away the grime of the outside as your forehead lent against the cool tile. This Christmas, though only half way through, had rocked your world. Ambessa Medarda creating an almost dreamlike, unattainable level of Christmas magic seemed ridiculous. Though, you supposed, she had always been good with grandness and negligent of day to day. You hadn’t needed a summer affair to figure that out. That knowledge did nothing to banish her soft eyes from your mind, that silly bloody Santa hat frizzing up her greying curls, as she did the best thing she’d ever done for you. Fuck her. In every way. Dangerous Path. Cold water smacked you back to Christmas day. 

Rictus, sweet angel that he was, had prepared everything and left it in the fridges. All you four needed to manage was timing, and you overconfidently presumed that was a sure bet. None of you, it seemed, had factored in a shitfaced game of Cluedo. 

“It was Mustard, in the Library, with the pipe,” Kino spoke into a highball glass, whisky half his lifeblood at present. 

“You’re Mustard, you twat,” Mel smacked him in the head, crunching a handful of twiglets. 

Ambessa had long since given up engaging, lent against the sofa with a grin as she met your gaze. As an only child you were not used to any kind of bickering over board games, making this confusing and tiring in equal measure. A sparkling, unknown cocktail sat in a gin glass in front of you. Unbeknownst to you, it contained over five shots of alcohol, hidden by sweet tea and cranberry juice. You may not have known, but by God could you feel it. 

A thick smokey scent wafted towards you mid gulp and hazy eyes widened. 

“The turkey!” You and Mel cried, scrambling to rescue a half scorched bird. 

So, it wouldn’t be the juiciest Turkey Crown you’d ever eaten, but the rest of it was salvageable. Namely because you all camped out in the kitchen from that moment onward, checking every five minutes for slowly roasting carrots and stuffing on the off chance they burnt within seconds. 

Candles of ivory and emerald glittered along the table as you took your place next to Mel. Your minorly fucked up feast had been served, your blood alcohol level begging for some kind of mass to soak up the metric tonne of vodka you’d ingested. It was good, great even, and yet you felt an odd emptiness. You hadn’t missed your Dad yet, and here it came, hurtling like a freight train into your roast dinner. Pushing peas around your plate like a petulant child, you munched at your inner cheek instead. 

She shouldn’t care that you weren’t eating, you were an adult and could look after yourself. Didn’t stop her own chews from slowing to halt as she scanned you. Your mouth twitched, eyes pensive, she hated it. Her eyes managed to catch yours, echoing a question and a comfort in one, heart hammering as your shoulders visibly relaxed and you ate a potato. Good. That was good. 

She seemed to smell weakness in you like a shark trailing blood, though she wielded this knowledge in a nicer way now. You felt an odd puncture, perhaps a lung giving out, as she grinned at you and ate a stuffing ball. 

Mel was drawing noughts and crosses in her left over gravy, your fingers fighting an equal battle in which a stalemate was always reached. The game sort of became impossible to win if both participants were over five years old, but it made you smile all the same. 

5pm rolled around, and with it your Dad’s phone call. It was brief, impersonal and hollow until you reached the news about the house. He knew, of course, as it was his fucking house but you blubbered excitedly all the same. He praised you for making good connections and you frowned. God he always had to be a knob. The call ended quickly after that and you wandered into the Cinema, flopping on Mel. 

“Call go okay?” Her fingers stroked hair from your face. 

“He’s a penis,” 

“Bailey’s Hot chocolate?” She already had a large, reindeer covered mug to offer you, cream and marshmallows floating like little life rafts. 

Perhaps this was the best Christmas of your life, and perhaps that filled you with a gaping despair unlike anything you’d ever known. Ambessa collapsed next to you and Mel, pulling you in close. Always there, mending and mutilating your soul. 

“Well,” She kissed Mel’s crown, “How has the day been my little wolves?”

“Good, Mum,” A loud slurp, “Best in a long time,” 

“Best I’ve ever had,” You admitted, uneasy and grateful. 

Both Medarda women kissed your cheek, the tactical manoeuvre from both sides crushing you. 

“Thanks by the way,” It felt like too little a sentence, brain blurred. 

“You are most welcome, Dear,” Ambessa gave you more soft eyes and calm grins. What the fuck did Christmas do to her?

“Play a game of Uno?” Mel interjected, the food and fizz in her system making her fidgety. 

“No more games,” You whined, “Game brain is dead,” 

“What then?”

“Well, I say I want to watch the Polar Express,” She pulled a blanket over her knees, yelling for Kino. 

“He’s out cold, food coma,” You muttered. 

“Little shit, he avoids this film every year,” 

“He doesn’t like Tom Hanks, Mum,” 

“And that’s my problem, why?” 

“Because you’re asking him to watch a film starring Tom Hanks?” You snipped obnoxiously. 

Ambessa immediately withheld the Celebrations tin she had been offering, smacking your fingers to drop the Twix, “Sarcastic children don’t get mini chocolates,” 

Mel munched happily on a Mars bar, your title of golden child stolen. 

Christmas came to a close slowly, the day fluttering shut in time with your weary eyelids. Your room was piled with things, but only Tigger made it to your bed. His inquisitive eyes seemed to know exactly how you felt about his giver, and you had to shove his face into your shoulder. 

“Shut up,” You slurred, to an inanimate object like a normal person, “I’ve got a good thing going here, she won’t ruin it,”

“Sure she won’t,” Tigger answered. Fuck, okay you were already asleep. 

Boxing Day passed in a blur, as did the dateless, insignificant days that led to New Year’s Eve. The new, slippery dance continued. Mel watched your interactions with her mother less, shoulders settling slightly, though a sharpness remained when you weren’t looking. 

New Year’s Eve arrived, and with it Another Bloody Party (shocker). 

“How can you be surprised?” Mel muttered, tugging on your hair, “You said yourself this is all rich people do,” 

“It’s different living it Babe,” You grumbled, “It’s exhausting, how do you manage?”

“Oh, well I-”

“Oh that’s right, none of you have jobs,” 

The heat of the curling iron became intimately acquainted with your ear. Mel kissed it better, sarcastically, as she finished the curl. “I have a job,”

“Uh..no you don’t,”

“Well I will when uni’s over,” Mel muttered, “I’ll make a name for myself,” 

“Is that name Medarda?” You really needed to stop antagonising the person holding the hot rod of metal to your skull. 

One thing was different this time round and that was the host. The Kirammans hosted New Year’s annually apparently, the party larger than even Ambessa’s summer barbeque. Having not yet had the privilege of seeing a different large house, you experienced shock and awe anew. It was more regal than Ambessa’s home, ornate marbles mingling with old tiling. It felt sterner in a way, though its occupants were far from that. Like a scene in a film, limousines flooded in and out, showcasing tottering heels and tailored suits. 

“Now,” Ambessa’s voice was a whispered grumble, “Best behaviour, I don’t want you lot embarrassing me,” 

Your face contorted, as did theirs, “What?”

“I’m joking darlings,” She squeezed you all, “I don’t give a shit about these people,”

“Said that rather loud, Mum,” Kino quipped. 

“Intentional, sweet boy,” 

Newness danced in every corner, Cait ready to grab you and shove her into every decorated crevice of her house. Cassandra Kiramman was far more blunt about keeping your group out of the way than Ambessa, gifting a whole wing of the house to your antics. There stood possibly every person aged 20-26 that Caitlyn had ever looked at in her life. Your inner circle were lounging, glittery and already a bit pissed, around a fucking conversation pit sofa. An actual, real inbuilt one. Nothing mattered for the two hours or so, cocktails and canapes shoved down you as you listened to Ekko explaining some physics thing that made you feel like an Egyptian having their brain removed. 

A girl, tanned with glossy blonde hair, had been making eyes at you for the better part of an hour and you were beginning to crumble under the pressure. She was hot, sure, but she wasn't her. Though, another few glasses down, you realised that might be a good thing. 

“Talk to her,” Viktor whispered, poking you in the side with his cane. Jayce showed his enthusiastic agreement through a scotch egg, making himself choke. 

Your version of the heimlich manoeuvre was to smack him as Ekko did the actual heimlich, before swaying up to the pretty girl batting her lashes. 

To say she was bored would have been the understatement of the century for Ambessa. Cassandra was less prone to recreational drugs and sordid corners, leaving her to discuss carpet swatches with Jayce’s mother. She was a kind woman, entirely not to Ambessa’s taste and the removal of the youngsters meant she couldn’t bother you. Or watch you from across every damn room you existed in. There wasn’t enough Moet to drown out the drivel and by quarter to eleven she was slinking away to find her drunk children. 

Cadence, you had learned her name was, was an angel. Bubbly, bright and tipsy, she made for a fantastic conversation partner. It was lame to ponder how you hadn’t even considered anyone other than Ambessa romantically, so you let her touch your arm fondly and press herself into your side on the armchair. She studied psychology at Durham and would soon be going to America for a work placement. What’s the psychology of searching for your best friend’s mother in every crowded room, you wondered? She was talking your ear off when your eyes found the very woman in your mind. 

Ambessa did not feel angry. It was a slight twinge, too much carbonation, a high pitched thrum against her sternum. What a pretty little blonde, all cosied close and eating up all your attention. How lovely for you. This is what parties were for, a fantastic meet cute to tell the grandkids. Shut up. Your face was relaxed, glossy lips parted in an easy smile. It wasn’t the same as the smile she caused of course, less genuine, less involuntary. She could tell, there wasn’t the slightest twitch to your cheek, and your posture was distant, eyes elsewhere. Eyes on..oh. Eyes on her. A slow wave, pulling her smile from you as you attempted poorly to split focus. You looked sinful, lent against a leather armchair with smooth, soft legs crossed. Images flashed through Ambessa, her head between your thighs as your nails gripped the leather for dear life or you curled in her lap rambling as she peppered your face with lipsticked kisses. A half hearted swallow, her mind a desperate tailspin of lust, jealousy and the unnamed other. Her hand rose slightly, golden eyes drilling into you as a hand began to subtly call you over. 

Sharp, angry nails sliced into her wrist, killing the summons. 

Mel stood, a sickly smile on her face, crushing her mother’s wrist. 

“Hello, Dear,” Ambessa smiled, fighting the twitch of her brow, “Was coming looking for you little wolves,” 

“Can you come to the loo with me,” Mel said, tipsy slur in her voice, “These heels are fucking my ankles,” 

WIth a nod, taking most of her body weight, she wandered off to the bathroom with her daughter. It was dark blue, much like the kitchen and the library and the Kiramman child’s hair, causing a giggle from Ambessa. 

Once the heavy metal lock clinked shut, she lent against the door with her eyes averted. Several beats passed with no noise save their breath. 

“Are you going to piss or what child?” 

“What the fuck is your problem?” Sadness, fury, resentment all rolled into one. Her beautiful hair was a halo for her anger, body a brick wall of frustration. 

“Excuse me?” It was a scoff, muscled arms crossed, “Did I not help you here?”

“Why won’t you leave her alone, Mum,” Mel stood toe to toe with her, dark eyes blazing, “She’s listened and tried and is taking all the shit I give her, but you,” 

A lecture was coming, stormy and vicious, one Ambessa may not survive. Here she thought it was girly toilet bonding time. No, you had interloped into another part of her life. 

“You,” She repeated, “Continue on like she’s one of your little things, like I haven’t said anything at all,” 

“I resent that,” Ambessa said, frown on her lips, “I’ve been civil and supportive, but distant just like you asked,”

“Distant in the way the iceberg was to the Titanic,” Mel snapped, swaying slightly. “Do you want to destroy her? Destroy me?” 

“Mel, I-” 

“I gave you rules for a reason, and you just don’t give a shit, do you?” Her hands were waving about wildly now, “You can’t bear being told no, respecting boundaries, listening to others,” 

“I thought I was doing as you asked, Child,” Her words were thunderous, form shaking with a terror Mel could not see. She was too close for comfort, a dog sniffing a trail she did not want followed. 

“Bullshit!” Mel’s thoughts were a slurry, a piece of the puzzle missing, “You gaze at her in every room, you touch her whenever you can, you steal any time with her you can get and-”

“That is enough,” Her lungs were beginning to ache, palms sweaty, “I do not need to be lectured by you again over insecure, inflated claims,” 

“You don’t get to tell me to be quiet, Mother,” She spat, “Explain yours-” Oh. Oh. Everything stilled, the picture shifting till it clicked. She had all the pieces, of course she did, she’d just confused a middle piece for a harmless corner component. 

Ambessa’s relief at her daughter’s sudden silence was crushed like a nut between a novelty nutcracker. 

“You’re in love with her,” Check.

“I-” She had named it before even Ambessa could, damned insufferable child, always too clever for her own good, her resistance a very confirmation “How ridiculous,” And Mate. 

Mel’s body shook with mirth, “You fell in love with my best friend,” 

“You are drunk and far more stupid than I gave you credit for,” 

“So what if I am drunk,” Her movements were looser now, “I’m right and You’re scared,”

“I don’t get scared,”

“I would have agreed, twenty minutes ago, but now?” Mel’s eyes met the minute tremor in her mother’s hands. 

Ambessa’s hand grips the cold, golden lock, body turning away as she let out an angry grunt. 

A repetition, cold and grounding, halted her “You fell in love with my best friend”

It felt so lovely to hear, to know, to feel. Awful to examine, gutting her like a prize salmon. This was the worst evening of Ambessa Medarda’s life. She was at odds here, pulled in terrible directions. The horrible, sordid truth was undeniable, complicating a messy story by adding an Act Three twist of predictable but no less epic proportions. Her daughter’s eyes were steady and stern despite her sway, any battle she put forward dissolving into sparks against Mel’s measured smile. Vulnerability was the only way forward, resistance gone, a mother’s love twisting her tongue towards painful truths, “I-I didn’t plan to, darling,”

It fell on deaf ears, “And she is in love with you right back,” 

“Unfortunately,” Ambessa choked, body tight.

Mel sat precariously on the bathtub, pulling a miniature from between her boobs and downing it, “This simplifies things,” 

“It does?” 

A loud knock, and indistinct whining from behind the door. 

“Fuck off, There are twenty two toilets in this house” Mel shouted, flicking the empty bottle into the tiny bin, before turning back to her, “And yes, yes it does,”

“Do enlighten me,” She snarked, wondering if she could magically summon tequila from her own chest. 

“Love I can begrudgingly figure out, it matters,” Her teeth kissed her tongue, “But what do you offer her?”

“Sorry?” Words were precious currency to Ambessa at present, unable to grapple with the situation she had stumbled into.

“She makes you an infinitely better person, whilst assimilating to your lifestyle,” A heavy breath, “But you’re an older, emotionally impotent bitch with a history of ruining every romantic relationship you’ve ever been in,” 

Jesus fucking Christ. “Are you hazing me in the Kiramman’s bathroom about my eligibility?”

“Yes,” Mel quipped, “Someone has to, if you’re going to start dating,”

“I never said I have any intention of doing such a thing,” Ambessa growled, “She’s over twenty years my junior, and your friend,” 

A giggle, “You didn’t give a shit about either of those things when you were fucking her,”

“Well that’s,”

“Different, is it? Why?”

“This is ridiculous, I don’t have to listen to this,”

“You do, if you want to keep a relationship with me,”

“Are you going to lord that over my head for the rest of my life?” A crimson sneer deepened, “Isn’t it tiresome?”

“What’s tiresome is you being avoidant,” Mel glared at her, arms crossing, “Selfish? Manipulative? Common tools of the Medarda trade, but this cowardly denial is embarrassing,”

“I am not a coward,” It was a sudden burst, body rushing forward to meet hers.

“Prove it then, you idiot,” A nail stabbed into Ambessa’s chest, “Prove that it’s real, that you can offer her more than money and sex,” 

“But why?” Her mouth was dry, “What’s your goal here?”

“I want to see you happy,” She sighed, level gaze eating Ambessa’s soul, “The woman before me is entirely new, better than I thought possible, if it takes encouraging this to keep her then I’ll write your damn love notes for you,” 

“We are not having this conversation now,” Sense returned, sludgy and damp, dirtied by her emotions, “We will have it sober, at some point tomorrow,” 

“You’re not pushing this away,” The nail dug deeper, “It’s now or never, tell me why I should let you date my best friend,”

Ambessa’s mind was a dark red blanket of rage and panic, hand crushing around her daughter’s wrist, “What do you want from me?” 

“Say anything!”

“Like WHAT? Like I miss the weight of her on my chest as I sleep, the relief of knowing she’s safe,” She was shaking, a furious animal fighting against a certain fate, “Or th-that she makes me want to be the better version of myself that she sees, just to keep that smile on her stupid, soft fucking face,”

Mel’s hand moved upwards and reached out, a tender stroke on her mother’s cheek, “Perfect, Mum,” 

With that it seemed she had deemed the interaction over, leaving her stunned and rabid as she slipped out of the blue room in search of Jayce, or Viktor, or most likely both. 

You were struggling to socialise now, brain lagging against the alcohol and noise, longing for the quiet weed fuelled haze of the Medarda games room. Cadence had clocked your distant lack of interest before you did, wandering off and leaving you with a rambling Powder. Her and Ekko truly were a match made in heaven. It was nearly midnight and the party was so vibrant your eyes ached. 

Time to hide, time to be anti-social. Nobody to kiss, nobody you wanted to anyway. 

Confusing corridors, long and ornate, as you slipped under a secluded marble staircase. Deep, soothing breaths, the darker lighting a balm. 

Ambessa found that splashing her face with cold water was doing absolutely nothing. A dam she could not rebuild had burst and it was merciless, yearning for one thing and one thing alone. You were a siren, sent to kill her, sent to punish her. You were an angel, her salvation. Uncertain steps stormed out of the room, wandering aimlessly towards the party.

The countdown, though far away now, was as audible as if Vi was screaming in your ear. 

10

What an odd year to be seeing the back of, everything changed and everything the same. 

9

Glitter coated your skin as you made your resolution, firm and sure. 

8

You would move on from Ambessa Medarda, even if it killed you. She would not follow you into this new chapter. 

7

You emptied your champagne glass, peace settling in you. 

6

Ambessa flung the door open, hinges trembling, as she looked down the long corridor. 

5

Countdown time already? How long had she spent in that fucking bathroom?

4

The fabric of her trousers swished as she slipped towards the staircase, seeking a darker solace. 

3

A resolution, a stupid tradition, a propeller forward. She would tell you how she felt, even if it killed her. 

2

Shocked eyes lock, room spinning, dark alcove shielding them from reality.

1

Time slows. A war fought valiantly, lost to the hazy fog. Clashing, hungry, yearning lips. Red on smooth gloss. Hair tugged, breath stolen. 

Happy New Year!

[capquinn]

Does Quinn do elf on a shelf with Bug and Cub?

girl, you can bet on dad!quinn taking his role as elf on the shelf co-coordinator with the utmost seriousness. like, truly — he’ll be treating this like it’s a full-time job with a performance review at the end lmao

“Okay,” he mutters, crouching on the floor and studying the tiny elf with an intensity that could rival his game tape analysis. “What if we set up a zip line? Between the bookshelf and the tree? They’d think that’s cool, right?”

You try to stifle your laugh, leaning against the counter, arms crossed. “A zip line? You realise you’re talking about a kid who lost her mind last year when the elf just sat in a bowl of marshmallows?”

“Exactly,” he says, looking up at you with that boyish grin that still makes your stomach flip, even after all these years. “We’ve gotta step it up this year. Bug’s smart. She’s going to start asking questions if we don’t bring our A-game. Plus, it’s Cub’s first Christmas. He deserves something special.”

“Oh, our A-game?” you tease, quirking an eyebrow. “This feels a lot like your game plan. I’m just here to make sure you don't go completely overboard.”

Quinn scoffs, picking up the elf and turning it in his hands like it’s a puzzle he’s trying to solve. “Overboard? I’m not the one who suggested having him write notes in icing last year.”

“Okay, first of all,” you point a finger at him, “that was adorable. Second of all, it was your idea to have him spill the sprinkles everywhere.”

“True,” he concedes, but the glimmer in his eye says he isn’t done brainstorming.

By the time you both finish setting up for the night, the elf is precariously perched on a zip line Quinn had insisted was the perfect length — stretching from the bookshelf, past the twinkling Christmas tree, and down to the TV cabinet. The elf itself? Nestled in a repurposed Easter basket at the end of the line, surrounded by a chaotic tumble of candy canes as if they'd crash-landed in spectacular fashion.

“This is good,” Quinn says, stepping back and crossing his arms as he admires the handiwork. “It’s believable.”

You snort. “Believable? It’s an elf on a zip line, Quinn.”

But even you have to admit, it's fantastic. The candy canes, the tiny basket, the zip line stretching across the room — it's chaotic and whimsical and perfect. Bug is surely going to lose her mind, and Cub — well, he might not fully understand what’s happening, but you just know he’s going to be wrapped up in his sister’s energy, his tiny hands clapping and his little laugh bubbling up as he mirrors her excitement — and honestly, you can't wait to see their little faces.

And so the next morning arrives, and Bug’s shriek of delight breaks the stillness, and she’s off like a shot, her little feet pounding against the floor as she charges into the living room.

“He’s flying!” she exclaims, her voice an awed whisper by the time she reaches the elf. Her hands hover over her mouth as she stares at the zip line, her excitement bubbling over into giggles.

Cub trails behind her, still mastering the art of crawling, his chubby hands slapping against the floor with determination. He babbles loudly, clearly swept up in Bug’s enthusiasm even though he doesn’t quite understand what’s happening. When he finally reaches the Easter basket at the end of the zip line, his tiny fingers curl around a stray candy cane with the single-minded focus only a baby can muster.

“No, Cubby!” Bug gasps, darting forward and shielding the basket like her life depends on it. “You can’t touch him! He’s doing his elf job!”

Quinn appears just in time, crouching down to scoop Cub into his arms before he has a chance to undo all his handiwork.

“Whoa, buddy,” he says with a soft laugh, lifting Cub high into the air and eliciting a delighted squeal. “The elf’s got important work to do. No sabotage today.”

Bug tugs on Quinn’s sweatpants, her expression solemn, her wide eyes darting between him and the elf.

“Daddy, did he really fly here? Like… magic?”

Quinn lowers himself to her level, balancing Cub on his hip as the baby grabs at his hoodie string. “Absolutely,” he says, his tone serious, though the twinkle in his eye betrays him. “Do you think I could’ve set up something this cool? That’s all elf magic.”

Bug’s mouth drops open, her hands clasping dramatically in front of her chest as she whispers, “he's the best.” Her awe is palpable, her gaze glued to the tiny elf perched on the string.

Cub, meanwhile, has no patience for elves. His hands pat Quinn’s chest insistently, demanding attention with a flurry of babbles. Quinn leans his forehead gently against Cub’s, his voice soft as he whispers, “don’t worry, Cub. You’ll figure it out next year.”

You lean against the doorframe, watching the scene unfold with a fond smile tugging at your lips. Bug turns to you, bouncing slightly on her toes.

“Mommy! Do you see? He’s so cool!”

“I see him, Bug,” you say, stepping closer to circle an an arm around Quinn’s waist, leaning into him. “Looks like the elf pulled out all the stops last night.”

Quinn tilts his head, brushing it lightly against yours. “Told you the zip line was genius,” he murmurs, his voice low and smug, though the warmth in his gaze softens the teasing. He nudges you lightly with his hip, the playful gesture drawing a quiet laugh from you.

Bug grabs his free hand, her eyes alight with anticipation. “Daddy, do you think he’ll do something even cooler tomorrow?”

Quinn glances at you, sharing a small smile like it’s your own little secret, before turning back to Bug.

“Oh, I’m sure he will,” he says, his tone full of playful assurance, giving your hip another gentle nudge as if to say, we’ve got this.

[celestialtarot11]

Astro observations 🤍🐚

back with another astro post part 1000 (i dont remember how much its been) 😭 anyways yall, please enjoy and feel free to share your thoughts always! I had to go in deep with this one 👀 you know, its astrology

divider creds: @fairytopea

Venus conj. Saturn has been the biggest lesson for me in love. In the connection often with this placement, the venus person clings to affection and love in a codependent way. The saturn person may withdraw & avoid romance altogether, creating an unstable dynamic. Venus person eventually learns their self worth is much more than having to convince someone why they should stay with them :/

That being said so much has been learned from this synastry. I truly became a better person and decided who was right for me, and who wasn’t. It broke my heart but fixed my vision! 

Someone I know has someone else’s mars in her 12h. This manifested as instant attraction even though she was repulsed by him. She couldn’t explain why she felt this way. Its possible mars 12h can bring out what we feel interest in, despite our shame and guilt towards it. It often has to do with our trauma and being drawn to things we know initially aren’t good for us. Which begs the question: why? And thats where the healing begins.

To also add she had her Lilith conj his sun, which definitely brought out an impulse to explore what she thought was off putting. Lilith can make us go deep into our trauma and transform our beliefs from then to now. With the sun it makes sense her beliefs are shifting especially in relationships. Her source of power was repressed due to her trauma, but now this synastry could be a way to regain it.

So random but are Taurus/Libra males more likely to be uncircumcised 😭 #sorry just had to put the thought out there

Jupiter in virgo male can be great listeners and conversationalists. It can also make them cunning, sly and manipulative with their word. With what kind of information they choose to let out at the time.

Chiron in the 4h and not living with stable parents 🤝 trauma. This guy I know has this placement and does not live with his parents, he lives with his grandparents due to the instability in his home life. His mother currently has a boyfriend. Chiron in the 4h can make an individual experience lack of stable family connections at a young age. It can also represent a separation or divorce in the family, or even the native being kicked out or homeless at some point in their lives.

Mercury in Aries and either going from being super blunt and dry, to spilling everything on their mind no shame. A guy with this placement was very dry, enunciating every word he could to be “masculine.” This was his attempt at projecting a dominant figure, as he lacked for it physically (#this is an astro post sorry i gotta get in there) I feel like mercury in Aries could manifest as sounding boastful, arrogant and pretentious. Especially if they don’t have a high self esteem. But the other side of it: mercury in aries can spill everything personal of themselves lacking boundaries.

Gemini Lilith natives know exactly what to say and how to say it. They are efficient with their word and thoughts. Precise and intelligent. Once empowered they acknowledge the importance of words and communication, but if not they can manipulate, lie to their benefit, and distort information to hide the truth. Empowered Lilith knows to honor all perspectives and feelings.

Also gemini lilith is multifaceted. Bring up a topic and gemini lilith can easily talk about it, even if you didn’t expect to know of it. They are tenacious individuals who love to learn more, and question everything presented to them!

Depending on other aspects and placements but women with Capricorn placements and plutonian aspects in their chart are more likely to have a grunge, dark moody vibe to their outfits. Even their vibe is unmatched. There’s a woodsy, whimsical yet dark vibe to them you can’t fully describe or place. Especially if they have venus touching pluto those women tend to go for a moody, gloomy yet striking appearance! They may also prefer whimsical softer styles, and one day switch to a darker vibe to change things up. Venus=fashion. As a result of pluto cap women may go through many different styles and changes in order to find what suits them. And even then, cap women love to explore with their look! They shed their old skin to make room for more.

Taurus Venus men & Libra men I notice tend to be extreme in their looks. Some prefer their real body, not altered by surgery. This can go extreme in one way: do everything naturally to their body but expect crazy results. High expectations. And some of them prefer perfection as well and go for surgery. They want to be symmetrical, flawless, and yet convey this, “effortless,” look. Not overdone but just right. And it can manifest into something unhealthy by wanting to look perfect all of the time. Taurus/libra men can be hard on themselves physically to fit a standard or stereotype.

Meanwhile Capricorn men want to convey this minimalistic, daddy energy. 😭. Not sorry. Some of ya’ll actually dress like dads though. Capricorn men always try to look put together, simple, yet there’s a sense of luxury to them. Depending on their other aspects/placements to Venus, they can give off a warm vibe. For example someone who was my childhood bestie dresses like a dad but gives off dork energy, because he has Aquarius stellium and Sagittarius placements as well. So it really depends on the venus aspects!

Libra dominant men are the type to go from couch potato to hot millennial business dad for an event. The type to get you drooling. The type to catch you off guard when you least expect it. The type you’d probably roll your eyes at when they say they’ll actually dress up, and when they do you’re stuck for words.

Capricorn women and their playlist 🤝 comfort. The only thing that truly understands them deeply. The only thing they find themselves getting lost in rather than getting lost in a person. Because losing themselves to a person is much more disgraceful to them, than getting lost in something they put together themselves.

“I’d rather lose myself in the hands of something I made, flesh and bone than to give you my dignity, my vulnerability, my guilt.” -me, a cap moon probably.

Thanks so much y’all for reading! I really hope ya’ll enjoyed this. Please always share your feedback, I love to engage and hear it! You can also send asks my way if that works! 🤍 have a great one.

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Paid readings 🤍

[kteezy997]

The Candy Man- Part Four// W.W.

Warnings/Info: cursing, fluff, lots of Wonka whimsy, Willy liking pregnancy boobs

It worked. Everything went according to plan, and your husband has no reason to believe that he wasn’t the father of your baby.

With time, your belly started to grow more and more, and luckily, so did Willy’s chocolate sales.

You were about four months along in your pregnancy when Willy gave you the news that he had bought the chocolate shoppe. He was beaming with glee and you were overjoyed for him. You wanted to help him, so you said, “How about I come and work for you?”

“Oh, no no, no heavy lifting for you, or being on your feet for hours.” he said firmly as he caressed your belly.

“Not even just as the cashier, Willy? I haven’t had a job in years since I’ve been a wife. I’d love to get back out into the world again. And be with you, of course. I’ll keep a stool nearby to sit in if I get tired, if that would make you feel better.”

Willy sighed, then he grinned at you, “Okay, you can work the register. I know that I can count on you. You did promise to help run the business side of things.” He took your hands in his, “Things are happening, y/n. I’ve saved enough money to not only to but the shoppe, but also to rent an apartment nearby. I know it won’t be as spacious and comfortable as what you’re used to, but this is just the beginning. I want you to live with me. And if things keep going the way they have been, you’ll be living like a Queen, and our baby will be the prince or princess of the Wonka chocolate empire.” Willy had put his forehead on yours.

"Oh, Willy, you have already made me the happiest woman in the world. I just know that you-that we will have everything we dream of, I'm happy to work hard, and to be with you and our child."

You and Willy were so absorbed in one another and your daydreaming, that you didn't even hear the front door of your home open.

"What. The. Fuck?" it was your husband, home early and unexpectedly from work.

You and Willy looked over at Mr. Hudson, both in shock. You didn’t know what to say.

“John, how-"

“What a fine day this is, huh? I come home with a sniffle to find my wife with the fucking…chocolate salesman?”

“John, it’s, it’s not what you-well it is actually…”

“That’s it, y/n! Tell me what the hell is going on here.” he yelled, approaching you, towering over you with his height, and actively trying to intimidate you. This was the side of him only you saw.

“John,” you trembled, “this baby isn’t yours, it’s his. I’m in love with him.”

“Ha, well you can go ahead and be in love in the streets for all I care. Get your clothes and get the hell out of my house.”

You were scared, not necessarily of John, but to leave the only home you knew. You were glad that John didn’t say or do anything to Willy.

Willy was with you as you packed, and he held your hand on the way out of the house. You thought that maybe it was a good thing that this has happened now, rather than drag it out any further.

“Alright well, let’s go check out that apartment.” Willy said in his cheery voice to help make you feel better. You knew that you were going to be happy with this man, no matter what.

You were able to close on an apartment that day, well, Willy was, as you didn’t have an income yet. But that soon changed as you went to work together in the chocolate shoppe. Within days of opening, you were making good money.

You balanced the cash drawers, and the accounting books as Willy worked hard on his sweet creations. The candy he made was as tasty as ever, and the shoppe was an absolute dream. Hoverchocs, giraffe milk macaroons, edible flowers, and lollipops as far as the eye could see. It was a whimsical, colorful, joy to behold, with a giant winding cherry tree in the middle of the shoppe. There were pink cotton Candy clouds that you could climb upon, you and Willy would sit on them and have some chocolate milk, and then eat the tea cups.

It was the most fun you’d ever had in your life. It also felt amazing to help build something from essentially nothing, and to be creative with him.

Even at home, Willy would be inventing new flavors and trying new techniques and asking for your input of course.

...........

As you went into the later months of your pregnancy, you and Willy were able to buy a house. It was no mansion, but it was big enough to accommodate a young couple and their new baby, and maybe another child down the road.

You would be at the shoppe all day, resting adequately, of course. Willy eventually gave you an office in the back room to do your accounting work, which was good for you as you were heavily pregnant, but you started to miss being out front with customers. But you knew that once the baby arrived, things would be back to normal soon.

In the evenings, your tired Willy would rest his head on your big, basketball-sized belly and sing to our unborn baby. "Come with me, and you'll be in a woorrld of pure imagination." His voice was like that of an angel, soft and soothing. You could tell that your baby was relaxed by their father's voice, because he would lull you to sleep with his sweet lullabies after a long day in the office.

You started to set up the nursery together, and it was of course candy themed, much like your chocolate shoppe. Willy had lollipop raddles and candy cane-shaped teething rings made for the baby, among lots of other colorful accessories that resembled the sweet treats that were sold in the shoppe.

Above the baby's crib was a mobile made special by Willy, they were smaller versions of the pink cotton candy clouds that hung in the shoppe. Everything was absolutely adorable, and it made your heart swell with happiness.

After looking around the baby's room, you hugged your chocolatier, "Oh Willy, I'm so happy." you nuzzled against his shirt collar as he hugged you tightly. "I can't wait to meet our baby."

"Me either, my darling." he said, kissing you on the head, and then looked at you, "But I have to say that I'll miss your boobs being so big." He then eyed the large mounds on your chest.

You laughed, "You are a typical man, Willy Wonka. You can still use them as pillows after I have the baby."

"I know, but they're just so squishy right now-" he gently cupped your breasts through your shirt, "like marshmallows, or pudding."

"Okay, okay, you better stop before you get too excited, Willy." you giggled, kissing him.

Everything in your new home came together so beautifully, and your tried to enjoy it as much as possible, even though you were incredibly tired, and your body was swollen from head to toe. Your belly had grown much bigger than you ever would have expected.

Willy was wonderful during your whole pregnancy, but he was especially attentive to you in the last month. He would make you dinner after work, and no matter how tired he might have been, he never let on to his exhaustion. He would even massage your feet before bed. His sweetness and generosity never wavered.

.......

The day finally came: the day that you and Willy became parents. He was by your side throughout the entire birthing process, encouraging you and thanking you for giving him a child. He told you he loved you over and over, and wiped the sweat off of your forehead.

Your midwife was stunned after you had your baby, because she noticed another baby coming.

A/n: I hope you all are having a great Christmas season and have a safe and happy new year! The next chapter should be better than this one. lol

@gatoenlaciudad @thebetawolfgirl @musicandbooksaremyhappyplace @softhecreator @tchalamss @bitchyunknownuser @lixzey

[queen-of-hawkins-why-ler]

When you bring up the lack of attraction that Mike demonstrates towards women, the Milkvans of reddit will say shit like, "Mike is Elsexual," "Mike chose El from the very beginning," "Mike loved El from the moment he saw her" etc. etc. and I just have to laugh bc even Mike himself says that this isn't true lmfao. "It wasn't fate. It wasn't destiny. It was simple dumb luck."

The difference between Mike's relationship with El and his relationship with Will is CHOICE. Mike chose alright, and he chose WILL and continues to choose Will again and again. What makes Mike and El's relationship special is that Mike didn't choose El. El showed up at his doorstep at a time when she was vulnerable and endangered, and Mike took her in and loved and accepted her unconditionally. Will, on the other hand, didn't stumble into Mike's life. From the very beginning, he was hand-picked: "So I asked. I asked if you wanted to be my friend. And you said yes. You said yes. It was the best thing I've ever done."

There has yet to be a time in the series when Mike chooses El over Will for more than a temporary amount of time. In s1, Mike cares for El, but his priority is always finding Will, even to the point at which he is willing to defame El and decimate his relationship with her when he believes her to be responsible for bad things happening to Will. In s2, Mike is always at Will's side, even sleeping next to him and constantly wanting to protect Will from the harm others are trying to cause him. In s3, Max says that Mike will "come crawling back" to El after the fight, but Mike actually ends up ignoring his conflict with El so that he can go apologize to and mend his relationship with Will. Similar thing happens in s4. He seems to "choose" El initially in Lenora, but he spends the rest of the season rekindling and nurturing his relationship with Will. Will Will Will. It's always been Will for him and it will always be Will.

Milkvans really have an easier time believing that Mike is a heterosexual boy who magically, whimsically, mysteriously is only attracted to one girl he met when he was twelve years old than that he MIGHT be not be 100% straight. It's bizarre bc what they're proposing would be so much more unusual than Mike just being queer. Like, us Bylers, we believe that Mike is in love with Will, but we don't deny Mike his sexuality and pretend that he's only ever been allowed to feel attraction for Will lmao. Take one look at that boy in s4 and it's so easy to tell that he is a gay disaster who likes putting posters of muscly men on his walls and watching men get sweaty and wrestle each other. That little shit is GAYYYYY as hell, in love with Will or not. But you expect me to believe that Mike is a HETEROSEXUAL boy who does not experience any feelings or attraction to any girl besides El??? Now THAT would be infinitely more of a stretch and more unusual than Mike just being gay or bi. Allo cisheterosexual men aren't exactly known for displaying a lack of attraction or horniness towards women. Even if El WERE the only person Mike ever experiences attraction towards, it would be a stretch atp to call Mike allo and cishet. He'd be ace-spec or demisexual and probably still roped into the queer umbrella lmao. But that's a narrative that the Milkvans are equally uncomfortable with bc they'd rather leap over the moon to conjecture that Mike, against all odds, logic, evidence, and reasoning, is an allo cisheterosexual man than admit that he is queer. Make it make sense.

But by all means, if y'all redditors want to push the ace-spec Mike agenda, please do so, I will support it. But something tells me that's not quite the case and that you'd rather live in this fantasy world where your perfectly good, perfectly allo cishet, perfectly conforming version of Mike Wheeler is exclusively, only attracted to El Hopper. In reality, Mike doesn't choose El and never did. He chooses and is demonstrably attracted to Will throughout the entire show.

[amarynthian-chronicles]

May I have this dance?

Sebastian Solace x Reader

"Surely, you must be joking."

"Quite the contrary."

He fiddled with the old gramophone, making a few final adjustments in order to get it to function properly once more. All the while he was casually holding his cigarette with his third hand, elegantly tapping the ash away when necessary.

Sebastian had amassed an impressive collection of vinyl records, arranging them according to his tastes. He had done so in a similar manner with his books and research files. You loved watching him sort out his inventory.

It was so unusually domestic, the mingling scents of coffee and cigarette smoke, the presence of warm blankets and pillows on the sofa he had hauled from an unspecified location in the vast facility. Undoubtedly from various loungers that the scientists would once find comfort in before the breach in security.

You cleared your throat, trying to get his attention once more.

"Seb, be realistic. We cannot dance together. I don't even know how to"

"I am certain the youth refers to this as a "skill issue" nowadays. Painter had discovered a whole thesaurus of modern slang, heaven help us all."

"I am not even going to comment this. My point still stands. Besides, you do not even have legs."

"What I do have is creative solutions to complex problems. We crush obstacles, do we not? Ah, there we go. Good as new."

He placed the needle on a record.

Music. Soft jazz, soothing yet playful, unpredictable in its rhythm, improvising, moving from whimsical and exciting tunes to the more melancholic melodies. In many ways, it conveyed Sebastian's own soul perfectly.

He offered his clawed hand, grinning and waiting for you to inevitably accept his offer. Reluctantly, you accepted.

His tail began to tap in a certain rhythm against the floor, as if setting the tempo you should follow along with the music. Confused, you saw his other two arms approach you, all three serving as if they were makeshift dance partners.

Before you knew it, he was making you move and sway as if you were a combination of a puppet on a string and a music box ballerina. He made you twirl, glide, turn, almost hypnotic.

At a certain point, he snapped his fingers, and suddenly the room was completely dark, save for the lone light of his esca.

"See? You do not need to know where to go or what to do, you are only to follow as I say. Trust me and you will never have to worry about anything ever again."

"Seb, I am tired."

"I am sure we can get a few more pirouettes out of you, pet."

"Well, at least I am getting free cardio training here."

You took deep breaths as your puppet master played with you, demanding yet gentle, firm yet rewarding you with tenderness when it was due. As you were about to collapse, he caught you, pulling you into his lap.

Soft kisses were placed on your head, cheeks and lips.

His body began to sway, akin to the ocean waves, his arms cradling you.

Sebastian was truly like the ocean itself, simultaneously a cooling haven that embraced you in your feverish nightmares and a cold unyielding tomb that one could not escape from. A devil is merely a fallen angel, after all.

You whispered, closing your eyes.

"What will become of us, Seb? We are playing in this illusion, knowing that all of this is ludicrous."

"We live on stolen time. Our old lives are forfeit and we can only move onward. We take, we scavenge, we defy probability itself."

"What are we to each other?"

He combed his fingers through your hair.

"Fleeting hope. The same type that a ghost feels in a house with new tenants, desperately wishing to be seen and heard once more. Even for a final time."

Hot tears ran down your cheeks.

"Hope is such a cruel thing, Seb."

He kissed each tear away, savouring your sorrow.

"We lie in the Abyss. This location defies physics itself, it rebels against every possible known law of water mechanics. So shall we. Doomed to fail, given to death, we shall rise once more, wearing the Reaper's cloak as our own."

[reds-references]

Welcome to my corner of chaotic whimsy!

I'm Red or formally known as, Justine...

I am a multi-media artist. I am my own photographer, editor and model, I am an illustrator (HUMAN ARTIST, NOT AI) and seamstress. I am a crafty/fitness YouTuber, an OnlyFans model and a boxing instructor/fitness coach. I do hope you enjoy your stay in my wee corner of chaos and please feel free to use any and ALL of my reference photos for your artistic needs! Also do say hi!! I try my best to answer every message and comment! I just appreciate you being here so gosh darned much.

FAQ

ONLYFANS: I know, when you hear "OnlyFans" your mind goes to some pretty wild places. I am a non-spicy model, which means I censor everything as tastefully as possible! You can think of me as a whimsical lingerie model! I started my OF as a way to raise funds for my FREE boxing gym for underprivileged children and to provide artists with cheap art packs.

YOUTUBE: I started my YouTube channel as a way for me to express myself even further with my art. My OF photoshoots aren't always the artistic sets I would like them to be and I stopped drawing years ago (attached are a few of my illustrations, including the cover to my web comic "The Nun's Mistake" and the cover for Colm McGuinness' album "The Colm Before The Storm" on Spotify) so I figured I would try and make photography my new medium for "paintings". Even with that in mind, I still wanted to be crafty and what with my day job in concrete/construction, I don't get a lot of free time to myself. Hence, YOUTUBE! YouTube has given me the chance to make content that I can be free to have fun with and Patreon is helping me to continue pursuing that dream!

MY ART: I spent 10+ years working as a freelance artist between my other jobs. My art never sold, I barely got a single commission and people always tried getting things for free. Safe to say my art failed miserably and I gave up on it for a few years. My OF and ESPECIALLY YouTube are helping me find that spark again! (P.S art commissions are not open, I see where your sweet little brain was going!)

BOXING: I have been a trainer/professional boxer for over 8 years now. I trained with world champions and fought on a professional level and found a love for teaching along the way. I got tired of how expensive boxing classes are, seeing as there are so few "trainers" who actually know what they're doing and aren't just MMA people pretending to know what Boxing is. SO, I and the other trainers decided to dedicate our lives to opening a completely FREE boxing gym for underprivileged children. We have put every penny we earn into this gym. Everything I make in my day jobs and OF helps to fund the gym, while the Patreon helps me to fund my dream of quitting my back breaking job in concrete and work full-time as a YouTuber/Creator.

WHAT ARE YOU: I am a cisgendered woman. I got my dad's tits and his jaw, I know, I appear more masculine than femme. I also work out a lot, hence the muscles.

WHAT ARE YOU ON: Bro, if I was on roids, THERE WOULD BE SIGNS. I am a SMOL, natty Muscle Mommy!

Thank you for taking the energy and time out of your own life to show me kindness, love and support. Thank you for being here.

TAGS to use: #DrawRedInYourStyle #RedsReferences

[nias-nook]

Bill Cipher and The Unicorn in Captivity

Soooo, I haven't been looking at Bill related posts much since the book dropped as I have mixed feelings on what TBOB and the subsequent site have revealed about him, his motives, his backstory etc., but (and maybe someone beat me to this) one thing I haven't seen anyone talk about yet is this,

So maybe I'm stating the obvious here, but this is The Unicorn Rests in a Garden, also known as The Unicorn in Captivity. This piece was a part of The Unicorn Tapestries. Its origins are shrouded in mystery and super interesting but I'm not really gonna touch on that here.

Now there is something to be said about how this one piece, and the rest of the tapestries tie to Bill. I'll briefly go over what the tapestry meant when it was made then dive into what contemporary interpretations of the piece say about Bill and his fundamental inability to redeem himself.

Also just want to establish before we get into this that I am...Not a scholar when it comes to this stuff. I just happened to recognise this tapestry and its symbolism when it dropped on the website and had to put my thoughts somewhere. I might add more later if I've forgotten anything, which I probably have.

Given this was a piece made in Europe in the Middle Ages, it's perhaps unsurprising that a lot of interpretations of it are biblical, but we can (mostly) safely assume Hirsch isn't going for a Christ allegory here. Then again, maybe he's going for nothing and all of this is pointless.

What is a little interesting in the wake of TBOB is its ties to marriage.

These tapestries are heavily theorised to have been made to celebrate a wedding, and their comparisons of love and marriage to a hunt that inevitably leads to the imprisonment and taming of your lover. Of course, Bill quite literally suggests this method in the book with The Love Cage that he uses in Weirdmageddon, but there's a million 'Billford is canon' posts (though I think that's reductive at BEST) out there so let's table that as it's pretty self-explanatory. Bill and Ford have been hunting each other for decades and Bill imprisons him in a so-called 'Love Cage' to try and convince Ford to be his 'partner' (be it platonic or romantic). This is what a victory in a relationship is to him.

What I'd like to focus on is the modern interpretation of The Unicorn in Captivity as a self-imposed prison.

"Look at that little unicorn! The beatific smile. He's happy now. He gets to live in a beautiful garden."

"Yeah, in a cage."

"A protective barrier. No one's hunting him anymore. Nor can he hurt anyone with that horn of his."

This summary of the piece is taken from the aptly titled Unicorn in Captivity from another animated series, The Venture Bros. (which, by the way, if you're looking for another show that's a whimsical and fun riff on 80s pop culture with a big mystery element, highly recommend), but this of course isn't the first piece of media to portray it this way. the most notable being The Unicorn in Captivity poem by Anne Morrow Lindbergh.

The unicorn is, on the surface, a prisoner. The Theraprism that Bill is now trapped in is a place he longs to escape, but that's the thing, isn't it?

He could escape any time he wanted to.

Bill, like the unicorn, is trapping himself more than the Theraprism is trapping him, but his situation isn't to be pitied, it's karmic justice. What's so satisfying about Bill's eventual comeuppance is that he's the one making himself suffer. The only thing Bill needs to do to escape is to admit he was wrong, to stop revelling in the suffering of others, but...Well, he chooses not to.

He could slip his head

From the jewelled noose

So lightly tied -

If he tried,

As a maid could loose

The belt from her side;

He could slip the bond

So lightly tied -

If he tried.

For all of his guilt about his parents and his so-called 'dark and troubled past', Bill has never regretted a single person he's hurt since. He didn't regret taking over the world, he regretted being caught. He didn't regret hurting Ford, he regretted losing him. Bill will probably be doomed to wallow in the Theraprism for all eternity, cursing his situation and blaming everyone else for his inevitable downfall. An overgrown child who once had too much power and lost it all throwing a tantrum for the ages.

But now he can't hurt anyone with that horn of his.